#or let it be and understand that not every single one of a character's actions has to be morally justifiable

[franeridan]

been going through the sumeru archon quest finally (met alhaitham)(my camera roll is just a hundred screenshots of his face)(I'm perfectly normal about him wym) and i think i get why people say comparing him to ratio isn't exactly correct but talking to him does feel like talking to ratio in a surprisingly uncanny way I can't even lie about that

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[kaiser1ns]

#. SOUL EATER : RESONANCE

𝘄𝗶𝗻𝗱 𝗯𝗿𝗲𝗮𝗸𝗲𝗿/𝗯𝗹𝘂𝗲 𝗹𝗼𝗰𝗸 𝘅 𝗳𝗲𝗺!𝗿𝗲𝗮𝗱𝗲𝗿 ıllı. takiishi chika, umemiya hajime, suo hayato, endo yamato, sakura haruka, kaji ren & itoshi sae, michael kaiser, nagi seishiro, bachira meguru, itoshi rin, isagi yoichi

fluff. death weapon meister academy's best students and the resonance between you.

happy belated halloween! 500-600 words per scenario so hope you enjoy these treats from yours truly ♡

MEISTER!CHARACTER x WEAPON!READER

ITOSHI SAE

“Sae, please talk to me!” You tug at his blouse, practically pleading. “I’m sorry, okay? It just happened, and you know I’m still learning to control my powers—”

Sae’s gaze finally drops to you, cold and his face holds none of the understanding you’d hoped for. “You were being incredibly stupid,” he says bluntly. “Dr. Stein wanted us out immediately after you went out of control. When I wield you, I need to know you won’t act on your own.”

It’s not like you tried to go rogue. You’ve been with him through countless missions, pushing yourselves, and trusting each other even in the roughest of battles. But this? You bite back, your irritation rising. “It wasn’t my fault! And Dr. Stein helped, didn’t he? It’s not like I was going to die or anything!”

Your voice comes out sharper than intended, the words fueled by a frustration you can’t hold back. He knows you better than anyone and knows how hard it is to keep in sync, to keep this connection as flawless as he demands. Yet here he is, acting like one mistake makes you a liability.

“Y/N…” Sae’s tone turns low, a warning. “You were unconscious for two weeks. You don’t remember what happened. Do you want me to tell you?” His words hit you hard, hurting you more than any wound you have had so far.

He’s always held high standards for you that sometimes feel impossible. As his weapon, he expects you to be perfect—flawless, untouchable. You feel the weight of his pride as a meister, his expectations towering over you. And there’s a bitter ache that tightens in your chest as you wonder if he sees you as unworthy now as if you’re a weak link in his chain.

You exhale slowly, feeling the pressure of his stare, every unspoken word bearing down on you. “I know, I know! But it’s not fair to think I’d instantly be able to control all of that power the second it woke up in me! I’m trying, Sae.”

He sighs, and for a moment, the hard line of his mouth softens just a little. He reaches out and flicks your forehead lightly. “For someone who’s going to be with me for life, you’re rather annoying,” he says, his tone lighter. The tension eases, and every time he flick your head you know you have made up. He smiles a little and you can’t hold back as you grin.

“You’re the best,” you say softly, finally stepping forward and pulling him into a quick, impulsive hug. You press a light kiss to his cheek, the gesture small but he is used to your affection and he takes everything you have to offer. He rolls his eyes, but there’s a ghost of a smile in the corner of his mouth. “Yeah, yeah. You should be the best, too.”

TAKIISHI CHIKA

The night sky is colored with stars, tiny silver shards that seem to tease you with promises of power and action—things your meister, Takiishi Chika, rarely lets you offer. You sit on the cold stone steps, arms draped across your knees, watching him fight without you, again. He’s a human inferno slicing through enemies like it’s nothing. For all his talent, he refuses to call on you, even when a single second of hesitation could mean his life. 

You sigh, looking back at the stars, counting them just as you count each missed opportunity he has to use you. If only Takiishi would stop being so... Takiishi. The battle finally ends with him victorious, but there’s no acknowledgment of your presence—no glance your way, no word of thanks for even being there. He simply turns and begins walking off, leaving you alone on the steps.

“Takiishi!” Typical. You groaned, launching to your feet and jogging to catch up with him. “You can’t just leave me like that! Hey, are you even liste—”

Finally stepping in front of him. He pauses, looking past you, expression cold and bored. “Move,” he says, his voice flat and utterly indifferent, flames still flickering across his body as if they, too, ignore you.

“I won’t move until you realize that this is teamwork,” you counter, setting your stance. “You can’t do everything alone.”

“I don’t care. You’re in my way. Move.”

The indifference is like a cut, sharper each time he says it. You clench your fists, feeling the familiar ache of unspent energy ripple through you. “Fine. If that’s what you want, then maybe I’ll ask Umemiya. He’ll be more than happy to partner with me.”

The second Umemiya’s name slips from your lips, Takiishi’s face barely shifts, but something flickers in his eyes, gone in a flash. You feel the weight of his stare, and it makes you feel powerful that you have your meister in such an unusual state. It’s almost enough to make you stay but you take a step back, ready to leave, but his hand reaches out, catching yours.

You turn, surprised to find a softness in his face, he looks… lost. Vulnerable. “What?” you ask, brow arching. He doesn’t answer, just tightens his grip slightly. He’s like a wolf trying to hide its wounds, but you’re not about to let him off that easily.

“Don’t go...” he finally mutters, eyes avoiding yours. For someone who doesn’t want to rely on you, he sure hates the thought of anyone else doing so.

“And you suddenly care when I mention switching partners?” you retort, your voice softer now, realizing just how much the idea unsettles him.

Before you can question him further, a monster lurches from the shadows behind you. Takiishi’s hand snaps to your shoulder, pulling you behind him protectively, his flames flaring up in a blaze that makes the night momentarily glow. His eyes meet yours, this time without words, but you know what he’s asking.

You sigh, offering him a small, resigned smile, and nod. Maybe he’s stubborn, cold, and reckless—but he’s your meister, and for better or worse, you’re his weapon. He needed you now. Transforming and letting your power flow into his hands, trusting him to wield you to your fullest.

You would always be the strongest weapon in his hands, because even if he’d never say it, you were his, and he was yours.

MICHAEL KAISER

His hand trails through your hair, fingers brushing against your scalp in slow, gentle strokes that lull you deeper into rest. The exhaustion of yesterday’s training took a lot of energy and it’s hard not to sink into the comfort of him beneath you. His chest rises and falls steadily under your cheek, matching the rhythm of your breaths. 

“You’re that tired?” His voice is soft, a whisper more to himself than to you, but you manage a faint mumble, not bothering to move. It earns a small chuckle from him, and he pulls you closer, his hand never stopping its movement through your hair. “Still, you did well today. Especially against Isagi. That was impressive,” he murmurs. There’s a hint of pride there because he is so proud of you. He never expected less from the best weapon and girl in the whole wide world.

“Mmm, otherwise you’d still be complaining about losing,” you mutter, words muffled against his skin. Your fingers trace lazy patterns across his tattooed shoulder, and you can feel him smile at that. The Academy, your training, the never-ending cycle of challenges and rivals—it’s not important now when the two of you relax in his room.

You barely notice as your breathing slows, and the last thing you feel is his hand brushing your hair from your face before sleep overtakes you completely.

But all too soon, the alarm rings, pulling you out of the warmth of his embrace. You groan, stretching as you peel yourself off his chest, and the soreness from yesterday’s battles immediately makes itself known. Rubbing the sleep from your eyes, you stumble to your feet as you walk over to where your uniform is laid out. You catch a glimpse of Kaiser stretching beside you, his hair tousled from sleep, his expression as groggy as yours. Yet somehow, he’s already flashing that smirk of his, the one he knows you can never fully ignore.

“You always look good when you’re about to kick ass,” he teases as you pull on your jacket, adjusting the fit around your shoulders. “Especially Isagi’s ass.” The playfulness in his eyes tells you he means it, though it’s more than just a compliment. It’s his pride, his own way of showing you how much he values you by his side. He can’t resist adding fuel to the fire, of course, but there’s this satisfaction of always being the winner, his appreciation for you and the way you fight.

“Shut up,” you mutter, rolling your eyes, but the smile slips onto your face before you can stop it. Kaiser grins, knowing he got through to you, knowing that he’s managed to start your day and remind you exactly why you’re here with him. As you finish dressing, he is in his uniform too, now wrapping his arm around your waist ready to go out and show you off, because as exhausting as it all is, being his partner—being the one he trusts, the one he praises and boost his ego—it’s something you wouldn’t trade for the world. 

UMEMIYA HAJIME

Everywhere you go, you hear whispers. First-years talking, pointing in your direction as if you’re something out of a storybook. "That's Y/N,” they’d say, praises dripping from their mouths, “Umemiya’s death scythe." There’s admiration there, and maybe even fear. After all, a weapon as powerful as you is rare, and with a laid-back meister like Umemiya, it seems like an odd pairing.

He’s known for his easygoing nature, approachable smile, and willingness to help anyone with anything… even if it’s absurd. To you, this sounds noble in theory. But in practice? It means moments like this one, where you’re looking down at your meister with your arms crossed, his hands clinging to your legs as he begs you to transform.

“Please, Y/N! I left my gardening tools in the shed back home, and we’re already here! Can’t you just… you know, turn into a scythe? Just for a few quick cuts!” You can only gaze down at him. A death scythe, being used to prune vegetables. The absurdity of it makes you grit your teeth. “Ume, I am not doing that! I’m a Death Scythe, not a hedge trimmer!” You try to shake him off, but he clings tighter, not one bit fazed by your irritation.

“Please, please, please!” he insists, hugging your legs harder. “I’ll cook for you, whatever you want! The most delicious meals, I promise!” He looks up at you, blue eyes pleading that would make a saint roll their eyes.

You narrow your eyes, pretending to consider. “Let’s see…” You tap a finger on your chin, drawing out the answer as long as possible just to make him sweat. “Eenie, meenie, miney… No!”

He sulks, face crumpling as he clutches at you dramatically. “Y/N! I thought you were my partner in crime! Partners always have each other’s backs, right?”

“Oh, don’t even try that on me,” you huff, crossing your arms tighter as you look away. “We are not partners in vegetable cutting.”

“Y/N!” he cries, the pouty lip and big eyes coming out, that was so immature for a strong leader and Meister, but that's just who he is.

“Umemiya Hajime,” you say, voice sharp and final, making him flinch. That full name is your last resort, and he knows it. “Go buy some vegetables from the market. I’m not wasting my energy on this.” Finally, with a sigh, he lets go and stands, running a hand sheepishly through his hair as he gives you a look of innocent exasperation.

“Fine, fine,” he mutters, deflated, but the spark never leaves him. “You win.” You’re about to turn away, feeling victorious, when he clears his throat, looking at you with a warning in his eye. “Just… to let you know, though, we’ve got to help an older couple with tree cutting tomorrow. They really need it.”

Your jaw drops and your eyes go wide. “What?”

