#purely original story material
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asheanon · 1 year ago
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Eros: 3, Philia: 1, Storge: 4, Agape: 2, Ludus: 4, Pragma: 5, Philautia: 1 (for Sal.)
From: OC Questions on the Seven Forms of Love.
— For @vinjaryou
(Get ready for some rambling, as always... hahaha!)
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Eros – Romantic, Passionate Love. 3. How do they feel about public displays of romantic affection? Does it make them uncomfortable? How do they feel if a romantic partner kisses them in public?
This shows no discretion between characters, be it Kuja or another potential partner from another time or story. Sal simply isn't much of a PDA gal. She's private and dare I say a little shy there!
She might warm up to some aspects of it, depending on the partner and how they feel about it, though. As for kisses, it would really depend on the kiss... the cute and simple kisses, I could see her warming up to with time. Passionate ones? No way, Jose.
However, if she has been warmed up to some PDA, I'll admit... sometimes, she's mindful about the tension that can create and can be a little playful with it. It's subtle, as many things often are with Sal, but the nuance is there. Haha!
Philia – Affectionate, Platonic Love. 1. Does your OC have a Best Friend? If they do then how long have they known each other and how did they meet? If they don't then do they have a close group of friends they love equally? Or are they more of a loner?
Technically, there are three, but she maintains contact with only two nowadays. Tsuniah and Nat.
At the top of that list is: Tsuniah. A best friend of MANY years... at least 50+ years! (They're both Ethereals. They have the time. Hahaha!) I believe Sal and Tsuniah met at the bar he works at, one day. I'll preface this by saying Tsuniah, being buddies with Shiloh and having learned that the guy had a dearly beloved friend (Sal) from many years ago that he also seemed to have some feelings for, wishing to find her again, had his best interest in mind, in that regard. BUT... when Tsuniah first met Sal, names weren't the first things exchanged, so, naturally, Tsun got his flirt on for the pretty lady. He was then given her name one way or another, however, and was just like "oh... hey, about that!" 😆 Sharing Shiloh as a friend, they eventually grew to be buddies as well. And they've been buddies ever since then; growing even closer after Shiloh's disappearance.
Nat is a more recent one - I'm not entirely sure how recent at this time, but definitely newer! It isn't until the fourth/last story of the series that Sal and Nat meet. They may or may not have actually met through some lingering Aexena (Sal's past agency) affairs as well. That bit of story material is very much still a WIP at this time.
Shiloh is the one in which contact was lost (as was hinted at above.) However, he was the first friend Sal ever had - a childhood friend - who... well, she eventually shared more than just a friendship with many years later (as was also hinted at above, haha!) First friend, first love. 💙
Storge – Unconditional, Familial Love. 4. Does your OC have any siblings? If so then did their parents have a favourite growing up? Has their relationship with their sibling changed in adulthood? If they don't have any siblings then do they perhaps feel they have missed out on an important relationship? Do they have any especially close friends who go some way towards filling that role?
Nice. Saddest question, here we go
! đŸ« 
She did. An older brother named Kenneth - Ken, for short. They had a number of years between them, so Ken always came off as the more mature older brother who helped to look after her along with their adoptive mother, Shyra. Shyra gave as much of her love as she could to both of them, really. However, Ken was pretty much the sole recipient of their biological parents' love because... well, they actually had the chance to love him. Directly, anyway. They loved Sal too, but...
Sal's mother died while in labor (complications of a human carrying an Ethereal child) and her father - while he did have the chance to see her on occasion - went MIA (suspected governmental affairs, tied to Etherealism as well.) Sal's memories of her father are foggy, at best. Among her possessions are recordings of his lectures on astronomy as well as "his" ring - the Wayfarer's Ring - that she uses to traverse the Spiral. There are also sheets of music that her mother used to play. She still wonders what it could have been like to meet her.
This isn't actually a part of these series of questions, but I feel it apt to note that Sal's musicality carries partly as a promise to her mother (and adoptive mother) and the love for astronomy carries partly as a promise to her father (as well as her brother, who had hoped to pursue a similar study.)
As far as having friends who may, in a way, fill in for some familial roles, there is Amthyr. He was the head of Sal's group in Aexena and the same gentleman who introduced her to the agency (he's mentioned in her bio as well.) He also taught her how to best utilize and control her Etherealism. Though he and her father do not favor - he's more of a stoic and stern character - he gives off a paternal vibe, particularly towards her later in time.
Agape – Selfless, Universal Love. 2. Does your OC feel a spiritual connection to the world around them? Do they have a particular love for nature or living things?
In a way, yes. Very technically speaking, it's an Ethereal thing in general, however! Being that Ethereals are - to keep it simpler - very ghost-like, they're all about those frequencies and energies. They're conduits of fire, electricity and all that. If it produces light, heat or radiation, it's very likely they can consume and produce something similar from it. All of that being said...
It's very easy to feel like one is in tune with the waves and beats around them as an Ethereal. Or at least, as a "charged" Ethereal a.k.a an Ethereal with "active" Etherealism. I've mentioned this before with Sal - she pretty much stays on "low battery" to coexist with other corporeal entities. Think of it like... a vampire who refuses to feed, only it doesn't kill them, it just leaves them feeling weak and... well, with something pretty darn close to the human experience.
The whole Ethereal shtick aside, though, Sal as a person does have a love for the universe and all the interesting forms of life and nature it has to offer. I'd like to think it's part of the astronomy-loving, cosmic wayfaring thing she has going on; to be so fascinated by the cosmos is to be fascinated by many of the innumerable things it contains.
Ludus – Playful, Flirtatious Love. 4. Who was your OC's first crush? How do they feel about it now?
đŸ„Ž I accidentally already answered this just previously, but... Shiloh. Absolutely Shiloh.
I never talk about him (as I've been revamping his design a bit) but his presence is hinted at in her bio. He was her first childhood friend who was also close friends with Tsuniah! In fact, Tsuniah and Sal may have never met one another had it not been for Shiloh.
His presence is still significant to a point it affects Sal to this day. All these years that have passed
 both she and Tsuniah have done their best to let him go, but Sal has struggled far more with it. She considers herself at relative peace with things nowadays, but... she still keeps an eye out for him to this day.
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I even have some old (2017) art of the two as kids. đŸ„č💙
Pragma – Committed, Long-Lasting Love. 5. What importance or value does your OC attach to marriage? Do they believe that it is important to make a public statement of commitment to another person (or persons)? Or are they more concerned about inheritance rights and security for their family? Or do they not see marriage as a necessary signifier of commitment and loyalty?
Marriage isn't necessary to express loyalty or commitment, in her opinion. It's a great big "world" out there... one where marriage doesn't always exist, but forms of love and loyalty still do. In the same respect, marriage can exist without love and loyalty too.
Essentially, "marriage" isn't the first word that comes to her mind when given the words "loyalty" or "commitment." It's merely a possible word among many in this vast universe. 🌌
Philautia – Self Love. 1. Does your OC have a healthy sense of their own worth and value? Or do they see themselves as failing to live up to their original potential? Perhaps they are convinced of their own sinful or inadequate nature?
Yes and no. The whole having a past with family members who loved her, yet died because of her and some similarly-thematic echoes that seem to follow her into future years leave her with mixed feelings about herself.
On the good days, it gives her purpose - to live for those who loved her so dearly to the point they wished for her to live, and to live for those who care about her presently. She also has Chaku to care for (even though Tsun helps her look after him.) On the bad days, her being the reason those aforementioned family and friends are no longer alive on top of the nature of Etherealism continuing to bring that pattern to fruition when left unchecked makes her feel guilty for existing.
And despite her and all of her supernatural power - and how capable she can be when it comes to playing hero - she is still made to feel inadequate from not being able to save those who were lost to this inadequacy. "Shadows of the past" that she carries, whose weight can often be carried, but have their hours in which they become too heavy. It's needless to be said, but these "shadows of the past" lend themselves to the making of the notoriously bittersweet creature that Sal is today.
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rist-ix · 7 months ago
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https://www.tumblr.com/rist-ix/749015401700229120 not you reblogging this when you ship bloom with the man who murdered her family 😭
Bloom's into ppl who slay! Hope this helps :3
#alright snark and ship wars aside i get where you’re coming from tho#if you're genuinely interested in my thought process here i would love to elaborate#which is exactly what I’ll do!#first of all! the post you linked is about headcanons#which my brain kinda wants to put into a whole different category than ships — fandom ships in particular! — but i can leave that aside#because there IS an argument to be made that relationships are an extension of characterization and personality traits#if you wanna go that route i would wanna explain that Bloom's and/or Valtor's interest in the other is in fact based on canon#(even though I don’t really think ships need to be established in the source material. make shit up that’s what fandom is for#1) the Andros episode speaks for itself. Valtor specifically tells the Trix to back off because HE wants to be the one to fight bloom#2) the episode before that he asks questions about her (and only her; even though he has more powerful enemies to worry about)#demonstrating curiosity about and interest in her#3) that same episode (or the one before; can’t remember) is their infamous first meeting#where time LITERALLY slows down as the pass each other on the stairs#they get IMPACT FRAMES#the whole color palette changes!!!#idk about u but I eat that shit up. love the drama of it all no one does it like them#I’m gonna skip all the instances where Valtor is spying on Bloom through his little scrying spell because oh god who has the time#let’s go straight to Bloom#if I had a week I would not be able to collect all the moments where she growls his name in pure fury and single-minded determination#she gets a little bit obsessed with him over the course of the season and I personally think that’s very sexy of her#Bloom is known for her tunnel vision when it comes to her past and origins and Valtor's existence fits PERFECTLY into that#it ties in neatly with her overarching story of the past 2 seasons#literally PERFECT foils#which always makes for the juiciest stories#4) she singles him out for a duel in the museum episode#5) she can literally feel his presence#6) the mere mention of his name sends her into her weird faux enchantix#of course there’s no romance in canon but there’s TENSION AND CHEMISTRY which is all u really need for a ship#all their animosity and bad blood is what makes it so INTERESTING to wonder how they COULD work. it’s the spice that makes for good fanfic!
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rudnitskaia · 9 months ago
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Why everything became so unbearably fast?
It's like I play jenga everyday by choosing at which project to work today.
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leon-swedfinqs · 1 year ago
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Good Omens D&D AU Master Post
As I start to make and post more and more things about the AU, I decided I would make a master post to sorta keep things organized and easy to find in regards to information and any art that I post/reblog (in case you are curious and happen to miss anything also sorta for myself if i wanna look back at something i specifically posted but didnt write down anywhere else like the idiot that i am LOL). Once I build up the motivation to write the outline and potentially start writing a more "concrete" fan fiction with this idea, I will also post the chapters here as well. Yay organization!!
ART
Initial AU Doodle Dump
Crowley AU Design
Headshot Sketch
Two Idiots Interwoven By Fate
Pre-Crowley Aziraphale
Resting By The Campfire (+ reblog with silly Azi doodle)
They're so gay and into each other (+ other fun doodles)
Reverse AU of the AU Scenario
The sword is the last resort
I have been burned (comic)
Our destinies brought us together
In their youth
Crowley (Post Solaris)
Blessing? Or curse?
The Ram and the Lamb
With you, I have forever~
You flash bastard!
LORE STUFF
Character Master Post
Character Fun Facts
Crawly the Snake
Crowley and Ophiuchus
Comfort in the Past
WRITING
Breaking Aziraphale Free
Their First Meeting
Immortal in the Mortal Plane
Beautiful Eyes, Shielded and Guarded
A Witch’s Letter
A Trip To The Market
Every Action, Crashing Down
Newt's Side Quest
Home Is Where The Heart Is
A New Party Member
Home Is Where The Heart Is - Epilogue
Braided Timelines
ASKS / OTHER INTERACTIONS
@chaotic-french-fries's art
Muriel's Role in the Story
What about Eric the demon?
@rofl-chips's art
@rofl-chips’s art pt2
World Building and Tentative Timeline
D&D and Drummer!Crowley
Character Sheets
Every Frame While We Dance
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thankskenpenders · 7 months ago
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The Knuckles show
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The announcement of a live action Knuckles streaming miniseries was surprising, to say the least. I mean, what would such a show even be about in a version of the Sonic universe with no Angel Island and barely any characters from the games around? Is he gonna go treasure hunting with the gang from Montana or something? Would a streaming miniseries have the CGI budget to squeeze in any new game characters, even briefly? Rouge? Amy? At least one member of Team Chaotix? Anyone?
Now the show is finally out, and it turns out what they actually made was a comedy show about bumbling deputy sheriff Wade Whipple, the minor comic relief character played by Adam Pally who you might not even remember all that well from the first two movies, with Knuckles as his sidekick. While, yes, Knuckles does get a decent amount of screentime and opportunities to punch bad guys and do cool moves from the games, large stretches of this show focus on Wade's personal life, to the point that a couple times I almost forgot I was watching a Sonic-related show. If you're judging it purely by the metric of how well it adapts and engages with its source material, this surely must be one of the worst adaptations the Sonic franchise has ever seen.
So then, despite some huge complaints... why do I kinda like it?
(This will contain full spoilers for the Knuckles show.)
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A brief summary of what the show is actually about because I know half of you aren't going to watch it
The show picks up not too long after the end of the second movie. Knuckles is now living in Montana with Sonic, Tails, and the Wachowskis out of a sense of debt to them, though he doesn't really see it as his home. He doesn't feel like he belongs on Earth, and his life currently lacks direction. After communing with the ghost of Pachacamac, though, Knuckles is instructed to keep his culture alive by teaching "the ways of the echidna warrior" to a new apprentice: deputy sheriff Wade Whipple, who's currently more concerned about winning a bowling tournament in Reno than anything else.
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Things are complicated by the interference of two rogue GUN agents - Agent Willoughby, played by Ellie Taylor in a bad wig, and Agent Mason, played by Kid Cudi. (Yes, the artist behind the second movie's credits song is one of the bad guys in this.) They want to steal Knuckles' power and sell it to a former associate of Robotnik's played by Rory McCann (The Hound from Game of Thrones), who now works as a black market arms dealer. Yes, they're still doing the thing where Sonic and friends' quills radiate some kind of super-energy that the bad guys all want. No, I don't particularly love this element of the Paramount Sonic continuity. Anyway, they go after Knuckles and Wade, complicating their straightforward road trip to Reno. Antics ensue.
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The Wade show
So here's the thing. While the first episode focuses largely on Knuckles, the entire rest of the show is very much the story of Wade, and by extension the other original human characters invented for this miniseries.
Episode 2 is about Wade having to rescue Knuckles from captivity after the GUN agents get him. Knuckles spends most of the episode in a cage.
Episode 3 is about introducing Wade's Jewish family, including his slightly overbearing mother and weird sister, so that Knuckles can learn about their family traditions and have Shabbat dinner with them (and then save them from bounty hunters that the GUN agents hired).
Episode 4 only features Knuckles at the very beginning and very end of the episode, probably for less than a minute total. Wade is captured by a bounty hunter he personally knows, and Knuckles decides to let that be a trial for Wade to overcome on his own.
The last two episodes feature the climactic showdowns with the GUN agents and their arms-dealing ally, who comes in with a mech for the obligatory final boss fight. You'd think this would be Knuckles' time to shine, but really, these episodes are mostly about the bowling tournament in Reno where Wade encounters his estranged father, wrapping up his own personal arc. While Knuckles does get some fights, a lot of the finale is spent on lengthy bowling scenes where Knuckles isn't in the room or even mentioned. It frequently feels more like a spiritual successor to '00s sports comedy movies like Dodgeball, Talladega Nights, or Blades of Glory than it does a part of the Sonic franchise, and the presence of ESPN 8: The Ocho commentary in the finale only drives those Dodgeball comparisons home. They get so immersed in the bowling stuff that it's genuinely hilarious when the show suddenly pivots and remembers "oh shit we still need to do the final boss fight"
Throughout all this, Wade is the protagonist. He's the character we spend more time with, he's the character who drives most of the major events, he's the character who gets more of an arc. The emotional core is Wade's journey. Knuckles is still present - sometimes, at least - but he's there as Wade's wingman, and also just as the excuse for there to be some fight scenes.
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How much Sonic stuff is actually in this show?
Honestly? Not much.
Sonic and Tails are only in the first episode. Sonic gets some good scenes, but Tails gets a grand total of five lines. I counted. Unsurprisingly, Jim Carrey is absent as Robotnik, though he does get mentioned a fair bit. (For that matter, basically the entire established human cast beyond Wade is absent, even including Tom, though Maddie is there in episode one.)
GUN is involved in the story, which helps it feel slightly more connected to Sonic, but it kind of feels like it's GUN in name only. They don't use any recognizable GUN tech, and they don't call in the military. It's just two agents in suits. They might as well be the Men in Black.
The Master Emerald is mentioned as something Knuckles has to guard, but it's never seen. Angel Island is pictured as a drawing during the show's intro, appearing exactly how it does in Sonic 3, but it's never referenced at all beyond that.
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I guess the climax taking place in and around a Reno casino is a reference to Sonic's many casino-themed levels. That's something. I'll give them that.
Oh, and if you're wondering if this is the point where we finally start to get actual music from the games: no, it's not. The soundtrack consists of a lot of '80s needle drops, many of which are generic Hollywood picks like "Holding Out for a Hero" for the billionth time, thought it at least has some slightly less obvious picks than the Mario movie. The theme song is '80s rock song "The Warrior" by Scandal. You'll hear it many times. You'll hear the Adventure era Knuckles raps zero times in this. You'll briefly hear classic A Tribe Called Quest song "Can I Kick It?" before Knuckles takes the question too literally and breaks the radio in Wade's car.
Beyond a handful of surface level references for nerds (one of which is admittedly wild - we'll get to that), this is probably the least an officially licensed adaptation of Sonic the Hedgehog has ever tried to actually engage with its source material. I struggle to think of another Sonic adaptation that has less to do with Sonic. For as much shit as I and countless others have given Penders for seemingly ignoring the content of the games in favor of building his own convoluted mythos, his Knuckles comics honestly included way more elements from the games than this show does.
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Somehow, the one new(-ish) Sonic character introduced in this is the ghost of Pachacamac of all characters. Not even Tikal! Pachacamac! A very minor character nobody has particularly strong feelings about! You can't even use the excuse that they already had the character model, because they completely redesigned him compared to his cameo in the first movie to better match his Sonic Adventure design. And he's voiced by Christopher Lloyd! Honestly, so many of his lines are strained that it sounds like he's on death's door here, but then he'll surprise you with a more casual line like "just do it, man" and it catches me so off guard that I can't help but laugh.
Pachacamac here has basically nothing to do with the game character he takes his name and appearance from. Where the game character was a cruel warlord who kicked off a 3000 year cycle of violence, Paramount Pachacamac is now just this chill old man who gives Knuckles (and later Wade) advice in two episodes of the show. Hell, he also feels completely disconnected from his established role in the movies, where he's literally the guy who shot Longclaw. The show will not grapple with this contradiction at all. He's just here to be a thing fans like me will recognize from the games. Again, if that's all they wanted, it's kind of baffling that they didn't just use Tikal.
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I don't love Knuckles in this
But what about Knuckles himself? Well, he doesn't feel all that much like Knuckles to me. Ironically, he sometimes feels like one of the weaker elements in his own show.
Back when the second movie came out, I noted that Knuckles' characterization seemed to be pulling heavily from MCU Thor as a gallant warrior from an archaic alien culture who doesn't really understand modern day Earth stuff. That worked for me in that movie. It was just there for spice. Just a little extra flavor for the character in what was otherwise a very faithful adaptation of Knuckles' storyline in Sonic 3 & Knuckles. Without those familiar elements grounding him and with a much higher reliance on comedy, Idris Elba's Knuckles becomes a pretty one-note character in this.
In damn near every scene with Knuckles, he's going to say something about being a proud, honorable echidna warrior, or brag about his glorious feats of strength, or be confused about some Earth thing and call it sorcery, or act like every other character is also a member of some noble warrior clan. He still has his moments for sure, but this schtick kinda gets old fast, and it just doesn't feel like Knuckles to me. His entire character feels derived from the scene in the diner where Thor smashes the cup on the ground and goes "Another!" Sure, I can picture game Knuckles smashing a radio to turn it off and being a little too gung-ho about busting holes through walls. That's Knuckles behavior. But building a barbarian combat pit in the living room so the Wachowski family dog can fight the mailman? Nope. That's some other guy now. It really does just feel like them taking a broad character archetype from something popular that kinda sorta fits Knuckles and just running with that, rather than trying to actually adapt the character.
Oh, but don't worry, he wears the OVA hat for like two minutes! AND he loves grapes! See, Sonic nerds? We read the wiki! That's his favorite food! Grapes! This is gonna come up like five times!
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Knuckles kind of gets an arc here, but not as much as Wade does. I think the stuff about him starting to feel at home on Earth thanks to Wade's mom and the way he connects with their Jewish family traditions is oddly sweet. This arc is kind of let down, though, by the fact that Knuckles' heritage is treated as a complete joke. He's a cartoonish pastiche of various historical warrior cultures stuck together in a blender and used mostly for comedic effect. When Pachacamac's ghost appears, he's reading a newspaper and bemoaning the fact that the Mets lost again. This is not the place for a serious examination of Knuckles' feelings on being the last of his kind.
This is far from the only time the show undercuts itself with its jokes and attempts at self-parody. In the first episode, for instance, Knuckles clashes with GUN Agent Mason and his tech-enhanced punches, leading to an extremely on-the-nose inversion of the "Do I look like I need your power?" scene showcased in the trailer for the second movie. Except this time, Agent Willoughby butts in and points out how stupid that line is in this new context, since they're literally trying to steal Knuckles' power. The fight can't just be cool, they have to get cute with it. A lot of stuff like that happens in this show.
Given all these complaints, the first two episodes left me thinking I'd be fairly negative on this show overall. This seemed like the version of the show from the fandom's collective nightmares, one that undoes all of the progress the movie series seemed to have been making towards faithfulness to the games. Like, just look at these cast posters. Is this what you want out of Sonic? Do these excite you?
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But then, something strange happened. Over time, I just kind of let the jokes and shenanigans wash over me and basked in how fucking weird this show is.
And I started to actually enjoy it.
Look. The Wade & Knuckles Show was never going to be peak Sonic. But that sure as hell doesn't mean it can't be entertaining.
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This show is so fucking goofy
Here's the thing.
The show is funny.
