#other vibes compel me first!

[anxiousapplepie]

*BANGING POTS AND PANS* Get your first order of Researcher!Siffrin concept art, people! COME AND GET IT while it's hot!!! Want random or unrelated lore ideas? Keep reading right along! Enjoy the scraps!

Starting with the obvious, Odile is the Housemaiden in this AU! Instead of living in Ka Bue for 40 years like nature intended, she and her father moved to Vaugarde when Odile was a teenager. Was this a good decision? Sources and opinions vary, but one thing is for sure: Odile wanted to Change herself and she vowed she was going to be GOOD GRADES at it. .... or at least dedicated to the point of becoming the most bitter and passive aggressive housemaiden to have ever lived in Dormont. Jump ahead to present day! Odile has been given the means to Save the Country from being frozen in time. She is not happy about this. She thinks she's too old for this kind of nonsense and someone from the younger generations really should've been picked for this sort of task instead. She complained bitterly at the Change god statue she carries around in her pocket for several days before she caves in and seriously considers to quit the mission her boss gave her seconds before the whole House was frozen in time. The Universe heard her, however! so it sent the pluckiest and most enthusiastic Fighter a Housemaiden could ever want to encourage her and convince her that "violence is always a good choice. And if you don't wanna do the violence, I CAN DO IT FOR YOU!" As for what Sif was doing? Oh, you know. The usual. Staying up all night reading books that give them headaches and sleeping all day in libraries until someone kicks them out. And yes. Their flashlight eye gives me so much joy. It takes Craft to power it, so he can turn it on and off at will. Very useful for reading in the dark or accidentally starting rumors of one-eyed ghosts that garble unintelligible curses in the dead of night

[vileidol]

the idea of them (my two blackwells from @barbwritesstuff’s Thicker Than) causing chaos together just brings me joy what can I say

[sskk-manifesto]

(´･ᴗ･ ` )

[imaginarypasta]

i’ve been trying to get through hoh for literally like a week now but it’s so hard bc the way my fave nico is treated is absolutely ABYSMAL and i know it only gets worse

[thedragonagelesbian]

what does Adelaide find attractive about Aether, especially compared to her childhood crush on Nat?

Comparing Adelaide's attraction to Nat & Aether, I think apart from the few character traits that they share (like self-confidence and competency), the similarities lie in the narrative level of reflecting who Adelaide is at the time and what she thinks she needs. That is, Adelaide wouldn't have had any interest in Aether if they had met in high school (beyond, perhaps, a charged rivalry), and she wouldn't have any interest in Nat if they met now. But because of when their lives intersected, Nat represents for her safety and security and happiness, and Aether represents a means to that happy ending, which is appealing in its own right.

As for her attraction to Aether specifically (separate from me projecting), there's an extent to which it's predicated on self-recognition: Aether is a person Adelaide could very easily herself become. So, like, their verbal sparring and doublespeak and the veneer of gentility and plausible deniability in their conversations are all super alluring to Adelaide because she knows this game and she knows how to play it and she thinks she's good at it.

At the same time, she's envious of how... easy it seems for Aether: her ability to make inauthenticity seem authentic, when Adelaide is like perpetually one bad conversation away from shutting/breaking down. It's a game she knows, yes, but it's exhausting, and there's an appeal in the possibility of just... giving in, in many different senses.

And the last part of it is just like the pure power. Adelaide doesn't have any clue how important Aether is in within the Daybreak Corporation, but she's the face of the company for her, the company that she's staked escaping Harborview on. And Adelaide's own, personal interest in power is... narrower than I think many characters in her archetype. It's important to me that Adelaide maintains her magic as a means to an end, and not as an end in and of itself: there's a reason I chose callousness for her and not any of the other temptations like glory or addiction or even power. If it meant she got out of Harborview tomorrow, she'd give it all up. If she ever does get out of Harborview, I doubt she'd ever use magic again.

But Aether seems to her to just pursue power for power's sake, and that's both hot in a 'morally compromised sub' kinda way and useful for someone trying to escape a very powerful magical binding.