He smiles, trying to look innocent. “Hey, they’re really nice! And they could use a little help from the strongest weapon-meister duo in the academy…”

You take a deep breath, feeling your energy drain just thinking about it. "You're unbelievable, Ume."

He raises both hands in surrender, laughing nervously as he grins, wide and bright, completely unaffected by the exasperation in your voice. It’s times like this when you wonder if you’re the meister and he’s the weapon. But one thing’s for sure: whether he’s charging into battle or begging for garden work, Umemiya Hajime is going to be the death of you. And if he pulls another stunt like this? He just might meet the wrong end of his own scythe.

NAGI SEISHIRO

“Sei, please!” you say, as you stand in front of the couch. “I’ll get you that new game if you accept this mission!”

Nagi Seishiro doesn’t even open his eyes. Instead, he gives a long, drawn-out sigh as he stretches his arms out behind his head, his tall frame too long to fit comfortably on the couch. His legs dangle over the edge, but he doesn’t seem to mind. Honestly, he seems to enjoy lounging around more than he enjoys actually doing his job as your meister.

It’s not that he can’t do the work. No, it’s the opposite. Nagi is ridiculously skilled—maybe even one of the best—but he’d much rather spend his time avoiding the responsibility altogether.

Missions? Too much hassle. Classes? Why bother. Training? He’s already good enough. Meanwhile, you’re trying your hardest to uphold your reputation, keep your grades up, and, most importantly, collect souls to be stronger. But none of that seems to matter to Nagi unless it somehow involves him not being bored during the mission or anything that has to do with moving.

He cracks one eye open, glancing at you with that familiar sleepy stare, “New game, hmm?” he mutters, finally giving you his attention.

You nod, your hands pressed together like you’re praying, “Yes! It's the new one from the series you like. With the best graphics and battles, you know the bes–”

“Hmm…” He rolls onto his side, considering if he should take up your offer. “Sounds like a lot of work.”

“Exactly,” you counter. “Just like this mission is going to be for us. But if we succeed, Lord Death said he’d give us a few days off, and… I’ll use that time to get you the game. You’ll have something new to play instead of replaying the same one a hundred times.”

The promise of the game seems more than appealing. He pauses, a thoughtful look crossing his face as he scratches his head. “But this mission’s rated hard, isn’t it? Ugh… fighting tough enemies is such a pain.”

“Yes, but it’s nothing we can’t handle. You’re a genius, remember?” you say with a smirk, hoping to stroke his ego just enough to sway him.

His options between taking the mission and going back to sleep. Finally, he sat up and rubbed the back of his neck. “Alright, fine. I’ll do it. But you better make sure you get me that game.”

You can’t believe that it took you all of your savings for a game, but you managed to pull him out of his comfort zone. As you gather your things and prepare for the mission, Nagi is already stretching out his arms, yawning. “Let’s make this quick, okay? I want to be back before I get too tired,” he says, already planning his next nap.

“Yeah, yeah, lazybones,” you mutter, walking out of your home, but even as you roll your eyes, you can’t help but smile. If tricking him with video games is what it takes to get your lazy meister in action, you’re more than willing to make that deal every time.

SUO HAYATO

“Come on, if you keep hiding things from me, I’ll keep seeking,” Suo’s calm, playful voice trails behind you as he walks with that unchanging smile, hands clasped leisurely behind his back. But you keep your gaze fixed forward, pretending you didn’t hear him, or at least, trying to. That relaxed, endlessly patient look of his was somehow just as frustrating as it was comforting, especially when you were feeling out of sorts. You know better that he is no stranger, he is your meister, and he knows when something is troubling you.

“I said I’m fine.” It comes out as a rude remark, and you immediately regret it. You stop, pressing your lips together in frustration, only to feel the softness in Suo’s eyes on you as he stops too. You turn, and though you try to fake your expression, the sadness in your gaze betrays you. He notices it all—of course, he does.

“Breathe in, then out,” he says softly, his hand settling on your shoulder. “I’m here for you.” His voice wraps around you like a safe embrace, and before you can stop yourself, the tears start falling. Your meister pulls you close without hesitation, his pristine white chang-shan serving as an unintended handkerchief.

You swallow, finding your voice as you mumble, “It’s just… Endo said I’m not worthy of being in Bofurin…” Your voice is muffled by his clothes, but he seems to catch every word. Each tear, each word, he hears and feels it. Your soul is connected to his so gets to experience your pain.

Suo’s hand moves gently over your back in soothing circles. “Ah, Endo,” he chuckles lightly, unfazed. “I should have guessed. He’s just trying to get a rise out of you, as usual. Remember how he did the same with Sakura?” He leans back slightly to meet your gaze, even if one eye is covered by an eyepatch. You blink, remembering that day. Sakura had been angry and lost after one of Endo’s comments about him. But he’d risen above it, and you had admired his strength then, just as Suo had assured him he was worthy. Now, it feels like he’s giving you the same gift of perspective.

“But what if… what if I’m not as good as him?” you ask, voice trembling. “What if he’s right?”

Suo’s expression softens, and his gentle smile stays. “If you weren’t capable, I wouldn’t have chosen you as my weapon,” he says simply, his words holding nothing but the truth. “Endo wants you to feel lesser because that’s his tactic, his way of keeping others from growing. But you don’t have to give him that power.”

You take a shaky breath, letting his words settle. The doubts lose some of their weight in the light of his quiet confidence in you.

“Besides,” he adds, his tone playful, “That guy lives to get under people’s skin. You don’t need to believe everything he says.” He winks, and you can’t help the small laugh that escapes. There he is again, always finding a way to make you smile.

“Now,” he continues, holding your hand in his, “How about a tea date instead? It’s been way too long since we’ve had one, and I could use an excuse to relax with my favorite and only girl.”

MEISTER!READER x WEAPON!CHARACTER

BACHIRA MEGURU

As Bachira’s laughter echoed down the school halls, you couldn’t help but smile, clinging tighter to his shoulders as he dashed ahead, but with him everything is more fun when you don't do things normally.

“Bachira, slow down! We’re gonna fall!” you said, more like screamed in his ear, your words nearly drowned out by his wild laughter. And as much as you enjoyed it, sometimes he went a little too far.

“Not a chance!” he shot back, barely avoiding a janitor’s cart as he took a sharp turn. You tighten your grip, feeling the wind rush past as the hallway blurred by. Finally, with a screech of his sneakers, he stopped just outside Lord Death’s office, grinning back at you. “Arrived at the destination! Kisses can be used as payment.” He tapped his cheek with a smug look, and you rolled your eyes but leaned in, giving him a quick peck.

“Not the best drive,” you muttered as you slid off his back, “wouldn’t recommend…but will see if I would do it again.”

Opening the door, you straightened up, slipping into professional mode, though it was hard with him right behind you, still buzzing with energy. In front of you, Lord Death stood by his massive glass mirror, wearing his jagged, dark robes and that cartoony skull mask that had a way of being both silly and terrifying.

“Lord Death, we’re here,” you said, trying to balance respect and calm as you addressed him. "What did you call us for?”

“Ah, Y/N and Bachira! My favorites! Please, please make yourselves comfortable,” he replied, gesturing toward a table absolutely loaded with cakes and sweets. Without a second thought, Bachira made a beeline for the table, already stuffing his face with something chocolatey as you tried to listen to Lord Death’s orders.

“Now, now,” Lord Death continued, “I need the two of you to retrieve this missing item. It’s a secret mission, so remember: not a word to anyone. It’s for your safety.”

You nodded, glancing over at Bachira, who now had chocolate smeared all over his face, looking like a kid who’d just discovered sugar. “Fo yu feef fus fu fo fere fand—” [So you need us to go there and–] he tried to say, his mouth completely full. But he was cute and was excused by such informality and Lord Death enjoyed how the young weapon was so himself.

You shook your head, amused, and finished the sentence for him, “And get the job done as fast as possible.”

“Pricelessly, yes!” Lord Death clapped his hands together. “You two make an excellent team!”

You shot Bachira a look and handed him a napkin, wiping away the chocolate smears with a grin. “If we’re going on a secret mission, we might as well look good.”

Your partner just laughed, grabbing you and hauling you back onto his shoulders, bright yellow eyes sparkling with his never ending playfulness. “Hold on tight, Y/N! Next stop: victory!”

“Not again!” you yelled, clinging to him as he left Lord Death’s office at full speed, rounding the first corner so sharply you almost slipped. But you knew he’d never actually let you fall.

Lord Death watched you both go, shaking his head with a smile. “Ah, youngsters. Full of life.” He knew there was no better duo for the job.

ENDO YAMATO

It was supposed to be a simple mission: slip in, take out the Kishin, collect the soul, and get out. No complications, no distractions. But when Endo was involved, even the simplest things became… well, complicated.

“Did I ever tell you about the time Takiishi used me in that fight against the ninja guy?” he whispers, just a little too loud. You shoot him a glare as you crouch low, scanning for any signs of the Kishin lurking in the shadows. But Endo, oblivious to the situation’s demands, just keeps going. “Seriously, it was incredible! The way he wielded me—I'm telling you, it was like magic! I mean, you’re amazing, obviously, but this guy? The two of you together would be unstoppable.”

Your patience was wearing thin, and it was showing. You glanced over your shoulder, whispering in a low, scolding tone, “Endo, would you shut up for once? We’re supposed to be done with this by now.”

He just smirked, leaning against the cold stone wall as though this was a casual night out instead of a mission. “Aw, come on, doll. What’s the rush? We’ve got all night to take down one little Kishin." watching you with those eyes that showed nothing good, "Besides, don’t you think you need to loosen up a bit? You’re always trying to be ‘Miss Perfect.’ But you’re already the best, hands down.”

You scoff, rolling your eyes. There’s no way you’re letting his endless banter derail the mission. You extend your hand. He takes it with a lazy smile, intertwining your fingers just a little too slowly. “Transform, now,” you whisper, trying to ignore the warmth of his hand in yours and the playfulness in his eye.

Just then, you hear footsteps, a shuffle in the darkness. Instinctively, your grip tightens, and Endo shifts, his form glimmering as he becomes a sleek, polished pistol in your hand. The perfect weapon for one clean shot.

“Right on target, or I’m putting you in detention,” you mutter, aiming carefully. A soft chuckle echoes from the weapon in your hand.

“Only if you’re the one giving it to me,” he teases, his voice vibrating through your body.

You don’t bother responding, steadying your aim. Pulling the trigger, the shot resonates in the silence as the Kishin collapses. A faint smoke drifts from the barrel as Endo shifts back, grinning as he strides over to collect the soul—a glistening blue orb hovering above the remains. He snatches it with satisfaction, letting it vanish into his mouth as this was his dinner, but he is always ready for dessert.

You’re already turning to leave when he catches up, nudging your shoulder. “So, now that we’re done here, think we can swing by the party? Takiishi will be there, and—”

His words trail off when he catches your unimpressed look. But as always, he doesn’t give up. Instead, he steps closer, tilting your chin up with his tattooed fingers. “Or maybe,” he murmurs, his voice low, “I could show you a little more of what I can do. Just the two of us.”

