#or at least writers that aren't teenagers

[excali8ur]

It's a shame Raph and April didn't spend more time hanging out in the show tbh. I figure their dynamic would be something like this

[pixiesfz]

I’m sorry this took so long to put up I just had the WORST writers block

a walk down memory lane j.r x reader

plot: you take Olivia’s dog on a walk and run into Jill

warning: mentions of sa, bruises, anxiety, this series is based of the book it ends with us

“So can you just look after him for a couple of days?” Olivia asked you from the doorway as you patted her dog Stanley.

“Absolutely, my life’s been a bit boring so he should shake things up” you smiled, standing up to grab the dog food from Olivia’s hands.

“Speaking of your life” Olivia trailed off and you looked down to your feet “I can sense something is up with you and Ellie”

You froze.

How do you answer her? You couldn’t just straight out tell her that your girlfriend had hit you, Ellie loves you and you knew it and she hadn’t hit you again, at least not purposely.

But you could feel yourself pulling away.

She may have loved you but you didn’t love her, not anymore.

“I uhm- yeah” you stated shortly and your friend quirked her eyebrow “what’s happened?” She asked and you sighed, lifting your hand to brush your hair back, not seeing Olivia’s eyes stare at your bruised wrists from when Ellie accidently gripped your wrist to tight on a walk.

“We just had an argument that’s all” you shrugged and she nodded, not convinced.

“Well if anything happens call me, I’m here for you” she said and you nodded “thanks”.

"Please do" she said softly, urgency written on her face as you tried to look away from her.

Letting Stanley off of his leash at the local park you finally took a deep breath.

You knew you had to get out of your relationship, you knew it would be the best option for you but you were scared.

really scared.

You stared at your wrist, covering it up with your jacket before Stanley came running up to you with a soccer ball in his mouth, thankfully not having popped it.

“Stanley that’s not ours” you laughed at the sight

He dropped it at your feet and sat down, wagging his tail.

“I didn’t know you had a dog”

You looked up from Stanley to see Jill who was smiling ear to ear.

“Oh uhm I don’t, I’m just looking after a friends” you told her and she nodded “but he needs to learn not to steal” you joked and grabbed the soccer ball and looked at Jill

“This yours?”

She nodded “yeah but he looks like he wants it more than me right now” she laughed and you laughed with her.

A silence fell over as you both watched the cute dog roll the ball around.

"How are you?" Jill asked and you shrugged

terrible, unsafe, sick of life

"I'm good"

"Anything else?" she asked and you let out a small laugh "sorry I didn't mean to be blunt I just have a lot on my mind I guess" you told her and she nodded her head "Is it because of looking after a living animal, I remember you couldn't even keep a plant alive" she laughed and you thought back to the multiple plants you tried to have as a teenager.

"Not a good plant mum but I think a dog mum may be different, they at least speak when they aren't fed" you smirked before Stanley barked from his spot, now revealing a popped soccerball

"I can get you a new one-" "Don't bother I have plenty, it is my job after all"

You smiled "Isn't it cool? We both got into our dream jobs" you smiled and Jill turned to you "Did you get into writing?" she smiled and you nodded "As soon as I moved I got into it, can be slow at times but I don't regret it"

Jill smiled, proud of you and your achievements "Last time I checked you were still at Wolfsburg" you said, explaining your shock at the game "you keeping tabs on me?" Jill teased.

You gave her a look "Oh c'mon of course I would, I just happened to miss your transfer to City" you told her and her smile grew. "I tried to check on with you" she admitted "I couldn't get access to your phone, your parents basically cut me off every time I rang the home number but I asked around"

"spying on me?"

"Well I cared" she told you and you both shared a look.

"I just wanted to make sure your safe, it is the one thing you deserve most"

you weren't safe.

You didn't respond with words but looked down nodding your head "thanks Jill".

"Any popular songs I may of heard that are actually written by you?"

You smiled "Do you know Adele's song 'All I Ask'"

Jill gasped "Yes"

"Yeah I didn't write that one"

You tried not to laugh at Jill's lack of excitement as you joked "Well it's good to know you still haven't lost your humor"

You felt your phone buzz against your jeans as you shared an apologetic look with Jill "I have to-" "take it, I'll play with the dog who's name is?" she pondered off as you accepted the call "It's Stanley!" You yelled out to her.

"Who are you talking to?"

A chill ran up your spine.

Why didn't you check the caller ID.

"Just someone who wanted to pat Stanley" you said, technically telling the truth "You've been out a long time" Ellie's voice grew accusingly.

"I took him to the park" you said as if it wasn't a big deal.

Unbeknownst to you Jill watched your phone call, she assumed it was your partner when you accepted the call but something didn't feel right to her about Ellie.

But she wasn't sure if it was because Ellie was living the life she always wanted, a public relationship with you.

Your breath hitched on the phone when Ellie didn't answer straight away, only a strained hmm on her behalf "Is that why your standing there talking to your ex-girlfriend" You widened your eyes and started to frantically look around which caused Jill to stand up with caution.

"we're going home y/n" Ellie commanded you, her tone angry as you grew scared

"y/n are you okay?" Jill softly asked you

You nodded your head before picking up Stanley's leash "okay El" you said, your voice quiet, damaged.

You dropped your phone from your ear "It was nice talking to you Jill but unfortunately I have to go" Your heart was racing as you clipped the dogs lead onto his collar, your breath shortening as Jill watched in confusion before you walked away quickly into a sleek black car.

Ellies hand clung onto your thigh as soon as you sat down and tears pricked your eyes "It was just a conversation-" "Shut up" she told you and you took a big breath in.

You couldn't do it anymore.

As Ellie's grip on you tightened your left hand reached behind your back to find your phone and pulled it out to the outer side of your outside leg to hide it.

You texted on Olivia's contact before typing.

'help me'

Though she would get the message and come home it wouldn't save you from the punishment you would get when Ellie pushes you threw the front doors.

[olderthannetfic]

sorry it didn't entirely occur to me that race play wasn't inherently racist. Guess I literally should've just googled that to see, flew over my head. Wasn't intending to be bait or whatever, I was genuinely confused what goes too far in fiction or not, since you could write practically anything including immoral stuff. It was hard to wrap my head around and entirely forgot POC could write stuff that would be considered racist if a white person did it. My bad I understand the reasoning now. Again sorry was genuinely just curious cuz I'm not a "professional" in what's right or not (I usually follow the majority to determine what's right, I'm a sheep, my biggest fear is to be offensive in any way so I try to listen to people who know their stuff and follow), terms and complicated words (at least complicated to me) tend to go over my head. Perhaps I should've used a tonetag to show I was being genuine in my response and meant to be curious and not to harm. I apologize sorry for making you mad have a nice day/night afternoon :) I really appreciate the work you put in this blog, it's very informational for me

--

Oh god. You're in earnest? Well, in that case, you were doing a pitch-perfect imitation of the people you've been reading, and those people are annoying.

--

It's fiction. Who cares what's in it?

The thing that makes it matter is how the fiction is disseminated and the whole context around it. For example, media aimed at young children is held to higher standards because four-year-olds often aren't that competent at telling fiction from reality or understanding that depiction isn't endorsement.

Mainstream US TV shows have millions of viewers. If they reinforce mainstream unconscious prejudices, that tends to encourage the audience to continue unchecked in those beliefs.

Weird niche porn or fanfic on AO3 have tiny audiences, often deal with things that are already contentious, and are labeled as non-mainstream in the first place by their very nature.

"But what if people write immoral fiction?" is itself an unethical position. It is the domain of the religious right, radfems, and other assholes who believe in thought crimes.

Yes, sheep do follow these people. This is an unethical behavior, but it is common.

The tyranny of the majority is not a good thing. The fact that a large number of people on social media say that such-and-such makes them feel gross is not an excuse for them to tell a smaller group with "gross" tastes what they're allowed to do in their own circles. Lots of people are horny over weird shit. This is fine.

The fear of ever offending anyone is a prison that will cause you to make bad choices.

Genuine harm is bad, but lots of people are offended at the drop of a hat. Yes, this goes for nonwhite people too, and it definitely goes for idiots white knighting in fandom spaces and going "You can't write X about characters of color! You can't write Y! Everything is problematic!"

As has been discussed on here many times, a lot of fans, including nonwhite fans, find that kind of behavior stifling to the point where they can't write about those characters at all. The response is often a huffy "Well, they shouldn't feel like that." But they do feel like that. It's not on purpose. Most people feel like that, to be honest. Living in a fishbowl has a chilling effect on art just like being afraid of offending paralyzes you yourself.

Offensiveness is highly dependent on context. Not only will it vary with your cultural background, but a great writer can handle material and make it feel nuanced, while a crummy writer will fall flat on their face with the same material.

If we are too precious about "Nobody should ever offend anyone", we're calling for all fans to publicly disclose their demographic and for all fans to be extremely skilled. Pity the poor, dumb teenager who just wants to write about their black blorbos because they are black themselves... and a shitty writer... who likes sex pollen.

If you look again, you will notice that a lot of fandom drama around offensiveness boils down to "You have a rape kink and that's not okay".

