#ogori

[bayodeoluwaseyi]

KOGI CENTRAL PDP CAMPAIGN

💯📌👍Natasha In Ogori/Magongo Local Government👍📌💯

#NatashaInMagongo #NatashaInOgoriMagongo

"Don't cheat yourself, I trust you know what to do at the next election, I believe you will not vote to continue with this current situation, I hope you will vote for me and every other PDP candidates"

Bar Natasha Akpoti Uduaghan

#voteNatashaAkpotiUduaghan #NatshaAkpoti4Senate #VoteNatasha4Senate #VoteNatashaAkpoti4KogiCentral #KogiCentralforNatasha #kogiCentralForPDP #KogiCentralVotePDP #NatashaForKogiCentral #KogiCentralSenatorialDistrict #KogiCentralSenatorial #AdaviVoteForNatashaAkpoti #OkehiVetoforNatashaAkpoti #OgoriMagongoVoteforNatashaAkpoti #AjaokutaVoteForNatashaAkpoti #OkeneVoteForNatashaAkpoti #NatashaAkpotiForSenate #NatashaAkpoti #Adavi #okehi #okene #ajaokuta #ogorimagongo

[evasionsrebelles]

Ogori

La ville d'Ogori est une ville à la nature abondante, avec des zones résidentielles à l'ouest et de la campagne à l'est, de l'autre côté de la rivière Homan, #japon #voyage #tourisme #culture #evasion #kyushu #ogori #dazaifu #tanabata

La ville d'Ogori est une ville à la nature abondante, avec des zones résidentielles à l'ouest et de la campagne à l'est, de l'autre côté de la rivière Homan, qui traverse le centre de la ville du nord au sud. La ville a une longue histoire, et de nombreuses ruines et tumulus tels que les ruines de Misawa (période Jomon) et le tumulus de Hanatateyama se trouvent ici. Situé à la frontière entre…

[waffleweirdo]

Maya confronting Nana about how she’s running away whilst trying to be “everyone’s banana” because she knows full well the loneliness that comes from standing at the top, but running away will solve nothing.

Maya calling out Nana in Arcana Arcadia for just being selfish under the guise of helping everyone.

Maya being the embodiment of pride while Nana is arrogance…

And even in the system which Maya seems to naturally stand atop, Nana always beat Maya in the auditions…

[myaekingheart]

Behold: Naruto and Sakura's picks for Kakashi's prospective girlfriend! Per the very first chapter of my fic, The Scarecrow and The Bell.

[utopikia]

god i fucking love revue starlight, i love lesbians

[jewishsuperfam]

listen. if the starry session revival concerts taught us anything it's that ayasa was born to play villains. she's so good at it. let her be in her villain era more often

[mayoiayasep]

i just personally think that we should get dramatica revue starlight covers-*i am dragged offstage*

[tracknews1]

Bayelsa State Government Throws Weight Behind Odi Ogori Ba Uge International Festival.

A delegation from the Odi Ogori Ba Uge International Annual Festival Committee paid a courtesy visit to the Secretary to the State Government to seek support for the upcoming festival slated for July 27th to August 3rd, 2024. Led by the Chairman, Dr. Ebi Udisi, the delegation requested the Secretary’s presence as a special guest at the festival, which aims to showcase the rich cultural heritage…

[torahoes]

(IDOLiSH7) What You Want - ŹOOĻ [English Translation]

Link to my Twitter post with the color-coded lyrics

Lyrics:

人の What You Want Hito no What You Want People's, What You Want

願い What You Want Negai What You Want Wishes, What You Want

それはどんな未来齎すだろう? Sore wa donna mirai motarasu darou? What kind of future will they bring about?

名を馳せるは勇猛で 破天荒な treasure hunters -双頭- Na wo haseru wa yuumou de hatenkou na treasure hunters -soutou- Making a name for themselves are the unprecedentedly brave duo [treasure hunters]

評判を聞いたか 妙な alchemist -依頼者- Hyouban wo kiita ka myou na alchemist -iraisha- “Have you heard about their reputation, strange client [alchemist]?”

Assistant -案内役- をそっと遠ざけると告げた Assistant -anna’yaku- wo sotto touzakeru to tsugeta Quietly distancing himself from the guide [assistant],

たった一っ 願望を Tatta hitotsu ganbou wo He expresses his one and only wish

スリル追い求め 先陣 Suriru oimotome senjin Seeking thrill, the man in the front charges forward

危なっかしい背 追って後陣 Abunakashii se otte koujin While the other follows, pursuing the danger lurking behind

遺跡の最奥まで タイトロープ Iseki no saiou made taitoroupu Walking a tightrope to the deepest part of the ruins

見つけた treasure 握ったら Mitsuketa treasure nigittara Upon finally seizing the treasure they found

祭壇に Saidan ni The alter,

What You Want 響く What You Want What You Want Hibiku What You Want What You Want, Quakes, What you want

崩れ 足場なく 落ちる 片割れ Kuzure ashima naku ochiru kataware The ground collapses, and without any foothold, one of them falls

大事だって アタマも無かった Daiji datte atama mo nakatta There was no mention of it being important

咄嗟だって 言い訳も無かった Tossa datte iiwake mo nakatta Nor an excuse that it happened in an instant

賢者の石 -いし- 投げその手を取った Kenja no ishi -ishi- nage sono te wo totta So throwing the stone [Philosopher's Stone] aside, the other grabbed his hand

Legend tells you

If you wanna get it, make sacrifices

Legend tells you

You'll understand

Finally what you want

Why… こだまして Try… 繰り返して Why… kodamashite Try… kurikaeshite Why... it echoes Try... do it over

禅問答じゃ埒あかぬ 現状 Zenmondou ja rachi akanu genjou Meaningless questions cannot resolve the current situation

懸命に打破したい 残像 Kenmei ni dahashitai zanzou Desperate to shatter the lingering afterimages

(oh my sin)

Hey お目当ては無いが Hey ome’ate wa nai ga Hey, it’s not what you wanted but

道中集めた宝さ Douchuu atsumeta takara sa Here are the treasures we collected along the way

聞いた途端に 依頼者焦って遺構へ Kiita totan ni iraisha asette ikou e The moment the client hears this, he rushes to the ruins

"永久の動力…" 呟き "Eikyuu no douryoku..." tsubuyaki "Eternal power..." he murmurs

羽交締め 問いかけた双頭 Hagoujime toikaketa soutou Holding him back firmly, the duo asks,

なぜそんなに求める? Naze sonna ni motomeru? “Why do you desire it so much?”

あの日――― Ano hi ― On that day…

What You Want 語る What You Want What You Want Kataru What You Want What You Want, He tells them, What You Want

奢り招いた悲劇の懺悔 Ogori mane’eta higeki no zange The confession of a tragedy brought about by his own arrogance

飛び散った 無言の破片を Tobichitta mugon no hahen wo The scattered silent shards

贖った 知識と禁忌術 -taboo- で Agana’tta chishiki to kinki jutsu -taboo- de Atoned for with knowledge and taboos [forbidden techniques],

もう一度 目を開いてと Mou ichido me wo hiraite to He pleaded, “Open your eyes once more”

「What happened to me?」 "What happened to me?" "What happened to me?"

懐柔した mind 偽装した death Kaijuu shita mind gisou shita death A mind that was placated, a death that was disguised

「なんで泣いて…?」 "Nande naite…?" "Why are you crying...?"

仮初だ でも君だ Karisome da demo kimi da It’s temporary, but it’s still you

「You stop crying」 "You stop crying" "You stop crying"

罪 晴れない Tsumi harenai These sins can't be washed away

だから心臓へ 永久動力 - コア- をと欲して Dakara shinzou e eikyuu douryoku -koa- wo to hoshite Thus, wishing to find a core [eternal power] for the heart

二人 リスキーな旅へ 追いやった Futari risukii na tabi e oiyatta He sent the two off on a risky journey

悔恨を聞いて 次の冒険は Kaikon wo kiite tsugi no bouken wa After listening to his regrets, on their next adventure

「俺ら一緒に願い叶えるさ」 "Orera issho ni negai kanaeru sa" “We’ll fulfill our wishes together,” the duo said

充電式の命 背負った Juudenshiki no inochi seotta Burdened by a life that needs recharging,

青年が顔出し 笑った Seinen ga kaodashi waratta The young man appeared and smiled,

友情 見つけたんだな Yuujou mitsuketan da na Saying, “You’ve found friendship, haven’t you?”

Legend tells you

If you wanna get it, make sacrifices

Legend tells you

You'll understand

Finally what you want

[utapri-translations-uuuu]

Ikkiuchi - Lyrics + Translation (一騎打ち)

English title: One-on-one combat / Duel

Translator's notes can be found at the end and are marked with an asterisk.

Please do not repost/retranslate without permission.

Kanji:

【Re】 ヨーホー！　ヨーホー！

誰もが恐れおののく　俺は海賊

このフックが調理してやろう

コックのように　フルコース

味わわせてみせよう　華麗な技を

【Ce】 イーハー！　イーハー！

誰よりも誇り高き　ボクは戦士

このタイガー・リリーが戦いの喜びを教えてあげる

戦場を制するルーラー(支配者)

戦いのルールはボクさ

【Re】 笑わせるな

お前はルーザー　俺はクローザー

お前の命を終わらせる者

【Ce】 生きるか死ぬか　覚悟はできたか？

命が短いのはどちらの方？

【Re】 生意気な若造　世間を知らない

口先ばかりで　恐怖も知らない

【Ce】 何を生き急ぐ？　驕り高ぶる大人よ

どうせ死にゆく定めなのに

【Re】 死なない人間などいない

時は誰しも平等で残酷なのさ

【Ce】 だからこそ譲れない

この身を賭した一撃は

【Re】 「やるな……」

【Ce】 「そちらこそ！」

【Re】 「さぁ、決着をつけよう！」

【Ce】 「望むところだ！」

【Re】 知らないがゆえに　壇上を舞う強さ

【Ce】 知っているゆえの　盤上の駆け引き

【Re・Ce】 讃えよ

重ね合う剣

【Re】花を散らして

【Ce】花を散らして

【Re・Ce】 海の藻屑となるがいい

Rōmaji:

【Re】 Yōhō! Yōhō!

Daremo ga osore ononoku ore wa kaizoku

Kono fukku ga chōri shite yarou

Kokku no yō ni furukōsu

Ajiwawa sete miseyou karei na waza o

【Ce】 Īhā! Īhā!