You smirk, catching his hand and intertwining your fingers as you start leading the way back to the academy. “You’d better make it worth my while, then.”

He chuckles, that lazy, cocky sound trailing after you. “Oh, you know I will, doll. Anything for you.”

ITOSHI RIN

You’d been searching for him all day, irritated, annoyed but not surprised. Why does he have to pick a fight with Isagi again? Poor guy probably didn’t even do anything this time, just breathing and existing. But Rin’s temper? It seems to have a strong trigger, and you are fully prepared to be the one to finally make it go off on him.

You scanned the room, spotting your friends who gave you sympathetic glances, some even knew what was coming. When you finally spot Rin sitting at his desk in class, like he doesn't care about anything in the world, he's just there.

Without a second thought, you shove the classroom door open, and it bangs against the wall with a force that pulls every head in your direction. Even Dr. Stein, who usually comments on such disturbances with some dry remark, raises his eyebrow at you, his mouth opening. But one sharp look from you shuts him up. He knows better.

“Itoshi Rin. Out, now.” Your voice is hard as steel, nothing like the sweet tone you save for casual days, when you’re both training, laughing, maybe even getting along for once. But today, this? This is all business, and everyone knows that if you’re mad enough to pull him out of class, he’s in trouble.

Rin just rolls his eyes and scoffs, pushing himself up from his chair and sauntering to the door. You let the door close behind you with a polite, “Excuse us, Doctor,” as you exit. Stein just sighs, casting a pitying look at Rin’s empty chair.

Behind you, someone whispered, “Think she’s gonna be the first meister in centuries to kill her weapon?”

Dr. Stein gave an unbothered shrug. “I’d like to see the body afterward, for... scientific purposes.”

Outside the classroom, you stop, crossing your arms and tapping your foot. Rin is slumping against the wall, his hands shoved deep into his pockets as he stares at you, his expression completely unbothered. He seems to be waiting for you to say something, but you wait for him, pressuring him to do something.

“What do you want?” he finally mutters, almost as if he’s bored.

“What I want,” you begin, warning him with that tone, “is for you to stop with this ‘I’m going to kill Isagi’ nonsense.” You can’t keep the anger out of your voice, but you do try to stay calm and controlled. He needs to understand that you are serious without having to scream it in his face. “Rin, there’s nothing wrong with wanting to be the best. But you know as well as I do, we don’t need to crush everyone else to prove that. Not him, at least.”

He’s staring at you, but it’s clear he’s listening to you, but he doesn't hear. He finally scoffs, mumbling, turning his head in the opposite direction to avoid you. “As if.” What he hated the most was to be told what to do.

You take a step closer, pressing a finger to his chest. “Listen, I don’t have all day to deal with this. I don’t care if you have a grudge or if he has better luck sometimes. You’re my weapon. And that means you follow my orders.”

Rin’s eyes flash, and he grabs your wrist, his grip firm as he leans down just enough to be intimidating. “I do whatever I want.” You yank him closer by the shirt, unflinching. “And I can crush your soul if you ever cross that line with me again. So don’t forget, Rin—who’s the one with the control here?”

For once, his blunt expression falters. You’re not sure if he’s backing down…or if he’s just considering something else. Either way, he releases your wrist, mumbling under his breath, but for now, he’s been put in his place.

SAKURA HARUKA

"Can't you run faster?" As you leap from one rooftop to the next, Sakura's voice echoes in your head, scythe held tightly in your grip. To achieve his ultimate form as a Death Weapon Scythe, Sakura needed to consume the soul of a witch, and tonight, you had one within your sight. “Shut up! I'm trying my best here," you snap back, spinning the weapon instinctively to keep your balance. His groan vibrates through your hands as he starts to feel dizzy.

"Huh?! This is your best?" he taunts, irritated by your fighting, more like defending yourself. Your patience finally snaps, and you grind to a halt, releasing his weapon form as he transforms back to his human shape beside you. His expression is just as fiery as yours, brows knitted, eyes blazing. His sharper-than-normal teeth peek out in frustration.

"Sakura, stop! I’m fed up with your attitude," you say, barely keeping the anger out of your voice. He stares back at you, unyielding. "I'm your weapon for a reason, remember? Because you’re supposed to be one of the strongest Meisters out there. Don’t make me regret my choice of picking you."

The tension between you crackles, the adrenaline and frustration of the hunt mingling into something that even Lord Death won’t be able to stop, as he tried so many times to teach you to be one with your partner. But before you can respond, a voice interrupts from the shadows, lilting and playful, just what you need right now.

"My little pumpkins... I’m so sorry to interrupt," the witch croons, hovering just above you in the sky. Her glittering eyes shine in the moonlight, a smirk playing across her lips. "Are we going to do this tonight, or should I come back another day?"

The two of you whirl on her in perfect unison, “Shut up!” you shout, voices harmonizing as she pouts, clutching her hands to her chest in mock hurt. But you’re too caught up in the moment to notice the glint of magic in her fingers. Before you realize it, she’s already begun her spell. A sudden pulse of energy knocks Sakura against you, making you stumble on the edge of the rooftop.

You feel yourself losing your balance as the ground rushes up toward you, but Sakura’s arms find their way around you, his grip tight in fear of not letting you go. Instinctively, you clutch him back, bracing for a rough landing.

But instead of cold pavement, you crash into something soft and oddly bouncy, breaking your fall with an unexpected jolt. You open your eyes to find yourselves surrounded by squishy pumpkins conjured by the witch’s magic. You’re still tangled up with Sakura, his arms wrapped around you protectively, as he is more concerned now than angry. Your safety was his number one priority, even if you had arguments most of the time you had missions.

"Such cuties you two are!" the witch giggles, waving her fingers at you like she’s saying goodbye. “Well then, until next time!”

And with that, she vanishes, and your weapon mutters something under his breath, finally letting go of you as he stands up, brushing off imaginary dust with an embarrassed frown. You can’t help but smile at him, as he helps you stand up, handing his jacket to you as he walks forward, hands in his pockets as he sneezes and little air hearts appear around him.

"Soul resonance, huh?" you say knowing this won’t be the last time you’re stuck like this together.

ISAGI YOICHI

It was training time, the kind where you and your weapon partner go head-to-head against another meister and weapon pair. But this wasn’t just any opponent; this was Michael Kaiser, who had a habit of voicing his unwanted opinion about your partnership with Isagi. And, of course, Isagi chose him. His determination to take on Kaiser was fierce, and despite your reservations, you went along with it.

Running side by side, Isagi transformed into a set of shurikens, sharp and deadly, perfect for an offensive strike. You launched forward with a powerful kick, targeting Kaiser directly. He countered quickly, his weapon Ness—perfect, yet irritatingly well-matched partner—swinging to meet you.

"A strong meister like you using him? That’s so low of you, meine Prinzessin,” Kaiser taunted as he dodged your kicks, punches, and Isagi’s whirling shuriken form. His smirk was only growing wider as he grazed your defenses. Every time he opened his mouth, his mocking words were something you wish you could just cut with your weapon.

“Shut up, you stupid Emperor,” you spat, gripping Isagi as he shifted into his katana form, readying for another attempt to close in on Kaiser. You sliced left and right, and your movements were calculated, though the Emperor evaded most of your attacks. The best you managed was a slight tear on his shirt—a minor victory, though not satisfying enough.

“A girl like you, so strong, settling for a weapon like him?” His voice dripped with disgust as he angled Ness, testing your patience. “You deserve more than someone who thinks life’s a puzzle to solve. So much more. It’s honestly… cute, watching you struggle.”

It took everything not to let his words worm into your mind. You knew he was trying to rile you up until you’d snap and lose control. He wanted you to get reckless, to expose a weakness he could exploit. You clenched your fists, steadying yourself. You weren’t going to let him get the satisfaction.

“Isagi, I swear, I’m going to kill you for picking him instead of Barou,” you muttered through gritted teeth, tossing a glance at Isagi mid-battle. He chuckled nervously, though he knew just as well that this rivalry ran deep.

You darted forward, throwing Isagi in his shuriken form in a high arc behind Kaiser, who barely gave it a glance, his eyes pinned on you as you closed in. The fool thought you’d just thrown Isagi away.

“Oh, finally giving up and throwing out the trash?” Kaiser sneered, that self-satisfied smirk still painted across his face.

You mirrored his smirk, feeling the satisfaction bubble up as you locked eyes. “Quite the opposite. I’m taking it down.”

In a flash, Isagi shifted mid-air, transforming back into his human form just in time to land on Kaiser from behind, knocking him to the ground. Before Kaiser could react, you pressed a foot to his chest, holding him down firmly. Isagi stood beside you, eyes shining as he looked down at Kaiser with that victorious smirk.

“Who’s unworthy now, Emperor?” Isagi’s voice was laced with mockery, enjoying every second of the results. Kaiser, winded but not defeated, glared up at you. But even he couldn’t deny that for once, he’d been outmatched.

KAJI REN

You're patrolling the streets of Death City, trying to find the Kishin that has been disturbing the peace for a few days now. Beside you, Kaji Ren walks, hands in his hoodie pockets, a lollipop perched between his lips as if he didn’t have a care in the world. Headphones cradling his ears, pulsing with the beats of a very familiar song. Just as you’re about to comment on his distracted state, he freezes, eyes narrowing as he spots something moving in the shadows.

Without thinking twice, you reach out, snatching both his lollipop and his headphones when he barely has time to register the theft before you’ve popped the lollipop into your mouth, its sugary taste spreading across your tongue. Kaji’s eyes widen, and for a second he looks stunned, ready to make a witty remark but you’re already moving, sliding the headphones over your ears, the music from your shared playlist flooding your senses, pumping up your adrenaline.

“You—!” he starts, but he’s already transforming, his body twisting in a flash of light until the cold steel of his scythe form lands firmly in your grasp.

The music pulses through you and the beat matches your footsteps as you lunge toward the Kishin. With Kaji in your hand, you dance around the creature, slicing it as you move to the rhythm. You could feel his irritation vibrating through his blade form, and if he’d been human, you’d bet he’d be yelling, but his words are muffled by the blasting music in your ears.

“Y/N, watch ou—” You grin to yourself, knowing you don’t need the warning. You leap high, spinning mid-air, and bring Kaji down killing the Kishin with a powerful strike. It vanishes quickly, leaving only its blue soul glowing in the aftermath.

Landing gracefully, nodding your head to the rhythm as you pull off the headphones and let Kaji return to his human form. His mouth opens, clearly ready to throw an insult, but before he can get a single word out, you press the headphones back into his hands with a nonchalant smile.

“Yes, yes. Here you go. Return what I’ve taken,” you say, casually, popping the lollipop back into your mouth. “But I’m keeping this,” you add, twirling the sweet between your teeth. “It’s just too good to give up.”

“You won’t even he—” His protest dies as you press a finger to his lips, your teasing smile flashing as you look up at him, “Shhh, Ren. You’re so cute when you’re mad, you know that?” The faintest hint of a blush creeps into his cheeks, his brows knitting together, making him look even more annoyed. You always cut him off, you didn't listen to him and he was mad, but at the same time, he was too enraged to say anything. Turning away, looking forward to your next task—if only to tease him more.

