#rains writing process

[minecraftbookshelf]

So this is more technical than your previous mos asks but how do you go about creating the timeline for the au. I know you'll be sticking very closely to the original empires smp timeline but because of it's medium of creation so many events happen simultaneously to each other due to the multiple povs so how do you keep in line what events are happening at what time and where each of the characters are at a given moment. Do you have a specific timeline software or do you just use a document?

Also you will be adding some additional scenes of your own creation to further the most plot so how do you decide when it's a good time to add an original scene?

Technical timeline thoughts!

To start, a disclaimer that basically everything I say here is describing things that I spend months rotating in my brain like rotisserie chickens. This is in no way a speedy process on my part.

Regarding the medium I use for my actual physical timelines, I've tried a lot of different programs and methods but ultimately I always end up coming back to paper. Paper and post-it notes (I use a lot of post-it notes) I do usually have a sort of bullet points list of major events in order on a document, but anything more detailed than that is going to be on paper, especially with multiple POVs and storylines involved. Lots of color coding.

When I'm doing longer AUs I do like to keep close to major story beats (even if the actual outcomes of those instances change) and put more of the difference in the in-between spaces. I also lean heavily on the butterfly effect. Most of the differences spiral out from a few, initial changes. Whether those be timeline alterations (Joel and Lizzie having their adventures start a few centuries earlier) or Points of Divergence (Xornoth deciding to stay in Rivendell with their brother)

As for keeping things organized...its about equal parts just spending a concerning amount of time thinking things over and also post-it notes. And also one of the benefits of having a lot of povs and points for different ones of them is that it all weaves together. Cause and Effect kind of thing.

[rains-inky-mind]

I am once again asking for very specific, explicit, step by step directions on how to write a query letter to a literary agent and/or publisher.

@sleepyowlwrites @ren-c-leyn @ anyone else who can tag someone who can explain this in a way that my autistic brain can grasp.

[lunarharp]

into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.

the sweet oblivion of the victim, the poisoned freedom of the witch.

for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.

the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.

but they were never whole to begin with, were they?

qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.

olly says nothing.

[moonrevolutions]

HELLO EVERYONE............................. AS MY LONGTIME FOLLOWERS KNOW.... ive been married for a while, but covid prevented having a wedding. yesterday, i had my wedding. it was beautiful........ had a nice lil intimate gathering at a sushi spot with plenty of good yellowtail for me to inhale. between this and my mom's birthday and the anniversary of my dear cousin passing [ she was my sister lbr ] ive been very busy.

but im very happy!!!! im posting the part 1 of my follow forever this weekend and also some more gif textures i have hoarded up and some inbox stuff.

[brown-little-robin]

~

if you can, would you pray for me? I am having a really hard time right now.

I just. I have too much to do 😭 I've been in survival mode 24/7 for the last four weeks. and the homework is only going to get worse, and I will only have less time for it from here on out because more clients will be booking my hours at work.

Also, I haven't been able to visit my parents for weeks, and the one in-person friend I had at college graduated last year. I'm lonely. I love you all but being with people in the body is a human need. Also, I'm struggling with even feeling like church community is worth attending church this year.

[swinging-stars-from-satellites]

across the world (in sixteen hours or less)

you know how you know nothing's gonna be okay again?

you lose your page again and again

you can't find your shoes

you pick up the phone even though you know you should stop

the happiest thing you can find is in a sad movie

and nothing changes

it's not English homework poetry where everything has to rhyme

you've got room now and it doesn't change a thing

your whole world is still your bedroom and some rock CDs

just like it was when you were five and ten and sixteen

there's no relief in the weather

because your weather's all the way across the world

(your brother's all the way across the world)

the rain is all the way across the world

the mountains you grew up with are outside your reach

the fog is still on that beach full of rocks

you still feel trapped

and you're never gonna see them again

xoxo.

[soulverymuchdead]

My worst fear would be getting drenched in the rain.