Dare yori mo hokori takaki boku wa senshi

Kono Taigā Rirī ga tatakai no yorokobi o oshieteageru

Senjō o seisuru rūrā

Tatakai no rūru wa boku sa

【Re】 Warawaseru na

Omae wa rūzā ore wa kurōzā

Omae no inochi o owaraseru mono

【Ce】 Ikiru ka shinu ka kakugo wa dekita ka?

Inochi ga mijikai no wa dochira no hou?

【Re】 Namaiki na wakazō seken o shiranai

Kuchisaki bakari de kyōfu mo shiranai

【Ce】 Nani o iki isogu? Ogori takaburu otona yo

Dōse shini yuku sadame na noni

【Re】 Shinanai ningen nado inai

Toki wa dare shimo byōdō de zankoku na no sa

【Ce】 Dakara koso yuzurenai

Kono mi o toshita ichigeki wa

【Re】 “Yaru na……”

【Ce】 “Sochira koso!”

【Re】 “Sā, ketchaku o tsukeyou!”

【Ce】 “Nozomu tokoro da!”

【Re】 Shiranai ga yue ni danjō o mau tsuyo-sa

【Ce】 Shitte iru yue no banjō no kakehiki

【Re・Ce】 Tataeyo kasaneau tsurugi

【Re】 Hana o chirashite

【Ce】 Hana o chirashite

【Re・Ce】 Umi no mokuzutonaru ga ī

Translation:

【Re】 Yo-ho! Yo-ho!　

I am a pirate that makes everyone shake from fear

With this hook of mine, I’ll cook

A full course like a chef

I’ll give you a taste of my brilliant technique

【Ce】 Yee-ha! Yee-ha!

I am a warrior, prouder than anyone else

This Tiger Lily will teach you the joys of battle

I am the ruler who controls the battlefield,

The one who makes the rules of the battle is me

【Re】 Don’t make me laugh

You’re the loser, I am the closer*

Who will end your life

【Ce】 Are you ready to live or die?

Which of us shall have the shorter life?

【Re】 You’re an impertinent young lad, ignorant of the ways of the world

You’re all talk and no bite, and you don’t know terror

【Ce】 What’s the hurry? You’re an arrogant adult

Even though you’re doomed to die anyway

【Re】 There’s no such thing as a human who will never die

Time is equal and cruel to all

【Ce】 That’s why I won’t give up

The single blow I’m risking my life for

【Re】 “Not bad…”

【Ce】 “I could say the same.”

【Re】 “Now, let’s settle this!”

【Ce】 “That’s what I want!”

【Re】 The strength to dance on the stage because of ignorance

【Ce】 The ability to use tactics on the board because you know them

【Re・Ce】 Praise be

To the overlapping swords

【Re】 Let us fight fiercely

【Ce】 Let us fight fiercely

【Re・Ce】 Until one of us dies at sea

Translator's notes:

(クローザー) Closer- “In baseball, a closing pitcher, more frequently referred to as a closer, is a relief pitcher who specializes in getting the final outs in a close game when his team is leading.” [Wikipedia]

[modokix]

“kaino ogori” handmade collage + painting

[naturallyexcessive]

pride, arrogance, and a melody (or four, actually)

This is a given considering that the franchise started from and is - in most of its mediums - a musical at heart, but DAMN, I’ll say this over and over, Revue Starlight has incredible music. Bangers everywhere. 

Hokori to Ogori (Pride and Arrogance) is probably one of RevStar’s staple songs. It’s one of the most listened-to revue songs and is practically iconic. It’s also a perfect example of RevStar’s usage of motifs within the franchise. I’m not great at essays but dear GOD do I badly want to talk about it. So, why not?

(Heads Up 1: I am NOT a professional when it comes to music theory!! I’m definitely using some terms incorrectly here and there so please take them with a grain of salt)

Hokori to Ogori has four main musical ideas that make up the song. For simplicity, let’s just call them Pride, Swansong, This Is Tendo Maya, and Arrogance.

(Heads Up 2: In this word dump I use the term “motif” as a sort of general term for separate musical ideas. To be honest, it’s possible these are actually themes and I’m getting the two terms mixed up, but honestly both have similar definitions and I feel like as long as I’m carrying across the general idea of what they represent I’d hope the distinction between the terms isn’t too important.)

"Pride” is the motif. You know the one. This motif is the song’s main melody of sorts and technically introduced in the very first verse, where Karen and Maya are singing together. The verse that follows, where Karen is seemingly getting the upper hand on Maya, features a higher-energy variation of this motif. This motif eventually comes back, full force and dramatic, with Maya’s iconic YORIIIII TAKAKU YORI KAGAYAKU and etcetera.

“Swansong” is the more menacing motif that plays after Karen’s verse, when Maya comes in after questioning Karen’s motivations. Maya’s next verse follows with a more intense variation of this same motif. This motif is darker and intimidating; simply, it acts almost like a bad omen, a warning about what’s to come. In the context of this song, it’s about the thrashing Karen is about to receive (hence the name Swansong). 

“This is Tendo Maya” is what I’d argue to be just as iconic to Maya musically as the Pride motif is. A simple motif of three orchestral stings, it’s heard right before Maya steps up her game. It comes back fittingly at the end of the revue, when Maya reaches Position Zero and declares that she is Tendo Maya; while albeit varied, it still features that iconic three-sting cadence. Simply put, this motif serves as an announcement of who she is, her declaration of war, a sort of “You’ve Done Goofed” in the eyes of those facing her.

Someone with a better grasp on music can probably explain this better than I can (perhaps identifying the exact chords and tonal degrees), but what’s really neat is how this motif actually doesn’t resolve until the end of the song, at the second time we hear it. It’s like one huge release of tension that started from the moment we first hear this motif.

Finally, “Arrogance.” In Hokori to Ogori, you can hear it before Maya’s final verse (from “mikansei no kakugo...” to “...sono manazashi” and right before said final verse), as well as immediately afterwards at the final breakdown before Maya claims her victory. The fanfare and delicious rhythm of 16ths followed by the simple cadence of three solid quarter notes? Ugh. Love it.

Now, this revue is ALL about pride. It’s in the name. And other people have done much better analysis on this revue as a whole in much more precise terms than I ever could and have talked about its themes precisely. But in summary, this revue is very much about Karen and Maya’s clashing skill (or more specifically the gap in between Karen’s and Maya’s skill), and this pacing of the Pride motif reflects it.

It’s introduced with Karen and Maya on supposedly equal footing, both standing proud in their ability and determination. Yet it’s Karen who attacks first, confident (perhaps arrogant) in her abilities, and therefore she’s the first to get a verse.

However, while she’s able to put up a fair fight at first, able to carry her pride (and sing the same song) against Maya for a brief moment, Karen is ultimately seen as naive and arrogant for even thinking she can win against Maya, and is quickly overpowered (it should be noted Karen doesn’t get to sing any more lines after this). Maya goes above and beyond Karen; in fact, she literally sings the Pride motif at a higher key than Karen does. This is her stage, this is her victory, this is her song. This revue is about pride? Pride is exactly who she IS. This motif IS her. Which is why it’s no wonder she takes absolute control of this song and owns it, so much so that these motifs become associated with her to the point of being leitmotifs instead. 

I’d say it’s almost universally agreed upon that Hokori to Ogori is very much Maya’s theme, as a result. You hear any of the tunes from Hokori to Ogori and your mind just flicks to her immediately. While she technically has an official leitmotif in the form of her section in PRE-CALL as part of the stageplays, I’d say at least the Pride or This is Tendo Maya motifs could outright be considered her leitmotifs. 

So, yeah! Hokori to Ogori features incredible and equally memorable and iconic musical ideas that make for one hell of a godly song, one that perfectly encompasses all of Maya’s dramatics, sheer skill, and motivations.

The best thing, though? You can hear these respective motifs beyond this song alone.

Probably the most blatant example of this is the finale of Utsukushiki Hito Aruiwa Sorewa, aka the Mayakuro Revue of Souls. The entire final section is just one big rearrangement of Hokori to Ogori; with all the previous motifs coming into play, yet having varied and changed in the face of this new context; Maya has changed - Claudine has changed her, in fact, having revealed her “true” self - therefore so does the music.

Even better, even BEFORE the rearrangement kicks in, when Claudine goes to lob off the head of Maya’s bird-soul-vessel-thing, when she sings “Right now, the stage belongs to me,” she’s actually just singing the Pride motif!

Which is PERFECT given how right before this, she was mocking Maya’s revue intro. It really emphasizes how Claudine at this moment is really stealing Maya’s thunder, how it’s HER pride that’s contesting Maya’s.

Another detail I really love is how in Hokori to Ogori, the song ends with the Arrogance motif before closing off with Maya’s self-declaration. However, in UHAS, it simply ends on the new, varied version of the Pride motif as the two declare their rivalry/love for each other. There is no arrogance, they are made for each other, there is only pride in themselves and in their rival.

What’s more is that the song ends with one final variation of the Swansong motif, before closing for good and effectively ending Maya’s (and Claudine’s) final performance within the Revstar as an anime. Again, fitting, given Swansong’s definition.

But wait, there’s more! We also hear one of Hokori to Ogori’s motifs in a very different song, and that’s during the Revue of Astral Sins, in Starlight.

That’s right, we hear it in the final revue song of the anime, long after Maya has been defeated; it’s not the first of other songs we hear in Starlight, as the song also features parts from the tracks Karen to Hikari and Elle est belle: Utsukushii Hito. It’s present at the very beginning, but the motif especially becomes prominent once Hikari starts singing. You don’t hear it past the beginning of the song/revue but it’s very much there!

Why? Thinking back to the Revue of Pride sequence, during the sections where the Arrogance motif is playing is when we’re shown shots of Hikari rushing to save Karen.

In a way, this can be compared to as being reminiscent of that, representative of Karen being here to save Hikari; their back and forth of rescuing each other.

You could also see it as being representative of the arrogance of Hikari and Karen; Karen’s supposed arrogance in her efforts to defy fate itself and save Hikari, or Hikari’s own arrogance at her efforts of keeping herself isolated and fending off Karen’s love. Perhaps to keep things simple you could also read the Arrogance motif as simply a “rush” or “desperation” motif of sorts instead, something that the two of them definitely are whenever this motif is used for them.

Yet, we can still hear Hokori to Ogori in one more piece: Bridge no Ue De (On The Bridge). It’s technically a part of the OST and not explicitly a revue song, but it’s actually the first time we hear the motif, since the first (and the only, if I recall correctly,) time we hear this play is in the sequence right before the Revue of Pride itself.

In this sequence, Karen has just freed herself from Hikari’s attempt to lock her away from participating in the revues again, arrogantly rushing off in spite of Hikari’s efforts to chase her down and get her to stop. It makes sense that we hear the variation of that Arrogance motif here, and also further supports why we hear this motif again during the Revue of Astral Sins, especially if you also attribute this motif to the theme of desperation.

