#publishing process questions

[rains-inky-mind]

I am once again asking for very specific, explicit, step by step directions on how to write a query letter to a literary agent and/or publisher.

@sleepyowlwrites @ren-c-leyn @ anyone else who can tag someone who can explain this in a way that my autistic brain can grasp.

[crybaby-bkg]

cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst

When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.

It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.

“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.

“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.

“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.

“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.

“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.

“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.

“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.

“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.

[kingofmyborrowedheart]

Getting very tired of news outlets picking up any and every fan theory under the sun and publishing articles about them.

[devoursjohnlock]

So many people on that post about academic publishing saying "burn it down", like... yes, the current system is bad in several ways, but what do you propose to replace it? I guarantee bad actors will be racing to incorporate pseudoscience and AI into whatever that is.

[pettyprocrastination]

hiiii congrats on ur story being accepted to a lit journal!! ur writing is rlly gorgeous and hope more good things come to you 💌🫀!!

+ i guess i did have a question lol (and feel free to ignore or not answer!!) how did u find lit journals to submit to i guess? like what was your criteria for looking / how did u know how to go about looking lol. again! if you don’t want to answer totally fine :))) hope u have a great day !!

thank you so much love! And I'm happy to answer your questions!

one of my biggest pieces of advice is to look at small journals! I know personally it'd be nice to be able to get into a big journal on the first try but sadly for many (or at least myself lol) that usually isn't the case. My acceptance was from a very small run journal with a following of only about 100-130. It isn't to say that you don't have the talent to get into bigger literary journals- but there going to be much more competitive because they'll most likely have a lot more submissions to go through as well.

there are lots of small-run journals I've found through looking on instagram and twitter: often times when you find one you like their following list will be similarly themed/subject literary journals of the same vein or will have posts recommending fellow journals that you'll also find as good fits for your work!

Use submittable! It's a wonderful website that lets you filter through calls for submissions for art, essays, poetry, short stories, and media pieces of the like for contests and journals around the world for free as a writer/artist. It also allows you to keep track of your submissions and withdraw them easier than just doing so through plain email. (screenshot of website featured below)

Don't feel any pressure to submit to journals that require a submission fee- there are plenty of amazing journals both big and small that you can submit to for free

Now I will say that some literary journals you may find won't use submittable (because a subscription to it as a literary journal is quite expensive) which is also fine! That just means you'll have to be more content with checking your email more often for responses

I know personally I had to look for journals that allowed more "outside of the box" writing/subject matter simply because my story featured cannibalism quite heavily and things like that can be a big no-no for other journals because it may not fit the general theme of their issue/clash with the stories they had already accepted for that time slot. So look for ones that best fit to your style! My professor had told me it's best to look for literary journals that don't worry about genre but it can be hard if you write for genres that are often hard sells (ie horror) for others.

i'd say the biggest thing personally was submitting to a lot of places. Many journals allow simultaneous submissions (submitting one story to multiple journals at once) but it's best to let them know initially and then withdraw as soon as you get accepted somewhere else. Sometimes it really is a numbers game of "if i submit this story to five places I'm more likely to get an acceptance from at least one of them" but keep in mind that 1. Not all journals allow simultaneous submissions and 2. If there's one journal in particular that you really really want to be featured in I'd recommend submitting your piece to only that one so you don't get jinxed and get accepted somewhere else before they have a chance to respond.

I know it may sound moot but keep an ongoing list of the journals you like and plan to submit to!! If you aren't using submittable, it can be very easy to lose track of the journals you want to submit to without anyway of definitely remembering them so I've started by making a google docs full of journals I come across that I want to one day be accepted in + their next submission deadline because once you look at so many its definitely easy for the titles and dates to slip your mind without thinking

And finally my biggest piece of advice is to be patient and take rejections with grace. Coming from somebody who has had her stories rejected multiple times and is currently on staff for a literary journal: rejections don't mean your story is bad. It can mean they already accepted too many of the same theme/subject, the story doesn't match the theme of their current issue or many other topics. You're a talented writer and you can't let rejections pull you away from submitting! As frustrating as it is, publication for a lot of us is a small group of fish in a very big pond of rejections, as is the way of writing!

