#sci-fi series adaptation

[joncronshawauthor]

🎉 Anniversary Reflections & Creative Updates | Author Diary - June 21, 2024 📚🌌

📘 7-Year Anniversary of “Wizard of the Wasteland” This week marks seven years since the launch of my debut post-apocalyptic novel, “Wizard of the Wasteland.” Reflecting on this journey fills me with gratitude for the experiences and growth it has brought me. Celebrating this milestone reminds me of how far I’ve come and the incredible support from readers like you. 📺 Watching “Three Body…

[adaptations-polls]

Which version of this do you prefer?

[themidnightcircusshow]

@heartofstanding tagged me in this meme months ago and unfortunately it took me this long to get to it because I had a mild crisis over how long it's been since I've read a novel, let alone one that I loved 😅 so this is nine of my favourite novels (not books, because if I included manga/short stories/comics/etc this would be giant)

0The Picture of Dorian Gray -- Oscar Wilde// Pyrrhus-- Mark Merlis//The Scarecrow--Ronald Hugh Morrieson//Unnatural History--Kate Osman//Tunnels of Blood--Darren Shan//The Coffin Dancer--Jeffery Deaver//Hero--Perry Moore//Frankenstein--Mary Shelley//One Flew Over the Cuckoo's Nest-- Ken Kasey

[byzantine-suggestions]

just saw someone on twitter call Belisarius “underrated,” as if there aren’t 700 books and plays that are like “this is Belisarius, the greatest man ever to exist, the Cincinnatus of late antiquity, the world’s best and most handsome general, the only true Roman after the collapse of the west,,, also he conveniently shares all of my obscure political and religious views,, and he was good at sex too”

[cryptocollectibles]

Star Trek #50 (July 1993) by DC Comics

Written by Howard Weinstein, drawn by Rod Whigham, Carlos Garzon and Arne Starr, cover by Jason Palmer.

[captaingimpy]

Review of Silo Season 1: Unrealized Potential in a Dystopian World

Silo on Apple TV+ brings strong production quality and an ambitious premise to the screen, adapting Hugh Howey’s popular Silo series. The show aims to explore themes of control, societal order, and the right to freedom, set within a dystopian underground society where knowledge is tightly regulated and authoritarian rule reigns supreme. While visually captivating, with high-end cinematography…

[madegeeky]

Free Epic Game (til 24 Dec 2023 10am ct)

Create a character of your choosing and descend into a post-apocalyptic world where every minute is a fight for survival

[whetstonefires]

The thing is that the most interesting and novel invention of the MCU is a universe where billions of people turned into dust and then were physically reconstituted on the spot five years later, in a world that had just barely adapted to their absence.

That is wild. That is intense! That is a series of pathos-ridden emotionally complex doorstoppers waiting to happen. Half the entire world! All dead! And somehow we coped with that! And now we have to cope with them all being back?

A whole street of empty houses--surely not everyone there became ash. Some of them moved to better places, now opened by the mass mortality. Some of them died afterward. Who will live there now? Even if inheritances are reversed by resurrection, surely leases aren't renewed. What the fuck happens to everyone who remarried?

What happens to the children snapped back to a world where their parents didn't survive, or the reverse?

But they had to then hastily smooth over this utterly batshit sci-fi premise and get the world mostly back to normal working order as rapidly as possible, without too much emphasis on how literally every person in existence has been placed in a mason jar by a narcissist and shaken twice in five years.

So they could get on with more superhero whack-blam business, which is customarily done against a background of Normality.

This is, tragically, the most Comics thing these movies have ever done.

It is beyond satire that they did this immediately before and during a worldwide pandemic that everyone was pressured to smooth over and 'return to normal' about within 2 years if not sooner.

[iammannyj]

You'll love this TV Show - Foundation Series on Apple+

You'll love this TV Show - Foundation Series on Apple+

Hi! I found this TV Show recommendation for you on Likewise. Check it out – I think you’ll like it! From the very first episode, it had me hooked. The blend of sci-fi wonder, captivating characters, and mysterious plot twists left me craving more with each passing episode. https://likewise.com/Shows/93740/610db080438bf40025202476 I thought can we just take a moment to appreciate the sheer…

[comicaurora]

If you were a sci-fi writer, how would you solve the Fermi paradox? That being the discrepancy between evidence for alien life, versus the likelihood of their existence? (basically. If alien so likely, why we not see?) The Dead Space series has an amazing cosmic horror solution, but i'm curious what you're brain could come up with!

There's a lot of possibilities, some more interesting than others.