But then the main Arrogance motif kicks in, and guess what’s happening?

It’s Maya having a flashback to after their first performance of Starlight, when Claudine declares her rivalry to Maya in incredible homoerotic fashion. Proud and perhaps, well, arrogant.

It’s just brilliant.

I will say though as another additional point: contrary to this entire word dump, the soundtrack doesn’t lean into leitmotif usage too extensively, compared to other pieces of media that heavily utilize it (games like Undertale and Hollow Knight come to mind). Not including Hikari and Karen, almost none of the other girls’ revue songs are referenced musically beyond their respective revues and as such they don’t really have leitmotifs unique to each of them. Maya appears to be an exception here (unless we also include Nana, who I actually do like to believe has her own theme in the form of Rondo Rondo Rondo, but that’s for another write-up).

But to be honest, I’m glad for it. Unlike the other girls where their revues focus on certain issues they have, ultimately such themes that surround their revues don’t make up their entire personalities. Meanwhile, as stated earlier, pride is almost everything Maya is, it’s paramount to her character. So it only makes sense that she gets this exception, that she gets this piece of grandiose music dedicated to her ideals, especially given how said ideals are important/parallel to the supposed ideals of stage girls; Maya isn’t just prideful because she’s a top stage girl, she’s a top stage girl BECAUSE she’s prideful, after all.

So, yeah. Revue Starlight is a musical masterpiece as we all know and its usage of (leit)motif here as a means of supporting its method of telling its story is not only handled in perfect moderation, it’s executed beautifully when it is used. It’s able to take these memorable and iconic melodies and assign meaning to them to make what’s happening in the story hit just that extra bit more. This is just one of many examples of brilliance regarding Revue Starlight’s music and one of many reasons I’m in love with it.

(Though I will say this is only one of many ways of interpreting things! Things change if you consider Hokori to Ogori actually featuring the Bridge no Ue De motif instead of the other way around I’ve interpreted it as here.)

Basically? TLDR: wow the funny yori takaku this is tendo maya melody cool and epic

[demonslayerscript]

Demon Slayer Mugen Train Arc. Episode 1 : Flame Hashira, Kyojuro Rengoku / 鬼滅の刃 無限列車編 第一話『炎柱・煉獄杏寿郎(En-Bashira, Rengoku Kyojuro)』

This episode is totally anime-original, and doesn’t exist in the original manga.

車掌補A「ハァ…　ん？あ…ああ…ハッ！あっ、ああっ…　うああっ！」

Shashoho-Ē  “Haa… N? A…Aa…Ha! A, Aa… Uaa!”

煉獄杏寿郎「うまい！」

Rengoku Kyojuro “Umai!”

Kyojuro Rengoku “Delicious!”

鬼殺隊士A「あっ」

Kisatsu-Taishi-Ē “A.”

杏寿郎「うまい！うまい！」

Kyojuro “Umai! Umai!”

Kyojuro “Delicious! Delicious!”

鬼殺隊士A「炎柱、お食事中失礼します」

Kisatsu-Taishi-Ē “En-Bashira, oshokuji-chu shitsurei shimasu.”

Demon Slayer A “Flame Hashira, forgive me for interrupting your meal.”

杏寿郎「ああ。ここに座るがいい。おやじさん、この若者にも同じ物を」

Kyojuro “Aa. Kokoni suwaruga ii. Oyaji-san, kono wakamono-nimo onaji mono’o.”

Kyojuro “Okay! Take a seat here. Mister, bring this young man the same thing I’m having!”

鬼殺隊士A「よろしいのですか？」

Kisatsu-Taishi-Ē “Yoroshiino-desuka?”

Demon Slayer A “Are you sure it’s okay?”

杏寿郎「もちろんだ。俺も、もう一杯もらおう！」

Kyojuro “Mochironda. Oremo, mo-ippai morao!”

Kyojuro “Of course it’s okay! I’ll have another bowl myself!”

蕎麦屋「あんた、気持ちのいい食いっぷりだな。待ってな」

Sobaya “Anta, kimochino ii kuippuri dana. Mattena.”

Soba shop owner “You sure eat with gusto, don’t you? Just sit tight.”

鬼殺隊士A「炎柱、昨夜のお働き、見事でした」

Kisatsu-Taishi-Ē “En-Bashira, kinono ohataraki, migoto deshita.”

Demon Slayer A “Flame Hashira, your work last night was stellar.”

杏寿郎「いや、鬼は逃走した後だったからな。負傷したあの女性はどうなった？」

Kyojuro “Iya, oniwa toso-shita-ato datta karana. Fusho-shita ano joseiwa do-natta?”

Kyojuro “No. It was after the demon fled, after all. How’s the injured woman doing?”

鬼殺隊士A「医師が言うには、傷痕も残らないで済むということです」

Kisatsu-Taishi-Ē “Ishiga iu-niwa, kizuatomo nokora-naide sumuto iu-koto desu.”

Demon Slayer A “According to the doctor, her wounds won’t leave her with any scars.”

杏寿郎「そうか。処置が早くて良かった」

Kyojuro “Soka. Shochiga hayakute yokatta.”

Kyojuro “I see. Good thing she got treated early.”

鬼殺隊士A「はい！ご活躍のお陰です」

Kisatsu-Taishi-Ē “Hai! Gokatsuyakuno okage desu.”

Demon Slayer A “Yes. It’s thanks to your heroics.”

鬼殺隊士A「いただきます」

Kisatsu-Taishi-Ē “Itadaki-masu.”

Demon Slayer A “Thank you for the meal!”

杏寿郎「これは？」

Kyojuro “Korewa?”

Kyojuro “What’s this?”

蕎麦屋「俺のおごりだよ」

Sobaya “Oreno ogori dayo.”

Soba shop owner “That’s my treat.”

杏寿郎「有難い！」

Kyojuro “Arigatai!”

Kyojuro “Appreciate it!”

鬼殺隊士A「あっ、うまい！おやっさん、上野に店出したってやっていけるよ、これ！」

Kisatsu-Taishi-Ē “A, umai! Oyassan, uenoni mise dashitatte yatte-ikeruyo, kore!”

Demon Slayer A “Hey! Delicious! Mister, I bet you’d really thrive if you set up shop in Ueno!”

蕎麦屋「大きなお世話だよ」

Sobaya “Ookina osewa dayo.”

Soba shop owner “What do you know about it?”

杏寿郎「おやじさん、景気はどうかな？」

Kyojuro “Oyaji-san, keikiwa do-kana?”

Kyojuro “Mister, how’s business these days?”

蕎麦屋「どう見えるね？」

Sobaya “Do mierune?”

Soba shop owner “How’s it look to you?”

杏寿郎「悪いな」

Kyojuro “Waruina.”

Kyojuro “Sorry.”

→I think this line’s translation should be “It looks bad.” Although 悪いな(Waruina) can mean “sorry,” in this case Kyojuro is not apologizing but saying the shop’s business looks bad.

蕎麦屋「この沿線で、切り裂き魔ってのが出てるせいで、めっきり人出が減っちまったよ。雇い人にも暇を出す始末さ。こないだは、汽車の車掌がやられたってよ。それに、無限列車ってぇのが運行中止になっちまっただろ。噂じゃな、四十人ばかり乗客が神隠しに遭っちまったって言うぜ」

Sobaya “Kono ensende, kirisakimattenoga deteru-seide, mekkiri hitodega hecchimattayo. Yatoi-nin-nimo hima��o dasu shimatsusa. Konaidawa, kishano shashoga yararetatteyo. Soreni, Mugen-Resshatteenoga unko-chushini nacchmatta-daro. Uwasajana, yonju-nin-bakari jokyakuga kami-kakushini acchimattatte iuze.”

Soba shop owner “Thanks to all the talk about that Slasher being at large around here, people just stopped coming out at night. I even had to let my workers go. They say that a conductor got killed the other day. On top of that, do you know that the Mugen Train is out of service now? Rumor has it… that around 40 of its passengers just disappeared without a trace.”

杏寿郎「ほう、物騒だな」

Kyojuro “Ho, busso dana.”

Kyojuro “Oh… It sounds ominous.”

鬼殺隊士A「炎柱、本題ですが、その無限列車、所在が分かりました。さる機関庫に、人目につかぬよう搬入されたとの情報が」

Kisatsu-Taishi-Ē “En-Bashira, hondai desuga, sono Mugen-Ressha, shozaiga wakari-mashita. Saru kikankoni, hitomeni tsukanu-yo hannyu-sareta-tono johoga.”

Demon Slayer A “Flame Hashira, getting back to why I’m here… We’ve located the Mugen Train. We’ve received word that it was secretly transported to a certain train shed.”

杏寿郎「そうか。うん、うまい！」

Kyojuro “Soka. Un, umai!”

Kyojuro “Is that right? Delicious!”

鬼殺隊士A「無限列車に向かいますか？」

Kisatsu-Taishi-Ē “Mugen-Resshani mukai-masuka?”

Demon Slayer A “Will we be heading to the Mugen Train?”

杏寿郎「うむ。だがその前に、車掌の遺体が発見された駅を検分してみよう」

Kyojuro “Umu. Daga sono maeni, shashono itaiga hakken-sareta eki’o kenbun-shite-miyo.”

Kyojuro “Right. But first… let’s inspect the station where the conductor’s body was found.”

―――――――――――――――――――――――――――――――

ふく「ハァ…」

Fuku “Haa…”

トミ「ふく、ため息ついてないで、あんぱんお食べ」

Tomi “Fuku, tameiki tsuite-naide, anpan otabe.”

Tomi “Fuku, enough of that sighing. Go on and eat your bean paste bun.”

ふく「うん。お客さん、今日も少なかったね」

Fuku “Un. Okyaku-san, kyomo sukuna-kattane.”

Fuku “Yeah. Not many customers today again, right?”

トミ「毎日言ってるけど、暗い時間は危ないから、明日のお手伝いはお昼からにしようね。夜は鬼が出るから」

Tomi “Mainichi itteru-kedo, kurai jikanwa abunai-kara, ashitano otetsudaiwa ohiru-karani shiyone. Yoruwa oniga deru-kara.”

Tomi “I know that I say this every day, but it’s dangerous to be out after dark. Tomorrow, you can start helping out in the afternoon. Since the demons come out at night.”

鎹鴉の要(かなめ)「異常���シ！」

Kaname(Kasugai-Garasu) “Ijo nashi!”

Kaname (Kasugai Crow) “All clear!”