HONORABLE MENTIONS

WBK. Weapon!Togame, Weapon!Hiragi, Meister!Nirei, Meister!Choji, Meister!Kiryu, Weapon!Suzuri

BLLK. Meister!Karasu, Meister!Barou, Weapon!Reo, Weapon!Otoya, Weapon!Shidou, Meister!Aiku

taglist :: @kiurona @nyxypoo @17020 @stunies @maruflix @ryescapades @yoru-exe @heartkaji @seneon @choccorin @littleplantfreak @meidiary

©2024 kaiser1ns do not copy, repost or modify my work

[muletia]

[tfp] obsessed!optimus prime x human!reader

summary: optimus likes to stare at you

cw: suggestive themes, angst, hardcore pinning, optimus is fucking obsessed with you, obsessive thoughts, yandere?? optimus i guess, bro is down bad for you

word count: 995

an: had a blast wiritng this, i love making characters disgustingly obsessed with reader lmao

He was doing it again.

Optimus is a calculated being. He didn’t make rash decisions, never threw words to the wind. Every action he took had meaning; none were purposeless or born of impulse or whim. He was crafted to be the perfect leader, to guide thousands, millions. He was supposed to be an authority, the alpha and omega, someone to be respected, admired, and followed. But there was one creature who turned his philosophy upside down and broke his facade.

He blinked once, twice. His optics returned to reading the report on the datapad. However, not even ten seconds of focus passed—a return to being the Prime—and his attention was anchored somewhere else again.

He couldn’t tell anymore, was he doing it on purpose or automatically? A force stronger than him, stronger than Primus himself, was pulling his optics toward that one being capable of breaking him. In the presence of this rare power, he was truly defenseless, revealing to everyone close to him the truth of his feelings, the intensity of which surpassed his wildest expectations. They had grown beyond his control, fierce and unyielding, like a wild beast impossible to tame.

He knew it was inappropriate, and unfitting for you and his friends; he should have restrained the beast before it became a problem. But he hadn’t. He had failed, and another burden had taken residence on his shoulders.

You laughed, and his optics instantly shifted to you. His spark throbbed pleasantly, distracting him from tormenting his very being. He adored that sound, rejoicing every time he heard it. It was melodic, soothing, and calming. In an instant, it tamed his chaotic processor, now focused solely on you, the real you. Optimus observed every smile, frown, and wrinkle on your face with great curiosity, even though he had done it countless times. He watched your chest rise and fall, counting how many breaths you took in a minute. He searched for any abnormalities or signs of illness. Nothing escaped his attention.

He already knew he wouldn’t be able to focus on the report. Not when you were so close to him, when he knew there was a microscopic chance you’d start a conversation with him. You’d honor him and look at him, too. He didn't dare to ask for more. He longed, but he knew he couldn’t allow himself that—at least not now. For the sake of keeping an image, he still held the datapad in his hand, but his thoughts were circling around you.

You were discussing something with Miko about a topic he didn’t understand, related to Earth’s video games. For some time now, he had planned to gather knowledge about them, so he could have conversations with you beyond his comfort zone, aligned with your interests. He wanted to be more approachable, and friendly, enticing you to spend more time with him. Amidst the stream of words, he caught a single one, which he assumed was a title, and made a mental note to study it later. Would you be happy to see him as someone worth talking to? Would you smile, let him hold you on his servo or shoulder? Help ease a processor constantly focused on unknowns and daydreams?

Content simply to be in your presence, yet fantasizing about something deeper, more intimate, he was still intently watching you. He had drifted so far from shore that he acknowledged Jack's and Rafael’s greetings a second too late. He nodded to the kids and briefly watched as they climbed onto the couch beside you. You had a way with children, caring for them, and helping with their school projects, but most importantly, you were their friend. Seeing you surrounded by children had an effect on Optimus—a feeling he was even frightened to contemplate because it easily took over him, pulling him away from reality, creating visions that would never come true, no matter how much he wanted them to.

"You are crossing the line," he reminded himself, fully aware that he had crossed it long ago. The cup had overflowed; there was no going back. Primus, he had just daydreamed about having offspring with a different species.

The truth was, despite all the self-flagellation, despite the hatred for what he had become, the ruin he had brought upon himself, he didn’t want to stop. You were a pleasant distraction from the war, death, and suffering that had accompanied him since becoming Prime, and for now, he didn’t plan to (couldn't) let go of that distraction. This didn’t mean his little obsession with you was painless—quite the contrary. However, those brief moments when your attention was focused on him, when you shared your touch as you traveled with him through Jasper when you looked only at him, made up for all the pain, torment, and hell he went through. Then there was no war, no Decepticons, no Optimus Prime. There was only him and you.

One last time, he tried to return to the report, but this time it wasn’t his illusions sabotaging his work. This time, it was you.

“Optimus,” your voice freed him from the prison of his thoughts. “I’d totally understand if you don’t have time to leave the base. But… would you perhaps like to drive me home? It’s getting late.”

“Of course, [Name],” he replied immediately because refusing you made no sense.

“Can’t you ask Bumblebee instead of dragging Optimus to fulfill your whims?” Ratchet intruded into the conversation.

“That will not be a problem for me,” Optimus assured, with an unusually stern tone aimed more at the medic than at you. “I am at your service, [Name].”

“Thank you!”

He transformed and waited patiently for you to join him. He opened the door, and once you climbed into the seat, he fastened the seatbelt himself. He hoped you wouldn’t notice the slow pace he had settled upon, that this time he had decided to be selfish, savoring the unrestrained pleasure of your privacy.

[fushiglow]

Gojo cares a lot, actually

Perspective and empathy in Jujutsu Kaisen

Once again, I see accusations that Gojo only cared about people in relation to their strength. I can't believe that 236 and 261 haven't put this idea to bed already, but let's go over it again for the class. Here are some thoughts on the importance of perspective and empathy in JJK. Spoilers for chapter 266 ahead!

In 236, Gojo tells Geto he loves everyone. This single line, direct from the man's mouth, should be enough. However, moments later, Nanami says, "You never cared about protecting people". So why do some readers only take one of these perspectives at face value?

Perspective matters in JJK. Often, characters and even the narrator state things that are only true from their perspective in a given moment. What you choose to believe says more about you than it does about them — an idea I explored in my analysis of 236.

This is particularly important when it comes to Gojo and Megumi, because the moment they meet is the only (?) scene in the whole of JJK that we get to see from two perspectives.

The second time, the reader understands the emotional weight of it for Gojo — but Megumi doesn't. He's kept in the dark, so of course he thinks about their meeting in different terms.

Once again, whose perspective are we going to take at face value? From Megumi's point of view, he wasn't offered a choice. From Gojo's point of view, he extended to a child the little agency available to him.

Offering a choice is something Gojo does consistently throughout JJK — pick your hell. It's one of the ways he shows care for others that goes unrecognised, so it's ironic that readers and characters alike misinterpret it for a lack of empathy. However, this is no coincidence.

For much of the series, Gege keeps Gojo at a narrative distance from the reader. Most of what we know about Gojo comes from what other characters tell us, and our view of him is therefore coloured by their perspective.

However, while Gojo laments the distance between himself and others, he fails to recognise that he's the one maintaining it — and not because of his strength or his technique. He has admirable goals, but he chooses to work towards them alone.

There are many occasions where characters reach for Gojo, but he refuses to let them past his metaphorical Infinity out of a sense of duty and perhaps misplaced belief that he alone can or should bear this heavy burden.

All of Gojo's actions are about preserving the humanity of others at the expense of his own. That's precisely why he chooses to become the "monster" alone. In this way, Gojo is flawed but he isn't uncaring. Again, it's a matter of perspective.

Gojo sees strength as the solution because it's all he's ever known. However, recognising the strength of others doesn't mean that's all he sees — because Gojo knows that dehumanisation acutely. What's more, 261 also suggests he thinks of "strength" in different terms to others.

When they meet, Gojo tells Megumi not to get left behind. However, he later says he was "left behind" when Geto defected. We know Gojo's physical strength eclipsed Geto's, yet Gojo only refers to himself as "the strongest" alone after Geto dies.

Before that point, there's nothing in the text to suggest that Gojo ever stopped thinking of the pair of them as "the strongest" — as a unit, as a duo. This suggests that strength, for Gojo, is something much more intangible, much more sympathetic, and much more human too.

What do the strongest characters in JJK all have in common? Indomitable will, courage in their convictions, an overwhelming sense of self. Looking at strength through this lens shines a new light on Gojo's goal of raising "strong" allies.

When he forces a third option in Shibuya, Gojo proves that strength doesn't have to come at the expense of compassion. In the later chapters of the Shinjuku Showdown arc, Yuta, Yuji, and the rest of Gojo's allies reinforce that idea ten times over, and I have every belief that Megumi will soon do the same.

To suggest Gojo only saved Megumi for his technique is unfair when he has consistently proven himself committed to protecting the futures of others, even "weak" non-sorcerers who have nothing to offer him. Once again, it's all a matter of perspective.

Gojo's way of caring is still caring, even if it doesn't look familiar to you. His only flaw was closing himself off from others and choosing to care from afar. However, just like Gojo never stopped reaching for Geto after he left, Gojo's allies never stopped reaching for him.

There's a phrase we use to describe looking at things from another perspective: putting yourself in someone else's shoes. I think it's very telling that Gojo's allies have taken that literally — Yuta by stepping into his skin, and Yuji by standing in his place in 266.

TL;DR: Gojo cares a lot, actually. If Gojo talking about his innermost feelings can't make you empathise, and the students he supposedly "doesn't care about" recognising his burdens can't make you empathise?

Well, that says far more about you than it does about him.

Come read my fics about this!

In His Shadow explores the ways Gojo keeps his distance from Megumi, who isn't equipped with the tools he needs to reach him but finds his own ways to show he cares, born from ten years of history together.

Rivers Crossed, Mountains Scaled explores Gojo and Megumi's relationship through the vehicle of SatoSugu — why Gojo took him in, whether Gojo really gave him a choice, how Gojo sees him.

Hope you enjoyed the post! I love you, Gege Akutami ♥️

[azullumi]

LAST NIGHT I DREAMT OF THE STARS AND YOU, PT. 1

premise — because that’s just how they are; alternatively, “the type to” trend with hsr characters. characters — ruan mei, veritas ratio, aventurine, and robin content tags — gender-neutral reader, established relationship, fluff, slight angst, not proofread, word vomit in some parts, 1.6k words ; headcanons

note from me — seasickness took me out and the fact that i have a 9 hr road trip tomorrow is already making me dizzy. i hope i’m asleep for the 3/4 of it,, also this has a pt. 2 which i’ll upload later on !! anyways i wrote this in between my vacation and trip and in between the long-ass separate fics with sunday and aven so sorry if it seems rusty or out of my style 🙏

RUAN MEI, (lies in between the line of a good lover and a bad lover) the type to be unable to express her affections for you through words and settles with small and simple gestures that she has observed and seen from everyone around her; having never understood “love” and never knowing how to correspond with such, she’s left silent and confused like a lost child in the wake of it. She’ll find herself staring you quietly, memorizing the lines of your face and how it creases and contorts into different expressions, studying each crevices and edges of the parts that makes up your being to bury you in her memory, and there’s a smile that tugs on her lips every time her gaze falls on you. Oh, she wishes she understood what it all meant (she simply and devastatingly adores you).

