#rina asks

[weirdlythneederina]

Mini Onceler Jumpscare

Aaaaaaaaaahhhhhh!!!!! ❤️❤️❤️

What a cutie patoot!! ( ๑ ˃̵ᴗ˂̵)و♡˚ ༘ ೀ⋆｡˚

[selarina]

can i please be added to the lover’s rock taglist?

ofc!!

[heartstringgs]

thank you smmm <3333333 This was the first thing I saw upon opening the app today and I couldn't have been more glad :)

[writingwithcolor]

Naming International POC Characters: Do Your Research.

This post is part of a double feature for the same ask. First check out Mod Colette's answer to OP's original question at: A Careful Balance: Portraying a Black Character's Relationship with their Hair. Below are notes on character naming from Mod Rina.

~ ~ ~

@writingraccoon said:

My character is black in a dungeons and dragons-like fantasy world. His name is Kazuki Haile (pronounced hay-lee), and his mother is this world's equivalent of Japanese, which is where his first name is from, while his father is this world's equivalent of Ethiopian, which is where his last name is from. He looks much more like his father, and has hair type 4a. [...]

Hold on a sec.

Haile (pronounced hay-lee), [...] [H]is father is this world’s equivalent of Ethiopian, which is where his last name is from. 

OP, where did you get this name? Behindthename.com, perhaps?

Note how it says, “Submitted names are contributed by users of this website. Check marks indicate the level to which a name has been verified.” Do you see any check marks, OP? 

What language is this, by the way? If we only count official languages, Ethiopia has 5: Afar, Amharic, Oromo, Somali, & Tigrinya. If we count everything native to that region? Over 90 languages. And I haven't even mentioned the dormant/extinct ones. Do you know which language this name comes from? Have you determined Kazuki’s father’s ethnic group, religion, and language(s)? Do you know just how ethnically diverse Ethiopia is? 

~ ~ ~

To All Looking for Character Names on the Internet:

Skip the name aggregators and baby name lists. They often do not cite their sources, even if they’re pulling from credible ones, and often copy each other. 

If you still wish to use a name website, find a second source that isn’t a name website. 

Find at least one real life individual, living or dead, who has this given name or surname. Try Wikipedia’s lists of notable individuals under "List of [ethnicity] people." You can even try searching Facebook! Pay attention to when these people were born for chronological accuracy/believability. 

Make sure you know the language the name comes from, and the ethnicity/culture/religion it’s associated with. 

Make sure you understand the naming practices of that culture—how many names, where they come from, name order, and other conventions. 

Make sure you have the correct pronunciation of the name. Don’t always trust Wikipedia or American pronunciation guides on Youtube. Try to find a native speaker or language lesson source, or review the phonology & orthography and parse out the string one phoneme at a time. 

Suggestions for web sources:

Wikipedia! Look for: “List of [language] [masculine/feminine] given names,” “List of most common [language] family names,” “List of most common surnames in [continent],” and "List of [ethnicity] people."  

Census data! Harder to find due to language barriers & what governments make public, but these can really nail period accuracy. This may sound obvious, but look at the year of the character's birth, not the year your story takes place. 

Forums and Reddit. No really. Multicultural couples and expats will often ask around for what to name their children. There’s also r/namenerds, where so many folks have shared names in their language that they now have “International Name Threads.” These are all great first-hand sources for name connotations—what’s trendy vs. old-fashioned, preppy vs. nerdy, or classic vs. overused vs. obscure. 

~ ~ ~

Luckily for OP, I got very curious and did some research. More on Ethiopian & Eritrean naming, plus mixed/intercultural naming and my recommendations for this character, under the cut. It's really interesting, I promise!

Ethiopian and Eritrean Naming Practices

Haile (IPA: /həjlə/ roughly “hy-luh.” Both a & e are /ə/, a central “uh” sound) is a phrase meaning “power of” in Ge’ez, sometimes known as Classical Ethiopic, which is an extinct/dormant Semitic language that is now used as a liturgical language in Ethiopian churches (think of how Latin & Sanskrit are used today). So it's a religious name, and was likely popularized by the regnal name of the last emperor of Ethiopia, Haile Selassie (“Power of the Trinity”). Ironically, for these reasons it is about as nationalistically “Ethiopian” as a name can get.