鬼殺隊士A「見て回りましたが、変わったところはありませんね」

Kisatsu-Taishi-Ē “Mite-mawari-mashitaga, kawatta tokorowa arimasenne.”

Demon Slayer A “I took a look around the area, but there was nothing amiss.”

杏寿郎「うむ」

Kyojuro “Umu.”

Kyojuro “Right!”

ふく「鬼なんかいないよ！」

Fuku “Oni-nanka inaiyo!”

Fuku “There aren’t any demons!”

杏寿郎・鬼殺隊士A「ん？」

Kyojuro, Kisatsu-Taishi-Ē “N?”

ふく「また鬼の話…ダメだよ。頑張ってお弁当売らなきゃいけないんだから。お母さんはお腹が大きいし、お父さんは食堂の経営うまくいってないって…」

Fuku “Mata onino hanashi… dame dayo. Ganbatte obento uranakya ikenain-dakara. Okaasanwa onakaga ookiishi, otosanwa shokudono keiei umaku itte-naitte…”

Fuku “You’re bringing up demons again? Just stop, will you? I have to sell as many bento as I can! It’s hard enough with my mother being pregnant, and I heard that my father’s shop isn’t doing well.”

トミ「ハァ…。そんな心配は大人がすればいいの。早朝と夜は、おばあちゃん一人がやるから」

Tomi “Haa… Sonna shinpaiwa otonaga sureba iino. Sochoto yoruwa, obaachan hitoriga yaru-kara.”

Tomi “You can leave that kind of worrying to us adults. I’ll take care of things in the early mornings and nighttime by myself, okay?”

ふく「おばあちゃんが切り裂き魔に襲われたらどうするの！」

Fuku “Obaachanga kirisakimani osoware-tara do-suruno!”

Fuku “And what are we going to do if you get attacked by the Slasher, too?”

トミ「あんたの身代わりなら本望だよ」

Tomi “Antano migawari-nara honmo dayo.”

Tomi “I would be more than happy to sacrifice my life for yours.”

ふく「おばあちゃん！…あっ」

Fuku “Obaachan! …A.”

Fuku “Grandma!”

杏寿郎「やあ、こんばんは！気持ちのいい月夜ですね。俺は鬼を探している者。鬼を見ていませんか？」

Kyojuro “Yaa, konbanwa! Kimochino-ii tsukiyo desune. Orewa oni’o sagashite-iru-mono. Oni’o mite-imasenka?”

Kyojuro “Well, good evening! The moon is exquisite tonight, is it not? I’m searching for a demon. You haven’t seen one, have you?”

鬼殺隊士A「ええ――っ、いきなり!?」

Kisatsu-Taishi-Ē “Eeeeee, ikinari!?”

Demon Slayer A “What? Just like that?”

鎹鴉の要「杏寿郎様、単刀直入ガ過ギマス！」

Kaname(Kasugai-Garasu) “Kyojuro-sama, tanto-chokunyuga sugi-masu!”

Kaname (Kasugai Crow) “Lord Kyojuro! You’re being far too blunt!”

トミ「ああ…！」

Tomi “Aa…!”

杏寿郎「ん？ご婦人、何か��存知か？」

Kyojuro “N? Gofujin, nanika gozonjika?”

Kyojuro “Ma’am, is there something you can tell me?”

ふく「お…鬼？変なこと言って、な…何ですか？近づかないで！」

Fuku “O…Oni? Henna koto itte, na…nan-desuka? Chikazuka-naide!”

Fuku “D-Demon? What kind of talk is that? Wh-What’s wrong with you? Stay away from us!”

杏寿郎「危ない！そんなにぶるぶるしていたら、大切なあんぱんを落としてしまうぞ！」

Kyojuro “Abunai! Sonnani buru-buru shite-itara, taisetsuna anpan’o otoshite-shimauzo!”

Kyojuro “Look out! If you keep shaking like that, you’ll end up dropping your precious bean paste bun!”

ふく「来ないで――!!」

Fuku “Konaideeeee!!”

Fuku “Stay away from me!”

トミ「ああっ」

Tomi “Aa.”

鬼殺隊士A「あっ」

Kisatsu-Taishi-Ē “A.”

鎹鴉の要「カア」

Kaname(Kasugai-Garasu) “Kaa.”

鬼殺隊士A「おお…」

Kisatsu-Taishi-Ē “Oo…”

杏寿郎「うまい！」

Kyojuro “Umai!”

Kyojuro “Delicious!”

ふく「鬼なんか知らない！いるわけないでしょ、そんなの！」

Fuku “Oni-nanka shira-nai! Iru-wake nai-desho, sonnano!”

Fuku “I don’t believe in demons! There’s no way there could be any, and you know it!”

トミ「ふく、おやめ。この人は、きっと悪い人じゃないよ」

Tomi “Fuku, oyame. Kono hitowa, kitto warui hitoja naiyo.”

Tomi “Fuku, that’s enough. I don’t believe this man is a bad person.”

ふく「…ごめんなさい。このところ、切り裂き魔事件のせいで神経が張り詰めちゃって…」

Fuku “…Gomen-nasai. Kono-tokoro, kirisakima-jikenno seide shinkeiga haritsume-chatte…”

Fuku “I’m sorry. I feel like I’m always on edge these days because of the Slasher incidents.”

杏寿郎「今しがた耳にしたところによると、あなた方は暗いうちから準備して、我々のために弁当を売りに来てくれるのだな。実に有難い。そのような人々が傷つけられることは、決してあってはならない」

Kyojuro “Ima-shigata mimini-shita tokoroni-yoruto, anata-gatawa kurai uchi-kara junbi-shite, ware-wareno tameni bento’o urini kite-kureruno-dana. Jitsuni arigatai. Sono-yona hito-bitoga kizutsuke-rareru-kotowa, kesshite attewa nara-nai.”

Kyojuro “If what I was just told is correct, you two start working while it’s still dark out and come to sell us those bento. I couldn’t be more thankful. No one should ever hurt people like you.”

杏寿郎「安心するがいい。切り裂き魔は俺が片付ける」

Kyojuro “Anshin-suruga ii. Kirisakimawa orega katazukeru.”

Kyojuro “But you can rest easy now! I’ll take care of the Slasher!”

ふく「あなた、一体…」

Fuku “Anata, ittai…”

Fuku “Who in the world are you?”

杏寿郎「では！」

Kyojuro “Dewa!”

Kyojuro “All right, then!”

ふく「あの！」

Fuku “Ano!”

Fuku “Excuse me!”

杏寿郎「ん？」

Kyojuro “N?”

ふく「その…もし良ければ、お弁当買ってもらえませんか？」

Fuku “Sono…moshi yokereba, obento katte-morae-masenka?”

Fuku “Um… If you don’t mind, could you maybe buy some bento?”

杏寿郎「そうだな。では…全部いただこう！」

Kyojuro “Sodana. Dewa…zenbu itadako!”

Kyojuro “That’s a good idea! Okay! I’ll buy them all!”

鬼殺隊士A「あっ、ああ…。あの…炎柱」

Kisatsu-Taishi-Ē “A, aa… Ano…En-Bashira.”

Demon Slayer A “Excuse me, Flame Hashira…”

杏寿郎「隊の皆に良い土産ができたな。ここからは俺一人で行く。ご苦労だった。では」

Kyojuro “Taino minani yoi miyagega dekitana. Koko-karawa ore hitoride iku. Gokuro datta. Dewa.”

Kyojuro “That’ll make a splendid gift for the other Corps members! I’ll be going on alone now. Thanks for your hard work. Goodbye.”

ふく「何だったのかしら…お弁当買ってくれたのは嬉しいけど」

Fuku “Nan-dattano-kashira… Obento katte-kureta-nowa ureshii-kedo.”

Fuku “What was that all about? I’m glad he bought all those bento, but…”

トミ「早く帰るよ、ふく。どうも嫌な感じがしてきたわ。まるで背筋が凍るような…」

Tomi “Hayaku kaeruyo, Fuku. Domo Iyana kanjiga shite-kitawa. Marude sesujiga kooru-yona…”

Tomi “Let’s hurry home now, Fuku. I’m getting a really bad feeling. I can feel a chill going down my spine.”

ふく「おばあちゃん？」

Fuku “Obaachan?”

Fuku “Grandma?”

―――――――――――――――――――――――――――――――

車掌補B���あっ。あああ…！だ…誰だ！」

Shashoho-Bī “A. Aaa…! Da…Dareda!”

Conductor B “Who… Who are you?”

杏寿郎「俺は見ての通りの弁当売りだ。決して怪しい者ではない！」

Kyojuro “Orewa miteno-toorino bento-urida. Kesshite ayashii mono-dewa nai!”

Kyojuro “I’m a bento vendor as you can see! I am in no way suspicious!”

鎹鴉の要「カア」

Kaname (Kasugai-Garasu) “Kaa.”

車掌補B「いや、しかし…この列車は車庫に入りますので…」

Shashoho-Bī “Iya, shikashi…kono resshawa shakoni hairi-masu-node…”

Conductor B “But this train is heading to the shed now.”

杏寿郎「うむ。了解している。そこに無限列車があると聞いた。それに用がある」

Kyojuro “Umu. Ryokai shite-iru. Sokoni Mugen-Resshaga aruto kiita. Soreni yoga aru.”

Kyojuro “Right! I’m aware of that. I heard that’s where I can find the Mugen Train. That’s the one I have business with.”

車掌補B「無限列車…。それならもう車庫にはありませんよ」

Shashoho-Bī “Mugen-Ressha… Sore-nara mo shako-niwa ari-masen’yo.”

Conductor B “The Mugen Train? If that’s the one you’re looking for, it’s no longer in the shed.”

杏寿郎「そうなのか」

Kyojuro “So-nanoka.”

Kyojuro “Is that right?”

車掌補B「今朝方、設備の整った整備工場へ運ばれてゆきました。あそこですが…」

Shashoho-Bī “Kesa-gata, setsubino totonotta seibi-kojo’e hakobarete-yuki-mashita. Asoko-desuga…”

Conductor B “It was transported to a well-equipped maintenance facility this morning. That one over there.”

杏寿郎「ほう。では俺はここで降りるとしよう！」

Kyojuro “Ho. Dewa orewa kokode oriruto shiyo!”

Kyojuro “Ah. All right, then this is where I’m getting off!”

車掌補B「ええっ！降りるって…！ああっ！」

Shashoho-Bī “Ee! Orirutte…! Aa!”

Conductor B “What? What do you mean, ‘get off’? Hey!”