Unlike a lot of other people, I didn't hate all the wedding stuff in Hawaii in Sonic 2, because I thought a lot of it was funny, both in its actual jokes and in the ways in which they tied everything back to Sonic. Tom looking wistfully at some bodybuilders doing Top Gun shit and spraying each other with beer and being like "I wish Sonic had that" is weirdly funny. The twist that those muscle bros are all agents of the newly formed GUN, who orchestrated the wedding as an elaborate scheme to catch Sonic, is funny. Mr. Olive Garden becoming the fucking GUN Commander is VERY funny. Are any of these elements of my dream Sonic movie? No, of course not. But my dream Sonic movie was never gonna happen in live action.
The Knuckles show follows up on the comedy of the previous films by being probably the funniest live action Sonic release yet. Did every joke land for me? God no. There are some stinkers in there that made me roll my eyes. But enough of them landed that it worked out for me overall. A big part of this is the fact that they've got a good cast of actors and/or comedians here.
Adam Pally is funny as Wade, and I found myself liking him more and more as a character as the show went on. He becomes an oddly endearing loser, with some sweet moments in his personal arc that made me feel for the guy. I like Wade more than Tom now, thanks to this show. I will now be happier to see Wade in Sonic 3 than I would have been previously.
The supporting cast is frequently great, too, many of whom are playing completely cartoonish, over-the-top characters. They took a cue from how exaggerated Carrey's performance was as Robotnik and decided to just abandon all pretense that this is the real world. Stockard Channing as Wade's mom is funny, and carries some of the more sincere parts of the show. Cary Elwes as Wade's very British dad who abandoned him as a child to run off and be the world's most egotistical professional bowler is funny. Edi Patterson as Wade's sister Wanda is... well, she's kinda trying too hard, but she has her moments. The Mighty Boosh co-creator Julian Barratt(!!) as a scenery-chewing bounty hunter, who was also somehow Wade's former best friend and bowling partner, is VERY funny. I love this guy.
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(Honestly, they should let more people who were on Garth Marenghi's Darkplace be in Sonic stuff. Where's Matt Berry)
This is kind of a stacked cast for a bunch of stupid side characters in a live action Knuckles show! And honestly, that just makes it funnier to me. Even when they're not funny, the fact that this exists makes it funny. They somehow convinced Paramount to give them a bunch of money to make a spiritual successor to Dodgeball about a schlubby guy who wants to beat his dad at a bowling tournament... except also Knuckles the fucking Echidna is there as his personal life coach. My life is richer for the fact that I can say that sentence. I think about all the little kids who are probably watching this show this weekend, going in expecting a show about Knuckles the Echidna and having to sit through extensive bowling scenes and lore about Wade's family, and sorry kids, but I just have to laugh. Wade isn't even on the poster! The poster is just a picture of Knuckles!! They punked those kids!!!
In a franchise where every single aspect is so carefully micromanaged these days, it feels truly special to get an adaptation this bonkers. It frequently appeals to the same part of me that enjoys the fact that there's an officially licensed Knuckles comic in which Charmy Bee's best friend (also a bee) dies of an accidental LSD overdose from a drug-laced chili dog. Or like, everything about the original 1993 Super Mario Bros. movie. Or the fact that they made seven direct-to-DVD sequels to Alpha and Omega, one of which is half a retread of the adventure from the first movie (with more annoying supporting characters in tow this time) and half a literal clip show of the first movie. The sheer absurdity of the fact that these things exist is charming to me. Except, with the Knuckles show, it has the added benefit of frequently being funny on purpose! This is why I'm not sure I'd call it "so bad it's good." Like, it's not amazing, but there were a lot of parts that I enjoyed in the exact way I was supposed to enjoy them.
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Look. Here's a list of real lines of dialogue from the Sega-approved Knuckles the Echidna streaming show that they're billing as a pillar of the Paramount+ lineup, to drive this point home. Let these marinate for a minute:
"I only eat grapes, and Cool Ranch Doritosℱ."
"Annihilate this little girl, Wade. Crush her spirit. Humiliate her so badly her parents won't even look at her again." "Doesn't that seem like we're going a bit far?" "Not far enough."
"So is he Jewish?" "Half, I think."
"I had a friend who when he listened to Alien Ant Farm he could lift a Toyota Corolla over his head."
"I'm in dire financial straits. Due to my lawsuit against an unnamed rainforest-themed restaurant franchise, I don't have two pennies to my name."
"We're here in sunny Reno, Nevada, which is so close to Hell you can smell the sparks."
"You can't threaten me with your Jewish karate chops because I am a federal agent."
"I will say, regardless of how you feel about child abandonment - and I'm against it! - the deals at TJ Maxx can't be beat."
This is a Sonic show in which they got Paul Scheer and Rob Huebel to appear as ESPN 8: The Ocho commentators.
This is a show where Wade's mom insists upon pronouncing "Knuckles" with the throaty Hebrew "ch" sound, and declares that Knuckles is basically Jewish. Later, they watch Pretty Woman together while enjoying a nice slice of key lime pie. Knuckles comments: "I don't understand. This young streetwalker with a heart made of gold, why do the others treat her with such disdain? Is it so wrong to walk the streets?"
This is a show where the fourth episode is directed by one of the guys from The Lonely Island and features a hallucinatory low budget rock opera stage musical put on by the ghost of Pachacamac. It recounts Knuckles' life story, with Wade playing Knuckles and the "evil" Longclaw played by the bounty hunter guy who's played by the Mighty Boosh guy.
Look at this.
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And also, Knuckles' singing voice is provided by Michael Bolton, which they proudly announce in the middle of the musical.
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And also...
Also...???
IBLIS IS IN IT????????????
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Yes, Iblis!
From Sonic '06!!
Knuckles is said to have looked for a mythical power called the "Flames of Disaster" to avenge his clan, which ended up being the power that was within him all along that lets him do fire punches yadda yadda yadda. As part of this, he apparently fought Iblis off-screen at some point, as conveyed with the giant singing papier-mùché Iblis in the musical.
...Then Iblis sings about hitting up Facebook Marketplace
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How? How does any of this exist? Why reference '06 of all games? How did Iblis get into the live action Sonic movie universe before Amy and Metal Sonic? Why are they using Iblis and the term "Flames of Disaster" in such a goofy way that completely disregards their original context?
I don't know. I don't know how any of this happened. But I love it. We got a Knuckles miniseries in which Michael Bolton sings the phrase "the Flames of Disaster." The world is a beautiful place sometimes.
Some people will tell you to skip episode four. "Knuckles is barely even in it," they say. "It's dumb and pointless," they say. "They clearly just ran out of special effects budget," they say. These are people whose opinions you should disregard. The episode with the least Knuckles in it is somehow the most entertaining episode of the show. I would, in fact, go as far as to say that if you only decide to watch one episode of the Knuckles show to see what goofy bullshit they get up to, it should be this one.
I cannot be mad at this show. It's so dumb, but it completely owns the fact that it's a dumb and unnecessary spinoff. Inferiority is baked into its very DNA. It's very self-consciously redoing the premise of the first movie, but stupider. It's about The Other Cop from the movies, instead of the competent one. Instead of being into a "cooler" sport, his life revolves around professional bowling. Instead of going to Vegas, he goes to Reno. Even his tragic backstory that shaped his entire life sucks. He was abandoned by his pro bowler dad in a TJ Maxx. Not even a nicer department store. A fucking TJ Maxx. This whole show is a Dril tweet.
They put a ton of effort into making it dumb in an occasionally spectacular way. So much effort was put into that joke rock opera that fans will just write off as stupid filler. They put their whole pussies into it. This is not a poorly made show. This has better production values than half the shit made for Disney+. This was made with love. Maybe not as much love for the Sonic the Hedgehog series of video games as we'd like, but it's love nonetheless.
Maybe this show broke me and these are the ramblings of a madwoman. Maybe I'm just really nostalgic for the '90s and '00s comedy movies all the Wade stuff is modeled after. Maybe the Alan Wake fan in me just really loves it when a story pivots to a silly rock opera for no real reason. I won't discount any of these possibilities. This isn't high art. This isn't something I would recommend to anyone with zero interest in Sonic, and it also isn't going to sway Sonic fans who hate the Paramount universe. I really can't blame them for being bewildered by this show. But for a specific type of person, this is the absurd three-star Sonic-adjacent comedy miniseries of your dreams. It's a mid masterpiece.
Again, I just have to step back, realize the fact that this shouldn't exist, and smile. Sega's too afraid to do stupid bullshit with the franchise like this these days. And I can't blame them, after years of Sonic being a treated as a laughingstock. But part of me misses some of the goofy shit. No matter how much I tore some of the Archie comics apart as I was reading them for this blog, I just look back on stuff like Cal and Al or the Many Hands issues and laugh. And that same part of me looks at this show about Knuckles being the sidekick to this fucking guy, and just goes...
"We're so back."
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In conclusion, I genuinely think this was a more enjoyable TV show than Sonic Prime.
I wouldn't go back and rewatch Sonic Prime anytime soon, aside from maybe, like, a couple of the Shadow-heavy episodes. Huge stretches of that show bored me to tears. The writers squandered all of that show's potential. But I would rewatch the Knuckles show, which takes a terrible premise and has a lot of fun with it, in a heartbeat. Even the bowling parts. The bowling scenes in the Knuckles show are more engaging than 70% of the fights in Sonic Prime. I am not trolling. I mean that sincerely, with all my heart. Don't @ me.
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Stray observations
There is effectively zero meaningful setup for the third movie in this, unless Wade's family or the two GUN agents come back or something. Project Shadow is not mentioned in this. There is no secret post-credits scene with Gerald
The CGI in this is pretty good. Not quite on par with the movies, but pretty good. Sonic's weird forehead wrinkles are distracting in his scenes though. Please fix that
I wouldn't say I liked this as much as the second movie, which obviously gets a ton of points for, you know. The Cool Sonic Shit. But I had more fun with it than the first movie, which I still feel is a painfully generic family movie that was only saved by Tyson's redesign
"Grapes are an interesting choice for someone who doesn't use his individual fingers."
Agent Willoughby was apparently the one at GUN who had to buy the Olive Garden gift cards and set up the fake wedding. Her origin story is that she hated doing shit like that and wanted to go fight aliens
This miniseries contains another Keanu namedrop because Wade's childhood bedroom has a Speed poster on the wall. I swear, if Sonic doesn't say Shadow sounds just like Keanu...
Knuckles is familiar with Paul Blart Mall Cop
Near the end the ESPN 8: The Ocho commentators say that the 1974 Reno bowling championship was also interrupted by an extraterrestrial, and given that was exactly 50 years ago I can't write off the possibility that that was Shadow. Please for the love of god give us a sequel series after the third movie where Wade takes Shadow the Hedgehog bowling. I need this more than I need air
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inbabylontheywept · 1 year ago
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Kevin vs. Quantum Mechanics
This is an autobiographical piece. Names have been changed for anonymity, but it's otherwise left be. ---
The class's first suspicion of Kevin was that he had, somehow, cheated his way up to this course. He just seemed perpetually confused, and strangely antagonistic of the professor. The weirdest example of this was when he asked what an ion was (in a third year EE class?), and was informed that it referred to any positively or negatively charged particle. It would have been strange enough to ask, but his reply of "Either? That doesn't sound right" sealed him in as a well known character in the class of 19 people.
The real tipping point in our perception of him during a lecture where the professor mentioned practical uses for a neutron beam, and Kevin asked if a beam could be made out of some other neutral material. When asked "Like what?", he replied "An atom with all of its electrons removed." When we pointed out that the protons would make that abomination extremely positively charged, he just replied with "So what if we removed those too?" and then was baffled when we informed him that would just be neutrons.
That's high school level chemistry. Not knowing it was so incredibly strange that I felt like something was off, so I asked him if he'd like to grab lunch. He accepted, we chatted, and I finally began to get a sense of his origin story.
See, Kevin wasn't a junior/senior electrical engineer like the rest of us. Kevin was, in fact, three notable things: A business major, a sophomore, and a hardcore Catholic. All three of those are essential to understanding his scenario.
What had begun all of this was actually a conflict with Kevin and his roommate. Kevin frequently had his fundamental belief in Absolute Good, Absolute Bad, and Absolute Anything pushed back on by his roommate, who was in STEM. Said roommate kept invoking quantum mechanics as his proof against Absolute Knowledge. Kevin was tired of having something that he didn't understand thrown at his convictions, so he decided to take a quantum course to settle things once and for all.
Despite not having any of the pre-reqs.
He'd actually tried to take quantum for physicists first, but the school's physics department wouldn't let him. It's actually pretty strictly regulated, because it is a mandatory class for physics majors. However, because quantum is not mandatory for electrical engineers, there aren't really any built in requirements for the class. It's just assumed that nobody would actually try to take it until their third year because doing so would the be the mental equivalent to slamming your nuts in the car door. Just, pure suffering for no good reason.
Apparently, the counselors had tried to talk him out of it, but if Kevin was one thing, it was stubborn. He'd actually had to sign some papers basically saying "I was warned that this is incredibly stupid, but I refused to listen" in order to take the class.
He was actually pretty nice, if currently unaware of how bad he'd just fucked up. I paid for the lunch, wished him the best, and reported back to the class discord. We'd all been curious about this guy's story, but now that I had the truth, I could share it with the world.
Feelings were mixed. Some people thought he was going to drop out any minute now. Others thought that he wouldn't, be also that convincing him to drop now, while he still could, was the only ethical thing. Others figured that a policy of non-interference was best: The counselors couldn't dissuade him, and if we tried to do the same, he'd probably just think it was STEM elitism trying to guard its little clubhouse. He'd figure out how hard things were, or he'd fail. Either way, it would help him learn more about the world.
We wound up taking the approach of non-interference. If nothing else, understanding his origins gave us more patience when he asked bizarre questions. He wasn't trying to waste our time, he was just trying to cram three years of pre-reqs into a one semester course. He did get a little bit combative sometimes, and we could tell that he was really wracking his brain to try and find some sort of contradiction or error that he could use to bring the whole thing down, but he never could.
First test came by, and he bombed it. Completely unprepared. He'd taken Calc I, but he didn't know how to do integrals yet (that was Calc II). Worse, he was far past the drop date. I imagine most people in his shoes would've stopped struggling. They'd realize they were fucked and just let themselves fail, at least salvaging their other classes grades in the process. Why waste resources on an unwinnable battle?
Kevin never asked questions like that. If he was stupid enough to try it, he was stupid enough to finish it. God bless him.
He invited me to lunch after the test and said that the class was more fascinating than he'd ever imagined, but he didn't know if he'd be able to pass it. He asked if I could help, and I said...maybe. I brought the request to the discord, and from the eight people there I got three volunteers who admired this dork's tenacity. He was in over his head, miles beneath the surface, but his fighting spirit was fucking glorious. If he was willing to go down swinging, we were willing to bust our asses trying to get him caught up.
Some of the stuff was just extra homework we gave to the guy. We told him he needed to learn integrals, stat. We sent him some copies of basic software that can be used to teach the basics of linear circuit equations, and he practiced that game like it was HALO. Just, hours sunk into it. Absolutely godlike.
He was still scrabbling for air at just the surface level of the class, but he'd gone from abysmal failure to lingering on the boundary between life and death. Other people in the class started to learn about Kevin's origin story, and our little circle of four volunteer tutors grew to six. Every day, he had someone trying to help him either catch up in some way, or finish that week's homework. He'd gone from being seen as a nuisance that wasted class time to the underdog mascot.
He was getting twelve hours of personal tutoring a week, on top of three hours of classes, on top of six hours of office hours, on top of the coursework. I don't think it's an exaggeration to say that this kid was doing 40 hours a week just trying to pass this one single class.
Second test comes around and he gets a 60. He's ecstatic. We're ecstatic. Kid's too young to take out drinking so we just order a pizza and cheer like he just won gold at the Olympics.
After that second test, things hit another tipping point. With so much catch-up under his belt, he was able to focus a lot more on the actual material for the class. A borderline cinematic moment happened when I was trying to get ahead on the homework so that I could put more hours in on my senior project. Nobody else had finished it yet because it wasn't due for another week, so the specifics of the problem I was working on were still a mystery. I went to the professor's office hours and get some pointers, but he wasn't willing to give good hints when the HW wasn't due for another week or so. He said I still had time to think about it, which was true, but I wanted to be able to think about other things. Kevin had watched the whole conversation, waiting for his turn to ask the professor more simple questions, but when I left I got a text from him telling me to hop on zoom.
Kevin had finished it earlier, because Kevin started all of his homework the moment it was assigned. He needed to, in order to make sure that he could get it done on time. He'd finished it the day before, and was able to walk me through it.
From student, to teacher. I'm not exaggerating when I say that he probably saved me eight hours on that assignment. I could've kissed him.
A month or two later, we took the final. As soon as we were done, we six asked Kevin how he did. He was nervous, there was so much new material for him in this class that his retention hadn't been great. Us six were also a little stressed: We were going to pass the class, but the final was hard.
We waited for the results.
And waited. And waited.
Finally, the scores were posted as a table, curve included. From our class of 19 people, 4 withdrew within the deadline, 4 failed, 1 got a C, 8 got B's, and 2 got A's. We could see that the curve for a C was set at 59.2% overall.
We called Kevin. He was crying. End score, 59.2%. Teacher curved the C exactly to his score.
It was a week into winter break so we couldn't gather the forces around for a party like last time, but we were all losing our shit. Kevin was losing his shit. He couldn't believe how stupid he was to try this course, he couldn't believe that six people busted their ass just to make sure he didn't die, and he couldn't believe that the professor basically just passed him out of sheer effort alone.
He said it was the stupidest thing he'd ever done, and while I doubt that, it was outrageously stupid. And yet, I've never been so invested in a fellow student before. I'm prouder of Kevin's C than I am of my own B. I was walking on sunshine for weeks after that. In theory, my senior project was building a functioning washing machine, but in practice, in my heart, it was helping Kevin pass Intro to Quantum for Electrical Engineers.
(And as an epilogue: No, he did not renounce Catholicism and become an atheist like his roommate had hoped. He did walk out changed. I think that being that wrong about something, and realizing it, was a pivotal moment for him. It's hard to be dogmatic once you realize that a lifetime of being wrong feels exactly like a lifetime of being right, right up until the last two seconds of it.)
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pippin-katz · 3 months ago
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Dead Boy Detectives & Neil Gaiman
Because I got a comment on this, I feel this is necessary to say:
Neil Gaiman has nothing to do with Dead Boy Detectives. His name is on the source material. Canceling Dead Boy Detectives does nothing to him. It only hurts the cast, crew, and creatives behind the show.
Believe me, I am entirely in support of de-platforming people who have done harmful things. I actively participate in trying to do so with many awful people in various industries.
In the case of this show, you are not de-platforming him.
You are only hurting the creatives who actually wrote the story, the cast bringing the characters to life, and the crew that makes it all possible.
This show barely even resembles the original comic it is based on. The plot, the characters, and their journeys are being created by an amazing group of people who are passionate about making a positive impact. They are fighters for the queer community, people of color, and all around caring human beings.
Canceling Dead Boy Detectives does absolutely nothing to Neil Gaiman. Please do not make these kind, talented people suffer from that man's actions.
EDIT: To clarify, this is directed at those who are happy/judging fans for fighting the decision based purely on his association. I'm not saying that he is the reason behind the cancelation.
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channieskies · 1 month ago
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Pairing: Lee Know Reader (Fem) Bang Chan
Summary: Your joke turns into you and your boyfriends gift to his good friend for his birthday.
WC: 3920 {Reading Time: 16 Min}
♱‧₊˚. Kinktober: Day 25, [Bondage, Choking, Oral Fixation, Threesome/Multiple Partners]
Genre: Smut, PWP
Nets: @neverendingdreams-net & @mirohs-aurora-society
Warning(s): Dom/Sub Dynamics, Threesome, Vagial penetration, Oral, Anal Play and penetration, gagging, BDSM, Unprotected sex (This is a work of fiction, please protect yourself in real life), Vaginal and anal creampie, Cum swallowing, Pet names (Baby, Dirty Little Slut, Dirty Girl), Please let me know if I missed any!
Authors Note: Happy Birthday to our lovely Cat Daddy, Lee Know. I originally started writing this (last year) for a joint birthday project, but never released it. Even though it's the last hours of his birthday, I still wanted to post this. It's also Kinktober, so why not join the festivities with a very filth filled fic? This has not been beta read or thoroughly proofread. I hope you all enjoy this!! Thanks to @saradika-graphics for the dividers.
Disclaimer: This story does not reflect the real lives or personalities of Stray Kids. I do not know them personally. This is purely a work of fiction.
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You exhaled deeply, your main focus was on not choking on your own saliva. You were bound and gagged, laying on the expensive rug of your boyfriend's downtown apartment. The panoramic view of the city was your backdrop to the filthy scene that was playing out, with you as the main character. Guess you could say you were in a festive mood, all things considered. You honestly looked like a turkey with the way your legs were tied. Bent at the knee and tied in two places, once at the ankles and once at the thighs to prevent you from moving your legs in any way your boyfriend didn't like. 
There was a spreader bar attached to the ropes that kept your legs open, your pussy on full display for anyone to watch. Even the people in the high-rise across the street would be able to see any and everything they wanted if their hearts so desired. Your hands were cuffed with the same material your legs were and were connected to the bar that kept your feet apart. You also had a nice ball gag in your mouth, because why the fuck not at this point? You were stuck, but the longer you sat like this, under the careful watch of your significant other and his friend, the more you liked it.
“And you were really up for this? For me to.. fuck her too?” Your boyfriend nodded at the other man's question. 
“She wanted this to be your birthday present.” He sighed, “I normally would object, since I don't like to share, but just look at how she looks.” He stuffed a hand in his pocket as he took in your appearance. 
“She almost looks like she should be the centerpiece on a table, no?” His friend chuckled.
Chris took his bottom lip between his teeth and chewed on it. “You ready baby?” You whimpered and nodded. You were wet and exposed, but thankfully the fire that burned nearby kept her warm and toasty. “You can start, Minho. I kinda want to watch.” Minho was thankful to his hyung for inviting him into his home like this, presenting him with such a beautiful and pliant present. He wasn't one to pass up a good time when one was offered so generously. He stepped closer, his slippers mere inches from where you lay. 
“I heard you've been thinking about this for a while now. Such a dirty little whore, lusting after another man's cock.” He kneeled right next to you and pulled up a little by your neck. “I hope you enjoy all that's coming to you.”
