#obviously the ones who aren’t just like horrifically racist and stuff
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geisterland · 3 months ago
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I think it might be kind of cliche but I do like it when CH artists draw over political propaganda… It’s interesting… I wanna do it sometime.
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eviltothecore13 · 2 years ago
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Favourite and least favourite things about each version of The Addams Family
 Currently just doing the ones I’m already most familiar with, will add to this another time.
THE ORIGINAL COMICS
Favourite
1) Invented the characters! Can’t not love them for that.
2) Lots of clever and dark humour including some iconic moments that later appeared in the films.
3) Gomez is drawn as actually dark-skinned...something most cartoons “based on the comics designs” seem to forget.
Least favourite
1) The fact they are a healthy family despite the creepiness hadn’t quite been established yet and Morticia seems uncharacteristically uncaring towards the children on occasion as a result.
2) While technically these aren’t Addams Family comics, Charles Addams also drew some quite racist caricatures and they tend to end up in the same collections.
3) The fact they’re one-panel comics without much dialogue does limit the amount of characterisation and plot compared to what later versions can do with the characters.
THE 60s SHOW
Favourite
1) Introduced lots of my favourite character quirks. Gomez pulling lit cigars out of his pockets and having two watches set to different times. Morticia being able to literally “smoke”. etc. The trains!
2) So many scenes of the characters just doing random stuff! Swordfighting, knifethrowing...Gomez standing on his head or hanging from the chandelier...Morticia painting or knitting...it really helps establish the characters and I just love seeing characters’ (very unusual) day-to-day lives like this.
3) This is the show that established just how much Gomez and Morticia love each other--not just the kissing/French scenes but the way they’re almost always arm-in-arm just walking about, the way he thinks her rather...unusual abstract paintings are the most amazing artworks in the world, just...everything.
Least Favourite
1) Being a sitcom, it unfortunately does put comedy over consistency at times. e.g. while Gomez’s swordfighting is never as impressive as in the films, in many episodes he still is portrayed as knowing how (and he’s near-superhuman at knifethrowing), but there’s at least two episodes where he’s completely useless for the sake of a joke. The same goes for various characters’ levels of knowledge of all kinds of things and some other character traits as well.
2) John Astin is a great actor but it doesn’t change that Gomez is being portrayed by someone not remotely Hispanic.
3) While it was progressive for its time, some stuff really hasn’t aged well. Voodoo/witch doctor tropes (straight out of Charles Addams’s racist caricatures in some cases), general portrayal of foreign cultures as “weird”, a few references to the Civil War that don’t seem to realise that the Confederacy was TOO horrifically evil and bigoted to ever be the right kind of “funny evil” for the Addamses.
THE 90s FILMS
Favourite
1) The entire summer camp plotline making fun of rich WASPs/Republicans/bigots so perfectly.
2) The increased budget just made these films really aesthetically amazing in general. The house finally looks like a proper creepy mansion, the outfits are more detailed and varied, you get to see the whole extended family together, THAT DANCE between Gomez and Morticia in the second one... but most of all, the absolutely amazing swordfighting scenes.
3) The best cast of any version...Raúl Juliá’s performance will always be my favourite Gomez portrayal, Anjelica Huston is amazingly sinister...but the biggest improvement compared to the show is Christina Ricci, obviously Wednesday is older in the films and it’s easier to find a good 11-year-old actress than a 6-year-old so this is not meant as an insult to Lisa Loring, but having a much more capable actress in the role allows for so much more to be done with the character.
Least Favourite
1) Pugsley becoming a sidekick who isn’t as much of a genius.
2) Both films focus heavily on Fester, who I don’’t hate, but he is my least favourite character, and Gomez and Morticia were very much the main characters of the show.
3) In general the mad-science aspects of the Addamses are downplayed here in favour of the supernatural and aesthetically old-fashioned aspects...and I love those aspects but I find it more entertaining to have the contrast of them also building robots, computers, rockets better than NASA’s,  etc...
THE MUSICAL
Favourite
1) All the political humour! I’m still bitter because a Munsters fan claimed that the Addamses would be Republicans because they were rich (as a “our fandom’s superior” thing), OK? This more than any other version disproves that with a lot of mocking of the right-wing. Mal calls them “creeped-out, left-wing Spanish weirdos” as an insult but I honestly think they’d take it as a compliment.
2) I don’t normally even like musical-style songs, but The Addams Family is a nonsensical enough series already for it to work and some of the songs are truly amazing.
3) Lots of very funny dialogue. Gomez seems to get most of the best lines here...Alfonso the Enormous, for instance...or discussing his ancestor who was burned at the stake as dinner-table conversation.
Least Favourite
1) The touring version in particular, but both to some extent, makes Morticia unusually harsh--not just in terms of the misunderstanding that forms part of the plot (I can accept that the characters won’t always get on perfectly all the time! In fact, I wouldn’t want them to!) but just randomly sometimes? Like, treating her as if she’s always disliked Grandmama and held her in disdain? Where did that come from? That wasn’t in any previous version that I know of.
2) The Broadway version has the song “Where Did We Go Wrong?” which feels like it has character inconsistencies with most previous versions. Lines like “we did all that we could to keep her sad”...OK, so Morticia seems to enjoy being “unhappy” sometimes and they talk about a “gloomy”-looking room as a good thing, but...none of them, including Wednesday, were ever previously depicted as sad all the time, wanting to be sad all the time, going out of their way to make the others sad, or seeing happiness as a bad thing. Morticia even talks about what a “happy colour” black is in the show, Gomez in the films has lines like “to mirth, to merriment, to manslaughter”, and if someone is actually sad about something the rest of the family generally worry about them and try to help (which is even the case later in the musical with Gomez worrying he’s made Morticia upset)...it feels like the writers went “they like dark things!” without actually checking how they feel about specific things in previous versions.
3) OK so... That giant squid plotline in the Broadway version. [NONCON TW].
Now, anyone who’s spoken to me about Wesker might know, I have nothing against tentacle sex. Far from it. But it has to be consensual! Mal gets dragged off with no idea what’s going to happen to him, even though he’d expressed some kind of interest in the squid he doesn’t actually say he wants sex with her, and while we don’t know exactly what happened between then and his next appearance, without seeing him give consent and seeing him get dragged off like that...it comes across more noncon than was maybe intended. And then we’re told “oh actually he enjoyed it and it made him less uptight”...I do not like the way this is handled and I’m glad the touring version of the script changed this plotline.
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adultswim2021 · 2 years ago
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Aqua Teen Hunger Force #60: “Hand Banana” | October 29, 2006 – 10:30PM | S05E05
Meatwad wants a dog and of course he is a piece of shit who refuses to adopt a pit bull from a kill shelter, so he resorts to using Frylock's dog-making kit/computer program and Carl's pool, which is converted into some kind of science-fiction vat. The only thing you need to supply for the kit to work is som DNA. Shake winds up being the one to supply the DNA after he absent-mindedly dips his hand into the concoction to have a nice splash. The result: a friendly little critter that looks like Shake's yellow hand. Wait, I assumed he wore gloves? Well, in this episode that's his skin, I guess. Don't have a cow, Homer.
The dog is a dream pet for the Aqua Teens; in fact he is a world-class pastry chef. Unfortunately for Carl he mindmelds with him, turning him into a Son-of-Sam. The dog, named Hand Banana by Meatwad, begins threatening Carl in somewhat vague ways. Then he rapes Carl. Multiple times.
Okay, so obviously there is a type of retard who would like to condemn this episode for promoting rape culture (remember when everyone said “rape culture”? Now I'm the one that says it! :D) and there's also a type of retard who would like to specifically tout this episode as being the best one ever because they can't handle a world that no longer directly reflects their values of being able to laugh at horrific sexual crimes so they make a point to like stuff with rape jokes on purpose. I, an extremely reasonable person who never uses slurs like “retard” unless I'm being toxically ironic on tumblr, am here to weigh in with the exact correct opinion: this episode is extremely funny.
Look, I'll get sincere for a minute: I'm not a fan of political laughter. If you don't know what I mean (because it's a term I am pretty sure only I have ever used), think about an obnoxious male-feminist type laughing extra hard at an objectively tepid female stand-up at an open mic. I'm not calling all women who do stand-up bad! I'm just saying, imagine one that isn't actually that good but is getting over-supportive laughter because she's the only woman whose gone up in the last hour (or she's actually great but this particular set is bad, happy now?).
Now imagine your redneck uncle, telling his friend a racist joke that you've personally overheard him tell this same person about a dozen times. And yet, he exclaims with laughter as if it's the first time he's heard it, even though jokes are supposed to have diminishing returns. You get the sense he's laughing because the joke flatters him, propping him up as a straight white man who deserves to be celebrated for being exactly that. The racist joke makes him feel superior or at the very least normal. So he laughs not because it’s funny, but because it’s “true”. At least, he hopes it’s true.
Is the supportive male feminist who is over-laughing at the heavily-accented Indian woman telling nothing but shitty puns less evil than the two yokels telling a joke that was designed to make non-whites feel less-than-human? Well, that depends. There aren't any black people at your redneck uncle's BBQ and there was never going to be weather he tells that joke or not. The male feminist at the open mic has a few beers in him, Gonorrhea, and is planning to try and have unprotected sex with the female comic after the show. Harmless?
So please don't mistake me for some FREAKING RIGHT-WING MAGA CHUD for liking this episode. I've acknowledged that it's impossible to enjoy things in a total vacuum, and I've observed something sorta disturbing about myself: I am a bit of a reactionary contrarian. If I were to find a posting about this episode that I wrote right after this aired, I would bet that somewhere in there I'd complain about how there's too many rape jokes in comedy. Does this make me a hypocrite? Eh. Maybe. But it is absolutely worth noting something about the comedy landscape at the time: to mainstream audiences in 2006 rape jokes were seen as merely “acceptably edgy”. Not saying everyone loved them; I'm just saying it was like making fun of religion. You could get away with it only at the expense of a few zealots. With rape jokes now, that it just isn’t the case. (to be clear: I think this is a good thing. But I see no need to pretend I don’t laugh at problematic stuff a lot of the time).
You know who RedLetterMedia are? Youtube Channel by a bunch of Midwestern slobs who manage to put a phenomenal amount of production value in their content which is mostly them extemporaneously critiquing movies? I like them. They're funny and pleasant to listen to. I put them on a lot when I just want noise to fill my head, you know? There's a phrase for this, and I've seen it applied to other shows (mostly podcasts) of this ilk: “friendship simulator”. Well, they tend to not take too much flack for their content even though they can, ON OCCASION, exhibit the insensitive sense of humor that Gen-X white dudes did well for decades and now get yelled at for. It's not, by any means, the main drum they beat, but if you watch them drunkenly mock bad movies on Best of the Worst sometimes some slightly ugly humor comes out and I can imagine them not being for everyone. It's fine. Society is progressing. It's good. I don't care if people hate the stuff I love. What else is new?
Anyway, they recently got a tiny amount flack (most of it was just ribbing from fans) because they were among the most-subscribed sub-reddits among those subscribed to the incel sub-reddit! Fans of RLM just laughed about it and made jokes. I, an appreciator of them, understood that they were just MASSIVELY POPULAR and the overlap between them and incels was probably not a coincidence per se, but a function of the same reason I enjoy them: it's just nice to hear other people who are roughly your demo make each other laugh and have healthy camaraderie in a world where that seems to be harder and harder to come by. In fact, I can attest that their following seems to be all over the map politically generally speaking. I’ve been surprised to find out certain people I knew were fans that I’d expect to take a moral stand against them for being sporadically problematic.
People who had no context started approaching their content from a “I've never heard of these guys they must be bad” position and started digging into their channel, slightly puzzled. I made a joke (or maybe not even) about it on twitter, and some rando replied to me saying something like “gee those rape jokes in the Mr. Plinkett Reviews sure feel different now that we know who their fans are, huh?” I didn't want to fight with this probably-well-meaning person on twitter, so I simply didn't respond, which is a thing you can totally do.
The Mr. Plinkett Review in question was the thing that made them famous. It was a long-form video essay that explains in detail why the Star Wars film The Phantom Menace could be considered objectively terrible. While the points being made were genuine, the humor of the video came from the Mr. Plinkett character; a deranged elderly man who has an unhealthy obsession with the Star Wars prequels, and whose disgusting home life we see little glimpses of. When he wants to show us some kind of Phantom Menace promotional item to drive home some point about consumerism, we see that he has a kidnapped prostitute tied up in his basement, begging to be let go. Mr. Plinkett reviewed the other Star Wars prequels and her kidnapping becomes part of a story arc. That was 2009, a few years after this. I guess I'm just illustrating how much of a thing it was to casually include male-on-female sexual abuse as a dark punchline.
I should probably come up with more examples instead of over-explaining that last one. But I promise if you examined a lot of alternative comedy from 2005-2010 you’d find a lot of rape jokes. I guess my point is: everyone was doing it. Now barely anyone is doing it. I guess that's a good thing. But will I laugh? Sometimes. Will god look upon me and smile? Yes. God is a man. And he's old as fuck. He probably thinks rape is hilarious.
MAIL BAG:
Honestly I don't care whose harp strings he plucks in his offtime, as long as Andy Samberg keeps bringing the funny he's alright with me.
MESSAGE TO ANDY AND ANDY ALONE: Bring on the funny! We can’t wait to laugh!
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bazypitchandsimonsnow · 4 years ago
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Mages Don’t Meddle
Rating: M
Genre: Angst/Mild Fluff
Word count: 16091
Summary: In a world where magic users must fear each other, Baz Pitch, a British born hex hiding in the 19th century American southwest, is just trying to stay alive. But when he meets a fellow British hex, his world is turned upside down in the most awful, amazing ways possible. PLEASE READ FIRST AUTHOR'S NOTE!!!!
Read on AO3
AN: Alright some of you may know that my favourite book series of all time is The Hexslinger Series by Gemma Files. It’s a gory but brilliant horror/dark fantasy weird western trilogy about gay cowboy wizards fighting Aztec gods. (It's also where my AO3 username comes from). I've been writing this AU on and off for like two years now lol. So when I saw this event, I saw it as motivation to finally finish it. And I did! Idk how many people are gonna like this, considering the obscurity of the books. The mythos is a bit complicated so here are the basic rules of the Hexslinger world:
1. Magic users exist, called "hexes" or "hexslingers” by most English speakers. They’re commonly known of and feared by some humans because of their immense, usually unstable power. Their magic is usually called "hexation" and a common descriptor for anything to do with them is "hexacious." Being a hex can either be passed down from parent to child or appears randomly. Most are children of a hex man and a human woman as pregnancy for a hex woman can be very risky to mother and child, but it's still possible.
2. Hexes aren’t usually born having magic. Their powers manifest at some point later in their lives except in very rare circumstances. For women it usually appears after their first period, while for men it’s usually after some sort of grievous bodily harm, e.g getting hanged or beaten. Before manifestation, some hexes show no sign of magic at all, while others have hints like perfect aim or weirdly good luck. It depends on the person and their power level.
3. Hex magic varies between people based on personality, culture, family history, and power level/type. For example, an experienced Chinese born hex with refined power will have a very different kind of magic than a newly manifested American born hex with more chaotic power. (That’s literally just from the original books lol.) Even hexes similar in multiple aspects can be completely different in the way their magic is expressed.
4. The only universal trait between hexes is that they all have the urge to feed off each other’s magic. They’re like magic vampires (wink wink). If they get too close to each other, they have the immediate urge to absorb the other's power and kill them. It’s completely instinctual and very hard to resist. Hence why hexes can’t be around each other. Or, to use the common phrase from the universe, “mages don’t meddle.”Okay that's the basics. There's A LOT of other stuff but I think that's all you need to know for this fic imo.
