#sakura-con 2016

[yurimother]

Comedy Yuri Manga 'Cheerful Amnesia' Licensed in English

On Friday, at a panel at Sakura-Con, Yen Press announced that it has licensed Oku Tamamushi's Yuri romcom manga Cheerful Amnesia (Akarui Kioku Soushitsu) for English release. The first English volume will be published in the Fall of 2023.

The publisher describes the series:

Arisa has lost her memories of the past three years, and her girlfriend, Mari, worries that means their love has vanished as well. But when Arisa lays eyes on her, it’s love at first sight all over again! Hoping to rekindle what they had, Mari decides to help Arisa experience things with her once more, from dates to kissing and beyond…?!

Cheerful Amnseia was serialized in Comic Cune from June 2016 until its conclusion in December 2020. Media Factory publishes six volumes of the manga in Japanese. The manga is translated into English by Jenny McKeon (Bloom Into You, Doughnuts Under a Crescent Moon).

Oku Tamamushi is a Japanese Yuri mangaka known for her series Cheerful Amnesia and I Don't Know Which Is Love, the first volume of which Yen Press will release in English on August 22. She has also contributed to the Éclair, Whenever Our Eyes Meet, and Yuri Drill anthologies, the first two of which are licensed in English by Yen Press. Lilyka Manga publishes two of her doujinshi works, Embrace Me More, Kiss Me More and Irresistible Person, in English digitally.

The first English volume of Cheerful Amnesia releases in English this Fall.

Source: Press Releases

[kaitouretort]

Finalmente, después de 20 y algo de años, por fin pude cumplir uno de mis sueños de tipo "santo grial" (quizás no tanto, OOF, tengo muchos de ellos, la verdad) de mi adolescencia, y ese fue...

Sigo sin creer que poseo lo que es conocida para muchos como la versión "original" (ahorita me pongo a explicar un poco esto, porque no es del todo cierto) del manga de Corrector Yui, hecho por su creador/autor, Kia Asamiya.

Es algo que nunca me imaginé que pasaría. A decir verdad, yo ya lo creía algo "imposible" , quizás "sumamente raro", porque en esta última década yo creo que conseguir mercancía "vintage" de CorreYui se ha vuelto un poco "modo muy difícil", porque parece que NADIE quiere soltar sus cosas (deja de lado lo que son los artículos/juguetes tipo cosplay que siempre rondan en más de 40k~ yen), y MENOS a precios "accesibles", por así decirlo. Por ejemplo, en 2017 hubo una reedición oficial del OST de la serie (compuesta por Kenji Kawai) por parte de Universal Music Japan siendo parte de una colección de más de 100 títulos a precios de 1000 yen c/u, yo siendo como soy, me compré los 3 volúmenes como mi regalo de cumpleaños en aquella época. En segunda mano, hoy en día, me ha tocado verlos a los precios que veía las ediciones originales de 1999/2000 en tipo 2014/2016. Así, así.

El manga (en sus dos versiones) es relativamente igual, y he estado intentando cazar que alguien vendiera (por lo menos) los de Asamiya juntos a un precio "razonable". Las palabras clave aquí siendo "juntos" y "razonable". Y así estuve estos dos últimos años. Entre mis otras prioridades, los vi un día y admito que fue muuuy impulsivo... hasta que alguien me los ganó y cancelaron mi orden... PERO la semana posterior a esa... 👀

Siempre he mitificado el manga de Corrector Yui en sus dos versiones desde que estaba relativamente empezando mi adolescencia. No había mucho a la mano en un internet entrañable y primitivo más que un par de fansites que tienen igual un poco más de 20 años sin existir que te describían más o menos que rollos de lo que trataban... pero supongo que entre cosa y cosa... pues, qué podían hacer sobre una serie que todavía era relativamente "nueva" a inicios de los 2000s y que todavía tenían esperanza de que le fuera "relativamente" bien dado a que Viz y Tokyopop intentaron exportarla sin mucho éxito alguno (uno de estos fansites tenía un poco más de material disponible que, para desgracias de desgracias no fue archivado adecuadamente en el Internet Archive y hoy en día aún no está disponible en su totalidad). CorreYui es un poco más "infantil" a nivel superficial que Sailor Moon y Cardcaptor Sakura, no lo voy a negar, y con EUA entrando en su burbuja del animanga de los 2000s, supongo que CorreYui fue una más del montón para muchos que no pudo sobresalir. Y acá en Latinoamérica, las comparaciones con CCS se dieron a venir por comentarios que rayaban de infantiles de "copia" cuando fue la serie que la reemplazó en su horario en Cartoon Network Latam (sin saber que tiene muchos clichés del Magical Shoujo como otras series de antes y después de esta, así que no es necesariamente "copia" porque, comparte muchas cosas incluido el drama del majokko, ¿no es así?). No quita que se hizo de culto con los años en esta región (y ni qué decir en Italia), por así decirlo.