Haile is one of the most common “surnames” ever in Ethiopia and Eritrea. Why was that in quotes? Because Ethiopians and Eritreans don’t have surnames. Historically, when they needed to distinguish themselves from others with the same given name, they affixed their father’s given name, and then sometimes their grandfather’s. In modern Ethiopia and Eritrea, their given name is followed by a parent’s (usually father’s) name. First-generation diaspora abroad may solidify this name into a legal “surname” which is then consistently passed down to subsequent generations.

Intercultural Marriages and Naming

This means that Kazuki’s parents will have to figure out if there will be a “surname” going forward, and who it applies to. Your easiest and most likely option is that Kazuki’s dad would have chosen to make his second name (Kazuki’s grandpa’s name) the legal “surname.” The mom would have taken this name upon marriage, and Kazuki would inherit it also. Either moving abroad or the circumstances of the intercultural marriage would have motivated this. Thus “Haile” would be grandpa’s name, and Kazuki wouldn’t be taking his “surname” from his dad. This prevents the mom & Kazuki from having different “surnames.” But you will have to understand and explain where the names came from and the decisions dad made to get there. Otherwise, this will ring culturally hollow and indicate a lack of research.

Typically intercultural parents try to

come up with a first name that is pronounceable in both languages,

go with a name that is the dominant language of where they live, or

compromise and pick one parent’s language, depending on the circumstances.

Option 1 and possibly 3 requires figuring out which language is the father’s first language. Unfortunately, because of the aforementioned national ubiquity of Haile, you will have to start from scratch here and figure out his ethnic group, religion (most are Ethiopian Orthodox and some Sunni Muslim), and language(s). 

But then again, writing these characters knowledgeably and respectfully also requires figuring out that information anyway.

~ ~ ~

Names and naming practices are so, so diverse. Do research into the culture and language before picking a name, and never go with only one source.

~ Mod Rina

[ginaporterr]

@rinacentral — EVENT 1: FAVORITES ♡ favorite song GINAPORTERR'S 1K CELEBRATION ♡ @glitterjuj asked: maybe this time or LOVE YOU FOREVER

[lanterns-and-daydreams]

Landon and Brandon: *sitting together*

Remi:

Remi:

Remi: 9/11

Remi: *throws a paper airplane at them*

[x-ocarina-of-crime-x]

I just imagined the most heart wrenching flower husbands animation and now I need to make it

you will all cry

I will make sure of it.

[summeridols]

Idol system Rina Tennoji layouts

[PT: Idol system Rina Tennoji Layouts]

For a blog of ours but anyone can use them! The flag used in these can be found here and was made by @//dwllie, the divider can be found here!

Please credit if using any of these edits! Still versions of the GIF's are under the cut!

[storge]

My son really looks up to you. Can you please persuade him not to quit university? Please...

Tonari no Nurse Aide (2024) 1.06

[blues-valentine]

let’s talk about how gina compliments ricky’s love language so much and he was able to be himself in this relationship as opposed to nini

You know, I appreciate how much this season made emphasis on how both Nini and Gina react differently to Ricky's love gestures. Nini felt suffocated by him. Gina wanted him to fight for her and do those big gestures. And both reactions are valid. I made a post last season about how Ricky and Gina’s love languages complement each other and I love how the show proves me correct on how I interpret this characters. This is going to be a lengthy post.

Ricky is pretty much a huge gestures type of guy. He is unabashedly romantic when he wants to be. He is also incredible clingy and someone that needs reassurance and affirmations. He gives love by big gestures and likes to receive love by words of affirmation.

His relationship with Nini ever since the start of the series showed how incompatible they’ve become for each other. To start off, I think Nini was unable to understand Ricky’s family situation because hers is very different so it might have been because of this that she didn’t understand his reaction towards a public declaration of love (his parents probably didn’t do that anymore). She was unable to identify what he needed from her and he failed to communicate why he felt that way. It goes both ways. He needed to say the words when he felt he was ready to say it. And that's very imporant.