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This had honestly started off as a joke. You really didn’t think he would take you seriously when you said it. It was a joke. A bad joke, but a joke nonetheless. You were just going to get a cute cat tower for Minho’s birthday, one he had mentioned he wanted in passing. He was your boyfriend's friend, so anything too extravagant looked a little weird on your end. So when he asked, you jokingly said, “How about I give him some head for his birthday?” You hid your joking smile behind the wine glass you had in hand. But when he seemed to really be thinking about it, you almost told him you were joking until he answered. 
“Okay. I think that would make his birthday. He deserves it after the year he’s had.” You were in shock, your wine almost choking you as you took a sip. It took more than a moment to compose yourself after his unexpected answer. 
“Wait- are you serious right now?” He nodded, “You really want me to give him head? Minho?” You could admit that there was something about Minho that really made you curious as to how he would fuck. You'd heard the rumors about how talented he was with his hips, and it went without mentioning just how much damage that silver tongue of his could do. You'd even had a friend that told you of a girl passing out from the sheer pleasure she felt while fucking him. But head was head and you truthfully shouldn’t be thinking of anything deeper than that. He’s your boyfriend's friend after all.
“Just head? Are you sure?” His lips curled into a smile as he looked at you from the other end of the couch. “Because
 we could make this a full blown threesome and make his year.” Just the look he gave you, sent chills up her spine. You’d never seen your boyfriend in this light. He was usually very selfish with your time with him. That was in no way a bad thing, you loved it actually. Due to his line of work, you couldn’t see him as often as you’d like. So his monopolization of your time was seen as sweet and not an act of pure control.
“Huh?” You were unsure. “Threesome? Chris
 I was jus-” He cut you off, pulling out his phone.
“I'll contact him.” And that's how You ended up like this, laying in the living room like a stuffed Thanksgiving turkey.
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Minho didn't bother unbuckling his belt, he just unzipped his trousers and reached his hand in, pulling his member out of the hole in his boxers and through the unzipped opening in his pants. 
“You said she's good with her mouth, right?” Chris smirked proudly as he took a seat on the sofa, legs spread wide.
“Yes. She actually gets pleasure from it. She aims to please.” He leaned back, getting comfortable, so he could enjoy the show.
“You really have no idea just what He says about you in the group chat, do you?” He kneeled next to your head, taking care not to sit on your hair. “All the little nasty things he's said you've done. All the photos he sends us to make us jealous. And now I get to have my turn.” He gently moved your hair from your face, before unbuckling the gag that your boyfriend so lovingly put in your mouth.
Your lips were swollen, mouth tired from being wrapped around the toy ball for quite some time.
“There's that pretty little mouth.” He tossed the gag somewhere behind him, having no use for it now. His thumb traced your lips, smearing the saliva that had settled from the gag.“That pretty little mouth he loves to show off wrapped around his cock.” 
Chris had your permission to show off pictures to his friends. Most of them were faceless anyway, they could imagine anyone they wanted to, it didn't have to be you. He slipped his thumb into your mouth, watching carefully as you sucked the digit. You kept your eyes on him, feeling almost like you were incapable of looking away.
There was a fire that burned in his eyes, one that told you he wanted to do unspeakable things to you.  “Open that pretty little mouth for me.” You did as told, without an ounce of hesitancy. You stuck your tongue out to accept whatever it was he was going to offer next. He slipped his thumb out and quickly replaced it with his cock. 
Minho was longer than you expected. His girth slid into your wet mouth, inch by inch. He placed a caring hand on your cheek as he started down at you, watching you take him in. He paused halfway, head tipping back with a loud groan passing his lips. “Fuck
 I se-see why you always show off how well she takes you.” His head tipped forward again. “Her mouth feels amazing.” 
Chris chuckled from the couch. “Yeah, well wait until you feel her tight cunt.” His words made you clench around nothing. You really weren't expecting to get this far, let alone far enough for him to actually fuck you.
Minho started to pull back, before thrusting slowly back into your mouth. His eyes traveled down your body to your glistening folds, the crackling fire adding just the right amount of light to illuminate it. He had the perfect view of it in the strange mirror Chris had set up in the middle of the living room. Just the thought of finally getting to fuck you, made him want to blow his load. 
He'd been curious about you since the first time his hyung introduced you to him. He could honestly detail every second of that moment without missing a step. From the thigh length, form fitting, black dress you wore. To how you smelled like vanilla, tuberose, with a light hint of arousal tied right into what he could recall as being the most sensual scent he's ever had the pleasure of inhaling. 
Even to the smallest detail of the hickey on your neck from what he would assume to be a quick, yet steamy makeout session with Chris before you both entered the restaurant. He couldn't blame the man, you were drop dead gorgeous. He had to applaud him for even making it into the building at all. Because If he was given the chance, he would have fucked you in the parking lot while all his friends waited for his arrival. Nothing wrong with being fashionably late to your own birthday party. 
One particularly hard thrust and the sound of you gagging pulled him back into the room. Your wet mouth had sent him into a daydream, he could see how easy it would be just to drift off until he'd come crashing back down to earth with a soul crushing orgasm. He pulled back, taking his member in his hand, rubbing the tip against your lips in an attempt to ground himself in the moment. He'd seem like a bitch if he came less than five minutes in. 
But you were relentless, even with just him tracing your lips with his tip, you still took the initiative to slot his member between your lips, sucking the underside of it as best you could, given the fact that you were completely bound. 
“She isn't made of glass, you know? I guarantee you she's thinking that right now. She doesn't like being treated like she's fragile. Trust me, she tells me that all the time.” Chris mumbled the last part, but Minho still heard him loud and clear. His eyes met yours and you nodded. Neither of you knew he was taking his time for his own sanity. He resigned himself, taking in a deep breath, then exhaling. He grabbed a fistful of your hair with one hand and led his cock back into your mouth with the other.
He'd have to fuck your mouth like he'd wanted to do all these months. Liked he'd imagine he was doing every time he fucked his fist to the pictures his hyung sent. He'd tried not to fap to them at first, but what else were these benevolent gifts for if not for high quality spank bank material? With a tight grip on your hair he resumed thrusting. Letting you get adjusted, before slamming his cock into your mouth like you clearly wanted him to. It was something about the way you hollow your cheeks. Something in the way you glide your tongue on the underside of his stiff cock. Something in the way your moans sound for him as he fucks your throat. 
If mere pictures could make him unravel, what would happen now that he got to feel you? You constricted your throat, making him groan, causing his hips to stutter. “Fuck
” You kept doing with every other deep trust, making him spiral. Minho came undone, his seed slipping down your throat, despite his best efforts not to cum too soon. He let out a guttural moan, grip on your hair tightening as he came hard. You continued to suck, not wanting a drop to go to waste. “Sto-stop, stop.” He had to pull away, if not, he'd risk overestimation. With the prospect of being able to fuck you he couldn't risk that. 
“Now you know why I always show off, yeah?” Minho felt like he'd gone deaf in one ear and blind on the same side, because he didn't hear or see Chris get up, nor did his words register until after he'd gotten to his side. All he could do was nod, his brain wasn't functioning at a high enough level to form a response. “Scoot. It's my turn.” Minho obliged, crawling a few paces away to give his friend room. Only then did he notice his friend had undressed. It felt like maybe he'd blacked out for a moment, that was the only way he could explain the unexplained time jump after he'd nut.
“You doing okay, pretty girl?” Chris gently wiped a tear that had fallen from your eye. You nodded. You were more than okay. How many other girls could say they were lucky enough to participate in a threesome with their boyfriend and his very handsome friend? Probably not many. You were soaked and ready to have more than just your mouth fucked. “Good. Because I want your best, yeah? You know how I like it.”
He knew you knew exactly what he liked and you were more than happy to indulge him. It was Chris's turn to kneel next to your head. He was even closer than Minho, practically straddling your neck. He bypassed his dick entirely and grabbed his balls, fisting the sack. “Open wide for me baby.” The words barely left his lips and you eagerly did as told, opening your mouth as wide as you could.
Minho waited with bated breath, to finally get a chance to see just how well you took his friend. Pictures, as he'd recently found out, don't do you justice. While they were beyond hot, to feel you for himself took things to a whole different level. Chris was already hard. He wouldn't admit it, but seeing you like this did something to him that he couldn't quite explain. Now, he wasn't saying that the situation would ever happen again, but he could say he was enjoying himself.
You took His balls into your mouth, sucking on the skin as he stroked his length. “You're so fucking good, baby.” He tipped his head back. The combination of your mouth on his balls and his skilled hands working on his own length was euphoric. Minho watched on, in awe of just how well you worked together. You knew your boyfriend well and even without you being able to touch him, you could still lend a hand in pleasing him.
He noticed how you clenched around nothing, wetness already dripping from your untouched cunt. His eyes finally focused on the plug that sat snugly in your ass. Your wetness had dripped over the shiny heart-shaped diamond. God, how he wanted to taste you. Your wetness tempted him, begging him to come closer. He didn't even realize he'd moved until he was face to face with your pussy. He took a tentative lick, unsure if he was even allowed to do it. You moaned, squirming underneath him, alerting Chris to what was happening between your legs. He looked back, an amused smirk on his face.
“Just couldn’t resist, hmm?” He chuckled as Minho glanced up at him, mouth busy between your folds. You could feel him smirk against you, too occupied to answer your boyfriend's question. He went back to work, getting the confirmation he needed from both you and Chris. Was this your birthday or his? Because this was some extreme wish fulfillment here. Your boyfriend's balls in your mouth and a handsome man enjoying his birthday gift between your legs. What more could a girl ask for? 
Clearly you could ask for more. Chris leaned back, pulling his balls from your mouth, just to replace it with his thick cock. You clenched again as you gagged, much to both Chris and Minho’s delight. You pushed even more wetness on the man between your legs’ tongue, making him groan. How could Chris not talk about how good you tasted? How sweet your pussy was to devour? He dove in even more. He wasn’t afraid of drawing, even if he couldn’t swim. His moans and smacks are what alerted your boyfriend as to why you were shaking, why tears were pricking your eyes. He smiled to himself. Glad you were getting pleasure out of this for yourself. While he loved to use you, he didn’t want you to feel used. 
Your hands were balled into fists. This was almost too much for you to take. Your mouth was full, your ass plugged, Minho had just stuffed two fingers inside of you, all while he mercilessly toyed and sucked on your clit. Your legs were shaking, you couldn’t help it. What was a girl like you to do? Chris pushed his dick in as far as it could go. Reaching between his legs, thumb on your throat to constrict your breathing. Your body tensed. This was it. This was how you reached heaven. Your vision blurred, tears beginning to stream down your face as you came. He pulled his cock out of your mouth, allowing you a little room to breathe. Thick strings of saliva connected you to his member as you choked out a long wonton moan.
You couldn’t see the satisfied look on your boyfriend's face, but you knew it was there. Meanwhile, Minho happily ate to his content. He had tuned out anything but the soft cackling of the fire and your moans. He wanted to make you feel good. He knew this was the one and only time he’d get to do so, Chris had told him as much when he gave him the rundown for the night's events. So Minho wasn’t going to take this opportunity lightly. With your clit still in his mouth, he added another finger to your cunt, totalling them to three. He searched for the squishy little pad inside of you, pressing up on it, dragging his fingers back and forth on it. Luckily for him, you couldn’t move, because you seemed like you wanted to run, as overstimulation started to take over. You cried out, unable to do much else. 
“What's he doing to you baby?” Chris asked smugly, index and thumb grabbing your chin, lifting you. He forced you to look at what the birthday boy was doing between your legs. You almost came from the sigh alone. His face was smeared with your essence, eyes completely dark with lust, fingers stretching you out as he continuously hammered your g-spot. Your second climax hit you without warning. Your squirt forcefully being pulled from you, painting the man's face and fingers between your legs. You let out a scream that reverberates off the dark walls of the apartment. Thankfully you knew that the walls were well insulated and the neighbors wouldn’t be calling the cops to file a noise complaint. “Look at that
” Chris almost looked proud at the mess you’d made. “You’re spoiling my baby, Minho.” 
The man groaned against you, still licking up all of your juices, determined not to leave a trace behind. You were intoxicating. Minho was absolutely enamored with you. From the fucked out look that graced your face to the taste, smell, and aura of you. He could shamelessly say that the little crush he harbored for you, might be developing into something more. But he couldn’t think of that now. What would his hyung say if he ever found out his feelings? He pulled back, pushing thoughts of wanting you for his own, out of his head. “You ready, baby?” Chris ran a loving hand down the center of your chest, under your tied arms and over your stomach.
“Since it’s Minho’s special day, I’ll let him decide if he wants your tight little ass or cunt. Okay?” You nodded with wide sparkling eyes. Any bit of tiredness was washed away with the prospect of being fully stretched by two men. That made Minho painfully hard. He groaned as he sat on his knees, fingers finding their way to his member, tugging it to feel a bit of relief as he thought about what he wanted. If he was being truthful with himself, he’d admit he wanted to be shellfish and have you all to himself. But he couldn’t do that, not here. Not when his friend was so nice to share you with him. “What do you say, Minho?”
“Pussy.” There was a hint of desperation in his voice. He needed this. He needed to feel you wrapped around him.
“Pussy it is, then.” Chris undid your restraints, your hands going to each of your wrist to rub where the fabric had left behind little marks. Something to remember the beginning of the night by, at least until they faded. Chris stood and being the gentleman he was, helped you up to your feet. He made sure you were steady as he led you to the couch. First he had you bend over, legs spread, so that he could carefully remove the plug from your ass. But not without toying with it first, pulling it in and out, making sure your hole was nice and stretched for him. Next was the application of lube to both of your holes and his member. “Here,” motioned the bottle towards Minho, who was forced to peel his eyes away from the sight between your legs to take it. 
Chris was the first to lie down on the couch, leading you to lie with your back to his chest. Deft fingers, led his member to your waiting ass hole, and he expertly guided it in. Your head rolled back onto Chris’s shoulder as he filled you up, pushing you down slowly on him, making you take him inch by inch. Minho stood there, just watching as your face morphed into one of pure ecstasy. He was still tugging on his length, readying himself for you. Chris waved him over, letting him know it was his turn to slide in, and he honestly couldn’t wait. Despite not wanting to come off as too eager.
He swallowed the lump of spit that settled in his throat as soon as he kneeled on the couch between your legs. You were spread wide, lubed up, ass stuffed full of cock, while your pussy waited to be filled by him. Only him. He was still gripping the lube in his hand and used a bit more of it on himself before tossing it and lining his member up with your entrance. He slid the tips back and forth through your folds, making you jerk and squeeze your boyfriend. Chris’ grip on your thighs tightened, spreading you even wider. The sight made Minho dizzy. “Please
” The whine that fell from your lips nearly drained the man of his life force. “Please Minho
” You reached a hand between your legs, spreading your lips even more for him. 
He nearly crumbled. He wasted no time, sliding in, feeling your warmth envelope him. His eyes rolled back in the back of his head. This had to be the best feeling in the world. You were warm and tight, made even tighter by your boyfriend stuffing your ass. He took a moment to savor the feeling, before he started moving. That was Chris’ cue to do the same. You bit the back of your hand, to keep yourself from screaming. The feeling was indescribable.The initial pain subsided so quickly it scared you. Chris moved your hand. “Let us hear you, baby.” He dragged his nose along the column of your neck and pressed a kiss under your ear. “Let us know you feel good.”
You nodded, eyes focusing on the man in front of you. His eyes completely focused on where you were connected. Fixated on the way your walls pulled him back in every time he pulled back. The lube slowly mixes with your cream, and the sight would be one he’d remember for the rest of his life. What other birthday was like this? Has there ever been a gift given to him that was better? Nothing could top this. Well- unless he got to do this every year. He picked up his pace, loving the grip you had on him. Your eyes closed, mouth agape, but only long enough for fingers to be stuffed inside it. You felt spit coat your clit, causing your eyes to flutter open in time to see Minho rubbing it fervently. He wanted this to be a mind blowing experience for you too.
Your hand flew to his wrist, almost ready to pry it away. But the pleading look in his eyes made you pause. He angled his hips in just the right way, the tip of his member brushing against your spot, making your toes curl. Tears once again brimmed your eyes, the feeling of both men fucking you open was almost too much to take but at the same time you wanted more. Wanted to give them as much pleasure as they were giving you. You squeezed your walls, tightening around both of them. Chris’ hand that was still holding your thigh, moved to your neck, squeezing it in retaliation. Minho picked up his pace, fucking into you faster, using his years of dance training to further impress you. A few more flicks of his fingers against your clit had you coming undone. Shaking wildly between the two men. 
But that didn’t stop their thrusts, if anything that encouraged them to keep going, extending your hard orgasm. Minho did at least give your clit a break, reaching for your nipples, to pinch and pull on both. You let out a choked sob, feeling on the edge of hysteria. Chris' hand relaxed around your throat, the fingers he had in your mouth stroked your tongue. His hips gave a few more thrusts up into you before he unloaded right in your ass. You grabbed at his hand, nails, digging into the skin of his wrist. You could feel his seed seeping out of you as he stilled. He softly ran his fingers over your sweat slicked stomach, soothingly.
Minho was still going. He leaned in, kissing the parts of you he was allowed to. Your lips were off limits, but that didn’t mean he couldn’t get close. He littered your jaw with kisses and bites, then did the same to your neck and chest. Once again he was like a man starved, needing to consume every last bit of you. He left marks all over your skin. Hoping that you would cherish the small amount of time you could share together, because this was certainly going to be burned into his brain. This was now going to be a part of his personality, something deeply embedded into his psyche.
The way you were looking at him, like he had the power to unmake you at this very moment was making his head spin. “Minho
fill me up
 please
” You reached a hand out, fingers brushing over his cheek as you looked him in his eyes. This was delusion inducing. He didn’t need you to look at him like that. What was he to do if he fell for your charms any harder than he already had. He shook his head, closing his eyes to break the searing eye contact you had with him.
Chris chuckled, reminding Minho of his presence. “Baby, I think you are fucking with his head looking at him like that.” Minho’s eyes shot open. What did that mean? “Don’t lead him on
 tell him what you want.” He grabbed your chin to keep your eyes on Minho. “Tell him again what my dirty girl wants.”
Your tongue darted out, wetting your slightly parched lips. “Cum inside me, Minho
.” You were pleading with him now and how could you not oblige? “Fuck it deep into this pussy
 it’s yours for the night
” Could he get high off words? It felt like more than his lower head was about to pop. That was all it took for him to burst. He pushed his hips flush against yours, hands moving to your hips to keep them in places as his streams of cum filled you up. You reached for his face again, dragging your thumb over his bottom lip, as your eyes stared deep into his. He didn’t need a kiss if this was how you treated him. But if he had one wish, this night would never end. He’d repeat it over and over again until the end of time.
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© ✐Channieskies 『MINORS DNI! This post contains nsfw material. Please do not interact with it if you are under the age of 18. Do not translate or repost here or on other sites. Please leave a like , comment, and reblog if you enjoyed this story.â™„ă€
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snapscube · 1 year ago
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hi penny! im sure im not the first person to ask this, but- is there a reason the psychonauts dub didnt pan out? super excited for the kingdom hearts dub!! just curious as to why that particular dub idea wasn't seen through?
it was a few reasons! i honestly just lost a lot of steam for it once i started recording the footage. if i had to guess it was a combination of life circumstances not really being Ideal for me at the time, but also the more obvious setback is just that.... the game doesn't really NEED the fandub treatment??? at all?
not to say that any game ever "NEEDS" our stupid bits layered on top of it in the most literal sense, but there are certain dynamics when it comes to picking a game for the format that i have to take into account. what's the tone of the original work, what is the dialogue pacing like, how story heavy is it even to begin with, etc. Psychonauts has the disadvantage (specifically for dubbing purposes) of being a game that already feels almost like a parody of itself. it's EXTREMELY funny just on its own. RTF as a format, i think, is most effective when the source material's original tone and dramatic weight is juxtaposed with improvisational humor in SOME way. Sonic games have a heightened otherwordly shonen vibe that becomes uncannily hilarious when paired with the inherent candidness of improv. Until Dawn and RE2 are dark, atmospheric horror titles that pair well with improv purely through the GULF in tonal dissonance being inherently funny. Spider-Man is a superhero blockbuster story, and RTF lessens the scope EXCEEDINGLY in incredibly dumb and endearing ways (instead of peter needing an anti-serum to cure a deadly plague ravaging the city, he needs it to keep himself from turning into a table). And so on and so forth.
I basically just ended up feeling like there's really not much we could do to bring value to the project of a Psychonauts dub that wouldn't be energy better spent on games that were a better fit overall. Cause, yknow, at the end of the day these already take SO long to come out. I really gotta be economical with the game choices nowadays.
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david-talks-sw · 3 months ago
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"The Acolyte" wasn't 'woke' propaganda.
I had my issues with the show (you can check out my other posts to see what they were) but there's this notion that The Acolyte was created to spread The Messageℱ of "woke propaganda"... and I think there's a bit of a mix-up going on, there.
Because that's simplifying things a lot.
When you're a minority, you're not "being woke" when you're just being yourself! Conversely, you're not "writing to be woke" when you're a minority drawing inspiration from your personal experiences to tell a story.
I talked before about how George Lucas implemented elements of his personal life in his own films. In his own words:
"There's no way to write without writing from yourself. Y'know, the stuff gets made out of things that you care about
 whether you've actually lived them or not. There are emotional issues that you deal with, and I think that's always a major factor with any writer. I don’t think— it's hard to write without having some kind of emotional connection to the material. I've never seen any reason not to. It’s easy to write that way. It's hard to write in the abstract. So when I write a scene, I write a scene that moves me or I care about, or is something that is personal to me." - George Lucas, Q&A with Lynne Hale, 1994 (StarWars.com)
Any piece of writing worth some salt needs to come from a personal place to some degree because that's where the heart of the story, the truth, lies. That's what an audience will relate to.
Example: The six original Star Wars films are purely George Lucas. As in, everything in those films, from the characters, to the cinematography, to the editing style, etc are all a reflection of who George is as a person and what he stands for:
anti-Vietnam / "fight the corporate & imperial machine"
60s-70s white kid from Modesto, California
single father of three
who defines himself as Methodist-Buddhist,
has an anthropology major and
a passion for Kurosawa,
cinema vérité,
cinema history in general
art and visuals and
car racing.
You see all that in those films.
Same thing with The Acolyte.
Leslye Headland drew from her personal experiences.
Among other things, Leslye is gay. So that's what she uses as inspiration to, for instance, craft Qimir's character motivation.