Cuando digo "mitificado" es que siempre te lo ponían de este modo. "Es que mira, hay dos versiones del manga. Una es por una autora y está la otra por el autor original", "el anime está basado en cual-sea de las dos", y así y así. Y es información bastante mixta porque la accesibilidad y porque no era TAN común saber que era posible que un proyecto original de anime PUDIERA tener adaptaciones a manga (o que pudieran existir simultáneamente dos publicaciones basadas en la misma propiedad, por poner el ejemplo de "Los Diarios de la Boticaria", hoy en día). La verdad, no me quiero clavar mucho en esto (quizás haré otro post/artículo o lo que sea al respecto) pero básicamente uno se quedaba con una idea con lo poco de información disponible en su tiempo. Y luego te das a entender "es que, realmente ninguna de las versiones del manga es LA original", porque la serie fue conceptualizada como anime en primer lugar.

Okamoto juega un poco con su adaptación a hacer el rollo más "shoujo", es decir, hay momentos que lo hacen más dramático (no estoy muy del todo de acuerdo con que a Grosser lo haga "bishonen", lol, pero siempre he pensado que se inspiró mucho en el anime de Sailor Moon; y luego está el rollo de Yui en Ver.2 en confundir lo de Shun y Ai con un rollo BASTANTE incestuoso, lmao), pero es porque tengo el anime muy dentro de mi cabeza y memoria, y sé que al manga le hace falta... algo más, sin importar lo interesante que es ver su propia versión del argumento (regresando a Ver.2, yo sí creo que Okamoto hizo un poquito más con el resto de los correctores que lo que el anime, eso sí).

Asamiya es similar. Yo me sabía cosillas porque los fansites antes mencionados, y recuerdo un breve recuento de cómo Yui se alía al resto de los correctores en esta versión que es igual de sintetizada y diferente como la de Okamoto. No creo que debamos considerar su visión EXACTAMENTE como la "original", pues al final del día el anime se hizo con un conjunto de personas que le dieron un poco más de profundidad y moldearon a los conceptos originales de Asamiya (es más, los volúmenes te ponen interesantes detalles extra de conceptos con los que Asamiya estuvo jugando inicialmente para el anime, haciendo que POR FIN comprendiera otro montón de chistes que parecen internos entre los fans japoneses de antaño desde hace 20 años, lmao). También es importante considerar que la adaptación de Okamoto fue lanzada tal cual en formato tankoubon, y la de Asamiya fue serializada en la revista Ciao, mientras el anime estaba en transmisión. Lo que sí, es que se me hace interesante la perspectiva de Asamiya, sobretodo en como el climax importante de la primera temporada sale como sale, lo que me parece como el "desplazamiento" de amistad entre dos amigas en plena adolescencia (con como el internet y la realidad virtual estaban muy predominantes en sus vidas)... y luego parece que el manga se quedó inconcluso ANTES de la batalla final. ESTE detalle nadie parece (o pareció) mencionarlo, pero el manga se queda en un "continuará" y ha quedado así desde hace 24 años, *shrugs*.

Sigo en total incredulidad con tener en físico el manga de la adaptación de Asamiya, en general. De verdad. Es raro tenerlo a la mano junto a mi copia del "Daydream Hour" de Ryoko Kui y el chorro de manga que he comprado por parte de Panini MX (ahorita el que está encima de estos es "Insomnes Después de la Escuela" vol. 5, porque lo ando leyendo, lol... pero eso es porque ando peleándome para organizar cosas de mi cuarto), luego de 20 y algo de años "soñando" en comprarlo. Ahora bien, me gustaría poder leerlo y confirmar otros detalles que recuerdo a medias, lol.

Me voy a ir luego más a fondo sobre este manga luego, creo yo.

(ahora si pudiera desbancar fácil más de 1200 pesos para los DVD-Box set... del que, YO sé que la primera temporada tiene rollos con el formato del tamaño de pantalla... pero las cajas con arte original de Asamiya y los folletos extra... es una lástima que es el 25vo aniversario de la serie este año y todavía ni anuncio de un BD Box Set con esa posible corrección...)

[cameoappearance]

Didn't want to bring the mood down on that last reblog but pro tip if you are a cosplayer in a long line for food and people keep coming up to take pictures of you do not repeat your character's catchphrase over and over and over while posing for them unless you are at peace with making the rest of the people in the queue try to explode you with their minds

I have a permanent grudge against Mr. Meeseeks from Rick & Morty because I was stuck behind just such an individual while waiting for crepes at Sakura-Con 2016 and couldn't figure out a non-rude way to tell him to shut up when he seemed like a nice guy apart from this one extremely annoying behaviour but I was spiralling deeper and deeper into levels of hangry matched only by the Gnaw from Don't Starve Together and couldn't exactly leave without forfeiting my chance to eat delicious convention center crepes

[doueverwonder]

The Best (in my opinion) Cosplay Panels on YT

so, back in 2020 like six months after I had gotten into hetalia I was having a rlly hard time with my mental health for reasons besides Covid related stuff. And as stupid as it sounds one of the only things able to distract me were Hetalia cosplay panels on YouTube, I was literally watching these things on repeat, I still turn them on sometimes as background noise cause they make me happy.

So! I've decided to share my favorites that I've found! Again these are my favorites and I just want more people to appreciate them!

Sakura Con 2016 - Ancientalia - Cos-Space Films || it's in 4 parts, this is literally my favorite group ever. My Germania is basically almost completely based of this cosplayer they have a Tumblr but It hasn't been updated since 2018 T^T

Ichibancon Hetalia Panel 2015 {Friday} - Amydiddle0317 || I'm not fond of Spain bc of reasons I've stated and am not rehashing, but I love the Spain cosplayer on this panel so much! They just seem like they're having so much fun. I like the Austria and Lithuania cosplayers too even though neither of them talk much.