TRIGGER WARNINGS: So there's some period typical racism scattered around due Baz being brown in the 19th century American south. It's not too harsh imo but I still want to warn people. I hope I handled it alright, considering I'm a white af Canadian Irish-Jew, but if I didn't I'm very sorry. There's also a bit of period typical homophobia at the start. The closest I get to slurs is the use of "red" and "Indian" in reference to Indigenous people, "queer" in a negative context, references to sand because Baz says he's Egyptian, and Baz being called "darker folk." I felt it would be disingenuous to not include bigotry of the past and pretend things would be all okay for a queer POC like Baz. Especially since Hexslinger itself has major themes of homophobia, racism, and not being accepted in the majority of society. A few mentions of suicide, self harm, and torture too in relation to hex powers emerging too, which is also major in Hexslinger. The series itself is pretty brutal and dirty with lots of bigotry, blood, guts, and death. So those elements have gotten in here. There is some flesh burning stuff but I don't think it's that graphic, feels pretty typical for Carry On imo. Hopefully this all works well/makes sense.
As always, big thanks to Raegan of @carryonmylovelies Now with that all out of the way, enjoy!
———————————————
I gingerly take a sip of my whiskey. It's a horrible rotgut shite, but there’s worse stuff out in the wild west. This Slipfoot Joe’s seems to be okay by my now very, very low standards for this area.
“Well well, if it ain’t a pretty red boy,” the man behind me croons. His voice makes evey inch of my skin crawl.
I let out a deep sigh. I’ve been expecting this, but I’m still not pleased. “Piss off, arsehole.”
“Oh! Didn’t know Indians could sound English!”
“I’m British Egyptian, you twit.”
The man leans on the bar, smiling wide. It’s easier to count the few teeth he has than guess how many he’s lost. “What brings your sandy ass to our great country?”
The Call. The unending Call that signals all of us to come here.
I take another long sip. “Your gorgeous face, obviously. How much do you charge? I’ve heard American men are cheaper here than in England.”
The man reels back scowling. “You think I’m some queer?!”
“Well, I assumed so. Considering you were just flirting with me, a man.”
He snarls, whipping out his pathetic little pistol. The barrel shakes nonstop. “You got some nerve, boy!”
I finish the whiskey and delicately place the glass rim first on the filthy bar. “And you’re a racist bastard. You don’t see me getting all pissy.”
The gunshot happens in slow motion for me. I don’t even need to turn. I simply hold one hand in front of me and let my magic pour from me like a dragon’s breath. It curls out in front of me, a circle of blacks and charcoal greys and burning scarlets. Every hex’s magic is different. Mine is like a constant roaring fire, always threatening to consume me.
The bullet hits the shield with a tinny clink. Racist Man is frozen with wide, terrified eyes. I turn to him, orange and red reflecting in my grey eyes.
“You- You’re... a hex?!” He splutters.
“Thought that was pretty bloody obvious. Now go, before I drink your blood.”
Racist Man and his buddy scamper out of the tavern. I let the force field dissipate, crackling and popping in the air like a dying campfire. Joe, the bartender and eponymous Slipfoot, sighs as he cleans another glass.
“You know,” Joe says, “I’ve met other hexes. They’re stupid reckless assholes but they ain’t ever drank blood. Just suck each other’s magic.”
I chuckle. “Well they don’t know that, do they?”
“No, lucky for you. What’s a Brit like you even doin’ here anyway?”
My mouth presses into a thin line. I envy him. He can't hear The Call from that damned Hex City. I heard it all the way in Washington, and before I knew it I was on a train southeast. The only reason I haven’t actually gone to the horrid place is sheer stubbornness.
“I’m a hex. Where else would I be going?”
Joe freezes. He stares at me with more concern than fear. “I’d be careful, son. Those hexes I met? One of them was Reverend Rook himself. He’s beyond bad news, ‘specially with that heathen goddess by his side.”
“I know.” I trace my finger on the old wood, trying to focus on that instead of the ringing in my head. “But what choice do I have?”
———————————————
1867, two years after America’s bloody civil war, and it seems they’re about to be plunged into a new one. Except it won’t be slavery versus abolition this time, but humans versus magic. 
The news has spread like wildfire. In the final days of the war, a confederate soldier and unofficial chaplain named “Reverend” Asher Rook was sentenced to hang for abandoning his regiment. But he survived, and the suffering of the ordeal caused his hex powers to emerge. Rumour has it one Bible verse from his lips can level an entire town. Rook decided to use his new powers to steal and murder his way through the west, aided by his ruthless gunslinging lieutenant (and rumoured lover) Chess Pargeter.
He should’ve been just another hex outlaw for those American Pinkertons to take down. But somehow, a mere month ago, Rook made a pact with an Aztec goddess. And together they’ve created New Azteclan, or Hex City to the common man. According to the magical homing signal I hear, that every hex hears, it’s a place where hexes can lose their insatiable urge to feed off each other’s magic. We’ll no longer have to be loners by nature, picked off one by one by humanity. We could be together. We could be safe.
But at what cost? Nothing in life comes without a cost. I know that too well. My magic cost me my home, my family, and a good part of my sanity. I’d do anything to not be a danger to others anymore. And the possibility is right there. All I need to do is go further south and cross the border into Mexico to reach Hex City. But once I do that, there’s no going back. The temptation of the Call will be too strong. And whatever price The Reverend wants, he’ll get it from me.
I sit at the fire, chewing on some absolutely horrific jerky. I’m trying to focus on the flames instead of the voice in my head. I’m not sure whose it is. Maybe Rook’s, maybe his witch goddess’. It doesn’t have a discernible tone, just sort of an indistinct everyman sound, or a thousand voices speaking the same thing. Either way, it’s very annoying.
Come, it whispers. Come seek out Ixchel, the Mother of Hanged Men. Come stand before Her priest-king, to offer up your service. Come to build the First City of the Sixth World- the world of wonder, the world of power. Come, and join New Azteclan.
“Shut up, shut up, shut up!” I shout into emptiness, slamming the side of my head with my fist.
“I haven’t said anything yet,” someone replies weakly.
I bolt up. My magic roars to life inside me, a fireball forming in the palm of my hand. “Who said that?!”
The man slowly steps out of the darkness. He must be no older than myself, with his young, round freckled face. He has curly bronze hair, capped by an old second hand cowboy hat. His brown leather coat, plaid shirt, riding boots, and jeans are all filthy with desert dirt. A horse with saddle bags stands behind him. His blue eyes are wide and nervous. I notice a smell on him. Like green fire and smoke, with a strong scent of something brown and sweet. He smells like something I would gladly eat.
He’s a hex.
“Don’t you dare come any closer, you prick,” I say between gritted teeth. “I won’t hesitate to burn you to a crisp.”
The other boy shakes his head. “I’m not here to drain you. I...I just wanted to ask for some help.” He sounds British like me, but more rough and nervous, stumbling over his words.
“Yeah, right. Do I look that gullible? ‘Mages don’t meddle.’ We’d all drain each other dry if we were given the chance.”
He sighs heavily. “Well, of course I want to by instinct, but I’m not going to. I was just wondering if you had any food. All of mine got stolen by some angry humans.”
I consider just turning him away, or draining his magic and leaving his dried out corpse for the vultures. But he looks so desperate. How long has this young man been out here alone? My aunt had always warned me to be wary of all other hexes. We’re a bloodthirsty species, Basil. Never trust another hex, ever. Not even me. But I’m not my aunt.
I sit down again. “Fine. You can have some jerky. Just don’t come too close alright? I’d like to keep my magic and soul where they are, please.”
The man smiles (he has a nice smile) and sits opposite me at the fire. I throw a bag of jerky, and he catches in one hand. He shoves it in his mouth like a ravenous animal.
“So,” I say, “what’s your name?”
“Simon Snow,” he rep;ies, mouth still half full. “Your’s?”
“Baz Pitch.” Simon chuckles a bit, and I frown. “What’s so funny?
“Well, Baz Pitch is a pretty ridiculous name.”
“No more ridiculous than Simon Snow,” I snap. “What, were you named by circus performers?”
“Maybe. Not sure, actually.” Snow looks at the fire, but it feels like he’s looking right through it, his gaze very far away.
“Why’s that?”
Simon shakes his head. “Hey, are you going to Hex City?”
I huff, blowing some loose, dirty hair out of my eyes. I’m too tired to stop him from changing the subject. “I don’t know. Are you?
He shrugs. “Maybe. So far I am. The stories and Call do make it sound so wonderful.”
I scoff loudly. “Of course they do. Rook wants people to come. Then we’ll get there and be sacrificed to his bloodthirsty goddess. That’s probably what happened to Pargeter. No one’s heard from him lately, according to the locals.”
“But we’ll lose the hunger! What if the Reverend just wants us to be safe? Y’know, as a kindness to his own people.”
“No one does anything out of kindness, Snow. Least of all hexes.”
“You gave me food out of kindness, didn’t you?”
I glare at him over the flames. He shrugs with a faint smile. Fuck. He has a really nice smile.
 “I’m going to sleep,” I mutter. “But I’m putting a shield around me. Touch it and you’ll be burned alive. So don’t get any ideas about taking my magic.”
Simon throws his hands up in innocence. “Wouldn’t dream of it.”
I lay down on my pallet, throwing up my force field. The crackle and hiss of magic around me distracts from the beautiful mage no more than seven feet from me. Whom I’m not sure I want to kiss or kill. Maybe both.
———————————————
I wake when the sun's centre in the sky. I’m breathing, so this Simon Snow hasn’t drained me dry. That’s good, I guess. 
I sit up bleary eyed. Snow is passed out on his own cot, drooling profusely with his mouth wide open (mouth breather). He’s put up his own shield, of course, (at least he’s somewhat sensible). It sort of looks like an electrical explosion, white bolts constantly combusting around him in bubble form. He smells so powerful. It’s taking all of my willpower to not hurt him. To not submit to my basic hex desires.
I take my sweet time to pack my things and douse the fire pit, secretly hoping Simon will wake up before I run out of excuses. Luckily, with a very loud snort, Snow bolts upwards. There’s terror in his eyes, and his breath is uneven and shallow. I know that look. I’m no stranger to nightmares myself.
“A good morning to you, Snow,” I say.
Simon lets out a long breath, waving a hand to dissolve his shield. “You didn’t kill me.”
“And you didn’t kill me. What a miracle.”
“I’ll say. Are you leaving?”
“Obviously.”
“Where to?”
I sigh heavily. “Well, my map says, there’s a town southeast from here. I haven’t been there before but it probably isn’t too bad. I was going to hide there for at least a bit.”
Simon picks at his nail beds, even though they’re already ragged and bloody. “Can I...can I come with you? I haven’t been around anyone in so long, y’know. It’d be nice to have someone to talk to”
I look at him with the most neutral gaze I can muster. “Are you going to kill me?”
He shrugs. “Haven’t killed you yet, have I?”
“There’s still time.”
Simon stands up, brushing the dust off his pants. “Alright, then I’ll make myself very clear. Baz, I’m not going to kill you. I’m not going to fight you at all, alright?”
I must admit that I’ve been lonely these few months in the desert. Hell, I’ve been lonely for the past few years. I’ve actually missed the company of others. But it’s not like humans or hexes want to be around me. Except for this one, it seems. Maybe this wouldn’t be too bad. If we don’t kill each other first that is.
“Alright, fine. Just don’t try anything or I’ll burn you from the inside out.”
Simon keeps smiling. “I’ll keep that in mind.”
We mount our horses and ride off. I try to keep my eyes ahead instead of on Snow.
———————————————
“I can’t believe the food here,” Snow says. “It’s so much more spicy than in the North.”
“We are closer to Mexico, Snow,” I reply. I’m trying to figure out our route, while also listening to Snow when he’s more than six feet away. The hunger is manageable from this distance. Mostly.
“Well, yeah, but it’s so insane! Why can’t the north people get some spice from here? It would make their chicken more tolerable. London street food was awful but at least it had some flavour!”
That makes me snort out a laugh no matter how much I try not to. Snow grins at me, and his face is literal sunshine. Why must he be so perfect? It’s not fair. “London street food? You mean fish and chips? Those aren’t half bad, if I’m remembering correctly.”
Snow’s tawny face gets a little pink. He rubs the back of his slightly sunburnt neck. “Y-Yeah, they weren’t too bad. Just...other stuff was terrible...”
“Like what?” It’s not late at night now. I’m less inclined to let his dodging go. Call me crazy, but I’d like to know about the man I’m travelling with.
“Um...” He looks down at his horse’s neck. “I-I lived on the London streets, literally, until I was old enough to work for room and board. Finding anyone who would house a hex though, that was a challenge.”
His laugh is tinny and hollow. My heart, or what dark horrible mass we hexes have in place of one, twists at the words. I wish I was surprised. His story is all too familiar.
“You don’t need to be ashamed,” I say firmly. “We all have our own rough pasts. It’s practically required for hexes, in my eyes.”
Snow doesn’t look up, but his (pretty) plain blue eyes flick over to me. “Really?”
I nod. “Yes, of course. Hexes are usually shunned and harmed. Finding one who hasn’t been in a dire situation is more rare.”
“Have you met a lot of hexes?”
“Some. Mostly, I’ve heard stories. Far too many are like your’s.”
“Is your’s?”
My grip on the reins is so tight my knuckles are going pale. Memories rush through my head no matter how much I want to stop them. The darkness, the pain, the fire, then the stench of burnt human flesh, all capped off by years of trying to survive on my own.
“Unfortunately, ye-”
“What the fuck?!”
Simon’s screech is ungodly in volume and tone. His horse lets out a similarly panicked bray. She bucks up, but can’t get very high with the red vines tangled around her legs.
“Oh fuck,” I hiss. I try to pull back my own horse, but his legs are similarly wrapped up. The vines circle up and around us. I kick and stamp them with all my might. The blood red flowers look like the gaping mouths of monsters.
“What the fuck are these things?!” Snow bellows. He tries to rear his horse back, but nearly throws himself backwards off his saddle instead. “Fucking shite!”
“Don’t do that, Snow, it won’t help!”
“Then what should I do?!” 
“Just stay still!”
Thankfully, Snow does as I say. Not thankfully, I’m not sure what to do. I know that human blood gets rid of the Weeds, but even if I count as human in this regard, you need a relatively large amount of it. So unless I want to pass out, I’ll need to think of something else. But what else can curb evil bloodthirsty Aztec plants?
“Baz!” Snow’s horse pancis the more the weeds wrap around her, which makes Snow panic in turn. He looks at me with desperate wide eyes. “Baz, do something!”
Oh, fuck it. I’ll solve this the way I solve my other problems.
I reach deep within myself, down to the flames that burn in what’s hopefully my soul, or at least what hexes have instead. I grab that power and let it out through my arm. Fire roars to life in the palm of my hand, and I unleash the full force of it on the Weeds. A tidal wave of blackened-red flames engulf the plants.
“Jesus Christ!” Simon shouts. The plants don’t burn per se, I’m not sure they even can. But they still shrink away from us. I keep pushing more magic out until they Weeds a good distance away. 
“Run,” I say, “now!”
Snow and I both wrench our horses 180 degrees and run like the wind. We ride fast and far with no destination, but we keep each other in sight. Only when my pulse is no longer hammering in my ears do I start to slow down. Snow follows, and eventually we stop near a large tree. All four of us are breathing hard.
“Bloody hell,” Snow says. “W-What the fuck were those?”
“Red Plague Weeds,” I reply, dismounting my horse. “They’ve been popping up all around here. No one knows where they come from, but we’re all pretty sure they have something to do with Rook and his witch goddess. Just like every other bizarre thing nowadays.”
“How come I haven’t seen them before in the towns?”
“Because the way to get rid of the Weeds permanently is blood, Snow.”
Snow’s eyes go wide with horror. “Blood? Any blood?”
I sadly shake my head. “No, only fresh human blood. I’ve heard a bowl full collected from the townsfolk is good enough. I don’t even know if hex blood counts. No one’s ever tried, as far as I know. We’re extremely lucky we got away.”
“So I gathered,” Snow sighs. “Now what? We’ve gone a good way backwards now, if I had to guess.”
“Agreed. We’ll have to try and move around the Weeds. If we’re lucky, the town will still be reachable.”
“No one has ever called hexes lucky.”
We both laugh a little. Sometimes laughter is the only way to deal with our horrible existences. I pull the waterskin out of my bag and take a deep, long drink. “Let’s stay here for a moment, though. That blast took a lot out of me.”
