First, It was Barb was doing night checks on wayne manor cameras surveillance pt 2
Previous post pt 1
She was in a bit of awe when she saw the newest very rare exotic flower Alfred got bloom under the light of the full moon, revealing beautiful crystallized like petals blossom, only for her widening eyes to take noticed of a tiny little pixie like child to pop his little head out of the center of the flower.
His hair was unnatural white fluff like a dandelion in her opinion, eyes glowing an otherworldly green, freckles that sparkle like the stars themselves, ears a bit long and pointy, wearing a odd clothing with a needles strapped to his back, that she could barely catch in camera, the static buzzing sound from her cameras was making it a bit difficult to hear what sound the tiny little fairy boy made as he floated above zooming around the garden a bit like he was excited.
It made barb's inner child squeals, screaming, flipping her tiny princess table at the possibly of Nederland being possible.
Curious little bug, floating around like the fairies in Disney like except of the Glow pixie dust like she seen on the movies, he left a trail of blueish green light that faded away rather quickly with the way he was flying into the slightly opened kitchen's window...
Wait a goddamm minutes..
Barb immediately switch cameras to the kitchen, looking around, only to see it went through the hallway already, switching cameras again, checking the living room, the hallways, only to catch a glimpse of trail glow zooming around.
Crap crap. OK, no need to panic Barb. What do curious pixie like fairies out in the human world.. bring the season right?!, play with children like that Bell fairy did? Finds and take lost things and secretly repair lost things?..! Fairies are weak without pixie dust, they don't live long without it, each fairies has a different part of the seasons, and if you don't believe in them then they immediately die and that cause imbalance in the world without their influence unless you truly believe in fairies to bring back one fairy.(she went through a whole fairy obsession phase as a kid, she still mourns the lost of the create your fairy open world game)
The fairy must've Found a new type of pixie dust to fly without wings if she could recall that one sequel with the new pixie dusts colors thing..?
It was like a game of Where Waldo except where the little mythical fairy boy that couldn't possibly- no no barb don't think about the taboo words, if you think about it and this poor mythical being dies due to your words then the guilt will haunt you Forever.
3 hours in the catch the glimpse of the fairy boy, flying back at to his little flower holding a tiny cube of sugar, a shiny tiny object that she can't get a clear of, and a plump blueberry the size of his little hesr as he lands in the petals that were closing around him. Crystallized back close as if to guard this little fairy being with its own life.
Right when the full moon glimpse was gone out of the sight of the garden from the sky when the smog cloud from the city covering once more.. Barb is writing that down in her notes..
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What a difference in the two interviews - Duchovny's in 1997 and Anderson's in 1998.
Duchovny was super arrogant and pretentious, thinking he was the King of Cocada Preta, trying to pass himself off as an intellectual, bored with fame. Winona Ryder never came out to David because she was much more famous at the time.. Thankfully, in the years that followed, he had to tone it down. Less Duchovny, much less…
Anderson, on the other hand, looked like a working mother, working non-stop to support her daughter, zero glamor, a bit depressed, like a middle-aged woman broken by life.
And in none of the interviews did the geniuses who interviewed them talk about Mulder and Scully, who were the soul of the show.
I'm slowly working on a progress-through-Season-8-based-on-the-burnt-out-interviews post, so this was timely. :DD
To be fair, David was suffering. Both of them were. The X-Files was simply a job to DD and GA; and they coped with its insane hours and insane stresses differently. For Gillian, she internally imploded: eating disorders, panic attacks, anxiety so bad she wouldn't wish it on her worst enemy. She was afraid to put a foot wrong because she'd gotten pregnant so early on and could have threatened the longevity of the show; but she kept putting a foot wrong due to a shoot-from-the-hip personality. Then she was a divorced co-parent trying to do everything herself. David, meanwhile, didn't have that stress; but instead of marrying quick to escape the unbearable loneliness (like Gillian did), he tried to escape by getting outward attention... or through porn, joking in Playboy that his favorite pornstar had gotten him through some very, very lonely days. He also outsourced constantly, making connections with other entertainers and etc. to try to establish himself in Hollywood away from the show. Part of that persona-- that he had everything together and was living the dream-- was part and parcel of selling himself to the business for, in turn, more work.