Hetalia World Meeting - Cos-Space Films || what would happen if you stuck America and Russia with a list of topics they needed to ask the audience about to solve (also Scotland won't shut up)? Again it's really the fact that the cosplayers seem to be having fun that make the panel! (also RusAme shippers rejoice they kiss)

Hetalia: A Beautiful Improv P1/3 [Daisho Con 2015] - MuteZombie || THE DENMARK COSPLAYER I AM IN LOVE. like okay, I used to think they were cool, (still do) but every time I watch I'm just like??? Marry me??? Not to mention watching Iceland and America try to teach Scotland how to play flappy bird is the most amusing thing.

Sakura Con 2016 - Sealand's Folly - Cos-Space Films || ohohohoh Sealand wants to have a world meeting and accidentally brings people from the past? Oops? Kiev (of Kievan-Rus) wants nothing but revenge on Mongolia and Turkey for killing her parents. China isn't such an old man yet. 13 Colonies and New France keep having little squabbles and its adorable.

Sakura Con 2017 - Ancientalia - Cos-Space Films || not as good as 2016 but I have heart eyes for Dacia, I love her, Scandia deserves the world. Britannia asks Germania how many ex-girlfriends he has, he proceeds to list of Scandia, Brit, Aestii and Gaul and follow it up with "I love u all dearly" its so awkward I love it.

[peatbogbody]

history of my Anime/Manga Eras:

2000-2005 (proto-weeb era): introduced to Ghibli, immediately obsessed. Notable media from this time: Totoro, Spirited Away, Howl's Moving Castle

2005-2006 (pre-weeb era), introduced to the concept of manga from an exhibit at the children's museum, sister got really into Drawing Manga for a while, i was envious of her drawing ability & tried to emulate. also read a few volumes my friend had borrowed. Iconic media from this time: Marmalade Boy, Tokyo Mew Mew

late 2007-early 2008 (early weeb era), started taking Japanese (to this day I must insist i did NOT take Japanese bc I like Anime it was the OTHER WAY AROUND which like idk if thats better but shrug emoji), started borrowing manga, mostly shoujo iirc, from middle school library (that had a shockingly good selection), only watched a few anime. Iconic media from this time: Kindaichi Case Files, Fruits Basket, Vampire Knight, CCS, Red River, Paradise Kiss, OHSHC

summer 2008-2012 (Weeb Golden Age), kicked off by an epiphany moment that holy shit Twilight is garbage, i can just stop trying to be cool and Popular, i'm ok with being a Nerd goddammit. watched more anime but still not that much. Got more into shounen series. Era of checking out the maximum limit of manga volumes from the public library and reading them all over the course of a week. Era of going to Lindsay's house after school to play Shitty Naruto Fighting Game. Generally kept my interest in it under wraps esp when around "popular"/normie peers. (memorable moment: driving past the convention center on Con Friday omw to a lacrosse game, teammates see cosplayers: 'lol wtf' me: *hiding face bc that's gonna be me tomorrow*)Iconic media: Fullmetal Alchemist, Code Geass, FLCL, Bleach, Tsubasa:Reservoir Chronicle/xxxHOLiC, Junji Ito's Uzumaki, Nana. First Sakura con attended, 2010. 2nd Sakura-con, spring 2013.

[summer 2013-early 2014 Dark Ages (superwholock era)]

spring 2014-2016 (Weeb Renaissance/Cringe Era: anime edition), part of my Fandom Tumblr era, got sick of other Fandoms and went Fuck It i'm an anime fan again! (cornell notes: interesting parallel to Spring 2008!). Sakura cons: 2014, 2015. Iconic media: SNK (lol), Free! (Lol), Yuri on Ice (ok), Tokyo Ghoul (ok), and uh does. dmmd count.

2017-Present (Integration Era): Sakura con 2017 just kinda a constant background part of my life now ig. Don't care if people know but im still not just wearing anime merch around. Not that i wouldnt but that shit's expensive lol. More into just reading Good Fuckin Manga these days. Discovered my secret to being able to read manga online (i hate reading on a laptop and phone screens are too tiny for some series): tablet! (first theorized by me and then proven right by virtue of commandeering family's old unused samsung tablet). Now maybe i can actually finish Dorohedoro... Attended Sakura Con in 2023! What's next? Iconic media of this era: Dorohedoro, Pluto, Berserk, Chainsaw Man, and...?

[poleroid-bliss]

When I went to Seattle and went to Sakura con. That was really fun! Definitely have to go again.

[waytray]

this is the cutest thing!! these ppl look so friendly i’m crying

[newsintheshell]

GOLD KINGDOM AND WATER KINGDOM: nuovo trailer per il film targato Madhouse, in uscita a gennaio nei cinema giapponesi

Due regni in perenne conflitto e al centro, una delicata storia d’amore.

Finalmente possiamo dare una nuova occhiata al prossimo film d’animazione di casa MADHOUSE (Cardcaptor Sakura: Clear Card, Overlord), basato sull’omonimo manga josei di Nao Iwamoto, che con il nuovo trailer guadagna anche il titolo internazionale, fortunatamente letterale, di “GOLD KINGDOM AND WATER KINGDOM” (Kin no Kuni Mizu no Kuni).

