#putting art on the internet is dangerous in some way we all know this

[petrichal]

You can say that there's no point in moving sites when putting art on the internet in any way will lead to it being scraped for AI down the line, but moving away from the site that blatantly tells you that staying means you're okay with your art being used for AI learning- to join just about any other site is literally reasonable to me, imo.

[rweoutofthewoods]

fanfic/fandom ettiquite guide

Okay, I've seen some things recently that make me think there is some need to make a master post of some general fandom and fic ettiquite just because some people may not know and I think there's a huge wave of fanfic becoming more mainstream especially on apps like tiktok.

If you don't like it, don't engage with it!! I think this above all, is the golden rule of fandom. The internet is made for you to be able to mute, hide, and censor things you don't like. DO THAT! don't make a career off of hating things. This goes along with the three laws of fandom, which u should check out FIRST OF ALL.

DON'T GATEKEEP!! If you're posting about a fic, art, ANYTHING link it, credit it! Don't post a tiktok about a fic and then refuse to give the name. Not only are you failing to credit the creators of this content, but you're taking away from the fact that fandom is a COMMUNITY where content is meant for everyone.

Ao3 is an archive. You're going to see things you might not like or even find offensive or uncomfortable. But fanfic is not meant to be censored. Ao3 is made to be unfiltered, people can post anything and everything. Posting fics on other sites simply to shame their content not only brings MORE attention to it, but it's pointless. If you want a website that is censored go to wattpad. And of course, if you don't like it DON'T READ. You can filter your tags and warnings on ao3 so it won't show you that content.

Along those lines LEARN HOW TO USE AO3. There is no algorithm, it is not tiktok. You don't need to censor words in your tags. Your fics are not magically getting pushed out to people. Make sure you're using "person 1/person 2" for romantic relationships and "person 1 & person 2" for non-romantic relationships. Make sure things like non-con and underage are tagged under the warnings. AND AS A READER, know how to filter ships and tags to find the content you want. You can filter by kudos, certain tags, exclude certain relationships or characters etc. USE IT.

Do not create placeholder fics or other "non fics" on ao3. This is against their terms of service. You can (and probably will) be reported, this annoys people endlessly. We don't want to find a fic and open it to see "I haven't written this yet, sorry!" JUST SAVE A DRAFT OR DO IT IN A DOCUMENT? this seems like way to rack up hits, and it comes across as disingenuous, I don't see a real valid reason to make placeholders.

HOW TO WRITE AN ACCEPTABLE COMMENT: long is not important. A simple "loved this!" will make an author happy. DO NOT say any variation of "update pls?" regardless of how nice you think it is. Authors update when they can.I'm not the only author I've seen unhappy with this. JUST WAIT, either it will be updated or it won't, and either way you will live. If you have nothing nice to say about a fic?? MOVE ON. Don't leave a hate comment.

Do not rate or publicly shit on fanfic! A lot of authors know many people, and the chances of that author seeing whatever you're saying about their work is very high. If you don't like it, click off and read something else. If it's still living rent-free in your mind, that sounds like fan behavior to me. And there is no standard fics are supposed to meet, don't rate them.

Don't cross-post fics. Don't put fics on other sites, don't put translation on other sites. DON'T DO ANYTHING with a fic without checking with the author first. On that note, also don't post fics on GoodReads etc. unless an author explicitly says it's okay.

IF YOU DO NOT MARK YOUR BOOKMARKS AS PRIVATE AUTHORS CAN SEE THEM!! If you're going to say anything that isn't positive, you better mark that as private or better yet, move on. Don't say anything on a public bookmark you wouldn't want the author to read.

YOU CANNOT PROFIT OFF OF FANFIC, don't sell bound fics! Don't bind fics if the intention is to sell them. You're potentially creating a lawsuit for the authors of these fics and putting the existence of fanfic in danger. I've seen multiple authors debating taking fics down because of binding issues, just don't do it. AND IF YOU'RE BUYING BOUND FICS YOU'RE PART OF THE PROBLEM. it's selfish and I wish bad karma upon you.

You wouldn't think I'd have to say this but don't plagiarize or use AI to create fics/art etc. firstly making ai write something IS a form of plagiarism. bUT ALSO just write your own content. If you can't, then writing fics etc. is just not for you. No shame about it!

DON'T ASK AUTHORS TO BETA FOR YOU!! You wouldn't believe how many people have asked me to beta their fics for them, I AM NOT A BETA. I HAVE a beta because my proofreading skills are shit. If someone wants to beta they will offer, or go find a blog or somewhere where people are looking to beta. Like @needabeta You can even make a post asking around for a beta, but don't go bug your favorite authors to proofread your fics.

Really just don't harass authors. Of course, don't be afraid to send nice dms, asks, or comments if their inbox is open, but don't spam them especially if they don't reply. Respect boundaries! Don't send nasty anons, everyone knows this is a sign of jealousy and obsession. You're only succeeding in making yourself look bad. Ask yourself why is this author living rent-free in your mind, hm??

If you don't like a ship, stay away from the content geared towards that ship. There's no reason for you to be in people's inbox harassing them over a ship. It's never that deep. If you truly hate it so much, go consume the content for ships you DO like.

Stay grounded. This goes to both fic authors and readers alike. Hits and popularity are not the mark of a good fic. Getting a lot of hits doesn't mean it's good and NOT getting many doesn't mean it's bad. I'm tired of seeing tiktoks asking "so what's the next big fic?" WHY DOES IT HAVE TO BE A "BIG FIC"? go look through the ao3 tag and find something you like to read, it doesn't have to be what everyone else is reading.

Headcanons are not law. People can think whatever they want about the characters. If you disagree with someone's hc, just move on... and just because a headcanon is popular, doesn't mean everyone has to abide by it. Be creative!

Don't treat artists and authors like celebs! We're all in this together! We're all losers who like the same characters and ships. Of course, compliment and be kind to all creators because we put a lot of time and effort into creating fan content for you all, but don't worship anyone. Don't treat them weirdly or make a post like "omg x followed me!" that's a bit weird. If you want to be excited, dm your friends and giggle together, but acting like authors and artists etc. are celebs only creates the room for people to stop seeing them as normal people and start acting rude or entitled. And many people are uncomfortable with it!!

TLDR; stop creating so much negativity in fandom spaces. At least in MY fandom it's just constantly shitting on ships, fics, art. It's hate anons, antis, and constant fighting about every headcanon. I'M TIRED OF IT! Learn to filter out content you don't want to see, and move on with your life instead of spreading more negativity.

If you have anything you think I should add shoot me a comment or an ask and I will add it! I'm sure I didn't get everything :) this mostly applies to my own experience being in the hp/marauders fandom for a good 10+ years, and I'm sure it varies slightly from fandom to fandom.