Anyways- be patient, be confident, and have fun!

[bigcats-birds-and-books]

...wow, i’m really about to give myself an Existential Crisis about my Existential Crisis book, huh??

[isawken]

friendly reminder: if an organization makes a claim but doesn’t provide the source of the data upon which they’re making their claim, said claim is effectively useless!

https://x.com/StrangerJosh11/status/1856410822983201030

It’s dire out here

[fancassticfiction]

Rejection number 2... apparently the journal I submitted to this time around is edited by the same dudes who edited the last one... and their reply was quite snarky. So I ask once again: why is academia such a circle jerk?

[malcolmschmitz]

So, there's a dirty little secret in indie publishing a lot of people won't tell you, and if you aren't aware of it, self-publishing feels even scarier than it actually is.

There's a subset of self-published indie authors who write a ludicrous number of books a year, we're talking double digit releases of full novels, and these folks make a lot of money telling you how you can do the same thing. A lot of them feature in breathless puff pieces about how "competitive" self-publishing is as an industry now.

A lot of these authors aren't being completely honest with you, though. They'll give you secrets for time management and plotting and outlining and marketing and what have you. But the way they're able to write, edit, and publish 10+ books a year, by and large, is that they're hiring ghostwriters.

They're using upwork or fiverr to find people to outline, draft, edit, and market their books. Most of them, presumably, do write some of their own stuff! But many "prolific" indie writers are absolutely using ghostwriters to speed up their process, get higher Amazon best-seller ratings, and, bluntly, make more money faster.

When you see some godawful puff piece floating around about how some indie writer is thinking about having to start using AI to "stay competitive in self-publishing", the part the journalist isn't telling you is that the 'indie writer' in question is planning to use AI instead of paying some guy on Upwork to do the drafting.

If you are writing your books the old fashioned way and are trying to build a readerbase who cares about your work, you don't need to use AI to 'stay competitive', because you're not competing with these people. You're playing an entirely different game.

[museaway]

✍️ more fic writer asks!

reblog & your followers can send asks with the questions they’d like you to answer!

the last sentence you wrote

a character whose POV you’re currently exploring

how you feel about your current WIP

a story idea you haven’t written yet

first sentence of the fifth paragraph of an unpublished WIP

the word that appears the most in your current draft (wordcounter.net can tell you)

your preferred writing fonts

if you had to write a sequel to a fic, you’d write one for…

start to finish, how long did it take you to write the last fic you posted?

what is the longest amount of time you’ve let a draft rest before you finished it?

a WIP you’d like to finish someday

a trope you’re really into right now

a fandom you’re thinking about writing for

where do you get your inspiration?

favorite weather for writing

favorite place to write

talk about your writing and editing process

if you keep them, share a deleted sentence or paragraph from a published fic

the most interesting topic you’ve researched for a fic

in what year did you publish your first fic?

when did you publish your most recent fic?

do you ever worry about public reaction to what you’re writing? how do you get past that?

pick three keywords that describe your writing

how do you recharge when you’re not feeling creative?

besides writing, what are your other hobbies?

are you able to write with other people around?

your favorite part of the writing process

your least favorite part of the writing process

how easy is it for you to come up with titles?

share a fic you’re especially proud of

[more-than-a-princess]

14. What published authors are your inspirations?

15. What unpublished authors are your inspirations? (Don’t have to name them, just describe them)

Writing Process Munday Asks - Accepting!

14. What published authors are your inspirations?

In no particular order: Julian Fellowes, Jane Austen, Kevin Kwan, Audrey Niffenegger, Sarah J. Maas, Scarlett St. Clair, Rebecca Yarros, Edith Wharton, Katharine McGee, Arthur Golden, Julia Quinn, Deborah Harkness, Diana Gabaldon, Casey McQuiston, Evelyn Waugh, Agatha Christie.