“Y-Yeah, that makes sense. Um, I’ll just...”
He turns his horse to the side, trotting away from me. My stomach drops out. Where’s he going? Am I going to be alone again? I’ve only been with Snow for one day. That’s nothing compared to the last two years I’ve been on my own. But now I can’t imagine going back to that crushing, never ending loneliness.
“Heading out, Snow?” I keep my tone neutral, holding back the desperate tremor that threatens to bleed out. “Suppose I’ll see you around, then.”
Snow whips his head around. If I were a more hopeful person, I’d say he looks even more panicked than when we were tangled in the Weeds. “W-What? No, I was just gonna go a little further away...”
“Do I smell that bad?” I probably do. Hygiene is not a priority in these parts.
“No! The opposite, actually...” Snow looks to the side, a little red on his face. “You used a lot of magic before. I can still smell some of it. I, uh, want to keep my promise...”
Oh. Right. I should count myself lucky that he didn’t drain me the minute we stopped. “Yes, yes, of course, makes perfect sense.”
“Unless...you want me to go...”
I gulp down the massive lump in my throat. “Do you want to go, Snow?”
Snow scratches his neck. He points his thumb to the side. “I’ll be waiting over there, until we’ve both cooled down. Alright?”
I would never admit how much relief that brings me. “Alright. We’ll set off again in an hour or so.”
“Okay.” Snow trots over to a good distance away. His brown, sweet smell still lingers in the air, but it fades just enough for me to rest properly. I sit back against the tree, drinking a good portion of my waterskin. Out of the corner of my eye, I can see Snow doing the same. I try to not watch him. But it’s very, very hard.
———————————————
Nightfall hits before we reach the town. Snow can’t ride very fast, and I’m still more than a bit drained. So once again, I have to sit opposite the man who will most likely kill me soon.
He fidgets endlessly, picking at his nails and sleeve. It’s infuriating. He gnaws on the jerky like a crazed cat or something. I huff and shake my head. Snow looks up at me.
“What?” he says through a bite.
“Do you ever stop moving? We’ve been sitting here for over an hour and there hasn’t been a single moment of stillness from you.”
Snow snorts. “I don’t see how that affects you.”
“It’s annoying.”
He snorts again, but there’s a small smile now too. “Maybe this is the real reason hexes don’t interact. We're all arseholes.”
“That is hardly a hex thing, Snow. I’ve known humans and hexes alike that I can’t tolerate.”
“Am I one of them?
I hope my face doesn’t flush too hard. “You’re still here, aren’t you?”
He chuckles quietly and goes back to eating his jerky, with far less fidgeting this time thankfully. We sit in silence for a while. I keep sneaking looks at him, then tearing my gaze away every time. The firelight makes Snow’s tawny skin almost glow and his bronze hair sparkle gold. He’s a constellation of moles and freckles. He’s a gorgeous mess. Just looking at him, I can almost forget that we’re supposed to be enemies.
“What part of England are you from anyway?” Snow asks through a mouthful of dried out meat.
“Hampshire. Though if you asked the people here, they’d say I’m from Buckingham bloody Palace.”
Snow throws his head back laughing. It’s a ridiculous, wonderful sound. “Damn true! I’ve lived on the streets of London for the past ten years and an American asked me if I’m related to the bloody queen! They have no idea about accent differences. They think every Brit is royalty.”
I freeze. Snow’s laughs slowly subside. He must notice the utter panic in my eyes. “You lived on the streets of London for a decade? That long?”
He pulls in, curling his thin body in on itself. This Simon is a hex like me, a terrifying being filled with unimaginable power, yet right now, he looks so...small. “Well, not the whole time. It’s been on and off. I found some places to live for a bit but they never lasted. Thank God for magic. Or thank the Devil, if the humans are right about us.”
He chuckles nervously. I shift uncomfortably in my spot, trying to hide the way his laugh makes me face heat up even more. “I guess so. It’s taken care of me since-”
There’s a crack. It’s small, far off, almost indistinguishable from the regular sounds of the desert, but it’s there. My aunt always said I have the ears of a bat. I swing my head around.
“What is it?” Snow says.
“Hush! I think I heard something.”
Slowly, I stand up, crouched over with my fists clenched. My magic sizzles and sparks inside me, begging to be used. I see Snow stand too at the edge of my vision.
“Die hex scum!”
The man launches himself out of the darkness, jagged knife in hand. He knocks me flat down to the ground. All the breath is forced out of me as my back hits the sand.
“Fuck!” I wheeze.
I push at him with both arms, thankfully keeping my pretty face out of his slashing range. He writhes and struggles like a rabid wolf. His dirty crazed smile, missing most of his teeth, looms over me. I recognise him.
“You,” I growl. “Did you really follow me all the way here from Slipfoot’s, you pig?!”
“Die!” He says that like it means absolutely anything, like I haven’t heard it a hundred times before.
Racist Man has no technique. He just screeches and flails with his knife. Aunt Fiona’s words come to my mind immediately. “Every self respecting hex needs to know how to defend himself, Basil.” She said just before pinning me to the ground in one move. I hook my leg around his and flip him onto his back. He gasps and lets out a rattling cough. I hover over him, knee on his chest, pinning his knife hand to the ground.
“You don’t deserve to live, you sand demon.” He spits at me, splashing against my cheek. I flick it off with ease.
“Such an original opinion.” I feel the fire blazing in my gut, threatening to consume myself and everything around me. “I should scorch off all your skin.”
“Course you would. All you hexes, just filthy murderers. No wonder y’all are fleeing to Rook’s heathen paradise. Your kind don’t belong around civilized folks.”
I growl again. First he despises my skin colour, then he thinks he knows anything about hexation. This bastard, so stupid and ignorant. We’re only monsters because we have to be. Because men like him come at us with knives and guns and nooses. There’s no holding the fire back. My hand heats up around his wrist. He screeches as his skin sizzles under my fingers. He drops the knife, but I don't stop. All my rage pushes out through my hand and onto his increasingly scorched skin.
“Get off me!”
I turn to see Simon, struggling against another man. His fingers spark and sputter uselessly as he pounds against the guy with a hand around his throat.
“Better save your man over there,” Racist Man hisses.
I give him one last good death stare. I see him shiver just slightly. At least he has some good sense. “Run fast and far. If you come near us again, so help me God I’ll melt through your entire brain.”
The look of terror in his eyes is enough of an answer. I jump off him and run towards Snow.
“Oi! Off him, now!” I roar.
The other man turns to look at me. He has the same crazed look as his friend. “Or what, you piece of devil shit?!”
“Or this.”
I turn to the fire. With only one hand outstretched, my magic wraps around it, and pushes my power into the very core. The flames shoot nine feet upwards, illuminating the vast dark in blinding light. I turn back to the terrified human. With one swing of my arm, the pillar slams into him. He’s sent flying in a shower of flames and skids on the ground, tossing up a cloud of dustin his wake. I start to march towards him. But Snow throws up his arm to stop me.
“Let me,” he growls.
The tone of his voice stops me in my tracks. Simon stomps towards him, his entire hand now covered in tiny sparks like fireworks. His assaulter sits up, panting heavily.
“You better run now,” Snow says.
He sneers. “Don’t tell me-”
“GO!”
Snow’s magic explodes like a fucking bomb. It’s a bolt of violent and powerful energy that hits the assailant square in the chest. He flies back even farther. I stumble from the sheer force of it. The magic disperses as quickly as it appeared. Snow is panting, bronze curls still staticy with stray sparks. The human scrambles and runs away into the darkness.
We’re left there, breathing hard in the darkness, the embers of the now dead fire our only light. Simon tries to pull out the crackling electricity still clinging to his hair. It curls around his fingers and won’t dissipate no matter how much he shakes his hand out. Finally, I find my voice again.
“That was...”
“Awful?” Snow mumbles. “Yeah, I know. Half the time my magic doesn’t work, the other half it explodes. Pretty fucking annoying.”
I turn to look at him properly, still trying to dust off the little sparks. “No, it was incredible. I’ve never seen magic that powerful, or beautiful.”
Oh fuck, why did I say that? I’m going to explode myself any second. Simon freezes, then turns to me. His lovely plain eyes are soft. Half of his mouth pulls up into a smile. My pulse is pounding in my ears. “N-No one’s ever called it beautiful before. And...no one’s tried to save me either.”
He starts to reach out to me with his spark kissed digits. I see the little bolts pulling towards me like I’m a magnet. My own magic flares to surface, reaching back towards him. Tiny flames from my fingers curl around the lightning. And a part of me, that horrible instinctual part, desperately wants to grab his hand and add his beautiful, terrifying energy to my own until his body is nothing but an empty husk.
I take a large step away, hands behind my back. Simon does the same. His eyes are wide with terror now. We both know how close we came to giving into temptation.
“We should go to bed,” I mutter.
Snow nods furiously. I speed walk to my side of the dead fire. We both lay down and pull the blankets to our reddening ears. The only sound for ages is the desert wind whistling through the cacti. Until Snow decides to speak up again, God help me.
“Baz?”
“What, Snow?” I snap. I can’t talk to him anymore, it’s too damn painful.
“Have...Have you ever actually fully drained anyone?”
Oh. I wasn’t expecting that. The question hits me in my heart. All that comes to mind is my aunt’s face as I saw her for the first time in weeks. Her happiness turned to utter horror in seconds. The memory still aches deep inside me. I can almost feel that horrible hunger when I first manifested. I squeeze my eyes shut and take a deep breath. “No. But I’ve come close. You?”
Snow pauses too. I can hear his shaky breathing clearly. “I had a hex friend back in London. Penelope. She was really good at magic, like you, so she tried to help me. We could only see each other for an hour a day for safety’s sake, and it worked for awhile. But one time, my magic got so out of control that I came this close to draining her.” He makes a loud sniffing noise. I hate imagining the tears I know are rolling down his face. “She told me it wasn’t my fault but I didn’t care. I didn’t want to hurt her. Next day I got on a boat to America. That was almost a year ago. I’ve been alone ever since, and it’s awful.”
“Is that why you want to go to Hex City?”
“Yeah. I mean, I just want to be able to have some choice, you know? Not make choices because of this power I never asked for. Don’t you feel like that?”
I think about my mother, who lost her life because of what we are. Or my six weeks of torture by that madman. Or how I had to run away from my family in fear of what I’d accidentally do to them.
“Yes,” I whisper, closing my eyes, “all the damn time.”
———————————————
We ride leisurely under the blistering sun. The desert has melted into more of a hot, grassy plain. Surprisingly, the climate and terrain actually gets less tortuous the further south you go in this awful state. I’ve only gone this far south once before. The Call somehow gets even stronger here. It threatens to fill every nook and cranny of my brain, but I beat it back. No disgraced Confederate chaplain or Aztec witch woman gets to decide what I do.
Snow is mumbling to himself about it being too hot. My head is whirring with a terrible, awful idea, but it won’t go away. My eyes keep drifting towards his beautiful face, and my mind keeps thinking of his beautiful magic. I got only a taste of the endless, consuming feeling of it, and it was exhilarating. If only he could control it.
I groan. “Snow, stop your horse.”
He looks at me confused, but does as I say. “What is it?”
“Get off. I’m going to help you with your magic.”
His eyes bug out of his skull. “What?! Why?”
“Because as incredible as your magic can be, I’d rather not have you explode when you sleep ten feet away from me.” 
It’s a convincing lie. Honestly, I want him to be able to protect himself. I don’t know exactly how long it will take to get to the south, or what could happen before then. Simon might’ve been killed if I wasn’t there. And I don’t know how long I will be with him.
I swing off my horse and Snow follows. We walk out into the empty plateau. He shuffles his feet nervously, chewing at his nails.
“Stay here,” I say.
I walk out and place my old empty flask on a cactus (it’s rusting anyway). Snow looks at it confused. I gesture to the metal bottle, then put my hands behind my back. “Hit that with a blast but avoid the cactus.
“O-Okay...” I watch his throat as he gulps. God, I want to touch that throat, I want to touch everywhere. But I’ll kill him if I do. It makes me hate my magic even more.
Simon raises his hand and takes aim. Small sparks dance between his fingers. One by one, they begin to increase. A small ball of lightning collects in his palm. Snow curls his fingers in, but they seem to be struggling. The ball starts to grow larger and Snow clenches harder. With little to no warning, a lightning bolt shoots out and hits the side of the flask. A blackened mark is left in its wake, but that’s nothing compared to the cactus. A massive chunk has been blown out of the top. It’s charred remains lay strewn on the gras.
“Fuck,” he groans. “Sorry, I was losing control, I had to let it go. Would’ve been much worse if I didn’t.”
“That’s alright, Snow. You technically did hit the flask.”
Snow scoffs, running a hand through his beautiful, sweaty hair. “Sure, I guess...”
I pluck the flask from the half destroyed desert fauna. Another horrible idea is coming to my mind, and I just might be mad enough to do it. “Maybe you need a greater motivator for staying in control.”
“Huh?”
I place the flask on my hand and hold my arm out to the side. “Hit the flask, but not me.”
Snow goes wide eyed again and inhales sharply like he’s been kicked. “A-Are you serious?! You just saw what I did to that cactus, right?”
“Well, you’re going to have to be accurate, unless you want me to end up like said cactus”
He pulls at his curls anxiously. The tiniest of parks fly off the ends. “I don’t know, Baz. I don’t want to hurt you...”
I try to ignore my rapidly beating heart. It’s been so annoying this past week, trying to get what it can’t have. I just flash a smirk at him. “Well, I believe that you won’t. Care to prove me right?”
A red colour spreads across his face. Part of me hopes that’s not just the sun affecting his pale, freckled complexion. “Alright, I’ll try.”
He rubs his hands together. His skin simmers with magic once again. It smells intoxicatingly good. Snow holds his right hand out, palm flat. The electricity builds on the surface. He keeps his hand clenched, but the energy threatens to spill over his fingers. I resist the urge to run in as fast as I can. I didn’t lie, I do trust him. But living on my own for almost three years has given me quite the self preservation instinct.
Sweat prickles Snow’s brow. He uses his opposite arm to keep the other one steady. “C’mon, Simon,” I whisper. “You can do it.”
The jagged white bolt shoots from his skin, far less formless than the last one. It zigs and zags, but in the end hits the flask straight on. The bottle explodes in a shower of jagged metal. I throw up a makeshift shield just in time. When I look at Snow, he’s flat on his ass, panting hard.
“Holy shit,” he says.
“‘Holy shit’ is right,” I respond with a chuckle.
He looks at me with a wide grin. It shines brighter than the midday sun. “I did it! That’s the most controlled my magic has ever been! Thank you, Baz.”
I nod. “You’re welcome, Snow. My aunt always said danger is a great motivator to learn. Especially when it comes to magic.”
Snow lays down on the grass, panting hard. It seems he’s not going to get up any time soon. “Your aunt, was she the one that taught you about magic?”
I kick at a piece of rusted shrapnel, my back to the resting Snow. “Yes, before it manifested, obviously. She wanted me to be prepared just in case. Her whole side of the family has a history of magic. It only appears every few generations or so. We both drew the short ends of the bloodline straw I guess.”
“You’re lucky with that, y’know. I never had anyone to teach me properly. Penny tried, but we never got far enough to make a difference. When I first got magic, this guy called the Mage offered to help. But it turned out he just wanted to drain me. I killed him by accident when he tried. I really didn’t mean to hurt hum, but he wouldn’t stop...”
I turn to him. There’s far too much pain in his eyes. “You had every right to defend yourself. Don’t feel bad.”
He lifts his head up. His smile is sort of sad, but it’s still gorgeous. “Thanks, Baz.”
I smile back as best I can. “You’re most welcome, Snow.” I place my hands in my pockets, desperately clenching my fists in hopes to keep my emotions at bay. “Unfortunately, I’m out of flasks. But we do have an oversupply of fauna. Want to try and not destroy a cactus this time?”
“Okay.” Snow nods, breathing steadily. “Okay, I’ll try.”
