#remembering good stuff

[cassowariess]

The song nearly overwhelmed Michael Beinhorn. One week before he’d first heard the demo, the record producer attended the open-casket funeral of a close relative, and from the opening verse, the lyrics transported him back to a place of mourning. Each time he heard it, the feeling became more visceral than the last.

'Boiling heat, summer stench ’Neath the black the sky looks dead Call my name through the cream And I’ll hear you scream again'

Naturally, Beinhorn began to wonder what the hell the anthem’s author was thinking about when he wrote it. So he asked him. Soundgarden lead singer Chris Cornell’s response was simple: “Well, they’re just some words.”

That’s the contradictory beauty of “Black Hole Sun.” Soundgarden’s biggest, most enduring hit is deeply affecting. It’s also an inscrutable mishmash of clever phrases. The band’s late frontman never claimed it was anything but the latter. “Chris didn’t really like to have to do exposition on his lyrics,” lead guitarist Kim Thayil said in a recent interview.

The song is iridescent. Depending on your perspective, the colors change. It can be unsettling, uplifting, soothing, even scary. Or all of those at once. It’s a five-minute-and-18-second psychedelic journey—bifurcated and then ripped in half by a Thayil solo—that hardly resembles anything else in the Seattle band’s catalog.

“The best music has periods of tension and release,” Beinhorn said. “And ‘Black Hole Sun’ is … almost all tension. But it keeps dragging you along with it.”

That incongruity helped make it a mid-concert fan favorite. “There was just something about the sound of that song,” said former MTV VJ and programmer Matt Pinfield, who over the last three decades has grown close to the members of Soundgarden. “Even if it went on for six minutes you never felt like it was that long. It just had this incredible build.” Thayil saw it as the group’s “Dream On” or “Stairway to Heaven.” In other words, he said, “one where they hold up their lighters.” But sonically, “Black Hole Sun” didn’t exactly seem like a radio-friendly unit shifter. It blared, like a church organ on acid.

A quarter-century since its release, and two years after Cornell’s death, it remains as bizarrely evocative as ever. “‘Black Hole Sun,’” Beinhorn said. “You hear the words and you see it in your mind. It doesn’t matter who you are. You know what it looks like.”

[goldensunset]

did you know? if you do your laundry you can get your clothes back

[angelofdumpsterfires]

how i feel about all the changes in s3

[ink-the-artist]

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

[spidertroupeart]

My boyfriend and I's stupid conversation about hot dogs ft. company

[artist-rat]

some epilogue vibes (an excuse to draw some hugs. and my durge so many times)

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[eddievedders]

GOOD OMENS — Chapter 5: The Ball.

[hamable]

Ok no I do have to make it it’s own post bc I don’t remember the book’s scene in detail but Annabeth seeing the fates cut a string at the arch is so fascinating. Bc we know that’s Luke’s string. He’s not dying soon, but it’s been decided when he will die.

The moment the fates decide that Luke will die and when is right after Percy sacrifices himself. Right after he shows Annabeth his care and loyalty. That she is worth saving. That she doesn’t deserve the wrath intended for her. A set of dominoes has just been toppled and when they all finally fall, she will stand between Luke and Percy and choose Percy. From this moment, from this early on, Luke’s fate is sealed.

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[ohno-the-sun]

Ya know how it is

[aipiepo]

[morecrearty]

can you believe i still think about this mess of a show in the good year 2024??

[remcadll]

Wow crazy how it’s been two months since mha ended. what the hell was that btw

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[transmechanicus]

Every harem anime should end in the supporting cast forcefemming the protagonist to balance the karmic debt of being a harem anime