I love the monsoon, but the fear of not experiencing my favourite season with you haunts me. The thought of that perfect beach day – sun-kissed and carefree – turning into a downpour, just the clouds laughing mischievously as their tears drench our initial sunny plans. The waves crashing, the perfect scene for our playful moments on the sand. Then, as if on cue, the heavens open. We wouldn't care, soaked to the bone, lost in the laughter as we hold each other, the rain washing away everything but the joy of being together.

My deepest fear? It's not the downpour, it's getting drenched in this rainy day without you by my side, all alone.

[mysteroads]

World Building Post-War MHA, aka:

How Mr. Compress survives, thrives, steals all of AFO's money, and gives a big ol' "Fuck You!" to the heroes by doing a better job at saving people... All while staying classy. 😉

tltr: Mr. Compress steals AFO's money, creates a non-profit, names it all after the League to remind everyone why it's important and also to thumb his nose at the heroes.

So, mostly for my own edification, I started wondering what a Post-War MHA world would look like, and since MHA is a dystopia, how people would go about fixing the problems.

So, MHA dystopia can be described as: "Questioning the root of systemic issues brought about by a society grown both compliant *and* reliant on the protection of superheroes-- who have been elevated to celebrity/godlike status while ignoring 'Heroes' inherent humanity and all the flaws that come with being human-- while ignoring their own responsibilities as humans to help each other."

There's a reoccurring theme of Bystander Syndrome. Regular people growing compliant and being unwilling to step up to help their fellow man. Well, Post-War, I'm betting that's going to change, and that's where our boy Atsuhiro Sako can come in.

We all know Mr. Compress is going to survive. I really hope more members of the League do as well, but we know Atsuhiro Sako's going to make it. More than that, he's going jump headlong into making damn sure the past doesn't repeat itself, even if that means playing nice with the heroes (for awhile). There's going to be some sort of Villain Rehab program, or even a pardon/parole for the surviving LoV member(s). Sako's going to to be the perfect little ex-villain right up until his exit paperwork is processed.

And, since he was 1} in Tomura's inner circle, 2} he's clever enough to get Garaki to talk to him, and 3} he's an excellent thief... I'm going to assume he's smart enough to get the info he needs to access enough of AFO's accounts. 💸💸💸 And even if he's not, he's savvy enough to find the money somewhere.

I see Atsuhiro at the head of a Non-Profit Organization with several subsidiaries dedicated to different problems. Furthermore, as a unashamed former villain, I can see him naming the whole thing after the League... just to spite the heroes and remind everyone why he's doing what he's doing.😈 It's what his friends would've wanted.

The League for the Lost, and it's subsidiaries (colored for funsies):

Dabi’s Fire, for the campaign against domestic abuse and protection for the abused. 

Himiko’s Hope, assistance for so-called villainous and other maligned quirks, with a special emphasis on blood quirks and others with unique dietary requirements. 

Spinner’s Stories, support for mutation quirks and heteromorphs. 

Jin’s Friends, for free access to mental health resources. 

Big Sis’s House, safe spaces for queer youth and adults.

Tomura’s Soldiers, for the war against the trafficking of children with powerful quirks.

Honestly, this is probably the best way for the problems to be solved, and the best way to put AFO's ill gotten gains to good use. I mean, the money is there! It's going to be found eventually. Might as well use it to do whatever they can do to prevent a problem before it happens! And what better way to keep the memory of the League of Villains alive, get civilians involved in helping each other, and provide a warning for future generations-- than to put their names on Japan's biggest non-profit?

And, if he manages to piss off the old-school heroes and cops, while attracting the new generations, then that's just a bonus. 😎

If you made it this far, you are a most excellent person, a ✨gem✨ among readers!💖 And I want to hear from you! All... probably two, maybe three?... of you! What would you like to see from Post-War MHA? How would you fix the problems? Who from the LoV do you think's going to survive, and what are they going to do with themselves in the new world?

[ah0yh0y]

maybe its because i relate to liv to deeply but Her scene in the last ep resolved far too quicklyy. i think she needed to have breathing space more time to let it settle. it kinda just felt like liv was just going along wiht what everyone said. even if i know it was her decision.