Snow takes his stance across from another unfortunate cactus. I watch him and give advice, but slowly have to back away as Snow’s sweet scent permeates the air. I try not to imagine being close to Snow, not having to fear him, him not having to fear me. Oh, what a life that could be.
———————————————
After another week of dodging the Red Weed, we finally get to somewhere. Covent Gardens, a town I suppose is named after the London borough. It’s sizable enough to have a slightly good inn; as in none of the panels are falling off and the sign is missing only a single letter. That’s practically a palace in these parts. I walk in with gusto, making the shutters rattle, Simon following behind me with his head.
Everyone looks at us. I’m not sure how obvious our hexation is, but I suppose we look enough like trouble. Plus my skin tone isn’t an asset here. Or anywhere, honestly. So I sneer and most turned away.
“They’re afraid of us,” Simon mumbles.
“As they should be,” I reply deadpan. I go straight to the barkeep, a bulky white man with truly horrific mutton chops. “I need two rooms.”
The man crosses his unnaturally large arms. “We don’t serve... people like you.”
I grip the bar lip, nails digging into the half rotted wood. “Like me how? Hexes or brown people?”
He sneers at me. “Neither.”
The fire blazes in my eyes. Wood blackens under my skin. “Now listen here, you stupid bastard, you better rent us a room or-”
“Now, now, Basilton,” a familiar voice says, “no need to be so rude. I’m sure we can come to an agreement.”
“Hello, Nicodemus.”
Nico moves to stand next to me. His suit is cheap, the stitches fraying at the seams. He’s still got that sort of menacing look, but he looks tired too.
“Fancy seeing you here, Pitch. How’s your aunt?” He smiles, showing off his missing eye teeth. It makes me want to punch him in his stupid face.
“Why would you care, Petty? You’re the one who left her after everything she did for you.”
He hangs his head back with a groan. “Still defending your family’s honour, I see. Ain’t my fault I wanted to realise my full potential.”
“What, by getting your teeth pulled out so you could get magic? Even when my aunt warned you what a curse being a hex was? You’re still an arrogant idiot then.”
Nicodemus growls and grabs my wrist. His magic reaches out to clash with my own. It’s slick like oil, wrapping around my fire like a snake. But there’s a roughness to it. A sort of mangy, wild energy that I remember all too well from the hex duel with my aunt. Now, I can smell the acrid tang of it too. It leaves a sour taste in the back of my throat. I’m not surprised his magic is as disgusting as he is.
“Looks like you went through some shit too, Basilton,” he hisses. “You’ve got the same fire as dear old Fi. What, the guilt of letting your mum die finally get to you? Try to end it all? Too bad, you just became the monster she never wanted you to be instead.”
His power gnashes at mine, trying to rip it apart and eat it. But Nicodemus has made a fatal assumption; that he’s more powerful than me. I push back against him hard. The fire rushes through my every vein. I revel in the way Nico’s eyes go wide. My hand shoots up to his throat and I shove him down so hard his back bends against the wooden bar.
“You bastard,” I growl. “After all these years you still don’t know how to keep your bloody mouth shut.” I hold his throat even tighter. His eyes bug out of his skull. “Maybe I should shut it permanently.”
I open the gates within, and his magic begins to pour into me. It’s the world’s greatest adrenaline rush. I’m invincible, powerful, a bloody god. Nico gasps and tries to push me away. But I’m still stronger. He could never stop me.
“Baz!” Snow shouts. “Stop it!”
I turn to him with burning eyes. Everything I see is cloudy, like a smoke screen or rippling water. “Why?!”
“Because,” his voice is desperate, and maybe even caring, “we shouldn’t be the monsters they think we are. Just look at them, Baz!”
I still have enough sense to hear what he says. The patrons cower in fear, eyes wide with terror as they look at me. It’s not an expression anyone wants to be subjected to, or cause. And though I hate him, Nicodemus is right. My mother never wanted me to be this. Another terrible, murderous, evil hex.
With all my strength and good sense, I find the will to let Nicodemus’ neck go. His power rushes back into him with a sputtering gasp. I glare at him as I pull away, fingers still trailing with flames.
“Leave,” I say flatly. “Now.”
Nicodemus runs faster than I’ve ever seen a man run before. I take a few deep breaths. It takes a moment for my magic to balance out. It still yearns for Nicodemus’ power, but I beat it back into submission. I won’t let the hunger control me. Then I walk towards the now terrified barkeep.
“Rooms still not available?” He shakes his head frantically. “Good.” I slap down some American money. “Two rooms, please. Also throw in some whiskey. I need a drink after all that.”
The man picks two keys out of a box, then a bottle and glasses from the shelf. He shoves them both forward on the bar and takes two large steps back. I snatch them up with a tip of my ridiculous cowboy hat.
“Cheers, mate.”
Snow and I take a table in a corner. No one dares to look at us. I pour drinks for both of us and shove his glass to the other side of the table. We’re as far apart as we can be but it’s still risky. My power is still hungry. And Simon still smells delicious. But I won’t hurt him. I can’t.
“So,” Simon says, vowel drawn out, “who was that?”
I throw back the whiskey. It’s sour and burns my throat, but it's better than Slipfoot’s at least. “His name is Nicodemus Petty. He and my aunt Fiona were friends growing up. They bonded over their mutual family history of hexation. But when my aunt and his sister, Ebb, manifested magic as teenagers, Nico was jealous. Fiona and Ebb both tried to tell him that hex magic was far more of a curse than a blessing, but he never listened. He wanted the power. When I was about nine, he finally succeeded in activating his own latent magic.”
“By having two of his teeth ripped out...”
“Mhm. First thing he did was stumble all bloody mouthed to my aunt’s flat.” I clench the glass so hard I nearly break it. “The bastard attacked her by surprise, and tried to steal her magic. He almost killed her, but Fiona got a lucky shot and threw him out the window.” I take a deep breath, trying to stay calm. “As you can guess, I was there. It wasn’t pretty.”
“I can imagine.” He pulls in, picking at his nails nervously. “Um, if you don’t mind me asking...w-what was he talking about? With your mum?”
I pour myself another helpful shot of whiskey. I want to drown my brain in the stuff, honestly. I’ve never talked about my mum, it’s too painful, like ripping out a fingernail. But Snow has shown so much of himself to me. It seems unfair to hide. “My aunt and I aren’t the only hexes in our family.”
His eyes go wide as the revelation hits him, “Your mum is a hex too?”
I nod slowly, then drink the alcohol in one gulp. The warmth tingles in my veins and loosens my tongue. I stare at the glass, watching the light refract through it’s bends. “She was, but my father is human. They loved each other enough to not be scared, I guess. They never meant to have children. I was an accident, but my mother wanted me in spite of the risks. My father said she cried with happiness when she saw I was a boy. She thought if she kept me safe, I’d never become a full hex.” I flick a paint chip off the table with more force than necessary. “Then she died protecting me, doing what she promised.”
“How? Was it another hex?”
“Even worse, scared humans.” 
Snow’s face falls even more. He takes a long sip from his own drink. “So they tried to kill her?”
“They tried to kill all of us. Someone heard of my mother’s hexation, and they rallied a group together to fight our family. It wasn’t a real fight though. The cowards snuck in and tried to stab us. My mother killed almost all of them quickly” My fists clench so tight it hurts. “The last one nearly got me, but my mother stepped in front. He burned to ash just after he stabbed her through the throat.”
“Oh. Not even a hex could come back from that kind of wound...”
“I know,” I say between gritted teeth. “I know that very well, Snow.” I delicately place the glass down with a strained hand. “I...I tried to stop the bleeding but there was nothing I could do. I had no magic then. Even so, I doubt my powers could’ve helped.” A little flame pops up in my hand with barely a thought. Making fire is more natural than breathing for me, after all. I watch the scarlet snake dance between my fingers. “My family’s abilities have always been better at destruction.”
Simon takes another long sip, polishing off his drink. “I don’t know what my family’s like, but I hope they’re not like me. This power...it’s too much for anyone to have. I’d give it up in a heartbeat.”
“We all would, Snow. That’s what the humans don’t get. Most hexes are just as scared of themselves as humans are.” I pour my third drink. It’s been awhile since I’ve drank so much in one sitting, but if I’m going to get sozzled, tonight is a good time. “But that’s not up to us. We’re born like this. Nothing we can do but try to survive.”
“Believe me, I know that. All I’ve ever done is survive. In the orphanage, on the streets, here in America.” He lets out a small, sad laugh. “Hexation is how I ended up on the street, actually.” Snow looks directly down at the table. “When I was 11, I, uh, had a dream that I was exploding. When I woke up, the entire orphanage had been blown to pieces. Luckily no one was hurt, but the matron couldn’t very well keep a hex among other children.”
“So she thought sending you to roam among other humans was safer?”
He shrugs. “I don’t think she cared as long as I was far away from her.”
I scoff, swinging the glass between two fingers. “Sounds about usual for humans. What made you manifest? A particularly bad paddling from the matron?”
Snow chews on his bottom lip. His fingers drum the wood slowly. “I, uh, actually didn’t have to suffer. I’m one of those rare cases of sudden manifestation, apparently. That’s what Penny called it anyway. She said it was rare but possible.”
My grip on the glass gets even tighter. A sudden jealous rage consumes my mind. So Snow just exploded one day at eleven. That’s awful, of course, I’ll never deny that. But all I can think of is the coffin. The endless night of being trapped in that box, waiting for a relief that wouldn’t come, until I finally broke and became the last thing I ever wanted to be. I went through absolute hell. Of course I assumed Snow had to, like all other male hexes. But he didn’t. He’s never had the acute kind of torture I did. It’s not fair.
“Excuse me,” I say more harshly than I mean to, “I’m tired. I think I’ll turn in.”
Snow’s pretty plain eyes go wide. “O-Oh...okay. Good night, then.”
“Night.” I snatch the bottle up and leave the key for his room. Then I stomp up the stairs with irrational anger still burning me up. I know it’s stupid, but I can’t get past it. Male hexes get their magic through suffering. It’s a well known fact. How could Snow be like me without the same kind of pain? How could he ever fully understand me the way I thought he could?
The second my room door is closed, I drink down the last of the whiskey bottle. I’ve tried to avoid alcohol over the past few years. It would be far too easy for me to drink away the pain, the memories, the horrible guilt. Eventually, I’d drown myself in a bottle. That’s not a way I want to go. But one night of indulgence will be fine.
I wobble towards my bed, shedding my outer layers as I go. I collapse face first onto the old mattress. Whiskey clouds my mind. And when I finally pass out, all I see is empty darkness. I’m not sure if that’s better or worse than the nightmares.
———————————————
“...safe?”
“Out cold...”
The voices stay patchy as I slip in and out of consciousness. I try to force my eyes fully open, but the pounding in my head is too much. Indistinguishable figures move on the edges of my blurry vision. There’s little to no light. It must still be night, maybe only a couple hours since I passed out.
“Is..right thing?”
“Hex...Rook and Pargeter...dangerous...we...safe.”
“Fine.”
Something grabs both my wrists and my ankles. I try to struggle but I must still be too drunk. I can’t get my limbs to move save for some squirming. I try to summon my magic, but my mind can’t concentrate. It’s no use. Bloody hell, I’m trapped.
“Night night, hex,” a horrible voice says. Something soft is pressed hard against my face. I can’t take in air, I can’t breathe, I can’t fucking breathe. It’s like the coffin. No, I can’t do this again. I try to thrash harder and scream but it’s still no use.
Oh Lord, I’m going to die here. I wonder if I’ll see my mother on the other side. I wonder if I even have a soul to go to the other side. And I wonder how if Snow is okay. Christ, my last conversation with him ended in anger. If I had known, I would’ve said everything I’ve wanted to say this past week. But the first thing would be ‘I’m sorry.’
I’m sorry, Snow, for everything I said and thought. And I’m sorry for leaving you alone.
“Hey! Get off him, you bastards!” That voice is familiar even in my half drunken state. Thank whatever gods are listening that he’s okay.
“It’s the other one!” one of my assailants shouts. “Wasn’t Garth supposed to take care of him?!”
“That damn idjit fucked up!”
I hear the telltale signs of punches and kicks thrown about. One of the hands on me pulls off. All this excitement has thankfully sobered me up some. I kick some stupid bastard right in the stomach.
“Fuck!” they wheeze. The other humans are wise and let go of my wrist. I’m on my feet in a second.
“Bloody humans,” I growl out, still slurring slightly. “You can’t even let me fucking sleep?!”
The burly barkeep scowls at me. My would be murder weapon is still in his hand. “Eat shit, you demon.”
I scowl right back at him. “Oh, you want a demon? I’ll give you a fucking demon, love.”
The fire blazes up in me, all shining black and scarlet, and I make little effort to contain it. I let the flames fly out and encase the man almost completely. He screeches as his skin bubbles and burns under my powers.
“Stop it!” a woman yells. She comes at me with a knife raised. A whip of fire forms in my hand instantly. With one crack, it wraps around her wrist. She screams in the exact same way and lets her weapon clatter on the floor. She goes to her knees, clutching her blackened, blistered skin.
“You bastard,” she cries. “How could you?!”
“How could I!?” Even more fire plays over my hands. “I could ask you the same thing, human.”
“We’re trying to protect ourselves, monster!”
In that moment, in her eyes, I see every human who’s hurt me. The people who mocked me, who killed my mother, who turned me into this. All sense leaves my mind in an instant. ��I’m a monster only because of you!”
With one wave of my hand, she’s thrown against the wall hard enough to make it shake. I spin around to see a man trying to crack Snow’s skull open with a butcher’s cleaver. One well aimed blast sends him flying as well. Another casts two aside. They don’t move much afterwards, but I find myself caring little. Let them die like my mother did.
“Baz, stop it!” Snow shouts. I ignore him as I send the last assailant against the wall, listening to their screams as I burn their chest. “Baz!”
“Fuck off, Snow!” I roar. “I- Ack!”
Pain rips through my shoulder. I clutch it and my hand becomes wet with what I assume must be blood. I fall forward. My nose cracks against the floor. I scream in pain and flames roar out of me in a massive plume They hit everything, including my shooter and the walls of the room. I can feel the whole space burning around us.
“Baz!” Snow’s voice is beyond panicked. I hear his footsteps rush toward me. His hands hover over me but won’t touch. He can’t touch me.
“Get out, Simon,” I rasp , turning my head to the side to look at him. He’s covered in bruises and ash. Yet he’s still so beautiful. “Run before more of them come.”
“Shut up, arsehole! I haven’t turned my back on you yet, and I’m not going to start now!”
If the world weren’t literally on fire right now, I’d find that touching. I close my eyes. At least my dying image will be of him. “Don’t be an idiot, Snow.” Surprisingly, the bastard fucking laughs. My eyes snap open again. The bloody back of his hand is pressed against his mouth as he giggles. “What the fuck is funny about this?”
“You,” he laughs, “called me Simon before.”
My face heats up, and it’s not from the fire. “No I didn’t.”
“We’re fucking dying and you can’t admit you used my first name?”
“I’m dying. You’re being an idiot and not running away like you should!”
“You’re too stubborn to die, Baz, and we both know it.” He jumps to his feet. “Get up, we’re getting out of here.”
“Snow-”
“Or are you too much of a yellow belly to get up and try?”
Oh, this bastard. In only two weeks, he’s learned me too well. I scowl at his stupid pretty face as I push myself up on my good arm. At the same time, thundering footsteps can be heard from the stairwell.
“That route is out of the question,” I say. “Where are we to go, Snow?”
“This way.” He holds his hand and in a mere two seconds, the opposite wall is blown to pieces in a rain of spark. “Now let’s go!”
“We’re on the bloody second floor!”
Snow runs towards the gaping hole and throws himself out. I rush to the edge, blood pounding in my ear. No, Snow cannot die, I can’t let him die. But to my utter shock and awe, Snow is floating his way down to the ground. He stops and starts and still hits the ground in an uncoordinated roll, but he’s okay.
“Oh, Snow, you brilliant moron,” I whisper.
“They’re probably still in there!” someone shouts from the hallway. I take a few steps back, breathe deep, and run off the splintered edge just as the humans burst through the door.