I need to read more of them but I'd expect Leigh Bardugo and Holly Black to be added to that list.

The answer to this question used to be Wizard Lady when I was a teenager and in my early twenties. The more I read into the antisemitism in her books + her being a TERF, the less she's an inspiration to me.

15. What unpublished authors are your inspirations? (Don’t have to name them, just describe them)

Pretty much anyone who can keep writing with some amount of consistency and are writing something they love to do. Avoiding burnout, imposter syndrome, and all other sorts of things that get in the way of consistently writing is a skill that has to be honed and refined as life decides to just derail you at every opportunity. I also don't read much fanfiction and/or webcomics anymore: just don't have the time. I'm too busy reading novels, watching TV/movies, and writing this blog!

That said, I have some friends and acquaintances coming out with their first books in 2024 and 2025! I'm thrilled to see the start of a new fantasy series, an LGBTQ romance/adventure set during the American Revolution, and another new fantasy series with a plus sized heroine. Also super excited for Don't Want You Like a Best Friend by Emma Alban, the first in her new queer Victorian romance series.

And while she's definitely not unpublished, expect me to disappear for a few days starting on January 30 to read House of Flame and Shadow (Crescent City 3) by Sarah J. Maas because that second book cliffhanger just fucking SENT me when I read it for the first time and I absolutely need to know what happens next. I have been theorizing for months now. Give me the next book, Sarah!

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]

[bookishdiplodocus]

The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

[leonardcohenofficial]

i've put together a recommended reading list titled WHAT DO WE DO AFTER THE REVOLUTION FAILS: A PRIMER

the list gets its title from an essay by george jackson published in the black panther newspaper on august 28, 1971— in it, jackson discusses the failures of revolutionary movements, failures of reform, and the questions and issues necessary to tackle in "raising a positive mobilization of revolutionary consciousness in a mass that has gone through a contra-positive, authoritarian process"

in other words, what do we do after the revolution fails?

part of the work of raising revolutionary consciousness is education; i'm aiming to do my part by providing some resources that i have found particularly motivating and consciousness-raising irt my own political growth

this recommended reading list is a living document. the titles included will be updated with pdf links as they are found and archived. these sources are recommended not as gospels, nor should they be viewed without meaningful criticism, but are beneficial starting points for critique and revolutionary thought to begin

if you have questions about any of these titles, want assistance in finding copies, or want to talk about any of these topics, message me! i find it hugely important to do my part to help folks educate themselves and raise their revolutionary consciousness; no one does this work alone, and if you are feeling stuck/isolated/overwhelmed by what to do next, let's walk together

[moviestarmartini]

alta suciedad. — franco colapinto x f!reader

summary: while interviewing franco, you misunderstood what he meant with 'talented with his tongue'. lucky for you, he's more than willing to actually show you his skills.

wc: 2.9k

warnings: interviewer!reader, hispanic!reader, porn with an ounce of plot, set during media day of the austin gp, casual sex, oral sex (fem recieving), p in v, unprotected sex, pull out and pray, mean dom!franco, dumbification, degradation, a teeny amount of praise, aftercare, spanglish/sentences in spanish.

A/N: based on this request and took some inspo from this other anon, i'm literally giggling typing this in order to publish it. no specific song for today even though there's a few references even in the title. hope y'all are hungry!!

“I’m talented with my tongue.” 

You didn’t have that much experience when it came to interviewing professionally— you’d been a kid reporter at the same sport you strived to get there, and in the course of getting there, you’ve seen a thousand and one million things that impressed you. 

But this? 

Your mouth hung open, giving him a few rapid blinks while your brain processed the information. 

“You wanna see?” Franco Colapinto insisted, not reading your expression well enough, or ignoring it at the very least. 