The bottom line, anon, is that fandom has a bullying problem. The internet has a bullying problem. People who are too scared to have their own stance on what's offensive or what's correct behavior are easily weaponized in bullying campaigns. This is the problem with being a sheep. You'll reblog shit saying "Well, I'm not sure, but this sounds important..." and then it turns out to be a smear campaign. Or maybe you personally won't do that, but you will stay silent when you should speak out.

Doing the right thing often involves offending people.

Look, anon, I've been canceled before for supposedly being "fandom's worst racist", and yet there are a bunch of fans of color in my comments section because they're tired of prissy jackasses who won't ever expose themselves by having an opinion, think it's more important to never be wrong than to have a conversation and risk changing their minds, who think only one very specific, very American, and very era/platform/fandom-specific standard is okay, and who hate on kinky fanfic day in and day out.

--

To interact with other humans is to risk offending someone. Yes, I think it's on all of us to at least recognize extremely blatant racist stereotypes, but that doesn't mean agreeing with every single moron who walks up and goes "I had a yucky feeling, and now that's your problem."

A lot of this pearl clutching makes one think of that line from Cold Comfort Farm:

"I saw something nasty in the woodshed!"

The matriarch of the family took to her bed years ago, claiming to have been prostrated by the sight of some unnamed horror (in context, probably people fucking). For years, she has used this supposed ~harm~ to bully and control the rest of the family.

Fandom is also full of this behavior lately. "Other people's fiction made me shake and cry!!!" is not actual harm. It is, at best, people who are genuinely upset but who need to take it up with a mental health professional. Very often, however, it is shitty, manipulative, abusive behavior that is entirely intentional. Do not fall for it.

Some people are just children and need to be told "No."

[omgjumin]

Collegebf! Nanami and Yn fooling around and making out in the dorms 👀👀👀?? Ugh my head is filled with FILTHY thought for this man 😭

making out with collegebf! nanami kento!

tags: suggestive, making out, choking (kind of, not rlly), hinted hand kink, mentions of hickeys, thats it, gn! reader

notes: literally ME TOO especially after this jjk season 2 trailer just dropped, i am having MAJOR brainrot with this man. (this was supposed to be done three weeks ago but writers block 🤕)

you didn't intend this to happen but with nanami on top of you, his legs straddling each side of your body while one hand is pinning yours to the bed and the other is wrapped around your neck and his lips dancing around with yours, it seems like this was on purpose.

his blonde hair that was once neatly slicked to the side, how it usually is, was now a mess. his hair stuck onto his face, whether it was due to how the hot the room was or how close to you he was, he didn't know and he didn't care. he was all over you, hands running up and down your sides, grasping any and every piece of skin he found. and oh my god, he was entranced with you.

today was the day you finally finished moving into your college dorm, everything was unpacked with the help from your friends, family and nanami, your boyfriend. and to no one's surprise, nanami had already moved in, a week before you did so he had all the free time to help you. and when he found out your dorm was no less than a hallway down from his, he couldn't help but let his thoughts become plagued with you.

"thank you guys. i'll finish the rest of my clothes myself, you can go now. bye bye, thank you." you said as you sent off both your parents and friends. "kento, you too. i don't know when my roommate will be back." nanami hummed softly as if he was in agreement with you but he did nothing to start leaving. "kento, seriously, i don't want to set a bad impression on my roommate by having a guy over already."

"mhm." he hummed once again, not listening to a word you said as he sat down on your bed. "kent-" the words escaped your lips as nanami pulled you in by the waist, hands wrapped around your body as you fell on top of him. you stumbled over nothing but you could've sworn something was there to trip you for you to end up like this. nanami's eyes were stuck on you. his eyes beamed with love but with the hint of mischievousness under the dimmed dorm lighting. his hands and yours were intertwined as nanami tilted his head up for a kiss. you take one glance down at his lips before looking over at the door, your ears perking up for any footsteps approaching. "just one kiss, i swear i'll leave after this." you hear nanami say, although you know damn well he won't.

this is what makes you think, you know for a such a serious academic student, he sure does play around a lot with you. you feel like a teenager again around nanami. you quickly meet his lips which only causes nanami to smile against you. a small hushed laugh comes out of his mouth before he completes the kiss, his hands coming up to push your hair out of your face. the kiss only lasts for a few seconds before you pull away, you aren't going to fall into his trap, well, at least not this time. "okay, that was one kiss, you can leave now." you mention his deal from just a minute ago however, it seems nanami has forgotten this as he hums in confusion while he presses soft kisses on your neck, surely with the best intentions.

"nanami kento, i swear, my roommate-" you want to warn him yet as your voices cracks due to his persistent kisses against your skin, you shut your mouth and just wish really fucking badly that your roommate does not walk through that door anytime soon.

nanami's lips are all over you, his breath tickles down your neck as he leaves small kisses near your shoulder. once again all nanami does is hum at your warning, well it's baseless to him anyway. his teeth tug at small parts of your skin to leave marks of some kind, wanting to mark you as his. as if your phone lockscreen, his initials on a necklace and your very apparent promise ring wasn't enough to show that already. his hands hold your neck, not enough to choke you but to hold you in place. your mouth opens in a squeak, your eyes followed his every movement. you ran your fingers through his ruffled blonde hair, nanami letting out a low groan as you did so.

his university sweatshirt the one that matches yours was becoming too hot for him. maybe it was you, maybe it was him, or maybe the dorm, he didn't know. he didn't get the time to think about it before he crashed his lips onto yours. his hands cradling your neck to get you closer to him as if you weren't close to him enough. "god, i love you so much." he mumbles into your lips finding himself way too entranced with you.

as soon as nanami connects his lips with yours, your heart rate picks up. you swear you could hear it from a mile away. it was beating so loudly but the only thing you could hear was your synced breaths with his. with each inhale, nanami deepened the kiss, his teeth biting your bottom lip, as if pleading for more. nanami needs more and so let him. your roommate was the last thing on your mind as you feel nanami's hand slide under your shirt. his hands are cold but nanami feels like he's on fire.

all you can think about is him, your lips moved together and all you can taste is him. the slight taste of coffee slips right into your mouth, probably from the coffee he had earlier this morning. you can't help but want to devour him more as your lips wrapped around each other. your heart was pounding and your stomach couldn't help but twist in butterflies from the way his cologne filled your senses. a small scent of a fragrant citrus with a hint of an earthy saffron. maybe you smelled hints floral and ocean breeze on him but as you continued to breathe him in, you couldn't help but to get drunk off of him. your head is starting to get dizzy. was it because of the lack of oxygen flowing in you or was it because of nanani, you didnt know but you didn't want to stop.

but then the door handle turned, voices were heard and footsteps coming to a hault. the silence was deafening as you stared at your roommate and back. your body froze in the act, even though you weren't doing anything scandalous (yet), you felt like a deer caught in the bright headlights in the dark. and finally all nanami could do was laugh softly, as your roommate murmed something about being back later. "i guess i get to have more time with you."

"kento, get out."

[sleepsunawareof]

Well like many, the Loki S2 finale has me still reeling and I have had this little drabble on my brain and had to get it out. I am not really a writer, I've not written a fic since I was a teenager probably lol so be easy on me but alas, I hope this is enjoyed by those who also just couldn't bear the thought of Loki being alone at the end of time forever.

Description: Loki uses his time slipping abilities to talk to you one last time before making the decision he knows he has to in order to save those he loves. But, you aren't so willing to let him condemn himself to an eternity alone, or yourself to a lifetime without him.

Word Count: 1367

Warnings: DO NOT READ IF YOU HAVENT SEEN LOKI S2 EP6!! Angst, sadness, happy ending mostly

••••••••••••••

"How are you doing this?", you asked as you watched strands of space and time float around you and Loki throughout A.D Doug's workshop.

"We're outside of time. Darling, I had to see you. I had to speak to you." Loki said, a sorrowful look on his face that you had never seen before. "The Loom, it was a failsafe all along. And no amount of scaling can account for infinite timelines. I thought we had it, I really did", he explained.

"Damnit, we should have known it would be...", you lamented.

"I spent centuries trying to figure it out, and it was all for nothing."

"Centuries?" you questioned.

"It's hard to explain" he responded. "Darling, there are only two options. Go back and kill Sylvie before she kills He Who Remains and allow the Sacred Timeline to continue--"

You cut him off. "You can't Loki! The Sacred Timeline is full of misery, injustice, and sadness - what the TVA stood for under He Who Remains was all wrong! We can't go back to that. And you know you could never kill Sylvie...not after everything we have all been through together."

"I know...", he said, a sad knowing in his voice and his eyes. "But there is one other way."

"And what's that?"

"Me".

"What? You? I don't understand Loki..." you said cautiously.

"The finite power of a machine can never handle the infinite timelines of a multiverse, but the infinite power of a God can", he said as he watched your face intently for any hint of reaction.

It took a moment as you stared at him, blinking. "Do you mean..." you questioned, as the realization of what he was saying started to set in.

"Yes, my love. Believe me, if there was any other way, I swear I would take it. But there isn't. I know what kind of God I need to be, for you, for all of us. It's the only way."

"Loki, if this is what you have to do, then please, take me with you at least!" you implored.

"My darling y/n, you know I can not do that. I must bear this burden alone, and you must go live your life on the timeline, the one you deserve to have. I could never condemn you to an eternity of solitude at the End of Time", he said sorrowfully.