"I was on the treadmill being like, “What is [Qimir] gonna say?!” And my wife, who is a huge part of my creative process, finally she said, “What do you wanna say? Stop thinking of it like you have to somehow tap into a different guy.” [...] I was like, “I wanna say that people don't want me to exist as a gay woman, as a woman in this particular space, working in this wild sandbox.” There was a whole crew of people who believed in me, but deep down, I felt like, “I am unaccepted for who I am because of what I believe in and wanting to wield my power the way I'd like without having to answer to the legion of people that just exist out there.”" - Leslye Headland, Collider, 2024
She took this specific life experience of hers, and then made it more universal, so that a bigger audience could relate to it.
"By the way, I think everybody feels this way. I think that's why it resonates when you're honest about yourself, and you get personal about it. When [Qimir] says, “I want freedom,” that's what I want. I just want freedom. I want to be able to just be out there and be myself and be the type of artist I want to be without having to answer to anybody." - Leslye Headland, Collider, 2024
Same goes with Osha and Sol's relationship, or how she defines the Jedi Order. It derives from her own relationship with her father and how she felt being raised straight, in a Christian household.
If you have the time, listen to this audio clip where she describes that.
In the context of the whole interview, her voice goes down a few octaves and starts to crack a bit. This is a vulnerable moment, when she's talking about it... and it's this experience that she turned into fuel for her writing of Sol and Osha's father/daughter bond.
"There's this thing that's called benign sexism, and part of it is this paternal protectionism — it seems like this good thing, but like you said, there's this, “I have to protect you from everything. I have to make sure you're okay. I have to tell you what track to get on, and then once you're on that track, I need to support you.” Ultimately, what happens is — again, this is a father-daughter relationship — as women evolve in their lives and develop their own personalities separate from their fathers, at some point, they have to reject that protectionism. [...] She cannot stay a little girl or an adolescent or young adult. She has to, at some point, say, “I reject what you have told me I need to do to make you proud, to follow in your footsteps.” She has to do that." - Leslye Headland, Collider, 2024
Now... if we're talking consistency with the themes in Lucas' Star Wars, then yeah, The Acolyte misses the mark.
The Jedi Order isn't the patriarchy or the Catholic Church. They're more like Buddhist monks, George has stated so multiple times.
The Jedi teachings aren't narratively meant to be the same traits found in toxic masculinity or benign sexism.
When a Jedi tells you to be mindful of your emotions, it's not meant in the "boys don't cry" sense.
When they talk about letting go of attachments, it's not meant in a stoic "don't get emotionally involved" sense.
Anakin too, the whole point is that he's wrong, the narrative frames his fall to the Dark Side as his own fault, it's not meant to be perceived as a failure in upbringing.
But she's not the only one who does it. Filoni does it too, a majority of fans have this take on the Jedi.
And because of her experiences, I can see why her takeaway would be that. Same goes for Filoni, they're products of their generation, upbringing and experiences.
My point is:
Leslye Headland is writing from a personal place, when she's writing The Acolyte. It's partially informed by her politics because - like she quotes, "personal is political" - but when it comes to the writing of the show, it's personal first and foremost.
What this was, was a Star Wars fan (arguably the nerdiest one we've had so far, in terms of creators) putting all of herself in the creation of a show that perfectly reflects who she is and what she stands for, resulting in:
a story about growing past your father's paternal control and accepting that our guides aren't infallible,
where her wife holds a role and gets to wield a lightsaber,
a show about taking corrupt religious institutions to task
about the Sith and the Dark Side
and questioning the unquestionable
and exploring whether the good are really so good and if the bad are really so bad.
This was a project written from the heart, and regardless of whether the resulting art found its mark, I think it's important to note that it wasn't written to spread a propaganda message in some "pro-woke holy war" or whatever the hell the YouTubers are peddling.
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koqabear · 11 months ago
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Lamb To The Slaughter
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♫: Gods & Monsters, Lana Del Rey
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"An act of kindness goes a long way, your parents told you once; their words stuck with you all your life, your pure heart never failing to follow their philosophy— though, it seems your naive self was left unaware of just how far an act of kindness can go."
wolf hybrid!beomgyu x lamb hybrid!fem!reader x herding dog hybrid!soobin
Genre: smut, hybrid au, angst, porn with the world's smallest amount of plot
Word count: 15.8k
Warnings: barely edited oops, heavy predator/prey themes, injuries/blood, use of scents, scent glands and scenting, mentions of kidnapping and murder, psychological abuse i guess
 this fic doesn’t let you forget that they’re hybrids btw, (showcases animal-like behaviors and habits), soogyu are stronger than the mc, obsessiveness, manipulation
Smut Warnings: DUBCON. threesome, mean dom!gyu, soft dom!soobin, sub!mc,inexperienced!mc, pet names (pretty, doll, good girl, etc.) manhandling, marking, subspace, possessiveness, choking kinda, dry humping, praise, praise kink, humiliation, dacryphilia, fingering, exhibitionism/voyeurism, degrading, orgasm control, dumbification, finger sucking, cum eating(?), spanking, begging, mind breaking, unprotected sex, jerking off ig, jealousy, hair pulling, rough sex, corruption kink maybe, multiple orgasms, overstimulation, double vaginal penetration
 brief mentions of breeding, creampies, knotting, claiming, mc blacks out. (lmk if i should add anything.)
Notes: look at these stupidly long paragraphs of warnings oh im gonna kms. this story almost had me plucking my hairs out one by one, i’ve never been so stressed out by a pwp before. it was originally an ot5 au and was supposed to come out during october but
 yk. shit happens. (i saw a post that changed the entire trajectory of this fic)
[This story contains dark content. Please read the warnings carefully; I am not responsible for the content you choose to consume.]
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The forest at the edge of the village is something that should’ve been closed off long ago— but there’s no resources, no men to work on the border, no money— so the townspeople have resorted to old myths and tales to ward off wandering children and defenseless women instead.
There’s a killer in the forest— fairies will lead you down the wrong path and trap you in the woods forever; there’s a hidden pond so deep that if you fall in, you’ll sink forever. Typical tales that are told around the bonfire, where people cower and whisper from the thrill of the stories. Yet with each varied warning, one thing stays the same.  
There are wolves in the forest.
Large and strong and invincible, with a terrifying bloodlust and noses so keen they could spot you the moment you cross the barrier; tearing you to shreds, eating you alive and forcing you to feel the pain all throughout it. The wolves are always hungry, insatiable, and lurking about for its next prey— anyone who would enter the woods willingly would be deemed suicidal. 
You’ve never been one to believe such tales; how could you, when you’ve grown alongside the forest?
There are wolves in the forest, that much you’re sure of— but the fantastical tales and myths are nothing but a farce, crafted from the fear of the unknown and the dark, entangled landscape that lies past the backyard of your small cottage; belonging to your deceased parents, now left to fend on your own and care for the gardens and lush plants your mother had carefully cultivated since you were a child. 
She taught you everything you needed to know about the forest; which paths to take, which areas led to steep cliffs or poison ivy, and where to find herbs and plants that would aid to the medicinal business your family ran— you were fascinated by the craft, even as a young child, learning with eager eyes and an even more eager mind as you stored all the information in your small, worn down journal; the pink material of the cover faded and torn at the corners, filled to the brim yet still useful to you as you took it with you on every trip.  
Tonight, you pull on a warm coat dress; it’s thick and durable, a cute piece gifted on your birthday by the baker’s son, the border collie family always making sure to look after you since the day you were left on your own. The shawl sewed into the coat hangs over your shoulders like a small cape, adding in extra warmth as you look out the window and onto the cold scenery; the leaves have begun to abandon the trees, and if you hadn’t memorized the forest layout like the back of your hand, the covered paths might’ve concerned you— but you’re confident as always, grabbing your wicker basket and perching it on the crook of your elbow, glancing down to make sure your journal is already inside— and with one last mental check to make sure you have everything you need, you slip on your boots and make your way outside. 
“Soobin,” you say in surprise, swinging the door open, getting scared at the sight of someone already waiting for you outside— the said man only smiles at the sound of his name, laughing fondly at the way you press a gentle hand against your startled heart; his ears perk up at the sight of you and his black hair is slightly disheveled, though you guess it’s probably from his habit of running a hand through it whenever he’s restless— he holds a basket of his own, and your eyes fall onto it with a curiosity you don’t bother to hide.
“Hello pretty,” he smiles softly, the nickname never failing to make a heat flush up the back of your neck— you really hope he doesn’t notice your flushed expression, his eyes narrowing with fondness as he brings his basket up, opening it to show you the contents, “I made an extra batch of bread, and I thought you’d like some. Business will get busy for us both soon, and I’d hate for you to get hungry because you don’t have time to eat.”
He’s sweet and caring, and it never fails to leave your knees weak— he looks at you with nothing short of affection, raising a brow in curiosity and glancing down at your already occupied arm— his brows furrow, biting his lip in thought as he finally pieces everything together. 
“Are you going to the woods?” he asks softly, reaching past you and into the doorway, placing the basket of bread on the table next to the door— his hands are immediately coming up to your shoulders, smoothing out the soft material of the coat with narrowed eyes— and they’re filled with worry again, ears angling down and tail swaying slowly from side to side, searching your face that can’t seem to lie to him, “It’s dangerous to go at this hour, you shouldn’t.”
“It’ll only be dangerous if you continue to stall me,” you tease, shrugging his hands off and wrapping your own around his elbow, tugging him until you’re both stepping out of your home; he allows you to, and you’re locking it up with ease, even as he continues to tell you not to, to go another day, another time— you huff, shaking your head and frowning at the way he begins to offer to come with you; his instincts must be kicking in again, eyes filled with a calculated look he only sports when looking out for your safety— and with you being nothing but a fragile little lamb in his eyes, this look was something you’ve become very familiar with. 
“No, you mustn’t come with— it’s dangerous, and I’m the only one who knows my way around the woods,” you scold him, and even though he stares at you with that intimidating, stern look, murmuring about something about his keen senses, you stand your ground, “I’m too one-track-minded to guide someone else through these woods— I’d hate for you to get hurt because of me.”
He sighs— and you know you’ve gotten him good by the way he remains silent, stalling his leave as he tries continuing to reason with you— but you keep refusing in return, cooing softly that you’ll be okay, that you’ll be quick. 
“I’ll wait for you,” he finally says, refusing to back down even as you express your worry; after a moment of bickering, you finally give in. Your eyes widen in surprise as he gently pulls you in for a hug, engulfed entirely in his embrace as he rests his chin on your shoulder, inhaling your scent with a content sigh— warm, comforting and pure, like jasmine with the hint of a pure, soft vanilla, his nose subconsciously poking at your gland in search for more— and you shiver at the feeling, engulfed in his calming scent, a sage and rich pine, allowing yourself to melt in his arms and hold you tighter, ignoring the way your heart begins to race the longer your remain there. 
“Come back to me safe.”
Soobin is just as solemn and loyal as he was the day he declared that he would always protect you— and it makes your heart race a bit faster, a dopey smile stuck on your face as you wave him goodbye— you sigh pathetically the moment you’re finally in the woods.
The leaves crunch under your feet and birds chirp in the distance; it’s comforting to you, humming softly to yourself as you walk the paths you need to take without much of a thought, gathering herbs and plants as you slowly check them off your list; everything goes as smoothly as it always does, your mind in awe as you witness the sun beginning to set. 
You should get going soon; it was never ideal to be in the woods after dark, no matter how familiar you were with the landscape. The thought makes your steps quicken and your eyes sweep over the land in acute concentration, looking for the last plant on your list— you’re freezing entirely when you hear a shift against the leaves. 
You’re still; was it a false alarm, or a harmless rabbit passing by? You’re not entirely sure, wicker basket heavy in your hand as the other presses firmly against your heart; trying to settle your heart rate, breathing deeply as you look for any signs of movement, any signs of life around you. 
Just when you think the coast is clear, you hear it again; rustling against the leaves, harsh and erratic as something else greets your ears— sharp pants and sounds of struggle, a pained yelp resounding into the vast space and sending you into action before you can think twice. 
You round the thick oak tree ahead of you, searching for the source of the sound— and stumble back in surprise, an involuntary gasp escaping you as sharp eyes and equally sharp teeth point your way— a man lays before you, injured and weak.
Except, he’s not just a man; that much is made clear to you the moment your eyes sweep over his frame once more, taking in the ears that press flat on his head and his fangs that remain bared at you, the injured man—wolf hybrid— growling lowly at you and shuffling back to curl against the thick tree that once covered him; your hands shake as you hold onto your basket a little tighter, wide eyes sweeping over his figure and inevitably landing on the source of all this commotion; a twisted ankle, rendering the man before you immobile. 
You must run— you must, and it’s all your instincts seem to yell at you, your muscles becoming rigid with tension, white ears pressing flat against the top of your head and fluffy tail quivering with fear— but you have yet to, something about the look in the wolf’s eyes making you ignore your instincts, just for a second; behind the dangerous fangs that glint beneath the remaining light and his eyes that are narrowed threateningly, you can still see the pain he’s found himself in.
Something inside you clicks— your weak heart twists and your hands grip your basket a bit tighter, a voice in your mind telling you that you can’t just leave him like this; you can do something to help. Next thing you know, you’re taking cautious, slow steps toward him, hands held out to show that you’re nothing close to a threat— though you’re sure that the smell of fear that rolls off you in waves is enough of an indicator— and your soft voice is whispering out your intentions, continuing your approach even as he bares his teeth at you in warning. 
“I want to help you,” you say softly, finally at his feet as you place your basket gently next to him; and he growls at you once more, though you don’t find yourself to be afraid— if he were dangerous, he would’ve attacked long ago. It’s the only thought that repeats itself in your mind like a prayer, pretending as though your hands don’t tremble as you reach into your basket, as you grab the herbs you were just stocking up on and the bandages you carry for emergencies. 
He lets out a particularly harsh growl that makes you jump; it makes you hesitate to touch his skin, bruised and broken and bloody, eyes jumping to meet his— and though the action was meant to be confident, nothing can hide the fear that taints your eyes, the way your frame shrinks slightly when you’ve found that he has no issues holding eye contact— and after a standstill moment, you finally continue, ripping a piece of the bandage and attempting to clean the wound as best as you can. 
You’re a bit clumsy at first; unable to look away from the man, his strikingly dark red hair that's matted to his head from a thin layer of sweat, dirtied clothes and face that’s twisted in a mean glare— but eventually, it softens, the deep heaving of his chest calming as he watches the way you tend to him with deft hands, not seeming to care if he’s soiling your pretty coat as you tug him closer to you. 
The bandages are tight on his ankle and you’ve placed herbs within to help soothe the swelling— all tricks you’ve learned from your mother, from the times when you would run about carelessly and twist your ankle in some hidden hole, only calming your cries to see her work her magic on you.
Reassuring words don’t do much in the grand scheme of things, but you still whisper them sweetly to the injured man before you, dry bandage cleaning along the rest of his calf as you tell him to rest, to try and not overexert himself. And though you don’t know if he can understand you, though you’re unsure of where he came from— because as far as you know, wolves have been banished from your village for decades— you still find yourself caring for him. It’s something he can pick up on in your eyes, gentle and reflecting the last of the sun’s golden rays that leak through the woods. 
It’s quiet; it’s peaceful. Warm fingers lingering on his skin much longer than you intended, a curiosity leaking through your wide eyes as you take in his figure, the tall dark ears that stand on his head, the tail that lays on his side, thumping rhythmically— and you think you’ve finally found the courage to ask who are you? Lips parting to speak, you’re cut off by the sound of rustling, a new overwhelming scent overtaking your senses; something is approaching. 
The man before you doesn’t seem to be worried; it’s you that’s whipping around to the source of the sound, shrinking pathetically once you spot something emerging from the dark, thick mass of trees behind you; eyes, multiple pairs, glowing and angry as they stare at you like you’re their next meal— you’re not sure how many pairs there might be, but you’re stumbling to your feet quickly, eyes widening as you realize that the sun has set long, long ago.
You almost slip on the leaves beneath you; one last glance at the man behind you shows that his hands were out as though to catch you, expression twisted with what you’re surprised to see is
 concern. But as a rough growling begins to surround the two of you, a sharp pang of fear courses through your body, the gravity of your situation finally sinking in as your eyes sweep around the area in one last, terrified glance.
They’re targeting you.
Before you can think twice, you’re turning on your heel and running— though nothing follows behind, you still let adrenaline take its course, shallow breaths and teary eyes guiding you back to your home; you don’t realize how crazed you must’ve looked until you’re finally reaching your front door, a worried Soobin immediately interrupting your flee and scooping you into his arms, whirling around to shield you away from the forest.
“Are you alright? Are you hurt? Dear, what happened?” he’s breathing out the concerned questions against the crown of your head, arms wrapped tightly around your middle and the only thing keeping you up as your knees buckle with fear; his gaze sweeps down to the state of your cute coat, the once pristine and pink material now dirty and bloodied; his hands hold onto it with a newfound panic, lifting the coat and attempting to find the source— it isn’t until you’ve let out a few pathetic sniffles that you can finally reassure him the blood is not yours.
“Is everything okay? Did something happen to you? Oh, I should’ve—” Soobin has pulled away to cup your face in his hands, wiping away the tears that escape your sweet eyes like a fountain; thumbs caressing your tear-streaked skin lovingly, brows knitted together as his concern pours off him in waves— and you shake your head softly, attempting to dissuade the guilt he must’ve felt for leaving you on your own. 
“It’s fine, I’m not hurt,” you croak out, grabbing onto his waist for support as you finally regain the strength in your legs, “I just— had some encounters with a wolf— but I’m safe, they didn’t hurt me, I’m just a bit shaken, is all.”
“A wolf?” Soobin asks, much more concerned by your words as he pulls away to inspect you once more; his hands run gingerly over your shoulders, running along them until they’ve stopped at your neck, eyes honing in on the spot for a moment before he sighs in relief. His gaze is hardening once more, cupping your face and looking at your sternly as he speaks. “Where were they? Did they follow you? Did you interact with them?”
“No, no— it’s alright, I’m alright, I promise,” you breathe out, hoping that Soobin doesn’t notice the way you shrink under his gaze, the way your body warms up at his touch— but he’s much too concerned about your safety to pick up on it, dismissing every cue of your body as nothing but fear, instincts heightened as he looks behind you and back at the forest you just came from. He watches the woods carefully, eyes narrowed and ears perked in concentration— but nothing happens, and he’s left to reluctantly believe your words, even if he wants nothing more than to run into the woods himself and make sure there’s no threat to you. 
After a moment of observing the forest, Soobin is turning back to you, and his gaze immediately softens at the sight. The brave front you put up isn’t fooling him, and it’s quite obvious that you’re still shaken from your encounter, delicate ears still pressed close to your head, eyes wide and scent muddled with distress— like rotten flowers, earthy and pungent— and with all the adrenaline ebbing away from your system, you’ve found that your legs have become pure jelly once more; Soobin is quick to catch on to the way you tremble and hold on to him tightly. 
“Oh, my doll,” Soobin sighs softly, fishing for your keys in your coat pockets and unlocking the door for you, leading you inside with a careful hand— as though you were made of porcelain, still shaken and anxious as he leads you to sit down, “it’s alright, you’re safe now— I’ll keep you safe.”
Soobin insists on taking care of you long after you tell him you feel better; he’s keen to protect you through and through, keeping his distance yet still doting on you as he makes you tea, helps you out of your coat, and even offers to wash it for you— the sight replaces the heavy fear in your stomach with butterflies. 
When he bids you goodbye, his eyes are soft, his movements slightly reluctant— but he must, it’s unlawful for him to stay the night with you; an unclaimed little prey like you, spending the night with Soobin, even if he was nothing short of perfect and kind, was enough to have the town gossiping like a storm. The very thought has your cheeks hot and your tongue stumbling on words, telling Soobin to get home safe with a shy, sweet voice— and he brushes his thumb against your cheekbones, smiling fondly before he leans in to press a kiss to your forehead; he lingers there, and you think you might just melt against him before he finally bids you goodbye. 
Your heart still races long after he’s gone; you suppose all this makes up for the fact that you forgot your basket in the woods, mourning the fact that you’ll have to go back to get it tomorrow— but for now, you’re content with giggling softly at the memory of Soobin’s lips against your skin, completely unaware of the eyes that watch you twirl around your kitchen happily.
 â‰Ș ⋆⋅☆⋅⋆≫  
When you wake up, you find something peculiar at your doorstep; your wicker basket is placed before your feet, pristine as it was when you first took it out. 
Your brows furrow, looking around the area and wondering how it got here— your mind is going back to the wolf you tended to, eyes slowly sweeping over the dense forest, ears twitching in attention, listening for even the slightest rustle of leaves, wondering if he’s still lingering— but the world around you is still, and it seems to be only you here. You bend down to pick the basket up carefully. 
Everything is intact— your herbs, your bandages, your worn down pink journal— and the closer you bring it to your face in order to inspect it, the better you’re able to catch something peculiar; a scent, your nose twitching in curiosity and your eyes narrowing. The unknown scent only grows stronger the closer you get to the handkerchief you used to line the inside, and only then are you able to get a good sense of it— light and heady, like an amber and smoky smell filling your nose, finding yourself oddly enticed by the scent. 
You’re far too wrapped up in attempting to decipher the complicated notes of this new scent to notice someone approaching; your senses have gotten so used to Soobin’s presence you no longer find yourself alert around him, only perking up at the approaching sound of leaves crunching and the familiar, sage filling your senses— tucking the basket behind your back, you send him a meek smile, cheeks heating up as you silently hope he didn’t see you curiously nosing at your basket. 
“Hey, pretty thing,” Soobin rumbles out lowly, smiling fondly at the way you practically preen at the name; you’re terrible at hiding your expression, the way your ears twitch at his words not helping your attempts to seem nonchalant before him. 
“Hi Soobin,” you smile, fingers restlessly playing with the wicker basket behind your back as you tilt your head curiously, “what’re you doing here today?”
“I needed to check on you,” he says immediately, a soft oh leaving your lips at that, “I couldn’t sleep well knowing I just
 left you here on your own. I needed to make sure you were safe.”
“Soobin, it’s fine, really,” you reassure him softly, fluffy tail wiggling behind you at the fact that he confessed how worried he was about you, his dedication to keep you safe, “Nothing happened— as long as I’m in my home, I’m safe.”