Il video fissa inoltre il debutto della pellicola per il 27 gennaio 2023 e anticipa “Brand New World”, uno dei tre temi portanti del film cantati da Kotone; gli altri due brani si intitolano rispettivamente “Yasashii Yokan” e “Love Birds”.

La regia del film è ad opera di Kotono Watanabe (Btooom!), mentre la sceneggiatura è curata da Fumi Tsubota (12-Sai: Chiccha na Mune no Tokimeki, Hugtto! Precure)

Mitsuyuki Masuhara (Ace of Diamond, Okko’s Inn) si occupa di supervisionare il comparto animazioni e la colonna sonora porta la firma di Evan Call (Josée la Tigre e i Pesci, Violet Evergarden).

C'erano una volta due regni rivali che non andavano d'accordo. Ogni giorno litigavano per questioni insignificanti. Quando una disputa sulla rimozione delle deiezioni canine si trasformò in una guerra, Dio intervenne prontamente, indicando ai leader delle due nazioni di combinare un matrimonio fra la ragazza più bella e il giovane più intelligente dei rispettivi regni.

È così che Sarah, la principessa del Paese A, incontra Naranbayar, il principe del Paese B. Mentre i due fingono di essere una felice coppia di sposi per proteggere la pace, gradualmente iniziano ad innamorarsi veramente l’una dell’altro.

Gli 8 capitoli del manga sono stati pubblicati sulla rivista Flowers fra il 2014 e il 2016, venendo poi raccolti da Shogakukan in un volume unico.

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO)))

blogger // anime enthusiast // twitch addict // unorthodox blackster - synthwave lover // penniless gamer

[FONTE]

[retro-friki]

He estado pensando en este post que escribí en el 2016 porque el plazo de 10 años ya está por cumplirse y algunas de estas cosas han tenido giros inesperados. Para empezar, cada vez voy dudando más que el Facebook siga hasta el 2026, curiosamente, es más probable que Tumblr siga vivo para esa fecha. En fin, sólo quisiera comentar esos “estados” que hice para ver si se cumplirían o no.

*“Este libro basado en un fanfic de Cincuenta Sombras de Grey y que se ha convertido en un best seller es la basura más horrible que he visto en mi vida”: Curioso que hable de un libro basado en un fanfic de Cincuenta Sombras de Grey en el 2016 cuando en ese tiempo “After” ya existía. Este no es necesariamente un fanfic de Cincuenta sombras, sino de Harry Styles, pero según he leído, su autora es súper fan de E.L.James. A estas alturas, con tanto libro sacado de esa famosa aplicación donde la gente se pone a escribir cuanta historia erótica se les ocurra creo que podemos decir que hay un montón de libros que podrían ser la basura más horrible que haya leído en mi vida. Sin embargo, hace tiempo me cansé de leer libros horribles sólo para comentarlos; con trabajos puedo leer libros buenos y además ya me pareció que la vida es muy corta como para andar criticando libros que ya sé que voy a odiar y que no voy a poder hacer desaparecer. Así que, para el 2026 me imagino que habrá cosas peores, pero no las estaré leyendo (a menos que me paguen, supongo).

*“El remake de Card Captor Sakura tiene una pésima animación”. Me da risa porque en ese tiempo no tenía idea de que “Clear Card” iba a existir. Sí llegué a ver algunos capítulos y no me pareció que tuviera una pésima animación, sin embargo me aburrió. Las capturas de las cartas no eran tan emocionantes como en la serie original y realmente no se sentía que hubiera peligro. No leí el manga más allá de la parte hasta donde llegó el anime, pero no me terminó de convencer. Creo que simplemente esto no fue mi cosa y punto. Hablando de CLAMP, tampoco me esperaba que fueran a anunciar un anime de “Tokyo Babylon” y que luego lo cancelaran por un caso de plagio o algo así. Me pregunto si para el 2026 ya estarán haciendo un remake de “RayEarth” o tendré que seguir esperando…

*“¡No se pierdan mis recaps de Steven Universe! Porque las caricaturas de antes son mejores que las de ahora”. Chale, sí me gustaría volver a ver Steven Universe y analizarlo, pero muchos nos pusimos muy intensos con esa serie. Creo que el odio que muchos le profesan es desproporcionado, realmente no es una mala serie pero como se arriesgó a hacer muchas cosas en algunos puntos cometió varios errores. Personalmente todavía no me siento capaz de escribir acerca de Steven Universe sin ponerme muy a la defensiva y tampoco tengo ganas de hablar con cierta gente al respecto. Así que, no creo que esté haciendo recaps de “Steven Universe” en el 2026 aunque quizá algún día sí escriba sobre esta serie. (Por cierto, creo que más bien las caricaturas de ahora no han hecho más que mejorar, el problema es que las cancelan de manera arbitraria y por culpa de esto podríamos llegar a una crisis de la animación, pero eso ya es harina de otro costal y realmente espero que no pase).

*“Ahora sí me dieron una beca vitalicia del FONCA. No es broma.” Nah, eso nunca iba a pasar. Pero me gusta apoyar a artistas que han sacado novelas gráficas con ayuda del FONCA.