[marshmellowtea]

tbh i feel like my interest in willmartha would skyrocket 200% if it wasn’t treated as the fandom’s Golden Fluffy Healthy Ship

[s-aint-elmo]

the theme is same faces

(ID in alt text)

bonus + design notes:

sparknotes:

tridentarii: the building block was "lions" (corona's mane of hair and king vibes + ianthe's scar lionking swagger) but i think i lost that plot at some point. regardless peep the earrings for symbols of their twisted mutualism. also they have dimples <3 bc on corona they're perfect and on ianthe (when she smiles wide enough) they're sickeningly dissonant

the nonas: harrow has curls bc i think the only thing funnier than saddling a nun who's been shaving her head since infancy with fast-growing hair is for that hair to be horrible messy springy curls that are barely spared from frizz by the sheer grease #bathingisn'tsafeformern. please also applaud my restraint in adhering to canon and not giving nona dimples. she deserved them

the sixth: came to me fully formed honestly. palamedes calls camilla beautiful enough for the alexandrites so i just let my heart and sapphism take the wheel here. for pal when i first read gtn i visualized him very differently but other artists made such a compelling case for scruffy pal that now i can't see him any other way

the second: also let my heart take the wheel here. wanted to draw a man carved out of hardwood so i did <3 at the caliber of necromancer that g1d is i know he probably wouldn't have so much scarring but the heart wants what it wants (cool factor). in my head and in my heart they're from wake

naberius: i don't have anything to say in my defense. i rewatched teen beach movie, found the perfect face claim and set the wheels of fate in motion. i think babs is hot the way a ken doll is hot, y'know? it takes yanny piloting his flesh mecha for him to be gender (<- testimonial from my masc nb friend)

[benbamboozled]

@jasontoddenthusiastt

Hell yeah.

I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.

Oh my goodness gracious I’ve been bamboozled

Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.

He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?

Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).

And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).

Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.

Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.

[l4mplight]

Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

[cains-daughters]

dating stefan salvatore headcannon (pt 1?)

needed to start my own fanfict page to scratch my own nasty, daydreaming mind because i'm rewatching my fave shows/movies n im obsessed (sorry for typos its 2am n i dont care)

warning: some nsfw shit, minors go away

he's literally the type of guy that your grandma wants you to marry

he feeds the sapiosexual bitches; conversations with him are so fucking intellectually stimulating and while he's talking about a topic/explaining it, you're just staring at him like "this man is so damn smart... I need to ride him" (lol)

has history teacher vibes/has teacher kink vibes sorry but he would def see how turned on you get while he's talking and use it to his advantage

slow mornings with stefan>>>>>>

hearing "good morning baby" as he's stretching/getting closer/putting his arm under your tits to hug you while you're still in bed😵‍💫😵‍💫

he will def love to spend alone time with you, just being in each others solitude while being in the same room reading, writing, drinking coffee or just thinking

you basically give him the opportunity to create more peace and silence in his life in between all crazy shit

because you're not in the supernatural world, he would try so fucking hard to protect you from even knowing of it. will even compel you without thinking at the beginning if you find out and would confess everything if it puts you in a life threatening situation

people will use this to their advantage but somehow he got Damon to be protective over you and you will have both of their protection

Damon can't stand how you complement each other, he feels like having two Stefans giving him advice but he mostly listens to you because you're hot to him lmao

When you first met Damon all he could do is disrespectfully flirt with you just to make Stefan mad

Stefan writing you poems, novels and dedicating journals for you in which he writes love letters (I NEED HIMMM)

he loves slow, deep, intimate makeout sessions. having you on his lap or sitting infront of him while he's holding you with one hand on the lower back and another one on the back of your head guiding you while he grips your hair not hard enough to hurt but hard enough to want him to face fuck you <3

he's dominant, he truly enjoys leading you and not just sexually, he will always be giving you non-sexual dominance like guiding you in crowded spaces, makes decisions for you if you need assistance, will be watching you/making eye contact with you if not together in the same room

he loves having you sit on his feet while your head rests on his lap and he caresses your face and plays with your hair (I NEEEED HIIIMMMMMUGHHHHH) (also this gives me Klaus/Elijah Mikaelson vibes im dead)

im so tired, but i will sleep thinking about our daddy Stefan Salvatore AMEN and i wanna write more shit PEACE

[hotvintagepoll]

Propaganda

Rita Moreno (Singin' in the Rain, West Side Story)—She’s an EGOT, an absolute legend for how she navigated her career as a woman of color in the fifties and sixties. Her performance as Anita in West Side Story is why I go back to that movie so many times. She is an icon and she is the moment.