[desceros]

i open up my tumblr to get my daily dose of turtle content after an excruciating day and immediately SPAT out my tea seeing what was happening in the rottmnt tumblr community like?? oh my god thats WILD

i presume you're referring to the dragon situation which is. well. it sure is fucking something i'll tell you that.

it's my understanding that she's currently being told she didn't do anything wrong which. ok. i'm going to need people to understand something. there are two big reasons to Why this is Such a Huge Fucking Deal.

interacting, sexually, with adults (which dragon lied about her age to do) is harmful for kids. it puts them directly into explicitly sexual places, which while Mostly Safe, do harbor some people who will latch onto vulnerable people. kids don't have a lot of the real-world experience that adults have that allow them to Spot these asshats and avoid them. kids like validation. they like feeling cool, wanted. and groomers know how to spot people that like these things and give it to them. christ, there are a lot of Adults that get this part wrong. (comprehensive sex education can reduce the chances of this happening, but considering the state of that for children being less than robust, it's safe to assume Most kids aren't being taught the sighs of a proper, actual predator and not 'dude in a white van with some candy.')

interacting, sexually, with kids, can get adults into a MASSIVE amount of trouble. there is no recourse for this. it ruins your reputation, it puts you on a fucking List, it can get you jail time, it destroys your ability to get housing or a job, etc.

so yes. this was all bad because a kid was doing sex stuff. but for everyone who i've seen saying "ohhh we all looked at smut and stuff when we were teenagers, she didn't do anything wrong", yes, she did. because she INTERACTED WITH ADULTS ABOUT IT. yes, we all know that teenagers read smut. we all know that you can click onto someone's blog. frankly, in my opinion, there's never going to be a way to stop that. but having that teenager come into adult spaces and TALK to adults, SEND them asks, POST erotic art, SEND THAT LEWD ART TO ADULTS, DO EROTIC ROLEPLAY WITH OTHER ADULTS, is beyond the pale. that's not "a teenager reading smut like we all did." that's a minor violating the trust and consent of adults who have said they don't want to interact with minors.

i want you to imagine a scenario where we have someone we Know is a liar. she says she's 17 in two months. but is she? she's lied about it before. but let's say we believe her this time. let's say we trust her when she says she's 18 now. we start letting her interact again. we talk about erotica with her again. except oops she's still not 18, she's 16 and her mommy just checked on her blog and sees she's talking about porn with adults. or she hears a headcanon she doesn't like and decides to narc on that adult for sexting with a child. or one of her friends decides they don't like how i talk to people, so they say something.

do you see the problem? sure, the kid is in danger. but so is the adult. the adult who thought they were interacting with another adult, but because that kid lied, now they're the one in trouble. oh, and fun fact, there is typically no recourse against the kid in this scenario. the adult's life is ruined, and the kid gets to walk away.

there are very few adult-only spaces left on the internet. we put up signs on our blogs that say "we talk about sex. minors do not interact." because we want these spaces for ourselves. it's so disrespectful and childish and stupid and selfish and bratty for kids to think "oh, i'm adult enough for that, actually" or "well everyone i'm following is an adult, but they all say minors don't interact, so i'll just lie and say i'm an adult, heehee." it reveals a lack of character and regard for others that disgusts me. it tells me that you don't care about my wishes, you will do whatever you want to get what you want. i did not consent to speak with a child. it's vile behavior, and people who can't comprehend why the adults here are so upset because "oh you don't owe anyone your age, we all read smut as kids, what's the big deal, it's totally fine" are clearly not using any amount of critical thinking because they learned that their favorite artist is a minor and they don't want to rock the boat and lose access to it which, by the way, maybe think about what that says about you.

[megaloserrr]

i know i am not at all a big creator i'm just some guy with some internet access and an account and friends but even then all of this, fandom, internet fun, its all become so incredibly insufferable to be in? the only reason i made a tumblr was so i could post my art online and maybe get some validation and silly for it, and because there were strangers on the internet who would share the same opinions as me and we could interact via shared interests and love for content we both enjoy but never actually ever know each other personally and as someone whos been in the undertale fandom since i was like. a genuine child, how did fandom culture go from fun and joyous to genuinely exhausting and like walking through a landmine? i understand trying to weed out all the genuinely shitty people, but like, atleast on my side with my friends, and of course one of the bigger online presences in them being kia, why is it so unimaginable that people are friends with eachother outside of fandom discourse that doesnt hold a single candle to anything in real life? i'll tell you this much; whatever shit my friends like to draw doesn't do anything to me in the real world all of this "blocklist" shit (which, by the way, never has to be made public, if you really want a blocklist make it in private or dm people if they want it), is so dangerous and it's absolutely insane and incredible to me that nobody in the rabid anti spaces can see it as a genuine danger that has real world consequences until things don't exactly go "the way they wanted" why are you airing out, generally average and pretty fucking normal, people and artists around on a list expecting whoever's on the internet to see it and have an ounce of etiquette? and, actually, why are you even willing to put out public lists in the first place? does it not fill you with regret? i fucking hate dreammare as a ship and i dont like the shit that people would consider proship, if anything i'm pretty normal, i just dont give a fuck about what people do in their own little spaces because i can choose not to go in there. so why are you choosing to put me out on a list as if i personally hurt you? like i drew incest brothers and sisters kissing with nsfw written all over it or some shit? brother the only social media that i post publicly on for the world to see is this one!! tldr please leave me the fuck alone and have some idk, sympathy? i dont look on tumblr much, i'm busy you know, living on my own barely a year after turning 18, its not very fun running the risk of harassment, and knowing that people are stalking you and your friendgroup constantly over shit that doesn't fucking matter to you

[etinceelle]

The more I'm on internet and the more I see harassment and call out posts every single day on various fandoms/artists spaces for all possible reasons and honestly I don't even know what to say outside of the fact that this is so freaking dangerous and wild to put labels and accusations on people you don't even know, or to not even try to understand and seek knownledge about the situation outside of what you want to see and understand. There are real predators doing illegal stuff who need to be stopped and yet people having fun and imagining things for ocs, various characters and ships are being accused of the worst things ever and it follows them everywhere. Tiny things are took as obvious signs of predatory behavior or racism or whatever and this is supposed to be fine.

I don't even mean to bring back the topic of my own story but experiencing dog piling and rumors and serious accusations for months because of a follow is just completely wild when I think about it. With some distance, I think I could have handled everything better when I spoke about it publicly. But I never should have wrote this post in the first place.

Block button exist and report button exist as well for serious problematic elements. My take is that no one deserves harassment and cruelty. But when you say "I'm against harassment and I don't want this person to be harassed", people take it as you defending "problematic" elements and completely distort it anyway. It's honestly exhausting and stupid.

Everyone has something that make them uncomfortable or that triggers them and I have my own standards as well. There are things I consider seriously weird but we don't know people and we don't know any of the intention behind the art. The way you explore something, how you do it, for what reason is what should matter. There are so much things you don't know. Nothing is black and white. I honestly think that as an artist, your art is connected to you, but the themes you work on are NOT reality. Again it's about the intention and how you go about something. I just think media literacy should really be teached at school because wow.

I just thought about expressing myself on this because it's just too serious and harming a lot of people who did nothing. I got attacked over a FOLLOW for someone who did nothing but imagine a future AU for characters and I think that's insane. Everything should be analyzed case by case. There are a real dangers who need to be exposed but this is never a reason or a justification to become cruel or to wish harm to anyone and assume the worst on people you never met. Just take a breath, go outside and learn how to block people, because that's insane the amount of people I had to block because they were being shitty but didn't block me or were still even following me.

