#robert hartford-davis
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The Yellow Teddy Bears (AKA Gutter Girls) | Robert Hartford-Davis | 1963
Although sometimes promoted as a schoolgirls-gone-wild exploitation movie The Yellow Teddy Bears (AKA Gutter Girls, AKA Thrill Seekers) is actually a rather earnest social (melo)drama.
A clique of girls at an English grammar school have taken to wearing yellow teddy bear brooches as a secret sign that they've lost their virginity. Good girl Pat (Georgina Patterson) tries to save her girl-in-trouble pal Linda (Annette Whiteley) from making a terrible mistake, predatory abortion fixer June Wilson (Jill Adams) lures girls to her drinks and sex parties, while young teacher Anne Mason (Jacqueline Ellis), who has discovered the secret of the teddy bears, finds her impassioned pleas for some honest communication acreoss the generational divides between teens, teachers, and parents, only serve to bring her own morals and suitability as a teacher into question.
It's a bit dated now but it's subject matter must have been pretty frank in 1963, and it's "message" pretty progressive for the time. Apparently The Beatles were offered a part in the film but gave it a swerve.
#Robert Hartford-Davis#The Yellow Teddy Bears#1963#Gutter Girls#Thrill Seekers#Jacqueline Ellis#Annette Whiteley#Georgina Patterson#Jill Adams#Anne Kettle#Victor Brooks#Noel Dyson#Ruth Kettlewell
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Incense for the Damned (1971)
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W A T C H I N G
#CORRUPTION (1968)#PETER CUSHING#Horror#slasher#proto-Slasher#British horror#Sue Lloyd#Noel Trevarthen#Kate O'Mara#David Lodge#Antony Booth#Wendy Varnals#Billy Murray#Vanessa Howard#Jan Waters#Marianne Morris#Phillip Manikum#Alexandra Dane#Valerie Van Ost#Robert Hartford-Davis#HORROR film#watching
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CORRUPTION Sleazy Peter Cushing proto-nasty! Reviews and trailer
Corruption is a 1967 science fiction horror film directed by Robert Hartford-Davis from a screenplay by Derek Ford (Don’t Open Till Christmas, The Urge to Kill) and Donald Ford. Also released as Carnage and Laser Killer. The movie stars Peter Cushing, Sue Lloyd, Noel Trevarthen, Kate O’Mara (The Vampire Lovers), David Lodge (The Fiend; Scream and Scream Again), Wendy Varnals, Billy…
#1967#British#Corruption#David Lodge#Derek Ford#Donald Ford#film#horror#movie#review#reviews#Robert Hartford-Davis#Sue Lloyd
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Now watching:
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Crosstrap (1962) Robert Hartford-Davis
December 15th 2022
#crosstrap#1962#robert hartford-davis#laurence payne#jill adams#gary cockrell#zena marshall#bill nagy#robert cawdron#derek sydney
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CORRUPTION
UK
1968
Directed by Robert Hartford Davis
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On July 19, 1968, Corruption debuted in West Germany.
#corruption#robert hartford davis#peter cushing#horror#horror thriller#west germany#horror art#horror fan art#movies#movie history
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John Davis Chandler The Take Dir: Robert Hartford-Davis
For my love, @conradrasputin
#<3#the take#robert hartford davis#john davis chandler#mon trésor#my gifs#my edit#daddy#conradrasputin#ps. what we sit through just to see our favourite
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The Fiend (Beware My Brethren, 1972)
"Say your sins aloud. He needs to hear them."
"I can't... please don't make me, please don't make me?"
"Say them. Say them!"
#the fiend#beware my brethren#horror film#british cinema#1972#robert hartford davis#brian comport#tony beckley#ann todd#patrick magee#madeleine hinde#suzanna leigh#david lodge#percy herbert#ronald allen#maxine barrie#jeannette wild#diana chappell#susanna east#hani borelle#bill mitchell#i caught a tv showing of this (a cut version) as a teen but it's been frustratingly hard to find in the uk p much since release so I'm#grateful to 88 films for cleaning it up and giving it a fancy blu ray release. a curio from the brit horror pantheon‚ its stronger emphasis#on sex‚ violence and sexually motivated violence mark it as a harder‚ nastier version of the form; a stepping stone between the same#director's own Corruption in the late 60s and the indie work of Pete Walker and Norm Warren later in the 70s. in amongst the sadism and the#misogyny are some truly interesting ideas‚ as Tony Beckley's personal manias and psychoses are contrasted with the fanaticism of the xtian#religious order he's grudgingly affiliated with. plays on some subtle homoerotic themes and there's a hefty dose of anti police sentiment#but the real coup was casting Beckley and Beckett muse Pat Magee; both are magnetic‚ in very different performances#also of note is the improbably boppy christian rock gospel soundtrack (best used in horribly ironic fashion as Beckley stalks and kills)#the final image of the film is both quite spectacular and instantly explains why the film fell foul of the censors on original release
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real.