RUAN MEI, the type to subconsciously write your name on paper whenever she’s distracted. it’s a small habit she does, one that makes her smile whenever she notices the letters spelling out your name. She has ruined, tainted several of her papers, even important ones, with just a single word, a set of letters that composes of what makes warmth seep into her chest when her mind drifts into the thought of someone—you.

RUAN MEI, the type not understand the underlying reason behind her actions—why she spends the time and makes the effort in between her busy schedule and pile of papers to make sweets for you, why she lets you do her hair despite how messy it often turns out when you braid it and how she can never find the strength in herself to “fix” or disturb the state of your work, why she always seek for the warmth of your hands whenever she’s feeling uneasy or stressed, why she always lean to your shoulder or to your touch when you caress her cheek, and everything. It’s a puzzle board of missing and scattered pieces, unable to comprehend the full image of the mystery—and yet, she still delves into the enigma of her feelings that is intertwined with your existence. Maybe one day she’ll come to know it all and maybe it will be the time when she can finally be honest to herself.

VERITAS RATIO, the type to want to know every single thing you and remember all of it. Perhaps it’s the bare minimum, perhaps it’s something that he just does. “They don’t like that,” He would say when an arrogant fool would even try to give you (or do) something, and he’s there, witnessing it all, knowing the things that you prefer and like. He knows what flowers that you like, knows your favorite color, knows the way you prefer to sleep, knows the small habits that you do when you’re nervous or scared or happy, knows every little detail that paints the whole of your existence. Isn’t it simply just lovely when someone desires to know you from the inside and out? Even if it’s just a little bit, he feels more closer to you in this way.

VERITAS RATIO, the type to be sweet and reassuring towards you (through words and actions), even though he may come off as mean, blunt, or rude towards others. Sure, he may call you an idiot sometimes but he’ll never go past that nor reach the line of degrading and distasteful remarks because he never wishes to hurt your feelings; if ever he did, he’ll apologize and tell you it’s not his intention. “Fool,” But the affection that edges into the tone of his voice cuts the thread of disdain that sews into the word. Oftentimes when texting and it’s easy to misunderstand the tone of one’s message, especially his tone, he’ll reassure you that he didn’t send it in a way that he’s angry or scornful: “The ‘Ok’ that I sent is not a mad ‘Ok’, I am in a rush and could only type that out. I’m not angry.”

VERITAS RATIO, the type to entertain your questions no matter how stupid it can be; he’d give you the answers every single time. He doesn’t mind being treated like a walking encyclopedia or dictionary if it’s you—he’d hate it if you were going to ask someone else instead of him (although he probably never told you that discomfort). I mean, you have a well-known member of the Intelligentsia Guild, someone who parallels a genius, just right at the tip of your fingertips, why bother asking someone else?

AVENTURINE, the type to like listening to the sound of your breathing, the sound of your heartbeat (to listen to the sound of you blinking, to listen to your hands soothe). It’s comforting, in an odd way, and he never tells you but it helps him fall asleep—watching the rising and falling of your chest, seeing your calm face wrinkle ever so often while you sleep. He keeps the sound of your heartbeat close to the pocket on his chest, weaving the rhythm of it to his pulse, and before he knew it, the dawn will come in quiet solitude.

AVENTURINE, the type to be always on fight-or-flight mode. Perhaps it’s the way that he grew up, perhaps it was the harsh and cruel environment that he’s in, but he’s always on guard, seemingly on defensive mode as if danger lurks at every dark corner. His shoulders are always tense, his hand either hidden or playing with the ring on his finger, it’s like he never can’t seem to relax himself even when he’s in the comfort of your arms. It follows him everywhere, trailing behind his feet, and forces him awake at night—he doesn’t even know where the fear, the anxiety, is coming from, he just knows it’s there. One wrong step and his thoughts will come crashing down like cold downpour, one wrong move and you’ll come to leave him. Sometimes a little reassurance comes a long way and it’s all he needs when his mind is being tormented. (He will learn to live with it, even if he can never seem to understand or know it. He will come to know peace as if it’s all he had in his hands when the sun first held him).

AVENTURINE, the type to immediately smile after a kiss. It’s utterly affectionate; parting, staring deeply into one’s eyes with his cheeks dusted with a certain color and he’s grinning—warmth beams from his expression and there’s a certain feeling that intertwines into his gaze and he knows it’s love because it’s all he feels whenever he looks at you. He’s the type to laugh into a kiss, feeling ticklish all over his bones as if your hands are ghosting the sensitive parts of his skin, and you’ll ask him, “What?” but he’ll only answer with, “Nothing.” He’s not drunk, the ache of wanting simply swells up in his chest and all he can think of is how much he adores you.

ROBIN, the type to try and make time for you. Her schedule is always packed, filled with all kinds of events and tasks that she needs to do. It’s overwhelming, everything feels overwhelming for her and it’s hard to know which one she should prioritize first not when she has a lot of things on her hands. Sometimes she feels lost, feels the weight too heavy on her shoulders, feels like her feet are tied to the ragged earth, feels the cage closing on her. She tries so hard to be the perfect lover for you, to become someone that will reach beyond your expectations; she cradles that perfect image, broken in all of its edges, that were constructed for herself close to her chest even if it feels like a knife to her heart. But really, all you need is for her to be herself (not the star that everyone admires and wishes to reach) and sometimes, that’s all she needs to hear from you—that she doesn’t have to hold on to the shattered chains when the coldness of the metal reminds her of what she has to carry.

ROBIN, the type to go on all kinds of dates with you, silly or not, and even matches clothes with you. She’s usually the one to make the invite to match, thinking that it’s cute and the both of you rarely ever has time like this so why not make the most out of it; who are you to even say no when she’s beaming at you so warmly? She has all of her options laid on the bed, displayed on clothing hangers, asking you what you’re going to wear or what color do you want. It’s lovely, sweet, seeing her like this and you could only pray to whoever aeon is listening that nobody comes to ruin the day the both of you rarely have for each other.

ROBIN, the type to bring you all kinds of souvenirs and gifts from her (universal) tours, sometimes having bought too much that you don’t know what to with some of them; the type to send you letters every time she’s away so that you won’t worry for he, especially knowing what happened last time, the type to always try to keep in touch and keep you close no matter the stars between you and her. She’ll ask for one thing that you own that she can carry with her person, making a promise that she’ll come back and return it—the item a testament to her vow—, but for the meantime, she’ll keep it so she has a little piece of you everywhere she goes and she can say that you’re always there by her side.

DRUM ROLLS PLS *dundundundundun* special mention to the one and only beloved feli @dr-felitas !! i think i owe you a lot of end notes so here i am :3 also i’m sorry if i publish this and i still haven’t responded to your messages (if you have sent me cause im on dnd to avoid my dumbass from checking and looking at the phone during car rides knowing that i get motion sick) ANYWAYS i would like to begin this with i love you mwamwa, you’re one of the sweetest and most wonderful souls i have ever met and anyone who tells u otherwise will get a boulder thrown to their head 🫵 im glad to have met you, that my anti-social ass went ahead and messaged you despite the fact that we only talked once or twice AND IT WAS OVER ASKS OR COMMENTS BUT YEAH !! idk what or where i’ll be if i hadn’t done that; maybe not replying to my friends idk (again im sorry if i take business days to answer i sometimes get busy or i sometimes dont have the energy :3 i hope u still love me hahahaha… *slides down the wall*) again, i really appreciate and adore you for everything. you are a brave and kind person and i only hope for the good things for you. don’t be too mean or harsh to yourself 🫂 know that i’m always here to listen to you no matter what you’re saying. you’re never a burden to me and i hope you’ll come to see just how you shine and radiate with so much warmth and kindness, it’s like love itself is found in you. ily lottss mwaa <33

sunday, himeko, welt, gallagher, and jing yuan next !!

© azullumi — do not plagiarize, copy, repost, nor translate any of my works.

[santsukii]

oh, how i love you (yandere! stellaron hunters)

cw: all characters separate, spoilers for penacony quest, violence, yandere, stalking, obsession

currently listening to -> shut up, we don’t care - syris

KAFKA •

her love is something violent and horrific hidden behind a pretty mask. she knows she’s a beautiful woman, but she’s already got such a large bounty over her head that it barely matters to her anymore. what’s just one more kill to bring you closer to her? she’s a traditional type of yandere, obsessing over even the smallest detail related to you, memorizing everything from the exact tone of your hair and skin to every single reaction you’ve had to everything she’s ever said or done. everything you like or dislike, she has it memorized. she’d send gifts to your location, though deranged in nature. she’d send you severed and bloody, half rotted limbs torn from her victims with hearts carved in them and your initials together. she knows she’s dangerous, as if the multiple guns and katana she keeps on her person at all times wasn’t enough of an indicator of that. anyone she wants erased from the equation will be gone in an instant, and she would only hesitate for a second to betray her comrades for your sake.

BLADE •

oh, bladie. oh dear, sweet, bladie. how can someone possibly be even more violent than kafka? well, blade doesn’t even try to hide it. he relishes the fact that you’re scared of him, half the time he smiles at all is the deranged giggle he lets out as blood splatters all over his body and clothes. it would clot in his long hair, and he wouldn’t even bother to wash it out until it begins to rot. he doesn’t want to gross you out, just to remind you that you belong to HIM. someone talks to you for even just a little too long, they’ll be gone before the end of the day. he doesn’t enjoy killing in front of you, he doesn’t want his poor baby to see how violent he can get, but he at the very least implies such violent acts of love and passion to you with the blood on him. he’s a stoic man, but he still manages to smile every time he ends another life out of passion for you. he can’t die, so it’s not like it matters if you try to fight back. he will always be back, and you just can’t run from him.

SILVER WOLF •

she chooses the stalker, parasocial route. seeing as she’s a hacker who just views life as a game, this is no different. how much of your affection can she win? how long until you block one of her accounts, and how long until she just begins to stalk you from another one instead? everything from your social media accounts to your damn search history, she has access to it all, so don’t try posting for help because she’ll just delete it. you don’t know how she does it, every time you deactivate an account and make a new one to make it harder for her to find you, she always does. she’s saved all the pictures you post, hell, she’s even made alternate personas just to talk to you sometimes. it’s creepy. she gave up the act of pretending she didn’t always want to see you on her timeline pretty quickly when she realized her obsession with you.

FIREFLY •

to die three deaths is nothing compared to seeing you with someone who isn’t her. never again would she allow herself to be far from you, always only feet behind you in crowds even if you didn’t see her. if someone dares even look at you the wrong way, they can say goodbye to their life in a matter of seconds. such a sweet and innocent girl, never failing to keep her darling close no matter the consequence. don’t you understand, it’s only because she adores you with all she has. her fellow stellaron hunters will simply excuse her actions, chalking it up to a show of affection. once she has you in her arms, she is NEVER letting go. even if she has to be forceful with it, anything for you. absolutely anything. she would never reveal her true identity as a mech-girl to you, because that would only complicate things. as far as you know, your girlfriend is the only one around anymore because all your loved ones seem to just disappear after you talk to them.