"But you'll condemn me to a life of solitude on Earth? Loki, I can't live without you. There's no life for me down there if it's not with you! Please, as long as our friends are happy, and I'm with you, that's all I'll need. Please let me go with you!". The last part came out as a sob as your emotions got the best of you. You couldn't believe what he was talking about doing, the sacrifice he planned to make for the ones he loved.

"When I go back there, to that moment in time, you won't remember any of this. You won't know you said you wanted to go with me," he reminded you.

"Loki, every version of me across space and time would go with you. Even into the abyss, if that's where you have to go. I will follow you, I know I will!" you fully sobbed out as you threw your arms around him. The thought of him leaving you was killing you.

"They'll stop you if you try to follow me, you know that" he said, speaking of your friends back at the TVA.

"Then tell them not to Loki! Please, I'm begging. My place is beside you, always and forever, no matter where that place is."

And then Loki was gone and everything turned to spaghetti.

••••••••••••••

Loki slipped effortlessly back to just the right moment in the Loom control room, having been here in this moment over and over for centuries. This time though, it was different. This time, it was the last time. Loki looked over at you and his friends with a sad and knowing smile on his face. And then with one last look, he turned and ran down the stairs towards the blast doors. He knew he could keep you from following, lock the doors behind him with impenetrable magic. But he also knew that in your heart, you would never want to be without him. You would resent him forever if he left you on Earth alone.

You, Sylvie, and Mobius ran down the stairs after him immediately, but he was already through the airlock doors. The three of you watched Loki open the blast doors with his magic and start to step outside, absent of any protective suit. As you reached out to open the airlock door and go after him, Mobius pulled you back.

"Mobius, I have to go! I have to get to him!!!" you screamed.

"You can't! The temporal radiation will kill you if you open that door and go out there, you know that!"

"But it's going to kill HIM!" you cried out as you watched Loki walk out onto the walkway.

But something amazing started to happen. As the temporal energy shredded his TVA clothes away with every passing second, something else began to take it's place. Flowing dark green linen draped his form, traditional and humble shoes appeared on his feet, and a horned crown adorned his head. He looked absolutely Godlike and regal. As Loki walked closer to the Loom - this imperfect piece of machinery that took so much from so many - he lifted his hands, called upon his magic, and destroyed it in a flash of bright green and white light.

Then, there was darkness. Loki wasn't done, though. He reached out to grab a strand of time and suddenly it glowed back to life, his beautiful green magic allowing it to thrive. He grabbed another, and another. You, Mobius, and Sylvie stood silently in the airlock, watching as Loki brought the timelines back to life, one by one, gathering them in his hands. Above him, a chasm opened in the sky, revealing the End of Time. Loki looked back one last time at the 3 of you back in the airlock. He had no idea if you would really come after him like you said - but he wanted to see your face one last time if it was truly to be the last. Your eyes locked, and you knew now that the temporal energy was gone, there was no threat if you left the airlock.

"I have to go with him." you said to Mobius and Sylvie. "His worst fear is to be alone, and he is going to condemn himself to a lifetime of loneliness to save us all!" you said as you opened the door.

"Y/n, please! Stop! You don't know what you're giving yourself to." This time, it was Sylvie who pulled you back, holding your arm so you couldn't run down the walkway.

"Yes, I do. I'm giving myself to love. I'm giving myself to free will, to choice, to hope." you said.

"Sylvie, let her go," Loki called out. "It's going to be okay." he assured.

Sylvie let go of you hesitantly, and you started your walk out to Loki. When you reached him, he could not take your hand, but you took his arm. Together, you began to ascend the invisible stairs to the End of Time as he held the reanimated timelines in his hands. As you both crossed the threshold of the chasm to the End of Time, He Who Remains' throne and the ruins of his citadel came into view. Loki walked forward to the throne, the one he never wanted but was always destined to have. The timelines took on the beautiful form of a tree - Yggdrasil, the tree of life - the tree of the multiverse that Loki would tend to for eternity.

"This is where I'll have to stay forever, darling. I can never leave, never move. Tending to the timelines is my glorious purpose, my eternal burden. Are you truly willing to stay here with me?" he inquired.

"Yes, my love", you answered without hesitation.

"For all time?" He asked.

"Always".

[immaturityofthomasastruc]

Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)

Part 1

(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)

#14: Transmission

I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.

Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?

I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?

Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.

While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.

Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.

Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.

#15: Determination

And now we're onto the really bad episodes this season.

This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.

What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.

Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.

And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?

The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.

The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.

As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.

The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.

This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.

#16: Conformation

The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.

Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.

But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.

Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.

I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?

While the buildup is decent, it's just not enough to really get audiences excited for the second part.

#17: Representation

This episode is yet another example of the show's double standards.

Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.

With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.

The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.

This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.

#18: Revelation

Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?

While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.

If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.

It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?

And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.

And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.

But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”

This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.

#19: Illusion

Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!

So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.

Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.

The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.

The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.

But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.

This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.

#20: Confrontation

Ladies and gentlemen, I give you the episode where the writers just gave up.

There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.

First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.

This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.

I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.

But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.

To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.

#21: Revolution

Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.

This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.

Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.

The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.

But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!

This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.

.....

#22: Adoration

This is one of those episodes I honestly didn't think would hate as much as I did.

I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?

Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.

This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?

Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.

I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.

There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.

#23: Collusion

I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.

If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.

Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.

Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.

I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.

Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!

Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.

Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?

But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.

Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.

#24: Pretension

I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.

The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.

It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.

I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.

And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.

The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.

Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,

This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.

#25: Derision

And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.

Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.

I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs

Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.

I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.

In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.

Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.

#26: Emotion

I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.

It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!

While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.

Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”

Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.

Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.

The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.

#27: Re-Creation

I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.

I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.

The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.

This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.

But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.

This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!

But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.

That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.

And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.

[cantsayidont]

There are some things in DC's voluminous back catalog that they ought to properly reprint because they're good — gems of past eras. However, there are also some things they ought to properly reprint because they're delightfully stupid, like the Superman/Batman team-ups from WORLD'S FINEST COMICS. DC has actually reprinted all the stories from the '50s, through about 1961, but a lot of the '60s material has only been reprinted in the B&W SHOWCASE PRESENTS books, which is a shame.

The WORLD'S FINEST team-ups went through several distinct phases. Superman, Batman, and Robin had shared the covers of WORLD'S FINEST COMICS since 1941, but it wasn't until 1954 that shrinking page counts obliged them to actually share the lead feature. The '50s stories are pretty good of their time, with some lovely Dick Sprang art, and the presence of Superman meant the drift into science fiction was less jarring than in the contemporary Batman books. In 1964, editorial control of WORLD'S FINEST passed to Mort Weisinger and it became a Weisinger-era Superman book that happened to have Batman and Robin in it. Starting in 1967, though, things started to get stranger and stranger as Weisinger's stable of sci-fi veterans like Edmond Hamilton and Otto Binder gave way to Bob Kanigher, Cary Bates, and Bob Haney, who turned out some exceedingly weird material. Stories like the two-parter about Superman having died and willed his super-organs to various people (#189–190) aren't quite as ghoulish as the covers suggest, but their inexplicable weirdness is emblematic of the period.

For a little while in the early '70s, DC evicted Batman from the series, making WORLD'S FINEST a general-issue Superman team-up book. (DC reprinted those issues in trade paperback in 2020.) This apparently wasn't a big commercial success, but rather than immediately returning to the expected Superman/Batman format, WORLD'S FINEST began to feature the Super-Sons, the teenage sons of Superman and Batman in a hazily defined parallel reality — written by Bob Haney, whose stories consistently evoke the sensation of mild concussion. The "real" Superman and Batman also returned, although they had to alternate with their hypothetical future sons, appearing roughly every other issue through 1976. From 1976 to 1982, WORLD'S FINEST once again became an oversize anthology book, with a Superman/Batman main feature backed by a variety of other characters like Green Arrow and Hawkman. The stories in that period are not quite as ludicrous as the late '60s (although if you see Bob Haney's name in the credits, you know you're in for a wild ride), but even the soberer installments are consistently very silly, full of nonsense like Kryptonian lycanthropy and the return of some especially ridiculous older villains like the Gorilla Boss of Gotham City and Doctor Double-X.

It wasn't until issue #285 that Superman and Batman again had the book all to themselves. The late period dials back the zaniness and has mostly uninspired plots, but writers Doug Moench and David Anthony Kraft compensate with some eyebrow-raising and apparently deliberate "Superbat" ship-bait; my personal favorite is Kraft's "No Rest for Heroes!" (a short story in the back of WORLD'S FINEST #302), where Superman and Batman go to a dive bar in the middle of nowhere to talk about their relationship and Batman ends up throwing a knife at someone.

Very little of this stuff is actually good by any normal standard — although the 1964–1967 period is no more or less weird than any other Weisinger Silver Age Superman stories — and the artwork is only occasionally better than passable. However, it's so stupid and so ridiculous that it's consistently fun, in a way DC doesn't really do anymore, at least not on purpose. Assembling all the Superman/Batman stories (leaving the Super-Sons to their own TPB), omitting the various backup strips, and giving it decent color reproduction would make for a nice package, and the presence of Superman and Batman would make it more commercially viable than some of DC's more artistically worthy back catalog material. Low-hanging fruit, if you ask me.