Soobin wants to argue against that, you can tell. But you don’t give him a chance to, inviting him in with a tug at his arm, smiling at the way he immediately relents; you tell him about your plans for today over a cup of tea, that you have to make a few deliveries to some homes across the village— Soobin practically jumps to offer to come with. 
“You– won’t you be busy?” you ask shyly, staring down at your teacup and stirring your spoon in  a feeble way to distract yourself. 
“No, I’m not needed at the bakery today,” Soobin immediately reassures you, reaching over the table to place a delicate hand over your own— and you stiffen, a heat rushing through your body at the sudden contact; the smell of sage wafts over to you as his thumb rubs soothingly over your skin, your mind mulling over his offer as you bite at your lip in thought. 
He’s eager to hear you say yes; his tail wags slowly behind him, ears perked up and eyes honed in on your every expression— and after a moment, you finally nod meekly. 
“It’s only a house or two, but the walk is
 it’s far,” you say, standing at the doorway and reaching over for your basket, placing the bottles and jars filled with homemade remedies inside carefully— but before you can continue your explanations and tuck your basket snuggly into the crook of your arm, Soobin is taking it from you, his brows knitted together as he stares down at the item in confusion. 
“I thought you lost this,” he says quietly, rotating the item in his hands, taking in its pristine condition with a frown— his ears are perking up and his tail is straightening, head whipping over to you with wide, concerned eyes. “Did you go into the woods to retrieve it?”
“No!” you say, oddly defensive as you shake your head adamantly, “It just— it was at my doorstep this morning, I think someone might have found it—”
“The wolf,” Soobin sneers, his tone much darker than it was mere moments ago— it makes your ears flatten against your head and your figure shrink, his scent turning earthy and thick and rendering you docious and pliant— his eyes are darting from the basket and back to you, only to go back to the basket in order to examine it closely; the moment Soobin brings it closer to his face, you’re able to see the very moment where that same, smoky scent enters his senses— his pupils dilate, and his nose twitches. 
The same scent as before. Soobin recognized it as the same scent that you were drenched in the moment you found him, shaken and face aghast— your coat and skin reeked of nothing but that scent, wanting nothing more than to take you inside and replace it with his own— but the most he could do in the moment was hold you close and hope that it would wash off. 
The owner of this scent must have brought you the basket back; Soobin’s head races to find meaning, to find reason, adrenaline coursing through his body that yells at him to take action; this must be a threat—you’ve been followed, they know where you live.
“It isn’t safe for you to stay there anymore,” Soobin proceeded to tell you, only confessing how he felt once you were far, far away from your home— from the woods. And you could only shake your head at that, the reassurances an automatic response in your head at this point. 
But Soobin wasn’t going to go down without a fight this time; knowing that the wolf was out there somewhere, that he knew where you lived and even went as far as to visit your home— it made Soobin tense with anger. 
“That wolf was at your doorstep without you knowing,” Soobin continued to reason, all throughout your walk back, “you don’t know who they are— what their intentions are.” 
It was only then that you decided to mull through his offer to stay, or for you to stay with his family— images of a bloodthirsty wolf at your doorstep filled your mind, and you couldn’t help but feel like your nine year old self again, sitting at a fireplace and telling each other scary stories about the forest only a few feet away from you— your young self would always be left shaken and paranoid, asking your parents if you could sleep in their bed. 
Maybe you’ve become too used to being independent; you’ve survived this long on your own— most lamb hybrids you knew couldn’t walk around at night without having a trusted predator around to protect them, just in case— yet you were so used to depending only on yourself that you seem to have forgotten how truly vulnerable your species is; Soobin made sure to remind you with a stern look and crossed arms. 
“I don’t see why you’re insisting so much, binnie— I promise nothing happens here, this place is dead,” you tell him as you make dinner for the two of you, the sun now long gone and the man still stuck to your side, leaning against the counter beside you and watching you cook dutifully— his eyes drift over to the window behind him, looking over his shoulder and at the dark, gloomy forest that obscures his view; his eyes can’t help but narrow and pick apart each shape he sees, nose keen and eager to sense any changes, any hint of that smoky smell— but he sees nothing, and he’s turning back around to catch the way you send him a slightly incredulous look. 
“I understand why you might feel this way— you’ve been on your own for longer than you can remember, after all,” Soobin says softly, taking in the way your eyes remain downcast and you shy away from his gaze. Hesitantly, he shifts to stand behind you, a gentle hand placing itself on your bicep before his head lowers to rest on your shoulder; his forehead rests against you, able to smell the restless, flowery notes of your scent— despite the strong front you put up, Soobin’s keen senses are still able to pick up on the tenseness of your body, the way you keep glancing out the window and into the forest unsurely. 
“You have to allow yourself to be helped— there’s nothing wrong with that, doll,” he coaxes softly, ears atop his head twitching at the sound of the shaky sigh you let out— the stove is turned off, and the food is done— but you don’t seem to care about that much. 
Carefully, Soobin nudges at your jaw with his head; allowing your neck to tilt slowly, to expose it to him as his nose runs along your skin delicately, until it’s pressed against your scent gland, inhaling slowly and taking in the intense mix of smells and emotions within you— and he presses his lips softly against it, a gentle kiss that turns your scent sweet and fresh like a blooming flower; your heart pounds against your chest for a second, then proceeds to relax against Soobin’s hold the moment his scent invades your senses. 
“I’m here to protect you.” 
His words stick to you for the rest of the night— as does he, his presence reassuring enough to make you forget of why he was here in the first place— enough to allow you to miss the glowing eyes that peek from the edge of the forest as you get a glass of water in the middle of the night, taking in your drowsy figure and eyes that are heavy with sleep; unaware of the pair of eyes that take you in hungrily, the tongue that runs along a sharp set of teeth, nose twitching to get another gust of your sweet, clean scent, the muddled vanilla that makes his mouth water. 
With Soobin lying in the guest bedroom, you’re almost able to forget that there are wolves in the forest. That there is one that has now set his sights on the cute little lamb that tended to him with wide eyes and an innocent heart. 
 â‰Ș ⋆⋅☆⋅⋆≫  
It’s early in the morning when you bid Soobin goodbye; your cheeks are flushed and you’re barely able to look him in the eye, despite not having done anything more than talk the whole night. He finds your shyness nothing short of endearing, placing one last affectionate kiss on top of your head before he tells you to call him if you ever need anything— to never be afraid to ask for help. You nodded to his words with a soft smile. 
Watching him leave had left a bit of an empty feeling in your heart; you couldn’t seem to help but watch him leave pathetically, standing at your doorway even after he had long gone; his scent still drifted around in your senses, the warm and sturdy scent helping you remain calm as you finally went back inside— closing the door behind you, you were pleasantly surprised to see that your home still smelled strongly of him. 
You had over ten different orders you needed to work on; you were able to busy yourself with making medicine throughout the rest of the day, boiling herbs and making remedies for colds and illnesses and burns. It was a tedious and slow process, and as you finally began to reach the end of your list, you couldn’t help but frown. 
You ran out of two different herbs needed for these next three orders; without them, you wouldn’t be able to make the medications at all. 
Glancing out the window, you gulped; it wouldn’t be another thirty minutes before the sun set, but after your encounter a few days ago— paired with Soobin’s warning and harsh reality check— you were much more hesitant to go into the woods on your own. 
You could call Soobin— ask him if he’d like to accompany you, stay put until you finally had proper protection. You mulled over the idea for a moment, your traitorous mind whisperering encouraging words in order to see him again; it’s just for protection, you told yourself, walking over to your landline phone before you began to dial his number, tangling the long cord around your fingers absentmindedly as you did; you tried to dismiss the nervous pounding of your heart, the way you bit at your lips in anticipation of hearing his voice again.
“Hello?” you’re gulping slightly at the sound— part of you wasn’t expecting him to actually answer. Clearing your throat softly, you muster up the courage to do what you’ve been hesitant to for so long. 
“Hi Soobin,” you start softly, listening to the small hum of acknowledgement from the other side, “I— I’m sorry to bother, but I just wanted to ask; I have to make another trip to the forest— it’s urgent— and I
 well, I was wondering if you’d be able to accompany me. For protection.” 
The shyness and hesitance in your voice is horribly apparent; it makes you face burn and your hands grow clammy, feeling as though there’s a lump in your throat as you wait for him to respond— it feels like eternity, but in reality, it’s merely seconds—- and you’re practically slumping against the wall in relief when he gives you a soft of course I can in response.
“Wait for me inside until I get there,” he says, and you nod, letting out a sound of affirmation as well, “I’ll be quick.” 
Soobin hangs up promptly after; you’re left to scurry around your home in preparation of your trip, changing out of your sullied work clothes and into something more comfortable— inevitably, the same coat from before finds itself wrapped around your form, and as you wait by the doorway with your wicker basket in hand, you realize with a smile that the item is practically drowned in Soobin’s scent— the item is wrapped around you tighter and your nose is burrowed deeply into the soft plush-like material, your senses spinning with the warm, earthy smells that belong to the man. 
The sun is setting— but he’ll be here soon, a fact only proved by the sound of footsteps your keen ears manage to pick up on; you’re practically racing to make it to your front door, only to pause at the sound of something else— more footsteps. 
Instinct brings your body to the floor and away from all windows; your back is pressed up against your door, ear pressed tightly against the wood as you remain alert, subconsciously holding your breath in fear of getting spotted in any way— but whoever is currently surrounding your home knows you’re here, judging by the way they take careful, calculated steps closer to your door— you will your heart to remain calm, to not alert them that you currently lean on the very item separating the two of you, but the fear that courses through your veins is simply too strong. 
Your mind is racing a mile a minute; you try to calculate who it could be, why they’re here— and you’re thinking back to Soobin’s warnings the night before, eyes widening as you scold yourself for being such a naive idiot— because as you pick up of the soft sounds of sniffing and low growls, you realize that you’ve managed to lead a pack of wolves right to your home. 
It all happens too quickly; you’re running from the door at the sudden spike of scents, like a dirty smoke that approaches your door in the blink of an eye— the wood practically flies off its hinges with the way it’s broken into, a scream involuntarily leaving you as you grab the nearest thing to you as a weapon— the fire pit poker is thin and old in your hands, but that’s the last thing on your mind as you back away slowly, taking in the wolves that make their way into your home with sheer terror. 
One, two, three— it’s only three of them, but it’s enough to have your limbs trembling and your ears pressed flat against your head; tall, broad figures, disheveled in appearance and looking at you with eyes dilated, filled with nothing but a carnal hunger that makes your stomach twist into knots. 
It’s a standstill. They watch you with coy smiles and blown out eyes, watching as you press yourself against the wall, wondering if you can make it to the back exit of your home if you try enough— but they’re perceptive to even the most miniscule movement, every twitch of your muscle garnering a step closer from any one of them; you remain still, and so do they. It’s silent, save for the ragged heavings of your chest and the low grumbles that resonate from theirs— they have yet to make a move, locking eyes with the tallest and watching as his lips quirk into a smile.
You feel nauseous. They’re toying with you.
They could easily take you— kill you— in a split second; the second you try to run, they’ll be hot on your heels, outmatched three to one and left at their mercy entirely. And judging by the way they practically salivate at the smell of fear that radiates from you, you don’t think your fate with them will end well.
You gulp. They watch you, keen eyes taking in the way your throat bobs, the tears that fill your eyes— the way your legs look as though they’ll give out on you any moment now, the flimsy poker in your hands nothing but a joke as you point it at them in warning— as though it would do anything, they muse. 
One of them, with a head of ginger hair and eyes sharp as a knife, begins to approach; you tense, bringing the poker forward more, inhaling sharply and taking a step back— but that only garners a sharp growl from another, with pitch black hair and a gaze so threatening it renders you pliant; hesitantly, you meet the eyes of the man who stands before you, narrowed eyes taking you in with amusement. 
He reaches towards you— again you tense, flinching at the movement and weakly yelling at the wolf to stay back—! But it can only come out as a breathless whisper, your entire being rendered useless, instincts doing nothing but telling you that this is it; accept your fate, it tells you, weakening your muscles and sending off waves of fear so thick the room reeks of death and rot; your figure shrinks the moment he grabs your poker, ignoring your clearly empty warning as he lowers it forcefully, fighting easily against any strength you had left. 
“Don’t be afraid,” he smiles, baring his teeth that only makes your blood run cold— sharp canines, strong and in great condition to bite and chew even the toughest of meats— “We’ll take good care of you.”
A sharp growling impedes the man before you from closing in on you, from taking away what little space was left between you— the sound is loud and furious, making the three wolves before you turn immediately in search of the source; including you, the foreign sound making your knees buckle and the poker fall from your hands as you paralyze with fear. 
Standing in the doorway is a figure you remember quite well— the sight of him makes your eyes widen and you heart flicker a dim light of hope, watching the way he sends the three wolves before you a pointed glare, enough to make the two nearest to him avert their eyes the moment his gaze lands on them. 
“Beomgyu,” the wolf near you sneers, “what the hell are you doing?”
He doesn’t bother answering the question; his eyes land on you, on your figure that visibly trembles with fear, nostrils flaring at the scent that radiates from you and fogs the room— and he growls. 
“Get out.” 
It’s a simple command given by the man— Beomgyu—  to the others, eyes filled with an unbridled rage that makes the others flinch; they’re confused, glancing to where you remain frozen before they’re turning back at the man, as though waiting for him to back down on his words— instead, he bares his teeth, jaw clenched and eyes narrowed with rage, and repeats himself. 
“I said, get. Out.”
Silence; you can hear your heartbeat thundering in your ears as you watch the two wolves glance at the man with the bright head of ginger hair— as though looking to him for their next move. The two remain in a standstill, refusing to look away from the other, as though silently communicating. And after what feels like eternity, the wolf near you scoffs, lips upturned in annoyance as he finally looks away— he turns back to you, eyes scanning your shaken figure, and he smiles the moment your eyes meet.
“Don’t expect any mercy from him.”
You’re sure you might be on the verge of fainting as you watch them all exit, one by one; tails practically tucked between their legs, only wolf to make a fuss being the orange-haired one from before; you watch the two of them bare their teeth and make comments you can’t quite pick up on, pressing yourself firmly against the wall and jumping the moment they snap warningly at each other— a threat to bite, the sight of their sharp fangs enough to have you retreating slowly to the exit of your backyard. 
The second his back is turned from you, watching the wolves retreat to the forest, is the second you make an attempt to escape— hurried steps leading you to the kitchen, walking backwards in order to keep an eye on him— your shaking hands remain pressed against the wall in an attempt to keep yourself upright, keen eyesight taking in any small movement from him, body alight with adrenaline as you wait for the moment you can book it. 
His ears, a dark auburn just like his hair, twitch; his head snaps over to where you stand, dilated eyes meeting yours in milliseconds. 
You’re turning around to make a run for it— the floorboards creak behind you from the very sound of Beomgyu running after you, a yelp leaving you involuntarily; your feet are falling harshly on the cool tile of your kitchen, but before you can so much as outstretch your hand and reach for the doorknob of the back exit, strong hands are wrapping around your middle and spinning you around, away from your last taste of freedom. 
“Please!” you cry out aimlessly, a pained groan falling from your lips as your back collides with the wood of your counter; you’re pinned into the very corner, tears pricking at your eyes and weak hands pressing against the strong chest of the wolf before you— your eyes remain glued to the floor, soft tail trembling with abandon and ears willing hopelessly to hide your face. 
“You’re running? After I just saved you?” is all you get in response, his voice gruff and genuine as he remains unfazed at the weak pushes against his chest; his arms cage you in, body impossibly close to yours as he looms over you, watching the way you cower and make yourself shrink with wide, interested eyes. “Why do you run from me, my flower?” 
The pet name makes your stomach lurch; a soft sob escapes you, eyes closing in defeat as your mind makes peace with your demise— your shoulders shake with every attempt of yours to breathe properly, every inhale only flooding your senses and clogging your mind with the scent of the wolf above you, like a thick smoke that burns your lungs and leaves your thoughts impaired.
Beomgyu is all but salivating at the sight of you; your soft, fragile body, the tremble of your limbs, your pure and fluffy ears that are pressed flat atop your head, hands subconsciously gripping onto his shirt in a feeble attempt to keep yourself upright— your heartbeat overwhelms him, quick and panicked just like your scent; it makes his brows pinch together and a confused pout form on his lips, the familiar, delicate flower no longer radiating from your figure.
“Are you scared of me?” he murmurs, ears twitching in curiosity as you remain silent; he leans down, willing to get close even after you continue to shrink away in response, curling into yourself and keeping your chin tucked in dutifully; his hand flies to your waist in attempts to prevent you from shifting away any further, rough claws digging in through your dress and making you jolt in surprise— a shaky breath leaves your lips, the wolf that continues to inch closer to you, cocking his head in fascination. His eyes all but burn through your skin. 
“Don’t be afraid,” he whispers, lips brushing against your temple as he speaks; you remain frozen, stiff, feeling the way he continues to wander down, nosing at you softly in search for a sign of that sweet, intoxicating smell you once gave off. 
“You’re safe with me— remember?”
Your voice remains stuck inside you— all you can muster is another shaky breath as you feel his lips brush against your jaw, wandering along until he’s at your ear— then he trails down, forcing your head to tilt as his nose runs a soft line along the column; a weak whimper falls from your parted lips the moment he presses down against your pulse point, feeling him inhale slowly before he presses a soft kiss against your sensitive neck— like an automatic reaction, warmth blooms from the spot, spreading through your body, your heart telling you to calm down— but you refuse, and though Beomgyu is able to smell the sweet vanilla and the flowers that blooms from his action, it all dies into one muddled mess that leaves him to huff frustratedly. 
His hands have begun to wander— large and warm, sharp claws scratching at your garments and running up your sides before he hugs you tight, pressing your figure flush against his— and as have his lips, pressing soft kisses against your scent gland repeatedly, in search of the scent that he was only granted a mere glimpse of— soft, careful kisses at first, listening to the way you whimper and cry against him, trembling hands balling up his shirt in your fists— only to feel himself grow more desperate, out of control, his lips parted and harsh as he presses his kisses against one of the weakest points in your body. 
Beomgyu’s nose is sharp, is able to pick up on even the slightest changes within your scent— so when he picks up on the warm, subtle twinge of vanilla that peeks through everything else, he’s unable to find himself exhibiting restraint. Warm and wet, you feel his tongue press against your skin, the sharp, accidental scratch of his fangs following after— and you gasp, eyes wide open and staring at the ceiling above you as your mind finally processes what his intentions truly are, feeling your instincts take over soon after— the moment of clarity passes, and your vision fogs; your body melts against Beomgyu’s.
You’ve been sandwiched between the counter and Beomgyu’s body; even more so now that Beomgyu’s felt you submit to him, head lolling to the side and displaying your most fragile part to him, a smell of vanilla, warm and sweet like a pastry, filling his lugs soon after— you’re presenting yourself to him, eyes glassy and lips parted as you simply let out a shaky exhale. 
Your legs are parted with every attempt Beomgyu makes to get closer to you, feeling him stand in between them as he continues to cage you in, continues to kiss and lick along your exposed skin, huffing and sighing in satisfaction with every soft keen you let out in response, your mind and soul still convinced that your time has come to an end. 
From a distance, Soobin senses it; he sees the dim lights of your cottage, the door that is left ajar, crooked on its hinges— most of all, he’s able to pick up on the intoxicating sweetness that escapes from the cottage, the innocent jasmine that’s intertwined with the scent that travels with the wind— and his ears stand straight, keen senses straining to hear the soft sob that leaves your delicate lips— his body reacts before he can, and he runs straight to you. 
The sharp call of your name is all Soobin can get out before he stumbles to a stop at the kitchen doorway— his eyes remain wide and focused on the sight before him, body on edge and tail stiff as he grits his teeth in rage. 
Your doe eyes meet his instantly— they’re shining and incoherent, and Soobin wonders if you’re even conscious of where you are, of the way you whine out his name in the most fragile tone he’s ever heard. The rest of you is covered— you’ve been pressed tightly against the kitchen counter, back arching backwards due to the sheer pressure of the body that weighs you down; ragged clothing covers your own, the pink coat obscured by a white flowing, dirtied white button up, falling off the owner’s shoulder and pooling at his elbow— Soobin’s eyes follow the line of movement, taking in his arms disappear behind your waist, forcing your lower halves to be glued together, your dress bunched up at your thighs from the crude way they’ve been forced open. 
“Soobin,” you whine again, taking his attention as he watches a hand of yours appear from where they were caged in, outstretching shakily toward him before it falls limp, hanging over the arm that pulls you closer against him. 
Dark, long hair covers the face that is buried in your neck— ears of the same color adorn the top, twitching with interest at the sound before they stand forward— roughly, the head emerges from its hiding place, eyes blown open with nothing short of hunger; the wolf before Soobin bares his teeth and growls, hugging you tighter against him, stepping back and shielding you away from the dog’s view. 
Soobin doesn’t hesitate to mimic the other’s threats— he means every bit of it and more, face alight with rage and body poised in an aggressive stance— and though your face has been tucked into the wolf’s chest, though the arms that wrap around your body attempt to prevent you from being seen at all, Soobin is still able to catch glimpse of your tail that quivers with fear, of your figure that shakes pathetically from instinct. 
Loud, angry growls and spiked scents fill your senses and leaves you docile; Soobin’s sharp, strong pine mixes with Beomgyu’s thick, intoxicating smoke, painting the scene of a burning forest as they continue to warn the other, narrowed gazes and sharp canines creating yet another standstill. 
Beomgyu’s eyes catch onto Soobin’s restlessness with ease— and before he’s able to make a move, Beomgyu is manipulating your body once more, spinning you around and pressing your back firmly against him, feeling the way you follow his every command without a second thought— and when you present yourself to him for a second time from pure instinct, Beomgyu grins; his eyes lock with Soobin’s and his head cranes down, dangerously close to your scent gland that continues to release its tempting smell.
“Stay.” is all Beomgyu growls out, eyeing the way Soobin freezes immediately, wide eyes watching the way Beomgyu’s mouth opens, tongue lolling out lazily before it’s running slowly against your shoulder, gliding along until it stops dutifully against the joint of your neck, pressing down to feel your pulse— Soobin flinches, undoubtedly wanting to lunge forward, but is stopped again by the wicked smile Beomgyu sends him, sharp canines meticulously on display. 
You’re all left frozen— Beomgyu’s arm that has been thrown around your waist toys with the hem of your cute coat, the other that presses against your heart feeling the quick pounding against his palm— and he laughs, inching his hand up slowly until it’s around your neck, his index and thumb exuding little effort to keep your head upright, watching your eyes slowly meet Soobin’s.