Angela Lansbury (The Harvey Girls, The Court Jester, The Manchurian Candidate)—The babe, the myth, the legend. In her own words her early hollywood roles were "a series of venal bitches" and they were all glorious. Half of them wanted to kill you and you probably would have thanked them. She even goes toe to toe with Judy Garland in The Harvey Girls! That said, she was chronically underused and misused during this era - she was just 36 when she was cast as Elvis Presley's mother in Blue Hawaii and a few years later commented that she'd played so many 'old hags' that most people thought she was in her 60s. She thought she was "all talent, no looks" but she was the full package! Post-1970 I hope we all know what an incredibly talented and compassionate badass she was, but I feel like not enough people know her early roles as a hot (often villainous) young thing.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Rita Moreno propaganda:

"Amazing showstopping actress in her one big memorable role as Anita in West Side Story. She sings and dances with unmatched joy and energy, and then breaks your heart with her acting. Rita took a role that felt as a stereotype to latina women and made it compelling and multifaceted. Her subsequent career was filled with mostly side roles, but she still managed to excel in whatever Hollywood threw at her."

"It’s Rita!! The EGOT herself! She can act, she can sing, she can dance, a triple threat. Obviously absolutely iconic as Anita in West Side Story (her part of the Tonight Quintet is the sexiest part of the film, fight me). But before that she was the amazing Zelda in Singin’ In the Rain!?! Thanks Zelda, you’re a real pal."

"She continues to be amazing but also she's got legs for days."

"THEE iconic rita moreno, EGOT winner, civil rights activist, theatre legend. watch her documentary "Rita Moreno: Just a Girl Who Decided to Go for It". also her rendition of "fever" on the muppet show"

Angela Lansbury:

"Angela Lansbury might not be where your mind goes first when you think of hot leading women, because she had a later career revival. But she began acting in the early 1940s after leaving London due to the Blitz. In the first couple decades of her film career she has an openness about her. She said she never really fit in with the Hollywood crowd and to me she gives off a friendly, untarnished vibe."

64.media.tumblr.com

64.media.tumblr.com

"Most of us know Angela Lansbury as old lady sleuth Jessica Fletcher, but it's important to know that she was smoking hot in her younger days as well as a damned fine actress. Although she didn't get lead roles until her early 40s, at 17 she was a supporting actress in films such as Gaslight (1944), National Velvet (1944), and The Picture of Dorian Grey, for which she won the Golden Globe for best supporting actress and was nominated for the Oscar. Even in her memorable performance as the manipulative mother in The Manchurian Candidate, she is listed as a supporting actress as she does not play the love interest. She was successful both on stage and screen, and won the Tony for her lead role in the musical Mame on Broadway in 1966. TL;DR While Angela Lansbury mostly played supporting roles in films before 1970, she had what it takes to be a leading actress, which we know from her success on stage and tv from the mid 60s onward"

"She looked like a princess but bit like a viper"

"Is there anything this woman couldn't do? Act in comedy and drama, sing, dance, be a wonderful human being - quite simply a true and wonderful lady."

"she is the fairytale princess of my dreams in court jester"

"god she had such an incredible career all throughout her life really but as a young lady she was just as incredible as she was in her later years. enchanting voice, amazing personality, and absolutely GORGEOUS. she lamented not having the looks to play leads in romance but that idea is so batshit because look at her??? she's one of the most terrific women of all time. also she's my grandmother's favorite actress and i truly get it"

[deconstructthesoup]

I think the reason that Dimension 20 really scratches all those itches in my brain is that it really shows what you can do with D&D---and TTRPGs as a whole.

Fantasy High, by itself, is an incredibly compelling concept. What would D&D look like in a semi-modern setting? What would a high school that's all about teaching teens how to be adventurers look like? And the way it's done is beyond inventive, especially if you look at all the encounters in the first season---we've got a literal food fight, a high-speed road chase with tiefling greasers, a nightclub brawl with zombies, vampires, and werewolves, a skating match with a bunch of dwarven middle schoolers and a concrete golem, a high-stakes game of football (ish) with undead jocks that give off major teen slasher vibes, a fight done in an arcade where characters can get trapped in the consoles, and the final battle is done at prom. PROM! How cool is that?