[anitatapio]

Rainy day, June 9th 2024

I love days like these. Woke up 6 in the morning, listened to a random nostalgic song from the Tim Burton's Alice in Wonderland movie soundtrack that reminds me so much of 2010-2011, then at 7am I put on my corset and victorian gown (for some reason my corset decreases my anxiety like a constant hug and boosts my productivity, makes me feel like Violet Baudelaire with her ribbon) and started writing.

Usually I'm so addicted to checking all the apps (I like tumblr so far since it's text based and not as addicting at least so far when I don't follow too many people except friends). Today it's been raining the whole day (and still is). It just clears something up in me and I haven't felt the need to distract. I wrote 10 pages from scratch which was intimidating as for most of this year I've mostly gone over and edited/rewritten small sections of years old chapters. Then I took a nap (yes my corset is comfortable enough for me to sleep in even if it's not recommended), I read a little before I napped (trying to get into slow living instead of chasing instant dopamine), and now I've gone over writing physical notes into the computer, working on chapters 17 & 18 simultaneously. It's a good day and I feel productive enough to take a break to just relax enjoy the petrichor through my open windows.

Nostalgia is a creature of balance. I try not to live in the past while enjoying reminiscing from time to time... I also try to ground myself and remember that the present is always potential "future nostalgia." Enjoy the little things. As the youtuber Jennifer Myers says, "the little things are not small" and it's so true. It goes for many things in life.

[thewintersoldierdisaster]

.

[minecraftbookshelf]

Mistakes Are Made Chapter One Dialogue Breakdown

This was hard to make it turns out. A combination of "how do i format this" and trying to comprehensively summarize the thought processes and decisions going on. I think this works though.

Honestly, this sort of thing would probably work a lot better as like, a live conversation but we work with what we've got XD

I won't be including every bit of dialogue from the chapter but it will be most of them.

Disclaimer that this isn't a "How To" or any kind of "you should do things this way" this is just an explanation of what I put into my writing, and dialogue specifically. Also that I write in limited first person most of the time, so in a way, all the narration can be considered dialogue and as examples of character voice.

This is also only the first part of a long story that is intended to a) be re-readable and b) involve a lot of discovery as the story progresses, so a lot of the decisions I made are based off of things that will come up/be revealed later in the series. I will be talking about those, sometimes with no helpful explanation, sorry XD

I'm using color coding to specify what parts I'm talking about at any given time, so hopefully that helps.

This is going to be a long, wordy post, its entire point is to be an insight into the intentionality and consideration that goes into writing dialogue for me, if this isn't something you're interested in, absolutely pass it by. It will also likely "take some of the magic out of it" for some people. But I like to think that it might also add a bit more magic to it for others. So here we go!

On with the show behind the scenes! [AO3 Link to the Chapter] if you want to follow along there with more context to the selections.

"Hello, Jimmy!" He manages to clamber out of the fountain without tripping and falling flat on his face at least. He splashes Katherine in the process, where she is hovering off to the side but he can't really be bothered to worry about that. All he can manage to do is stare at Sausage's smirking face. "Hello, Jimmy!" Katherine's greeting is much less mocking

Starting off with the very first dialogue of the chapter, which doesn't occur until a few paragraphs in and then proceeds to be the exact same line said by two different characters.

This is one of the times that I am heavily relying on the fact that I am writing fanfiction and these greetings are words that we hear the characters in question (Sausage and Katherine) say multiple times. So I don't go into much detail with dialogue tags, counting on the reader to fill that in themselves. Even if they/you aren't imagining the exact tones I had in mind its a fairly easy extrapolation that these are said in wildly different tones. The emphasis on Sausage's is to imply the more mocking/antagonistic tone, helped along by the mention of his expression, but can also just convey that its louder and more emotive (As Katherine is trying very hard to be OfficialTM in this chapter) Also describing her greeting as "less mocking" helps fill in the appropriate tone for Sausages retroactively.

"What is he doing here?" He jerks his chin at Sausage, who is still giggling like a child. He sees Jimmy looking and grins at him, all teeth. Behind the mask, Jimmy bares his own teeth and takes some comfort in the knowledge that he has more of them; and they are sharper.