I'm trying to not let my emotions get the better of me but that's honestly insane many others and myself got caught into this. The only thing I always did is drawing Nuts and Dolts because that's the only ship I could ever care about in RWBY. Being against harassment is not about defending "bad" people. It's so easy to judge people and make your little assumptions harming REAL people like that.

[maxwellatoms]

as a person on the inside of the animation industry, are there signs that we might be heading to another dark age of animation like the 1980s (e.g. animation is regulated to just glorified toy commercials or dark fantasy movies)?

"Kid Vid" regulations mean you can't advertise for stuff kids might buy from within a show anymore. Generally, you can't even have (say) Yogi Bear wearing a shirt with his best friend BooBoo's face on it as a gag, because "what if someone made that shirt one day?" Then it would be a retroactive ad, I guess? I'm not schooled in reverse-time law like studio lawyers, so I can't really say. Still, it's almost impossible to get even a fictional product into a kid's show these days, so I think the 1980s will probably stay in their timeline. At least in that way.

I do think a bit of a "Dark Age" is upon us, though. Maybe just a small one. Just a wee little snip of a Dark Age is all.

As far as I can glean, there are going to be precious few animated shows coming out over the next couple of years because not much was picked up during the pandemic. There are only a few things being developed here and there, and I'd wager that those properties "win" simply by existing in a competition-free environment. It takes a long time to produce animation, so almost anything greenlit right now is looking at a full year for turnaround. If you talk to people in the industry right now about jobs, they use words like "wastelend" and "ramen noodles".

Then you've got A.I., of course. The other night I was having dinner with a friend and I found myself in the A.I. conversation I always imagined myself having one day-- the one where we're talking with some immediacy about what the rest of our futures look like as artists, because we know they're not going to look the same ever again. It was pretty cool in a William Gibson sort of way, but I honestly didn't expect to be having that conversation for another decade. Turns out A.I. is becoming a problem right now.

I've already talked about the "art theft" angle, and that's not the problem I'm speaking about here. The problem I'm talking about is the "what do I do when what I do becomes trivial?" problem. If anyone can make a TV show or movie in a week or a day using AI assistance, who determines what gets seen? Networks, I'd imagine, would become redundant. You don't need to fork over $15 a month for Netflix if you can make Netflix-quality content yourself. And if you can't make anything decent even with A.I. assistance, surely someone on the internet can. There would be an incredible glut of content to choose from, so again... who decides what gets seen? An algorithm, probably. Who owns the algorithm?

Peak Dark Age will be the time period when the networks realize that they're going to die, and sink all of their resources into forcing their own survival on the rest of us. I imagine massive layoffs (you don't need multiple writers or artists or support staff when you've got the right tools.) Studios will want to own the tools (of course) and/or suppress the use of those tools by anyone who might want to cut into their profits. Expect to see "A.I. is just too dangerous for the public to utilize, so it needs to be left in the capable hands of corporations". Expect to see customizable Batmans, the ability to put your mom in any Star Wars, and the serialized fever-dreams of billionaires.

I think that's the next 5-10 years. And while that's happening, the tools will keep getting better and better until literally anyone can sit down, ask for an Oscar-worthy part-rom-com/part action movie starring a twenty-five year old Steve McQueen and and eighty year old Daniel Radcliffe rescuing Air Bud from the Death Star, and then watch the resulting film with some degree of satisfaction. There'll come a point when content of any visual, auditory, and written complexity can be generated on-the-fly, and the traditional limits of budgets and schedules will just be gone.

It's easy to spin off into fantasy and try to guess exactly what's coming. I could probably spin on that all day. But what I know is that the future of the animation industry won't look anything like what I've become accustomed to. And maybe that's okay because what I've become accustomed to looks nothing like the industry I started in. Things change, and you roll with the punches. Thanks to the self-fulfilling dystopian prophecy we find ourselves in, just about everyone on the planet is finding themselves rolling with the punches coming from the Powerful Greedy. That's less a "me problem" and more a planet-wide problem we should probably all sit down and hash out, like, yesterday.

My immediate problem as an artist (and yours if you're an artist too) is figuring out how to get your ideas seen in a world where the amount of entertainment content is exploding exponentially. Especially if you're the sort of artist who needs to eat and live somewhere.

So yeah, I think there's going to be just a little peppering of Dark Age coming up. But in every time of change, there are opportunities. Hey, I'm down for an animated Dark Fantasy movie. Let's do this!

[kiirotoao]

Re: Byler and being best friends

Alright, look, I understand that in real life, best friends can appreciate each other’s art. Best friends look for each other when they’re lost. Best friends stick together in rough patches. Best friends fight and disagree. Best friends apologize when they’ve messed up. Best friends give each other gifts. Best friends confide in each other with almost everything. Best friends can do romantic things and be completely and utterly platonic in real life.

But guess what Stranger Things is not? Real life!!

If any story in media is well-captured and well-written, if the camera sees it, if we see it, then it’s supposed to be important. While friends in real life can do the most questionably romantic things and still claim to be just friends or even just best friends, there’s far more nuance to real people to explore if it’s truly romantic or not, and that’s not for others to openly discern. But we who analyze Byler are not doing this because Mike and Will are real people. They’re characters, crafted into this audio-visual story with pre-written and exclusive history and dreams.

While I know that they say they’re just best friends, I speculate on them potentially being more. Why? Because their stories are interwoven and I see chemistry within the threads. It’s as simple as that.

I preach at the end of almost every video I make, “Byler’s endgame,” and really, that’s a sendoff of encouragement more than anything else. Because I hope and believe that Byler can happen at the end of this season and this overarching story. I’m not pushing two people together. I’m hopeful to see two characters come together and realize that their relationship and feelings can blend into a wonderfully written romance amidst this dangerous and unpredictable world that they’ve been put in.

So please stop comparing Mike and Will to real relationships and saying, can’t best friends just be best friends? Look, yes! You’re right! In real life, best friends can be nothing more and choose to stay that way. But on the other hand, hey, best friends in real life can also become more! No one can deny that! But whatever the weather, whatever can be real isn’t relevant. Real lives are not a TV show. Real lives are not being created and publicized (besides some people in reality TV, which is another unrelated issue). By contrast, as characters, Mike and Will’s lives are. And I love the thought of them finding love in each other at the end of the pages. It gets no finer than that.

And so when I look back at their narratives and see the way they treat each other, interact on screen and see how they think, tell me, am I wrong for shipping them? I’m taking the details and looking beyond explicit labels. And I don’t just go around doing this to all people I see in my life who have chemistry. This is specific, this is the love I witness in this thriller-drama-romance. I’m sorry if I end up fighting against you, but I’m not here to crowd you out. Ship what you want. If you love certain characters together, talk about them! There’s a plethora to talk about for Byler! So honestly, I’m curious, why are you compelled to come to me and try to convert me away from what I love when I often don’t even mention your name? Is there not enough for you to obsess over and love? Is there perhaps not enough textual evidence or good moments to enjoy for your ship? I’m just saying.