“¿Aquí?” You blinked, unable to process the event in the main language of the paddock. You were one of the youngest reporters there, but that didn’t mean you were inexperienced. That had just completely caught you off guard. 

Franco cocked a brow before showing you and the camera how he could manipulate said organ so the sides touched and a tiny hole formed in the middle. 

Yet again he surprised you, or more you surprised yourself with how further down the gutter your mind was at. 

“Oh, good!” You snapped out of it, but he had seemingly finally connected the dots, or so the smirk in his face made it seem like it. 

“Well, thank you for having us, Franco. Good luck during the weekend.” Your  composure was back not even two seconds later, the cameraman soon signaled the transmission was off. A relieved sigh left your lips while your shoulders relaxed, giving your coworker the mic and transmitter to take to the media tent just a few steps away. 

You were just turning back to head there as well, ready to get immersed in writing a report before your name was called. Your heels turned you around by force of habit, not realizing the tone in the driver’s voice might mean trouble. 

“Yes?” You asked politely, hands clasped in front of you to avoid any chance of fidgeting. Your little crush was idiotic, or so you considered it from the day you first interviewed him. 

“¿Qué vas a hacer hoy?” He took a step closer in order to ask the question, hands stuffed in the front pockets of his jeans. 

“¿Perdón?” You realized that sounded rude, your voice repeating a better answer soon after. “Seguir trabajando, why?” A frown settled between your brows, head leaning slightly to the right. Where was this going exactly? The confusion only settled further when you noticed his eyes darting around before leaning in. 

“Si querés que de verdad te enseñe que puedo hacer con mi lengua, entra al motorhome después de las siete, te dejo la puerta de atrás abierta. Mi cuarto está a la izquierda.” And with that, he pulled away, turned around and left. 

You did the same, convinced the idea was just a figment of your imagination, the drought you’ve been suffering for more than a year to get there tricking every nerve in your brain to believe those words. It was settling into the late afternoon, and you worked at a pace Sonic would envy. His words bounced around your gray matter, and after much debating you stayed after the six pm mark, when everyone else left. You peered your head out of your station noticing how the place was almost empty. It was Thursday after all, the whole crews were not active until the following day. 

The curiosity got the best of you, and you packed your bag to head there, skittish at the sight of anyone who crossed your way— or at least the few that did. 

No one was used to walking behind the team buildings, never mind during what’s considered after hours. Your breath got stuck in your throat when you noticed the door ajar, and no one came in nor out to justify the fact. 

“Thought you wouldn’t come.” Franco’s voice snapped you out of the hesitation, arms crossed over his chest. 

“I thought I was supposed to come in by myself.” You got the bravery to counter with the way your heart sped up with adrenaline coursing through your veins. 

“You’re late.” Franco’s response was quick, witty. His tone made you raise your brow; it was… different. Commanding, you could pinpoint. 

“I shouldn’t come out and get you, vení.” Before you could even process it, he took your arm and dragged you inside, going straight down the hallway and taking a left before the door closed shut— no witnesses visible to what he had just done. 

“You can sit wherever you like.” He invited, his voice was back to its playful tone. You nodded, putting your bag down by the door and sitting on the small couch near a corner. 

“Sos muy bonita, ¿sabías?” He complimented while finishing to fix up his room, side eyeing you. 

“Why am I here? What do you want?” You asked bluntly, not accepting the compliment. 

“Look, if you wanted me to write positively about you on the piece, you already got it.” You carefully watched him take a seat next to you, and you both turned to face each other.

“Tonta también, ¿no?” It was as if you were ignoring each other’s words, and before you could get offended, his fingertips brushed your hair out of the way of your face. Any smart quip you could’ve thrown at him flew out the window, your lips parting. 

“That’s just how you looked at me earlier. When you thought I was referring to something dirty. Tontita.” He inched closer. You couldn’t help but do the same, a bit eagerly, eliciting a laugh out of his lips. 