But also, the first thing we learn about their relationship is that Nini feels like she was able to shine over the summer and it’s hoping for new opportunities that she feels Ricky holds her back from. Ricky is resistant to this and tries out for the musical to get her back, an idea Nini is not happy about because she feels he is invading her space. During his audition, he performs a song for Nini to try and tell her he loves her. He thinks is a declaration of love but for Nini is not. But Gina is actually impressed by this. And so, even with the first episode, the show lists many reasons why they don’t seem to be compatible anymore. Nini doesn’t like Ricky’s easy going approach to things. And is absolutely fair. I think she needs someone that pushes her to be more ambitious and that shares the same desire for challenges.

Ricky confessing his love for Nini in an outburst at the end of Season 1 felt like he forced it out because he knew that’s what she needed to hear from him to get back together. He was afraid to lose that sense of familiarity. It’s what makes his love confession to Gina so different because it was intentional. He was so sure and so confident and he wanted to tell her that despite not knowing what the future holds.

Early on Season 2, it's made clear they have completely different ideas on what the other is willing to do for each other. Ricky relied too much on her to have some sense of stability because everything at his home keeps falling apart. Nini just wants to spread her wings and it’s willing to go far to pursue her dreams (“I resolve to follow my dreams however far away they take me”) which is why she felt so trapped and suffocated by him. Ricky’s abandonment issues made him clingier than usual. I also think she was a bit rude at times and had a hard time trying to understand him. Like, when he said he was told he had not profitable qualities on the aptitude test and she brush it off and told him she didn’t come back for him. It was pretty harsh. I don't think neither of them knew what the other needed emotionally anymore. It was a bit of a mess and Ricky didn’t even know what he was supposed to do. Ricky’s love language for her was quality time and gestures but I don’t think that was Nini’s vibe. It got to a point she wasn’t receptive of his attempts at fixing their relationship. And as I said, Ricky needs to feel that his attempts are at least appreciated. And Nini never really did a good job at lifting him up.

A lot of Ricky's issues with how it went down with Nini is that he was dealing with his mom abandonment issues and Nini wasn't putting the same efforts into staying with Ricky (long distance or otherwise) and she's valid for this. But seeing it from Ricky's perspective too is like another person is also choosing to leave him.

Now, Gina is someone that wants to feel wanted. She wants people to fight for her. This is probably due to her family and how they didn’t put her as a priority growing up. How her mom barely even validates what’s important for her. This is why she liked EJ at first, because he gave her the attention she needed at that time. And it’s fair to say Gina gives love by words of affirmation and gifts. And likes to receive love by gestures and quality time. Same as Ricky.

She was impressed by Ricky singing to Nini at auditions on the pilot. She told Ricky to sing the song to Nini by the phone on Valentine’s Day because “every girl [her] likes a sweet gesture”. She threw a big surprise party for Carlos when they weren't even that close yet. She likes huge gestures. And I don’t think it was a coincidence when Ricky asked her back in Season 2 *if they were dating* and he went behind her back but for a good reason (and the whole thing about asking Miss Jenn if she can add Nini to the show last minute) if she’d like it. Gina answers that she would be flattered. Ricky took Gina's words without considering that this is not something Nini would want. For Ricky, it’s so they can spent more time together (and Gina sees it that way too) but Nini does not. She sees it as an added pressure. And you see how much Ricky's midset has been altered by his relationship with Nini that on Season 4 he thinks Gina would be relieved by Dani taking her place as Gabriella because she's been too busy with the movie despite him wanting them to spend time together. And Gina isn’t happy. For her, the the show is also a thing for them.

The season actually makes a lot of parallels to this. It also parallels this especifit moment from Season 2 when Ricky wants to send a *dumb* text to Nini that says something about "he is happy she's following her dreams but also he wishes he was her dream. And wants her to turn aroud and come back here. I believe the word he used was forever." And we know Nini would've felt pressured by that text. And that’s understandable. But the writers are so funny because on 408 during Gina's confessional she says she hasn't made a decision about the movie yet and wishes Ricky would fight for her a little more. And in Ricky's confessional he says he once told a girl (Nini) to stay home and it didn’t end too well so he doesn't want to make the same mistake. But Gina wants for Ricky to be Ricky and go all and beyond. But he has grown too much to be selfish. But he does end up doing what Gina wants by singing to her about forever fully expecting her to follow her dreams away from him without even knowing Gina had already decided to follow her dreams and be with him too. We truly love a full circle.