Instead of sending my fire outwards like usual, I keep it within me. I will my body to rise high like flames from a candle. My legs move slowly like I’m running in the air. Fuck, this is actually working. Slowly, I let my flame flick and die down, lowering myself along with it. I reach the ground with my own thud but stay on my feet. Snow grins at me. In all this horror, that is the greatest thing to see.
“Let’s get the horses and get out of here, Snow.”
“Agreed, Pitch.”
We sprint to the stables and thankfully find our steeds unharmed. I count ourselves lucky that our attackers didn’t consider them demonic too. Mounting is difficult with my left arm fucked up, but let it never be said that a human bullet could stop Basilton Pitch. I hold the reins with one hand as I spur him into a dash.
The wind whistles in my ears. Snow and I run even faster than we did from the Red Weed. Our kind is always good at running. It’s our natural state.
———————————————
Snow and I ride until it’s nearly dawn. The sky turns purple then crimson with the rising sun in front of us. When I see orange, my horse finally starts to tire out. Snow’s does the same. We slow down then stop.
“Think we’re far enough away?” Snow asks, breath short and strained.
“Yeah,” I reply, sounding the same. “I think they would’ve caught us by now if they were still after us.”
“Good point, good point.” Snow leans forward, putting his forehead on his horse’s neck. “God, I’m fucking knackered. I barely slept.”
“Me too. We should both sleep.”
“What if someone comes after us?”
“Point. Sleep in shifts?”
Snow nods. “Yeah, that sounds good.”
“Good.” I slowly dismount my horse, but get my footing wrong and start to fall. I grab the reins with my left arm and practically scream in pain.
“Baz!” Snow rushes towards me, but stops when I raise my good arm.
“Don’t...” I pant, “don’t come any closer. I’m injured, Snow, and my self control is severely weakened. So unless you wish for death now after just barely escaping it, back away.”
“Oh, yeah, right...” Snow backs far away just as he should, but my heart still aches. “What are we going to do about your shoulder?”
“I can fix it, but I’m going to need your belt”
Snow’s brows shot upwards. “My belt? What for?”
“Just throw it to me, Snow, for Christ’s sake.”
Thank God he doesn’t ask another stupid question. He just unbuckles the belt and does what I ask. I try to not let my hands shake as I fold the belt in half. The last time I did this was three years ago, when I sat in a London alleyway after a drunkard broke my leg, a mere four days after fleeing my home for good.
“Baz, what are you-”
“Snow,” I say firmly, “I need you to do me a favour.”
“Okay...?”
I sit on the ground, belt held tightly in my hand. “I need you to stay right there no matter what. Don’t move, don’t try to help. The best way you can help is to stay fucking still.”
“What the fuck is-”
“Promise me you won’t move, Simon.” I look him right in his blue eyes, my mouth a thin, serious line. “Promise me.”
Snow gives me a once over, then thankfully nods. “Okay, I promise.”
“Good.” I put the belt between my teeth. When I check on Snow, he looks beyond panicked. “If it makes it easier,” I say clumsily between the leather, “you don’t have to watch.”
“Baz-”
I slap my right hand over my left shoulder, and it feels like I’m burning from the inside out. My magic scorches my body as it wraps around my injury. The buck shot is pulled through my muscles and skin, ripping and tearing as they go, and I can feel every bit of it. I can also feel as my tissue and bone stretches to knit back together piece by agonizing piece. It’s an indescribable kind of pain. It’s what I imagine hell must feel like. I scream, I can’t help it, but luckily the belt is muffling as well preventing me from biting off a chunk of my tongue. Snow gasps in horror but he doesn’t move. He keeps his promises. I knew he would. He’s a far better man than me.
The burning fades as the skin finally seals shut. I cautiously move my hand, shaking off the shrapnel and gooey viscera that trails between my fingers. God, it's a nasty scab, mangled and uneven and horrifically inflamed. I can only hope the scar won’t be too bad. The one on my calf has faded overtime.
“Are you-”
“Not yet,” I say, cutting off a frightened looking Simon. “This one won’t take as long though.”
I touch my nose, feeling for where the breaks are. I squeeze my eyes shut, and with a horribly painful crack, I move it mostly back into place. I let out a short yell, but just pant and seethe as the bone and cartilage knit back together. I try to wipe the bloody snot from my hand but it's no use. Disgusting, but better than a broken nose. I feel around to make sure things are okay. Well, the tip is a bit crooked, but I can live with that. Right now, I’m thankful to be alive at all.
“Okay,” I sigh, finally taking the teeth mark covered belt out of my mouth, “now I’m done.”
“What the fuck was that?” Snow’s voice is somewhere between fascination and absolute horror. In short, a proper reaction.
“Something my aunt taught me. Hexes are essentially manipulators of energy and matter. And what are bodies but living energy and matter? With practice, you can fix any part of yourself.”
“But isn’t it painful?”
“Was that not obvious?” I snap. But Snow’s genuinely worried face softens my demeanor. “Yes, it’s excruciating. Hence why I try not to use the technique as much as I can.” I massage my still aching shoulder. “Today it was unavoidable, unfortunately.”
Simon runs a nervous hand through his dirty hair. “Fuck...”
I cough out a small laugh. “Yes, that sums it up pretty well.”
He laughs too, just as shaky and sad. “Sums up the whole night.”
The two of us keep chuckling softly in the wee hours of the morning. The ascending sun hurts my tired eyes. Using so much magic has taken everything out of me. I let out a long, deep yawn.
“You sleep first,” Snow says. “I’ll keep watch.”
“No, no, I can-”
“Baz.” He sounds firm, but also tired, and maybe even a little fond. I’m probably imagining that last one though. “Go to bed. I’ll wake you up in about eight hours.”
If I weren’t sleep deprived, magically drained, and recovering from grievous injuries, I would protest more. But Snow is damn lucky today. I simply sigh and stand up to get my cot from my saddlebags. I count our lucky stars we didn’t bring in too many of our supplies to the inn. Maybe God hasn’t completely abandoned us heathen monsters.
“I don’t have the energy to put up my shield,” I say, hoping my tone conveys enough.
“Okay,” Snow replies, “I’ll stay away, don’t worry. I keep my promises.”
My pulse flutters involuntarily. A smile creeps across my face no matter how hard I try to stop it. “I know you do, Simon.”
Snow gifts me one of his sunshine smiles. That’s the last thing I see before turning over and letting myself rest.
———————————————
Snow lets me sleep longer than eight hours. I’d be more mad if I wasn’t so exhausted. In return, I let him oversleep too. We’re both passed out by the time it’s dark again. Even hexes with all our inhumanity need to rest sometimes. Snow and I are lucky we get the chance this time.
In the morning, I reluctantly go to the next closest town. We did leave some of our things behind sadly, including most of our clothes. I’m damn well not going to keep roaming around the south of Texas in my bloody socks, and neither will Snow. I get us some new jackets, boots, and hats, ignoring the strange looks I get from the lily white shopkeeper. 
I grab us some more of that disgusting jerky too. If only good food could keep in these horrific conditions. When I reach the counter, the shopkeeper frowns at the things I lay out.
“You can pay for all this?” she asks. I scowl deeply. I’m too tired for this shit.
“Are people like me not allowed to have money here?” I snap.
“Ya can now, but in my experience, y’all darker folk are better at stealing my stock than paying.”
Bloody hell, I’m too tired for this racist shite. I slam two bills on the counter. “There. Hope I didn’t dirty these up too much for you.”
She glares at me hard. As she reaches for the money, I deliberately brush my finger on hers, and she yelps loudly. The edge of her index is red and inflamed. An undeniable burn mark, but far too small for anyone to believe it came from an evil, bloodthirsty hexslinger.
“Oh dear,” I say deadpan. “Your register must have gotten in the sun. Do be more careful.” I shovel the supplies in my bag as she looks at me wide eyed. “Have a nice day, ma’am.”
I can feel her scared eyes on my back as I leave. I get on my horse and ride out fast. No reason to stay in this shithole any longer. And I need to get back to Snow, where I belong.
———————————————
“Everything okay in town?” Snow asks.
I toss the bundle of clothes at him, along with a bag of jerky. “No one attacked me, if that’s what you mean. I didn’t get made for a hex. But I did get some flack for my skin tone.”
Snow’s face falls a bit. There’s something far too close to pity in his eyes. “Oh. I’m sorry-”
“Don’t, Snow. You’re in no place to apologize for some racist American bastards, it’s not your responsibility. Sorry from you means nothing.”
“But-”
“Would you accept an apology from me on behalf of all the rich men who have treated you like trash before?” Snow’s gaping mouth slowly closes. “Exactly. Now get those on. They’re slightly less dirty than our current garments.”
Snow nods and does what I say. I unbutton off my bloodstained shirt and wince as the tacky fabric peels off my skin. The scab has gotten a little better. That’s something I suppose. My eyes slowly move over to Snow without realising it. I steal a glimpse of his broad, bare back, golden like the rest of him. There are some jagged pink scars but they take nothing away how brightly he shines. I look away before I’m too tempted by what I can’t have.
“Much better,” Snow sighs as he slips on the new boots. “I’m surprised my feet haven’t been ripped to shreds yet.”
“Me too. I’m glad though, I didn’t want to do any more healing.”
“I don’t want you to either, fuck.” I hate how his concern makes me feel so good inside. “I’ll start setting up the fire. It’s going to get dark again soon.”
“By all means, Snow, do all the work. I won’t stop you.”
Snow snorts out a laugh, giving me a cheeky smile I can still see at this distance. Christ, I’m on fire, and for once it’s not from my magic. It’s so much better. I have to look away again before I do something ridiculous and deadly.
By the time the sun is down, Snow has made a wonderful small fire for the two of us. We both warm our hands from opposite sides. I don’t need to do it too much. My magic has almost fully replenished, for better or worse. And I’m so hungry that I actually enjoy the extremely salty bison jerky. Bloody hell, I’m turning into an American.
“Where are we going to go next?” Snow asks, mouth still full. “I’m guessing we should avoid any more towns.”
“Agreed. I don’t know about you, but I’d rather not jump out of another building.”
“We certainly agree there. Christ, I was worried I was going to die.”
“Me too, Snow, me too.” I nervously fiddle with the string on my cloth bag. The words are coming out, and I can’t stop them. “I’m sorry, Snow.”
His brow adorably furrows. “Sorry for what?”
“Sorry for the way I acted that night, before I went to bed. I was very rude to you and I deeply apologize.”
“Oh...okay. Thanks.” He looks down, rubbing the back of his neck. “I-I was confused. Did I do something bad?”
“No, Snow,” I sigh, “you did nothing wrong. It was all me being stupid.”
“Okay...”
I sigh again. God, I can’t dance around it anymore. I have to tell him. After putting up with me for this long, he deserves to know.
“I was angry and...somewhat jealous of you.”
His eyes get very big. “Jealous? Of me?!”
“Yes, in a way. Because...you didn’t have to go through the same kind of suffering I did when I manifested. Which isn’t fair, because you lived on the streets while I grew up in a bloody mansion. It’s just not the same suffering I had, and I was angry I had to go through it when you didn't. Which is absolutely ridiculous, and I’m sorry I pushed that on you.”
“If you don’t mind me asking...what happened?”
I stare at him for a long moment over the fire. He holds my gaze, eyes round with worry and care. It hurts me in the most exquisite way. “It’s not a pretty story, Snow.”
His mouth pulls into a sad, slight smile. “Weren’t you the one who said that all hexes live through hardship, and we have nothing to be ashamed of?”
I chuckle and shake my head. “Using my words against me, a tactic of a true devious hex.”
He shrugs, still wearing that little smile. “What can I say? I can live up to our reputation sometimes.” Snow’s face falls again. “So what happened?”
With a deep sigh, rubbing my forehead, I start the horrid tale.
“My family always knew there was a chance I could be a hex,” I say. “But since my aunt couldn’t sense any magic on me pre manifestation, we assumed that I wasn’t too powerful, and manifestation could be avoided if we were careful. So I lived in the aforementioned secluded mansion all my life and I was never allowed to leave the grounds. All my time was spent reading, doing school work, or learning about hexation from my aunt, just in case. Everything in my life revolved around my mere potential to be a hex. I could never do or see anything. I felt like a prisoner. And when I was 18, I had enough.
“One evening, I snuck out of my room and went into the nearby town. I just wanted to see what was outside my home. But I was a naive sheltered kid. Of course I got lost on my way there and went into an area I never should have. Someone had knocked me out cold, and next thing I knew, I was in a cramped, dark box.”
“A box? What do you mean a box?”
I clench my fists tight until the shaking stops, then slowly let go. “It was a coffin, Snow. I had been trapped inside a coffin.”
I can almost feel the way Snow’s stomach must drop out at those words. I know, mine did the same when I realised where I was that night. “W-Why?!”
“It was hard to hear him through said coffin, but I got the main idea. He came from some old witch hunter family but had never caught an actual hex, until me. He’d heard the stories about my mother and had been secretly spying on me for months. When I escaped, he took his chance to kidnap me.”
“So he took you just to taunt you from outside a coffin?”
“I wish that was all he did,” I grumble. “He told me that the coffin was a test. There was a chance the hexation had skipped me over. If I was a hex, being stuck in the coffin would make me manifest, then he could kill me in good conscience. If I wasn’t and didn’t manifest, well, as he put it; ‘there are always casualties in the war for righteousness, boy.’”
Snow’s jaw drops to the grassy ground. “So even if you were human, he would’ve killed you anyway?”
“Mhm, mad bastard.” 
“How long did he keep you there before you escaped? A few days?”
I take long, steady breaths, beating back the old fear that creeps up my throat like bile. I can almost still smell that unique rotten scent from the coffin. I’ll never forget it. I never can.
“Snow,” I say slowly, “I was in that coffin for six weeks.”
And I thought he looked horrified before. Snow drops his jerky bag, hands shaking. I want to grab them, hold them still, comfort him in whatever way I can. The urge is almost stronger than the Call.
“S-Six weeks?! How are you still alive?”
“Thank the witch hunter,” I grumble. “He drilled very small air holes in the lid, and gave me enough food and water to keep me alive but starving. I think, hex or not, he wanted me to suffer because I was my mother’s son. A hex’s child was just as guilty of sin in his eyes.” I rub the bridge of my nose. It aches with the pain of my past. “At the time, I had no idea how long I was in there. It was just one endless night of torture. I begged and pleaded with the hunter to let me go, but he only laughed and called me pathetic hex scum. After six weeks, well, he finally got what he wanted.”
“You manifested.”
“Almost as violently as you did.” I trace the lines of my hand, the skin rough from my fire. I remember my mother’s hands being the same. “The details are blurry, but I remember enough. It started as just a tingling in my gut, but soon it became a burn. And then it spread as quickly as a forest fire.”
“Is it always fire with you?” The corner of Snow’s lip quirks up. The bit of teasing lilt in his voice makes me feel a bit lighter. I can't help but smile back a little.
“Usually, yes. It's always run very strong in my family.” I bounce a flame between my fingers. The movement is strangely calming to me. “I quickly learned I was no different. Before I knew it, I let out a massive ring of fire in every direction. It blew the coffin apart, of course, and turned my captor into a charcoal husk.”
Snow scoffs, a surprisingly vicious expression on his face. “Better than he deserved.”
“Agreed. I have no idea what happened to his body. I left almost immediately, though I wasn’t fully conscious. Six weeks in the coffin had deprived me of most of my mental faculties. Luckily, he kept me not far from home, and I could wander back on pure muscle memory. But going home turned out to be a terrible idea.” I grab the small fire and snuff it out in one go. But my fist stays clenched. “My aunt had been staying there while everyone searched for me. The second I walked through the front door, I could easily smell her. She was overjoyed to see me, until she smelled me too. And as I said, most of my mental faculties were gone.”
“So you attacked her on instinct.”
I chuckle sadly. “Quick study there, Snow. I didn’t even know what I was doing. I was just so bloody hungry all of sudden. I can’t even describe it.”