“Do you like me?” It was his turn to be blunt. Without hesitation you nodded, squeezing your lips into a thin line after realizing that might’ve been a mistake. An embarrassing one at that. 

“No pasa nada. Vos también me gustás preciosa…” His voice trailed with his head leaning closer, lips brushing against the prickled skin of your neck. “…inteligente…” A kiss pressed to the area. “…y al parecer, puta.” 

The gasp disappeared between the blurred lines of your lips and his crashing, the term disappearing in your mind while you kissed him. Your hands gripped the material of his team shirt while his own lowered down your back, pulling you closer, almost on top of his lap. 

“¿Hacés esto mucho? Sneak into other drivers’ rooms?” He asked while leaning back down to kiss your neck with a twinge of more harshness, ragged breath leaving your lips while you shook your head ‘no’ 

“¿Sos muda? Habla.” There was that commanding tone again, his fingers delving into the skin of your thighs to squeeze what he wanted out of you. 

“No. Nunca.” You replied with a gulp, leaning your head back to recieve more kisses as a reward for your answer. 

“So I’m the lucky winner?” It sounded something between a compliment and a joke, and you decided to humor him a little with a smile. 

“One could say so.” You replied, thinking you’ve gotten the gist of it. 

“I’m surprised. With that skirt…” He shook his head after tutting, making you figure out the context of his words. You were into it enough to not get offended by the allegation, normally would have defended yourself with the fact it was terribly hot outside. You didn’t like dressing similar to the rest of the reporters in the paddock, and maybe this once it played both in your favor and against it… sort of. 

His lips captured yours again, his tongue swiping your bottom lip. You weren’t dumb— even if he liked to say so— parting your lips without complaint, feeling the way your tongues tangled together while he pushed you down until your back hit the fabric of the furniture. 

The open mouth kisses started redirecting their path down your jaw, following a trail down the length of your neck. He took the opportunity to breathe your scent. 

“Olés tan rico,” He groaned, the growing erection in his jeans pressing against your upper thigh. 

“I can already imagine how that pretty pussy tastes. Can’t wait to make you cum just using my tongue.”  The idea made you shudder, his hands raising your top to move it out of the way while he kept kissing back. You took the initiative to just pull it over your head and throw it somewhere else. 

“You’re so good, stripping for me without having to ask.” Franco cooed, his pace slowing down when his mouth reached down your belly button, making him look at him expectantly. 

What you didn’t expect was for him to just tug on your denim skirt up to completely move it out of the way without removing the piece, his knuckles brushing the spot marked with your aroused slickness, your hips involuntarily twitching to lean closer into his touch. 

“Si solo te he besado y ya estás re mojadita,” Another coo left his mouth, this one with a certain amount of jest in it. You felt deeply embarrassed in a way your face displayed it, only making his smile grow in size. 

Franco almost ripped off the underwear and chucked it somewhere in the room. No moment to adapt was left at your disposition, his tongue pressing flat against your wet core. The noise of a moan coming from you clashed with the hum of satisfaction he felt from the sheer taste of you. 

“So sweet,” Franco praised, and those were the last words to come out of his mouth before he started to back up his words from earlier. 

The whole situation felt like a dream. Not only the fact he made an advance upon noticing how far down the gutter your mind was, but the fact you even came there in the first place. Not that you regretted it, with how he flicked that sensitive nub with the tip of his tongue.  

You didn’t believe his promise earlier— thinking it was just silly dirty talking— but he was proving you wrong. Your moans were the perfect evidence, fingers tangling in his curls while his left hand rose up to grope your exposed breast. 

The shuffling noise outside the room made him perk up and away from your dripping cunt, chin glistening with your wetness. He pulled his index fingers to his lips to signal you to be quiet before continuing, but his attempt fell futile. You were reaching your release quick, his magic working a little too well. There was no warning; his other hand left the grip on your thigh to cover your mouth, holding it down a bit too roughly to send a message. 