“Any sudden moves,” Beomgyu begins again, eyes flickering down to your neck, watching the quick rise and fall of your chest with fascination, feeling the way your throat constricts with every swallow against his palm— and he smiles, looking back at Soobin and allowing his tongue to run over the top row of his teeth leisurely, “and she’s mine to claim.”
Silence; Soobin takes a moment to weigh his options, to inspect the scenery before him— the wolf means it, Soobin is quick to realize, seeing the way he all but drools over your exposed neck and faint figure— and he meets your eyes again, attempting to decipher what you may be thinking, only to realize that you’re not composed at all; you’ve been stripped down to nothing but your basic survival instincts, and yet it seems as though your brain has told you that it’s best to give up any fight you have left inside you.
Soobin feels his jaw ache from the way his teeth grit together angrily— and with a soft huff, he becomes the first to look away from Beomgyu entirely, turning his head in defeat and forcing his body to back down. 
“Good dog,” Beomgyu coos mockingly, grinning unabashedly at the sight of Soobin’s face twisting up in anger; he turns to you, placing a slow, lingering kiss on your cheek before he murmurs softly into your ear. “My flower, don’t you want to show him how perfect you are for me?” 
Beomgyu doesn’t expect a response from you; the way you whine and shift restlessly against him is enough, having already felt him rutting against you the moment he had you caged against the counter— and he continues to do so, even now, the hand on your throat forcing you to tilt your head, allowing him access to suck and bite on the clean canvas of your skin; your eyes flutter shut, and you’re left to rely on his strength to hold you upright, body rocking gently with every thrust that is delivered from the wolf behind you. 
“So sweet for me,” Beomgyu groans, his hands letting go of their respective places before they begin getting busy; your legs feel shaky and you’re left to watch as he undoes the ties of your coat, slipping it off before he reaches to bunch your thin skirt at your waist— you gasp softly, face heating up at the feeling of being so exposed, hands flying to pull down your skirt on instinct— but you’re granted no such reprieve, stilling immediately as a growl leaves Beomgyu’s lips at your action.
Soobin’s head is snapping back at the two of you at the sound of the threat— his eyes widen and he inhales sharply, a clear mistake that only makes Beomgyu grin— your scent, thick and progressively needier, clouds Soobin’s mind, clouds his judgment, unable to do anything more than stare at the way Beomgyu has you in his arms, canines still glittering under the soft lights of your home as a constant warning. 
“You smell it too,” Beomgyu speaks, his words less of a question and more of a fact— Soobin’s eyes dilate and his nostrils flare that moment Beomgyu’s lithe fingers begin to wander around the hem of your panties, feeling your thighs press together and your hands grip at his forearm shyly; from Soobin’s distance, he’s able to pick up on the tears that hang on your waterline, the way your lip quivers from the humiliation of being exposed so crudely. 
“Innocent thing
” Beomgyu murmurs, dipping down to swipe the pad of his middle finger across your slit, listening to the yelp that escapes your lips, feeling your body buckle against him— and sure enough, a spike of your scent follows after, like an addicting toxin that only fuels the desire of the two canines before you, “So tempting. So good.” 
You’re crying softly at the way he continues to tease you, overwhelmed by the foreign sensation, mouth parting in shock as his hand sneaks past the waistband of your panties; you feel as though shocks of electricity flow through you the moment he brushes against your clit, teasingly at first, only to begin circling it steadily soon after— and you can only moan and whine for more, unknowingly bucking your hips forward in search for something else that can satisfy you. 
When your eyes meet Soobin’s, you can only feel a hot wave of shame flow through you— his expression is unreadable; is he embarrassed of you? Disgusted, ashamed that you have already given in to the simplest threats? You’re not remotely near as strong as he is, you defend yourself mentally, you’re sure that it was either this or— or

“You filthy mutt,” Beomgyu spits out beside you, laughing softly at the way Soobin has yet to take his eyes off you, eyes narrowed meanly and brows tugged together, an expression that could be easily read as rage— but Beomgyu knows better, watching as the said man jumps at the sudden sound of the other’s voice, gaze hardening the moment they lock eyes; Beomgyu huffs out another mocking laugh. 
“You like this, don’t you?” Beomgyu asks, as though he were sharing a secret— behind you, you feel his hips buck against you, able to feel the hardness of his cock as he uses his free hand to press just below your navel, forcing you back on him— and you gasp, his ministrations against your clit never ceasing as he continues to fuck against you slowly, groaning breathlessly at the feeling of your warm body against him; Beomgyu’s eyes never leave Soobin’s, however, pupils filled with nothing but a mocking joy as he continues breathlessly.
“You want her.”
Another wave of arousal floods though you at his words, filling the room and reaching the two men before you with ease; you’re able to see and feel the way their chests rise slowly, the way they take in your essence before letting out pleased sighs, their own strong, heady scents filling your senses as you simply flutter your eyes shut and whine with need.
“No need to deny it,” Beomgyu grins, leaning his head against yours fondly, middle finger abandoning your clit to tease your entrance, your mouth falling open and hips twitching in surprise at the feeling— the man behind you simply watches with amusement, watches the way you meet Soobin’s gaze shyly, body heated up with embarrassment as you can only let out pathetic cries and breathless gasps with every new stimulation— and Beomgyu’s finger enters you slowly, meticulously, angling himself just right; your vision is fogging at the stretch, hands gripping onto the strong forearm that helps keep your upright as you merely beg for more. 
“I’m sure she’d love to give you a show,” he continues, palm pressing against your clit, other hand guiding your hips to roll steadily against his hand— he chuckles softly at the way you’re pliant for him, following his every command without a second thought, “filthy, greedy thing.” 
Though Beomgyu directs those comments at you with a voice of acid-like hatred, the way he stares at you is anything but; his eyes are just as keen as the rest of him, willing to not miss a single reaction you make for him, from the way your voice breaks with need to the way your fingers twitch helplessly against his skin— his body buzzes with a desperate energy, his cock pulsing and begging to be inside you the longer he feels you rock helplessly against him— lucky for him, you seem to be getting just as desperate. 
“Get your filthy hands off her,” Soobin seethes, though he’s unable to make a move to get you away— a single twitch of his tail enough to garner a harsh sneer from Beomgyu, teeth snapping together in warning— the idea of having you claimed, taken, and possibly killed by the monstrosity that holds you hostage is enough to keep Soobin complacent for now, undoubtedly waiting for the moment the wolf no longer has easy access to such a vital part of you to make his move.
Beomgyu doesn’t heed the other’s comment— if anything, he laughs, prodding a second finger at your entrance, forcing the other to listen to the way you perk up and cry in panic, poor inexperienced body not used to the stretch, to the curve of his fingers as he presses against your soaking, tightening walls, calloused skin making you shiver as he forces you to grind against him, to fuck yourself on his fingers. 
“Hmm? Don’t touch her?” Beomgyu asks, curious fingers stretching you open slowly, grinning at the way you throw your head back against his shoulder and whine, a hand slapping over the arm that currently fucks your slowly, pressing against it in feeble attempts of getting more, “What, does it upset you that you won’t be getting to her first?” 
With a particularly calculated thrust of Beomgyu’s fingers, you’re jolting up and letting out a broken moan; he proceeds to continue to abuse the weak spot within you cruelly, watching with an amused gaze as you continue to fall apart against him like clockwork. You’re getting wound up quite quickly, not used to the intense feeling of pleasure being provided to you— and Beomgyu takes in the sight eagerly, smiling in amusement before he’s stopping abruptly, watching your head hang and your chest heave from the sudden loss of stimulation. 
“Does it anger you?” his fingers slide out from your cunt slowly; you twitch at the feeling of emptiness, barely processing the way his hand slowly snakes its way back up, grabbing at your neck and forcing you to look forward again— his fingers, covered in your arousal, prod at your mouth, and in your dumbed state, you can only follow his commands and part your lips dutifully; your tongue circles around his digits and your lips close around them, flushed face painting a lewd scene that only makes Soobin tense; beside you, Beomgyu smiles wickedly. 
“Knowing that you’re about to watch her get fucked open— get knotted good— by a wolf?” 
Soobin thinks he might be seeing red at this point; his hands remain by his side, closed into a tight fist that has his nails threatening to break through his skin— but that’s the least of his worries, especially with the way your ears twitch and your body perks up at the wolf’s words— both of the men are able to pick up on your reaction with ease, one clearly much happier than the other at the sight. 
“You know, if you behave, I might give you a turn.” Beomgyu looks over at you, chuckling softly before he removes his fingers from your mouth, only to grab at your face and turn it roughly to look at him; his fingers dig into your cheeks and his forehead presses against yours, taking one glance at your hazy expression before he’s cooing softly. “I’m sure you’d love that, wouldn’t you?”
All you can do is muster a broken whine in response. 
Beomgyu is letting go of your face with a soft chuckle; slowly, you muster the courage to look forward once more, inevitably meeting Soobin’s gaze as a result— his expression is unreadable, and it makes your knees feel weak— your mind races to try and decipher what he may be thinking about, left unaware of the way Beomgyu has let go of your dress, letting the skirt fall slowly over your front as he busies himself in lifting it from the back instead, allowing himself access and grazing your skin curiously; it is only then that you’re coming back to your senses, heart rate picking up with a panic and body bristling the moment you feel the wolf’s hands wandering across the swell of your ass, muttering soft praise that doesn’t quite reach you— a firm hand grabs at your waist, keeping you in place the moment you tried to shift away from him shyly, tried to cover yourself with a weak protests that only garnered yet another growl; with wide eyes, you looked to Soobin, unaware of the helplessness that coated your glassy pupils. 
“Soobin,” you cry yet again, blood growing cold at the way he simply seems to stand and watch; his gaze seems to have wandered, seems to have been following Beomgyu’s every action, adam’s apple bobbing at the sudden sound of impact that filled the room, the sound of your yelp followed by the sight of your pathetic hands attempting to swat Beomgyu away, easily overpowered the moment the wolf gathers your wrists in his tight hold and scolds you to stay still, his claws digging threateningly into the soft skin— and again, your head whips back around to look at Soobin, ignoring the keen stance of his ears and the slow, interested sway of his tail as you simply call out to him again, “Soobin, please
”
You’re not sure what you’re begging for any more. All you know now is the feeling of Beomgyu’s broad chest pressed against yours, the muddy feeling of your brain as smoke fills your lungs, allowing your head to loll back against his shoulder, allowing your hips to begin to grind back against the hard bulge that has begun to tease you, shivering softly at the way Beomgyu’s head remains buried in your shoulder, pulling you back against him firmly— you barely register the way your voice whines in protest the moment you feel his lips pull away from your delicate skin, abandoning the gentle kisses and sucks to sneer triumphantly, his low voice a half-hearted replica of yours as he proceeds to parrot your words softly. 
“Soobin
” Beomgyu sing-songs, reaching his free hand down to tug at the waistband of your panties, soaked through with arousal that leaves your inner thighs shining pathetically; the said man is snapped out of his trance immediately, enticed gaze hardening the second his eyes find Beomgyu, chin perched on your shoulder leisurely as he continues to tug your panties down, feeling the way they slip down your hips ever-so slowly, “Soobin, come here.”
When Soobin refuses, Beomgyu scoffs— though, he doesn’t seem to be surprised in the slightest. 
“Come on Soobin,” Beomgyu repeats again, softly this time, eyes half-lidded as his mouth dips down to kiss your skin; right at your scent gland, tongue darting out before his eyes dart up to lock eyes with Soobin— you can feel goosebumps form on your skin as Beomgyu laughs breathily, mouth still open as he proceeds to nip at the spot gently; not enough to break skin, not enough to leave a mark, but enough to make you squeal and jolt in surprise. Soobin flinches. 
“Come.”
It takes a pleading look from your tear-brimmed eyes for him to move. A slow, hesitant step first, pausing momentarily to gauge Beomgyu’s reaction— the said man quirks a brow in amusement, a silent encouragement to continue— and Soobin finally finds himself looming over the two of you, eyes dark and narrowed as he watches you reach out for him with a trembling hand— curling his shirt into your fists, leaning forward and resting your forehead against his chest, body unintentionally arched forward and left in the perfect position for the man behind you— Beomgyu simply coos softly at the action, a false sense of endearment that makes Soobin’s teeth grit with rage; when their eyes meet, the wolf simply smiles. 
“Kiss her,” Beomgyu says, the words almost inaudible from how softly they were uttered— but then he’s grabbing at your head and forcing you to look back up, ignoring the sound of protest you make and holding you up by your jaw as he tilts your head to look at Soobin, fingers squeezing your cheeks and forcing them into a soft pout, “Go on. She’s dying for you to touch her.”
Beomgyu speaks as though he were the one in control of your body and mind— and perhaps he is, you find yourself thinking, teary eyes unable to communicate anything more than want as you feel your panties slowly dragging down your thighs, the wolf behind you hissing softly at the sight of the string of arousal that sticks to the fabric, your slick cunt tightening around nothing in response— Beomgyu’s fingers find themselves teasing your entrance again, three this time, dipping in and out of your cunt, stretching you yet leaving you craving for more.
“I
” Soobin breathes out, reaching out slowly for your face; Beomgyu’s rough hand retreats, and it’s replaced by Soobin’s large, gentle ones that cup your face and stroke your cheekbones, watching the way your eyes flutter up to look at him, tears clinging to your lashes like crystals; his eyes follow the path one makes as it falls, thumb wiping it away softly as he finds himself leaning closer, watches the way your lids fall and leave your eyes hazy and obedient.
This is it, Soobin realizes, eyes flickering back to where Beomgyu continues to tease you, much too lost in the sight of your cunt trying desperately to suck in his nimble fingers to pay much attention to the two of you, this is his chance— he can save you. 
You seem to catch onto Soobin’s calculative gaze quite quickly this time— and your heart flutters with a slight hope, your chest falling in quick, shallow breaths as your hands tighten against the fabric of his shirt— his eyes flicker back to yours from the action, taking in the way they hold that innocent light of yours he’s always adored— and his heart breaks. 
“I’m sorry,” he whispers. 
There’s nothing you can say to that; his lips are on yours before you can so much as let out another breath. They’re soft, hesitant, as though you could shatter if he touched you wrong. His hands shake slightly as he holds your face close to his, feels the way your mouth remains frozen for a second, only reciprocating once you’ve felt the soft pass of his tongue against you— and your overwhelmed mind blanks entirely. For the final time tonight, you submit. 
The kiss is slow, it’s deepening out of your control, and it’s everything you imagined many moons ago, when you first began to feel a spark of desire for the man before you— when you swooned and flustered at the comfort you found in him, the warm feeling that always settled in your chest when he was next to you, knowing you could always go to him for protection. 
So as you feel his hold on you become firmer, feel the way he sighs against your mouth with no intentions to let you go soon, you wonder what it is you feel now— trapped between the two canines, lungs burning and and mouth left open as you allow Soobin to venture inside, not allowed any reprieve from the man who keeps you close, a soft groan leaving your lips as your sensitive ears pick up on foreign, slick sounds behind you, hisses and sighs of pleasure from another— because the feeling that pools in your stomach isn’t remotely reminiscent of the gentle, delicate warmth you always felt around Soobin; it’s hotter, angrier, greedier— it begs to be satiated and throws away the last good sense of judgment you had within you. 
“Soobin— oh god, Soobin—” you hiccup suddenly, finally able to escape from the said man’s mouth that seems to chase endlessly after yours; even now, you still can’t help but cry for him, your body unprepared for the sudden feeling of a cockhead swiping at your slit, the wet noises that arise from the sheer arousal that continues to leak out of you. You cry and you beg with hot shame burning at your skin, unsure of whether you plead for mercy or for more— your body arches and your hips seek for more, cunt throbbing at the feeling of Beomgyu’s tip pressing at your entrance, his rough hands rubbing circles along your ass absentmindedly, but your heart twists and makes a thick lump build in your throat, wishing nothing more than to be experiencing this all differently, in the comfort of your room and in the secure, warm embrace of the man in front of you— you wish for something more intimate, something as gentle as the love you felt. 
But all Soobin does is watch. He strokes your hair with a slow hand and cups your cheek fondly, presses a lingering kiss to your forehead before wandering down to press another at the tip of your nose— and he soaks up the pitiful sounds that make your voice break, feeling your hands attempt to steady themselves against him as Beomgyu begins to enter you; slowly, salivating at the way he feels your walls stretch around him, struggling to adjust to merely the tip— he stares down at your dripping pussy with a parted mouth, letting out a slow breath at the sight of your legs that threaten to buckle and your fluffy tail that goes wild with every inch he eases in— and he finds himself having to take deep breaths to not take you as he wants then and there.
“It’s okay. I know, I know— I’m right here, I’m right here with you,” Soobin murmurs against your skin, placing slow kisses along your jaw, allowing you to duck into the crook of his neck for solace— and he smooths your hair as he feels you nuzzle into him, eyes hooking onto the sight over your shoulder of Beomgyu entering you, the feeling of his hips flush against your ass bringing about another shuddered sigh from your lips, nails digging into Soobin’s chest as you attempt to overcome the new sensations. 
“I got you, don’t worry my doll,” Soobin utters, a hand going to place itself on top of your own, intertwining his fingers with yours before he begins to weigh it down, to guide it down his chest— he lets out a shaky sigh, feeling you cry and squirm against him, “It’s okay
 just relax and you’ll feel good, okay?” 
“Don’t you wanna feel good?” Soobin coos against your temple, eyes fluttering shut as he feels you nod against his shoulder, feels the way your hand has successfully breached past his underwear, pants already undone and still guided by his much larger hand as he brings you to palm him slowly, wrapping your shaky fingers around his length; you’re hesitant, unsure of your actions as you allow Soobin to show you what to do— though, you don’t think your brain has truly processed what he’s doing with you yet, preoccupied instead by the thick smoke along with another smell that leaves you feeling lightheaded, along with the feeling of hands groping and smoothing over your skin as a heavy cock continues to twitch inside you. 
Beomgyu isn’t quite fond by your sudden shift of attention; his lips remain upturned in distaste, watching intently as Soobin continues to use you however he likes, your face that remains hidden in his neck directly able to smell the calming, dizzying scent Soobin exudes, placating you and dumbing you down to nothing but a fuckdoll for him— his eyes trail down to where he has you jerking him off slowly, Soobin’s lips pressing kisses to the top of your head as he continues to murmur soft praises that have you melting against him— an unfamiliar, hot streak of rage courses through Beomgyu’s system at the sight. 
“So ungrateful,” Beomgyu scolds suddenly, reaching forward to grab a fistful of your hair and bring you back— he’s forceful, uncaring of the way you protest, an arm that’s wrapped around your stomach pressing you flush against him as he forces the two of you to move— and you’re left bent over the counter, face pressed against the wood and wrists secured behind your back as Beomgyu bunches the skirt of your dress at your hips and bottoms out inside you once again; you hiss at the feeling, looking to the side to see that Soobin is unfazed by the action— if anything, his eyes cloud with lust at the scene before him, taking in the way you’re stuffed full and arched prettily with a gulp. 
“Why won’t you pay attention to me?” Beomgyu asks breathlessly, looking down at your pliant figure with blown out eyes, tail whipping side to side in anger as he catches the way your gaze still seeks out Soobin’s, eyes unknowingly pleading for reassurance— and he growls, low and heavy in his throat, catching the attention of both of you successfully— but he only cares to have your eyes on him, fully engrossed in the way your mouth falls open and your eyes roll back the moment he ruts into you with rough, slow thrusts. 
“Look at me,” Beomgyu groans, pulling out slowly as he speaks, all the way out until the tip of his cock is the only thing catching at your entrance. You’re squirming, trying to move your hips back against him, but the brutal hold Beomgyu has on you keeps you in place; ears pressed flat against your head, you look over your shoulder, back at the wolf who continues to fuck his tip into you with subtle thrusts, sneering at your glassy eyes that continue to look at him with a jarring innocence. 
“That’s right,” he breathes, sinking into you oh so slowly, filling you up and laughing cruelly at the way your hands scramble to hold onto something for stability, for a simple comfort Beomgyu denies, “Eyes on me.” 
Beomgyu fucks you to prove a point; he fucks you so your eyes roll back and your mouth spills moans and whines dumbly, cock filling you to the brim and stretching you out in a way you never knew was possible— the sounds are lewd and has your skin burning, slick, wet sounds of skin against skin filling up the room and mixing along with your cries of pleasure. Beomgyu doesn’t seem to be doing any better than you, transfixed entirely on the sight of your cunt sucking him in eagerly, dripping with slick that makes his cock shine and falls to the floor in a mess, of your ass that ripples with every smack of his hips against you— this is all so new to you, he can tell, your body buzzing with an insatiable need that turns you into nothing more than a cock-hungry whore, your tail wiggling desperately with every harsh thrust of his, as though hypnotizing him to keep going.
The sight of you— a drooling, crying, moaning mess— is the polar opposite of your sweet, naive self, your trusting self that got you into this situation in the first place— and it makes Soobin’s cock twitch with raw lust, the spectacle of you becoming ruined so easily something he never thought he’d witness; such a pure thing, Soobin always felt as though you needed to be treated like glass— but Beomgyu is more than willing to prove that’s not the case with you, growling pure filth at you as he continues to fuck you into the counter, watching the way he hovers over you, practically caging you in with his body, as though wishing for the two of you to become one. And just like before, Soobin watches. He stands to the side and listens to every sweet mewl of yours attentively— after all, he’ll get his hands on you soon enough.
“Tight little cunt— fuckin’ takes me so well,” Beomgyu murmurs into your ear, panting and groaning at the way you tighten around him, “such a good girl for me— shit, you like that? Like it when I talk nice to you?”
Beomgyu is quick to catch onto every little reaction of yours, including the way you tighten hopelessly around him every time he sings soft praises into your ears; it makes you want to hide your face in shame and deny his questions, but you barely get a chance to speak with the way he fucks you— fat cock stretching you out, leaving you speechless as he continues to pound into you firmly, sloppy mouth nipping and marking all over your neck; feeling him on your shoulders and back, canines brutishly ripping at your clothes to get more access to your innocent skin, feeling the way your walls squeeze with every scratch of his sharp teeth against you, eager to get his lips onto any part of you he can. 