[necrotic-nephilim]

i think stephcass could have been potentially interesting if fandom let steph be herself and not ultimate uwu girl boss erasing all her negative traits. where is her jealousy? unhealthy obsession with her crush and complete lack of understanding of the concept of boundaries ESPECIALLY if that person is already dating someone? where is her almost manic urge to push away other potential love interests (and at this point i realized she would NOT have been so chill with ives if tim had come out much earlier yikes)

BIG AGREE OH MY GOD YOU PUT IT INTO WORDS.

because i love TimSteph for the reasons you listed!! there's something very unhealthy and teen girl-ish in the way Steph approaches relationships. she's angrily jealous and she thinks about Tim in a possessive way. like she is just so consumed by him and it's meant to be male comic writers writing how they think teen girls write about boys in their diaries- but it comes off as incredibly toxic. it's one of her deepest character flaws and what endears me so much to 90s Steph. she throws herself so deeply into romance when she has it, like she's afraid if she lets go of it for even a second it's going to leave her. and god forbid you be the person she falls for bc you will never maintain a healthy relationship with someone she views as competition, she *will* sabotage it. and to me these are all pros of her character. i *like* seeing how vigilantes struggle to maintain normal relationships- *especially* teenage vigilantes. Steph struggles to balance her "regular" life with being Spoiler and what things deserve a Stephanie Brown reaction and what things deserve a Spoiler reaction. and when she's dating, it's almost *always* going to be a Spoiler reaction and she shades her relationships through that lense. it's why civilian partners for Steph never really interest me. (besides the fact they always feel forced and clunky, like Steph's recent think with Maps' older brother?) it doesn't explore the way Steph loves to her fullest extent and how far she goes when she's into someone. there's no sweet puppy love for Steph, when she's all in, she's *all* in. she will do what she thinks is best for Tim oftentimes by her own will without his knowledge or approval, and sometimes massively fucks things up for him. bc she's just so wrapped up in what she believes is best, consequences are secondary.

and sure, she maintains healthy friendships. bc most fodder with StephCass is very healthy and soft. bc it's a *friendship*. and it changes radically when Steph is involved romantically. it's why there's such a difference in how Steph regards Tim when they're just friends as to when they were dating. she loves him and he's always going to be important, but that obsessive passion isn't what drives them anymore. so it's something you have to consider with *any* Steph ship in which it's a character she's had a friendship with- that how she interacts with them as a friend doesn't necessarily inform how she'd regard them as a lover. and that's the issue with StephCass. even the StephCass content that *is* comics informed (tho, a lot of it isn't and while i don't think fanon needs to be based on the comics to be good, i do think Steph and Cass are difficult characters to tackle if you aren't at least semi-familiar with their canon content bc of how warped they are in the fandom-) comes off with such a rose-colored lense that sours it for me. hell, even on Cass' side, things she's *canonically* done have been weird and obsessive about Steph. but that's never explored.

(tbh dare i say it's something to do with the phenomena in fandom that yuri is morally pure and perfect and yaoi is always dirty and bad- there's this almost sanitizing of sapphic ships sometimes to make them perfect and cute together and while i'm not here to yuck someone else's yum, i do think it's *telling* that women in fandom never get to explore the complex depths of unhealthy and toxic love in the way men do bc if you make a woman evil, it's misogyny. if you sexualize a woman too much it's misogyny. if you write her doing morally fucked up things even with the understanding it is her canon character, it's misogyny and you're villainizing her. i can sit here and say Tim is canonically shitty at relationships and ppl will not. if i say the same about Steph, then i'm critiquing a woman and holding her to an unfair standard. it's exhausting. it feels like StephCass only ever exists to depict Steph and Cass as morally pure and in love angels kissing in the background while the men get to do complex and nuanced and fun things in the foreground. this thought has probably been far more explored by others with more developed nuance on it, but i just wanted to point it out bc it's a very real thing i keep seeing *especially* in the Batfam fandom-)

and equally i think Cass' reaction to this intensity and obsession from Steph could be interesting. Cass historically has had poor reactions to knowing everyone is attracted to her and thinking about her, so that level of intensity i think could cause some negative reactions out of Cass that would add some very layered conflict to the ship. some of Steph's most negative traits *do* clash with Cass' wants and needs. it makes the ship more fun! it puts Steph's flaws on display as well as Cass' flaws and her internal issues surrounding romance. StephCass could be so weird and fucked up. but it's been defanged by this fandom in a way that turns me off to it. i love both Steph and Cass and i love exploring sapphic Batfam ships, so it *should* work for me. but the irony of it being popular in anti spaces combined with no one being able to acknowledge the flaws either of these characters have for the sake of making them kiss just. bores me and it's sucked any interest i could have out of it. bc god forbid women just be a little fucked up. </3

[certifiedlovergirlsstuff]

Hiii I have a request!! Ok it’s kinda long cause it’s all a dream I had

Jake sully x reader

Ok let’s say reader and jake were married before everything (when he was still human) and she got knocked up by him and lates say like in the movie jake falls for neytiri and reader finds out and during the war reader gets injured and they take her to eywa, eywa saves her baby but it’s transformed to a Navi baby (let’s say it’s neteyam) while reader is stuck still being human so yk Jake and neytiri takes care of the kid it’s angsty especially with neteyams death

hey bestie, so i saw that you sent this same exact request to another writer(same exact wording as well). was thinking about not posting it now, but i wrote this at work and finished it so you’re getting two versions. but not very happy about this IMO, not very nice to go to different writers so you can get more/different versions of your request

pairing: jake sully x human fem!reader wc: maybe almost 1k warnings: blood, infidelity, mentions of pregnancy

masterlist / jake sully

this trip to pandora was pretty much your's and jake's honeymoon. away from home and family, now living on a foreign planet surrounded by scientists and the military. dream destination spot.

"this place is marvelous. a true beauty." in awe while the helicopter flew your small group over the pandorian forest. the lush green of the thriving trees mixed with the spectrum of colors was outstanding. only used to the muted palette of your dying earth.

jake sat beside you with his hand in yours, being oddly quiet for the chatter-mouth he normally is. "everything okay. handsome?" leaning into his space even though you have radios to hear each other.

jake looked away from the jungle and peered at you with shallow eyes. "yeah. yeah, all good."

-

two days after the ride they set jake up to test his avatar. he went into a pod structure and then about an hour later you saw him as a nine-foot blue-striped alien with feline features. his human features still showed through, your jake staying present.

when he came back to your shared quarters the both of you got handsy and frisky, acting like a pair of teenagers. the next morning both were naked and awoken by a loud pounding on your door.

"let's go jarhead! don't have all day!"

groans from jake and light giggles from you. he rolls over to press multiple kisses scattered over your face until he leaves a deep and final kiss upon your lips.

"i love you." his sparkling blues looked over your face. he steals an encore kiss, "I'll see you later." and he grabs his clothes from the floor before getting into his wheelchair.

"i love you too. be safe." called to him before the door shut closed.

-

"you're pregnant." jaw dropped involuntarily. "are- are you serious? i- I mean, are you sure?" your heart pitched up in speed on the machine.

max nodded while keeping a neutral expression. "I'm sure. three months along."

your hands cupped over your mouth as your vision blurred with tears, "holy shit."

"is... is that a good holy shit? or a bad holy shit?" max stepped forward while clinging to his clipboard.

a nod of your head, "a good holy shit. a very good holy shit."

later that night when jake returned from his training you broke the wonderful news.

"you serious?" and he sounded the farthest from happy. you faltered for a second before bouncing back. "yeah, max said I'm three months along. isn't this exciting! we can start a family on a thriving planet-"

"and start one on an alien world where everything is deadly. everything is dangerous here. the plants, animals, the locals! the natives hate us and they are barely warming up to me with these hours of training. a kid is not safe here!" jake's voice rose to a sharp yell causing you to flinch in both shock and fear.

"well, we'd- we'd keep them in hell's gate until then. wait until their of age." trying to get jake to warm up to the concept just a little. "aren't- aren't you at least a- a little happy? you're gonna be a father!"

you wrapped your arms around your elbows, protecting yourself from any harsh words to be thrown. jake scoffed while shaking his head.

"no. i'm not. my father was shitty, treating my brother with his respect while I was just dirt. now I'm gonna end up repeating that cycle!" rubbing his hands over his face in stress.

you jumped quickly to his defense. "no you're not. you'll be a great father, gentle and caring. i know it, they'll love you." setting slow steps toward jake, stretching a hand out to comfort him.

-

four months have passed. you were showing more each week and even found out it was a boy. jake was still training with the omatikaya clan to gain their trust. having two separate lives, exploring the world of pandora as one of the people, and at night he's back in his human body that’s getting weaker each day. it's caused the two of you to hit a rocky patch in your new marriage.

jake barely spoke to you when he came to bed, still giving his touches but those have been lessening each night. he can’t keep eye contact with you now, you miss gazing into his clear eyes as you get lost in dreams. he would avoid any of your questions about his day, especially ones that involved her.

that gut feeling told you he didn't love you anymore. ever since the pregnancy announcement he's been completely different. it caused tears to sting your eyes when you think about the possibility he fell in love with her, dreams about her while he’s beside you.