[la-pheacienne]

I feel like I understand people's blorbofication of Javert because I get why someone would really cling onto a complex (male) antagonist with a traumatic past whose entire life is a lie and who kills himself when he reaches that final moment of realization. It is absolutely tragic, and it is easy and natural to cling onto that, we've all been there. But you need to understand that two things are in motion here: the first one is Javert's individual tragedy, and the second one is the broader system he personifies. He's a symbol. His primary function in the narrative is to personify the hateful, bigoted, cruel, inhumane legal system that intervenes after the fact and crushes all those that society has already put down. He, the incarnation of that bourgeois legal system, delivers the final blow. He finishes off what society started, and he does it with joy. When we say that he killed Fantine, it's not even about Javert the individual per se. It's about the entire system he represents. That system killed Fantine and Javert is its flesh and bones. Fantine was a poor girl that was exploited and let down by society in every single way and when she was herself a victim of actual physical violence, the Law, personified by Javert, instead of protecting her treated her like an animal, dehumanized her, humiliated her. The Law was scandalized that a woman like her dared attack the bourgeoisie. The Law was horrified that such a disgusting creature got medical care because she should just drop dead on her street. The Law rejoiced in tearing down her sole protector. The Law prevented her from getting her child back from the con artists that have been stealing her for years because the Law doesn't care about the crimes committed against marginalized people. That's not its function. Its function is to use its discretionary authority in order to dehumanize and punish people that ended up on the wrong side of the street.

So when you come at me with nonsense that Javert "didn't tEchNIcALLy kill Fatnine", "he was just rude", "he was just bitchy", "he just stole her final happy moments", respectfully, you don't know what you're talking about. Javert absolutely killed Fantine. He's not the only one who did but he eagerly and enthusiastically precipitated her execution, and that is the entire point Hugo is trying to make. Your arguments against it are nothing but a mere technicality that stems from the fact that the individual's actions technically do not qualify as manslaughter. It's as if we literally had an individual at court and we were thinking of whether or not to condemn him for manslaughter. It's not about that. It's not about your blorbo and his sadness. Your blorbo has a whole other function in the narrative. You have completely missed the mark of the entire book and you have let your personal emotional attachment for a character prevail over Hugo's main argument about the structural punitive violence that literally kills people. Javert being the product and the embodiment of an entire system that exceeds his individuality does not mean that, as a police officer, he's not responsible for his actions or their consequences. On the contrary, he's precisely entirely responsible for the structural violence committed against Fantine, that's what "embodiment" actually means, that's what we mean when we say that he personifies that system. Absolving Javert of his crimes goes directly against the themes of the book, because while systems operate above individuals by definition, they need those individuals to function. The system needs Javerts. Javerts are everywhere around us, yes even today and it is important to hold them accountable for their crimes. I can't believe I have to explain this tbh.

[nina-ya]

A/N: Zoro version lets goooooooooo i have some other characters planned for this as well so yeah!! Pairing: Zoro x reader CW: none WC: ~600 Other Versions: Luffy Zoro Sanji Law Ace • masterlist • ko-fi • discord server •

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Loving Zoro is loving someone who is a warrior and a dreamer. His ambitions burn brightly, and he is always chasing that final goal of becoming the world's greatest swordsman, and yet he never forgets about you. He’s that one person who you can count on to stay by your side and protect you throughout the night. His sleeping body is always ready to jump into action, at least more than usual, all so you can sleep soundly. He’s always there, watching over you even when you don’t fully realize it, ensuring you’re safe in a world that’s anything but. 

Loving Zoro is loving someone who is not afraid to be himself. He can be rough around the edges and sometimes abrasive, but there’s something nice about his honesty. He will never pretend to be something that he is not, and he will never expect you to either. He is simple, and straightforward, someone that you can lean on when everything in the complex world feels uncertain. 

Loving Zoro is enjoying the comfortable silence that always falls between you. No words are needed to feel close to him. You can sit beside him for hours simply watching him sharpen his swords, and feel more connected to him in that moment than anyone else. There’s always a peacefulness in his presence and you can’t help but cherish it. 

But Loving Zoro is also learning how to navigate those tall and tough walls he puts up. He’s not one to easily express his feelings, especially when it comes to love, and he’s much less likely to admit when he is hurting. His pride is very strong and sometimes loving him means giving him the space to figure things out independently. However, don’t confuse this with meaning he doesn’t need you. He won’t always say it, but you know he needs you when he leans onto you after a long tough day, or when he opts to have you tend to his wounds rather than Chopper. It’s his way of saying ‘i need you’ without having to utter a single word.

It’s understanding that he doesn't often declare his love for you through words, but he shows it in the way that he is always there. It shows in the way that he will train until his body refuses to continue, but he still takes the time to check on you. It is in the way that he will offer you the last of his water, even when he is thirsty himself. It is in the way that he is always by your side, promising protection in his presence alone.

Loving Zoro is knowing that he will fight for you with every fiber of his being, but he also expects you to be able to fight for yourself, not just on the battlefield. He respects strength, both physically and in character. He admires you when you stand your ground, even if he may disagree with the topic at hand. And no matter what, he will push you to be the best version of yourself because he believes in you, even when you don’t believe in yourself. 

Loving Zoro is loving a man whose passions mirror the intensity of his discipline. It’s watching him train for countless hours on end in the birds' nest, sweat dripping down his body as he pushes himself to his limits and beyond, and just feeling in awe at the sheer determination that drives him. But it’s also those moments where he lets his guard down for you, when he leans in close, forehead resting against yours, and you can feel the depths of his emotions.

[lilislegacy]

Okay, I’ve been thinking about something lately

All the time I see people make statements about Percy that start with “Percy would never…”

Some examples I’ve seen: “percy would never kill someone/something in front of his mom” “percy would never yell at someone he loves” “percy would never get drunk” “percy would never let his child go to camp-half blood”

Now if you passionately believe one of those, hear me out. I’m not necessarily saying I disagree!

I’m saying… who would have ever thought Percy would torture a goddess and choke her on her own poison? And…. enjoy doing it? If someone had said that on tumblr pre-HoH, every single comment and reblog would have been “PERCY WOULD NEVER!!” I mean, who would have thought Percy would do a million things he’s done? He’s done some very not so ‘silly little guy’ stuff. He is an extremely complex character. In his own head and to some people, he’s sweet and fun and silly, but to many people he’s reckless and scary and dangerous. Some people see him as someone who’s very gentle and relaxed, but some people see him as someone who’s quick to get very angry and cause destruction. And the truth is, he’s all of it. It depends on his mood. Consistency does not apply to him in many aspects. He has consistent traits, like loyalty, humor, and bravery, but his actual actions and reactions are NOT consistent. I understand why we think Percy would never do certain things. We think we know based off of his past and his history with his mom, or with Gabe, or with Luke. And I’m not saying I think he would do those things, but unless he specifically states it, we can NOT, ever, infer what Percy Jackson might or might not do.

Like for instance, the drinking thing. I am not saying percy would be a big drinker, if one at all. And he probably does have an aversion to the smell of beer because of how the apartment used to smell when he was young. But we have no evidence that Percy associates all alcohol with Gabe. Alcoholic drinks aren’t just foul smelling hard liquors. There are a million different forms that you can consume alcohol in - some of which don’t even smell like alcohol, and barely taste like it. And in The Chalice of the Gods, it’s said that Sally drinks a glass of wine every night. And Percy thinks Sally hangs the freaking moon. So if his mom drinks, he definitely doesn’t believe that alcoholic beverages = the enemy. And here’s the thing, if Annabeth and Piper and Leo were all drinking and having a good time, like college students do, and they go “Hey Percy, come sit and have a drink with us!” there’s a very good chance that he’s so comfortable with his best friends, and just wants to let loose and be a college kid, that he wouldn’t even think about Gabe. He’d just be like “Sounds fun! Count me in!” But I don’t know. That’s the point. I don’t know. Maybe he would, maybe he wouldn’t. I truly think it could go either way. And even if he does drink, maybe he never - not even once - gets drunk. Maybe he’d drink in college and as a young adult, but when he becomes a father one day, he decides he doesn’t want his children to ever smell so much as a drop of alcohol on his breath, and therefore completely stops drinking. Or maybe he doesn’t ever like it, even in college. Or maybe he’s like his mom, and he and Annabeth just have a glass of wine with dinner. Who knows?

Not us. That’s what I’m saying. WE don’t know.

I’m not saying we can’t have headcanons based on what we know about him. I have a million. But the point is, I feel like we can’t try to pretend like we actually know what Percy wouldn’t do. As a fandom, we analyze him and his choices WAY more than he ever thinks about a single choice. He definitely does not think about his life and his actions as much as we do. (I’m not saying that he’s dumb or doesn’t contemplate his life and his actions, but he doesn’t nearly do it to the degree that we do.) Us, we pretend like it’s simple math. (Our first mistake, since math is consistent and full of rules, which is the exact opposite of Percy’s character.) We go “okay luke did this and gabe did this so therefore percy would never do this.” But Percy doesn’t think that way most of the time, especially not in heat of the moment matters. The only thing we 100% know about Percy is that he will always be loyal to his loved ones. But even then, we don’t know what that loyalty will look like. Is it sacrificing himself for someone? Is it murdering the enemy? Is it manipulating someone else? Percy lives in the moment. He doesn’t often think too much before he acts. He just acts. Whether it’s in a life of death situation, or his after school activity for the day. He is unpredictable, like the ocean. It’s one of his defining traits.

Honestly, I think that’s why annabeth is so drawn to him. With everyone else, she can read them super easily and know their next move. But with Percy, she has no idea. Which is frustrating to her, but also exciting. It’s a big part of her initial attraction to him. It’s also why many of us like him so much. We don’t know what’s coming next, and we never know what he will do in a situation. Like, how could we possibly know what he would or wouldn’t do when HE doesn’t even know? Half the time I don’t think Rick himself even knows.

We become so sure that Percy wouldn’t do something because we understand his character so well, right? But I think the truth is, the minute we become certain about what Percy would or wouldn’t do, is the minute we don’t understand his character at all.

Thank you for reading my analysis of Percy on why we can’t reliably analyze Percy

[emoangel44]

The thing I've always loved most about aa4 is how much darker the tone is than the rest of the series in a way that isn't just edgy for the sake of it, but subverts your expectations from the original 3 games in a really interesting way. The trilogy was built upon the trust Phoenix had in others, and it was something we as players could almost always feel certain in. AA4 flips this on its head and makes it so Apollo effectively can't trust anyone but himself.

Your mentor, who the in the trilogy was a paragon of wisdom you could always turn to no matter what, gets revealed to be the culprit and sent to jail in the first trial and by the end of the game his list of crimes has stacked high but you still have so few answers on why he did any of it.