Your muffled moans and cries only set him off, teasing your entrance before licking the trail up to your clitoris, suckling on it. He fluttered his eyes open, and the sight was nothing but completely arousing. Your eyes were rolled back, column arching up while his expert affections tipped you over the edge. Your thighs simultaneously shivered and lightly squeezed his head, and it was enough for Franco to decide he was in heaven. 

Once the overwhelming sensation started to wear off, your legs relaxed, allowing him to pull away. With a clearer mind you noticed how his chin and lips glistened before removing the substance with the back of his hand, as if it was just sauce from an actual meal. 

“¿Por qué me mirás así?” Franco wondered at your blissful expression. “¿Ya te enamoraste, putita?” There was no verbal answer; he was eager to link his lips with yours again in yet another sloppy makeout session. This once, however, you couldn’t pretend you didn’t feel his erection pressing against your inner thigh. 

Taking initiative, your hand lowered down his torso to fumble the button of his pants a little before being able to undo it. A groan followed by teeth tugging at your bottom lip was the reaction you gained from jerking him off slowly under his underwear. That gave you enough confidence to swipe your thumb across the leaking tip in order to tease him. 

The sound of a moan from him echoed inside your mouth, a hum from satisfaction leaving consequently. However, your moment of dominance soon faded with his hand slapping yours away before spreading your legs even further— to the point it pulled on the muscles of your inner thigh just a little, the burning sensation mushing with pleasure— the skirt hiking up to rest on your torso. 

“Do you want me to fuck you?” He leaned in to whisper, feeling him nudge your entrance in order to tease you. The sensation that followed was something similar to your brain shutting down, managing to only nod. The smell of his cologne, his body pressing down on you. 

Franco, Franco, Franco, Fran— 

“¿Qué pasa tontita? Say it.” He egged you on, threatening to push himself inside, but not making it far enough to bring you satisfaction. 

“Yes, por favor.” You begged, getting a chaste kiss for a reward followed by the intrusion spreading your warm walls. You saw the way Franco tried to keep it together, the façade crumbling under a groan. You felt too good. His mind could only pinpoint your body under his, the warmth hugging his stiff dick and electrifying every nerve of his being. 

His mind couldn’t stop chanting your name. 

“Move,” You asked nicely, though it came out in a huff. He found himself too enthralled to complain at your tone, instead complying. 

The lower tone of his moans harmonized with the high pitched of yours, the sound of skin frantically coming in contact filling up the room enough for both of you two to forget what could possibly be going on outside. At least it had been a while since you last heard people outside doing whatever. 

“Dios, que apretadita estás,” Franco groaned out loud, his lips brushing against yours. You took the leap, closing the distance between the two of you. But you couldn’t get much out of it due to your own fault, moans interrupting the session. 

“No, besáme.” You whined when he pulled away slightly, and a smirk rose at his lips before he locked them with yours, pace increasing. You struggled to engage further, the moans and groans interrupting. 

“No, besáme.” Franco replicated your plea from earlier before laughing between heavy breaths. 

You couldn’t do anything but pucker your bottom lip out, not finding the words to complain about how mean he was being. Besides, all coherent thoughts disappeared the moment you felt your second orgasm peeking from behind you at a rapid rate. Your nails dug into the uncovered skin of his forearms, just below where the team shirt started covering his biceps. 

“¿Por qué me apretás tanto?” He hissed before falling upon the realization, deciding to keep having his fun with you and slowing down. 

“Fuck— ¡¿qué te pasa?!” You groaned, feeling the release reeling down into a sensation of being completely stuck midway. 

“Dale, decime lo que quieres. De forma bonita, como vos.” He kept his thrusts slow and deep, trying to contain his own release from the pulsating walls squeezing the life out of his cock. 

“I wanna cum,” You felt the embarrassment of having to request that out loud settle in your stomach, soon washed over by the sensation the quickening of his hips gave your core. 