This is the first instance of Jimmy's inhuman body language being used as an extension of the dialogue/conversation between the characters. The use of teeth as a threat being a hybrid trait.

Sausage's smile is also part of this, something that isn't actually said in this chapter but will be demonstrated later on is that, as the ruler of a kingdom with a heavy hybrid population, Sausage knows this and his own body language is chosen accordingly.

Sausage keeps giggling and Jimmy can barely hear it beneath the roar in his ears. He leans down to try and whisper into the faerie queen's ear. "I really need your alliance right now, Katherine." He hopes his desperation doesn't show in his voice. She gives him a reproving look that throws him right back to his brief time spent in a classroom. "I'm allied with everyone, Jimmy. You know that."

This is the first example of really incorporating distinct character voices into the dialogue. I'm a liberal user of italics and in this case I'm using them to indicate emphasis where the ccs tend to stress their words to encourage assigning that voice to the dialogue itself. These are also, if not direct quotes from canon, very similar to actual things the ccs and their cubitos have said so it isn't exactly what I would consider heavy lifting.

Jimmy at this point is still fully informal. He's surprised and he's talking privately to a friend.

This is also more natural dialogue from Katherine, whose exasperation with her friend is partly overcoming her attempts to be Formal Faerie Queen.

I'm trying to keep the early dialogue fairly simple and close to canon voices because that way I can transition slowly and naturally into slightly different voices that suit the atmosphere while also preserving their more casual voices as the way that they talk when they are more comfortable and in less official settings. Setting up the contexts for different manners of speech is a big thing in this chapter overall.

"He invaded the Swamp," Jimmy hisses, his ear-fins flaring, ignoring the shudder down his spine from her use of his Name, even in part. "He crossed our borders. Again. He's threatened war." He's no longer whispering by the end, standing to his full height, shoulders back, sword hand by his shoulder. "And according to him, you've threatened it right back!"

Another instance of emphasis on Jimmy's inhuman body language.

This bit is actually more about Katherine than Jimmy. It does show a bit of Jimmy's sensitivity to magic but more than that, it incorporates Katherine's willingness to invoke her own flavor of threats, even in casual conversation with friends.

This is the first real deviation from canon dialogue in the entire chapter. This is the blending point where I'm taking the characters voices and using them myself instead of just channeling the pre-existing ones. The emphasis for this was important to me to try and keep it Jimmy's voice saying the words.

The body language here is a physical representation of Jimmy's shift from more informal speech to a more tense and emotionally and politically fraught situation.It's also the transition of Jimmy taking this from a private conversation to a more public one, now in earshot of both Sausage and Katherine's guards and staff. He's beginning to speak more as The Codfather than Jimmy and his physical stance is the biggest indication of that.

This is Katherine's last "private conversation" line and is, again, indicative of her frustration with her friends and the situation they have put themselves and everyone else in. It's a fairly sharp statement, geared to indicate that she is not really on Jimmy's side here. ("all sides" = "no sides" and a part of Katherine knows that, even if she refuses to admit it out loud, mostly because it is a role she has trapped herself in and can't leave.)

Sausage recovers quickly and shakes out the fur lining of his coat. "Is it just me or does it smell fishy in here, now?" "Sausage," Katherine looks disapprovingly back over her shoulder. "That's rude." "Oh," Sausage blinks at them both, "I'm sorry, Jimmy, I didn't realize."

Jumping ahead a bit we're in the "polite conversation because political masks" phase of dialogue.

Sausage is Not Being Polite. This is his attempt at "polite rudeness" but he's not very subtle in general so its blatant enough for Katherine to call him out on it. It's also a continuation of Sausage speaking more informally in general. He has something of an upper hand in the situation, and an abundance of bravado, and that is reflected in the way he talks. (Sausage just also has a very distinct voice in general that is already leant towards melodrama which works very well for the au's setting as a whole)

His apology is also disingenuous. In retrospect I should have probably used some italics or some other indicator to help convey that. (I might go back and edit something in. I do that sometimes on AO3. Major edits get notes made at the chapter end but minor fixes happen a lot.) He makes the "apology" and that connects Jimmy to his original statement, even if it hadn't been blatantly obvious.