"jake?" calling his name before he could slip away from the day. he stopped just before the door, keeping his back to you.

"do- do you still love me? cause if you don't just- just tell me. it's breaking my heart to just take this silent treatment, having you slowly retreat from me. just tell me you don't love me, that you love her now. just tell the truth." cracked voice and hiccuping breathes. you thought you were on the verge of passing out with your ragged inhales.

he still didn't bother looking at you. if he did you would see how his eyes are screwed shut and his mouth twisted in a grimce. small tears staining his skin as he replied in a cool and collected voice.

"i don't love you anymore and i'm sorry." jake left before you could say anything, leaving you to sob alone and hold your bump in a cradle.

-

a week later all hell broke loose for every species on pandora. a war between the greedy corporations and the locals of the planet. you, max, and trudy helped free grace, norm, and jake from their cell. it was a race against time, too much happening at once to process the damage taken.

both you and grace were shot, losing blood and slowly dying. jake said he was gonna take the both of you to the spirit tree to have mo'at save the three of you.

"it's gonna be okay, baby. everything is gonna be okay." jake's voice broke as his hands caressed your paling face. tear rolling in drops to his cheeks. you tried smiling for him, showing you were fine.

"it's okay, handsome. just save the baby. be his father." jake sobbed, "i- I can't do- do this without you."

you shushed him while running a heavy hand over his head, "yes you can. you have people around you and- and you have neytiri. someone who loves you." jake scrunched his face, 'i'm sorry, baby. so so sorry." giving a rock to your body.

your skin was feeling colder and you could feel your heart slowing. "jake... can i- can I have a- a kiss? for goodbye?"

"you're not leaving. you'll be okay." his thumb smoothing over your skin. eyes dimming in shine. "of course,' words getting breathy, "I still want a kiss, handsome." sleepy eyes taking in all of your husband's details. for the final time.

jake stared into your shrinking pupils before leaning down so his lively lips connected with your bloody ones. "I'll always love you, jake sully." whispered to his lips with your last breath.

-

almost a month after the fire had settled, most of the humans were taken back to earth, and the clans began rebuilding. jake is now the lead for the people of the omatikaya clan. toruk makto gone until he is needed again.

jake was out by a stream collecting fish for the communal meal later that night. the quiet always helped him at times and allowed him to reminisce on the past. flashes of your face or smile, small bites of your laughter ringing within his ears. thinking of how he should’ve treated you better, wishing he could have a second chance at human life with you.

jake knew he didn't deserve your final words, but he held them close in his heart.

"ma jake." neytiri's soothing voice filled the silent air. he turned on his heel and smiled as she came closer. "yawne," holding a hand out for her to grab. he pressed three kisses upon her knuckles.

neytiri's lips parted in a smile. "i have blessed news, ma jake." he waited for her to continue, eyes taking in her glowing face.

"i am with child."

and instead of that gut-wrenching feeling he was expecting to feel the first time this news dropped, it was only solemn. a sad happiness crashing over him in waves.

but he didn't need to force a smile, it came with ease was he whispered, "that's- that's wonderful news."

-

a/n: i fridged the reader i know! (if you don't know where fridging a female character came from look it up)

jake sully taglist: @singular-itae / @websterss

[commsroom]

honestly, i wonder a lot about eiffel's past relationships, when 1) the way he describes his relationship with kate gives the impression it was intense and burnt out quickly (though i can definitely imagine they were very on-again-off-again for quite a while as well), 2) if we go by gabriel urbina's estimate that he imagined anne was about ten by the end of the show, eiffel was about 23 when she was born. they broke up before anne was born, and i don't think they were ever together again after (i would imagine kate was probably adamant about that, and about prioritizing anne's well-being), but eiffel was obviously still in her life, in some capacity, until kate got full custody.

eiffel's got that line in a matter of perspective: "i've been awake for twenty-six hours straight, half of it because i've been sitting by the phone waiting for a call that never came. it's like my teenage love life played out on an intergalactic scale." and while it's a self-deprecating joke, it's probably not... entirely untrue about his dating life in general? we know why his relationship with kate was toxic (the implications of "things get real sid and nancy" speak volumes), and eiffel strikes me as the kind of person who prefers emotional intensity to casual indifference, even if it's terrible for everyone involved. i don't like to lean too much on things the writers have said - not least because gabriel urbina has been very clear that nothing that isn't in the show is strictly canon - but this is all speculation anyway, and the idea that eiffel was a "tv is my parent" kid who grew up unsupervised has always explained a lot about him, to me.

kate is his most significant ex because she's the mother of his daughter, obviously, but i'd be surprised if there were many other people he was that involved with for... a long enough period of time. like, don't get me wrong, i think eiffel has had plenty of hookups, one-or-two-dates, and even ex-girlfriends, but these aren't people who stay in his life; he comes on too strong for casual and doesn't have the day-to-day stability for someone who wants commitment. he's a lonely, stimulation-seeking person - he was a teenager who didn't have luck in love, and then a young adult who made a lot of bad choices (and didn't maintain any stable friendships), and then just... kinda a guy with a lot of baggage. a lot of things just kind of fizzle out because he assumes disinterest from people who don't meet him with that immediate intensity, or, otherwise, he says he's fine keeping things casual, but then he hooks up with someone once and he gets weird whenever he sees her from then on like, wow, crazy that you're here and i'm here... just two people who are both here... hanging out... like friends do. yup. and he tries to put his arm around her and she blocks his number.

[nica-my-beloved]

Things I Love and Dislove About Ikemen Games

These are my opinions!

CONTAINS ADULT CHARACTERS

You don't know how much this means to me because most of the time I try finding shoujo mangas I end up with stories that involve high school kids.

I'm a die heart fan of demon romance but majority of the shoujo manga that explores supernatural beings involves a 1000 year old demon king falling in love with a 16 year old high school girl. This sickens me not only because of the age gap but one of the party is a freaking minor.

As an adult, I'm so happy the Ikemen Games doesn't involve younger characters or at least characters that are 'minor' as a romantic partner.

MC's ONLY JOB IS TO SIMPLYFY THE STORY

I have said this before, MCs are just props to simplify the story and characters to us because the writers think we're too dumb to understand what the character is saying. They're like Paimon so that we don't use our braincells to understand the characters better.

I wish they didn't do that and have MCs backstories that describes their personality. I mean, all the MCs want to 'prove' to the male leads that they wanna be 'strong' but I'm tired of this trope.

Why does MCs have to always be innocent and prove themselves? Why does she always want to 'understand' the male leads? Can't we...for once have a romance that doesn't involve MCs teaching male leads true love?

Also STOP give MCs odd jobs! Book stall employee...letter carrier? I mean who is happy and satisfied doing this? How about giving the high-paying jobs like Auditor or Businesswoman or Scientist or etc etc...I know Mai is a fashion designer and businesswoman and Mitsuki is a travel agent turned maid. Alice is a baker and Yoshino is a pharmacist. The only MCs that continues to follow the path of their dreams is Mai and Yoshino.

MATURE ROMANCE

I enjoy seeing two adults slowly fall in love.

There is something different about teenagers falling in love vs adults falling in love. The romance is more realistic. They don't talk about how they're gonna plan their future together or which college they're going to go instead their chat is much more deep and that's refreshing.

NO BAD ENDINGS

Happy endings are nice. Everyone deserves one! But when there are no bad endings, the story won't have stakes.....and when there are no stakes, I can't take any gunshot sounds, blank screen and MCs saying 'Is this the end?' seriously.

Just stop being cowards writers! Put some bad endings!!

FAIR SHARE OF ROMANCE

Although I have played my fair share of Maiden games, majority of them are not that romantic.

I love cute romance moments to lighten up the mood and I really need them. Ikemen games delivers that too well....way too well...

I do have some criticism for random steamy scenes, I don't mind as long as they have context and mood.

The story is not so story focused all the time and also has time for mischievous romance which I like! It helps in calming me down and enjoy at the same time.

BULLSHIT GACHA SYSTEM AND NON-EXISTING GRINDING SYSTEM (Not very F2P friendly)

Even though Genshin's gacha system is shit (you need mf 90 wishes to get a guaranteed 5 star and 180 wishes to get the limited 5 star you want!) I still think it's ways better than the gacha system of these Ikemen Games.

Yes I agree that both the games are different in genre, one is an open world anime rpg and other is a maiden game with gacha mechanics. But that doesn't mean that I have to always pay to buy limited gacha tickets!! At least genshin gives us an open world to explore and grind primos (even though its time consuming)

Yes they do give limited tickets when you enter an event or complete the mission board but that's only ONE TICKET and you need 50 LIMITED TICKETS to get your guaranteed limited 5 star card. On the other hand, they give out many standard tickets but what am I gonna do with it if they aren't gonna update the standard banner?

These games are NOT F2P friendly and if you wanna...like say, want rank no.1 in an event you'd have to save a lot of items.

Ofc I know about the subscription thing and you do indeed get a lot of items, but the most essential thing for me is limited gacha tickets and diamonds because I wanna collect as many beautiful cards as possible and you don't get them from these monthly subscriptions. It's a waste of $5 very month. I'd rather buy a nice hair care or skin care items from that.

