#salman tin

[tragoediae]

Salman Tin - Gözlerinde Bi'yer

"Sen minicik öpünce Bir serçe öterdi göğsünde Gözlerinde bi'yer vardı Saklardın en derinde"

[iamblueberrypie]

Sen de kendi yağında kavrul, kendi yolunda kaybol Benim alınacak intikamım inan ki yok (x)

[darkyayincilik]

Salman Tin: Para verip, evde köle olmak isteyen mesajlar geliyor

“Bir Tek Ben Anlarım” ve Simge ile birlikte seslendirdikleri “Yakışıklı” şarkısı ile listelerde fırtına gibi esen Köfn grubu, Kral Müzik Youtube kanalında gazeteci Serhat Tekin’in konuğu oldu. Grup, haklarında merak edilenlerden yeni çalışmalarına sorulan sorulara samimi cevaplar verdi. Röportajdan bazı başlıklar; Salman daha çapkın Programda “ Hanginiz daha çapkın ? “ sorusuna Köfn grubunun…

[bookquest2024]

100 Books to Read Before I Die: Quest Order

The Lord Of The Rings by J. R. R. Tolkien

In Search of Lost Time by Marcel Proust

The Great Gatsby by F. Scott Fitzgerald

A Wrinkle in Time by Madeleine L’Engle

Jane Eyre by Charlotte Brontë

Pride and Prejudice by Jane Austen

Frankenstein by Mary Shelley

The Good Soldier by Ford Madox Ford

Under The Net by Iris Murdoch

American Pastoral by Philip Roth

The Unbearable Lightness of Being by Milan Kundera

Animal Farm by George Orwell

Housekeeping by Marilynne Robinson

Anna Karenina by Leo Tolstoy

Atonement by Ian McEwan

Crime And Punishment by Fyodor Dostoyevsky

The Grapes Of Wrath by John Steinbeck

Midnight’s Children by Salman Rushdie

Lucky Jim by Kingsley Amis

Slaughterhouse-Five by Kurt Vonnegut

The Sun Also Rises by Ernest Hemingway

Invisible Man by Ralph Ellison

A Passage to India by EM Forster

Of Human Bondage by W. Somerset Maugham

The Prime of Miss Jean Brodie by Muriel Spark

The Amazing Adventures of Kavalier and Clay by Michael Chabon

If on a Winter’s Night a Traveller by Italo Calvino

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

1984 by George Orwell

White Noise by Don DeLillo

The Count of Monte Cristo by Alexandre Dumas

The Sound and the Fury by William Faulkner

The Stranger by Albert Camus

Lolita by Vladimir Nabokov

Oscar And Lucinda by Peter Carey

The Wind-Up Bird Chronicle by Haruki Murakami

Gulliver’s Travels by Jonathan Swift

Brave New World by Aldous Huxley

As I Lay Dying by William Faulkner

To Kill A Mockingbird by Harper Lee

Lord of the Flies by William Golding

The Portrait of a Lady by Henry James

The Call of the Wild by Jack London

Pale Fire by Vladimir Nabokov

Beloved by Toni Morrison

Tinker Tailor Soldier Spy by John Le Carré

Austerlitz by W. G. Sebald

The Scarlet Letter by Nathaniel Hawthorne

Brideshead Revisited by Evelyn Waugh

Tropic of Cancer by Henry Miller

The Age of Innocence by Edith Wharton

Mrs. Dalloway by Virginia Woolf

The Heart Is a Lonely Hunter by Carson McCullers

The Phantom Tollbooth by Norton Juster

Ulysses by James Joyce

Scoop by Evelyn Waugh

Haroun and the Sea of Stories by Salman Rushdie

Things Fall Apart by Chinua Achebe

Middlemarch by George Eliot

Are You There, God? It’s me, Margaret by Judy Blume

Clarissa by Samuel Richardson

Moby-Dick by Herman Melville

The Handmaid’s Tale by Margaret Atwood

Herzog by Saul Bellow

The Brief Wondrous Life of Oscar Wao by Junot Diaz

Wuthering Heights by Emily Brontë

Don Quixote by Miguel De Cervantes

A Bend in the River by V. S. Naipaul

A Dance to The Music of Time by Anthony Powell

The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Go Tell It On The Mountain by James Baldwin