The speed of light and the distance between inhabited stars makes it prohibitively slow to detect, make contact with, or reach any star with alien life. It doesn't matter if we're not alone, our corner of Space Reachable Within A Human Lifetime is so comparatively small that we may as well be. We're all blindly wandering through an infinite desert, calling into the void. Space exploration is a long game, and on that timescale, even whole civilizations blink out very quickly. If we manage to catch a signal and follow it, we might find nothing on the other end but ruins - or an asteroid field where a planet's orbit used to be.

The universe is too young for us to find anyone else out there. We're the first. How will we shape the galaxy to make life better for those who come after us?

The life that formed on Earth is terrifyingly invasive. The atmosphere and ocean is choked with monocellular life, and its surface is coated with a mass of multicellular organisms finding new ways to devour one another. Even extinction events don't keep down the biomass for long. If life on other planets looks anything like us, the problem isn't going to be detecting it. It'll have gotten everywhere. The problem is going to be not immediately getting colonized and eaten alive by it. And if life on other planets DOESN'T look like us, our whole planet is probably a class 1 biohazard and contamination risk. Multicellular earth organisms contain microcosmic ecosystems that proliferate explosively when they die. If anything inside them can find ANYTHING to eat, it's over.

Life evolves frequently, but always in oceans. It is extremely rare for any alien life to leave that ocean and adapt to life on land. Without this step, the jump to space exploration - even space contemplation - becomes infinitely more unlikely.

Monocellular life is seeded on planets from an outside source and allowed to self-cultivate and grow until the biomass reaches a certain volume. Then the farmers return to harvest it.

There is not a single other species on our entire planet that humans can actually reliably communicate with. It takes tremendous amounts of training to make an animal capable of recognizing even a handful of words, and very few of them can use them. Humans can't even communicate with other humans with 100% clarity, even if they're using the same language. When we find alien life, if we even recognize it as anything resembling life as we know it, we have absolutely no way of communicating.

Space colonialism has been disallowed by the space geneva conventions due to massive past tragedies, parasitic exploitation of worlds and senseless loss of life. Human expeditionary efforts are being watched warily through targeting sights.

We've known about radio communication for less than 200 years. We haven't yet figured out the medium through which all advanced civilizations communicate.

Alien life exists in abundance, but the vast majority of it is extremely tiny. We wouldn't spot an anthill on a satellite photo, and none of their ships are large enough to survive passage through our atmosphere.

Earth's oxygen atmosphere is an anomaly, and our first and most enduring extinction event. The explosive proloferation of cyanobacteria and their oxygen photosynthesis irreparably altered the planet's prebiotic atmosphere and wiped out everything that couldn't handle the sudden massive increase in a highly reactive and flammable gas. Earth is considered highly toxic and unstable, though recently detected increases in methane and CO2 might signal that nature is finally beginning to heal.

[joncronshawauthor]

📚 Major Milestones & New Entertainment Ventures | Author Diary - April 19, 2024 🎮✨

📝 “The Knight and the Rebel” Update: I’ve reached a pivotal moment this week by finishing the first draft of Ragnar’s POV in “The Knight and the Rebel,” part of the Ravenglass Legends series. It’s always rewarding to complete a major section of a novel, and I’m looking forward to the next phases of revision. 🧟‍♂️ “Punks Versus Zombies” Progress: In addition to my work on Ravenglass Legends,…

[adaptations-polls]

Which version of this do you prefer?

[thenerdsofcolor]

Micah Stock Discusses His New Drama Series, 'Kindred'

NOC Interview: Micah Stock Discusses His New Drama Series, 'Kindred' @goodstockmicah @KindredFX #KindredFX @hulu

Micah Stock stars as Kevin Franklin in FX’s Kindred, which is a television adaptation of Octavia E. Butler’s critically acclaimed novel of the same name. All eight episodes of the season begin streaming Tuesday, December 13, exclusively on Hulu. (more…)

[morporkian-cryptid]

Welcome to the wonderful world of Arsène Lupin Copyright Shenanigans

Have I ever told y’all about the absolute madness that is the legal issues around the Lupin franchise ? Probably. Can I find the post in question ? No. Am I going to tell you again ? You fucking bet !

The year is 1905, and detective stories are all the rage. Maurice Leblanc, a young writer, is commissioned by the magazine Je Sais Tout to write a short story on the same model as Sherlock Holmes. Maurice Leblanc says « Screw this detective shit », and creates the character of Arsène Lopin, gentleman thief.

No, this is not a typo.

Arsène Lopin, a municipal advisor in Paris, hears about it and contacts Leblanc. « You are not fucking writing a story about a thief who shares my name. » To which Leblanc replied, « Lopin ? No no, you misunderstand, this is Arsène Lupin, completely different person. »

And he gets away with it.