Secondly, DD WAS arrogant. It wasn't until AA that he learned gratitude, per his own words. Until that time, he'd overachieved into such heights of success that he, naturally, developed an ego. But that wasn't enough-- it never is-- and he kept devising other ways to get attention. Per his old interviews, he described being 'shocking' or 'funny' or etc. as a way to keep others' eyes (and attention) on himself. He always feared they'd lose interest in him and walk away, otherwise (still does.)
That mindset, he's stated here and there, was a result of habits he'd formed in his childhood-- the middle child caught in a turbulent divorce: father suddenly gone, mother heartbroken, and older brother and younger sister taking sides. He had to become intermediary for his siblings and shoulder-to-lean-on for his mother. He became his mother's pride and joy: a shy kid who thought he wasn't a looker when he was younger, who transferred to a better school on a scholarship, who was "captain of the basketball team and the baseball team and a straight-A student, and I was in my last year of high school, and I'd applied to four schools–Harvard, Yale, Princeton and Brown–and I got into all of them." Who was, in short, an over-achiever; and became arrogant because he achieved everything through his own efforts. But he was also a kid who fainted in senior year, breaking his front teeth, because the stress was too much.
And he was also a man who spent long hours overworked on a show he wasn't particularly passionate about. One who spent long, isolated hours alone (in the bathtub) in Vancouver when not working. And one who always had to be "on" when he was out with his friends or spotted by people on the street. Further, no one wanted (wants) to hear the rich and successful complain about the hardships of their success. So, he turned on the charm for attention, instead; and resented having to "sell himself" for people to care about his work. And his performance, on and off screen, earned him fifteen years of public backpatting and"Fox Mulder"ing everywhere he went.
He didn't deal with the stress perfectly, and created his own problems that had to be worked through later on. But Gillian did, as well (per her own words); and they've both owned up to their mistakes and have, seemingly, moved on from the past.
Lastly, there are other interviews where his truer self comes through: those are sadder, pre-marriage; or more stable and happy, post-marriage. Gillian had happy interviews, too; but her life was much more accelerated than his (marriage, pregnancy, divorce on close heels), and thus sounded more burnt out than he was.
I don't like to pit or compare faults because I'm sure they both handled global fame and nonstop work better than a lot of people would have (David was rock-bottom depressed and Gillian was afraid she'd quite literally go insane; but they made it.) And there are always interviews where he looks like a cherub and she a hag, or he an arrogant scumbag and she a hard-done-by saint. Neither were either.
About the Winona Ryder speculation:
Even in interviews from the early days, DD kept personal details close to the chest, referring to romantic partners as "my girlfriend" unless his significant other had an established public persona (or an upcoming project.) The person he spoke the most about was Tea-- and that was after their marriage, and only during interviews to promote their next tv series or movie. Tea was a talker, and she didn't mind when he talked about her; so, she rubbed off on David for a good chunk of their relationship-- even after the rehab stint-- until their divorce. (Now, she's taken a vow of silence and enforces it strictly with Tim Daly, as stated by both.)
I'm not up-to-date on Winona, but I'm sure the relationship wasn't serious enough for either to really acknowledge it. She looked happy in their picture together; and I don't think she's the type to deny a relationship because it might not be advantageous to her "brand." But what do I know? XDD
Those are my thoughts, anyway~ :DDD
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galaxy-brained mlc take of the day: mlc is wuxia, yes and maybeee not exactly? it very much is a wuxia aesthetically, but it's actually - conceptually - xianxia story in the core. (this is different from suggesting that it is a xianxia show.) however xianxia can (or should) be considered a subgenre of wuxia, not its own separate distinct genre despite the idea of 仙 xian being fundamentally at odds with the idea of 侠 xia, because they both stem from the same belief. (as seen in mlc, it works with the conventions of traditional wuxia aka li xiangyi the sigu sect leader, to get to the real bits of xianxia concept aka li lianhua's story.) so, mlc is wuxia through and through, inside out. send tweet 🫡👍
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ok wait I can explain
so, this must be premised on the understanding that any discussion of "仙 xian/deities" in this context is only as its abstract idea of living a life distanced, detached from worldly, human woes instead of the possibility of immortality existing in mlcverse. (if you think about the deities in xianxia stories being basically human beings who have cultivated themselves into immortality.)