INTERESTING SETTINGS

I have my criticism in some of their stories but I can't deny that I LOVEE their story settings. Their premise for each game is solid to the point it makes me wanna actually try it.

This is something I find very rare in 'shoujo' genre.

For example, I don't like Vampire themed games because they suck! (both figuratively and literally) but Ikemen Vampire interests me because they take real historical figures and makes them vampire, which is a really cool idea! You don't know but I'd die to get myself in situation like that because it would be an honor to meet some great historical figures, chat with them and make them lose all their brain cells just like me. I would die to meet especially Isaac Newton and grill him for making those torturous physics theories that gave me brain tumors in my school.

Very cool setting! I can't wait to see what's in store for us in the future!!!

EVENTS ARE INSANELY BORING

I've never enjoyed a single story event from Ikemen Villains. They are boring and makes me fall asleep immediately at chapter 1. I think that kinda spread to Ikemen Prince because I barely open Ikemen Prince app now.

I honestly don't find the stories of these events interesting at all. It always feels like 'I have seen this before' maybe in some other game or some other manga.

And the Collections events.....yeah, I hate them! I wish they never existed!!! They keep the fan-loved characters at the butt-end of the list where 90% of the players don't even make it unless they burn their whole month's salary. I know that's why they do these anniversary elections because I bet if Sariel was the most voted character, his story would have been the most expensive one to get.

VERY LIKEABLE MALE LEADS

This is a personal thing but I love charismatic male leads a lot! Male leads with a lot of suave and beauty! Yes I care about these things when I play gacha games okay! I play gacha games to look at hot guys (because I know I'm never gonna get one in real life!)

But I also love that the devs puts an effort to make them feel good too. So I wanna give a shoutout to them!!! 'KEEP GOING!!! JUST DON'T MAKE TRIGGERING MEN WHO SAYS 'I'LL KILL YOU'!!!

[project-sekai-facts]

Hatsune Miku broke space-time and here's how

a somewhat off-the-wall theory by tumblr user project-sekai-facts

SEKAI are... mysterious, to say the least. They're worlds made out of the emotions of teenagers, only accessible through a song on a phone that cannot disappear, and most importantly, inhabited by the main 6 Crypton VOCALOID characters.

So, what exactly is a SEKAI? For one, they're not magical or supernatural, as confirmed in Len's Street SEKAI 2*. According to Len, SEKAI are just mysterious, as previously mentioned. He also mentions in that card story that the Virtual Singers that inhabit SEKAI are not that much unlike humans, although they have the innate ability to help people discover their true feelings, and nurturing those feelings is at their core.

That's the thing, how are they able to maintain a humanoid form if they're not magical or supernatural, and not holograms either? Well, with magical worlds and the concept of people teleporting inside of their phone ruled out due to the phones going with them, the only option I can think of would be an alternate dimension. A parallel universe, if you will.

An alternate, parallel universe actually makes a lot of sense. Because there's still the big question of how a selection of characters came to be physical, sentient beings. It's made perfectly clear that in the world the main human characters live in, the Virtual Singers are simply Virtual Singers. They're just characters designed for vocal synth software, exactly as they are in the real world. So to me, the most likely explanation is that the SEKAI exist in an alternate universe where the Crypton VOCALOID characters exist as real "people".

It's not a perfect explanation, and doesn't really account for the fact there are several SEKAI, and several incarnations of the VOCALOID characters across those. While the SEKAI are presented as planet-like objects in a void (the "Between SEKAI"), as the game calls it, there's also the fact that SEKAI continuously grow, in a similar style to a universe. To be honest, I don't think the writers care that much about the physics behind SEKAI and the contradictions present.

They actually play with a bit of a "god" dynamic with the Virtual Singers. They aren't tied to a specific SEKAI, instead residing in the void between SEKAI and watching over "themselves" and the humans who inhabit the SEKAI.

All of that aside, how did the SEKAI come to be, and what's so special about the Virtual Singers? Why are they playing god in this alternate dimension?

Well, it's well-established that SEKAI are created from feelings. Specifically strong and unwavering ones, that have to maintain their strength in order to become a full fledged SEKAI, and not just a small fragment of what could be. But, where do the Virtual Singers come into this?

Well, it's hard to say. Considering how closely tied the Virtual Singers are to the SEKAI, I'd say it's pretty safe to say that they have an impact in the creation of them. Which places 2006 as the earliest a SEKAI could form, the year MEIKO was released. Although, considering how Miku is put at the forefront of it all, 2007 might be more likely. Perhaps the SEKAI were created by staff at Crypton, who were happy with Miku's outcome, and that's why she's at the forefront? It's plausible, though I think there's a more likely theory.

The game places a heavy emphasis on what VOCALOID means to people, the way a community has formed around it, and creators will put their feelings into music that can then be enjoyed by people worldwide. From an out-of-universe perspective, I think this provided the inspiration for the idea of SEKAI, though I think it works from an in-universe perspective too. By some reality-shattering phenomenon, when VOCALOID (particularly Miku) started to really explode in the late 2000s, the feelings that people entrusted to these Virtual Singer characters managed to create entire worlds based on their feelings. Obviously Miku being the most popular and well-know VOCALOID character ended up being at the center of it. Thousands of people conveyed their true feelings through her, and probably hundreds of those people felt strongly enough for SEKAI to be born from their feelings.

And that's all it is really. SEKAI are just a metaphor for the worlds that Vocaloid producers create with their songs, and the feelings they put into those songs, the feelings they entrust to the VOCALOIDs. It's a very literal representation of it.

[petrichor-idyllic]

Hey! I wanted to request a fic with minho maybe where the reader (she/her) is shy? And a mom friend too maybe like feeding everybody 24/7 and caring all sort of stuff with her like band aids and napkins.

(Sorry for any mistakes english is not my first language)

I think I can just about manage this.

This is kind of short because I really could just not think of a decent plot for the life of me.

Writer's block is a killer man.

SOFT AT HEART

MASTERLIST | MINHO MASTERLIST

SUMMERY: See above. Takes place before the arrival of Thomas.

You've been harbouring a long-term crush on Minho, but the problem is you're shy and nervous, and Minho is anything but. Of course, Minho isn't the only Glader you care about, but it's hard to bond with a group of rowdy boys sometimes. So, you show your affections by taking care of them instead. Unbeknownst to you, your subtle acts of kindness give Minho the drive he's been missing for a long time- and maybe he needs a bit more than what he's getting.

WARNINGS: None, really.

You're the odd one out in the Glade. Of course, there's the blinding obvious that you're the only girl amongst, but also you're more reserved than your counterparts.

You've always felt like there's a strange barrier between you and the other Gladers- maybe it's because of your gender, maybe it's because of your personality. But it doesn't matter; something about you just doesn't quite click.

It's not that you don't like the boys. You love them, in fact- they're normally kind and understanding with you even though they aren't with each other. They have a lot of respect for you.

And the feeling is mutual.

But, you can't exactly go around telling a bunch of teenage boys how much you care about them without them getting the wrong idea. Not that you're great with your words to begin with. So, you show your affections through acts of service.

You offer food and water to tired Gladers who are too busy to stop working to have lunch- mainly Buliders, Track-hoes and Slicers. You carry bandages and band-aids for slight injuries that happen to those around you, and you always offer an understanding ear when the boys want to vent their frustrations, even if you don't always know what to say.

Maybe your subtle acts of kindness would just be a typical friendly gesture if it weren't for the fact that you have a massive crush on Minho.

You swore to yourself when you first came up in the Box that you wouldn't get romantically involved with any of the boys. And you've made that painfully clear to everyone. They're your friends, and they all see you as the big sister role you've put yourself in- but Minho?

Minho.

A flaw in your plan, to say to the least.

It's not like you guys talk all the time or spend loads of time together, but you have got into the habit of getting up early and meeting the Runners at the Doors to give them their lunch and drinks for the day.

You only do this so they can have more time in the Map Room before they leave for the day, which is some much needed precious seconds. You started doing this after you overheard Minho complaining about feeling like there's not enough time in the day. So, when you started showing up first thing in the morning, waking up earlier than most of the Glade, he definitely took a shine to you.

It's a simple gesture, really. One that doesn't seem to faze the other Runners in the slightest, but Minho always seems more determined and happier after seeing you. Even the Runners have pointed out a shift in work ethic to Ably.

Though, with you starting to cooperate with talking to Minho and having actual conversations, the way he looks at you is starting to make you melt.

You don't really know what it is about Minho. He's sarcastic and kind of mean sometimes, and he's definitely not scared of speaking his mind or acting recklessly. He's one of the highest regarded Gladers around, for obvious reasons, but he's probably also one of the most feared and powerful.

You've actually witnessed Minho tell Alby what to do.

What a day that was.

But that might be why you started liking him- because he isn't like that with you. Sure, you'll get the occasional witty comment or eye roll, but for the most part, he's kinder with you. It's kind of common knowledge that you're the Glade's soft spot, but that's more applicable to Minho than anyone else.

"Dude, you're staring again," Ben leans against a tree at the edge of the Deadheads where him and Minho occasionally spend free time away from the other members of the Glade.