“You don't need to describe it to me, Baz.” He brings his knees under his chin. “I’ve felt hex hunger too. It’s...awful when you’re in the middle of it.”
“And when you’re not, you try to drown it out or distract yourself. But deep down, you know one day you’ll give up and listen. Then it will take over.”
Snow nods, looking at me in the eye. I’ve seen so much profound sadness in a person’s face. “And you’ll hurt someone, no matter how much you’ll regret it later.”
If I have a soul, it’s aching horribly. How could fate be so cruel as to give me Snow? So wonderfully brave and kind to a fault, and who actually understands what my life is like. The perfect man. And someday soon, he’s going to kill me. There’s no doubt I’ll be the one to die. I won’t kill him, not ever. I’d let him take everything from me before I’d kill him.
“Did you hurt your aunt?”
Thankfully, I can shake my head to that. “No, not at all. She was an experienced magic user, while I was a starving, half crazed newly minted hex. She took me down in seconds. When I woke up again, I was cleaned up and in my room. It took a second to regain my bearings, but I soon remembered what had happened...what I had become. There wasn’t any debate in my mind. Within an hour, I had packed my most practical clothes along with any small valuables I could pawn. Then I ran away and never looked back.”
“Which is how you ended up in America.”
“What better way to protect my family from me than by putting an ocean between us? At first, I stayed in an empty little corner of the American frontier. I just wanted to live out my lonely hex existence as long as possible. I didn’t expect the Call or this looming hex war.”
“No one did,” Simon sighs. “Hexes working together has never been possible before. Who could’ve imagined some American preacher would team up with an Aztec goddess to do just that?”
“Fair point. But now he’s made our existences much harder in a way. Look what those humans tried to do to us at the inn. They were even more scared because of Rook”
“Yeah...”
I groan, pushing my face into my hands, rubbing it up and down. “I never asked to be like this. I tried my hardest to avoid being like this. Then that choice was ripped away from me by some madman. Now I’m trapped between murderous humans or a bloodthirsty witch goddess. Why am I here? Why do I have to be here?!”
“Baz-”
“I don’t want this,” I choke out through my building sobs. “I want to see my family again. I just want to go home!”
I breathe hard and fast, holding back tears with all my strength. No, I refuse to cry. I swore to never cry again after the coffin, because I wasn't sure I could survive falling apart again. Yet here I am. I thought I had shed every tear I have there. I’m so pathetic.
“It’s okay,” Simon says. His voice is far louder than before. “Whatever you’re feeling is okay. It’s...it’s okay if you’re not.”
Slowly, cautiously, I lower my hands, blinking away the tears that had collected. I inhale sharply. Snow is less than two feet away from me. I can count the moles on his face, see the golden highlights in his bronze. But worse, his unbelievably delicious scent fills every cavity of my nose.
“You really shouldn’t sit so close, Snow,” I whisper. My eyes fall down and become completely fixed on Simon’s plush lips.
“I know,” he says under his breath, “but I don’t care.”
He touches my hand, and I feel his magic run through me. That explosive sensation pulses through my veins so hard it almost makes me gasp. The instinctual part of my brain goes fucking mad. It wants me to grab his throat and drain every drop of his magic, his essence, his very soul. My breathing gets shallow and laboured.
“Simon...” I say.
And then he kisses me.
It’s cautious and shy. His lips barely brush against mine, but I feel it everywhere else, especially in the way our powers rise to meet each other. The magic collides, but doesn’t clash. They meld and twist together at our points of contact, desperately needing to connect.
Snow opens his mouth, turning the kiss into one of pure heat and hunger. I gladly do the same. He grabs either side of my face and shoves his tongue down my throat. I grip his collar and push back against him. My entire body is filled with endless energy. I’m a star going supernova. And I want to explode with Simon. My nails scratch viciously across his neck. He clenches his fist in my hair, pressing our faces closer. I shudder as Simon bites hard on my bottom lip. I’m wrapped in cold heat, wrapped up in him. I feel so alive. It feels so right. But it’s wrong.
With all the strength I have, I shove Snow off me. We both fall back on the ground, breaking our closed circuit of feeding on each other simultaneously. Simon scrambles further away panting. I’m similarly out of breath. Both our lips trail white smoke, like they’ve been singed by ice. My magic readjusts after being sucked away and added to all at the same time. A bit of Snow’s explosive energy still sits in me, swirling around like a miniature star. We just stare at each other wide eyed for a long time.
“Shit,” Simon whispers.
I sigh heavily, running a shaky hand through my hair. “Well said.”
“We nearly killed each other.”
“Mages don’t meddle, Snow. We both know that.”
Simon groans, clutching his hair in his fists. “I know, I know. I almost killed Penny last time and I swore it would never happen again. But look at me now. Of course I fuck up.” I can see tears forming under his eyes. “What’s the point of being an all powerful hex if it means being alone forever?! I can blow up a building with my mind but I can’t even bloody kiss you! It’s not fair!”
I pick at my shirt sleeve with shaking fingers. “Maybe God is punishing us.”
“We didn’t ask to be like this, Baz!”
“That doesn’t change what we are, Simon! We’re freaks of nature, cannibalistic monsters!” I nearly rip through the fabric of my shirt. I'm so angry and so fucking tired. “Maybe we truly are devil spawn or something, like all the humans say. Maybe they’re right to be scared of all of us...”
I turn away from him, just staring at the fire. The sting of the smoke keeps me from sinking too low into my self loathing. Snow moves in my peripheral. We sit side by side. My skin prickles as he hovers his hand over mine. It takes every bit of my will to not try and drain him again.
“There’s somewhere we can go where we aren’t 'Devil spawn,'” he says.
I tense up. “Simon, that’s risky. It could all be a farce.”
“I don’t care if you think it’s just a farce, Baz! It’s still a chance. For you and me, for us.” He lightly brushes one of my fingers. I have to rip my hand away before I hurt him again. His pretty eyes are filled with pain. “See? Wouldn’t you like to stop doing that? Isn’t it worth the risk?”
I’ve been running for most of my life. I ran from my mother's legacy for as long as I could. I ran from my family when I feared my own hunger. And I could run now, from Simon and the fear of killing him. But I’d also be abandoning the chance for some sort of happy life. It may not be perfect, but it would be far more than my ancestors ever had before. Can I sacrifice that for fear?
“I’m tired, Snow,” I say weakly. “We should both get some rest.”
“But Baz-”
“Let me sleep on it, alright? Please?”
Snow takes in a deep breath, and lets out a long sigh. “We’ll talk in the morning.”
“Okay.”
“Okay.”
I want to kiss him so badly right now. Just grab his gorgeous, sunshine face and kiss him goodnight. Since I can’t, I smile as genuinely as I can at him. It’s not easy for me, but I mean it with him. “Goodnight, Simon.”
Snow stares at me for a long moment. But slowly, a smile creeps across his face too. The fondness threatens to melt me, “Goodnight, Baz.”
We keep our eyes locked for as long as we can. When I finally lay down, putting my crackling shield around me, the image of Snow’s wonderful face relaxes me into sleep.
———————————————
I bang my fists against the wood over and over, ignoring my already numerous splinters.
“Help!” I yell. “Someone help me! Please, get me out of here!”
All my pleas fall on deaf ears, as usual. No matter what I do, no matter how loud I scream. I’m stuck in this damned coffin. I scratch at it until my fingernails tear from their beds. Blood drips into my mouth, leaving an iron taste in the back of my scream sore throat.
“I’m not a fucking hex! I just want to go home!” I sob so hard I nearly choke on my own breath. “Just let me go home.”
My aching arms finally fall. I curl in on myself as much as I can within my confines. I close my eyes, but there’s little to no difference in the endless pitch black. Tears run hot down my face. They leave small trails in the dirt that’s accumulated over...however long I’ve been here. I don’t know anymore. Time is meaningless where there’s no sunrise or sunset. Life is meaningless in here.
“Baz?”
His voice is far away, but it still rings clear. My eyes slide open. “Simon?”
“Oh lord. Hang on, Baz! I'll get you out!”
I can only hear as Snow desperately tugs at the coffin lid. It should be impossible, the thing is nailed shut, but somehow Snow rips it open. The light is dim yet still hurts my eyes. I can't help but hiss at the pain.
“It’s okay, Baz,” he says in that unbelievably soft tone.
His hand reaches to me through the blinding light. Slowly, I reach back. And when I hold it, I know I’m supposed to be in pain, but I’m not. Instead, I’m just calm, happy, safe. Snow slowly pulls me out. His arms snake around my back, holding me up. He looks me over, taking in my decrepit, decayed state from ages in that damn box. And miraculously, he smiles. Even like this, he looks at me with such care.
“You’re alright now, Baz. I’m here.” He cups my face. “I’m here for you.”
Emotions clog up my throat and tears run down my cheek, but this time they’re for a good reason. I put my own shaking hand on his golden face. He’s so warm. “Yes, you are. And I’m here for you too, Simon.”
He’s still grinning as I lean forward, pressing my lips to his. But this time there’s no fear I’ll kill him. There’s just the utter joy of being with the one who understands me best, the one I want the most.
Oh, how I want this.
———————————————
I blink awake slowly. The morning sun is just rising over the horizon, turning the grassy landscape violet. I sit up and see the now familiar body on the other side of the fire. Snow sleeps in a knot, arms and legs pulled in. The furrow in his brow says he’s in the middle of a nightmare too. Though mine wasn’t one by the end. Not when he was there.
My mind is made up.
Once again, I’m packing my things lowly, waiting for Snow to wake. Luckily, he stirs while I’m only halfway through tying up the cot. He rubs the sleep from his eyes in such a terribly adorable way.
“Morning,” I say.
“Morning,” he yawns. “Are we going now? Or...are you?”
My heart seizes, but only for a moment. He’s right to be concerned. The fact that we’ve travelled together for two weeks without killing each other is a miracle among hexes. After last night’s close call, a sensible man would leave and never return. I was once a sensible human man. But I’m a deranged, bloodthirsty hex now. Why not act like one?
“You should get up and start packing, Snow. If we’re going to make it to the Mexican border before nightfall, we’ll have to ride fast.”
His eyes go rounder than a full moon. “You mean...”
I pull the pack tie tight. “We’re going to Hex City.”
“What changed your mind?
I sigh heavily, then walk over to him. I stay at a safe distance of course but Snow’s magic pulls me to him, my body begging me to take it. Instead, I simply hold out my hand to him. Snow stares for a moment but does catch on. He offers his own to me. Once again, our magics reach out to each other, wisps of fire and lightning twining together. It sends a faint whisper of that explosive adrenaline through my veins. So incredible and so wrong.
I snap my hand away, fists clenched hard. “Because of that. If I were a more selfless person, I would simply leave, but unfortunately I’m not. Are you?” Snow looks me over. His eyes pierce me in a way no one’s ever has before. He slowly shakes his head. “Exactly. I may be scared of Rook and his goddess, but I’m more scared of hurting you. There’s only one place where I won't.”
“Hex City.” He chews on the corner of his bottom lip. “What if you’re right though, and Rook’s price is too high?” 
“Then at least we’ll pay it knowing we tried to have a real life, instead of running like we’ve always had to.” I stand straight with my head held high. No matter the fear, I’m sure of this. “I think we’ve both suffered long enough, Simon.”
The way Snow’s face relaxes means the world to me. I love seeing that, seeing what he looks like without the heavy burden of hexation on his shoulders. Maybe I’ll be able to see that more in Hex City.
“It’ll probably be nice there,” he says. “I mean, a city made for hexes by hexes is going to be weird, but I bet it’ll look amazing in it’s own way.”
I chuckle and nod. “Agreed. Buildings and roads made by magic will certainly be interesting.”
“Penny would probably want to study them.” He sighs, but there’s a lightness to. “Maybe Penny will come one day, and I could see her again.”
“Maybe. I would love to meet her. I might be able to see my aunt again one day, too. I could introduce you to her.”
He beams so bright at me I fear I’ll get sunburnt. “I’d like that a lot.”
“Me too, Snow. So let’s get going.”
We finish packing very quickly. Snow gets on his horse as clumsy as he usually does. I snort at the way his American cowboy hat nearly falls off his head. The death glare he gives me has little impact, what with the way he’s grinning. He hasn’t stopped grinning almost since he woke up. I can’t blame him. I have trouble controlling my smile either.
“Ready?” he asks. As if he even has to. I’ve made my choice, and I’m sticking to it.
“Ready,” I say. “Let’s go.”
Snow and I both send our horses into gallops. We soar across the grassy plain, the Texas sun illuminating our way. The impending hex war still looms over us. But I will fight until my last breath to keep any happiness Simon and I can find.
I can almost see our future. Soon, we’ll reach the terrifying and wonderful Hex City. Rook will ask for his price, and we’ll pay, because it’ll mean a freedom we've never known before. We’ll be able to hold hands, kiss whenever we want, sleep in the same bed, simply be around each other with no fear of our hexacious hunger. It’s more than I could have ever dreamed of even a few months ago.
For once, I’m going to run towards something good, instead of away from the darkness inside me. I cannot wait.
———————————————
AN: And that's all folks! I hope people enjoyed that, even if y'all have never read Hexslinger. If you wanna read the books, I highly recommend them, tho be warned they require trigger warnings for all the stuff here and more. Almost anything that usually needs a trigger warning is in those books. I'm okay with reading it, but I also completely understand others not liking that shit.
In the positives, it's an extremely interesting and complex series dealing with survival, discrimination, identity, the pain that can come with love, and the unlikely bonds formed between people. The world building is amazing and the magic system is super cool. What I love the most are the characters, who are all very interesting and complex. No one is 100% good or evil, they're just people trying to find ways to achieve their goals or simply live. What actions they take are up for moral debate, but a lot of the time they're at least understandable. There's a lot of period typical bigotry, and it's much more vicious than what I wrote here, but what I love is that there a lot of diverse characters who say "fuck that" and fight back against the shit they get. You've got queer, Indigenous, black, latinx, Chinese, and Jewish main characters in a wild west story who are all well rounded and interesting. That's pretty awesome imo.
Okay enough gushing about Hexslinger lol. Hope this story was good. No guarantee when my next fic will be out. Work and school are killer. Until then, see you later!
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augustheart · 5 years ago
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Drag Doom Patrol tv, with constructive criticism
This won’t cover everything because this ask is just a top five and even though it says “top five” these aren’t in any order based on how important I think they are! I also think it’s uh... interesting that 3/5ths of these are related to how the show treats its characters of color. And by interesting I mean Hmmmm.
I genuinely really like DCUniverse Vic and I think a lot of the choices they made with him are good (him being an established hero, and a fantastic superhero at that, with years of experience and recognition is great, Wade is fantastic as him, and I always love seeing more practical effects over the same old CGI, for example), but that doesn’t mean that all of it is good. Other people have said it better than I could, but choosing to focus on the intense physical pain that your only Black lead goes through multiple times is... well it’s bad. They could have conveyed the same messages they were already trying to send without lingering on his torture. It’s uncomfortable to watch, and even if it’s meant to be, it doesn’t sit well with me the way that other purposefully uncomfortable scenes in the show do.
Obviously, I am not an Indigenous person, Canadian like Oweyah or otherwise, so I don’t consider myself qualified to talk about her past a certain extent but even though I’m not it’s still...very uncomfortable to think about everything with her in a way that I think it really wouldn’t be (at least not to the same extent) if we actually got to know her as a character and human being outside of just through her connection to Niles. Yes, he’s the character we recognize, and he’s technically a part of the main cast, so we’re going to learn about things through him, but...that’s a human person. I also think that fandomwise people really need to examine how they talk about her--when they do it at all--because saying stuff about her being “less evolved” is just...flat out racist.
I should not have to extrapolate whether or not Jane is meant to be Latina (probably specifically Columbian like Diane is of course) through like... one throwaway line of a villain calling her Hispanic and someone just straight up calling her a g-ddamn slur like holy shit! Like you can just have her be Latina like Diane without doing that! It is really unnecessary and writing a character positively connected to their culture is good and not difficult, actually. 