this is the explanation of xianxia as a wuxia subgenre (古仙武侠) in the baidu article of wuxia genre:
武侠中的侠,是脱胎于墨家“以天下为己任”的使命感;而仙侠的侠,通常是传达着“能力越大,责任也就越大”的朴素精神。侠乃入世,仙为出世,道教阴阳的无情大道(无情指寻求自我的不断体悟,以达精神的成仙,非没有感情之意)与武侠江湖的有情众生,即是矛盾也是循环,象征着太极之道,这也就是为何古仙武侠也属于正统仙侠流派的原因。
rough tl:
the xia of wuxia is born from the mohist ideal of bearing a sense of responsibility for the world
while the xia in xianxia focuses on the idea of "with great power comes great responsibility"
the idea of 侠 xia is secular. the idea of 仙 xian is beyond the secular - it is to pursue a life of suppressing/taming your own emotions (it does not mean to be completely removed of the ability to feel. it's a pursuit of self-realisation that makes one attain the status of a "deity" spiritually.) 仙 xian is then inherently at odds with wuxia jianghu's deep empathy and connection with the secular world, but it's also connected back to it. this is why 古仙武侠 is considered to be a part of the wuxia genre.
the relationship between xian and xia is conflicting because the former is all about distancing yourself from worldly issues while the latter necessitates an active effort to do something about them.
but it also means that both wuxia and xianxia acknowledge this weight of human emotions and connection to the world. it's just their respective responses and the outcomes they want that they differ in. what is the ideal person? wuxia says it's to be someone who can propagate and execute the ideal of doing something about this weight of your connection to the world, while xianxia says it's to learn to be at peace with that connection, and it's ok to not do anything about it actually - which might even be harder than trying to do something. (and focusing on your own cultivation can be a good thing for the world, in fact.)
with this, I hope it sounds less absurd that I'm connecting mlc's story to the concept of xianxia. lxy's life was a traditional wuxia archetype. (I've already harped on enough about how he fits into the quintessential mohist model of a xia leader.) what happens after, aka his journey as li lianhua, is the real story of mlc. it's a breakdown of that quintessential wuxia hero. it is a story in which the main conflict faced by the protagonist is to struggle with all the worldly woes including his own past and the cases' victims, in defense of the serenity he has found in the past 9 years. it is a natural battle to fight for someone such as llh because as long as you're still human, you will face the implications of human connections and the innate feeling of compassion and urge to do something about it (part of this, I guess, manifests physically in bicha breaking him down and the resistance to cure).
and relating that to an excerpt from an article discussing xianxia in relation to wuxia:
武侠剧的精神内核也是仙侠剧的精神内核,而“仙”实际上是实现新形式的“侠”的手段,由此扩展了“侠”的深度和其实施的时空范围。武侠之中的侠义精神,可以强调其自在,更强调其是自为的,前者是需要逐渐成长和觉醒的。然而对于高于人的仙而言,作为上位者的“侠”之精神,则应该是内在自觉且自为的。
rough tl:
the spirit of wuxia dramas should also be the spirit of xianxia dramas. xian should in fact be another way to bring out and explore the idea of xia.
the spirit of xia in wuxia can be an emphasis on the spirit of freedom, and even more so, the idea of agency and autonomy. the former is gained through growth and awareness. but for xian aka people who occupy a realm above the people on the ground, the xia spirit they embody should manifest in their inner awakening and agency.
it goes without saying that nobody is a deity in this show, and never will be. only in ep 40.5 it came so close to possessing that otherworldly, surreal edge, but that's all to it. deities do not exist in the mlcverse.
but but. it's interesting to point out in the ep 3 flashback when lxy walked through town in the aftermath of the sigu sect vs jym battle, commoners were heard describing it as 神仙打架 百姓遭殃 when immortals fight, commoners suffer. of course they didn't mean it literally but figuratively, that those people of wulin jianghu are high above, detached from the people on the ground. which is. contradictory to the idea of 侠 xia to begin with. so... it could even be interpreted that li lianhua living the spiritually "immortal" life embodied the xia spirit even more deeply than he did as li xiangyi the sigu sect leader, the "immortal" in the eyes of the commoners. actual immortals do not have any real attachment to the people, but a cultivated "immortal" does and is destined to feel and learn to deal with it over and over like llh did. it all comes back in a circle indeed.
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