Leblanc writes a bunch more stories about Arsène Lupin, they get popular, and he decides he wants to write a crossover with the famous British detective, Sherlock Holmes. A crossover in which, of course, Lupin will win and Holmes will be humiliated.

Arthur Conan Doyle hears about it, and is not thrilled. He contacts Maurice Leblanc with a message along the lines of « You are not fucking writing a story where my Amazing-Original-Character-Do-Not-Steal gets bested by a thief. » To which Leblanc replies, « Sherlock Holmes? No no, you misunderstand, this is Herlock Sholmes, completely different person. »

And he gets away with it.

The years pass, more Lupin stories are written, they’re translated and exported outside of France, and wouldn’t you know it, Japan takes a strong liking to the « gentleman thief » archetype in general and to Arsène Lupin in particular.

The years is 1967, and mangaka Kazuhiko Kato, best known by his pen name Monkey Punch, is commissioned by the magazine Weekly Manga Action to create a manga for their first issue. He reads 15 of Leblanc’s stories, and creates Lupin the Third, a character who is the grandson of the famous gentleman thief. He does not bother asking the Leblanc Estate for permission, as Japan doesn’t give much of a crap about French copyright laws.

(For the record, Weekly Manga Action was the first manga magazine for an adult audience (outside of erotica), and Lupin III was published in its first issue, effectively making it one if not the very first adult manga in the history of manga.)

The Lupin III manga gets popular, is adapted into an anime, the anime gets popular, it gets translated into other languages and exported to Europe…

And then the Leblanc estate rears its head. «You are not making an anime about our character without paying us fucking royalties, » they say to Monkey Punch. To which Monkey Punch, channeling the spirit of the deceased Maurice Leblanc into his very soul, replies : « Lupin ? No no, you misunderstand, this is Rupan, completely different person. »

And he fucking gets away with it.

(Arsène Lupin became public domain in France in 2012. Before that, Lupin the Third took many different names in European releases, among which Rupan, Wolf, and in France, Edgar de la Cambriole (Edgar of Burglary).)

Additional tomfuckery :

The year is 1982, and science-fiction animated series are getting extremely popular. TMS decides to try and get a slice of the cake, and begins the development of Lupin VIII, a sci-fi spinoff about Lupin III’s descendant. The anime is being produced in France, and the Leblanc Estate once again rears its head. « Sure, you can make that anime, » they say, « but pay us fucking royalties. » TMS, as previously established, does not want to pay the Leblanc Estate diddly squat, and so they scrap half of the project, recycle the other half, and go « Lupin VIII ? No no, you misunderstand, this is Inspector Gadget, completely different person. »

The year is 1930, and famous Japanese writer Tarō Hirai writes The Golden Mask, a novel in which his detective character Kogoro Akechi goes up against none other than Arsène Lupin. Hirai’s pen name was Edgar Allan Poe- wait, wait, no, sorry, it’s Edogawa Ranpo, completely different person.

(Later, Gosho Aoyama names his character, Detective Conan Edogawa, after Arthur Conan Doyle and Edogawa Rampo (and the anime is distributed by TMS).)

(More than fifty years later, the Lupin III anime makes a tribute to Ranpo’s Gold Mask with the double episode The Imperial City Dreams of Thieves.)

The year is 2021, and Capcom is releasing the video game The Great Ace Attorney Chronicles, in which famous detective Sherlock Holmes plays a central role. Unfortunately for them, a few Sherlock Holmes stories are still under copyright, and the Conan Doyle Estate is about as stubborn and greedy as their French cousins. « Pay us fucking royalties, » they say.

In the English release of the game, Sherlock Holmes is renamed to, you guessed it...

...fucking Herlock Sholmes.

[fuckyeahgoodomens]

Link 1, Link 2 :)

Digital Good Omens 2 Sountrack is coming out in 4 days! 🥳 CD version in October! :) ❤ Coming soon on vinyl…

Out to Stream/Download from 25th August. Out on CD 13th October. Coming soon on vinyl…

David Arnold’s ‘end of the world’ complex and multi-genre soundtrack.

From the Award-winning composer of Sherlock and Casino Royale comes a follow up to the hugely successful, Emmy nominated Good Omens soundtrack.

Good Omens series 2 premiered on Prime Video on 28th July. The series follows the odd couple, angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) in their quest to sabotage the end of the World. The six-episode sequel to the popular adaptation of the novel by Neil Gaiman and Terry Pratchett, concerns the Archangel Gabriel (Jon Hamm) arriving without his memories to Aziraphale’s bookshop. Aziraphale and Crowley attempt to find out what happened to Gabriel, whilst hiding him from Heaven and Hell, both eager to find him.