And then we get to the Unsleeping City, which takes the urban fantasy elements that Fantasy High already had and elevates it. The way the D&D lore and magic is interpreted in a modern New York setting is excellent, as is the whole take on the "American Dream," magic literally coming from dreams, ideas, and the imagination. I know that I need to actually finish the UC saga, but from what I've seen and experienced, it is truly fantastic.

And the same energy carries through to the other seasons---my personal favorite outside of Fantasy High being A Court of Fey and Flowers, just because I'm a sucker for any Fey Realm content and I've been raised on Jane Austen---where the genre mashups shine through in the best way possible. I'll admit, I haven't seen A Crown of Candy, purely because I know how heartbreaking and devastating it is and I don't think I can physically handle it, but the concept of Candyland Game of Thrones is so beautifully bizarre that I totally get why people love it so much. Escape from the Bloodkeep hitting that workplace comedy vibe that we love to see in villains. Misfits & Magic being a love letter to the "magical boarding school" genre while also calling out all the weird contradictions inherent in it. A Starstruck Odyssey literally being an homage to Brennan's mom and exactly the kind of madcap and unhinged energy I need from my sci-fi. Neverafter perfectly encapsulating the true horror of fairy tales. Mentopolis hitting my noir-loving heart and personifying hyperfixation in the best way possible.

I'm not even kidding when I say that, if it weren't for Dimension 20... I probably wouldn't have even started my own campaign. I'd had snippets and ideas ever since officially getting into D&D and joining a game with some old friends (and getting back in touch with them in the process), but after I saw the Mentopolis trailer, I realized just how much variety TTRGPs had to offer. I could do a time-blending, history-meets-future campaign. I could go out-of-the-box. I could have endless amounts of options available to my friends and still tell the story that I wanted to tell. And when I sat down and watched Fantasy High---and when I got that Dropout subscription so I could consume whatever I wanted---it felt like the show was actually giving me advice. It's fantastic.

Also it helps that the episodes are usually only roughly a couple hours instead of being, like, an entire afternoon long. And that each season is 20 episodes, tops. No offense to Critical Role, but the sheer amount of content literally makes it impossible for me to get into it.

[catskets]

From Desires to Demo: How to Write a Good Demo for your Visual Novel

I'm deciding I want to expand on some topics in longer, fuller-length posts based on points I made in this general VN development post.

There is a problem that players have expressed to me about visual novel demos, especially in horror/romance/yandere circles these days: they are not demos at all. Rather, they feel like introductions to the characters and the setting, and nothing happens at all. No one wants to have to go find out everything good about your game by going to your Tumblr and going through 10+ months of asks to get themselves hyped up for your game. Most people are not going to do that. They will instead play your demo and go "this isn't enough for me to come back to" and never think about it again.

How, then, do you get people playing your demo and being excited for the full game? This is my personal guide on how to make a compelling visual novel demo.

In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel, or, perhaps, improve on what you've already made.

What is the purpose of a demo?

A demo is short or a demonstration. Your job is to demonstrate a portion of your game to players. In more "traditional" games, a demo typically takes place in a very tightly-constricted space that is meant to show off how the game feels. Maybe this is the first few levels of a platformer that showcases the general atmosphere and gameplay of the game.

We aren't making action and adventure games in explorable spaces. We are making visual novels. Most visual novel demos just showcase a small portion of the game, maybe the first few scenes.

What your demo should have is this:

A general vibe for your game. You're writing a psychological horror game. Give me a taste of that! Show me a bit of the gore, a bit of the horror.

A sense of urgency. A lot of demos I've played and discarded have been discarded because the game itself does not give me a motivation

An established plot. What is going to happen in the future? Why am I in this world?

In general, think of your game as the back cover of a book. That's where the hook that draws you in to read it. Just give me a proper taste of your game!

There are cases in traditional games where things are hidden from the player in demos (let's all remember MGS2) and where things are changed in from the demo to the final product. That's perfectly okay! You are not obligated to update your demo unless you find gamebreaking bugs and other issues. If things change from the demo to the final product, let your players be surprised and intrigued by these changes!