―――――――――――――――――――――――――――――――

杏寿郎「無限列車…なるほど。微(かす)かだが鬼がいた気配が残っている…」

Kyojuro “Mugen-Ressha… Naruhodo. Kasuka-daga oniga ita kehaiga nokotte-iru…”

Kyojuro “The Mugen Train… I see. Though faint, the trace of a demon remains.”

親方「おい、あんた！ここは立ち入り禁止だぜ」

Oyakata “Oi, anta! Kokowa tachiiri-kinshi daze.”

Chief “Hey you! This place is off-limits!”

杏寿郎「やあ！俺は鉄道管理局から依頼されて、弁当を差し入れに来た者だ」

Kyojuro “Yaa! Orewa tetsudo-kanri-kyoku-kara irai-sarete, bento’o sashi-ireni kita monoda.”

Kyojuro “Hey! I was sent here by the Railway Bureau to deliver these bento.”

親方「へえ～。おい！弁当だってよ！」

Oyakata “Heee. Oi! Bento datteyo!”

Chief “Oh? Hey! He says he brought us bento!”

作業員B「はい」

Sagyoin-Bī “Hai.”

作業員C「ああ、すいません」

Sagyoin-Sī “Aa, suimasen.”

親方「おう、詰め所で休んでるタツ坊に一個持ってってやんな」

Oyakata “Ou, tsumeshode yasunderu Tatsuboni ikko mottette-yanna.”

Chief “Hey, take one to Tatsu. He’s resting in the office.”

作業員A「はい、親方」

Sagyoin-Ē “Hai, Oyakata.”

Worker A “Yes, sir.”

杏寿郎「無限列車は何故ここへ移されたんだ？」

Kyojuro “Mugen-Resshawa naze koko’e utsusare-tanda?”

Kyojuro “Why was the Mugen Train brought here?”

親方「フン…車体に原因があるわけねえのに、巷(ちまた)では人喰い列車だ何だと噂されて、それが俺たちは悔しいんだ。だから運行再開が決まった今、精一杯の整備をして送り出してやろうと思ってな」

Oyakata “Fun… Shataini gen’inga aru-wake-nee-noni, chimata-dewa hito-kui-resshada-nandato uwasa-sarete, sorega ore-tachiwa kuyashiinda. Dakara unko-saikaiga kimatta-ima, sei-ippaino seibi’o shite okuri-dashite-yaroto omottena.”

Chief “Right, when there’s no way it’s a problem with the body. Word on the street is that it’s a man-eating train. You don’t know how bitter that makes us. So now that it’s being put back into service, we want to do all we can to get her back into shape and send her back out into the world.”

杏寿郎「運行再開？」

Kyojuro “Unko-saikai?”

Kyojuro “Back into service?”

親方「ああ、明日の夜だ。だからみんなこうやって…」

Oyakata “Aa, ashitano yoruda. Dakara minna ko-yatte…”

Chief “Yeah, tomorrow night. That’s why we’re all here―”

作業員A「うああ―――っ！」

Sagyoin-Ē “Uaaaaaaaa!”

鎹鴉の要「鬼ダ！鬼ガイルゾ！」

Kaname (Kasugai-Garasu) “Onida! Oniga iruzo!”

Kaname (Kasugai Crow) “Demon! There’s a demon here!”

作業員A「ああ…あ…」

Sagyoin-Ē “Aa…A…”

鬼「おっと」

Oni “Otto.”

Demon “Oh!”

親方「タツ坊！」

Oyakata “Tatsubo!”

Chief “Tatsu!”

杏寿郎「下がっていろ」

Kyojuro “Sagatte-iro.”

Kyojuro “All of you, step back!”

タツ坊「親方！」

Tatsubo “Oyakata!”

Tatsu “Chief!”

親方「野郎！」

Oyakata “Yaro!”

Chief “You bastard…”

杏寿郎「少年を放せ！」

Kyojuro “Shonen’o hanase!”

Kyojuro “Let the boy go!”

鬼「鬼狩りか。偉そうに…オエッ、何だ、この匂いは？エイッ」

Oni “Onigarika. Erasoni… Oe, nanda kono nioiwa? Ei.”

Demon “A Demon Slayer? How arrogant. Ugh! What’s this stench?”

杏寿郎「んんっ」

Kyojuro “Nn.”

鬼「鬼になってからこっち、人間の食い物が気色悪くてしかたがねえや」

Oni “Onini natte-kara kocchi, ningenno kuimonoga kishoku-warukute shikataga neeya.”

Demon “Ever since I became a demon, I can’t stand human food. It’s so disgusting.”

杏寿郎「俺の知る人々が真心込めて作った弁当だ。聞き捨てならんな」

Kyojuro “Oreno shiru hito-bitoga magokoro-komete tsukutta bentoda. Kiki-zute naranna.”

Kyojuro “That bento was made with love by people I know. I can’t just ignore that.”

鬼「まずいったらまずいんだよ。お前もまずそうな血の匂いがするぜ、小僧」

Oni “Mazuittara mazuin-dayo. Omaemo mazu-sona chino nioiga suruze, Kozo.”

Demon “If it’s revolting, it’s revolting. Hey boy, your blood smells like it might be revolting, too.”

タツ坊「ううう…」

Tatsubo “Uuu…”

鬼「うまそうな人間は喰っちまうが、まずい奴は夜通し傷つけて楽しむんだ」

Oni “Uma-sona ningenwa kucchimauga, mazui yatsuwa yodooshi kizu-tsukete tanoshimunda.”

Demon “I’ll just devour the humans that seem tasty, but the ones that taste bad… I like to show myself a good time by tormenting them all night!”

杏寿郎「そういうことか、切り裂き魔。不愉快な奴だ」

Kyojuro “So-iu kotoka, Kirisakima. Fuyukaina yatsuda.”

Kyojuro “So, that’s what this is about, Slasher? I find you offensive.”

鬼「悔しかったら俺を、斬ってみろよ！」

Oni “Kuyashi-kattara ore’o kitte-miroyo!”

Demon “If you don’t like me, then… let’s see you slash me!”

親方「な…何なんだ？」

Oyakata “Na…Nan-nanda?”

Chief “Wha… What’s going on?”

鬼「俺を止められた奴はいねえ。俺が一番速い！」

Oni “Ore’o tome-rareta yatsuwa inee. Orega ichi-ban hayai!”

Demon “No one’s ever been able to stop me. I’m the fastest…of them all!”

鬼「悪いな。このガキを抱えてたら斬りにくいよなぁ。一思いに殺(や)っちまった方がいいか？」

Oni “Waruina. Kono gaki’o kakaete-tara kiri-nikui-yonaa. Hito-omoini yacchimatta-hoga iika?”

Demon “Hey, sorry about that. You can’t bring yourself to slash me with this kid in my arms. Should I be considerate and just kill him off?”

タツ坊「た…助けて」

Tatsubo “Ta…Tasukete.”

Tatsu “H-Help…Help me!”

杏寿郎「心配するな。君は必ず、俺が助ける」

Kyojuro “Shinpai suruna. Kimiwa kanarazu, orega tasukeru.”

Kyojuro “Don’t worry! I’m going to save you, no matter what!”

鬼「できっこねえ。昨日だって…」

Oni “Dekikko-nee. Kino-datte…”

Demon “Not on your life. Just yesterday…”

女性「あっ…ああ…」

Josei “A…Aa…”

鬼「別の女を飽きるまで切り刻んでやったぜ」

Oni “Betsuno onna’o akiru-made kiri-kizande-yattaze.”

Demon “I slashed this other woman until I was sick of doing it.”

杏寿郎「なるほど。お前の速さは分かった。しかし、過信しないことだ。昨夜は俺たちが来たために逃げたのかと思ったが、どうやらお前は感知することもできていなかった様子。逃げ足だけは、確かに速いようだな」

Kyojuro “Naruhodo. Omaeno hayasawa wakatta. Shikashi, kashin shinai kotoda. Sakuyawa ore-tachiga kita-tameni nigetano-kato omottaga, do-yara omaewa kanchi-suru-kotomo dekite-inakatta-yosu. Nige-ashi-dakewa, tashikani hayai-yodana.”

Kyojuro “I see. Now I know how fast you are. But I wouldn’t get cocky if I were you. Last night, we thought you’d fled because we showed up, but apparently, you never even detected us. It’s true that you’re quick to escape at least!”

鬼「なにっ？」

Oni “Nani?”

Demon “What?”

杏寿郎「昨夜の被害者も、俺たちが迅速に処置した。傷痕も残らず回復するだろう」

Kyojuro “Sakuyano higaishamo, ore-tachiga jinsokuni shochi shita. Kizu-atomo nokorazu kaifuku suru-daro.”

Kyojuro “We were able to treat your victim from last night right away. She’ll recover without even a single scar.”

鬼「ハッ！たとえ生き延びたとして、そいつは恐怖に一生支配されて生きていくだろうよ」

Oni “Ha! Tatoe iki-nobitato-shite, soitsuwa kyofuni issho shihai-sarete ikite-iku-daroyo.”

Demon “Even if she does survive, she’s doomed to be consumed by fear for the rest of her life.”

杏寿郎「そうはさせん！癒やし難き心の傷も、我々が長い時間をかけて手当てしていく！」

Kyojuro “Sowa sasen! Iyashi-gataki kokorono kizumo, ware-warega nagai jikan’o kakete teate shite-iku!”

Kyojuro “I won’t let that happen! We’re going to treat the wounds of her soul, no matter how hard it may be to heal them, for as long as it takes!”

鬼「フッ。その正義漢面(せいぎかんづら)に目に物を見せてやろうか。その女、もう一度殺しに行ってやる」

Oni “Fu. Sono seigikan-zurani meni-mono’o misete-yaroka. Sono onna, mo-ichido koroshini itte-yaru.”

Demon “I’ll show that self-righteous face of yours a thing or two. I’m going to go kill that woman again!”

杏寿郎「彼女の身柄は隠している。お前に見つけ出すことは不可能だ」

Kyojuro “Kanojono migarawa kakushite-iru. Omaeni mitsuke-dasu-kotowa fukanoda.”

Kyojuro “We’re keeping her hidden! You’ll never find her!”

鬼「クッ。ん？ハハッ、じゃあその弁当売りだ」

Oni “Ku. N? Haha, jaa sono bento-urida.”

Demon “All right, then those bento vendors…”

杏寿郎「俺とは関係のない人たちだ！」

Kyojuro “Ore-towa kankeino nai hito-tachida!”

Kyojuro “They have nothing to do with me!”

鬼「知り合いなんだろう？それ駅弁だろ？どこか分かるぜ。動くな」

Oni “Shiriai nan-daro? Sore eki-ben daro? Dokoka wakaruze. Ugokuna.”