"Hm?" Minho hums, sitting on the ground, not really paying attention to anything Ben has to say. That's nothing new.

"You're staring- again," Ben scoffs, crouching down next to him, "yanno you can talk her without her feeding us at the Doors?"

Minho glares at his friend. "I'm not staring."

Minho is a liar. You've plagued him for a while, even before you started providing for them. Of course, this is the expectation with being the only girl, but Minho has changed- like said before.

"You totally are, shuck-face."

"Slim it, Ben- you don't know what you're talking about."

"You're soft on her, man; everyone can see it."

"Everyone's soft on her, shuck-face. That's why she's made it clear she's not gonna date or any of that klunk with us."

"I mean..." Ben drags out the word, "you never know, right?"

"Dude, what are you getting at here?"

Ben shrugs. "I don't know, man, I'm just... picking up a vibe." Minho squints at his friend, bewildered that Ben thinks that's any kind of explanation.

"The shuck are you talking about?"

Ben sighs. "You've just been better, dude. It's nice having you back to normal."

Minho didn't need to ask. He knows what Ben's talking about. Before you showed up, Minho was rapidly losing hope. Having fully mapped the whole Maze and still without an exit, or even so much of a sign of an exit, it's kind of hard to keep hopes up.

But when you came up and started going around trying to raise everyone's spirits, despite being slightly awkward; he started to pick up speed again. The Glade became more positive, and Minho started to gain feelings for you.

Despite what you'd made clear.

"I think you're looking too much into it," Minho huffs, sitting back properly, leaning fully against the tree.

"I don't-"

"Hey!" You attempt to shout over to the boys, realising they're yet to come to dinner after the long day. You're holding two bowls of stew as you walk over. "You guys okay?" You ask, passing the food to the boys in turn.

Minho takes the dish from you. "Playing Glade mother as per usual?"

You avoid his gaze. "Yeah, well, you guys haven't eaten yet and Frypan is impatient- can't have our best Runners going hungry, can we?"

"Ah, so you think I'm the best?" Ben's tone is a kind of fake flirty, probably to gauge Minho's reaction. You just blink at him.

"I-I mean, I don't really know much about running, but I'm pretty sure Minho is the Keeper for a reason- so, uh, sorry?" Your words don't quite make sense, not wanting to insult Ben, but making your opinion known.

Minho can't help but smirk at this as Ben fake pouts. His eyes land on you, flickering up and down for a second, almost unintentionally; which makes your face feel warm.

"Anyway," you clear your throat, "I'm gonna..." You throw your thumb over your shoulder, "yanno."

"Yeah, catch you later." You give an awkward wave to Minho before you turn and walk slightly faster than normal away.

"You're whipped, bro," Ben chuckles between eating spoonfuls of stew, resulting in getting punched in the leg.

"Shut up, man."

Minho thought about this for a while- longer than he'd care to admit. He does like you, and you seem to be more friendly and talkative with him than you do the other Gladers.

Maybe he should just bite the bullet.

Maybe just asking you on a date wouldn't be that bad of an idea. I mean, the worst you can say is no, right? And you're a nice girl, of course, you'd be gentle about it.

Unless, you're not and you reject him and humiliate him.

Okay, so Minho might have a fear of rejection that he didn't know he had. It's not worth the awkwardness.

It's not until the next Bonfire night that Minho reconsiders this. You've taken a shine to the new Greenie.

And by "taken a shine", I mean the poor boy is rocking back and forth, curled into a ball and you're desperately trying to comfort him. He does seem to have relaxed a bit, but the Maze is a lot to take in.

He's been given Gally's Special Brew, and the alcohol has definitely calmed his nerves. So, you take a break, retreating to a more secluded area- still within shouting distance if you're needed, but far enough away to take a breather. You lean back against a log, letting your head test on the wood.

"Here," your eyes flicker open, seeing Minho standing over you, a drink in his hand.

He'd been watching you for a while, and seeing how dedicated and caring you've been literally all day has shown him he needs to make some kind of move.

"Thanks," you sit up straight, taking the drink off of him as he takes the spot next to you, both of you facing away from the festivities. "You not joining in?"

"Nah," he scoffs, taking a sip of his own drink.

"I guess you never really do, huh?" He smiles at you; he always feels warm inside when you show him that you pay attention to him. You pay attention to everyone, but sometimes it feels like you pay extra attention to him.

Probably because you do, but he doesn't know that.

"You know me so well," he scoffs and you roll your eyes before he playfully shoves you- something you wouldn't have the courage to do.

"'Course- I always pay attention to people I like," a smirk appears across Minho's face as he slightly raises his eyebrow. It takes you a second, but you quickly realise what that sounded like.

Your face immediately starts to burn and you look away. "I didn't mean-"

"Uh huh."

"I didn't!"

"Why do you look so embarrassed then?"

"Shut up," you grumble, hands coming to your face as Minho laughs at you. You've never been good at the flirting thing, and it's not hard to fluster you, but since you actually like Minho, it's drastically worse. "I didn't mean it like that- I just- you're my friend and I-I respect you- and-"

"Do you wanna go on a date?"

You freeze, turning to face him as you blink.

"What?"

Minho stares straight ahead, mainly so he doesn't freak out. "I just figured I'd stop thinking about asking and just actually ask you." You open your mouth to speak but he doesn't give you the chance. "I know you've got this whole dating rule, and you don't want any of that klunk- but I like you, (Y/N). And I used to think that if a girl came up here, I wouldn't care 'cause I've got the Maze to deal with. But, I can't help it- you're just... Good. Everyone here likes you and you're just a good person."

He looks at you, second guessing himself when he sees your completely blank expression.

"I-I don't mean- shuck it," he laughs. "You can say no and I won't be upset; I get it. But I just thought I'd ask. It's just one date, if you want, and then we don't have to do anything else or be anything and forget it even happened if you regret it. I don't wanna make you uncomfortable."

"What would we do?" The question is out of a genuine curiosity than anything. It's not like there are many restaurants or movie theatres in the Glade.

Now it's Minho's turn to blankly blink. "Well, we uh, we could go for a swim in the lake, or I could rob Frypan and we could have a picnic in the Deadheads, or we could just chill somewhere and talk about dumb klunk- whatever you wanna do."

"You've thought about this, huh?" You smile, warmth fluttering through your body as Minho turns a shade of pink, scratching the back of his neck.

"I mean... just a little." You've never seen him be embarrassed before.

It's kind of cute.

"Okay," you say after a second.

"Okay?"

"Okay, I'll go on a date with you; that picnic sounds good."

He grins. "Yeah?"

"Yeah... I kinda like you too, so..."

Minho can't stop smiling, even when you avoid looking at him again.

"You like me too?" You glance at him. He looks perfect, his lopsided smile, his dark hair and face illuminated by the flames behind him.

"Yeah," you let out a breath you didn't know you were holding, "I like you too. A lot, actually."

"Cool," he clears his throat, "cool, that's cool."

"(Y/N)!" Newt calls you, "the Greenie's freakin' out again! Give us a shuckin' hand!"

You roll your eyes, standing up and smiling at Minho once again. "So, it's a date then?"

"Yeah, it's a date- I'll figure out that picnic and let you know."

"Sounds like a plan," you say as you step over the log, trying to hide your smile and not squeal the entire Glade down as you go back to your daily role.

Minho watches you walk away, letting his head drop back when your out of sight. He's completely buzzing and feels on top of the world.

"So," Ben approaches, chuckling at his friend's love-drunk state, "you finally asked her then?"

"Shut your shuckin' mouth."

Yo, here's another Minho piece, though I am struggling with all the Minho work atm. He's one of my favourite all time characters but I'm running out of new ways to do the same thing, if that makes sense? So sorry if this one isn't as good- my quality is going down hill lmao.

I still hope you kind of like, regardless :))

[chirpsythismorning]

Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.

In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.

Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.

I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.

This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.

And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.

See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.

And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?

I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.

I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.

I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).

Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.

Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.

We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.

Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.

Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?

Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??

Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!

So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?