I can make this a list of do's and don'ts:

Before writing your demo...

Do: Outline, plan, and everything else.

Unless you're blessed by Mnemosyne herself, you need to outline where your story is going to go.

When starting a project, I write a 1-2 page document that has this information:

Name of the game

The target audience

The genre and moods

A paragraph summary of the game

1-2 sentences describing main characters and their roles

Write a short scene that captures the essence of the game

Write a basic outline. You don't need to fit everything in and outline it all, but give yourself an idea. A beginning, a middle, a climax, and an end. Some people just write the start and the finish, and then the middle gets all muddled and convoluted.

While writing your demo....

Do: Make it clear how the choices will impact the game

Visual novels are a medium where player choices affect the game. Make sure those choices actually matter. They don't all have to, of course. They might matter later in the game, but you should at least try to write an example of how a choice may matter.

For example, in Art Without Blood's new demo, certain choices mean you meet the characters in a different order and experience different sides of them.

Having a certain amount of a sanity stat will cause characters to give you some flavor text.

Here's a very simple idea: if you're running your game on a "love points" or other points system, you can make it so if player gets 10 points with love interest, get a different scene. It shows that your choices are impactful. Just let players have a taste of the consequences of their actions.

Don't: Character dump.

Many demos I have played were just character dumps. This means using the demo just to introduce to us the characters but not giving them room to truly show their personalities or their attachments to the problem.

For example, I played a game recently that had the player complaining about their living situation, showing us the characters in the same living complex, showed off the yandere, and then had the player deal with an annoying, evil boss. That sounds like lots of games, right? And that doesn't sound very fun, does it?

Do: Ground the player in the world

Try to immerse your player character in your world. I want to read like I'm part of it. What is our purpose? If we are a stranger, how can you immerse us in a world so far removed from ours?

Do it slowly, and do it with necessity. You don't necessarily want an exposition dump either.

Establish the world, establish the conflict, establish why they got into this conflict, and leave us off with a reason to come back.

Don't: Make your players have to visit other sites to get important information

Your ask blogs or other social medias should contain supplemental material that keeps players engaged, but it should not be a place where you should go "well, actually, in the demo, x y and z should have happened but it didn't."

Try not to spoil your game on your socials. What's the point of playing if I can just read it all on your blog?

I should learn about the plot and the characters from the game itself. I should not have to get a sense from your blog about a character because they were so dry in the demo.

Obviously, this isn't to say you need to include everything about a character in your demo. But we need to get a sense of personality. I shouldn't have to go to Tumblr to find that personality.

Do: Ask for help

Making a game on your own, especially for the first time, is scary. It's okay to ask for help. It's okay to get people to help you out with parts you aren't so familiar with. It doesn't make you any less of a developer. A lot of people need some degree of help. There is nothing wrong with that.

Don't: Start your marketing until you know you can finish the demo

I've seen lots of demos that have been in the works for years. It can be disappointing for fans and demotivating for the developer to have an idea, tell the world, and then not see a demo for a long time. This is especially the case when money is involved, but it's still irresponsible to promise a product and never deliver it. Be honest about the status of projects and your life.

Do: Outline content warnings properly

It is up to the player to decide if they think they're capable and ready to play your game. Make sure to outline your content warnings. Cover the basics, and feel free to leave an extended warnings list in your game or on your game page for specifics.

Content warnings are usually things like blood/violence, profanity, sexual content, etc. Trigger warnings typically get into specific things, like suicide, dentists, or religious trauma. Think of content warnings like the ERSB.

Put a splash screen before the game starts that showcase the content warnings and a place to find trigger warnings.

Don't: Pull back punches with what your characters are capable of

It's fiction. It doesn't necessarily mean you support your characters being crazy stalkers. Know the audience you want to write for, and don't feel a need to cower. Let them be filthy. Let them get their hands deep into someone's chest cavity and rip a body apart.

What I'm trying to say is you really shouldn't tone down what you think your characters are capable of because you're afraid of making fans sad or upset because pookie isn't acting the way they thought pookie acted in their head. It's your character. You're commanding the story. You are choosing where it goes, not fans. Just because you have an audience doesn't mean you need to tone it down to be more palpable to others.

Once your demo is released...