Your boss, the goofy protagonist of the trilogy, is now inexplicably a washed-up, disgraced, cheating poker player with an implied drinking problem who seemingly found a new hobby in evidence forgery and jury rigging.

He has a codependent relationship with his daughter, your assistant, who usually is a completely innocent and hapless victim of circumstance. She sees herself as the provider for the house and will help her father cheat at poker, or forge evidence, or guilt trip the poor attorney they knowingly screwed of out of a job into working for them for dirt cheap.

The detective, the only other returning main character, a previous assistant, is completely changed since we last saw her. In the trilogy she was chipper and bright despite the hardships she faced, and now she's unfriendly and burned out, turned bitter by the world. The scene we're first properly introduced to her in Apollo genuinely spends several minutes thinking his boss is making him bribe her with cocaine.

Every single defendant is a criminal guilty of something other than what they're charged for. Each case centers around an underground black-market poker ring, a mafia family and medical malpractice, a smuggling ring, and a family of forgers and an incredibly shady troupe of magicians. The one thing all of these people have in common is that none of them will tell you literally anything about what's happening, half of them clearly reveling in being as big of cryptic assholes as possible.

The only person who doesn't fit this description is, for once, the prosecutor. Usually your biggest obstacle and the most morally corrupt of the main cast, he's the only person who's both 100% on the side of truth and on the same page as you for the entire game. He's just as clueless as you, being used nothing more than a chess piece just like you are.

But the truly masterful thing about AA4 is how morally grey it is. These characters aren't just one note villains. They're not even villains at all. Most of them aren't even malicious.

Your boss, for all the low levels he stoops to, is underneath it all the same guy he's always been, doing everything he can to bring a criminal to justice and protect his family. Your assistant is a sweet girl who truly cares about you, she's just prioritizing herself and her fathers safety before anything else. The detective is the same passionate and kind woman under everything else. The rest of the defendants are genuinely well-meaning young people who got involved in shady stuff they didn't fully understand.

The game is filled with good people trying to make the best of bad circumstances. The game has just as many fun moments as the original trilogy. For all it's rough appearance, the game has a similar heart. For every unanswered question or unrighted wrong, there's a smile or a hope for a better future. For every bad action, there's usually someone trying their best behind it. The game is melancholic and dark, but isn't afraid to let good shine through. It knows there's no shadows without the light.

[korasonata]

Have been thinking a lot about Cleo and the Boogyman Curse. Of every single member who’s ever told her that she doesn’t know what it feels like because she’s never had to be the Boogyman before. How she doesn’t understand because she’s never been put in that position.

Thinking of the backstory Cleo gave for her character. How after she died, she became scourgified. How she killed her entire family under the influence of mind control. How she was fully conscious the entire time it was happening.

Thinking about how she’s spent her entire life trying to atone for that fact. How she lets her allies kill her. How she sacrifices herself for others. Her telling her friends that if they are ever the Boogyman to simply ask and she will gladly give her life to help them. Thinking of the guilt that must eat away at her knowing that nothing she does could ever possibly be enough to atone for what she’s done.

Thinking about every single one of them and their illusions of choice. They were cursed. They had to do it. They had no choice, they said. How infuriating that one sentence must be for Cleo. As if any single one of them understands the power of choice. They, who HAD choice. They, who were capable of conscious action, decision, and foresight. They who absolutely had it in their power to simply walk away, and they, who, despite this fact, still killed their closest friends and allies anyway, and in fact made that conscious decision willingly.

Thinking about how Cleo has never once been the Boogyman. About her friends defending their actions to her. Do you think she loses faith in humanity every time she watches them make that decision again? Have they no remorse? Have they no guilt? Thinking about every time they tell her she doesn’t understand, and how she would do the same thing if she was in their shoes. How she would be selfish too if she only understood the stakes. Thinking about how maybe it is them who doesn’t understand. Because only she knows that if they truly understood their actions, they would have never tried to justify them.

Thinking about how the literal Zombie has more humanity than any human on the server.

(For those curious about what backstory I’m talking about —> https://www.tumblr.com/zombiecleoprime/188179804260/cleo-please-share-your-dark-internal-backstory?source=share%20)

[dissapointu]

“More to Love”

How each of the main Arcane characters treats you as a chubby partner, supports you through insecurities, and makes you feel completely loved:

Jinx

Jinx is immediately drawn to your softness, both inside and out. She’s not one to care about societal norms or what people say about appearances, and she makes that very clear.

“Who cares what they think?” she says, draping herself across you like a cat. “You’re perfect just the way you are. Besides, all this?”—she squeezes your side playfully—“makes you the best cuddle buddy ever.”

Jinx can sense when you’re feeling insecure, even if you don’t say it out loud. She’ll do anything to cheer you up: crack jokes, pull you into impromptu dance sessions, or draw silly caricatures of people who make you feel less-than.

When she notices you being hard on yourself, she’ll sit you down and make you look her in the eyes. “You’re mine, okay? I don’t want anyone else, so stop thinking you’re not good enough for me. You’re more than enough.” Her words may be blunt, but the sincerity in her voice is undeniable.

She loves running her fingers along your curves, tracing patterns absentmindedly while cuddling. “You’re like a human marshmallow,” she says with a grin. “Sweet, soft, and impossible not to love.”

Vi

Vi is fiercely protective of you, and your insecurities are no exception. She’s always the first to notice when you’re down on yourself and refuses to let those thoughts win.

“Hey,” she says firmly, gently tipping your chin up to meet her eyes. “Don’t talk about yourself like that. I love every inch of you—every single inch. Got it?”

She’s all about actions, too. If someone makes a rude comment about your weight, they’re likely to get a very stern talking-to (or worse) from her. “No one messes with my girl,” she’ll growl, wrapping an arm around you protectively.

Vi also has a way of making you feel like the most beautiful person in the world without even trying. Whether she’s pulling you into her lap, complimenting the way your clothes fit, or leaving kisses along your jawline, she never misses an opportunity to show you how much she loves you.

“More of you to love,” she says with a cheeky grin, kissing your cheek. “Lucky me.”

Caitlyn

Caitlyn’s love for you is steadfast and unwavering. She’s always been someone who values a person’s heart and character above all else, and she makes sure you know that.

“Darling, your worth isn’t tied to your size,” she tells you gently, holding your hands in hers. “You’re beautiful to me in every way that matters.”

Caitlyn is incredibly supportive when it comes to helping you feel confident. She loves taking you shopping for clothes that make you feel amazing, offering compliments that never feel forced. “That color looks stunning on you,” she’ll say with a smile, her eyes sparkling with genuine admiration.

When insecurities creep in, Caitlyn is patient and understanding. She’ll sit with you, listen to your concerns, and remind you of all the reasons she fell in love with you. “You’re my everything,” she whispers, pressing a kiss to your forehead. “And nothing will ever change that.”

Ekko

Ekko is all about making you feel like a rockstar. He loves hyping you up, whether it’s complimenting your smile, your laugh, or the way you light up a room just by being in it.

“Do you even realize how incredible you are?” he asks, spinning you around playfully. “Because if not, I’ll remind you every single day.”

He’s quick to shut down any negative thoughts you have about yourself. “You’re so much more than what you see in the mirror,” he says, pulling you into a hug. “You’ve got this light, you know? And I’m the luckiest guy in the world to be near it.”

Ekko’s favorite thing is dancing with you, holding you close and spinning you around like you’re the star of your own music video. He loves how free and alive you look when you let go of your insecurities, and he’ll do anything to make you feel that way more often.

Silco

Silco may not be the most openly affectionate partner, but his devotion to you is undeniable. He values your intelligence, your loyalty, and your kindness above all else, and he makes sure you know it.

“You underestimate yourself,” he says, his voice calm but firm. “You see flaws where I see strength. Don’t let anyone, not even yourself, diminish your worth.”

When you express insecurities, Silco listens intently, his gaze sharp and focused. He doesn’t offer empty platitudes but instead reminds you of the qualities that make you unique. “You’ve faced so much, and yet you stand tall. That’s what I admire most about you.”

Though he’s not one for public displays of affection, Silco shows his love through small, meaningful gestures: a hand on your back, a kiss on your temple, or the way he always makes time for you, no matter how busy he is.

“You’re mine,” he says simply, his voice low and steady. “And I wouldn’t have it any other way.”

Vander

Vander is a comforting presence, always making you feel safe and cherished. His love is warm and steady, like the foundation of a home.

“You’ve got nothing to be insecure about,” he says, pulling you into a bear hug. “You’re perfect to me, just the way you are.”

Vander has a way of making you feel loved through his actions. He’ll cook your favorite meals, leave little notes of encouragement, and hold you close whenever you need reassurance. “You’ve got a heart bigger than anyone I’ve ever met,” he tells you, his voice full of pride. “And that’s what matters.”

When you’re feeling down, Vander’s the first to remind you of your worth. “The world’s tough enough without you being hard on yourself,” he says gently. “Let me worry about keeping you safe, and you just focus on being the amazing person you already are.”

All of these characters love you for who you are, making it clear that your worth goes far beyond appearances. Whether it’s through words, actions, or unwavering support, they remind you every day just how loved and cherished you are.

[literaryvein-reblogs]

Writing Notes: Dialogue

A Guide to Writing Better Dialogue

Consider the following criteria:

The dialogue must move the story forward. After each conversation or exchange, the reader should be one step closer to either the climax or the conclusion.

Reveal relevant information about the character. The right dialogue will give the reader insight into how the character feels, and what motivates them to act.

It must help the reader understand the relationship between the characters.

Tips for Better Dialogue

12 tips to writing forward-focused dialogue:

Keep it brief

Dialogue shouldn’t go over for pages and pages. The best dialogue is brief.

You don’t need to go into lengthy exchanges to reveal an important truth about the characters, their motivations, and how they view the world.

Pair the dialogue down to the minimum that you need for the characters to say to each other.

Avoid small talk

In the real world, small talk fills in the awkward silence, but in the world of your novel, the only dialogue to include is the kind that reveals something necessary about the character and/or plot.

How’s the weather? doesn’t move the plot.

If you’d like to show that your character doesn’t like awkward pauses, work on characterization and scene description.

Instead of using mind-numbingly long exchanges, show the character’s discomfort by describing how she taps her fingers against the window pane, or takes a series of sharp sighs.

Small talk can water down the effectiveness of your scene.

Instead, pick exchanges that capture the essence of the moment, and bypass small talk altogether. Let that be an understood nod between you and the reader, and dive right into the action.

Don’t info dump

While you can certainly use dialogue to learn more about your characters, you shouldn’t use it to dump a whole lot of information on the reader.

If you must info dump, don’t do it in dialogue.

It may slow dialogue to a grinding halt. It may sound awkward.

What’s the difference between info dumping and revealing relevant information?

Info dump is a large amount of exposition given all at once, and left for the reader to sort out.

Relevant information is more subtle, and it’s dispensed a little at a time.

Give your characters a unique way of speaking

Every character, just like every person you know, will have a unique way of speaking and delivering their thoughts.

Some people are more forceful and deliberate.

Others are more passive and meandering.