At the end of the day, real life experiences and examples are practically void when we’re talking about art, and please, please let me have fun with my ships. This is the internet. If you don’t like it, use your capabilities and settings and scroll or block what you don’t like, and pursue what you do. Unless you want to join a forum to discuss the arguments, I think that it’s unfair to think that those who don’t ship your ship are going to talk about your ship. I’m not responsible for what you consume and see. Really, no one is but yourself.

I like to think that I’m rather patient, but I don’t know, I think I’m tearing at the seams a little after a few years in this fandom. This is directed to no one in particular, though, so please don’t take this as a direct callout. I just wanted to get this off my chest. Sorry if I got a little harsh in the end, there, too.

Thank you to those who’ve engaged very respectfully with me even if you disagree with my opinions. I hope that I’m respectful, in turn. I love lighthearted debates, but I don’t love repeating myself to some who don’t want to listen. And of course, thank you Bylers. I’ve met so many wonderful people through our silly journeys going crazy together. That’s all. 💙💛

[kirabook]

Can people stop complaining about Starboy challenge

I think it's a little odd there's a push to say Starboy and Asha are incest. Like, you take such harmless fun and try to twist it and make the worst out of people.

Starboy had MANY concepts. He was never just "one" concept. At one point he was literally just a star in the shape of a boy. In another, shapeshifting animals. In another, they went with the "younger grandfather" route. And finally, they arrived on the marketable star plushie. That's 4 that we know of.

You can see in the multiple concept arts that not all Starboy's are the same. Not all Starboys were meant to represent her grandfather. (and he's literally not her grandfather anyway but whatever I can understand the ick in that case... IF that was the version people were shipping Asha with, which they aren't)

Either way, WISH still would've been a better movie whether Starboy was a romantic interest OR if he was the embodiment of her grandfather. Bot interpretations are a million times better than the final product so why do people have their panties in a twist?

If you hate the romantic not-grandfather Starboy concept and prefer the grandfather one.... then why don't YOU put some fan content out there about the power of familial love and how even beyond the (assuming?) grave her grandfather found a way to help her and jumped into danger with her to save everyone?

It's still a really fun story either way so.... what is everyone's deal?

Like, I'm a family feels truther all day but you know what? All you guys do is complain and haven't put in any work to make your interpretation of the third Starboy concept a reality.

If you've ever written an original story before, surely you know drastic things can change? I've been writing an original story on my own time for years and the amount of times I've changed the origin of some characters based on how the rest of the plot is developing or how I think it would work better.... it's a lot? Sometimes I create new characters out of thin air just for one purpose. Sometimes full out characters I made completely disappear. Sometimes they change races or colors or even genders. That's how the creative process works.

Starboy is at least 4 different people/beings. Most people liked what seemed to be the original version, aka not-grandfather potential romantic interest.

To summarize, people need to firstly, calm down. Secondly, mind your own business and stop trying to squash other people's fun when they expand on the concept of when Starboy was just Starboy and not yet reimagined (probably for the billionth time) into someone else.

Internet discourse has rotted peoples ability to mind their own business, read, and get an imagination I swear

[momentsofamberclarity]

don't call me nonnie.

i know that not all proshipping is sexual, but it's still portraying pedophilia/incest positively

the bullet point lists were because i just wanted to separate each sentence into a different point because they were all sort off disconnected

the "they're just pixels" argument doesn't work because every single thing you see on a screen is a bunch of pixels if you zoom in, with that logic every image posted online is "just pixels", including actual csem

Fine, I won't call you that. But riddle me this, anon; why am I showing you more respect than you're showing me? Why have you told me to go fuck myself multiple times in place of having a discussion?

Here's the thing ... the only way you will find csem is if you go looking for it. You are not going to find csem on tumblr because it would break community guidelines. But fictional characters under the age of 18 do not count as csem and numerous child protection services have stated that those are just art.

Likewise, the only way you're gonna find fanfiction of 'kids being raped' as you keep putting it, is if you're trying to be a white knight and seek those writers out purposefully so that you can harass them like you're doing with me. Because most of the proshippers I know tag their stuff so that it can be found by the target audience and blacklisted by the people who don't want to see it.

And here's the thing about proshipping which I think is the biggest hurtle of the anti community. Proship doesn't mean 'I support active sexual predators hurting real living children'. 'Pedophile' as a term is meaningless at this point because everyone on the internet uses it to describe anyone they disagree with. You're better off using predator and paraphile. Predators are the dangerous people who don't give a shit about fiction because they have full-intent to harm others. But the majority of paraphiles? They're no-contact and/or fiction-only on their paraphilias, or they do consenting adult things with their consenting adult partners that are roleplaying with boundaries set in place for a reason.

I've been on the internet since before the term 'proship' even popped up. Back before that we called it Dead Dove, Don't Eat and Don't Like, Don't Look. 'Proship' as a term has the same meaning as those old ones, it's just shorthand. It means 'I support the rights of others to ship whatever they want in their own space regardless of whether or not I like or condone it because I don't know them and it does not involve me'. You don't like the content? You have a block button and you are encouraged to use it to curate your own online experience just like the artists and authors posting that content are.

The fact that you're still here means you're hearing some of what I'm saying and possibly having a hard time coming to terms with it. Believe me, I went through a period of morality crisis between my bpd and ocd telling me that fiction could affect reality and I thought that thinking bad things ( like intrusive thoughts ) made me a Bad Person. But thoughts are just thoughts.

So if you want to come off anon and actually have a conversation with me, I promise I'm not going to name-drop you. The purpose of this blog has only ever been about clearing up misconceptions about proshippers and paraphiles because I used to be uninformed about those topics myself until my partner and another super close friend explained them to me in a way that I could comprehend. And that is that thought crime doesn't exist. And fictional characters don't have autonomy and therefore cannot be abused by your thoughts, your art, your writing, etc.

But if we did away with fictional expression of paraphilias in a healthy artistic manner ( like KOSA is currently trying to do ), the world would be a more dangerous place for potential victims, because paraphiles and predators are always going to exist whether you choose to accept that or not. My own abusers never faced charges, only one of my partners' abusers is rotting in jail, and that is the reality of this fucked up world that we're living in. People with niche fetishes aren't monsters - most are even too embarrassed to talk about them. Active sexual predators online who hop into the DMs of minors to be creeps are a real world problem. And that has nothing to do with the proship community's philosophy of 'ship and let ship'.

[monsterblogging]

How Pacific Rim gives the finger to the Catholic Church

Another interesting thing that many people miss about Pacific Rim is that it has some... things to say about religion, especially the Catholic Church. It can be easy to miss because it's not all spelled out for you, but once you see it, you'll never unsee it.

First, let's take a look at Raleigh's speech from the beginning of the film:

There are things you can't fight, acts of God. You see a hurricane coming, you have to get out of the way. But when you're in a Jaeger, suddenly, you can fight the hurricane. You can win.

This speech here establishes that when you fight kaiju, you aren't just fighting monsters. You're defying God himself.

"You're reading too much into it!" some of you might say. "'Act of God' is just a legal term for massive disasters."

Ah, but I'm not reading too much into it. Because this line was originally found in the draft script, which was way more explicit in linking the Precursors with the divine.