*"Lo único que pido de una pareja es que le guste ‘Revolutionary Girl Utena’ tanto como a mí ¿es mucho pedir?”- Dios mío, creo que es más fácil que me den la beca del FONCA…

*“Mi libro ‘Lesbianas en el espacio’ está siendo un éxito de ventas en Estados Unidos, Francia y Rigel 4. ¡Léelo, sé que te va a encantar!”: Ya va siendo hora de ir superando el maldito perfeccionismo para poder terminar de escribir aunque sea una historia larga. No sé muy bien de qué más trataría el hipotético libro “Lesbianas en el espacio” porque de pronto siento que el tipo de historia que me gustaría ver ya fue escrita, entonces como para qué me molesto… a menos que “Witch from Mercury” resulte ser un mega bait, ahí sí que sabría más o menos qué hacer. Si en el 2026 llegasen a oír de un libro sobre unas chicas llamadas Julieta y Marina haciendo cosas locas con robots en el espacio, sólo síganme el juego cuando afirme que mi libro nunca fue un fan fiction.

Cosas que probablemente publicaré dentro de 10 años en mi estado de Facebook  (suponiendo que esta cosa todavía siga y no me haya pasado nada):

* “Este libro basado en un fanfic de Cincuenta Sombras de Grey y que se ha convertido en un best seller es la basura más horrible que he visto en mi vida”.

* “El remake de Card Captor Sakura tiene una pésima animación”.

*“¡No se pierdan mis recaps de Steven Universe! Porque las caricaturas de antes son mejores que las de ahora”.

*“Ahora sí me dieron una beca vitalicia del FONCA. No es broma.”

*”Lo único que pido de una pareja es que le guste ‘Revolutionary Girl Utena’ tanto como a mí ¿es mucho pedir?”

“Mi libro ‘Lesbianas en el espacio’ está siendo un éxito de ventas en Estados Unidos, Francia y Rigel 4. ¡Léelo, sé que te va a encantar!”

[partychickencosplay]

I can’t believe Fairy Tail’s over! </3 Throwback to when I cosplayed Lucy!

[cosplayinamerica]

COSPLAY IN ALASKA : Matt Jarvis

Remembering my childhood, I believe My Neighbor Totoro was my first anime feature film, didn’t mind the dubbed version until discovering subbed versions of animes in my high school years. 

My first con was Senshi Con 2007, and it was not only the biggest stress relief I needed but also opened my imagination of a new hobbies of cosplay, being involved in gaming, and seeing everyone showing off their creativity.

Having attended 10 Senshi Cons(2007-2014, 2016-2019), 6 out of state cons(ALA, ECCC, Aurora Con, Sakura Con, Dragon Con, and SDCC) is showing that this hobby will never end for me.

Tell me about your new workshop

Having a rushed move to a downsized condo wasn’t going to be easy when Senshi Con 2017 was approaching fast, luckily with a help of a friend we managed to set up and organize most of my props, wigs, and finished cosplays. Hopefully in the future I’ll be able to make advanced cosplays for either local or out of state cons.

How did you decided on doing Matt and what was the response like at Senshi Con ?

Matt the radar technician was a cosplay that I said, “I’m going to make this happen, plus we share the same name.” after seeing the SNL sketch.  He’s been one of my favorite cosplays all year, showing it off at ALA, ECCC, and finally at Senshi Con where everyone responded with positive feedback, plus trying to get me to break character where I can respond with various Kylo Ren fury outburst but then had to channel it back into saying “Oh I’m really Kylo Ren.”  

[yukikoann]

Este dibujo lo hice en el 2016, me encanta Naruto con un disfraz de zorro. Me doy cuenta que mejore el pintado creo que pronto dibujare a la pareja que me gusta con los animales que creo que los represtan como a Naruto el zorro y a Sakura un conejo

[cabezahablante]

L'IMPORTANZA DI CHIAMARSI... WILL OSPREAY

Hola Amigos! Ero scomparso rapito da dei narcos di Guadalajara per aver denigrato Atlantis Jr. su reddit. Avendo pagato con un lobo mozzato eccomi qui a parlare di un wrestler espectacular: Will Ospreay!

Fu amore a prima vista con Will; nel 2016 m'innamorai di una piccola promotion che creata da una community youtube, stava spaccando in UK: la WCPW. La campionessa era Bea Priestley e veniva accompagnata da un duo di brutti ceffi, i Sword of Essex (Paul Robinson e Scott Wainwright) che inneggiavano al ritorno dal Giappone del loro leader indiscusso, "the Aerial Assassin" Will Ospreay. Andarono avanti per un mese finchè un giorno arrivò un tizio con capelli da tamarro vestito da Ezio Auditore, che fa un salto con tre trottole, quasi volando e attacca il face di turno. Rimasi a bocca aperta... Come i luchadores, Ospreay, era un tecnico delle piroette; tanto perfette quanto complicate. Pensate il facinoroso e alcolizzato pubblico inglese, stare in silenzio ammutoliti per UN intero minuto per poi gridare "Holy Shit!". Randy Orton direbbe "DIVE", è un po' avrebbe ragione: preso dall'interesse di questo wreslter mi guardai i suoi match in Giappone ed era un apoteosi di trottole, piroette e spottoni ipertecnici e velocissimi. WOW! Puro stile messicano con la durezza tutta inglese. Forse ne perdeva la narrativa del match, ma abituato al Messico dove non si vende nulla, il non vendere di Ospreay mi sembrava un overselling.