“Fuck, fuckfuckfuck, you’re— shit– you’re squeezing me so tight, can barely fuck you,” he rambles off, hand letting go of your wrists so he can grab your hips and pull you back onto him— you’re wailing at the feeling, hands failing to stabilize you as you hold onto the counter, eyes screwed shut as you babble at Beomgyu to slow down— but of course, he doesn’t listen, too caught up in the feeling of you to pay any attention, “Oh, are you close, sweet thing? I can feel you— can feel you getting closer.”
“Do you wanna cum?” He asks you in that same, sweet voice laced with faux pity, smiling unabashedly at the way you immediately nod in response, giving in to his brutal pace, “tell me how bad you want it then.” 
“Please
 please let me
” you trail off, unable to communicate properly with the way Beomgyu continues to fuck you, not granting you any mercy as he watches you struggle, “need– need t’cum, want it, feels so good.” 
Beomgyu laughs, the sound labored and breathy from the way you clench around him throughout it; he finds himself glancing over to where Soobin continues to watch, the sight of him focused entirely on your figure making him sneer— his eyes are hypnotized by you and his ears twitch at every weak word that spills from your mouth, lips parted as he all but drools for you— the drastic contrast in character has Beomgyu’s lips twitching in amusement, wondering just where that overprotective bodyguard of yours has gone.
“Yeah? Am I making you feel good?” he mocks, watching as your bowed head nods instantly; he huffs, glancing back at Soobin before he coos softly at you, “Who’s making you feel so nice? Tell me, pretty thing.”
The sudden mention of the pet name is enough to set you off unexpectedly; your mind goes blank entirely, save for a single thought that continues to roll of your tongue like a mantra: 
“Beomgyu,” you cry, sobs wracking at your body from the intense feeling, your voice interrupted with loud, uncontrollable moans, “You— it’s you– Beomgyu— please, please— too much
!”
Beomgyu continues to fuck you until your legs tremble and your body weight is placed entirely on the counter, hips held up entirely by the strength of the man behind you as he finally heeds your pleas; he slows until he’s bottomed out inside you, feeling the way your walls continue to pulse as you whimper quietly at the sensitivity— such a touchy thing, Beomgyu muses to himself, looking down at your messy cunt and feeling the way his cock twitches, still in need to fill you up properly.
“Can’t take anymore?” Beomgyu asks apathetically— and though you weakly let out a sound of affirmation, you can tell he doesn’t really care to hear your answer; not with the way he strokes at your skin in fascination, wandering hand pulling at the base of your tail and watching you squeal in surprise, body arching in an attempt to get away— you all but slump into a pool of overstimulation once he finally lets you go, foggy mind barely able to pick up the way he tsks. 
“Don’t lie— you can, I’m sure you can,” Beomgyu tuts, watching with amusement as you pout and petulantly shake your head, “you’re a good girl, you can take whatever we give you.” 
You don’t seem to process the meaning of his words to a full extent— you’re too far gone to do so, body turned weak as you continue to try and stabilize yourself, chest heaving with every breath you take. But it doesn’t matter if you’ve caught on to what’s happening around you, your every movement taken care of by the two men that cage you in— your shudder at the feeling of Beomgyu pulling out of you, the slick sound drowned out by the crude praises Beomgyu growls; two, strong hands are pulling you up next, proceeding to maneuver you so you sit on the counter— Soobin stands between your legs, looking at you with eyes filled with want and an undeniable pity; he takes in your worn, marked and messy figure intently, watching as his eyes linger on the rips of your dress and the marks all around your shoulders. His hands go up to the area, and your eyes flutter shut, body craving to be covered, to be coddled and tidied. 
“Such a perfect doll for me,” Soobin sighs out, beginning to tug down at what’s left of the material, watching the way you shudder and open your eyes with a slight shock— a whine bubble up at the back of your throat, but you can’t really find the strength to protest the way you’re slowly left undressed before the two pairs of hungry eyes before you, no longer able to find the energy to feel embarrassment from being left bare— Soobin’s voice is as gentle as his movements, feeling him lift your hips so he can slide the dress off you properly; it wasn’t very hard to do anyway, the fabric practically hanging together by a single thread, “It’s alright
 I’ve got you.” 
When Soobin wraps your legs around his waist and hoists you off the counter, you can only wrap your arms around his shoulders and lean your forehead on his shoulder, seeking for more of the scent that calms you down and leaves you mindless; your grip tightens the moment you feel the head of his cock poking at your entrance, painfully hard as he sighs out shakily at the feeling of your sensitive walls fluttering at the feeling— he’s stretching you out slowly, filling you up, and all you can do is bury your head into his neck and try to calm your breathing, taking in the thick sage that fills your senses.
Soobin stays buried deep inside you for a moment, cursing at the tight embrace of your heat around him; you allow yourself to relax— it doesn’t last long though, body jolting with shocks as you feel another head poking at your already stuffed cunt. 
“Wait— wait– I can’t— too full, it won’t fit
!” you cry out, looking at Soobin in a panic; a broad chest pressed firmly against your back, familiar lips pressing a chaste kiss to your shoulder— Soobin’s eyes are dark as he takes you in, ears forward and twitching at your pleas; softly, he shakes his head in reassurance.
“You can,” is all Soobin murmurs, watching your face twist as Beomgyu begins to push into you— little by little, stretching you past your limits, resting his chin on your shoulder and shutting his eyes at the sensitive feeling— tears stream down your cheeks freely, soft hiccups escaping you as Beomgyu’s hips press flush against you from behind; Soobin reaches up to caress your head, to pet gently at your ears, and smiles. “See? You’re doing so well. You can take it.”
You shake your head to refute his claims— but it’s not as though that would change the way they’ve begun to slowly pull out, setting their individual paces that inevitably work together, leaving you full no matter what— and it has your head falling back, mouth falling open dumbly as they begin to fuck you; slowly at first, gently, only because your poor cunt has yet to adjust to the size of them. But once they feel the way you leak onto them, the way your cunt begins to clench as their tips ram into places that have your eyes rolling to the back of your head, they begin to find the confidence to use you how they want. 
Eventually, you’re nothing but putty in their arms; weakly grabbing onto anything you can for support, one finding a firm grip onto Soobin’s shoulder as the other ventured to tangle itself in Beomgyu’s hair— the said man continues to keep his head buried in your neck, lips having a mind of their own as he continues to nose at your scent gland; the action of him nuzzling against it, of him scenting you, is enough to have you a whining mess, fingers tugging at his hair desperately; it only serves to have him fuck into you harder, hips snapping ruthlessly against yours and rough groans escaping him from the pleasure. 
“Fuck, such a good cunt, so tight— ah,” Soobin groans, watching as your eyes flutter open to look at him, teary and catching the moonlight that shines down through the window; he cups your cheek, stroking at your cheekbone fondly as he speaks, “so pretty
 you’re so pretty, all I’ve ever wanted— god, you’re perfect.”
The look of adoration Soobin gives you isn’t lost on you entirely— but there’s something else that rears its head within his gaze, hungry and desperate, threatening to swallow you whole— and you realize that, for the first time ever, Soobin seems to be staring at you as though you were nothing but prey; something for him to claim and own. 
But it seems as though he’s not the only one who possesses those particular feelings— Beomgyu’s pace seems to be growing erratic behind you, knocking you forward against Soobin’s chest and leaving you to wail at the feeling of his cock ruthlessly pounding into you, uncaring of the rhythm the other has set in place; he mumbles gruff words against your neck, but it’s all muffled and interrupted by huffed out moans he lets out in between— but your poor cunt seems to catch onto what he might be saying quite clearly. 
“C-close, oh shit, ‘m so close,” Beomgyu says, finally perking up from his place in the crook of your neck to speak directly into your ear, placing sloppy kisses at your jaw as he does, “Ah, d’you feel that? Yeah? Want me to cum inside you?”
You know what his question really entails— you know what your answer should be. But your body simply trembles and your brain short circuits at the thought, traitorous to the last bits of reasoning within you as you dumbly nod at his request; he lets out a moan at the sight. 
“Yeah, you do, don’t you? Want my knot, wanna be bred— ffffuck, I’ll give it to you, I’ll knot you, make you mine,” his every movement has become erratic; Soobin finds it hard to continue fucking you, undeniably sensitive to the harsh pace the other has set— but Beomgyu doesn’t care, leaning in close to your ear to whisper his next words. 
“I’ll claim you,” he breathes out, enjoying the way your little tail thrashes against him at the sound, panic filling your tone for a second before you melt into the idea, too fucked out to be able to refuse anymore— if anything, you tighten like a vice around the two, bringing out sensitive sounds from the two; Beomgyu continues to ramble into your ear, much bolder now that he’s taken control of the situation. 
“You want it— oh fuck, yeah, you’ll make such a pretty mate, all for me,” he growls, his words slipping to the other’s ears and alerting him, his eyes widening yet his pace not stopping, “all mine— mine, mine mine— o-oh, shit—!”
It all happens so fast. The swelling of a knot inside you, stretching you out to the point where you find yourself sobbing, pawing at whatever you can and begging for them to slow down, to be gentle— hot cum fills you, your cunt only able to handle so much as Soobin’s cock is pushed out, just enough so his own knot doesn’t catch, his orgasm triggering immediately after— it’s so much, yet it’s not enough, your whole being pulsing with desire for the final thing to push you to the edge— and it comes in the form of sharp canines digging deep into your neck. 
The right side of your neck stings— then, your left. Two sets of teeth have found their home within your skin, the last of your freedom stripped away as your orgasm swallows you whole— you tremble and you twitch within their hold, cunt filled and leaking with their cum, unable to do anything more than lie within their embrace and take what they give you. 
Your eyes feel heavy; you will yourself to stay awake, but your vision becomes spotted within moments— for the first time in a while, your mind is able to find peace.
 â‰Ș ⋆⋅☆⋅⋆≫  
When you finally wake, you find yourself surrounded by warmth; with heavy blankets over your figure, you’re able to recognize the place as your room. You attempt to look around, but are immediately met with a searing pain— the night’s events flood through your mind all at once, and suddenly, you’re able to sense the presence of two others next to you; their arms wrap around you and they remain glued to your side, one embrace much more familiar than the other. 
Through your line of sight, you’re able to spot the moon that peaks through your window, hovering just above the dark, looming canopy of the forest. You stare and you stare, unsure of what to make of everything— of what you’re feeling, of the bodies that shift beside you, pulling you closer to them, as though it could never be enough. 
Your eyes sting, and after a second, you find yourself mourning. Mourning for your loss of freedom, for the overwhelming amount of sensations you were put through, and for this complex, dangerous situation you’ve been thrust into. 
You were warned of the forest; you were warned that nothing good came from venturing within. 
But even then, nothing could have saved you from the creatures that roamed beyond.
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ns-media · 6 months ago
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Incredibly long analysis on Oda's thoughts on romance, way of portraying romance and LuNami in One Piece
Okay, so I want to make a LOOOOONG post about something interesting that's been on my mind for a while, about romance in One Piece. I was originally going to post it on Twitter but this post is way too long for that platform. I always preferred posting here, but not too many people are here nowadays. Anyway, onto the main topic here. I'll be talking about Oda's portrayal of and thoughts about romance, how he views it, why he puts a good chunk of it in "non-canon" material and so on. This post is to understand Oda's perspective on romance and why he goes about it the way he goes about it. I'm a LuNami fan, so this is also to make a point about how he decides to portray them.
Do not read this if you don’t want to see me express unfavorable opinions (and also factual information) about LuHan and other ships I just don't see working out, as they basically don’t fall in line with how romance works in Oda’s work. I'm not mean-spirited about it though. (Also I'll be bringing up SanPu for a bit too, in a favorable way) I am guaranteed to get at least one eyebrow raise or a "What the fuck are you talking about?" from any person reading this whole thing, but that's fine. I'll only tag LuNami because this is for LuNami fans.
Anyhow, in an interview with Aoyama back in 2022, Oda stated how he doesn’t want to include actual romance into his story and how he’s fine with one-sided stuff. His reason is because he fears he would lose certain fans for doing so. This is an interesting statement.
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First, if you read this up here, it essentially confirms how Oda doesn’t see one-sided affection as romance so there’s no reason to think that Sanji or Boa’s affection are hints when they’re both for comedic effect.
The reason they're one-sided in the first place is not because he's teasing you with the idea that the other might return that affection one day, no he treats it as a joke, it's as straightforward as that. I don't understand how people try to act like it's not purely for humor. If he intended on making something like Boa and Luffy’s relationship as something to seriously consider being “romance” then Boa wouldn’t be so humorously delusional even after being rejected twice in back to back chapters, she’d be taken aback at the very least. But doesn’t. Why? It’s a joke.
I mean for heaven’s sake, whenever this gag is used with Nyon around, she’s the voice of reason, y’know, a woman who also experienced the same kind of delusional love once? Again it’s all a joke, the entire point of Boa’s gag is that it’s love that’s supposed unreciprocated.
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Also, the second time he rejected her was him rejecting her before she even got to ask anything...
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This lets us know that Luffy knows how persistent she in trying to get with him and also implying that Luffy is going to say no, no matter what, as he knows how desperate and persistent she is about it. Now that I think about it, Rayleigh left Luffy to train by himself for 6 months before the timeskip fully ended, Rayleigh's supervision made it to where Boa couldn't get to Luffy, but after he left, was fully capable of doing so. I mean just look at Boa down here:
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Yeah she said she won't go and remain strong for Luffy's sake, but with her being the way she is, I wouldn't be surprised if Boa in those 6 months went to the island and was asking Luffy multiple times which was how he was able to reject her before even knowing. If what we saw in Chapter 598 was the first time he rejected her, he wouldn't be so quick to know that she was gonna ask it again when he rejected her the 2nd time on panel. We know that the Kuja girls KNEW that Rayleigh left half a year ago as well, meaning they must've gotten to the island itself if they found this out. Unless Rayleigh told them directly, which, to be fair, is likely, but if he didn't, this implies that Boa has been talking to Luffy on the island in those 6 months, and if so, would definitely have brought up marriage at least once, or a lot, honestly, thus explaining Luffy being able to shut down her marriage request before even knowing what she was going to say, because he already heard it THAT much in those 6 months. Now, I don't truly believe that Oda thought of it like that, but it does make logical sense so I figured "why not bring it up".
Also, in a 2014 interview with Fuji TV about the 3D2Y special, Oda's editor mentioned that not only Buggy but BOA bring in the comedic elements into the arc and how they're comic relief characters, again making it obvious that even his editors understand that Boa’s infatuation is a complete joke for the sake of comedy. Same with Sanji. Being a gentleman is part of his character but he tries to score every woman. Why? Jokes.
Even if you somehow use the argument of “Oh but this behavior of his is even stronger towards Nami specifically” I don’t see how any of that can be seen as a “shipping hint” and not a gag that’s exaggerated even further, cause he’s still hitting on every woman. Besides, the first time he actually got his heart broken by a woman was by Pudding, and never Nami, Robin and every other woman despite getting rejected a billion times by them. Why? Because the Nami/Robin affection is for comedy while the story between Sanji and Pudding is supposed to be taken seriously.
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It's why Oda went out of his way for Sanji to write a dedicated story between the two, with Sanji getting genuinely sad when Pudding talked shit about him only for everything to turn around by the end where she actually likes him. THAT is a romance story with substance behind it, and Oda clearly wrote it like there is merit to it. There is obviously a story written here with a beginning to an end, Sanji acts no different towards Nami in Wano than in say, Punk Hazard. Beginning of Whole Cake vs end of Whole Cake Sanji is on entirely different terms with Pudding and she is on entirely different terms with him. There is development, a plot, a purpose that impacts the plot. Not just "Haha jokes".
Soooo yeah that’s the first thing I wanted to address regarding that statement.
Second, Oda saying “I don’t want to include romance because I don’t wanna lose fans” may seem like an odd thing for him to say at first given how Oda post-timeskip portrays actual romance in his story, and plenty of times, I might add. This was when Oden/Toki was relatively fresh too so there’s no way he forgot he did so. Because of that, Oda is referring to romance for specific characters rather than for the characters he’s already written romance stories about.
So this basically means that Oda’s fear of losing readers obviously doesn’t stem from the romance stories he has already written, it’s very clear from the interview that he’s hesitant to write romance out of fear of losing some of his readers. But of course as we know, he clearly has written blatant romance already, primarily with non-main characters like Rebecca’s parents, Rouge/Roger, etc. It makes plenty of sense for Oda to not be afraid or hesitant to write romance stories/romantic elements for those non-main characters.
Because well, those stories written are basically all backstories that are over in a few chapters (Senor Pink/Russian) or briefly talked about (like the aforementioned Rouge and Roger.) As such, there’s no long-term impact on the story.
Notice how in the only case of a STRAW HAT having a blatant romance story (Sanji/Pudding), it is a character who's most defining character trait is his lovey dovey/romantic behavior? Oda most likely felt more comfortable giving a romance story to Sanji specifically as that goes with his personality, and likely felt he would not be getting backlash for giving the LOVE cook a romantic story. (Because again keep in mind he clearly stated he's hesitant to include romance due to losing fans of the characters getting romantically involved)
But STILL, even with all of that, the impact of this love story from Sanji's perspective is just erased entirely as Pudding erased his memories, as if Oda is being particularly protective of the Straw Hats getting impacted by any obviously permanent romantic development. (Because as I said SanPu is on entirely different terms from the beginning to the end of WCI, so their romance plot had impact on the story.)
So, because of how romance in One Piece is basically all deceased/minor characters having short backstories or in the case of the one Straw Hat who got a blatant romance story, (I said blatant cause you could say Usopp/Kaya, but it’s not super obviously blatant the way SanPu is) erased from his brain, there’s no obvious long-term impact that romance seems to have in One Piece.
I very much think that this “obvious long-term impact” is what Oda wants to avoid so badly, particularly for the Straw Hats (the main characters of the story). This is because this long-term impact would make it apparent to his readers that romance has a fundamental and established role in the story of One Piece as something important, which goes against his target audience of boys, who, from his point of view, don’t like it.
This idea Oda has stems from how Jump used to be when he was a kid, as clearly stated in the interview with Aoyama. It’s his own experiences with how boys manga are “supposed” to be coupled with his insecurities about being embarrassed to write romance that makes him hesitant to do just that.
This is why I scoff at the idea of “No romance in the crew” being used as an actual argument. People use that argument as if Oda himself is completely against the idea of anybody in the crew getting together, despite the painfully crystal clear reason for “no romance in the crew” being to not alienate readers and lose said readers as he is under the impression that boys won’t like that because of how he thinks that everyone still has this idea that they should be segregated due to how it was when he was a kid himself. It's why he said "People are so supportive of couples!" all surprised in the interview with Aoyama, clearly being surprised about the positive reception it gets that he didn't think it would get. It has nothing to do with him hating the very concept of romance, it's him being under the wrong impression on what his young male readers would find acceptable or not.
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There is a reason why almost every single time that he brings up or hints at any, ANY hesitance or opposition towards romance in the crew, he brings up his readers. ALMOST. EVERY. SINGLE. TIME. He tries to please his target audience. “It’s a shounen manga” or “the readers” he keeps saying, despite not even being asked about his readers' opinion. "I don't think there will be any romance in that crew" is said clearly because "It's a shounen manga THEY won't be interested" not because "OMG WTF I HATE ROMANCE BETWEEN THEM GTFO!" the way people intentionally misconstrue this to be. He even says "Nami probably sees all the good aspects/qualities of those guys, BUT One Piece isn't a romance" So he LITERALLY says that his reason isn't "She does not like any of her crewmates in a romantic way!" but instead says "Well it's not a story about romance and I think only girls care so I won't show or depict it because I think my primary young male audience wouldn't give a shit". Nothing about himself. Legitimately nothing about his own opinions about supposedly being disgusted with nakama romance. Gotta love the made-up narrative being presented as a fact to the fandom at large.
Oda's "but" could have EASILY been followed up with something like this: "Nami probably sees all the good aspects/qualities of those guys, BUT she doesn't see them in a romantic way and I don't want it to be that way" or something, but instead essentially opted for "Nami probably sees all the good aspects/qualities of those guys, BUT think of my young male audience! They don't care about romance. They'd probably hate it if I decide to capitalize on Nami seeing their good qualities as romantic, right? After all, only girls want it! It must only be them for asking this!" What I am saying isn't even me grasping at straws, it's RIGHT THERE. "I don't think there will be romance in the crew cause boys will not like it". Bam, that's all it is. I know I am repeating myself but it seriously bears repeating because of how so many people see that one answer in particular as the ultimate evidence against Mugiwara romance. Oda seems like he's being evasive on purpose with that answer, talking about how concerned he is about the opinions of boys while not once talking about whether or not he would like to write it or not.
Also for the love of everything can we get someone who has the untranslated version of this answer? Given how Japanese language works I would not be surprised in the slightest if he's even more evasive than in VIZ's translation.
How people come to the conclusion that he’s disgusted by the very idea of a Mugiwara couple being a thing is beyond me when it’s as clear as day that he opens his mouth about “his readers” and “his audience” for a reason.
I mean hell, Strong World was originally going to be a movie about Nami’s past and the reason he changed it was because of how he kept his TARGET AUDIENCE in mind. He kept the young boys he appealed to in mind despite clearly wanting to write something else at first.
Him pleasing his audience doesn’t equal “I really don’t want this to be a thing”. If anything, he restricts his desires purely on the basis that he thinks whatever he wants to write is not what other people want, why the hell wouldn't you think this applies to the idea of "no romance in the crew" when he literally spoonfed us the reason being exactly that in the earlier photo of the Jump Fests '09 interview?
He clearly wants to avoid it because of this idea that his male audience will take issue with it and not because he doesn’t wanna do it himself. This why he said “Seriously!?” all surprised when Aoyama said he wouldn’t leave if he decided to implement romance into his story, and he was saying this to a man who writes romance and has already said “I love romantic comedies” 2 sentences ago. Oda is THAT unsure of himself and he's THAT much under the impression that males have no interest in romance. I rarely if ever see people bring this up.
There's a sense of insecurity Oda has on the topic of romance. When Aoyama said “I guess you have no interest in love comedies” Oda didn’t say yes or even imply that he's right about that being the case. He just said “I’m not confident I could draw those, it's a bit embarrassing” Again, he's insecure about it. Not AGAINST it. He basically spells it out for you. But many people still pretend as if he's saying all of this because he's supposedly disgusted by romance among the crew being a thing, only because that made up narrative supports what THEY want to be the case, instead of looking into the actual reason for as to why he's saying all these things.