In the draft script, the Precursors aren't just some random alien invaders. They're actually the creators of our universe, and we're just a pesky little accident that happened on the planet they want to live on.

The character of Ivo Czerny, who had drifted with a kaiju brain, was given this dialog:

I looked into the abyss. I’d been infected with the truth -- that this is the end of us. We are the vermin of the gods. There’s no point in putting up a fight…

A different character, Commander Kaz Takada, says:

We call the enemy the Precursors… I may as well tell the world the gods want us dead.

The character of Newt Gotlieb is given this dialog:

I don't care if they are the creators of the universe. I like the universe.

And I'm not a creationist.

So, Raleigh's line wasn't just a careless reference to a legal term. It was introducing the story's thesis.

In the final version of the film, we don't have all of this explicit dialog. And yet, the sentiment is still there. How do we know this? For one thing, the Precursors are modeled on Catholic clergy. Pacific Rim: Man, Machines, & Monsters, quotes Guillermo del Toro as saying:

We gave the Precursors elements of ecclesiastical royalty, dividing them into cardinals and bishops.

Fun fact: If we go to the old Art of Pacific Rim page on The Internet Archive and check the filenames, we can see that this Precursor - the one who stares up at Lady Danger as it goes 'splodey - is a Precursor Bishop.

(Screencaps from quiteunlikely.net)

Further establishing the link between the Precursors and the Catholic Church are the costumes of the BuenaKai nuns:

(Screencap from movie-screencaps.com)

A better picture of the costume can be found on PropstoreAuction. If you want to see the whole thing, go there; because I'm going to crop it because the whole thing's pretty big. Anyway, you can see that their costumes include cornettes and stoles.

(By the way, there are also kaiju monks. This isn't a girls-only club like the Netflix cartoon would have you think.)

Now, forget everything you know about Uprising or The Black, and consider all of this in the context of the anti-authority themes in Guillermo del Toro's other work. This casts the nature of the Precursors and the hivemind in a somewhat different light than many of us are used to. These aren't just scary aliens. This is a civilization built on ideals of rigid hierarchy and total dominion. And they're also essentially theocrats.

What's also really interesting is that when you take all of this together, it means that the kaiju spiritualists aren't actually wrong in regarding the kaiju as divine beings sent by the gods. They're just assholes for aligning themselves with a malefic divine.

[interdimensionaldrey-blog]

That one is in Danger, So This one has awoken...

So i figured I'd cash in some of my street cred as #TLOUBestie of @justagalwhowrites and post my playlist here. Making playlists is a bit of an artistic hobby of mine, I used to DJ for an internet radio station in the more wild west era of internet forums before social media. I really enjoy putting together music that vibes with itself and that transitions well.

Anyways, this being my art blog it seems like the prime place to lay out my thoughts.

So! This concept had been in my mind for some time, but when Kit told me she was writing the hospital scene of #Lavender, as her muse, I decided to put this together for the occasion.

All the songs in the playlist can really serve to fit anywhere in the violent protector narrative, its designed to make a continuous loop, but here Im going to try and paint but a single, generic way of experiencing the playlist, if one is in need of some inspiration.

The playlist

1: I.Dogma

■The track: OKAY BEAR WITH ME. Pretend youve never heard of the famous video game DOOM or its excellent 2016 remake. This track still has some powerful ambience and chilling voice work. For the sake of our story well take this completely out of context and adopt DOOM SLAYER for our subject.

●The Concept: So there is a being. Its violence and deeds are legendary, enough so that the history of its actions are recorded and passed down amongst others with whispers of fear. The terror people with knowledge of this being have is matched only by their reverence for what it accomplished. The Doomslayer.

2: The End is the Beginning is the End

■The Track: okay so... ugh. I hate this version of the song.

This song was originally written about Batman for the ill fates early 2000s Shumaker version of the film with primetime-medical-drama-star George Clooney... it was pretty bad. Uma Thurman was the key preformance in that film

I digress, ive had the original in my music catalouge for some time and I love it. It has a heavy, frantic, snare heavy rock beat layered with twisting guitar chorsa, and haunting vocals singing about some legendary weirdo trying to change a world it hates.

BUT THAT VERSION ISNT AVAILABLE ON SPOTIFY. 😤😤

The version on spotify sounds like their grandma bought them a distortion pedal for the first time. Im guessing its licensing issues but still, not my fav.

●The Concept: Here we have the being as remembered by legend. The stories people tell, the traumas others remember. The Doom Slayer is larger than life, an inspiration to some and a warning to others. To believe his existence by the tales of those who know of him one might almost think the doom slayer a lively one, capable of anything.

3. The Beginning is the End is the Beginning

■The Track: The yang to the ying of these songs here we have the same or similar lyrics... but drawn out into a sluggish, desperate, cynical tone. There is an air of dread in the sounds and low frequencies of this piece. The vocals are almost sinister in nature as if making fun of the subject of the song.

●The Concept: Here we have the reality of the legend. The stories arent false persay, maybe a bit embellished. But the reality is the Doom Slayer lives a life of silent suffering, having entered a state torpor for whatever reason. There is currently balance and they dont think, simply idle in their sludge of an existence. Perhaps the giant sleeps beneath mountains or the dragon in a volcano, maybe a legendary killer lives a quiet life of smuggling and emotionlessly burning the bodies of euthanized children... days only seperated by drug induced nights of dreamless sleep.

Whatever the circumstance its beloved is not with it and not within reach. The quiet acceptance fills its life with a void, but this void balances the fire asleep within.

4: Counting Bodies Like Sheep to the Rhythm of the War Drums

■The Track: An acid bath of sounds and beats that build on top of each other with a chaotic and violent sound. Dread and fear become present in the ominous marching sound of the melody as a sweet voice begins singing sinister reasaurances of ownership and protection. Its clear the voice is passionate about its care of the subject, but its motives are questionable. This isnt a song about the healthy kind of protection, its the kind of protection that doesnt ask the protectee if they want to be protected.

●The Concept: The balance is broken.

Perhaps it was a flood of memories. Perhaps a rumor of the beloveds location. Perhaps another who is like the beloved, but is not, is thrust into the arms of the doom slayer. Maybe even there is a distant cry for help... real or imagined.

Whatever the reason, there is an awakening. A growing pulse, the fanning flames, the start of an avalanche.

5. Betrayal/Forgiveness

■The Track: Apocalyptica is a electric string quartet that does a lot of covers of death metal songs, with a focus on melody and showing off the actual complexity of the music. This track, is hard to describe. It makes me imagine two Bucks fighting with their antlers, ant colonies going to war, lions hunting... there is fury and power. In the controlled chaos order emerges in a raspy melody laid amongst the sounds of ripping and tearing.

●The Concept: In the time spent in Torpor confines have grown around the being. Perhaps its the mountains of stone and vines, layers of obsidian hardnened atop. Maybe our doom slayer is in a city or a facility, imprisoned or exiled. Wherever they are they are not free to pursue their beloved, and so there is a purging.

Tragically in this stage it may not be the ones who deserve it who feel the wrath of the doom slayer simply being in the way at the wrong time. Nevertheless the way is opened and perhaps there is mourning, but in the end there is nothing that can contain this one when its beloved is in danger.