Demon “But you know them, right? Those are station bento, right? I can find out where they’re from. Don’t move!”

杏寿郎「やはりお前は不愉快だ」

Kyojuro “Yahari omaewa fuyukai-da.”

Kyojuro “You do offend me, you know.”

鬼「こっちは愉快だぜ。助けたいなら、俺より早く駅まで来ることだ。その前にこいつは、殺しておくとする！」

Oni “Kocchiwa yukai-daze. Tasuke-tai-nara, ore-yori hayaku eki-made kuru-kotoda. Sono maeni koitsuwa, koroshite-okuto suru!”

Demon “Well, I’m enjoying this! If you want to save them, then get to the station before me. Before that happens… I’ll have to kill this one!”

杏寿郎「ふっ！」

Kyojuro “Fu!”

鬼「くっ」

Oni “Ku.”

タツ坊「うう…」

Tatsubo “Uu…”

鬼「チッ。ヘッ、お先に。ヒャーッ、ハア！」

Oni “Chi. He, osakini. Hyaaa, haa!”

Demon “I’ll be going on ahead.”

親方「頼む。助けてくれ」

Oyakata “Tanomu. Tasukete-kure.”

Chief “Please…Please save him!”

杏寿郎「大丈夫だ。俺に任せろ。それに俺の仲間もすぐに駆け付ける」

Kyojuro “Daijobu-da. Oreni makasero. Soreni oreno nakamamo suguni kake-tsukeru.”

Kyojuro “It’ll be okay. Just leave it to me. Also, my friends will be coming soon.”

鎹鴉の要「コッチダ！コッチダ！コッチダ！」

Kaname (Kasugai-Garasu) “Kocchida! Kocchida! Kocchida!”

Kaname (Kasugai Crow) “This way! This way! This way!”

鬼殺隊士B「煉獄様」

Kisatsu-Taishi-Bī “Rengoku-sama.”

Demon Slayer B “Lord Rengoku!”

杏寿郎「医療班は？」

Kyojuro “Iryo-han-wa?”

Kyojuro “Where’s the medical squad?”

鬼殺隊士B「向かっています」

Kisatsu-Taishi-Bī “Mukatte-imasu.”

Demon Slayer B “They’re on their way.”

杏寿郎「応急処置は済ませた。後は頼む」

Kyojuro “Okyu-shochiwa sumaseta. Atowa tanomu.”

Kyojuro “I’ve given him first aid. I’m leaving the rest to you.”

杏寿郎「フウ…」（全集中の呼吸…）

Kyojuro “Fuu…” (Zen-Shuchuno Kokyu…)

Kyojuro (Total Concentration Breathing.)

―――――――――――――――――――――――――――――――

トミ「まったく、ふくはきかん子だねえ」

Tomi “Mattaku, Fukuwa kikan ko-danee.”

Tomi “Really, you don’t listen, do you?”

ふく「手伝うったら手伝うの。おはようございます！」

Fuku “Tetsudau-ttara tetsudauno. Ohayo gozai-masu!”

Fuku “If I say I’m going to help, then I’m going to help! Good morning!”

駅員「やあ。今日も早いねえ」

Eki-in “Yaa. Kyomo hayai-nee.”

Station staff “Hey! You’re as early as ever!”

鬼「匂うぜ」

Oni “Niouze.”

Demon “I can smell them!”

ふく「よし！ん？駅員さん？」

Fuku “Yoshi! N? Eki-in-san?”

Fuku “All right! Station Master?”

鬼「匂う。匂うぜ。お前だな。臭せえ弁当の匂いが染みついていやがる」

Oni “Niou. Niouze. Omae-dana. Kusee bentono nioiga shimi-tsuite-iyagaru.”

Demon “It smells. It smells! It’s you, isn’t it? The one who’s got the stink of those bento clinging to her!”

ふく「あ……」

Fuku “A……”

鬼「お前に恨みはねえが、あの鬼狩りが全部悪いのさ。うおっ。オエエエ～」

Oni “Omaeni uramiwa neega, ano onigariga zenbu warui-nosa. Uo. Oeeeee.”

Demon “Don’t take this personally. It’s all that Demon Slayer’s fault!”

トミ「逃げるんだよ、ふく！」

Tomi “Nigerun-dayo, Fuku!”

Tomi “Make a run for it, Fuku!”

鬼「何しやがる、ババア！」

Oni “Nani shiyagaru, Babaa!”

Demon “What’s the big idea, you hag?”

ふく「ああ…あっ、ああ…」

Fuku “Aa… A, aa…”

鬼「あっ」

Oni “A.”

ふく「あ…あなたは…」

Fuku “A…Anatawa…”

Fuku “Y-You’re…”

杏寿郎「大事はないか？」

Kyojuro “Daijiwa naika?”

Kyojuro “You’re not hurt, are you?”

ふく「あっ、おばあちゃん！」

Fuku “A, Obaachan!”

Fuku “Grandma!”

鬼「クソ！」

Oni “Kuso!”

Demon “Damn!”

トミ「あ…」

Tomi “A…”

鬼「やいババア、さっきはよくも…」

Oni “Yai Babaa, sakkiwa yokumo…”

Demon “Hey, old hag… You’re going to wish you hadn’t…”

鬼「一体、どうやって追いつきやがった？」

Oni “Ittai, do-yatte oitsuki-yagatta?”

Demon “How the hell… did you catch up to me?”

杏寿郎「過信するなと言ったはずだ」

Kyojuro “Kashin-surunato itta-hazuda.”

Kyojuro “I thought I told you not to get cocky.”

鬼「くっ…試してみようじゃねえか。俺がこのババアの喉を切り裂くのが先か、お前が俺の頸を取るのが先か」

Oni “Ku… Tameshite-miyoja neeka. Orega kono babaano nodo’o kiri-saku-noga sakika, omaega oreno kubi’o toru-noga sakika.”

Demon “Why don’t we see who’s faster? Whether I can slash this old hag’s throat first or you can claim my head first!”

杏寿郎「試すには及ばない。お前は、遅い！」

Kyojuro “Tamesu-niwa oyoba-nai. Omaewa, osoi!”

Kyojuro “No need to put it to the test. You’re… slow!”

杏寿郎「炎の呼吸・壱ノ型。不知火(しらぬい)」

Kyojuro “Honoono Kokyu, Ichino Kata. Shiranui.”

Kyojuro “Flame Breathing… First Form… Unknowing Fire!”

トミ「あああ……」

Tomi “Aaa……”

―――――――――――――――――――――――――――――――

煉獄槇寿郎「フゥ…」

Rengoku Shinjuro “Fu…”

―――――――――――――――――――――――――――――――

トミ「あなたは…救ってくださったのですね、二度も…」

Tomi “Anatawa…sukutte-kudasattano-desune, nidomo…”

Tomi “You…saved us, didn’t you? Twice.”

ふく「おばあちゃん…」

Fuku “Obaachan…”

Fuku “Grandma…”

トミ「忘れもしません。そのお顔、羽織…。私と、ふくの母親は、二十年前、あなたに助けていただきました」

Tomi “Wasuremo shima-sen. Sono okao, haori… Watashito, Fukuno haha-oyawa, niju-nen-mae, anatani tasukete itadaki-mashita.”

Tomi “I’ll never forget that face, that haori. Fuku’s mother… and I… 20 years ago, you saved our lives.”

ふく「おばあちゃん、何言ってるの？」

Fuku “Obaachan, nani itteruno?”

Fuku “Grandma, what are you talking about?”

杏寿郎「それは、きっと俺の父でしょう」

Kyojuro “Sorewa, kitto oreno chichi-desho.”

Kyojuro “That must’ve been my father.”

トミ「ああ…」

Tomi “Aa…”

杏寿郎「俺は父を継いで鬼を狩っているのです。父と同じように、あなたをお守りできたこと、光栄です」

Kyojuro “Orewa chichi’o tsuide oni’o katte-iruno-desu. Chichito onaji-yoni, anata’o omamori dekita-koto, koei desu.”

Kyojuro “I’m following in my father’s footsteps, slaying demons. I’m honored to have protected you just as my father did.”

ふく「はぁ…まだ信じられない。ごめんなさい、おばあちゃん。鬼がいるわけないなんて言って」

Fuku ��Haa… Mada shinji-rare-nai. Gomen-nasai, Obaachan. Oniga iru-wake-nai-nante itte.”

Fuku “I still can’t believe it! I’m sorry for saying that there couldn’t be any demons, Grandma.”

杏寿郎「アッハハハハッ。いや、それでいいんだ。鬼を知らず、遭遇もせず、それで天寿を全うできるなら、それが一番だ」

Kyojuro “Ahhahahaha. Iya, sorede iinda. Oni’o shirazu, sogumo sezu, sorede tenju’o matto dekiru-nara, sorega ichibanda.”

Kyojuro “No! That’s how it should be! Not knowing about demons, never running into one… There’s no better way to live out your life!”

ふく「フッ、フフッ」

Fuku “Fu, fufu.”

鬼殺隊士A「炎柱！大丈夫ですか！」

Kisatsu-Taishi-Ē “En-Bashira! Daijobu desuka!”

Demon Slayer A “Flame Hashira! Are you all right?”

杏寿郎「なに、今片付いたところだ」

Kyojuro “Nani, ima katazuita-tokoroda.”

Kyojuro “I only just took care of it now.”

鬼殺隊士A「ご苦労様でした」

Kisatsu-Taishi-Ē “Gokuro-sama deshita.”

Demon Slayer A “Thank you for a job well done!”

杏寿郎「うむ」

Kyojuro “Umu.”

Kyojuro “Right!”

鬼殺隊士A「それで、無限列車は？」

Kisatsu-Taishi-Ē “Sorede, Mugen-Resshawa?”

Demon Slayer A “So, what about the Mugen Train?”

杏寿郎「今夜中に整備を整え、明日から運行再開とのことだ」

Kyojuro “Kon’ya-juni seibi’o oe, ashita-kara unko-saikai-tono kotoda.”

Kyojuro “The maintenance work will be done tonight, and it’s going back into service tomorrow.”

鬼殺隊士A「それは良かった。これで万事解決ですね」

Kisatsu-Taishi-Ē “Sorewa yokatta. Korede banji-kaiketsu desune.”

Demon Slayer A “I’m glad to hear that! So all’s well that ends well, right?”

杏寿郎「それは性急すぎるな。四十人以上も喰った鬼が、この程度であろうはずがない」

Kyojuro “Sorewa seikyu-sugiruna. Yonju-nin-ijomo kutta oniga, kono teidode aro-hazuga nai.”