[thefirstlioveyou]

hot take: mike has not been that shitty of a friend in st3 and 4 (at least not the the extent people make him out to be)

he ditched the party in season 3 to go make out with his girlfriend, but so did el

he was bitchy and snarky- but not ANYmore than he was in season 2, he’s a little shit, sure, but don’t pretend like he hasn’t ALWAYS BEEN a little shit

he was mean during the rain fight, yet he immediately biked across town in the rain to go apologize

mike definitely should have hugged will at the airport- but i’ll give it to him he was gay panicking, we’ve all been through it

will also couldve written letters, will could’ve called, he had a good argument in the fight (up until “we’re friends!”)

he’s an awful boyfriend tho (to el)

mike isn't this terrible person some people want him to be, you're right. it's not that what he did wasn't bad, but it's kinda crazy the way certain people talk about him lmfao. (it's not as common anymore but there are still groups of ppl)

if i hadn't watched the show, i'd assume he wasn't even one of the good guys. but then you actually watch, and you kinda sit there waiting for the irredeemable shit these people are mentioning to actually happen. and they don't? i mean, you get he's messing up but you'd think there would be some worse shit he does based on the things people say about him.

mike ditching his friends for his girlfriend makes sense when you notice mike looking left behind in s2 when lucas and dustin were obsessing with their crush on max and will seemingly going along w it. he looks upset at the snowball. people forget mike is performing based on his surroundings. he obsesses over his girlfriend because that's what he's been conditioned to think he has to do. the show implies in the end that it's not even what he actually wants, and he actually wants the same thing as will.

he's always been bitchy and snarky. he talks back. that's definitely not ooc the way people think it is. just go watch s1/s2 and you'll see him easily catch an attitude for no reason lmao it's funny

in s3/s4 we see him respond to will in ways that hurt him during arguments. however he immediately feels guilty after. that's how you know he isn't a terrible person and more than likely going through something that's triggering his responses. he's immediately aware the way he's acting isn't right and isn't like him and does something about it.

his personal problems are his main cause for these reactions because they aren't being taken care of. seems expected especially from a young teenager, but especially one that doesn't have an emotional outlet at home.

however, i believe every time mike's apologized, he had to. i don't think there was a time where he shouldn't have. i think there needs to still be an apology about the rain fight and clarification about the calling thing.

i think people treat it as irredeemable bc the writers decided to show us this behavior of mike strictly from the pov of will/el, throwing away his pov despite it being the main one. this means they haven't given us explicit reason why he's behaving this way. they focused on other povs because they wanted us to catch onto how suddenly different mike was acting. but unfortunately, in fandom, you'll find that it's very easy for people to disregard this and just resort to calling the character a terrible person because it's less to think about. it's easiest to understand only the character pov that's being emphasized.

in my eyes, mike is more of a bad boyfriend than he is this terrible friend, in all honesty. he can apologize to will, meanwhile he can't ever to el.

all in all, yeah mike has messed up. but he's not only his flaws and mistakes. he made some shitty mistakes (his biggest and main one being 'it's not my fault you don't like girls' imo) but he isn't comparable at all to like... the douche steve was in s1 (as an example).

send more hot takes guys :)

[stickymolasses]

NEW SLANG

pairing: harry osborn (marvels spiderman 2 ps5) x reader (no use of y/n, not gendered)

summary: you are a young adult who had to put a pause on your schooling due to unforeseen circumstances. you work at a cotton candy stand on coney island and harry and you chat, perhaps leading to a new beginning for the both of you.

characters: harry osborn, peter parker, mary jane watson

warnings: mention of gambling, writer being stupid :3

an: hello! this is my first fic on this blog. if you like this first chapter let me know and i'll write another one! i have never really written fanfiction on tumblr or at least never uploaded on here but i figured i'd give it a try. i love harry in spidey ps5 so badddd and there just aren't enough fics for him :> be on the lookout for another an at the end of the fic! i don't really know how this stuff works yet but if you're interested in being put on my tags list for this work let me know!

Coney Island was so beautiful at this time of night. The night sky was illuminated with the sparkling shine that the entertainment district gave off. Despite the enchanting scenery, a sense of melancholy enveloped you on this particular night. The realization of your current situation hit home as a teenage girl, clad in an Empire State University sweater, approached your cotton candy stand—a stark reminder of why you were working here. 

You could’ve been in her shoes if not for the string of unfortunate events that unfolded in quick succession. Moving out of your aunt and uncle's place had been challenging due to the soaring living costs in New York City. To make matters worse, your ex-lover's reckless gambling had drained your finances, forcing you to put a pause on your education. The dream of becoming a great astronomer remained unfulfilled, and instead, you found yourself working at a shitty cotton candy stand.

Nights like these were bustling, contributing to your current state of dismay. The boardwalk teemed with people, immersed in the company of their significant others and friends—something you currently lacked.

The lingering summer heat made you sweat a little. Adjusting your uniform, you opened the topmost button, and as you looked up, three people stood before you—two redheads and a brunette. "Hi, welcome to Coney Cotton Candy. What can I get for you guys?"

You smile and greet your customers with as much delight as you can conjure. One of the redheads, a very handsome young man, opens his mouth to speak but quickly closes it and furrows his eyebrows instead. 

You greeted your customers with a forced delight. The handsome young man among them hesitated before making his order. His friend, addressed as Pete, clarified the order, and the other two in the group walked away, seemingly a couple. 

“Alright, can we get three of the little cones?” He fumbled through his wallet, and you noticed his striking green eyes. As you handed back his credit card, his gaze lingered in a way that made your stomach twist. 

“Have we met before? I feel like I know you,” he pondered.

“Um, I don’t think so. Maybe you’ve shopped here before?” you suggested, playing it cool.

“Did you go to Midtown High? Or maybe you went to Empire State?” he continued. 

“I went to ESU. I couldn't finish my degree, though–unforeseen circumstances,” you replied, throwing up finger quotes. He looked sympathetic, a reaction that both touched and frustrated you.  

“I’m sorry, I’ve had some of those lately too. I graduated from ESU in ‘21. What were you studying?” The line behind him grew, and despite wanting to chat further, you had a job to do. 

“Astronomy. I’m sorry, but there are customers behind you,” you said, cutting the conversation short. He apologized to the people in line, turning to leave but hesitating for a moment. 

“When you get off tonight, come meet me at the Speed Demon!” he called back. 

“Please!”

As you continued working, typing into the cash register, and dealing with an impatient mother, you awaited the hour when you would be free.  

You sigh, locking the register and slinging your tote bag over your shoulder. The remainder of your shift proved fairly uninteresting after your run-in with the man with pretty green eyes. Walking across the park, you take a deep breath, inhaling the scent of the Atlantic. The waves crash on the shore, creating a soothing backdrop to your uncertain life.

When you arrive at the Speed Demon, the designated meeting spot with the intriguing young man from earlier, you find him leaning casually against the head requirement chart.

"How did you know when I got off work?" you question him, suspicion coloring your tone.

"It said the booth closes at midnight on weekends. I only assumed you wouldn’t have to stay much later than that," he replies, eyeing your face and studying your expressions.

"So, why did you want to meet with me?" you inquire again.

“You said you were studying to be an astronomer, right?” he replies, matter-of-factly.

“Yes, but I told you I couldn’t get my degree. I—”

He cuts you off, “It doesn’t matter; are you good at it?”

“I mean, yes, I would hope so. It’s the only thing I’ve ever been passionate about. I wanted to heal the environment, starting with the stars.” He smirks and looks at his feet, shuffling them.

“Well, would you be interested in not working at Coney Cotton Candy? N-Not that this job isn’t worth your time or anything…” He stumbles over his words a little, getting to his point.

“What are you saying?” Your left eyebrow kicks up in curiosity at his remarks.

“I have a startup foundation in Manhattan. I’m trying to gather as many great scientists and innovators as I can. You seem like a great fit, and it could help you finish your studies.” He smiles wide, and you note that his teeth are perfect.

“Why should you hire some person you don’t know? Isn’t that a little bit sketchy?” You place your hands in your thin jacket pockets and fidget around a little bit, thinking. If he is serious about this, you could kiss him. You would rather work any job other than your current one, no matter a real job where you can actually do what you went to school for.

“You just have that look in your eyes; I can see what type of person you are. You want to help people too. We’d still have to do a real interview, of course; I need to make sure you’re qualified.” He laughs, and his eyes sparkle with enthusiasm; he means what he says.

“I guess it couldn’t hurt.” You roll your neck around a few times, tired from a day's work.

He holds his hand out for you to shake it, and you do.

“We are going to heal the world.”

“So, you haven’t even told me your name yet,” he remarks, walking by your side to the subway station.

“I can say the same thing about you, mystery man. If you weren’t so handsome, I would think you were just some creep trying to murder me,” you admit, probably a little bit too honestly.

He gasps and places a hand on his chest, in faux offense. “I would never, and my name is Harry. Harry Osborn.”

You tell him your name, and he repeats it to himself a few times under his breath. “That's a nice name; it suits you.”

He looks at you, as you are examining your feet. You feel his gaze on you but don’t want to scare him away, so you continue to feign interest in the floor.

“What happened to the people you were with earlier? They ditch you?” you ask, curious about the whereabouts of the group he was with earlier.

“I told them I had some work stuff to do, and they didn’t ask many questions. It was date night for them anyway. I was kind of third-wheeling.” He lets out a small laugh at the admission.

The two of you continue to engage in small talk throughout your walk. When you eventually reach your destination, he stops you.

“Hey, I just wanted to say thank you for giving me the time of day. Not just anyone would do that; you said it yourself, I could have been some kind of psycho freak murderer.” He pauses for a second, opening his mouth and closing it again, thinking about his next words. “I have to be honest, I really wanted to talk to you because I thought you were beautiful; it just helped that you were exactly what my startup is looking for.”

You feel heat rising to your face due to his gentle compliment. Since your last relationship, no one had ever called you beautiful; they only ever called you asking for a check. “Thanks, you’re not too bad yourself. I seriously hope I knock that interview out of the park; I’d rather not go back to slinging cotton candy.”

He chuckles and shakes your hand again, clasping over it with his other hand, lingering for a while. “I’ll see you then.”

part 2: here an: hello! what did you think? reader lowkey miserable until harry shows up LOL. i really wanna do fun stuff with this story idk. i am hoping it came across the way i imagined it! i just like need harry carnally and i realized no one was gonna write about him so i had to take matters into my own hands.