6: One Way Or Another

■The Track: The original is such a catchy, poppy, almost sarcastic hit that its easy to not concider what the songs about. But slow it down? Drop the key to a minor and give it that thriller movie trailer sound? The songs meaning becomes much creepier.

●The Concept: Awoken and no longer restrained there is a calm in the storm. The being takes a moment to reaffirm its intents and desires. Its one purpose renewed fills its being and it prepares internally, fully dedicating its entire existence to the one thing that still makes it burn.

7: Chokka

■The Track: More Apocalyptica, borrowing on the same kind of tense sounds theyre so good at making with an electric cello.

The song has a sense foreboding about it layered with a high pitched piano riff. It manages to say so much without a single word and its beautiful for what it does.

●The Concept: The hunt begins. The doomslayer sets out after whatever awokened it, following a lead, returning to a location, listening to the cries. Whoever you are, wherever you are... it is coming for you. You have taken the beloved, you have harmed the beloved... you are a threat to the beloved. It will find the information, it will believe you when you scream out what it wants to hear. Closer and closer it nears with the first targets if its ire in sight.

8. Die MF Die

■The Track: Ugh. I wish I had better things to say about this track. It was so fucking popular in the military, every fucking daddy issue, toxic masculinity, overcompensating, gun toting, proud boy, soldier cuck wanted to play this song as they rolles out the gate to live out their murdee fantasies.

That aside, the song does a decent job capturing the almost... joyful... demeanor of a predator who has caught its quarry.

●The Concept: The first real conflict. Whatever our being has been hunting it has found a quarry. This is the time for violence and the being is intimately familiar with the process.

9. Dirt Room

■The Track: Blue October who hurt you? This song feels so personal to me. When I listen to it I almost feel bad, like im witnessing something intimate such as seeing somebody else in a hard therapy session.

This songs overall story is a revenge fantasy about burying somebody alive. Id complement the metaphors in this song but, ahhhh Im fairly certain everything said is quite literal.

●The Concept: Theres more to our being than unkempt violence. Information is valuable and will be the way to the beloved. Here we find the insane mind of the doom slayer open and his hate laid bare like a set of tools working at the next barrier lying between them and their goal. May god have mercy on those in its path who survive the fight to be questioned by the being.

10: The Only Thing They Fear is You

■The Track: Spotify licensing agreements strike again. The only thing available on spotify are shittty covers. And sure while they do a good job of playing the song on guitar the problem is the original is preformed by a computer. It blends sounds not possible with acoustic instruments.

I fucking love the original so much. Some of the heaviest, intense, melodic, acid rock tracks ive ever heard. The only version that truly does this song justice is the original:

●The Concept: The climax of the encounter so to speak. The search is over and the beloved has been found. There are no more questions as to where it needs to go, there is only the question of what is in its way, and the answer the being brings is incredible violence. They will resist and fight with all their might, but ultimately they are all aware of the fulity of their efforts and when the mist of blood settles there is only the open path of the doom slayer as it continues forward, unyieilding.

11: Light the City Up

■The Track: You know theres not a whole lot of tracks i can find that really embody the idea "Id burn down the whole city to keep you safe" but this song comes pretty close.

Fun fact, this song isnt on the soundtrack for Spiderman:Across the Universe because production of that movie was a mess, but this is the song played in the giant chase sequence in the spider HQ between a the different spidermen

●The Concept: The story blurs in the blood lust as the being continues his conquest burning down everything in its path. There is literally nothing it wouldnt destroy to keep the one it loves safe and those still foolish enough to stop it begin to learn why the legends were written in the first place.

Here the brush strokes of my story grow broader as therea less form to the songs and their intent. The story begins to swing more wildly in its respective directions as the being desperation grows with the beloved just outside of his grip.

12. Stompbox

■The Track: You can rely on the Qemists to give you some good frantic chase music. This track has no vocals aside from one desperate scream thats overlaid in a few spaces. Still this song gives me the feel of a hostile confrontation at high intensity.

●The Concept: The home stretch. The recovery of the beloved. Reaching the goal. The accumulates momentum of our being finally reaches its moment of critical mass and barrels through the finish line. Perhaps this the final guard, the boss of the ememies... maybe its a final test or a desperate dash to saftey. Whatever it is, it does not stop the being.

13. Tension 2

■The Track: I love me some blue man group. Following the flow of chase music this track pulls out all the stops in portraying anxiety inducing stress and tension. Beats of different speeds overlaid with fast paced bass rhythms blends with the patter of drums.

●The concept: Take the money and run. The being has what it came for. The beloved is honored, the balance is restored... but now is the time to get out. Get the beloved safe. Now is the time to avoid the crashing waves of consequences that swing in from all sides to try and once again seperate what has been rejoined.

14: Rip and Tear

■The Track: More acid rock from Mick Gordon. Another one of those songs that manages to push such vvid imagery without ever saying a word. Theres a confidence in the sound of this track, but also an underlying doubt and anxiety. High pitched siren like sounds mix with a heartbeat like pattern.

●The Concept: Gutteral tones convey the desperate and intense violence of fighting with every once of being. Tooth, nail, knife, fist and spit, this is the last stand of a cornered animal. The full fury of the legend is brought forth in events which new mythologys will be written about by whats left of those close enough to behold its power.

15: Blahhhh blah blah. "Stone Men Song"

■The Track: So this is the end credits song that plays after Jorah and Tyrion are jumped by the stone men and Tyrion appears to sink into the depths of the river, his hands bound. The screen cuts to black and this song plays.

To me it conveys the horror of a situation you cant control and that has gone horribly wrong.

●The Concept: This is not a comedy but a tragedy. Despite whatever best efforts and good intentions of the being, it finds itself in a situation it cannot control. The consequences of its actions have accumulated to a point tbhat in its horror it finds itself ripped from its goals.

16: Ebla

■The Track: A fusion blend of rock beats with synthetic classical overlays and a choir singing in latin. Its not quite hopeful but not quite defeated. Its a somber song that echoes the beauty of love that can create such violence as well as a reminder of its costs.

●The Concept: The ode to the doomslayer. Whatever end its story met, if an end at all and not simply the start of the next cycle, it now once again rests in silent suffering. Its purpose fuffilled and perhaps its time cut short, for whatever reason this chapter ends. The night grows silent and the only light is the glow of the smoldering ruins the doomslayer has left in its wake.

-------

Awww look at you. You sat through all of that! Thanks!

I hope you enjoyed that and that this playlist helps you fuel your own creative art.

BONUS

If you genuinely enjoyed this playlist and want more ive got good news! I have an extended version of the playlist that kit has assured me is "Extended like Lord of the rings, not Star wars"

So for sitting through all that, youve unlocked it!

[addressing-creeperchild]

I'm speaking out not because I think I have anything extra to add onto the Evidence, but because I'd Like to help confirm it.

Please keep in mind this was a year ago, so somethings might be slightly off.

So, one of My first interactions I had with Freddy, was when I joined the server. I joined it right around the start of it's formation, maybe like two days after. I was new to the Fandom, and Freddy was one of the first people I interacted with.