"Oh, this one is new!" Sausage immediately changes the subject, pointing at one of the skulls hanging on the wall of the hall. It's some kind of middling-sized land animal...a sheep maybe? with poppies filling the eye sockets and woven in a crown, there are delicate lines of gold painted across the surface of the bleached bone. Katherine beams, her irritation at the rudeness forgotten (or at least set aside, fae never truly forget breaches of etiquette) "It is! It's a gift from a childhood friend," she looks fondly upon the skull for a moment. "We've been reconnecting lately." Sausage nods sagely, "It is always good to spend time with your friends." "It is," Katherine's ears twitch and her wings flutter briefly before she resumes walking. "Which is why we are going to fix this."

This is a slightly better attempt from Sausage at maintaining political etiquette by complimenting the host. A distraction and a peace offering.

And this is the first mention of Scott in the chapter, in what I am now realizing (it was not intended that way but here we go) is a context that kind of foreshadows his role of peace offering. It also is an establishing line for Katherine and Scott's relationship, as well as a nod to their short-lived plushie business (my beloved) from canon.(And the adaptation of it that exists in the au, which will come up later in Katherine's backstory at the very least.)

Sausage is being ingratiating here. It's a kind of wink wink nudge nudge "we should be friends and you should do what I want" moment.

Katherine knows what he is doing. This is also an incorporation of Katherine's inhuman characteristics, though a bit more subtly, specifically because this is Jimmy's pov and he is neither familiar enough with her mannerisms to break down exactly what they mean the way his own are, or unfamiliar enough with them to register them as odd and worth commenting on.

And then we have the POV switch to Xornoth

The entirety of Xornoth's external, out-loud dialogue is one single line, but the internal dialogue is their narration of the situation at hand. Ft. "helpful" commentary from Exor.

Xornoth's voice is arguably the trickiest part of the entire chapter as it is the part with the least canon basis. Xornoth is a character I am functionally building from scratch, given that the majority of their canon appearances are arguably as much Exor as they are Xornoth. (at least in the context of this AU)

Xornoth's canon voice (on a purely literal level) is "Scott Smajor with a script and a voice changer" and, on the occasions they are on screen together, "someone else with a script and a voice changer", and then the single epilogue bit.

So I'm working with somewhat stilted, formal speech and a tendency for dramatic declarations.

For this first chapter there was actually a bit more effort put into characterizing Exor, as, despite it being in their pov, the majority of the Xornoth characterization is happening in Chapter Two. (which is also mostly from their pov)

Honestly, this is already really long, I'll probably do the dialogue in the second part of the chapter as a part two, but I do want to put a compilation of Exor's commentary down here to talk about.

I opted to make Exor's dialogue bold instead of italics both to distinguish it from Xornoth's own internal dialogue and to emphasize how unavoidable it is for Xornoth. It's not something they can truly ignore, its too loud in their head.

Meaningless frivolity.

Disparaging commentary on the priorities of the other emperors and Jimmy in particular, leaning into one that Xornoth themself is inclined to agree with.

Do not pretend such reluctance. I see the truth.

Denying Xornoth's knowledge of themself in favor of asserting their own.

You are still only a student. And you will be so long as you refuse to take what is rightfully ours.

Exor's goal is and always has been (as long as Xornoth as known them) world domination. This is his most blatant statement of it, coupled with a disparaging comment towards Xornoth's own authority.

Like a fish on a hook.

Dehumanization with a side of violent imagery.

They are going to hurt themselves, trying that hard to utilize what little intelligence they have.

General scorn towards the intelligence and competence of the other emperors.

If we pinned her wings to the wall like a butterfly and made her watch, that would phase her. If we gutted him like a fish he'd squeal so nicely.

Violence. Rather graphic, worded in a way to make Xornoth/The Reader paint a stronger visual image to accompany it. These are the ones that both Exor (in-story) and I (out of story) designed to have a stronger impact. For Exor its about sowing thoughts in Xornoth's mind and having them doubt themself, for me its about really conveying Exor's intentions.