La storia va avanti, dopo titoli PROGRESS, finali del Best Of Super Juniors con Kushida in NJPW, e un altra marea di cinture in altre promozioni inglesi; arriva la celebrità. Nel 2016 siamo all'apice del revival del wrestling inglese: i piccoli palazzetti sono sempre pieni di folle che cantano come hooligans e si scolano ettolitri di birra, sullo sfondo di bump e spot. PROGRESS, RevPro, WCPW e ICW sono piene di soldi e iniziano a chiamare le star americane e qui inizia la faida con l'altrettanto pirotecnico Ricochet, con cui andranno a sbalordire tutto il mondo. Il pubblico è spaccato: chi idolatra i due e chi invece li definisce soltanto acrobati. Ma a sancire l'ago della bilancia è il Fenomenale: in RevPro, grazie alla partnership con la NJPW, lo nota un certo AJ Styles, che volendo combattere con lui fortemente, gli da una voce pesante sull curriculum del wrestling. Ospreay corona il suo sogno, dato che iniziò a fare il wrestler prorpio grazie al Phenomenal-One vedendolo nell'ormai sacro match contro Samoa Joe e Christopher Daniels in TNA (che brividi...). Già sarebbe il top per un ragazzino (all'epoca ventitreenne) che stava scalando i vertici del wrestling occidentale. Quando un certo Okada, vedendolo contro Jay White in uno show di ROH e NJPW, in un match che quasi mi fece strappare la mascara; contatta i piani alti della NJPW per farlo lottare in Giappone più assiduamente. Anche la leggenda Tanahashi dirà belle parole sul giovane inglese. Ospreay parte per il mondo, e fra EVOLVE, Ring of Honor, TNA e PWG anche i fans americani conoscono questo fenomeno; ma a sorpresa nessuna di queste compagnie gli fa un'offerta importante! In WWE viene notato, ma gli viene preferito Ricochet, anche se all'epoca era bloccato con il contratto con Lucha Underground! Io pensai che il mondo fosse loco! Furono dei pendejos, con raccomandazioni come AJ Styles, Okada e Tanahashi; l'inglese sceglie l'unica major che vuole puntare su di lui: la NJPW!

Vola in Giappone, partecipa nuovamente al BOSJ 2017 che vince e batte il campione dei pesi Junior, Kushida, vincendo la cintura che lo porterà alla faida a quattro contro lo stesso Kushida, Takahashi e il connazionale Marty Scurll a WrestleKingdom 12, dove rivincerà il titolo, in un match al cardiopalma e sì, lo voglio dire, per me scontro della serata di quell'edizione dell'evento dell'anno (a me Omega contro Jericho deluse ance se cambiò il business, e Okada vs Naito fu bello ma non a livello di un main event di WK... sì lapidatemi ma il mio cuore da luchador non può che tifare i pesi leggeri). Ospreay fa sul serio e si fa amare dal pubblico nipponico; firma con la NJPW. Si trasferisce in nel paese del sol levante con la ragazza Bea Priestley, che fimra con la STARdom, e inizia a parlare come un vero ambaciatore della compagnia, che gli darà sempre più spazio; prima facendolo lottare contro Okada anche se in un match non valevole per il titolo massimo, e togliendo a Kota Ibuschi (fresco di firma dopo la dipartita di Omega) il titolo NEVER a WrestleKingdom 13, in uno scontro molto violento, bello e stiff che finì con il KO (vero) del giapponese.   Da qui in poi punteranno su di lui come main-eventer, facendolo partecipare alla New Japan Cup 2019, prima, e al G1 Climax 29 dopo. Ora Ospreay è sulla bocca di tutto il fandom del wrestling, al contrario di quel Ricochet rimasto soltanto alle piroette e divenuto un jobber in WWE. Ospreay infatti cambia il suo stile di lotta, diventando molto più solido, narrativo e stiff; senza dimenticare gli spot ipertecnici e coadiuvandolo con una tecnica tutta inglese da British Bulldog. Iniziano faide contro Takahashi, Cobb, Dragon Lee e un violentissimo Shingo Takagi che faranno bagnare uno schizzofrenico Meltzer che sparerà dei 5 e 5.75 a manetta! Alla NJPW non rimane che fare la cosa che fa sempre quando ha un main-eventer sulla bocca di tutti; gli crea una stable intorno e lo manda per il titolo dopo un percorso tortuoso (hai capito Vince). Nemmeno il Covid (che mierda) fermerà il talentuoso ex-assassino dell'aria che dopo un altro buonissimo G1 Climax e vari match che fanno parlare il mondo arriva a vincere la New Japan Cup 2021 e a sfidare il rivale che già aveva sconfitto anni prima Kota Ibushi a Sakura Genesis e minchia che match! I due non si risparmiano mettendo a rischio il collo varie volte, e finalmente a vincere è Ospreay! Primo britannico a vincere il titolo massimo della New Japan, che lo porta nell'Olimpo del Wrestling e che porta quel ragazzino che amò questa disciplina sacra, guardando un match fra tre fenomeni e poi sfidando quelle stesse leggende, partendo dalla periferia dell'Impero della Lucha Libre; alla vetta della montagna.

Dedizione, iconoclastia e talento fanno di lui il miglior wrestler del 2021 senza dubbio alcuno, anche con la nuova cintura della New Japan (oih putamadre que mierda...).