I can't remember how it started, but I'm pretty sure that I was the first one in the server, publicly (could be wrong, but idk), who was shown spicy (not downright Nsfw) images. But where it had come from with me, is I had made a joke about me not simping for anyone, and Freddy had teased me about it.

First I believe it was actually in the role play areas, where Freddy did one scene where he was playing as Shamura, and was flirting with my CoTL Sona, which I thought was all good fun.

Then it progressed to the buffmura images, which I didn't mind originally, in fact, I liked the images, and the art. I got flustered with the images and teasing and I enjoyed it, granted, it started out way less spicy, and originally it didn't include my Sona expressly in it. I still, had figured that it was just harmless fun, after all, me and my irl friends poke fun at each other, and sometimes make innapropriet jokes.

But then the images started getting spicier, and they sometimes included my sona, which back then, I still hadn't realized it was a bad thing.

And then the Soft-Nsfw event happened. And the teasing stopped, he even got annoyed at me if I made a joke about it, and I remember feeling guilty and wondering if I had done something wrong to make it stop. Because Freddy was an Idol, I looked up to him and thought of him as a friend, so I was actually sad when it stopped.

In the server, I never gave my specific age, (Always giving an age range of 3 years) but I expressly let them know that I was a Minor, so that nothing inappropriate would happen, because I knew that the internet was a Dangerous place.

Another thing I should have realized, was that I never gave my Sona a specific age. It didn't feel quite right, because I liked to be able to play whatever role was required in the role play with it. It may have been assumed to be 18, but I had never said anything about it, or even shipped my Sona with a character, except for some slight things like Simping for Shamura, because that's what I did.

Another incident that happened, was when I was using Freddy's Shamura bot, and I was either messaging it to them, or we were in a voice call, but we talked and laughed about how it was breaking the filter.

Admittedly, Even up to a few days ago, I never realized that this might be inappropriate behavior, I had heard rumor that Freddy had grooming allegations, but I didn't believe them at first because of how Freddy had said in the server, that the Suggestive images were getting out of hand, and that he didn't want to have the server be an unsafe space for Minors, which furthered my thought that there wasn't anything inapropriate with those incidents.

But when I heard my friends tell me themselves, and when I saw the evidence I realized that it wasn't okay, and I figured that I should talk about it. Specifically because of the fact I didn't have any clue that it wasn't appropriate.

I unfortunately can't supply screenshots because I had an account change and he never messaged me on my new one, as well as me Not having access to the Discord.

But there were some images that I don't think were shared in the Discord, because they were drawn on Gartic Phone. So I just wanted to put that out there as well.

He only got mad because Sarai caught him. We are so sorry you had't realized, even expressing you were a minor was not enough to keep him from discussing NSFW topics with you.

[florafaunatic]

What's so cool about the way UT aus evolved

For many years I would draw and sketch and stuff. Not all of it was spectacular, but it wasn't bad. Yet, at some point or another I would end up ripping the drawing up or throwing it away. It was never out of malicious intent. I just did it. I don't know why either; it wasn't like I disliked the drawings.

So, I discovered the insanely large and depth-y fandom of Undertale. Pretty soon, I started reading about the star sanses and bad sanses. I put a lot of effort into figuring out the canon (fanon since none of it was canon???) truths about the characters and what was fanon (like what Blue's deal actually was). As I was reading comics I came across a alternate multiverse where Error was a chaotic child and Ink was a tired dad. In the comic (I wish I could remember what it was called so I can credit the artist) Error makes friends with these shadow creatures. They lead him to help destroy an au that the artist seemingly wanted gone. Ink later finds/kidnaps him and brings him home. Ink explains that many creators, for whatever reason, want to destroy their work. But in the long run, it's not what they want. He says that everything, no matter how "bad" it is deserves to exist. Just so someone knows it's there. Even if it isn't shared with the world, that doesn't matter.

After reading that comic I thought about Ink. He's a soulless creature seeking to feel things by feeding off the beautiful work creators and him make. I think, perhaps unintentionally perhaps intentionally, Ink is a metaphor for artists and creators (the non-canon kind). We seek validation or happiness or even any emotion from the things we and others create. We could be having trouble with finding our own emotions outside of the internet. It's okay to need to escape our lives for a little bit. It's not a bad thing if you have an idea to share at all. Helping others feel better is good too. But just like Ink we have to be careful not to let it consume our lives. We can't let fandoms be the only way we can feel. We have to generate emotion in other areas of our lives as well. We have to make sure our community isn't only online. We have to make sure that what we say online is safe, and that we are not unintentionally exposing ourselves to dangerous people.

Next, I addressed Error. He too, can be a metaphor. He reflects the opposite side of the spectrum. He is has been so hurt in the past, even if he doesn't understand how, that he feels the need to hurt others. He could be compared to a hater, but I don't like that term. Hurt people hurt people, and while that doesn't make internet hate okay or justified by any means, it can offer and explanation. People who say mean things about art (actually mean and baseless things, not voicing an opinion) are probably seeking attention. The want to fight with you because the consequences don't seem real. You have no idea what's going on in their lives, just like they don't know you. When they seek that attention, don't give it. Walk away in the metaphorical internet sense. If you need to, block them. But don't fight hate with hate. It never works. We have to love the people who hurt us or it's no use in saying we aren't like them. If you remember saying something mean on the internet, I'm sorry for you. Even if you don't believe it, there are people who love you. So, so many people.

Neither of these characters were created for this purpose. They weren't even meant to go together. But still they make a beautiful world for everyone to enjoy. So whether you are an artist or a reader, an Error or an Ink, whether you are like me or not, we built this sorta by accident, so let's appreciate how cool it is.

[rosalind-hawkins]

Mastershipping Musings ft. Pegasus

Pegasus is obviously a point of contention between Duke and Kaiba.

Pegasus and Kaiba still have to be business partners after Duelist Kingdom in anime canon, and that's the primary canon I follow because I'm still working on the manga. (side-note: Pegasus probably makes Kaiba pay through the nose for BEWD royalty rights, don't ya think?) Anytime they encounter each other, in business meetings and gaming conventions and tournaments, they have to play (mostly) polite in front of the cameras, but Kaiba can't stand him. That said, he's built his entire company based on Duel Monsters, so he has no choice but to put up with him. I imagine that Kaiba keeps Mokuba away from Pegasus as much as possible, to the point of making sure they're never ever in the same room together and trying to just never mention Pegasus to Mokuba if he can help it. Mokuba doesn't act outwardly traumatized after DK, but he's not taking any risks and not putting his brother in harm's way. Pegasus is a dangerous man, and Kaiba learned that lesson the hard way.

{Long post, rest under cut}

Duke idolized Pegasus as an artist and creator, and was basically the sole inspiration for Dungeon Dice Monsters. Once he finds out about what Pegasus did to the Kaibros in Duelist Kingdom, he's going to feel so conflicted. I think the internet's been around for long enough that we've all had a creator that we liked get outed for something awful they've done (I feel like it's happened a lot) and then we have that uncomfortable feeling afterwards of "but their art/content is so good" "but I shouldn't support them" "but you can separate the art from the artist" "but not when consuming the art is giving them money." Duke is gonna have a whole crisis about it when he finds out. When.