Rip them all to pieces, give the farmer the fight she wants.

This is a half-step back into a more friendly-aligned bit. Pearl is Xornoth's friend. A war would make her happy! Pearl is not Xornoth's biggest weakness, but she is one and Exor takes as much advantage of that as he can.

Wheat fields burn so easily, all it would take is a single spark in the right place and all of Mythland would be in flames. Carefully, carefully, Xornoth sets their book down on the table beside them and places their hands in their lap. Katherine will stop allowing them to borrow her books if they start spontaneously combusting them. Hopefully she doesn't notice the slightly singed cover.

Arson yay!

With the previous comments designed to rile Xornoth up the invocation of fire is a deliberate reference on my part to Xornoth's powers (with the follow up in the next paragraph) and on Exor's part is a provocation towards losing control/making it harder to stay in control of their powers.

Why do you consistently choose to prove your incompetence.

Even gods that crave violence can be disappointed.

this was equal parts chosen to add to the overall comedy of that exact moment and as a final nod to the way that, while he spends a lot of time tearing down other people in Xornoth's head, he also puts a lot of time into tearing down Xornoth themself.

-

I'm going to leave it there for now, if just because of length. I can come back and make a part two for Xornoth and the other emperors during the second part of the chapter later.

[yakool-foolio]

I think I'm at the point where I really need to simmer down with a lot of my writing. I've been pushing myself to write posts for this blog almost every day. While I have no qualms when I have the time and energy to do so, as the days go by and my brain is being drained more and more, I need to give myself more breaks and not force myself to try to pump out written content daily. I'm in the final weeks of this semester, so assignments continue to pile up leading to finals, and it's all heavily involved in writing, which I'm already incredibly slow at as it is. I really don't want to end up crashing and burning creatively when I have so much I want to write for Rain Code yet not as much time (this happened before about two years ago when I overworked myself while writing for my DBD ask blog; Rain Code brought me outta that burnout).

The summer probably won't be much better since I'll be basically taking on an internship, two college classes, and weekend work shifts. It's not gonna be lemon-squeezy easy, so that means less and less time I have to work on personal projects and posts for this blog. Believe me, I don't wanna stop creating content for Rain Code and rambling to my heart's content, but making things like fics, voiceovers, and whatever else forms in my brain at 2 AM means I have to spend my creative freedom wisely. I wanna make a buncha fun stuff, but it requires moments where I will be trading time making regular posts to working on bigger projects instead.

It sounds stupid that not posting my writing/rambling daily is an absolutely awful thing that makes me crumple up like a used napkin, cause it is undeniably stupid. This exact post probably only really matters to me anyway, cause I know deep down that everyone will be fine with me posting less and taking my time, so I guess this is just a reminder for myself if nothing else. I've been in this pattern before, I know how it goes, but it doesn't make me feel any less sad or overwhelmed that my sheer love for a piece of media has to be put on the backburner.

I don't think anyone will notice changes in my posting habits, anyway. I'll still answer asks in a timely manner and make short posts about music or multi-fandom stuff regarding Danganronpa or Ace Attorney or whatever else I find myself gettin' into these days. It's just an internal shift that would probably go unseen, and I don't mind that. Thank you for taking the time to read this.

[memoryoflife]

sometimes my brain flicks me fic scenarios so vague and yet so vivid from one 4 minutes song and goes “fuck you, slut. interpret THIS.”

[ikkaku-of-heart]

Maaaaay have been a little busy upon getting home from work.

I really am Mihawk. Depressed shut-in who only goes out when sufficiently bored or because my job makes me, spends rest of my time swordfighting and gardening.

Going to grab a shower so my body doesn't hate me tomorrow, then work on stuff. Feel free to send in asks for this meme if you're so inclined.

[toomanywordsnllines]

Being a little angsty here but...

Thinking about how Soap probably uses rain to cry and hide his tears, it's not like anyone can see the difference. And during rainy days everyone is inside so...

I gave myself emotional damage thinking about this so... I shall share it too! :'D