“Si, si. Franco, that’s it,” You cried out, hiding your face in the crook of his neck while your thighs shivered once more. 

Your cunt was so warm and tight he almost didn’t pull out. Almost. After a groan left the back of his throat, droplets of white painted your lower abdomen, thankfully not staining your skirt. 

He kept himself supported by his forearms, allowing him to lean in and kiss your forehead and cheeks. 

There wasn’t much to be said, you knew that, and so did he. Carefully, he fixed his underwear and pants before getting up, muttering something under his breath in his attempt to find the wet wipes he knew he had… somewhere in the organized clutter of his room. 

“Dejá que te limpio,” His voice was tender, the wet tissue dragging across your skin to remove the seminal liquid, before another carefully cleaned the sweat off your forehead and neck. 

You thanked him with a nod, unable to hold eye contact for long. Once you felt comfortable you sat up, fixing your clothes and hair before getting up on your legs, still a bit wobbly. You took it upon yourself to clean the damp spot on the couch where you laid, still embarrassed by the whole ordeal. 

Quickly, you slipped your underwear on, unaware of the pair of eyes following your every move with a cold calculation. 

“¿Qué vas a hacer hoy?” The question he asked to what seemed to be ages ago popped up again, making you turn, just as confused as you were earlier. 

“Dormir… cenar. Ya veremos, dijo el ciego.” At your cheeky response his laughter echoed through the room, arms folded over his torso. 

“¿Habrá un espacio para mí en esa cena o nos vemos mañana a la misma hora?” He took a step closer. Then another. And another. Until he stood in front of you, leaning down enough to whisper in your ear. 

“No importa si no me querés ver hoy en la noche todo caballeroso, mañana procura llegar a tiempo y controlar esa boquita.” Yet again, his voice electrified goosebumps all over your skin. 

What did you just get yourself into?

[jayblanc]

Chinese Censorship of the 2023 Hugo Award Nominations

Back before the 2023 Hugo Nominations were conducted, I noted that the Chengdu Worldcon Hugo committee had inserted a worrying clause indicating that local government officials could invalidate nominations for breaching the norms and standards of China. I suspected this would result in arbitrarily applied censorship to control the ballot. I am sad and unsurprised to discover I was correct.

The 2023 Hugo Nomination vote data has been published (https://www.thehugoawards.org/2024/01/2023-nominating-and-final-ballot-statistics-published/), and includes notation where nominations were excluded from the ballot. Those with normal reasons, such as being in the wrong category or not being published in 2022 are identified with their reasons for exclusion. This time there are a number of nominations that are merely marked at "Not eligible".

Here is the list of those nominations, that would otherwise have been placed on the final 2023 Hugo Award Ballot.

Babel - R.F. Kuang - Best Novel: Very likely excluded for referencing student revolution, and the use of language and translation as coercive tools of oppression. Color the World - Congyun "Mu Ming" Hu - Best Novellette : A story about perception of, aid of, and discrimination against disability. Congyun Hu has left China and now lives in New York. Fogong Temple Padoga - Hai Ya - Best Story : Either there is something in the original Chinese that was not translated, there's a taboo subject that elides my reading, or this otherwise innocent looking near future tale of cultural building restoration was written by the wrong person. The Art of Ghost of Tsushima: Dark Horse and Sucker Punch Games - Best Related Work : The video game Ghost of Tsushima was subject to directed social exclusion for it's depiction of the Mongol invasion of Japan. Sandman, Amazon Studios: Best Dramatic Presentation (Long and Short) - A diverse and divergent cast, includes subject matter and social issues that are currently taboo in China. Paul Weimer - Fan Writer: Publicly Critical of holding a Worldcon in China. Xiran Jay Zhao - Astounding Award: Qualifying work "Iron Widow" is reimagined story of Chinese Empress Wu during a fantasy/mechanical alien invasion.

This raises a lot of questions as to if this basically taints the process, and what can be done about it.