Kyojuro “It’s a little too soon to be saying that. A demon who’s devoured more than 40 people is surely on a different level than this one.”

鬼殺隊士A「ハッ…では切り裂き魔は、我々の目を攪乱(かくらん)するための？」

Kisatsu-Taishi-Ē “Ha… Dewa kirisakimawa, ware-wareno me’o kakuran-suru-tameno?”

Demon Slayer A “Then, the Slasher was only here to serve as a distraction?”

杏寿郎「あるいはそうなのかもな。いずれにせよ、無限列車の鬼は別にいる。もっと強力な、得体の知れない鬼がどこかに潜んでいる」

Kyojuro “Aruiwa so-nano-kamona. Izureni-seyo, Mugen-Resshano oniwa betsuni iru. Motto kyoryokuna, etaino shire-nai oniga dokokani hisonde-iru.”

Kyojuro “That might very well be true. Either way, there’s a different demon on the Mugen Train. A demon who’s far more powerful and mysterious is lurking somewhere.”

鬼殺隊士A「では明日、無限列車に…」

Kisatsu-Taishi-Ē “Dewa asu, Mugen-Resshani…”

Demon Slayer A “Tomorrow, to the Mugen Train, then.”

杏寿郎「無論、乗り込む！もう、今日だがな！」

Kyojuro “Muron, nori-komu! Mo, kyo-dagana!”

Kyojuro “Needless to say, I’ll be boarding it! Actually, it’s today now!”

―――――――――――――――――――――――――――――――

客「おい、おやっさん、聞いたかい？」

Kyaku “Oi, Oyassan, kiita-kai?”

Customer “Hey, Pops, did you hear?”

蕎麦屋「あん？」

Sobaya “An?”

Soba shop owner “Huh?”

客「無限列車が再運行だってよ」

Kyaku “Mugen-Resshaga sai-unko datteyo.”

Customer “They say that the Mugen Train is back in service.”

蕎麦屋「へえ～。また妙なことが起きなきゃいいがなぁ」

Sobaya “Heee. Mata myona kotoga oki-nakya iiga-naa.”

Soba shop owner “Oh? I just hope nothing odd happens again.”

―――――――――――――――――――――――――――――――

ふく「あの！」

Fuku “Ano!”

Fuku “Excuse me!”

杏寿郎「やあ、弁当屋さん」

Kyojuro “Yaa, Bento-ya-san.”

Kyojuro “Hey there, bento vender!”

ふく「今朝のことは、何てお礼を言っていいか…」

Fuku “Kesano kotowa, nante orei’o itte-iika…”

Fuku “I don’t know what to say to thank you for this morning.”

トミ「これをどうぞ。私らには、こんな物しかないのですが…」

Tomi “Kore’o dozo. Watashira-niwa, konna mono-shika naino-desuga…”

Tomi “Please take these. This is all that we have to give you.”

杏寿郎「おお！実は昨夜、食べ損ねてな。これは何より嬉しい！しかし、代金は払おう」

Kyojuro “Oo! Jitsuwa sakuya, tabe-sokonete-na. Korewa nani-yori ureshii! Shikashi, daikinwa harao.”

Kyojuro “Ah! The thing is, I missed out on having one last night! Nothing could make me happier! But I’ll pay for it.”

ふく「いえ、お気持ちだけで」

Fuku “Ie, okimochi-dakede.”

Fuku “No, it’s the thought that counts!”

杏寿郎「そうか。ではこれは頂くとし、そこにある分を全部買おう！」

Kyojuro “Soka. Dewa korewa itadakuto-shi, sokoni aru bun’o zenbu kao!”

Kyojuro “Is that right? Then let me accept this one and buy all the rest that you have there!”

ふく「ええ―――っ!!」

Fuku “Eeeeeeee!!”

Fuku “Whaaaaat?”

トミ「お気をつけて」

Tomi “Oki’o tsukete.”

Tomi “Please be careful.”

ふく「近くに来たら、また寄ってください」

Fuku “Chikakuni kitara, mata yotte-kudasai.”

Fuku “Please stop by again if you’re in the area!”

杏寿郎「あなた方のことは、父に必ず伝えます。喜ぶことでしょう。ではお元気で！また会いましょう！」

Kyojuro “Anata-gatano kotowa, chichini kanarazu tsutae-masu. Yorokobu koto-desho. Dewa ogenkide! Mata ai-masho!”

Kyojuro “I promise to tell my father about you two. I’m sure he’ll be thrilled. Now then, take care! Let’s meet again one day!”

―――――――――――――――――――――――――――――――

嘴平伊之助「な…な…なっ…何だこの生き物は！」

Hashibira Inosuke “Na…na…na… Nanda kono ikimonowa!”

Inosuke Hashibira “Wha…Wh-What… What the hell is this creature?”

ふく「はい。上等弁当三十六銭になります。お茶、お酒、ご一緒にいかがですか？」

Fuku “Hai. Joto-bento sanju-roku-senni nari-masu. Ocha, osake, goisshoni ikaga desuka?”

Fuku “Here’s your first-class bento! That will be 36 sen, please! Would you like some tea or sake with that?”

伊之助「猪突猛進！」

Inosuke “Chototsu-Moshin!”

Inosuke “Comin’ through!”

ふく「ん？」

Fuku “N?”

我妻善逸「やめろ！恥ずかしい！」

Agatsuma Zen’itsu “Yamero! Hazukashii!”

Zenitsu Agatsuma “Stop it! You’re embarrassing us!”

ふく「何かしら？」

Fuku “Nani-kashira?”

Fuku “What’s going on?”

―――――――――――――――――――――――――――――――

杏寿郎「ふむ。では、有難くいただこう！」

Kyojuro “Fumu. Dewa, arigataku itadako!”

Kyojuro “Now then, let me partake of this with gratitude!”

杏寿郎「んっ！うまい！」

Kyojuro “N! Umai!”

Kyojuro “Delicious!”

―――――――――――――――――――――――――――――――

予告/Yokoku/Preview

竈門炭治郎「無限列車に乗車できたぞ」

Kamado Tanjiro “Mugen-Resshani josha dekitazo.”

Tanjiro Kamado “So, we were able to board the Mugen Train!”

善逸「炭治郎、炎柱に聞きたいことがあるんだろ？会えるといいな」

Zen’itsu “Tanjiro, En-Bashirani kikitai kotoga arun-daro? Aeruto iina.”

Zenitsu “Tanjiro, isn’t there something you want to ask the Flame Hashira? I hope we get to meet him!”

炭治郎「うん」

Tanjiro “Un.”

Tanjiro “Yeah!”

伊之助「柱だと！俺と勝負だ！」

Inosuke “Hashira-dato! Oreto shobuda!”

Inosuke “Hashira, huh? Fight me!”

善逸「うるさいから、お前は黙ってろ！」

Zen’itsu “Urusai-kara, omaewa damattero!”

Zenitsu “Stop that yammering! Just shut up!”

伊之助「んだとコラ！」

Inosuke “Ndato kora!”

Inosuke “What did you say?”

善逸「何だよ！」

Zen’itsu “Nan-dayo!”

Zenitsu “You have a problem with that?”

炭治郎「もう分かったから、伊之助、落ち着こう」

Tanjiro “Mo wakatta-kara, Inosuke, ochitsuko.”

Tanjiro “Okay, we hear you, Inosuke! Calm down now!”

伊之助「フン！」

Inosuke “Fun!”

善逸「バカ猪が。ところで、炎柱ってどんな人なんだろうな？」

Zen’itsu “Baka-inoshishiga. Tokorode, En-Bashiratte donna hito nan-darona?”

Zenitsu “You idiot boar! Anyway, I wonder what kind of person the Flame Hashira is.”

炭治郎「それは…」

Tanjiro “Sorewa…”

Tanjiro “Well―”

鎹鴉の天王寺松右衛門「カアー！」

Tennoji Matsuemon (Kasugai-Garasu) “Kaaaa!”

炭治郎・善逸「おっ？」

Tanjiro, Zen’itsu “O?”

炭治郎「鎹鴉だ」

Tanjiro “Kasugai-Garasuda.”

Tanjiro “It’s the Kasugai Crow!”

鎹鴉の天王寺松右衛門「カア、カア～！」

Tennoji Matsuemon (Kasugai-Garasu) “Kaa, kaaaa!”

炭治郎「うん、うんうん。鎹鴉が煉獄さんについて調べてきてくれたみたいだ」

Tanjiro “Un, un-un. Kasugai-Garasuga Rengoku-sanni tsuite shirabete-kite-kureta-mitaida.”

Tanjiro “It seems like the Kasugai Crow has looked into Rengoku for us.”

善逸「えっ、ほんと？」

Zen’itsu “E, honto?”

Zenitsu “What? Really?”

鎹鴉の天王寺松右衛門「カア」

Tennoji Matsuemon (Kasugai-Garasu) “Kaa.”

炭治郎「“他の柱の皆さんが、煉獄さんをどう思っているか”だって」

Tanjiro “‘Hokano Hashirano mina-sanga, Rengoku-san’o do omotte-iruka’datte.”

Tanjiro “He says he found out how the other Hashira feel about Rengoku.”

善逸「聞きたい、聞きたい！」

Zen’itsu “Kikitai, kikitai!”

Zenitsu “That I have to hear!”

伊之助「柱！全員勝負だ！ムハハハッ！オホホホッ！」

Inosuke “Hashira! Zen’in shobuda! Muhahaha! Ohohoho!”

Inosuke “Hashira! All of you, fight me!”

善逸「はいはい。炭治郎、教えてよ」

Zen’itsu “Hai-hai. Tanjiro, oshieteyo.”

Zenitsu “All right. Tanjiro, let’s hear it.”

炭治郎「うん。じゃあしのぶさんから」

Tanjiro “Un. Jaa Shinobu-san-kara.”

Tanjiro “Okay. Then, let me start with Lady Shinobu.”

蟲柱・胡蝶しのぶ「いい人ですね。話がかみ合わない時がありますけれど」

Mushi-Bashira, Kocho Shinobu “Ii hito desune. Hanashiga kami-awanai tokiga arimasu-keredo.”

Insect Hashira, Shinobu Kocho “I’d say he’s a good person. Though there are times when we’re not on the same wavelength.”

善逸「しのぶさ～ん！いい匂いを思い出しちゃうよ～！他の柱は？」

Zen’itsu “Shinobu-saaan! Ii nioi’o omoi-dashi-chauyooo! Hokano Hashirawa?”

Zenitsu “Lady Shinobu! You remind me of that good smell! How about the other Hashira?”

炭治郎「じゃあ一気に行くよ！」

Tanjiro “Jaa ikkini ikuyo!”

