#read and watch!

[spitblaze]

[guy who doesnt watch shows voice] yeah ive been meaning to watch that show

[vasira96]

it's always "immortals always lose the ones they love!" and never "this family has had this incredible, powerful, loving figure present through generations of their lineage, all because they are descended from someone the immortal loved long ago" and i think that's a shame!!

[yourfavecharacterisqueer]

hypothetical scenario for you all: the real king arthur returns. you meet him and you welcome him into your home. what is the first thing you do with him? keep in mind, this is a man from the 500s (he died in 542), and you are from the 21st century (2024).

[heyybeach]

Growing up is actually just enjoying the exact same things you enjoyed at 14 years old, but in a more gay way

[cryptocism]

It would have taken another immortal to keep up with him.

so i haven't read the books but i did read the Devil's Minion chapter and this part made me laugh out loud:

[bereft-of-frogs]

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

[kensatou]

women………….. | DOROHEDORO

(by the way. this is noi.)

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[matchaizuku]

i’m sorry but i had a vision

[mellosghosts]

in my heart this joke is in the movie, but unfortunately im afraid only we, hughjackmaniacs, would get it 🥀

[rswitz]

method acting

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[ruporas]

dragon meat, you, and me

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh

[slavhew]

dandadorks

[tossawary]

I saw this play a while back called "Pride and Prejudice* (*sort of)", which was a comedic retelling of the events of P&P by five female servants. (Who all worked in the Bennet household, I believe? Cannot remember the exact setting at this point.)

It was very much in an "low-budget improv troupe" style (though it was not actually improv), so Mr. Bingley's exaggerated "love at first sight" meeting with Jane happened while he had his hand stuck in a Pringles can. A karaoke machine made multiple appearances. If you were looking for historical accuracy or a perfect examination of the social nuances, this was not at all the play to watch, but it was pretty amusing, and it was interesting to think about P&P from the perspective of servants who may have only heard about certain events through gossip. Or who might just be mocking certain figures because they don't like them very much. At one point at a party, a tipsy Lydia got her hands on one of the soldiers' guns and fired it at the ceiling while people screamed. It was VERY silly.

Because there were only five actresses, they were switching between roles as needed, putting jackets or colorful dresses over their plain white dresses. The female servant who played the dramatic Mrs. Bennet also played the stiff Mr. Darcy. Another of the female servants played both Bingley siblings (Charles and Caroline) and also Charlotte Lucas, I think? Another played Mary, Lydia, and Mr. Collins, and also Mrs. Gardiner, I believe. Another played Jane, Georgiana Darcy, Mr. Wickham, and Lady Catherine, and so on. The female servant who played Elizabeth played her most of the time. The quick changes and mannerism shifts were quite funny.

But my favorite part may have been that Mr. Bennet was played by a chair. It was a comfy chair with its back to the audience and a newspaper propped up so that someone might be sitting there reading it, and at one point one of the servants went over to the chair to light a pipe, so that smoke rose from behind the chair. Characters talked to the chair sometimes, but the chair never talked back.

So, at one point, Mrs. Bennet was yelling and moaning about how the family was ruined. I think that Lydia, whom the embarrassing and overbearing Mrs. Bennet had been actively encouraging to be silly earlier, had run off with Mr. Wickham here. And Mrs. Bennet cried out, "OH, MR. BENNET, DO SOMETHING!!!"

And everyone on stage looked towards the chair with its back turned, which was fairly obviously empty, and which of course couldn't do anything by itself, because it was a chair. Dead silence again.

And then Mrs. Bennet went back to wailing and crying, while her daughters (Jane, Lizzy) patted her awkwardly on the back. And then I think the another actress came in as a servant to announce someone's arrival or something, moving the comedic retelling along. And that's probably what I remember best out of the entire play: Mr. Bennet could be effectively played by an empty chair with its back turned. It was hilarious.