Come disse un altro assassino: "Nulla è reale. Tutto è lecito."

[recentanimenews]

OPINION: The Life and Times of an Indian Otaku

  Makoto Shinkai's Weathering With You marked a historic first in my anime watching career. Contrary to popular belief, being the first anime to be released in Indian theaters is not the historic first in question (that honor goes to Shinchan: Bungle in the Jungle). Rather, Weathering With You would become the first film I'd ever watch on opening day — "first day first show" as we Indians call it. In the mad scramble to get tickets, I'd emerged a winner. Was it worth the struggle?

An emphatic yes. It was so good I went on to rewatch it twice.

    To fans in India: I’m so happy to tell that ‘Weathering With You’ (Tenki no ko) will release in India this October! We have licensed the Indian distribution rights to PVR Pictures and BookMyShow backed company Vkaao.

— 新海誠 (@shinkaimakoto) August 10, 2019

  The Indian theatrical release of Weathering With You in 2019 marked an important moment in the history of the Indian anime fandom. The story of how Shinkai noticed (and fulfilled) an online petition by Indian fans asking for its release here is already the stuff of legend. Because access to anime (especially in theaters) was so scarce in India, even in 2019, fans sought to have the film legally released in theaters. And thanks to Shinkai, it worked. To Indian anime fans, this represented the moment Japan — and the rest of the world — recognized our existence in the fandom. But Indian otakus didn't spring up overnight. Anime has had nearly three decades of history here. It just looks a little different than the rest of the world. The origins of anime in India go back to the '90s. Prior to the economic reforms of 1991, we had one — yes, only one — TV channel, the state-owned Doordarshan. The post-1991 wave of private TV channels brought with it a flood of international TV shows, among them anime like Robotech (which aired on the newly-created Star Plus). Ramayana: The Legend of Prince Rama, the anime adaptation of the Indian mythological epic of the same name, was released in 1992 and had a long and troubled production history, but the end product was a grand success, with its all-star Hindi cast and catchy songs turning it into a TV fixture for well over a decade. It even received a US release, with Bryan Cranston voicing the lead role. The remainder of the '90s would see various anime achieve varying degrees of success, from Nippon Animation's 1989 adaptation of The Jungle Book — which became a nationwide hit — airing in India starting in 1993, to late-night anime like You're Under Arrest and Gunsmith Cats. Despite this, there wasn't yet an actual fandom surrounding anime at the time. That would all change upon the turn of the century.

  Cartoon Network revolutionized the Indian anime market when the channel arrived in 2001. The launch of dedicated anime programming block Toonami brought with it two anime that would permanently shape the future of the fandom: Dragon Ball Z and Cardcaptor Sakura (albeit in its heavily-edited Cardcaptors form). While I never watched Dragon Ball Z (compared to all my friends at school), I did watch some Cardcaptors with my sister, which would actually be the very first anime I watched. My own viewing habits notwithstanding, DBZ was very much the anime of the moment. Schoolkids would frequently shout out famous lines from the iconic English dub. We'd even invented various hand games based on attacks and moves from DBZ. In 2003, another monumental shift would come as the childhood classic Pokémon hit the small screen, followed closely by Digimon, Yu-Gi-Oh!, and Beyblade. The merchandise associated with these franchises turned them into smash hits with a younger audience. All the cool kids had Pokemon cards and Beyblade tops. Battling with them at school was the stuff childhood was made of. To this day, these toys continue to sell well. Beyblade tournaments are still very much a thing. While many of my schoolmates were avid fans of DBZ, there were other trends in anime that could be observed, trends that had to do with language. From my experience, certain anime were only available dubbed in Hindi — a language spoken largely by the northern half of the country. Coming from a south Indian city with a significant north Indian population, I could observe a clear trend wherein Hindi-speaking north Indians grew up with these Hindi-dubbed anime, while people in the south (who spoke other languages) largely grew up with titles that were available in English (or Tamil, as fans of DBZ's Tamil dub can testify). Interestingly, these Hindi dubbed anime tended to be ones that were popular in Japan but not so much in the West — stuff like Doraemon, Shin-Chan, KochiKame, and Case Closed. This gave the north Indian anime scene a rather unique flavor. An even more interesting case is that of India's northeastern region (comprised of states like Nagaland, Manipur, and Meghalaya). Being culturally different from the rest of India, these states have had a history of consuming Korean and Japanese media, and they embraced anime and manga in a way the rest of the nation had not. Anime-related cosplay is huge in the northeast, with some of the best cosplay conventions in the nation taking place there and becoming a part of the local fashion scene. The general acceptance of otaku culture in the region continues to be high.