Moving to Season 3, it’s clear Gina likes the feeling of sharing things with a partner, and she saw how EJ was unable to give her that or even make space for her to be a priority but I do think there’s a lot of growth on Gina about understating the needs of her partner too. For example, Gina was able to give Ricky space after the whole Halloween situation. Ricky called her asking her for space and she allowed. It wasn't a break up, just mutual understanding that everyone needs a minute to take it all in and it's not because they don’t want to face it.

On Season 4, right off the bat, it shows us Gina embraces Ricky’s dorky and clingy side a lot. She likes his unexpected visits and ideas. She likes when Ricky plans stuffs and sneaks into her trailer. She likes when Ricky texts her a lot. Gina wants to feel that love because she lacked a lot of that growing up. Unlike Nini, who wanted to be free and get new experiences. Gina likes the stability Ricky provides her. And another thing Sofia said on a interview is that Gina likes how Ricky is very easy going because Gina is already too perfectionist. But mostly, I think you can appreciate how Gina encourages Ricky to be a little more ambitious while Ricky encourages Gina to be more relaxed. To be more giddy and bring down her walls. Nini felt like she coulnd't be truly herself around Ricky while Gina is the total opposite, she feels seen and understood with him because he is able to give her that with the way he is. And Gina does it to Ricky in return by making him feel wanted and appreciated for who he is. I do hope Nini finds someone (preferentially a girl) that makes her feel that way too. Seen and understood.

And also, let's point out how both Ricky and Gina's love language is also physical touch because they are unable to stop touching each other even if by friendly little shoulder touches. They’re unable to stop kissing each other. Gina can’t stop cupping Ricky’s cheeks. Or holding hands. In conclusion, Ricky and Gina are perfect and love each other so much. And their love story is so well written and for the books.

[weirdlythneederina]

love your late night au! i find drawing in grayscale to be very hard so great job!

Awwww thank you anon!!!!🥺🥺🥺

Believe me when I say drawing Late Night helped improve my grayscale skills and I'm still learning to perfect them! 😌

Hmmmm....speaking of Late night...

I actually considered starting an askblog for the goober, and since he is getting attention, I might as well! :3

So be prepared to see more of this guy! ☕️😴

And again Thank you! <3 <3

[selarina]

HIII RINAAAAA IM SO GLAD WE ARE MOOTS OMG I LOVE THE WAY YOU WRITE SO MUCH 💓💓🥹🫶🏻🫶🏻

OMG HII ELLIE THANK YOU SO MUCH! I literally went through your profile last night and I love the way you write gojo <33

[heartstringgs]

awww thank you so much <3

[writingwithcolor]

[Running Commentary] Zombies are Zombies: Cultural Relativism, Folklore, and Foreign Perspectives

She obviously started getting into media in Japan, and (from my research into Japanese media and culture), Japan’s movies about zombies are mostly comedic, since due to traditional funerary practices the idea of zombies bringing down society is ridiculous to a lot of Japanese people. 

Rina: OP, this you? https://www.tofugu.com/japan/japanese-zombies/

Marika: Counterpoint: Parasite Eve. Resident Evil. The Evil Within. 

Rina: Literally all the grody horror game franchises that people forget were developed and written by Japanese people because the characters have names like “Leon Kennedy” and “Sebastian Castellanos” 

~ ~ ~

Based on the reception we received the last time we did one of these, the Japanese moderator team returns with another running commentary. (They’re easier to answer this way) (Several of Marika’s answers may be troll answers)

Our question today pertains to foreign perspectives on folklore—that is, how people view folklore and stories that aren’t a part of their culture. CW: for anything you’d associate with zombies and a zombie apocalypse, really.

Keep reading for necromancy, horror games, debunking the Sapir-Whorf hypothesis, Hong Kong jiangshi films, Japanese disaster prep videos, and Vietnamese idol pop...