Do: Keep a balance

Making games is very, very hard. And the world is very, very harsh. It is okay to let your fans know about delays or potential cancellations, such as through the devlogs on itch.io for your game, in your community spaces, or on your blog. Please be honest. If you do not think that, after a demo's release, you can continue on the project, make it clear that it has been cancelled or on hiatus.

People will be understanding. The world sucks, and it sucks the life out of us. People are more forgiving if you are honest with the status of your game, rather than leaving it in a perpetual limbo.

Don't: Think that the popularity of your demo constitutes how "good" your game is.

Your demo may not do well. That could be a number of factors. Maybe your marketing didn't hit where you think it should have. Maybe you posted it at the same time as another game. Not your fault. The full release may do better. Don't let the numbers be the reason you give up.

Do: Network!

Get to know fellow developers in the space so you can learn from one another and get more ideas for improving your own games.

Don't: Use developers.

Use a developer's resources. You should not be making friends with other devs if your desire is to try and become friends with big people. That's a parasocial relationship, buddy!

Do: Tell your fans the course of action

Do you have a development timeline set up? Writing multiple days? Give fans a general outline that you planned before writing your demo. It's okay to miss things as long as you're honest. But a timeline will help you hold accountability for yourself.

Don't: Charge for it.

I've seen at least 3 games take the "I'm going to charge for a demo" route in an effort to sway children from playing the game. This is going to sway everyone. Especially if players have not seen a complete + finished product from you, they will not be buying an unfinished game. There are other ways to hide your games from children, such as using itch.io's adult content filters and applying them to your projects.

Main takeaway: Be honest.

I say this a lot throughout this post, but it's because it pushes on a particular trend I see in beginner visual novel developers. There's this desire to create, but there is also the desire for fandom centered around what characters and world spawn from your creations. To maintain that fandom, you need to create. You need to be consistent. It may be harsh, but it's the reality.

Life is hard, and a large majority of us are NOT doing this for a living. Life will get in the way. It always has, it always will.

That's why it's good to practice integrity. Know yourself and your limits. Take steps back and be willing to be open + honest.

Fans won't be happy if you keep saying a game is delayed and show little to no work. Posting unrelated artwork and spending months answering Tumblr asks instead of making a game will eventually run you in the mud without anyone to enjoy what you have the potential to create.

Live up to your promises, and if you can't, be honest. Your community will support you as long as you're open.

[totalswag]

Hello lovely I love ur writing abt Drew & Reader actresse sweetheart it's so good <3 I have a little request to make to you if you don't mind, Drew react to the Reader acting in the horror film masterpiece (like the movies Suspiria and Climax vibes) of which she's a part of the main cast

I'm just curious if he would be terrified or blown away by this kind of role that she plays like this one or not ;) thank u !!!

unbelievable performance — DREW STARKEY

authors note aw thank you lovie! that means so much to me. by the time you are reading this, my second fic with drew x actress!reader is out (the first date). i have never seen either movies that you listed in your request but i did look them up to get a gist.

summary drew was impressed by your performance in your latest horror film.

warnings mentions of kissing, horror films

masterlist

Tonight marks the premiere of your new horror film, in which you star with some amazing actors. After many hours of continuous filming, sequences are officially wrapped. You're extremely proud of yourself and your casemates. 

You were the staring lead in the movie. Getting the part after auditioning was a blessing in disguise. This being your very first staring lead role in any movie you’ve been in, you were so proud of yourself.

Everyone is seated in the theater. Drew, your boyfriend, also came with you. The entire cast stood in front of the stage as your director discussed the film a bit.

You shifted your focus to Drew, who was already looking at you in admiration, which made you smile and making you blush.

When you stepped up to your seat, he leaned down to your ear and whispered, "I want you to know that I'm so proud of you, and I know you did an amazing job on this movie," before kissing the top of your head.

“I love you baby, so much” you answer with your voice already starting to crack before tears wanted to burst out.

“Me more.”

Drew was so excited to watch his beautiful girlfriend on the big screen. Non-stop talking about the movie with you and his predictions on what will happen.

Everyone in the theater began to applaud as soon as the lights went out. Drew's hand moved easily down your thigh and gave it a little squeeze. Your skin began to tingle from his touch.