I definitely do think that this show says a lot of good thing about mental health but I think that I and others would feel a lot better if specifically self harm and suicide was handled better. More implication and less overt showing. That’s kind of all I have to say on that.
Relatedly, I think that showing that psychiatric abuse is a horrific thing is definitely necessary, and that no mentally ill person ever deserves to be abused, but I also think that showing it in a shock-factory-ish way is not going to help at all and will only really trigger people who have already gone through that instead of spreading awareness for it as a problem. Again, more implication would probably be better. 
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waltongoggins · 5 years ago
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can we talk about how the hijackers were speaking arabic? lmao i was ready to throw my remote at the screen. THANK YOU HOLLYWOOD FOR ALWAYS MAKING PEOPLE OF COLOUR WHO DONT SPEAK ENGLISH THE 'other' IN YOUR STORIES. THANKS FOR MAKING US THE BAD GUYS.
yeah, that really put a bad taste in my mouth and dampered what is, in my opinion, one of the most iconic scenes in the series. obviously that whole sequence is horrific for a lot of reasons, but the framing of it at the start was just plain nasty and careless and the fact that those deaths are specifically shown on screen and specifically violent compared to the rest says a lot in and of itself and it’s unfortunately something that carries over into the end of the season as well. even if it’s meant to be seen as a kind of parody of the fears of racist americans, there’s no real acknowledgement of that from anyone. homelander is an obvious villain but those deaths still aren’t the ones we’re meant to mourn. it’s just, explicitly stereotypical and harmful and racist and in 2019 i’d hope that writers would be a little more aware of stuff like that.
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Green Book
How does a guy who has made such hits as: Dumb and Dumber, There’s Something About Mary, Shallow Hal; go and make something like the Green Book. Decent films, but they’re trash. They’re good trash, but nonetheless, trash. The Green Book was such a profound film, that I’m struggling to come to terms with the fact that Peter Farrelly, who directed this, also directed Movie 43, voted one of the worst films ever made. 
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Green Book is about the famous black jazz artist, Dom Shirley, who hires Tony Vallelonga an Italian to be his bodyguard/driver whilst Dom tours the deep south of America with his band. Both are very different characters, Dom being reserved and particular, Tony, loud and abrasive, and also not a fan of black people in general, especially when he is bossed around by one.  As the film continues, we see how they both help each other to become a more rounded person, and how Tony learns to become a more thoughtful...well he stops being a racist.  
I found the film very enjoyable. I thought both Viggo Mortensen as Tony and Mahershala Ali as Dom were brilliant. There chemistry on screen really made the audience connect to the characters, both fantastic. I can’t judge Adam Driver as I never saw BlacKKKlansman, but Ali from the others I have seen should win the Oscar for Best Supporting Actor. Viggo has it tougher, although he was great, I still think Bale in Vice should win Best Actor, he was exceptional. Whilst the two actors drove the story forward and really made it enjoyable, they weren’t the only things. The story was well controlled and the pacing was just right. I’ve heard criticisms of the film saying it wasn’t hard hitting enough. I thought for the 12A rating it was dark enough to give the message without showing too much violence. It obviously easily could’ve done more in that respect, but the film wasn’t showing the effect of racism on a country-wide scale, but on the personal level between the two friends. It done enough to show that, without being too much. 
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(i know this gif has absolutely nothing to do with Green Book, but man, Viggo, I love you)
I really loved everything about this movie, however it didn’t blow me away. It did feel a little bit too nice. That’s not meant to sound contradicting to my previous point, but I just felt something was missing from this film to make it really special. To give it 5 out of of 5 y’know. 
4/5 There were a lot of good things about this movie. The story was powerful and got it’s message about understanding and welcoming without ramming it down your throat. Mortensen and Ali were both fantastic however and all credit should go to them for making this movie as good as it was.
p.s I’ve been contemplating doing this p.s, I still don’t know if I will or not. But I saw this film the day after the Liam Neeson fiasco. And I just wanted to say how important it is to talk and have conversations. This isn’t the best platform, because your point will never come across as you want it to. You can’t explain it as well as you would talking about this, so bear with. What this film done well was show that Viggo had racist ideas, it showed him putting two drinking glasses in a bin because black people drunk from them. We can all agree that’s racist right. By the end of the 2 hour film, and the journey that these two completely opposite men went on, Viggo changed. He wanted more than anything to be with his new friend, a black man. He invites him to dinner, and is torn up with him not being there. He is so happy when he does show up. He’s a different man. He’s not the man now who would put drinking glasses in the bin because a black man drunk from them. He’s changed for the good.
Liam Neeson had racist thoughts. He may not be a racist man now, but he did have racist thoughts 40 years ago. What’s important is that he has changed and is ashamed of his irrational thinking. I think it is so important that these conversations are held. It offers people the chance to be educated and put to right. I’m a white straight guy. I understand racism, but I do not know racism. I don’t know what that feels like. And I’m certainly not here to say that people should forgive Liam Neeson, or hold this against him. I just believe that difficult conversations like race, like sexuality and others need to be freely held to have some understanding, so we can see a different view point. Whenever something like this pops up, which seems to be more frequent, I try to ask my black friends their opinions on the matter. I trust my own moral compass enough to have my own thoughts and feelings, most of the time, they say what I thought, but sometimes they make me see another viewpoint that I hadn’t considered, or even thought about because I, as a white guy do not see, no matter how much I try to understand. And I think that it is incredibly important that conversations like this are held. 
I think there is a problem with white people in the respect that they hear a black man they know and respect, John Barnes for example, say ‘Liam Neeson deserves a medal for having the courage to stand up and talk about this’ and then not consider that not every black person will think the same as this ONE black person. They will be annoyed and be like ‘well John is black and thought this, why don’t you?’. John Barnes is entitled to feel that way, and every black person is allowed to agree or disagree with him. It annoys me so much when I hear something like this. For the record, I don’t think Liam Neeson deserves a medal. 
I think this goes back to the whole argument about patriotism and about being English. I’m proud to be English, I’ve got my England flags flying outside my window during the World Cup, and I will loudly moan if someone is queuing up stupidly, and I will slap my hands on my knees and say ‘best be off’ when I wanted to leave 2 hours ago. But I understand why people do not like England, or more centrally, the British Empire. The British Empire committed horrific atrocities across the globe, they were murderers, rapists, the worst bunch of twats you could come across. The problem is, we aren’t taught about these things at school. We are only taught about the good things, Churchill winning the war (not the genocide he caused in India), Henry the 8th, and other stuff that is pleasant. It’s only that I took history as a subject that you start learning that Western Civilization were the bad guys, e.g Britain and America. I learned about The Troubles in Ireland, and how the Brits were at fault. I learned about Native Americans, and again how it was the Brits and the Americans who basically caused genocide to their people. But if you have a conversation with someone who doesn’t know, because they haven’t been educated, or haven’t had serious and deep conversations about the failures of a culture we have grown up believing ‘We are the good guys’ then they will think you are a nutjob. Again, education and conversation are crucially important to creating a better society. 
https://www.youtube.com/watch?v=nBy0FLAAwKQ
That’s a link to Trevor Noah talking about it. A lot funnier and eloquently put than me.
I know this has gone off topic, but I wanted to say this. Did Liam Neeson have racist thoughts. He sure did. Do I think that Liam Neeson is a racist person now? I don’t think it is up to me, a white guy, to determine if someone is or isn’t racist. I don’t think that white people, or anyone for that matter should just always get free passes to make mistakes. I think in 2019 the majority of people know the difference between wrong and right, and possibly only in youth are mistakes made. But I’m not naive enough to know that there are plenty of people old enough who continue to be, dicks. I just hope that we continue to have difficult conversations, I only believe it makes us grow, individually and collectively. And if you want to talk about this, if you think I’ve missed the point, or have something to add that would benefit me, then please, drop me a message. Don’t just call me a c*** like that one guy did when I said that Venom had some scenes that was full of toxic masculinity, that benefits nobody. Or even if you wanna talk about the film, which is what this blog was about, then please do that. Anyhoo, best be off!
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airagorncharda · 7 years ago
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Surprising no one, I have some Fucking Thoughts about Infinity War:
(I don’t know if it actually is, but this FEELS like the longest post I’ve ever written. And that is impressive because I am a long winded motherfucker on a good day and because it’s literally ALL negative)
So first off, I Did Not Enjoy this movie. For my complete list of things I DID like, read this very short post instead. If you enjoyed the movie and don’t want to read somebody absolutely slamming it, you should probably leave now.
Secondly, if you don’t want spoilers I’m not sure why you clicked the readmore, but you’ve now been warned: 
SPOILERS past this point!!!!!!!
I disliked this movie so much that I need to break down the varying ways I disliked it into fucking sections. So starting right off:
I find shock value character death to be cheap and lazy.
And boy did they go hard on the shock value character death. Boy, oh boy. BOY oh boy, did they ever. That was pretty much the entire movie.
If you can’t make the stakes feel high without death, you’re a bad writer. If death is the only card you know how to play, you’re a bad writer. 
I was expecting the characters who’s actor’s contracts are up to get killed off as a cheap and lazy way of explaining why they’re leaving. I was instead handed a movie in which literally everyone ELSE died for even cheaper and lazier shock value reasons that are almost certainly going to get undone (and thus be made pointless) in the next film. I was not impressed. 
The writers are painfully white, and refused to stop reminding us.
When the setting of the movie shifted to Wakanda, I wanted to be happy to see Wakanda. But I wasn’t, because the whole reason we went to Wakanda seemed to be so that the racist ass writers could jerk off while watching Wakanda (and Wakandans) get wrecked (and killed in horrific numbers), all so Wanda (who the MCU super duper whitewashed) didn’t have to kill her white robot boyfriend. 
“If Wakanda falls, it will have been for a noble cause” said the racist white writer puppeting T’Challa. 
Prioritizing the feelings of a white girl and the life of her white boyfriend over not just the hypothetical “half of the universe” Thanos thing, but also the very immediate and literal danger to the lives of ALL OF WAKANDA AND ALL OF THEIR FRIENDS was absolutely bewildering levels of antiblack racism and I was just sitting there shaking my head through it all. It was horrible. It is horrible. I cannot believe that line from T’Challa even made it into the movie. “A noble cause” my ass, that’s so violent, what the fuck.
The writers are painfully heterosexual, and refused to stop reminding us.
Again I scream at Wanda and Vision. Wanda and Vision, who I was hyped about being brought into the MCU because I liked them in the comics, but who have been a constant frustration and disappointment (whitewashed and underutilized as they have been) since their introductions. 
Also Quill and Gamora. 
Like, the writers couldn’t figure out a way to make the story interesting or have stakes without threatening hetero’s heterosexual feelings and heterosexual partners. They just.... couldn’t....................... do it............
Like, lets be real. If the lives of literally half the universe was at stake, everybody I know would be like “sure, I’ll die for that cause”. The conflict felt fake as fuck. People who are that selfish aren’t interesting, and half the characters they made that selfish didn’t used to BE that selfish.
Also, like, Gamora demanding Peter promise to kill her was weird on multiple levels. 
She definitely could have been like “I know the location of an infinity stone, and I know he’ll be able to get it out of me if he gets me alone, so I need you to kill me if that happens” but instead she was just like “I can’t give you a single explanation or detail, just promise me you’ll murder me because you love me so much.” Bad writing. 
And I feel like for Peter specifically, asking him to do that was really cruel. His whole issue with his parents was that his dad murdered his mom, like... asking him to kill her seems extra cruel? And she would know that. Doesn’t she have other friends? Couldn’t she have asked Peter to, like, not get mad at Rocket if Rocket kills her for the same reason? Or Drax? Why did it have to be Peter?? Why ask the person who’d be most emotionally traumatized by having to kill you to be the one to kill you if necessary? And why have her remind him of the death of his mom as a way to convince him to kill her? Bad writing.
Also Bruce and Nat were never interesting to begin with.
Also also Tony talking about wanting kids to a very obviously frustrated and uninterested Pepper was weird and uncomfortable. I feel like we’re supposed to be getting some sort of “they should have kids!” vibe but all I got was a “she doesn’t want to have kids and he’s not getting the memo” vibe. I also am very tired of “my partner wants me to stop being a superhero, guess I’ll feel conflicted but do it anyway but also not break up with them” narratives. Bad.
Thanos’ “random” selection of half of earth didn’t seem that random to me. Like, at all.
The shot of Wakandans dying wasn’t half of them dying, it was like 90% of them dying. And if you pay attention to who disintegrated, it’s.... 
T’Challa (black king of a powerful beautiful African nation, the most technologically advanced nation in the world)
Bucky (disabled and neuroatypical)
Sam (a black man)
I forgot to watch the end credits scene because I was so mad but apparently NICK FURY disintegrates in it, my blood is boiling with rage.
Apparently Maria Hill also disintegrates in it, so there goes a strong female character too.
Again I point to the, like, 90% of Wakanda who survived the combat turning to ash anyway.
Mantis (a woman, played by a Korean actress)
Wanda (a woman. Also whitewashed, but Jewish and Romani in the comics)
Groot (played by a man of color)
Peter Quill (played by one of the three white Chris’ in the movie, but dating a character played by a black woman, so of all the white men to die I find this suspect as fuck)
Drax (played by a Filipino actor).
And that’s not to mention Heimdall (a powerful black man), Loki (who is queercoded, and actually queer in the comics) and Gamora (played by a black woman) who Thanos also killed.
“Random.”
Right.
Except the movie was written by people who clearly have a bias and think it’s quality entertainment to watch PoC and marginalized people in general die. And/or they wanted most of those characters out of the way so Infinity War 2 could focus on the white dudes. Which brings me to my next hated point:
Infinity War 2.
Just.
Fuck that.
Fuck that cash grab bullshit of splitting major motion picture movies into multiple movies for no good reason. Fuck letting people go into a movie with a cliffhanger not knowing it’s going to have a cliffhanger. Fuck forcing people to commit to a years wait for closure on a plot without agreeing to. 
People don’t go to superhero movies to watch the villain win, motherfuckers, we want to see HEROES win! It’s supposed to be a movie that feels GOOD to watch because you can pretend for 2 hours that good people triumph over bad people, and we fucking NEEDED that 2 hours of escapism right now! We did not need a movie about a megolomaniac who wins the election and ruins the lives of everyone we love! We didn’t pay for that shit!!!! 
I mean, I didn’t pay for anything, I watched a bootleg version while curled up in bed, but if your movie hadn’t been a sack of cash grabbing propaganda horse shit I WOULD have paid to see it.
Also. 
People are “SPECULATING” a bunch of stuff like “Dr. Strange did what he did to ensure the eventual defeat of Thanos!!” and “everybody who got disintegrated is going to be resurrected in the next movie!!” but like... it’s not speculation if it’s obvious as fuck, guys. Don’t give the writers more credit than they deserve (they deserve zero credit). Don’t act like it’s not obvious and predictable when it is. 
1) Dr. Strange was not being subtle. “I’ve looked at all the potential outcomes and foreseen one in which we win” “We’re in the endgame now.” “It was the only way”. That’s blatant. That borders on heavy-handed. 
2) Most of the characters who died have movies scheduled. They’re coming back. This is not unclear.
As a result... their deaths don’t even feel real, they just feel like racist shock value fodder deaths. I’m not sad about it, I’m furious at the writers. They just killed them off so they could watch them die, and/or so they could avoid utilizing them. And that’s... so gross.
Ending a movie with the genocidal villain winning is not edgy or whatever. It’s just dissatisfying and, especially in the current climate of the world, it feels violent. 
Like, I’m mad that they split the movie, because it’s a cash grab, and then ending it on that note was just violent.
I guess the writers just really hated Ragnarok (and Black Panther).
Cuz like... they just completely wrote Ragnarok out of the MCU, made the whole movie pointless, and backpedaled on everything it accomplished. 
Ragnarok: “Asgard is destroyed, but it’s okay because the people of Asgard survived, and can rebuild somewhere else. Thor lost his eye and his hammer, became a leader to his people, learned that he didn’t need a weapon to harness his powers, and Thor and Loki finally managed to be a team again. Heimdal is given the credit he deserves as a hugely important part of Thor’s life. Also here, have an AMAZING black female character! The story ends with hope for a ship full of refugees.”