I don't think Kaiba feels a need to explain to Duke what Pegasus did, as he really doesn't come up too often as a topic of conversation between them, but also because he doesn't want to deal with the memory of it.

This gets a little bit into something that's fun for me: the different histories that Duke and Ryou have with Kaiba. Ryou experienced Duelist Kingdom (complete with the Kaiba bros getting their souls stolen by Pegasus) and Duke knows nothing about that. There's no reason for anybody in the friend group to tell Duke about what Pegasus did to Kaiba, or that Pegasus even had a Millennium Item (I could be wrong, but I'm pretty sure that never even comes up around Duke in season four). Ryou has no reason to talk to him about Pegasus because Ryou never thinks about Pegasus. Just forgets about the dude most of the time. And it also slips his mind that Duke doesn't know about that.

On the flip side, Ryou knows nothing about the Noah Kaiba virtual world adventure (I imagine Duke calls it the Battle City Bonus Round) because he was in the Shadow Realm, so he doesn't know about the KaibaCorp missiles that still exist btw (that's something important from that arc that I think it's easy to forget about, but yeah, Kaiba still owns all the weapons that KC had when he took over) and he didn't meet Noah or Gozaburo or find out how screwed up the Kaiba family is from that. He gets told or finds out later that Seto and Mokuba are adopted, but that's about it.

It's also entirely possible that at some point these three—Pegasus, Duke, and Kaiba—will sit down to a business meeting together because of the deals between their three companies. Just imagine Duke going into this meeting with no idea of the personal history between Pegasus and the Kaibas, all he knows is the professional stuff between their companies, and he assumes that they're on friendly terms with each other. Boy oh boy, is he in for a surprise (yes, this is a scene that I have planned for Power of Three). Duke goes in clueless with his boyfriend and the artist he adores, and then they're both going for the jugular, and he's just in shock. One of the few things that can leave Duke truly speechless, but he's got words for Kaiba after the meeting, you can count on that!

Power of Three snippet/preview below, because this scene won't be getting published for a looooong time.

~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~

"You were so much cuter when we first met," Pegasus sighed. "Fifteen and full of hope, and so terribly naïve."

"You've always been an opportunist,” Kaiba scoffed. “I wasn't nearly as naïve as you thought I was."

"You were naïve enough, dear boy. After all, you trusted me."

"At least you admit that you're untrustworthy."

Pegasus smiled.

Again, Duke was at a loss.

"Have you seen the pictures of when we first met?" Pegasus asked Duke, his smile smooth and charming. "He was downright adorable."

The way he stressed that last word made Seto's skin crawl.

"I'm not sure that's relevant to the topic of royalties," was Duke's tactful response. Seto had told him to keep the conversation on-topic; he’d thought Seto meant for him not to get distracted, not to keep the other two on track.

~~~~~~~~~~~~~~~~~~~~~~~~~

"I'm not the one luring children to my private island in international waters,” Kaiba sneered, and Duke couldn’t remember the last time he’d seen him look so angry.

"Children are delightful, and they have such vivid imaginations." Pegasus laughed, his relaxed posture a sharp contrast to Kaiba's tension. "I can only imagine what Mokuba invented about his visit with me that makes you so resentful."

"You call that a visit?"

"Of course it was a visit. He even had his own little room." Pegasus's single brown eye twinkled. "And so did you, for that matter."

Kaiba stood sharply, glaring down at Pegasus, who simply leaned back in his chair and met his gaze. Duke held his breath, too confused to know what to say at this point. The silence stretched out, the clock on the wall audibly ticking down every second that passed.

"You're a damn lucky man that I can't cut ties with you," Seto finally said, releasing the fists that had been clenched at his sides.

"I'm a damn clever man for making things that way."

The air felt heavy in Duke's lungs and on his shoulders as he looked between the man he loved and the man he idolized.

"As long as you're damned, I'm content." Kaiba carefully sat back down.

"You're never content, but that's alright. I like you that way." Pegasus leaned forward again. "Back to the contracts?"

"Yes."

[ryuichirou]

I destress from the annoyance of antis by looking at your art and posts. Your art is lovely and I hope more people see it and jump on your bandwagon. I've been looking but nobody seems to ever match up to what you make. It's like a cure for the bane of my existence that is the lack of critical thinking that plagues several people online.

Someone complained about an Ortho x reader smut fic like "this person is sexualizing a minor". Like, correct me if I'm wrong random internet user, but that is a robot so therefore he's not human and also he isn't real so it's not hurting anybody real. I think porn of a fictional android is the least of your worries. And being squicked out is valid but doxxing and leaking the person's private info is actually way worse than whatever they wrote because a real person was put in danger. So much for caring about caring about actual people.

Anon! This is so ridiculously kind of you, thank you very much!

I say it every other day at this point, but honestly we’re surprised that we got any support, but this fandom turned out to be quite critical (in a good way!) and open-minded and self-indulgent and understanding and a lot of other nice things. I feel like there are more people now who are doing so-called “problematic” stuff and create communities and events around it, which is super amazing. Being surrounded by nothing but boring prudish people whose only fandom activity seems to be attacking and writing call-outs would be suffocating. I’m not saying that we caused this shift, we certainly didn’t, but if anyone gets inspired or feels encouraged by looking at our stuff, I am super happy and grateful for that. So thank you so much for your message, Anon <3 Another thing that I say a lot! It’s your support that keeps us posting and feeling comfortable with sharing our ideas here.

Also, you made a valid point here: it is indeed okay to feel squicked out and uncomfortable. We can’t all like all the things, and I know that for some people seeing Ortho as anything other than a 5 years old kid (for some reason) just doesn’t work, thus this type of content disgusts them. But, once again, this can always be resolved by one easy block. Not all of us see Ortho the same way, not all of us use fan-made content and overall media as a rule guide for living.

So yes, actual real people and their well-being should always be a higher priority than any fictional character.

[elfradfem]

licherally lying awake rn thinking of all the times I posted my nudes on my insta as a teenager and called it ‘art’ because I put a filter on it and put emojis over my tits.

like bro it’s not art ur literally just posting ur nudes. When ur an adult maybe it can be art but teenagers posting their nudes or pictures of them in lingerie isn’t art. it’s literally just cp and it’s also rlly dangerous. Like I don’t fkn know who exactly has seen my tits with flower emojis on them or if some fucking man has my teenage body screenshotted on his phone forever and I have no way of getting those images back.

Like I was stupid as fuck but also this says something about how girls are groomed to be sexual and give our bodies up to people we don’t even know and also that girls are taught that sexualizing themselves is empowering and actually there is nothing wrong with it they are just budding artists pushing the boundaries on women expressing their sexualities

Like dawg this rlly ain’t it like teenagers r sadly never going to listen to adults but I rlly wish that I had realized how dangerous that was to be putting on the internet and even without that, just upsetting that I thought people I don’t even know deserved to see my tits and that I was being so sexually liberated. Like to show that ur confident in ur body and sexuality u have to post ur naked body on the internet for strangers to see. Like how fucked up. Can girls and women just be confident in our bodies and sexualities without having to prove it to other people and show our bodies to people we don’t even know? Our bodies are for US.

This shit is literally a plague on society bros end me