The movie begins with a hauntingly beautiful dance routine in which the camera swirls around the dancers in a way that is both captivating and unnerving. Drew is instantly captivated. As the story progresses, he observes your character navigating a world fraught with psychological pain and supernatural fear.

Half way through the movie, it’s been jaw dropping and incredible.

He is always on the edge of his seat in every situation you are in. You capture the dread and lunacy of the film's twisted narrative with an unvarnished and honest performance.

He's afraid and enthralled with the story at the same time, amazed at your ability to portray such raw emotion. Never once did he take his eyes off the screen.

The way the movie came out was unbelievable. The editors did wonders on this movie and made it into something viewers will want to keep watching.

Once you two arrived home after eating dinner at the after party, Drew and you took a shower together in your shared bathroom, changed into pajamas, then went into bed with the tv playing.

Later that night, back at home, Drew can't stop talking about the movie.

"You know, watching you in that role allowed me to see a completely other side of you. You were fierce, vulnerable, and incredibly compelling. "It was like watching an acting masterclass."

You laugh quietly and rest your head on his shoulder. "It means a lot hearing you say that. I was concerned about how you would react."

"Are you kidding?" I loved it. "I'm just glad I wasn't watching it alone in the dark," he jokes.

my taglist!

✰ if you would like to be added to my taglist and be notified whenever i post please let me know in the comments or in my ask box. if there's a line across your name that means i couldn't find your account.

@winterrrnight @chenslucy @rosezza @diqldrunks @runningfrom2am @ethanthequeefqueen @rafeyslamb

[valyrfia]

top five lestappen moment on track or off track from you to change the vibes

You do know how to sweet talk a woman.

5. Lestappen Monaco 2024 hug. Biased because I just have fond memories of this one including but not limited to me putting my phone on the table in a coffeeshop and sliding it across to @thearchercore like it's a particularly sensitive piece of blackmail, but there's literally zero reason looking back on it for Charles to have gone in for that hug. He didn't do it for his future teammate, why Max? WHY THE WAIST? MEN DON'T KNOW THE WAIST EXISTS? It's compelling as hell, and raises a lot of open questions that's for sure.

4. The Austria 2023 wink that's been immortalised across a thousand thirst edits. Charles' entire face goes laser focused the second he sees Max, he winks, proceeds to say good job, Max blushes like Bridgerton protagonist. What's best is that I've seen this in every single Charles thirst edit ever and everyone is slightly ?! when they discover Charles was doing all this at MAX.

3. On track sex at Silverstone 2019. Each other driving like madmen and Charles coming to press afterwards grinning ear to ear saying it's the most fun he's had in his career. Compare to Nico Rosberg's most recent comments about being terrified driving wheel to wheel with Max because Max is a nutcase. It's proof that Max and Charles are able to race each other like no one else, it's the thesis of the entire pairing.

2. The first padel date in October 2023. Lives were changed. Something shifted. Lestappen Gate 2023 began. @tsarinablogs was on a place and I was freaking out in her undelivered messages. Internet went wild. First inkling they might actually be proper friends. What a time to be alive.

1.The 2023 Vegas double interview. With the marriage jokes flying about that weekend it was just perfect timing. Max and Charles' little nerdy racer 'come in', 'copy!' back and forth, them answering questions like a couple while being perfectly weird about each other. I miss them. It was peak Lestappen (so far!) and we didn't even know it.

+1 honourable mention to Austria 2022. I can't not include this iconic moment. Max beaming like HE'S won the grand prix, the sex tape on the podium. It's a Lestappen cornerstone and cemented itself and the ship in the F1 RPF history books.

[adventures-in-mangaland]

Dead Boy Detectives Fic Recs Part 6

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Sorry its been a while, last month was crazy! Not too crazy for my emotional support fandom, though! You guys are giving me life. So please have another fic rec list. :)

We two boys together clinging by Aliquis

Charles and Edwin explore their romantic and sexual hangups and also help Crystal search for Niko. This fic has everything: excellent writing, developing relationship, rituals, first time, Beltane, a hot priest. This is already a fandom classic and now I've finally read it, I can confirm it's very good! Read the rest of the series too!