You can honor these (and other) different styles without rambling.

One method is to focus on word choice.

Example: To show that someone is rather gruff or abrupt, go towards single syllable or somewhat quick words, like “yeah.”

Same basic concept but different delivery, based on character.

Of course, word choice alone can’t dictate character.

You’ll do most of this through characterization, but word choice should subtly support and reinforce characterization.

Also establish a pattern of speech:

Does the character speak in a sharp staccato, or a deliberate, flowy manner?

By knowing how the character (especially the protagonist) speaks, you can create consistency whenever the character dialogues with others.

Be consistent

Remember to be consistent with your characters.

Someone who speaks in a self-depreciating and shy demeanor won’t automatically become bold and acerbic.

When your characters speak, they should stay true to who they are.

Even without character tags, the reader should be able to figure out who’s talking.

Create suspense

Use dialogue to increase the suspense between characters.

It’s human nature for people to withhold what they’re truly thinking or feeling.

People leave a lot unsaid, and this is also true for the characters in your novel.

To create a realistic interaction between your characters, you must honor the fact that most people leave a lot of things unsaid.

But that doesn’t mean that the reader can’t be privy to what’s being left unsaid.

As a writer, you can build the scene, show the characters’ motivations and desires before the scene, and let it play out, with the reader wanting a resolution that doesn’t quite happen.

Answer the following questions to setup your scene for suspense:

Does one character have the upper hand in the scene?

Is the other character seething just under the surface?

What does the reader find out through the exchange?

You can control all of this through dialogue.

Honor the relationship

Characters tend to speak differently based on who they’re speaking to.

A character will speak to his mother differently than he does to his best friend. That’s not a shift in consistency.

It actually gives more depth and realness to the character. You can still stay true to the personality you’ve created by using the same speech pattern.

Show, don’t tell

“Show, don’t tell” is the writer’s mantra.

When writing dialogue, it’s easy to start “telling” what the characters are feeling instead of showing it.

Instead of your character saying, “I’m angry!” describe how the character’s body is closed--tight lips, narrow eyes, deep breaths.

Don’t underestimate your reader.

The reader likes to see the scene, pick up the cues and come to the conclusion, instead of being told what to think. Your dialogue shouldn’t be completely on the nose, and explain exactly what the character is feeling.

Most people -- including your characters -- aren’t always aware of how they feel.

And sometimes, what they say they feel is different from what they truly feel.

Use dialogue to reveal characters, but not directly.

Body language is also an important part of dialogue, and should be written into every scene. It gives the reader important clues that they’ll use to recreate the scene in their mind.

Minimize identifying tags

“He said, she said” gets boring after a while.

And the answer isn’t to switch out those “said” tags with other words like “enthused” or “shouted”. (When it doubt, “said” wins out.)

Not only is it boring for the reader to constantly see “he said” or “said she”, it may be disruptive.

Identifiers take the reader out of the immersive world of your story and reminds them that you, the author, are relaying a story.

That can be pretty jarring, and it can happen if you use identifiers too often.

Of course, you can’t not use identifiers.

They’re vital for establishing who’s speaking, but can be minimized by doing the following:

Creating a unique pattern of speech.

Using descriptive follow ups. (e.g., “That’s not what I said.” Vincent reached for the rock.)

The second option can show what the characters are doing to further emphasize their words, or add context to the scene.

Greetings and goodbyes aren’t always necessary

While it’s only polite to say hello and bid adieu, it’s not necessary in novel dialogue to document these courtesies.

You can use exposition for salutations, but do avoid writing a blow-by-blow.

Set up the scene by describing how the character enters or leaves the scene.

Avoid speeches and soliloquies

Most people, in conversation form, do not have the privilege of extended speech.

They’re almost always interrupted because who wants to listen to someone natter on and on?

Read it aloud

During the editing process, you should always read your manuscript aloud, but do pay special attention to your dialogue.

If the dialogue doesn’t seem to flow, or you’re tripping over your words, it’s not going to sound right to the reader.

Even though you’re not capturing every part of a conversation in your dialogue, everything that’s written should sound like an actual person said it. If not, it’s time to erase and try again.

Source Writing References: Worldbuilding ⚜ Plot ⚜ Character More: Formatting Dialogue ⚜ Children's Dialogue ⚜ Dialogue Prompts

[blueteller]

Do you know how smart Cale actually is? Like- what extent his intelligence can reach?

That's an interesting question! Let's take a look.

From what I know of IQ scores, anything above 120 puts you in top 10% of the population. So I easily see Kim Rok Soo!Cale belonging in that category; of >120 IQ. However, IQ had always felt a little vague to me. It's nice to have a number to put on a scale and all, but what does it actually mean in reality? Let's try this from a different angle.

Gardner's Multiple Intelligences model of divides talent into eight categories, plus one additional one:

Visual-spatial

Linguistic-verbal

Logical-mathematical

Body-kinesthetic

Musical

Interpersonal

Intrapersonal

Naturalistic

Existential

Why not try to measure him up against each one, as no person is actually intelligent in every way and not even a fictional character can excel in all of them (unless they're a Mary Sue or something lol).

Visual and spatial judgment stands for easy reading, writing, puzzles solving, recognizing patterns and analyzing charts well. I think Cale is definitely a pro in this category; he does loves reading and he's fantastic at analyzing data.

Linguistic-verbal is for remember written and spoken information, debates, giving persuasive speeches, ability to explain things and skilled at verbal humor. And while I constantly make fun of Cale for not being able to explain himself, he IS good at using the "glib tongue" and being persuasive, so I think he is very skilled in this category as well.

Logical-mathematical means having excellent problem-solving skills, the ability to come up with abstract ideas and conduct scientific experiments, as well as computing complex issues. Cale is an incredible strategist able to change his plans in an instant, so he is definitely a genius in this field.

Bodily-Kinesthetic Intelligence is a fun one, because I think it's the hardest one to judge, considering that he literally changed bodies. It of course stands for sports, dancing, craftmanship, physical coordination, and remembering better by practice rather than learning theory. Cale... does not like that. However, it doesn't mean he's BAD at it. If he was a genius in this field, however, I believe he would like it a bit more. Thus – I suspect he was average. In the past he was forced to exercise for the sake of survival, but once he was given the option of taking it easy, he quit instantly. He is capable, but does not have any particular predisposition for it.

Musical Intelligence drives me nuts, because we literally do not know, and I dearly wish I did. There was not a single mention of it in the whole series. As much as I want to believe in a cool headcanon of KRS being an unrealized musical genius... I think he was probably average or below average in this.

Interpersonal Intelligence stands for communication, conflict-solving, perception and the ability to forge connections with others. And while you might have some doubts about Cale, I say he IS a total pro in this. Those are all leadership skills, and Cale is one HELL of a great leader.

However...

Intrapersonal Intelligence is where Cale is severely lacking. It could be partially due to trauma, but I think at least some of it comes through his natural personality. It stands for introspection, self-reflection, the ability to understand one's motivation and general self-awareness; and that is Cale's biggest weakness, one that might actually cost him his slacker life dream in the end, due to all the misunderstandings he causes.

The last two, Naturalistic and Existential Intelligence types, are also not really Cale's forte. The first is for things like botany, biology, and zoology, paired with enjoyment of camping and hiking – none of which Cale actually does for pleasure, only because he has to. And yeah, farming is in that category too, but it's not like Cale is actually a real farmer just yet. And the second is for stuff like philosophy, considering how current actions influence future outcomes, the ability to see situations from an outside perspective and reflections into the meaning of life and death – and Cale is REALLY not interested in this type of self reflection.

Which leaves Cale with 4 types of intelligence he excels at, 2 which he is REALLY BAD at, 1 where he's below average and 1 he's probably average, with 1 left completely unknown.

Does this make Cale a genius? Pretty much, yes. Does it also make him stupid in very specific ways? VERY MUCH, YES.

[holorform2009]

Ok. I've been reading yandere DC x reader stuff and all.

They all have their own unique way of writing and the plots too. But have you ever thought of making the reader a sprunki like?

I've seen others make reader a mermaid, animal/shape shifter, robin, a villain, and etc. But I have never seen someone make reader a sprunki, I know the sprunki just came out a days ago but like.

What I'm trying to say is

What if reader has a Music syndrome? (I made this up, this syndrome does not exist.)

Music syndrome is a person who only speaks music or sound to communicate people or express their feeling or wanted to talk. And of course, this syndrome has no cure. But anyways, if reader has a Music syndrome, they can only let out a noise of what it sounds like a music. Just a single tone. I image reader as brud in sprunki, and I would like to imagine how the DC characters interact reader who speaks music. Their confused expression as to what the reader is trying to say to them.

They tried to understand you but failed to do so, and I also wanted to add a bit of spice here. Since there is a horror version of brud, why not make music syndrome!reader have a trauma ✨

Reader does not like black top hat and it will trigger them, because it reminded them of what he did to their friends, especially wenda— *cough cough* Anyways! And I wanted to imagine the face of every DC characters to reader's head that got bitted by Simon and how shocked they are when they found out you have the tiniest brain that the bite could not reach it and you manage to survive Simon's bite. Walking around like that will give them a fright because you look like a zombie.

How did reader end up in the DC ? Well I want to image a scenario where reader escapes the bloody chaos, managed to escape wenda's wrath and also Black. They see a light grey door, they opened it and poof! They are now in the DC universe!

You are so confused when you enter this universe, when you looked down to yourself you have an arms and a digits. What is this you thought. You take a look around your surroundings and noticed you are not in that hellhole anymore, no more Simon eating what's left of you, no more Wenda stabbing you, and black... You shake your head. You do not want to remember that mean guy.

As you explore this unfamiliar world, you heard what it sounds like a murmur, the tone sounded worried. You looked at the source of sound, wondering who was looking at you. I mean. You head a fricking huge bite mark on your head, who wouldn't be worried about that? Furthermore, who wouldn't be surprised that the fact your still alive from that large wound? You have a smallest, tiniest brain of course.

"yo buddy"

You stopped, and turned around to see a man with black suit and a blue logo on his chest. "You need a medical attention there little guy!" When you blinked, you were snatched into his hold and held you up like Mufasa in the lion king. Startled by his sudden actions, you let out a noise of surprise but to him, he heard you sang.

"🎶🎵🎵🎶🎶🎵!"

So yeah, that's how you met Nightwing.

You are now at the hospital, your big ass bite mark is wrapped up in a pure white cloth. To be honest you didn't fell any pain from the biting or stabbing but it hurts to see your friend hurting you.

A tall lady approached you, gently rubbing circles on your back as she spoke to you "Where are your parents, little one?" What

What's a parent?

"🎶🎶🎵🎶🎵🎵🎶?" You sang. The nurse was left dumfounded at your response, not sure how to reply to that but she only said "Okay..." definitely did not understand what you said right there. "Do you feel any pain or anything that makes you uncomfortable? Just nod if yes and shake if no"

You shake your head no.

"Okay, I'll ask the doctor if you are ready to go"

With that she left, leaving you there. Sitting on the bed as you wonder what are you going to do now since you escaped from hell.

And that's how you end up here.