Essentially, in my story there’s an organization who wants to end the world. They think this one woman in particular, a woman of mixed Vietnamese (irreligious, Kinh) and Japanese descent who spent her formative years in Japan, is the person to do it because she’s (for lack of a better term) a necromancer; powers are semi-normal in this world. She prefers not to use her powers overall, but when she does she mostly talks to ghosts and spirits that are giving people issues. She could technically reanimate a corpse but she wouldn’t because she feels that would be morally wrong, not to mention she couldn’t start a zombie apocalypse in the traditional sense (plague, virus, etc.) in the first place. 

(Marika (M): Your local public health officials would like to assure necromancers that reviving the dead will not provoke a zombie apocalypse. This is because necromancy is a reanimation technique, and not a pathogenic vector. Assuming that the technique does not release spores, airborne viruses, gasses, or other related physical matter that can affect neighboring corpses in a similar way, there should be no issue. However, necromancers should comply with local regulations w/r to permitting and only raise the dead with the approval of the local municipality and surviving family.)

M: I think it makes sense for most people of E. Asian descent, including Japanese and Vietnamese people, to find it culturally reprehensible to reanimate the dead. I imagine the religious background of your character matters as well. What religion(s) are her family members from? How do they each regard death and the treatment of human remains? Depending on where she grew up, I’m curious on how she got opportunities to practice outside specialized settings like morgues.

M: It’s true, space in Japan is at a premium, even for the dead. You note that most of Japan cremates, but, surely, it must have occurred to you that if there aren’t that many bodies in Japan to raise…she doesn’t exactly have much opportunity to practice with her powers, does she? I yield to our Vietnamese followers on funerary customs in Vietnam, but you may want to better flesh out your world-building logic on how necromancy operates in your story (And maybe distinguish between necromancy v. channeling v. summoning v. exorcisms). 

She obviously started getting into media in Japan, and (from my research into Japanese media and culture), Japan’s movies about zombies are mostly comedic, since due to traditional funerary practices the idea of zombies bringing down society is ridiculous to a lot of Japanese people. 

Rina (R): OP, this you? https://www.tofugu.com/japan/japanese-zombies/

M: Counterpoint: Parasite Eve. Resident Evil. The Evil Within. 

R: Literally all the grody horror game franchises that people forget were developed and written by Japanese people because the characters have names like “Leon Kennedy” and “Sebastian Castellanos” 

R: And yes, the Tofugu article uses Resident Evil and those games to support its theory, with the reason that they are set in the West. But that only suggests that Japanese people consider zombies a Western thing, not that Japanese people consider zombies nonthreatening if they were to exist. 

M: Same with vampires - series like Castlevania also use Western/ European settings and not ��Vampires in Japan '' because vampires just aren't part of our folklore.

(M: Also, realistically, these series deal with individuals who quickly perish after their bodies are used as hosts for the pathogen in question, rather than the pathogen reanimating a corpse. Although the victims are initially alive, they soon succumb to the pathogen/ parasite and their organic matter then becomes an infectious vector for the disease. It should be noted, infecting ordinary, living humans with viruses to grant them elevated powers, is not only a major violation of consent and defies all recommendations made by the Belmont Report (in addition to a number of articles in the Hague Convention w/r to the use of WMDs) and is unlikely to be approved by any reputable university’s IRB committee. This is why the Umbrella Corporation are naughty, naughty little children, and honestly, someone should have assassinated Wesker for the grant money.)

R: wwww

From what I know Vietnam didn’t have a zombie movie until 2022. 

R: Do you mean a domestically produced zombie movie? Because Vietnamese people have most certainly had access to zombie movies for a long time. The Hong Kong film Mr. Vampire (1985) was a gigantic hit in Southeast Asia; you can find a gazillion copies of this movie online with Viet subs, with people commenting on how nostalgic this movie is or how they loved it as a kid. 

M: “Didn’t have a [domestic] zombie movie” is not necessarily the same thing as “Would not have made one if the opportunity had arisen.” None of us here are personifications of the Vietnamese film industry, I think it’s safe to say we couldn’t know. Correlation is not causation. It’s important to do your research thoroughly, and not use minor facts to craft a narrative based on your own assumptions.

(R: …Also, I did find a 2017 music video for “Game Over” by the Vietnamese idol Thanh Duy which features… a zombie apocalypse.)