The stranger the better by ghostinthelibrary

Everyone's alive and basically the supernatural version of the Men in Black. I love the whole series, but this installment has the boys' first meeting, Edwin insisting he doesn't need a new partner, office gossip and an intriguing case. The prequel also has palasaki and background catwin! Anyway, I'm obsessed with this AU.

Partridge in a Pear Tree by Vamillepudding

Cinderella AU! Charles is basically a Disney Princess and Edwin is Secretly The Prince, it's wonderful. I also loved the worldbuilding and nods to old school Cinderella lore, like the gift-giving tree. So charming, highly recommended.

Wunderkammer by dear_monday, two_ravens

Edwin and Charles (and later Crystal) are functionally immortal and running a magical museum. This fic has a fantastic sense of place (the Athenaeum is a character in its own right) and an intriguingly gothic horror vibe with its sentient exhibits, doors into other planes and unnerving nonchalance about disappearing staff and guests. I would probably die, but I would absolutely go there.

pinch me (I don't want this to be a dream) by shadowquill17

The pince-nez fic! Charles finds a pair of glasses that show him a person's desires. Then he looks at Edwin. It goes about as well as you'd expect. It was inspired by this wonderful comic by technically-human so check that out too!

Let Me Follow by LikeMmmCookies

Time loop fic! The boys get trapped in Crystal's mind, replaying the day of Charles' death. Only Edwin is the New Boy in school and he's alive... Fantastic concept, so intriguing. Plus Crystal being a badass, The Sandman crossovers and Niko!

Oaths of the Forsworn by e_va

Vampire AU! The boys meet while Charles is dying so Vampire!Edwin agrees to turn him. The story is ongoing, but so far it's been focusing on Charles coping with being a fledgling vampire. Compelling.

lasciate ogne speranza, voi ch'intrate by KiaraSayre

Edwin is in Hell. Or is he? Fabulous writing, Hell worldbuilding and gut-wrenching detail. Cw for body horror and torture.

'Cause You Cut Through All the Noise by DontOffendTheBees

Edwin doms Charles in a therapeutic and non-sexual way. That's it and it's great. I loved this for its exploration of intimacy, trust and kink.

Instructions on Being by thewritingotter

Everyone is Alive Modern AU based on an AITA post featuring Charles convincing himself he's homophobic when he realizes he hates Edwin dating other men. It sounds like a funny premise, but really brings the angst and poignancy.

in an alternate timeline's light by plentyghost

Charles finds comics!Edwin hiding in the office. Sweet.

Become So Numb by snowkatze

AU where the Night Nurse doesn't help Charles and Edwin spends another 50 years in Hell. Loved Edwin's mechanism for escape, kind-of-dark Charles and the angsty reunion.

unidentified affectionate object by lyres

Edwin is struck by a curse that manifests his feelings as random objects. Good thing Charles isn't also effected... Very cute with mild angst and a happy ending.

between you and me, suddenly something is on my mind by lolotr

Beach episode! A proper one. Just fun, friendship and emotional support. Plus Edwin in an Edwardian swimming costume, complete with a handy visual aid.

Other Types of Intimacy by Asidian

After a tough case, Edwin takes care of Orb!Charles. (Chorb? Is this chorbwin?) I guess I have a thing for non-sexual intimacy. Seriously, though, what could be more beautiful than someone cuddling your soul?

(black is the colour) of my true love's hair by ObsessedWithFandom

Charles has long hair: the fic. Interesting ghost lore with Charles' hair kind of working like his mood-ring polo and growing when he's happy. And this is an established relationship payneland fic, so lately he's been very happy. 😜 Honestly, as a child of the 80s, Charles deserves to have long hair. I need more fanart!

@ghostinthelibrarywrites @shadowquill17 @tumblerislovetumblerislife @lolotr @technically-human @dont-offend-the-bees @neurodivergent-fangirling @fishy-lava @many-gay-magpies @cordelia-noir @whatthehorsedoicallthisblog @shazziez @extremely-eager-reader @atariakana @tragedy-machine @guardianspirits13 @colourmornings @herebehunters @dearheartdont @avoiceofnerat @littlepocketuniverse @overlord-of-chaos @fairandfatalasfair @handwrittenhello @every-moment-a-different-sound

I've added some tags for people who left fun tags/comments on previous lists. Let me know if you'd like me to add you on the next one. :)