As I said before, almost every single time he is hesitant to write romance he mentions his audience, but in the situations he doesn't bring up his audience, he instead mentions how he's embarrassed to do it. I mean when asked in a 2019 interview with Oda, he was embarrassed when asked if he incorporates arguments with his wife into how Nami argues, perhaps showcasing how he's embarrassed to talk about his wife (ya know, the person he loves) in other words, the person he's romantically attached to. This is definitely a stretch so I'm not saying that I seriously think that this is more proof on how he's embarrassed/insecure about romance, but I figured it was worth bringing up. But embarrassment aside, he also cares a lot about his manga keeping face to his boy audience.
This leads me to the next thing
 Oda’s involvement with the movies. Notice how, every single time he’s involved with writing the plot there’s always some LuNami stuff he wants to throw in there?
Strong World obviously, as well as parts of Film: Gold. Now, at first things seem
 odd. The LuNami hints between the two in those films are quite a bit more on the nose than anything Oda has written in the manga, like a oh-so clear parallel between Tesoro and Luffy. At first it puzzled me why Oda would relegate these stories and moments to movies. And then, if you read the Aoyama interview, things start to make sense why he approaches things this way.
Movies aren’t treated as a main part of the story by people, it’s not the manga. You have to go out of your way to see the movie. There's no need to watch the movie to understand One Piece's main manga story. Look at the contrast between Chapter 0 and Strong World itself. Chapter 0 is manga content and it seems so much more concerned with the action and hype the young boys are there for (obviously cause it takes place decades before the current canon but that was a deliberate choice, it could've easily been like how Glorious Island, being a prequel to Film Z, was contemporary to the story). While there still is a bunch of that hype/action in the movie itself, there are also romantic elements thrown in there. It's kind of like Oda's experimenting, testing the waters with those movies. It makes sense for him to approach it this way. People who so happen to hate the addition of (LuNami) romance are willing to let things slide and overlook it because said romance is in a movie they don't have to watch.
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So basically a non-mandatory-to watch movie provides Oda with more leeway, or rather makes him more comfortable to add what he wants, allowing him to put just a little bit of obvious romantic themes revolving LuNami.
Although it’s just a BIT of leeway, as Oda still kept the young boys in mind as he, of course, changed the movie from what it was originally supposed to be from something darker to something more light-hearted.
Here's where we get to the main point of this long wall of text: After three seconds. See, this could have easily, EASILY been animated into the movie, it’s as simple as having a 1 minute scene of everyone hearing the final part of the message, it could have easily been the post-credits scene, heck 1 minute is probably a lot more than what was necessary to show after three seconds animated. So why did it not happen in the movie? Probably because Nami was blushing.
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Blushing is the most clichĂ© and obvious way to tell if someone is into someone else (unless it’s physical like kissing). Oda, likely due to him keeping his young male audience in mind, relegated it to something even MORE obscure than a movie you don't necessarily have to watch, instead of through said movie, it’s through
 these pin things? I honestly don’t even know what the heck it’s supposed to be. I know that One Piece Color Walk 6 featured it...
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...but I don’t know the origin of this or how it was distributed before the color walk. Was it given to people in theaters? Was this purchasable merch? Did it come with the DVD/Blu-Ray as an extra? There's so little information online on where in the world this came from, and that just goes to show how oddly obscure it is, as if Oda did this on purpose just so that as little people would find about it. As if he thinks “Okay my intentions will be too obvious if this gets put in the movie itself, let me try something else”. It makes sense given how he's clearly shy about the whole romance thing as I explained earlier. Of course in the movie proper Sanji still mentions the whole love message thing but without Nami explicitly blushing at Luffy hearing it, naysayers can easily just interpret it as one of Sanji's self-serving delusions as always, as Nami doesn't show explicit emotions (blushing) giving away that it's really a love message.
Yes, everything I am saying about this isn't some guaranteed factual info or whatever, but this makes WAY too much sense. He had no reason to make this featuring Nami blushing but he did anyway, like it’s a way for him to draw what he wanted without being overly concerned with his demographic at large getting to see this, you know. And it worked! For example, a lot of the LuNami naysayers point out how the message wasn't romantic and they all say it without the knowledge of After three seconds. Oda did a good job with keeping this art on the down low because let's be honest, who outside of the shipping community or people analyzing shipping to insane degrees (me right now) even know about after three seconds? Exactly.
And by the way, you can’t even say that Nami is blushing out of embarassment for everyone hearing it. In that artwork where she blushed, she knows damn well at that point that the only person on the ship who didn't hear the last part is Luffy, so she’s clearly blushing because of how LUFFY SPECIFICALLY heard it, she blushes once she’s realized that he heard it, it’s that straightforward. And Oda wrote Nami saying "It's embarrassing!" in reference to the message.
Oda is the same man who is embarrassed to write very on the nose romance. Not saying "Oh dude this totally means Oda is projecting how he feels writing after three seconds/the ending of Strong World onto Nami by making her say it's embarrassing meaning he sees this as romantic because HE is embarrassed about romance!" ....Well okay I totally AM saying that buuut I am not saying that it's actually true. I just wanted to bring it up lol.
Another perfect example of relegating obvious romantic things to obscure content is a certain sketch. And it’s in the heroine novel, obviously aimed at girls instead of boys, and oh would you look at that:
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Oda does a complete 180 and features Nami with Luffy’s hat on with a HEART IN HER HAND
 seriously, how more obvious can this sketch get? It can't! And it doesn't need to be subtle this time! Oda knows that on average more girls are going to care about romance so why be subtle here? In the past he said specifically that he thinks girl readers keep asking him questions related to romance, as I clearly said before, and this here novel is targeted at girls as opposed to boys. There’s no reason for Luffy’s hat to be on her, especially because, well, he has nothing to do with Nami's novel, it's not like he plays a role in it. Nami post-timeskip is pretty much never seen wearing his hat before this sketch, making it very peculiar for him to draw her like this here on something aimed towards girls, the demographic he keeps mentioning "loves romance and keeps asking me to include it in One Piece". Seriously, the ONE TIME to bring it back in like, a decade, and it’s done like this? It feels ridiculous to call people crazy for thinking it has to mean something given all the context I have provided.
I mean, notice how in the main manga storyline, Nami hasn’t had his since SKYPIEA??? Hell, even then, she has only had it on her head once in the main manga in Arlong Park, yet Oda made Nami wear the hat in color spreads, which are treated as not important at all by a lot of readers. Color spreads by casual or young readers are usually looked at like “Huh cool artwork I guess, not going to extensively think about it though”, again giving Oda a liiitttle bit more leeway than his main manga story. Why else do you think that Luffy and Nami are CONSISTENTLY portrayed as King and Queen in color spreads and not the main manga storyline? Because from Oda's perspective it gives naysayers or the boys who in his mind supposedly hate romance leeway to say "Oh it's just a color spread! Just fun little aesthetic stuff!", in other words, nothing to take seriously. If he wrote it into his main manga story he would have to explain why Luffy and Nami would dress up as King and Queen too, again making things a loooot more explicit depending on the way he goes about it, and he's already insecure about it, so.... I'm just saying.
Also come on, there has to be a reason why Oda has portrayed Nami with Luffy’s hat plenty of times after Skypiea yet none of those times were in the story proper, just like the movies he's involved in being heavily focused on Nami herself or LuNami. He himself wrote Tesoro and Stella's romance, he himself said that ROMANCE WAS A GOOD IDEA FOR FILM: GOLD yet is much more adamant about romance being included in his manga storyline and it was HIS idea to parallel the romance for Tesoro/Stella that he wrote with Luffy/Nami. Almost as if he is less concerned with a certain audience for the movies and side material than he his for his manga... Nah, that's ridiculous!
Isn’t it just weird how a lot of the side content Oda makes/is involved in is more on the nose with shipping hints? To me it seems like his thought process is “Okay! I can finally do something I want to! I want to make a movie about Luffy saving Nami with a few romantic undertones thrown in there
 I could’ve easily made an arc like this in the manga but, can’t let my main audience be disappointed, can I?” Arlong Park and Skypiea are the only times in the manga in which Nami gets to be saved by Luffy. (Funnily enough they’re both are the only times in the main story where Luffy gives Nami his hat.) Both arcs were so long ago. It just seems to me like he wrote Strong World and the romance aspect of Film: Gold to scratch his “Nami gets saved by Luffy” itch. Even with the Zou hug being a thing, it is not something that Oda puts emphasis on at all, it’s pretty zoomed out in the manga, as if he is avoiding any overly direct intimacy that the readers he’s catering to would catch on to. It’s all too suspicious to me.
All this isn't to say that Oda doesn't do any LuNami stuff in the main manga storyline, it just that he's not mega obvious with it at all and doesn't plan to include said mega obvious hints as long as his concern with his boy audience remains there. So it doesn't invalidate any LuNami hints that people think happened in the manga like Nami blushing over the CPR Reiju gave (naysayers could easily say she was just shocked unlike Strong World where it's blatantly her blushing over Luffy hearing what Sanji called a "love message") or things that are more subtle like Nami's "I don't want to marry yet" in Thriller Bark, I'm just saying that cliché hints of romance is what he would like to avoid, something cliché enough that his shounen audience would figure out.
As a side note, Oda's "People seem so supportive of couples!" is also interesting as before his Aoyama interview he always knew/thought that girls are always the ones ask him for romance and as such of course he would know the female demographic would care more about it, so this surprise about people seeming supportive of couples may or may not be him realizing that it's not just girls who are interested, but perhaps boys too. Of course we all know that Oda drew Luffy and Nami together for Aoyama, the author he just talked about romance with. Now again not saying "Oh man this HAS to be a LuNami hint!" because they talked about much more than just romance, but still, something to consider!
Oda's "Ah, seriously!?" is still funny to me when Aoyama said he won't leave if One Piece were to include romance, despite Aoyama writing romance in Detective Conan, interesting reaction from Oda given how Aoyama literally said "I like love comedies" just earlier. As if to convince himself that Aoyama is writing the romance in his story to pander to his female audience instead of doing it because he likes doing it. Anyway I think I am digressing.
I think my theory may hold some water, but hey if you disagree, that’s totally fine. I’m not the best at articulating myself so the way I talked about some things here may just be seen as completely wrong, but hey, that’s okay! If you have something to add, you can do so. I know there will be people disagreeing with me, including even some LuNami fans, but again, I don't mind at all.
My verdict is this: Oda likes the idea of LuNami but due to his concern with his target audience, he won’t make any obvious advances that young boys would pick up on and as a result, tries to sneak in more obvious hints into supplementary/more obscure content like Movies, After three seconds, a sketch, etc. because people take those less seriously/not at face value like stuff that happens inside the manga's story, so only puts more subtle or non-clichĂ© hints in his manga and the less subtle ones in secondary material. (I mean seriously dude, wearing Luffy's hat with a heart in your hand? A romance parallel in a movie? Blushing at the "love message" being heard? Come on, that so much more on the nose than anything in the entire manga)
I guess you can say there are layers to how far Oda is willing to go to show LuNami more explicitly lol. The more of a low profile he think he has from his boy readers, the more explicit it'll be. That is seriously a trend I have been noticing from him.
Honestly, with all this being said and done, I think the only way he will feel totally at ease with including explicit LuNami romance is if he is convinced that his boy audience doesn't mind romance at all and wouldn't leave in salt, bitterness and passive aggression.
I think One Piece will continue to be written like this without on the nose romance. The best we can hope for is a sudden LuNami ending once the story is over, because 1. By then he stops writing One Piece and doesn't need to be walking on eggshells to please his audience and 2. Romance not being written doesn't necessarily mean characters won't end up together as BF/GF, husband/wife. Portraying romance is simply showing us the way that lead to the BF/GF husband/wife relationship in the first place.
Keep in mind that the whole interpretation I have about Oda's portrayal romance and LuNami could be entirely wrong!
To talk about the "Boys don't like romance" thing, I'm a man, and look, I wrote all of this stupid shit. To me it's funny that he still is under the wrong impression that all, or at least most, boys don't like romance. I am not a shipper of everything in fiction myself, LuNami is one of the few ships I even care about. If your audience grows attached enough to a series they would get attached to the characters too, this attachment can lead to a desire of wanting to see these characters be more, that is how I started to love LuNami. I think a decent amount of male One Piece fans feel the same way, for guys like me liking a ship usually takes a slow burn, whereas, usually from what I observe, women ship things much quicker than guys. I also feel less willing at expressing my love for a ship, a big part of it being that many guys just "support" a ship instead of going balls to the wall insane for a ship with a million essays about how great the ship is, on top of that they almost always support the ships I think are lame where it's stupid one-sided love for 95% of the story (For example, men in the English-speaking community support LuHan so much more than LuNami on average it's not even funny) For a long time, many years, I was sitting in the back, keeping my interest in LuNami to myself. And what better way to "come out the shipping closet" I guess you can say, than to make... whatever the hell I wrote here? I don't know man at this point I'm so drained I'm starting to doubt that anything I even said here made any sense, I just flung all the things stored in brain at this post so it may be all over the place but whatever!
Hope you loved reading this regardless! See ya!
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literaryvein-reblogs · 23 days ago
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Dictionary of Esoteric Terminology
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for your next poem/story (pt. 2)
Esoteric—designed for or understood by the specially initiated alone; may refer to the occult
Aeon - either an indefinite or infinite period of time; the Gnostics used the word to represent eternal manifestation emanating from God
Aniadus - the virtue or efficacy of things; life force
Buddhi - wisdom independent of knowledge or learning
Candali - literally, "fierce" or "wrathful"; Vajrayana word for a kind of heat generated and experienced during certain types of meditation practices; this heat burns through impurities and confusion
Chayot - the "lightning flash" described by Ezekiel; it is sometimes used to describe states of spiritual ecstasy
Daka - literally, "one who goes into the sky"; "hero" or "warrior"; formally, a masculine Yidam of semi-wrathful appearance; generally, a type of protector or messenger
Erodinium - an omen, hidden until after the fact, then a presage signifying a recurrence of the event; a ripple or node of synchronicity
Glyph - from Greek glyphe, meaning "carved work"; a symbolic figure or character usually incised or carved in relief
Hsin - the intuition; the original mind; the pure and distilled essence of the vital force, ch'i
Hsu - an important Taoist concept meaning "emptiness" or "nonexistence," in the sense of stillness and receptivity
Ignis Leonis - elemental fire; also called Fire of the Lion, Aether, Pyr, Aethos, and Jupiter Argos
Insufflation - to blow or breathe upon; frequently used in healing to transmit the life force; some practitioners recommend alternating cold and warm breath; many shamanic healers also use the technique of drawing out harmful energy or spirits using the breath
Kamea - a "magic square" used in talismanic magic to produce sigils, which are produced by converting a word or name into numbers and then tracing the numbers on the kamea appropriate to the force being channeled
Khaba - an ancient Egyptian word for a part of the soul of a human being; the astral body
Khaib - the shadow; an ancient Egyptian term for the Body of Habits, the part of the human soul which leaves the body at death and may continue an independent existence; symbolized by a shadow cast in sunlight
Loka - place, locality, world, or plane; there are rupa-lokas (material spheres) and arupa-lokas (spiritual spheres)
Maqam - the continual awareness of the presence of God; grace
Necessitas - the mother of the Three Fates in Roman mythology
Otz Chaim - the Tree of Life
Phantasmata - a thought-form capable of communication
Spagirus - a person who can separate the true from the false, the good from the bad, the pure from the impure, yet reject duality and cleave to unity
Tiamat - the Babylonian goddess of the primeval chaos ocean, usually described as an immense dragon; she was eventually slain by Marduk and split in two, one half becoming heaven and the other half becoming earth
Vril - a mysterious, universal force responsible for evolution and spiritual transformation; the fire of the gods
Wakan - an American Indian term for the force which suffuses the world and maintains cosmic order; it is the force behind magic and reveals itself in visions and prophecies
Zos - the body considered as a whole; was used by Austin Osman Spare to refer to the total field of sensation and awareness; is symbolized by the hand
Source ⚜ More: Word Lists ⚜ Part 1
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worldofkuro · 5 months ago
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What if Alastor, when he was young, goes to war and when he returns reader is married to someone else?
Mhn, interesting question. 
Alastor wouldn’t stop sending you letters, he needed to have some kind of connection with you, so matter what kind.
He would ask his mother to look out for you and tell him everything that was happening. 
Marie knew that Alastor wasn’t like the usual kid, she knew her child was dangerous and to preserve some kind of peace, she needed to manipulate you to dislike every man that would come your way.
He would talk about how his father was in the same unit as him- even if it wasn’t true- and asked if you were ready to kill him so you two could live together when the war was over.
If you stayed faithful to Alastor but had to get married, you did it so you could help Alastor. By being married, you could have some aid from the government which you would keep for yourself, waiting for Alastor’s return.
Alastor would ask you by letter who was your husband and if he was dragged to war like him. If he was, Alastor would put him in a situation that would get him killed. Insubordination, being killed by the enemy, dying of a strange illness, he would do everything to make your
 so called husband disappear. 
Now, all the material’s goods were yours. You could sell it all so you could buy everything anew for Alastor’s return.
When he came back, you would both run into each other arms and Alastor would ask your hand in marriage. You would then keep on the original story, plotting for his father’s death.
Now
 If you happened to fall for someone else no matter his great effort to keep you from doing so. Alastor would become the great mastermind he kept hidden in front of you. 
He would come back from war, after killing so many people from pure madness, and hug you like usual, congratulating you for your wedding.
Even when he was far away from you, he would easily manipulate your friends, your family, your husband against you. Now that he was once again close to you, he would be unbeatable.
He would use Alice, she was a close friend of yours so he knew her opinion counted. He would make it seem like your husband was blackmailing her with her relationship with Alyzée. 
Alice would soon detest your husband which would upset you. But then, you would discover your husband was seen with another woman in a dark alley, and that he was in debt, and that he punched Alastor in the face because he wanted to confront him?
Dear, trust me, you might have been wed to someone else, but soon enough you would be caged within his embrace, like you never left.
“ Dear, he wasn’t worth it.. I’m here now. I won’t leave ever again.”
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justlikebart-allen · 4 months ago
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saw a couple posts about today (Aug 9th) being Damian Wayne's birthday, but when I looked for a source I couldn't find one for the life of me. which of course sent me down a rabbit hole of batfam birthdays. so.
Official Birthdays
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*official as in they appear in canon and seem to be the most popular amongst fans. a bunch of these knuckleheads have multiple birthdays.
Cassandra Cain was born on January 26th according to Batgirl (2000) #33, though in that same issue she celebrates it some time in June because fuck her dad.
Bruce Wayne was born of February 19th according to the Detective Comics #494 fan letters column. Or April 7th, if you're looking at Star Spangled Comics #91 (Golden Age), or October 7th in Legends of the Dark Knight (2021) #10. Feb 19th seems to be the one that's used most often.
Dick Grayson was born on "the first day of spring" (aka March 20th) according to Robin (1993) Annual #4, or November 11th according to the Super DC Calendar of 1976, or a week-ish before Halloween according to Secret Origins (1986) #50, or December 1st according to Young Justice (2011) #20. March 20th fits into the robin origin story though, so we're gonna go with that.
Alfred Pennyworth was born on April 8th according to the Super DC Calendar of 1976, or August 16th according to Injustice: Gods Among Us: Year Five #26 (side note: double colons in titles should be illegal). Neither of these are anywhere near real canon, but Injustice is supplementary material for a fighting game, and I'm always more inclined to go with a pure comics source. Plus this way he and Jason don't have to share.
Tim Drake was born on July 19th according to Robin (1993) #116. He's only got the one birthday and in that issue he totally forgot about it.
Jason Todd was born on August 16th according to Detective Comics #790. No information on when exactly his rebirth day is.
Barbara Gordon was born on September 23rd according to the Super DC Calendar of 1976. That's the only source we've got so that's what we're gonna use.
Unofficial Birthdays
Stephanie Brown, Duke Thomas, and Damian Wayne have never had their birthdays stated in canon, so most people have assigned them birthdays based on either their debut date (Duke) or some other criteria that is a mystery to me. Those dates (from what I have gathered) respectively are:
Steph: August 11th, Duke: August 13th, Damian: August 9th
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WHY ARE THEY ALL AUGUST??? THAT'S 4 (or 5 if you count Alfred) BIRTHDAYS IN THE SPAN OF A WEEK! WHY DO THEY ALL HAVE TO BE LEOS???
anyway that's the fruits of my afternoon/evening. if anyone has corrections with sources or dc canonizes a birthday in a comic I'm not reading (which is most of them, my comics taste is stuck in the 90s/early 2000s), let me know.
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darklinaforever · 9 months ago
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I don't understand the problem people have with rewrites of Dracula that humanize him. Yes, Dracula in the original book is a pure representation of evil. But like Carmilla he is a fictional and almost mythological figure at this stage who evolves with the times. The myth of the vampire has changed, so it is logical that Dracula himself follows this model. The book will still exist, so what's the problem ? The same goes for offering him a romance, whether or not it is with a rewriting of the character of Mina or an another invented female character, or sometimes a woman linked to the Van helsing lineage, or even Van helsing changed directly into a woman !
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Even Jonathan himself for exemple in order to explore a homosexuality or bisexuality in the story of Dracula ! Strangely I never see people revolting when Jonathan is placed as a romantic interest. I totally see where that's coming from, but the fact is that their relationship isn't good in the original material either.
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As for the problem of Mina, a strong female character, apparently having her strong characteristics erased when she is made Dracula's lover... I don't agree.
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After all, it all depends on how the thing is done. Yes, the Mina from the 1992 film is not the one from the book (which is far from being a flawless representation of a strong woman... Yes, for the time when the book was released, it works, but in our time modern era, there are flaws apparently, as with most works dating back a certain number of years), but she still remains a strong female character in her own way and morally ambiguous in this adaptation. It's just a different version. I particularly liked the version of Mina in the canceled series of 2013. These 3 versions of Mina are all strong women on different levels.
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Don't make me say what I didn't say. I love the original version of Dracula, and I really hope one day to have a more or less faithful adaptation, but the rewritings of the characters of Dracula and Mina are not to be demonized. I also think that we will surely continue in the future to have versions where Mina and Dracula are associated together as lovers, as other times not. Maybe one day we'll even have a version with Dracula and Jonathan officially partnered as lovers. Who knows ? And everything will simply depend on the writing of the characters. On the other hand, yes, I am a little exasperated by the tendency to make Jonathan a character either bland or an asshole in certain adaptations. Give me the adorable Harker from the book for a change please... Anyway, these are my thoughts on the various adaptations of the Dracula myth !
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