(R: The MV has a very campy horror aesthetic and zombie backup dancers (which I love, everyone please watch this lol). But the scenes at the beginning and end where people are biting their fingers watching a threatening news report clearly establish that the zombies are considered a threat.)

So at one point, she laughs about the idea and remarks how ridiculous it is to think zombies could end the world. What I’m struggling with are other ways to show her attitude on the issue because I’d assume most non-Japanese readers wouldn’t get why she thinks like that. Are there any other ways to show why she thinks this way, especially ones that might resonate more with a Japanese reader?

R: The problem is this does not resonate in the first place. Your line of thinking is too Sapir-Whorf-adjacent. The Sapir-Whorf hypothesis, otherwise known as linguistic relativity theory, claims that language shapes cognition—that you can’t conceive of something if you can’t express it in your language. This is a very weak theory that you can easily bring evidence against: think of the last time you felt an emotion you had a hard time putting into words; just because you didn’t have the language for it doesn’t mean that you didn’t feel it, nor does it mean that you won’t be able to understand or recognize it if you feel it again. Similarly, it’s not a sound assumption to say that if some kind of subject matter does not exist in a culture, then people of that culture couldn't possibly conceive of it. This excerpt from linguist Laura Bailey sums it up quite well. 

M: Just because ghosts may be more culturally relevant doesn’t mean that zombies (or vampires, or whatever) are nonexistent in a Japanese or Vietnamese person’s imagination when it comes to horror and disaster.

R: Really,  if anything, Japanese people are much more attuned to how easily a society’s infrastructure can be destroyed by a disruptive force without adequate preparation. Japan is natural disaster central. A Japanese person would know better than anyone that if you aren’t prepared for a zombie epidemic—yeah it’s gonna be bad. 

M: Earthquakes, tsunami, typhoon, floods: Japan has robust disaster infrastructure out of necessity. 防災 or bousai, meaning disaster preparedness is a common part of daily life, including drills at workplaces, schools, and community organizations. Local government and community agencies are always looking for ways to make disaster and pandemic preparedness relevant to the public.

M: Might “zombie apocalypse prep as a proxy for disaster prep” be humorous in an ironic, self-deprecating way? Sure, but it’s not like Japanese people are innately different from non-Japanese people. Rather, by being a relatively well-off country practiced at disaster preparation with more experience than most parts of the world with many different types of disasters (and the accompanying infrastructure), it likely would seem more odd to most Japanese people within Japan to not handle a zombie apocalypse rather like might one handle a combination of a WMD/ chemical disaster+pandemic+civil unrest (all of which at least some part of Japan has experienced). Enjoy this very long, slightly dry video on COVID-19 safety procedures and preparedness using the framing device of surviving a zombie apocalypse.

M: Living in Los Angeles, I’ve often experienced similar tactics. We do a fair amount of advance and rehearsed disaster prep here as well. In elementary school, the first and last days of class were always for packing and unpacking home-made disaster packs, and “zombie apocalypse” simulations have been around since I was in middle school for all kinds of drills, including active shooter drills, like the one shown in this LAT article. The line between “prepper” and “well prepared” really comes down to degree of anxiety and zeal. So, it wouldn’t be just Japanese people who might not be able to resonate with your scene. The same could be said for anyone who lives somewhere with a robust disaster prevention culture.

M: A zombie apocalypse is not “real” in the sense of being a tangible threat that the majority of the world lives in fear of waking up to (At least, for the mental health of most people, I hope so). Rather, zombie apocalypse narratives are compelling to people because of the feelings of vague, existential dread they provoke: of isolation, paranoia, dwindling resources, and a definite end to everything familiar. I encourage you to stop thinking of the way Japanese people and non-Japanese people think about vague, existential dread as incomprehensible to each other. What would you think about zombies if they actually had a chance of existing in your world? That’s probably how most Japanese people would feel about them, too.

[ginaporterr]

RICKY & GINA High School Musical: The Musical: The Series (2019-2023)

[canon-can-fight-me]

hi mutuals if you’re participating in f/ovember and want more asks, comment under this post and I’ll send you an ask! Even if I’ve sent one to you this month you can still comment :)