#myevilposts#i presume this was the actual robert hartford-davis saying this. /hj.#troll doll ass hair on this man.#peter cushing#corruption 1968
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The Yellow Teddy Bears (AKA Gutter Girls) | Robert Hartford-Davis | 1963
Your new favourite band: Kinky Carson and the Embers
#Iain Gregory#Robert Hartford-Davis#The Yellow Teddy Bears#1963#Gutter Girls#Thrill Seekers#Your new favourite band
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Ingrid Pitt in Nobody Ordered Love (1972) - Lost film
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BRENDA SYKES
as Judith in Black Gunn (Robert Hartford-Davis, 1972, USA)
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THE BEST WRITTEN SONGS OF ALL-TIME
Because I have zero innate musical ability, the idea that someone can sit down with a musical instrument, and create an original song out of thin air is magic to me. Songwriting is a craft, but it’s inspiration that makes a good song into a great one. There are songwriters who seem able to turn out high quality songs in perpetuity. There are others who write maybe one or two great songs, and are never heard from again. So, I made a list of what I think are the 50 best written songs I’ve ever heard. These are in no particular order. I’ve listed the title followed by the songwriter or songwriters, and in parentheses is the performer I most enjoy hearing do the song – although most of these songs have been recorded countless times by a variety of artists. You can probably find all of these on YouTube or any of the streaming services. Most have lyrics, but some do not. But, it’s hard for me to imagine any of these songs being recorded by anyone with talent, and not retaining the brilliance with which the song was written.
Claire de Lune by Claude Debussy (Eugene Ormandy & The Philadelphia Orchestra)
Rhapsody in Blue by George Gershwin (Zubin Mehta & The New York Philharmonic, Gary Graffman, piano)
A Change Is Gonna Come by Sam Cooke (Sam Cooke)
Coal Miner’s Daughter by Loretta Lynn (Loretta Lynn)
Hello Walls by Willie Nelson (Faron Young)
I Left My Heart In San Francisco by George Cory and Douglass Cross (Tony Bennett)
God Bless The Child by Arthur Herzog, Jr. and Billie Holiday (Billie Holiday)
Eleanor Rigby by Paul McCartney and John Lennon (The Beatles)
Blind Willie McTell by Bob Dylan (Bob Dylan)
A Remark You Made by Wayne Shorter (Weather Report)
She’s Always a Woman by Billy Joel (Billy Joel)
Roll Me Away by Bob Seger (Bob Seger)
Margie’s At the Lincoln Park Inn by Tom T. Hall (Bobby Bare)
Angel From Montgomery by John Prine (Bonnie Raitt and John Prine)
Rainy Night in Georgia by Tony Joe White (Brook Benton)
You Never Can Tell by Chuck Berry (Chuck Berry)
Where or When by Richard Rodgers and Lorenz Hart (Dion and The Belmonts)
American Pie by Don McLean (Don McLean)
It Was a Very Good Year by Ervin Drake (Frank Sinatra)
Gentle On My Mind by John Hartford (Glen Campbell)
Early Morning Rain by Gordon Lightfoot (Gordon Lightfoot)
Book of Rules by Harry Johnson and Barry Llewellyn (The Heptones)
Highwayman by Jimmy Webb (The Highwaymen)
American Music by Ian Hunter (Ian Hunter & Mick Ronson)
That’s Entertainment by Paul Weller (The Jam)
Song of Bernadette by Leonard Cohen (Jennifer Warnes)
Jazzman by Carole King and David Palmer (Carole King)
Talking Back to The Night by Steve Winwood and Will Jennings (Steve Winwood)
My Favorite Things by Richard Rodgers and Oscar Hammerstein II (John Coltrane)
Don’t It Make You Want to Go Home by Joe South (Joe South)
Sunday Mornin’ Comin’ Down by Kris Kristofferson (Kris Kristofferson)
Heart Like a Wheel by Anna McGarrigle (Linda Ronstadt)
I Am a Town by Mary-Chapin Carpenter (Mary-Chapin Carpenter)
Footprints by Wayne Shorter (Miles Davis Quintet)
Pleasant Valley Sunday by Gerry Goffin and Carole King (The Monkees)
This Old Town by Jon Vezner and Janis Ian (Nanci Griffith)
Brooklyn Roads by Neil Diamond (Neil Diamond)
Thrasher by Neil Young (Neil Young & Crazy Horse)
Box of Rain by Robert Hunter and Phil Lesh (Grateful Dead)
Is That All There Is? By Jerry Leiber and Mike Stoller (Peggy Lee)
Louisiana 1927 by Randy Newman (Randy Newman)
King of the Road by Roger Miller (Roger Miller)
America by Paul Simon (Simon & Garfunkel)
The Sound of Silence by Paul Simon (Simon & Garfunkel)
Children’s Crusade by Sting (Sting)
My Girl by Smokey Robinson and Ronald White (The Temptations)
Green, Green Grass of Home by Claude “Curly” Putnam, Jr. (Tom Jones)
Downtown Train by Tom Waits (Tom Waits)
The Whole of The Moon by Mike Scott (The Waterboys)
My Heroes Have Always Been Cowboys by Sharon Vaughn (Willie Nelson)
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Gonks Go Beat (1964) Directed by Robert Hartford-Davis. With Kenneth Connor, Terry Scott, Frank Thornton and Iain Gregory
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