Wide Sargasso Sea by Jean Rhys

Catch-22 by Joseph Heller

The Rainbow by D. H. Lawrence

Song of Solomon by Toni Morrison

I, Claudius by Robert Graves

Nostromo by Joseph Conrad

The Tin Drum by Gunter Grass

Madame Bovary by Gustave Flaubert

The Catcher in the Rye by JD Salinger

Charlotte’s Web by E. B. White

Tom Jones by Henry Fielding

His Dark Materials by Philip Pullman

Alice’s Adventures In Wonderland by Lewis Carroll

Little Women by Louisa M Alcott

Great Expectations by Charles Dickens

Portnoy’s Complaint by Philip Roth

Watchmen by Alan Moore

One Hundred Years of Solitude by Gabriel García Márquez

Robinson Crusoe by Daniel Defoe

Tristram Shandy by Laurence Sterne

On the Road by Jack Kerouac

The Big Sleep by Raymond Chandler

The Wind in the Willows by Kenneth Grahame

To the Lighthouse by Virginia Woolf

The Corrections by Jonathan Franzen

The Trial by Franz Kafka

Their Eyes Were Watching God by Zora Neale Hurston

Money by Martin Amis

David Copperfield by Charles Dickens

[dengesizkafamm]

Ya çok güzel bak vallahi çok güzel şunu bi dinleyin pişman olmazsınız

[atmosphereofglass]

“Most of what matters in our lives takes place in our absence: but I seem to found from somewhere the trick of filling in the gaps in my knowledge, so that everything is in my head, down to the last detail, such as the way the mist seemed to slant across the early morning air… Everything, and not just the few clues one stumbles across, for instance, by opening an old tin trunk, which should have remained cobwebby and closed.”

- Midnight’s Children, Salman Rushdie

[chthonic-cassandra]

The point about the protean in literature, the point Shakespeare grasped and allowed all of us who follow him to grasp as well, is that life's like that, life itself is not one thing but many, not singular but multiform, not constant but infinitely mutable. It's a ghost story and a love story and a political saga and a family saga, it's comedy and tragedy at the same time, it's not realistic, not in the sense in which that word is used by those who sit in judgment over such things, not realistic in that sense at all. Family life isn't "realistic" either. We pretend it is, we all do, inventing one of the governing fictions of what gets called "reality," the fiction of Ordinary Life. We all pretend that these Ordinary Lives are the lives we "really" have, the lives we "really" lead but we all secretly know the truth, which is that once we get through the front door of the family and close it behind us, it's mayhem in there, it isn't Ordinary at all it's overblown and operatic and monstrous and almost too much to bear; there are mad grandfathers in there, and wicked aunts and corrupt brothers and nymphomaniac sisters, there are young men who refuse to eat their disgusting lunch and retreat instead into the trees, to remain there for the rest of their lives, like the title character in Calvino's The Baron in the Trees; there are giant Rabelaisian families, Gargantuan, Pantagruelian, giant belchers, breakers of giant winds, and there are screaming boys of stunted growth beating on tin drums, as Oskar Matzerath does In Grass' great novel, boys who choose to remain small, dwarfed by the horror of their times, and there are mothers, like Úrsula Iguarán, the matriarch of One Hundred Years of Solitude, the sane center of an insane world; there are untimely deaths and bizarre accidents, there's jealousy and incest and bitter lifelong hatred, injuries are inflicted from which we never recover, eve when in our turn we inflict such injuries upon others, and it's noisy and intuitive in there, inside the Family, and sometimes we flee from it, we cross continents and oceans to escape it and then, very carefully, we build a new version of it for ourselves, because the trouble with trying to escape from yourself is that you take yourself along for the ride. Oh, and there's love and care and support and tenderness also, yes, I don't forget that.

Salman Rushdie, "Proteus" in Languages of Truth: Essays 2003-2020

[darkyayincilik]

Salman Tin Köklerine Döndü

KÖFN grubunun solisti Salman Tin ilk solo çalışması ‘Abdal’ ile sevenlerinin karşısına çıktı. 7 şarkıdan oluşan albüm Salman Tin’in ailesinin geldiği Anadolu Abdal kültürüne bir övgü niteliğinde. Anadolu’nun kültürel zenginliğinin 70’lerin müziklerinin modern yorumlarıyla birleştiği albümde Salman Tin, dünyaca ünlü Daft Punk grubunun mastering mühendisi Chab ile çalıştı… Birçok hit şarkıya imza…

[dakikamagazin]

Köfn grubu dağıldı! Solist Salman Tin tek başına konser verdi