Tanjiro “Okay, let’s hear them all in one go!”

音柱・宇髄天元「派手！俺より目立つな。でもめっちゃいい奴だ」

Oto-Bashira, Uzui Tengen “Hade! Ore-yori medatsuna. Demo meccha ii yatsuda.”

Sound Hashira, Tengen Uzui “Flamboyant! Sticks out even more than me. But he’s a really great guy!”

霞柱・時透無一郎「ふくろうみたい。快活な声が心地よい人」

Kasumi-Bashira, Tokito Muichiro “Fukuro mitai. Kaikatsuna koega kokochi-yoi hito.”

Mist Hashira, Muichiro Tokito “He’s like an owl. That cheery voice is so comforting to hear.”

恋柱・甘露寺蜜璃「かっこいいお兄様！一緒に修行して楽しかった！可愛がってもらいました！」

Koi-Bashira, Kanroji Mitsuri “Kakko-ii oniisama! Isshoni shugyo-shite tanoshi-katta! Kawaigatte morai-mashita!”

Love Hashira, Mitsuri Kanroji “He’s a super-cool big brother! I had so much fun training with him! He really doted on me!”

蛇柱・伊黒小芭内「よく話す。性格がいい。（好き）」

Hebi-Bashira, Iguro Obanai “Yoku hanasu. Seikakuga ii. (Suki)”

Serpent Hashira, Obanai Iguro “Talks a lot. Has a good personality. (Love him)”

風柱・不死川実弥「いいやつだ。（好き）」

Kaze-Bashira, Shinazugawa Sanemi “Ii yatsuda. (Suki)”

Wind Hashira, Sanemi Shinazugawa “He’s a good guy. (Love him)”

岩柱・悲鳴嶼行冥「前向き。弱音を吐かない。正直」

Iwa-Bashira, Himejima Gyomei “Mae-muki. Yowane’o haka-nai. Shojiki.”

Stone Hashira, Gyomei Himejima “Positive. Never whines. Honest.”

炭治郎「…と、こんな感じみたいだ」

Tanjiro “…To, konna kanji mitaida.”

Tanjiro “So, something like that.”

善逸「後は、冨岡さんは？」

Zen’itsu “Atowa, Tomioka-sanwa?”

Zenitsu “Wait, what about Tomioka?”

炭治郎「そうだ、鎹鴉。冨岡さんは？」

Tanjiro “Soda, Kasugai-Garasu. Tomioka-sanwa?”

Tanjiro “He’s right, Kasugai Crow. What about Tomioka?”

鎹鴉の天王寺松右衛門「カア！」

Tennoji Matsuemon (Kasugai-Garasu) “Kaa!”

炭治郎「うんうん、分かった。冨岡さんは煉獄さんについて…」

Tanjiro “Un-un, wakatta. Tomioka-sanwa Rengoku-sanni tsuite…”

Tanjiro “I see. This is what Tomioka had to say about Rengoku…”

水柱・冨岡義勇「よく話しかけてくれる。（好き）」

Mizu-Bashira, Tomioka Giyu “Yoku hanashi-kakete-kureru. (Suki)”

Water Hashira, Giyu Tomioka “He often speaks to me. (Love him)”

炭治郎「…だって」

Tanjiro “…Datte.”

Tanjiro “And there you have it!”

善逸「へえ～。炎柱、みんなに好かれてるみたいだな～」

Zen’itsu “Heee. En-Bashira, minnani sukare-teru mitai danaaa.”

Zenitsu “Oh, really? It seems like everyone loves the Flame Hashira, huh?”

炭治郎「うん。早く会えるといいな」

Tanjiro “Un. Hayaku aeruto iina.”

Tanjiro “Yeah. I can’t wait to meet him!”

伊之助「うおおお――！炎柱、勝負だ！」

Inosuke “Uoooooooo! En-Bashira, shobuda!”

Inosuke “Flame Hashira! Fight me!”

炭治郎「伊之助！」

Tanjiro “Inosuke!”

Tanjiro “Inosuke!”

伊之助「ムギィ～！ぐわっ」

Inosuke “Mugiiii! Guwa.”

炭治郎「あっ。煉獄さん！」

Tanjiro “A. Rengoku-san!”

Tanjiro “Rengoku!”

杏寿郎「次回、鬼滅の刃無限列車編第二話『深い眠り』。みんな、一緒に乗車しよう！」

Kyojuro “Jikai, Kimetsuno Yaiba Mugen-Ressha-hen dai-niwa, ‘Fukai Nemuri.’ Minna, isshoni josha shiyo!”

Kyojuro “Next, Demon Slayer: Kimetsu no Yaiba Mugen Train Arc, Episode 2, ‘Deep Sleep’! Let’s all board the train together!”

三人「アニキ～！」

San-nin “Anikiii!”

Three “Big Bro!”

(Continue to Episode 2)

[mono-blogs-art]

WAIT THE STUFF FOR STARRY SESSION IS OUT??

well I mean this depends what you mean - the songs have been out for 2 years or so now LMAO just the concert itself was delayed until this weekend! as we know it was originally planned for spring of 2020, but delayed until NOW because of covid. it's a 2-day concert, and day 1 was today. obviously I'm not in Japan so I'm just watching the livestreams, I got a ticket for day 1 (and honestly it was so good I'm gonna get one for tomorrow too) and they performed the first half of the starry session draft songs today! so yes, that was today, archive livestream (ticket purchase) is available RIGHT NOW! they're using Zaiko this time and it was insanely easy to get a ticket, literally took me like 30 sec to register and buy and access the archive stream. it was so fucking good like I cannot recommend it enough, both audio and camerawork was surprisingly great for an unedited livestream (bandori shaking in its boots)

for those curious what the content was for day 1, here's the setlist under a spoiler tag :^) <3

Starry Session revival - Day 1 Setlist

Hoshi no Dialogue Opening MC + Member introductions

Yoroshiku Kukugumi

Lesson na Week!!

Junjou Unclassified

Starlight Theater MC 1 - from here on the Starry Session Medley part starts!

Hanasaka Uta (Mahiru & Karen Version)

Jōnetsu no Mezameru Toki (Hikari & Kaoruko Version)

Ittōsei no Procyon (Karen, Nana, Claudine & Maya Version)

Hokori to Ogori (Futaba & Kaoruko Version)

Fancy You (Maya & Claudine Version)

Re:Create (Junna Version)

Koi wa Taiyō ~CIRCUS!~ (Hikari & Maya Version)

Zeus no Chūsai (Futaba, Karen & Junna Version) (end of Starry Session Medley part)

Watashitachi wa mou Butai no Ue MC 2 + band member introductions

Star Diamond

Circle of the Revue MC 3 (Moyo sweating buckets)

Discovery!

Star Divine MC 4 (lots of talk about food)

Star Parade (end of official part) (really beautiful throwback video to all previous live concerts) Encore:

Negai wa Hikari ni Natte MC 5

Polestar Announcements + Member goodbyes

Butai Shōjo Kokoroe Ending MC

.

My personal highlights: Junjou Unclassified (literally INSANE!), Hokori to Ogori (AYASA WTF...), Star Parade (in widescreen + song lyrics on screen!!), Watashitachi wa Mou Butai no Ue (they sang it while walking through the audience and everyone was goofing around and having so much fun, it was so so sweet).

Shoutout to the Mayakuro girlies who lost their absolute shit in the background when Aiai did a heart pose with Maho during Star Parade. I heard you girls scream and I can only imagine the atmosphere in that hall in that moment, I know MYKR nation is not sleeping right now. Lesbians activated etc

[devvinn1ie]

Felix + Yume duking it out but it's a still-life piece

In my art class, we did a still-life project. Stil lives are kinda boring, so I decided to do mine based on a picture I took for a different project that featured tiny little oc dolls I made! In the photo, it had felix and Yume duking it out, thus the title of this one being "Felix and Yume duking it out"

Some points from the insta point I made since I'm kinda lazy to retype the whole thing

I did this one on clip studio paint rather than the usual ibis paint x. that means me trying to replicate my usual style on that art program!

my teacher let me do the whole project digitally! i asked her and she was like "yeah sure"

the original photo I took was based off of their relationship (yume's beef with felix and his tolerance of her), and also Hokori to Ogori (revstar!), despite their relationship being more similar to Claudine-Maya than Karen-Maya

Hokori to Ogori is fire

felix and Yume are silly

Heres the original photo btw

I did a whole photoshoot with these guys and head sm of other ocs I made. I might share all of those if I feel like it

anyways bye guy

[llamagirl28]

Listening to a bunch of Revue Starlight songs and subsequently thinking of BoC characters... I shared this in the Discord too but I wanted to share it again!

“The scene unveils, my courage fails

But I will be reborn and fight again” (9-person chorus eng cover of Star Divine)

My wish and hope for Arthur, that he can still take the step forward and do the right thing despite his fears

“The thread that binds your fate to mine

Is torn apart between our fiery plight” (from the same song as above)

???? Could be a villainous Mordred vs Arthur, or a Mordred breaking away from Morgana, or a Mordred steadily growing apart from their RO????

“You are me, and I am you

The past is the future, and the future is now

Burn it, burn it

Burn it all to cinders!

Onwards to the next stage!” (Superstar Spectacle)

Agravain and Mordred? Morgana and Mordred?

“What was the reason?

Have I been enveloped in flames, When I had been held captive by fear for such a long time

Now my flames will never extinguish

Because there was no one who understood me

With a headwind pushing me back I burned my heart

What am I searching for?

Only that the star knows” (The Star Knows)

Either Arthur or Mordred

“The fury that ignited and pierced the darkness

Illuminates the girls' longing

A flame that reaches the heavens burns in me

As the star compelled by sin falls down” (Sekai wo Hai ni Suru Made/Until The World Is Turned To Ash)

Morgana and Mordred

“I have a dream I cannot surrender

I have a sky I want to protect

The arrow will keep chasing after you like a shooting star” (the same song as above)

A heroic Mordred?

“I will not let you interfere, and until the world is turned into ash

My passion will burn brighter than anyone else's” (the same song as above)

Agravain and/or Mordred and/or Morgana

“Come and climb this summit, if you have the audacity

Try and cut me down, show me your fury!

Be not at the mercy of the beast inside of you

I have no need for those with half-hearted resolve

What I want to see is a fight with your pride on the line!” (Hokori to Ogori/Pride and Arrogance)

Well, somebody's taunting somebody else. I'm not sure who, Morgana taunting someone? Or perhaps it's Uther, strangely enough?? Or a cocky Mordred? WHO KNOWS

Ooh, interesting 👀