The Soundtrack

David Arnold’s soundtrack to Good Omens was first released in 2019 to favourable reviews, with BBC Music Magazine calling it “a rollicking trip to hell and back”. Blueprint Magazine described it as “a great listen” and Sci Fi Bulletin commented on “plenty of memorable themes” to conclude that “This is another work of art from Arnold”. At times nostalgic and eerie but always varied, beautiful and full of excitement, the Good Omens 2 soundtrack showcases Arnold’s every skill from his composer arsenal. Featured here are orchestral arrangements with sprinkling of Sugar Plum Fairy pizzicato and percussion, jaunty strings and mighty choral sweeps from Crouch End Festival Chorus. Added to the mix are rock guitar riffs, and psychedelic 70s sounds and all together they create a haunting otherworldly feel, complementing the fantasy and the quirky humour of the show. The spirited Waltz of the opening theme is also present in the second series and it wonderfully sets the scene for fantastical mayhem. In series 2, this robust, evocative, and funny music entity, becomes yet again another character in the story. Award-winning composer David Arnold is well known for his blockbuster scores, including Stargate, The Chronicles of Narnia: the Voyage of the Dawn Treader, Hot Fuzz, Paul, Independence Day, 2 Fast 2 Furious and Casino Royale as well as for his TV work such as Sherlock and Dracula. Also available: The original soundtrack to the first series of Good Omens >

Tracklist

– Disc 1 – Chapter 1: The Arrival 1. Before the Beginning 2. Good Omens 2 Opening Title 3. Into Soho 4. Something Terrible 5. To The Bookshop 6. Maggie and Nina 7. He’s Smoking 8. Tiny Miracle 9. Heavenly Alarm Bells Chapter 2: The Clue 10. Avaunt! 11. The Song is the Clue 12. It’s What God Wants 13. A Mighty Wind 14. Whales 15. Gabriel Returns 16. His New Children 17. Am I Awful Now? 18. Fallen Angel Chapter 3: I Know Where I’m Going 19. Police Arrive 20. Scotland 21. We’re Going to Hell 22. People Get a Choice 23. My Car is Not Yellow 24. Beelzebub in Hell 25. The Book 26. The Fly 27. Mr. Dalrymple 28. We Need to Cut 29. I’m Going to Save Her 30. Crowley Goes Large 31. Not Kind 32. Beelzebub Isn’t Happy – Disc 2 – Chapter 4: The Hitchhiker 33. Hell-O 34. Nazi Zombies 35. March of the Nazi Zombies 36. Crowley Pep Talk 37. The Magic Shop 38. Catch The Bullet 39. Zombies in the Dressing Room Chapter 5: The Ball 40. I’ll Let You Have It 41. We’re Storming a Book Shop 42. Monsieur Azirophale 43. The Candelabra 44. Here Comes Hell 45. Gabriel Gives Himself Up 46. Shax 47. The Circle Chapter 6: Every Day 48. Bin Through the Window 49. Gabriel Leaving Heaven 50. The Halo 51. Gabriel Revealed 52. Gabriel’s Love Story 53. Leaving The Bookshop 54. Gabriel and Beelzebub 55. Crowley and Muriel 56. I Forgive You 57. Don’t Bother 58. The Biggest Decision 59. The End?

[chrisairgames]

When in Rome

Right, so I write for Mothership RPG, yeah?

It was basically a professional obligation for me to go see Alien: Romulus on its opening weekend.

Short review: Cool. Though I wish directors would make a new alien horror movie instead of new Alien movies.

Lemme tell ya, I might have designer brain disease, but this movie really is a series of problems for a sci-fi adventure, haha. My favorite thing about this movie was the smart, player-skill level problem solving the characters came up with. I was actually impressed. The film made me want to put my friends through the same ringer, and write up a similar scenario.

So I did.

When in Rome is a 20pg Mothership RPG adventure module with two player handouts, obviously heavily inspired by Alien: Romulus. I started last weekend, and released it yesterday. (What’s wrong with me, right?). That is: writing, playtesting, Mothership 3pp approval, peer review (thanks Josh Domanski, Christian Sorrell, Iko and Allen Hall!), hiring Brandon Yu “Chaoclypse” for the sick art, revising and putting into layout.

So yeah, this module is basically an adaptation of the film, but it does have some very notable (read: legally distinct) differences.

It's free for the next five hours, and I would love to hear what you think, and how your PCs fare on Caesar/Augustus.

Click here to download the module on itch.io. Note that I’m still working on the plaintext file and VTT asset updates. I would love to hear what you think, and how your players’ crews fare on Caesar/Augustus.

Good luck.