Eventually, anime would become a little more accessible to all. The launch of dedicated channel Animax in 2004 represented another watershed moment in the fandom. The shows Animax brought over were unlike anything we'd seen in the medium. Shows like Bleach, Fullmetal Alchemist: Brotherhood, Inuyasha, and K-On! redefined what anime meant for Indian audiences who had previously seen anime as a childhood interest and no different from other cartoons. As the channel slowly began to shift its focus to the older teen/young adult demographic, more mature anime like Cowboy Bebop, Hell Girl, Akira, and Welcome to the NHK challenged our conservative notions of what was acceptable to air on TV, especially considering these shows aired in daytime slots rather than late-night. This honeymoon period did not last. Animax was delisted by service providers in 2012. The years to come would be some of the most frustrating for us anime fans, as availability was at its most inconsistent and uncertain. While the channel attempted to make a comeback later on in 2016, it eventually disappeared for good in 2017. Despite all these problems, I look back on Animax fondly. Thanks to it, we became aware of the existence of the entity known as "anime." We began to actively seek out anime over other forms of animation. In short, it resulted in the formation of an actual fandom centered around anime. Anime fan clubs began to pop up in major cities like Mumbai, Delhi, Bangalore, and Kolkata. Widespread conventions outside of the northeast region came next. Anime Con India was started in 2010, followed closely by Delhi Comic-Con in 2011. Anime conventions in India are a curious thing. They are very unlike the sprawling, sophisticated conventions of the West. The funds simply aren't there for that sort of thing. I don't recall a single Indian anime convention that was attended by a voice actor, animator, or the like. So what are Indian cons about? In an interview with The Citizen, Anime Con India founder Nitesh Rohit talked about his reason for starting the con: "like any other belief and faith they all needed a temple to congregate (at)." This statement really resonates with me, and sums up what Indian cons are about. What they lack in scale and facilities, they make up for in intimacy and a feeling of togetherness. They are more or less small-scale events for anime fans to find other fans, to network with them, and basically feel less alone. Because feeling alone was part of the original Indian otaku experience. The early fandom was largely an urban phenomenon, as going to cons wasn't an option for everyone and the internet wasn't what it is today. So, you had these disconnected pockets of fans. People around you were unlikely to share your interest in anime and may have even judged you for it. The general consensus in India was (and still is) that animation is a medium for children. And remember, for a long time, anime accessibility varied by region. So, if you were lucky enough to find a kindred otaku, there was no guarantee they were into (or had even heard of) the same titles as you. This meant that we hadn't really had the ability to develop any sort of unique culture or traditions of our own. Things like going to cons, renting anime DVDs, memes and in-jokes — these things didn't exist for the vast majority of early fans who were school-going kids or college students of little means. A culture of our own wouldn't arise until much later — when that generation grew up.

  Of course, it wasn't just us who grew up — technology did, too. The internet became more ubiquitous. Social media and forums enabled us to network with each other regardless of location, in ways we'd never have imagined. To the scattered fandom of the early days, this has been nothing short of a blessing. The other big change ushered in by the internet was the era of streaming. Until then, most of our anime viewing took place on television and as previously stated, was not always very consistent. Accessibility improved greatly with the launch of Netflix in 2016. In today's India, Netflix is a household name, with a significant portion of young adults having access to a subscription. With a catalog of over 200 anime, Netflix has been responsible for pulling in many new fans. Plenty of people "come for the movies, stay for the anime." Series like My Hero Academia, Death Note, and One-Punch Man have become mainstream successes in this fashion, with a significant following even among non-anime fans. Another streaming service that is beginning to make inroads into the Indian market is Crunchyroll, with simulcasts like Boruto and originals like Tower of God, and the fact that it is free makes it accessible to anyone with an internet connection. Most Indian anime fans I know of have heard of Crunchyroll, and as more titles get licensed it is inevitable that its popularity will rise. And us otakus are doing plenty to help it do just that.

The success of Weathering With You is a shining example of the tight-knit nature of the Indian anime fandom. All it took was one person (an anime fan named Divishth Pancholi) to create a Change.org petition asking for its release in Indian theaters. The petition went viral, getting over 50,000 signatures and attracting the attention of Shinkai and the producers, resulting in its release here. Today, that event is seen as a smaller part of a greater Indian anime movement that is pushing for increased availability and acceptance of anime in India. Hashtags like #IndiaWantsAnime frequently make their presence felt on social media. This fandom isn't without its problems — it isn't the most inclusive when it comes to non-male fans, the "animation is for kids" specter hasn't been fully shaken off, and I'd love for anime BluRays/DVDs to be more widely available here. But I am grateful for the fandom's existence for getting me into anime in the first place. Without them, I'd have never been sitting in a movie theater on October 11, 2019, watching Weathering With You.

By: news+feed@crunchyroll.com

[complet-film-my-hero-academia-vf]

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Libéré: Dec 20, 2019

Durée: 104 minutes

Genre: Animation, Action

Étoiles: Daiki Yamashita, Nobuhiko Okamoto, Kenta Miyake, Ayane Sakura, Aoi Yuki, Yūki Kaji, Eri Kitamura, Kōsuke Kuwano, Kaito Ishikawa, Kousuke Miyoshi, Toshiki Masuda

Société de production: BONES, Toho Company, Ltd.

SYNOPSIS ET DÉTAILS :

Jeune aventurier candide, Eliott de Bellabre part dans la jungle amazonienne à la recherche d’une mystérieuse tribu indienne. Il espère trouver le paradis sur terre. Il va déchanter. D'autant que son pire ennemi se lance à sa poursuite : sa mère, la terrifiante Chantal de Bellabre, accompagnée par le lieutenant-colonel Raspaillès, le plus mauvais militaire de l'histoire de France.

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[sadonishi]

This is relevant for us because wind was @herogenkaku’s favorite Sorey armatization in her game. I’m wearing Dezel with her again for Sakura Con 2017. Obligatory plug for the Tales Of gathering: 11am on Friday, 2nd floor by the juice bar!

First photo by Temcakes from Kumoricon 2016