Infinity War: “Thor immediately gets a new eye, all (or maybe half??? it was really unclear) of the other Asgardian refugees are slaughtered off screen (big middle finger to refugees and also hope) and then Thor goes off on his own so he’s not really a leader anymore, Loki and Heimdal are dead within 5 minutes of screentime, Valkyrie doesn’t exist, and Thor’s entire plot in the movie is about how he needs a new weapon because he can’t be useful without one :)”
Me, who enjoyed Ragnarok: “wow, fuck you”
Similarly, after watching all the characters from Wakanda in Black Panther be written as their own people, whose stories and lives didn’t revolved around white people... their white-prioritizing characterization in Infinity War, as well as the IMMEDIATE choice to fucking wreck Wakanda at the first available opportunity, was a real fucking let down and kind of a slap in the face.
Peter Dinklage played a literal (though giant?) dwarf??????????
I FEEL LIKE THIS IS FUCKING OFFENSIVE??? Honestly I’m just so so tired of this poor guy getting hired only for roles where his dwarfism is a character trait. He’s a really good actor and I wish he got hired to play characters other than “the dwarf” every fucking once in a while, like jfc. 
(Side note apparently he’s been cast as “the dwarf” in a movie adaptation of the awful book “the dwarf” so that’s... happening........ i guess...................)
I FEEL like this role was particularly weird and maybe particularly offensive, but maybe I’m wrong, idk.
Also his actual visual design was bad. I looked up the character (Eitri) from the comics, and he looked pretty cool in the comics and animated show. He did not look cool in this movie. 
Bendick Camdsfgbitch has too big of a role.
Literally I’ve never met anybody who cares about the Dr. Strange movie or MCU character. The only people who care seem to be Sherlock stans who cannot let go and still think Bean Cummerbund playing [an intolerable asshole who we’re told (but not shown) is smarter than us, who never lets the audience in on his genius] is compelling. 
He’s boring, he’s an asshole, he’s playing an arguably whitewashed role (which is a pattern for him) and he’s not even playing it in an interesting way. Stop trying to make Dr. Strange or his actor happen. We don’t care.
And if the whole two movie plot is going to be about how he really did outsmart Thanos, the supposedly super smart supervillain, then I’m extra super bored as fuck. And so far that’s... super predictably what’s going to have happened. 
It was just really poorly written??
Idk, like it wasn’t even... funny... or good. All the lines were either predictable or they didn’t make sense. And everybody felt slightly (or severely, depending on the character) out of character. 
The plot is fucking garbage, AND THANOS IS TOO
The concept of the world being overpopulated (and that that’s why resources aren’t available for everyone) is an irl lie, my guys. It’s not true. It’s a lie perpetuated by racists and xenophobes and rich assholes who want to excuse letting people die of starvation rather than give up literally any of their giant Scrooge McDuck style piles of money to allow even the most minimally necessary distribution of resources.
We HAVE enough resources to feed and clothe and house and care for everyone on this planet, we just DON’T DO IT because of the bigotry and selfishness of the 1%. 
Also, “Genocide will fix all the suffering in the world” is literally nazism.
AND LIKE!! If the POINT was that Thanos was a space nazi and needed to be killed as a result, because his views are fucked up and have no basis in reality, and nazism must be stopped at all costs-- that could have been okay??? EXCEPT THAT’S NOT HOW THEY HANDLED IT!! Instead of going “Oh, yeah, Thanos is super fucked up and no one should agree with him or his actions or his ideology” they showed him in this weird and uncomfortably reverent light, and gave him this weird and uncomfortable side arc about how much he wuvs Gamora (that’s why he abused her, you guys-- it was because he LOVES her so much). So we’re supposed to like, feel sad for him or something? Oh no, nobody understands him and his logic, he HAS to do this to SAVE everyone. Oh nooooooo. 
But really, he’s a genocidal scrotum-faced piece of shit abuser, and his entire narrative felt like a nazi who abuses his kids just sucking his own dick on screen, and it was NOT enjoyable to watch, or compelling, or edgy. It was just gross, and violent.
ALSO there was NO REASON to give him that backstory. There was no reason to explain his desire to kill everybody. We already knew he wanted to kill everybody. That was already known, and we did not need an explanation about why. Like, they built toward this movie for ten years and they STILL dropped the ball by ignoring 90% of their own goddamn source material that built up to it in the first place.
Plus, Thanos’ plan was to kill half of everybody in order to save the other half, out of a warped sense of... mercy.... Except literally nobody wants him to do that, including (he said) himself. He doesn’t enjoy it. Neither does anybody else. Everybody is trying to stop him constantly. WHY CONTINUE IF LITERALLY NO ONE WANTS YOU TO, INCLUDING YOURSELF?? It just doesn’t hold up or make any sense as a plot once you think about it for ten fucking seconds...??? How did this ever get past the editing stage???
Additionally, Thanos’s visual design was way better in the end credits cameo he had like 10 years ago. This guy was not visually threatening to me, and did not read as powerful or ancient or anything. He didn’t even read like he was an alien, he was just an asshole, and it didn’t impress me like it was meant to.
If the only way to make your villain seem competent is to make your heroes suddenly incompetent, you’re a bad writer.
How did Loki, god of mischief, fight Thanos? KNIFE TO THE FACE!! FRONTAL ASSAULT!! Of... of course that failed? And furthermore, why did they make it a point to remind the audience repeatedly that Loki is a god, right before Thanos killed him by just, like, choking him/snapping his neck? Apparently that’s how you kill a god? Seems like it should be harder than that.
Why didn’t Dr. Strange do his “check all the different realities” thing when they first heard about Thanos? Why didn’t Dr. Strange chop off Thanos’ arm with a portal like his buddy did with one of Thanos’ underlings?
Why didn’t anybody just shoot Quill when he was obviously about to become a problem?
Why did Quill, who had been willing to kill Gamora himself earlier in the movie, suddenly go off the handle at the worst possible moment upon finding out she was already dead? And why was his response so minimal? Like I get that he’s grieving and stuff, but you need to be able to compartmentalize that shit at least a LITTLE bit, buddy-- and if you can’t, then you need to do something bigger than just like punching the guy. At least shoot out his eyes or something.
Why didn’t Thor aim for Thanos’ head? (and for that matter in all the bazillion timelines Dr. Strange looked at, why were there NONE where Thor aimed for Thanos’ head???)
Why did Wanda decide her boyfriend was more important than literally everybody else ever, especially when Thanos winning would mean Vision dying anyway, so like... I get that killing your bf would be traumatic, but suck it up? Why didn’t they consider breaking the stone and THEN reviving Vision? He’s not a human, he’s synthetic, so why would they assume he wouldn’t be able to be rebooted later with a different power source? And why did they gamble half the universe and actively throw away Wakandan lives for him?? I JUST???
The Hulk got his ass kicked by Thanos (a weird scene; why does Thanos know WWE wrestling moves??) so he just... stopped helping. Like, that could have been interesting, if it wasn’t a general theme throughout the movie that most of the characters conveniently stopped being good at what they’re good at so that the plot could progress with adequate Drama. 
Basically I just wanted to scream “get it together!” at most of the cast of this movie throughout the whole film. Don’t nerf your cast to make your villain seem stronger than he is. If you can’t make him stronger on his own merits, you’re a bad writer. 
I don’t understand the reality stone (or how Thanos used it).
It seemed to change whatever he wanted, but... only while he was focusing on it? Or only while he was nearby? As soon as he left, Drax and Mantis reverted back to their normal forms, so does he need to be in the vicinity for it to work? Or was it like an illusion? If so, that’s not changing reality. 
And either way, the ways in which he DID change reality were bizarrely whimsical and made no sense for his character. Like, he kept turning everything to bubbles. If somebody bought him a bubble wand, would he have stopped murdering everyone? Is that his aesthetic? Bubbles and spiralized people? 
Or was that the aesthetic of the stone itself? Because that’s weird too. 
That scene where the ladies fought the lady villain.
On the one hand, I’m glad there was a lady villain and her design was cool, and I’m glad whenever there are scenes where there are no men and only ladies. 
ON THE OTHER HAND I’m fucking tired of the trope where male heroes fight the male villains and female heroes fight the female villains because.... ??? Because they’re fighting someone in their own league? Or because men can’t hit women? Or something?? I find it very weird and suspect whenever a combat situation gets evenly split up between the genders. 
Wanda's powers >:(
Wanda is more powerful (by a LOT) in the comics than she is in the MCU, which is sort of understandable because she’s pretty universe-breaking levels of OP in the comics (like, one time she literally broke the universe), but it’s also pretty frustrating as a fan of comic!Wanda just how MUCH they nerfed her for the MCU. HOWEVER! In this movie they implied that she IS more powerful than she’s seemed up until now. 
And then they barely used her at all. 
I, a fool, thought maybe they were going to do something interesting about her magic. With the repetition that her power mirrors that of the stone, I thought maybe she was going to kill Vision, and then Thanos would use HER instead of the stone because she’s got it’s power inside of her. 
But no. 
They couldn’t have done something interesting where a woman has a role beyond “she’s precious to a Man and therefore important”. Nope.
Every Single Scene was a foregone conclusion.
Honest to god, I don’t remember a single scene where I was like “gosh, what’s going to happen next??” Every single scene was just me thinking “I know exactly what is about to happen, and I don’t want it to” and then I was right, and disappointed.
Every part of this movie was predictable with certainty, except I suppose for the scenes where I thought “surely they wouldn’t do something so weird and/or boring as what it seems like they’re setting up here” but then they did anyway.
Why did Tony think Steve would know where Vision was when Tony didn’t? And why was he right?
They just never explained this and I found it utterly perplexing. 
Tony was like “Probably Steve Rogers would know where Vision is” and my friends and I had to pause the movie to compare notes and be like “wait, why? Why would HE know?” and none of us could figure it out, and then the movie never explained it either.
Nebula was underutilized.
I was just really frustrated at how few scenes she was actually in and how little she was allowed to DO in a movie completely centered on trying to fight the guy who tortured and experimented on her for her whole life. Like, she was in it and she was relevant, but mostly only as a set piece, not a person. But I guess they couldn’t figure out how to make her Precious To A Man, so she didn’t really matter to the writers.
My only hope is that she’s vitally central to the next one, but like... I expect literally nothing good out of the next movie, so it’s not exactly a thriving hope.
The female characters were all underutilized.
The writers are misogynists and you could tell by how few lines any of the women had when they weren’t being shown as Precious To A Man. Which female characters got to be involved in whole entire conversations (rather than just one-off lines)? 
Wanda (while being Precious to Vision)
Gamora (while being Precious to Quill, then to Thanos)
Pepper (while being Precious to Tony)
Honorable mentions for Mantis, Nebula, Shuri, Okoye, and Nat for having a handful of lines each in the entire movie that was HIGH KEY centered on white men. 
The Thanos Fandom
I’ll leave off on people who actually LIKE Thanos right now, because I assume they’re mostly eugenicist nazis and aren’t worth my time.
No, I’m talking about people who like him AS A VILLAIN and think that the movie did a GOOD JOB of making him clearly and wholly and unequivocally a villain who the audience should clearly and wholly and unequivocally feel antagonistic towards. 
It didn’t. 
The movie portrayed him as someone trying to do “the right thing” who has to “make hard choices” because of his “tragic past” which is NOT an acceptable portrayal of a genocidal megalomaniac-- ESPECIALLY not in the current climate of the world. 
If the audience is not explicitly told how to feel about a villain (by point-by-point countering and condemning them), the lowest common denominator of the audience (which is not a small percent of said audience) is going to interpret the villain’s tragic backstory as justification, their “hard choices” as being worthy of empathy, and their worldview as something worth considering. Especially if you write them as such, and ESPECIALLY if they WIN. 
And yet all I keep seeing is people who want to justify enjoying the movie (unnecessary: you can enjoy it and admit it’s content is bad at the same time) by yelling “Of course Thanos’ is CRAZY-- that’s the point!! People complaining about it aren’t giving the audience enough credit!!”
Please read this relevant post talking about Fight Club (and Mad Max). 
“Media designed to teach morals often backfires [because] just exposing [people] to bad behavior is enough to make them internalize that the behavior is [...] acceptable for people to do, [especially when a] movie only really devotes 5% of its screen time to explicitly denouncing [said bad] behavior, and that [...] only arrives at the very end of the film.” 
--a summarized quote from the above, much longer, post.
This is extra EXTRA relevant if you have to WAIT A YEAR before you even GET to the “consequences” part of the morality story. “The typical adult audience member does not think critically enough about film media to process this moral” is a true statement even when the moral is in the last 10 minutes of a 90 minute film-- it’s WAY more true if the moral doesn’t come until A FUCKING YEAR LATER. Another relevant quote from that post is “The director has the responsibility to clearly spell out to the audience the difference between supporting a behavior by depicting it, and criticizing it by depicting it.” This movie half assed that at best. 
Another relevant quote: “Every villain is the hero of their own story. And when the villain is the narrator, the audience is hearing the version of the story in which the villain is the hero, and the audience is moved by that perspective.” 
Thanos was in charge of the narrative of the entire movie. He was functionally the central and thus main character on which the story turned, made clearest by the end screen “Thanos will return”, which up until now has been reserved for PROTAGONISTS. That’s what I’m talking about here. 
He was the villain, but he was also functionally the main character, and the narrative did not put in the work to properly condemn him or his actions. They spent all their time and energy making him fake deep, and then threw a couple “You’re insane!!!” lines in there from heroes to cover their asses that really didn’t have any effect on Thanos whatsoever.
Also please consider that “He’s just CRAZY!! That’s why he’s violent and evil!!” is a tired and ableist trope used primarily to villainize real mentally ill people and to let white men (who are not mentally ill) off the hook for violent toxic masculinity. Mentally ill people in reality are disproportionately likely to be the VICTIMS of violence, not the perpetrators, no matter what media would have us believe. 
Thanos isn’t crazy, he’s a self absorbed, entitled, genocidal megalomaniac, and calling him crazy is a cop out. 
Assuming everyone understood that he’s purely and simply wrong is giving the audience WAY too much credit, especially when his motivation is based on a fabrication that the writers seemed to actually believe. 
No one in the movie said “Thanos, our world isn’t overpopulated-- people in power are just greedy. If you’re going to kill anybody, kill those people. Don’t ‘randomly’ kill half the populous when some people are actually at fault." No one in the movie said “Your logic is based on fallacy” they just said “I don’t care about your logic because murder is always wrong (except when I do it).” Most or all of the protagonists in this series have killed people. I’m not saying they were wrong to, necessarily, but saying “You can’t just kill people” rings hollow from these characters in particular, especially when they’re actively trying to kill Thanos as they say it. Again, they’re right to do that, but IF they’re doing that, they need to be written to have a better argument than “Murder is wrong!” 
Basically the writing of this movie, where the heroes clashed with the villain, was just countering a fallacy that major parts of the audience may actually believe with some fallacies that fall apart at 10 seconds of critical thinking. Therefore, plenty of people will walk away with the wrong message.
ESPECIALLY when you depict Thanos in a reverent light, and have an entire subplot about how much he Loves the daughter he abused and continues abusing and then murders on screen. ESPECIALLY when he faces no genuine threat throughout the entire movie and then wins at the end, and the consequences for his actions have to wait a YEAR to be seen.
Thor "needed a weapon" to survive after taking the full force of a star??? I dont?? Get that.
That’s it, I just don’t understand it. 
Eitri the dwarf was like “BUT YOU’LL DIE!!!” and Thor did the thing anyway (predictably) and didn’t die (predictably) but was sort of dying for The Drama (predictably) and then Eitri was like “He needs the weapon!! to live!!!!!” and I still don’t understand what that meant or why. 
Relatedly, I don’t understand why Groot’s arm is an adequate substance for Thor’s anti-infinity-stone-weapon, when Groot #1 was obliterated by an infinity stone. Am I remembering that right? I don’t understand this. It feels like somebody thought “Hey you know what would be cool?” and that was literally the only thought process behind it. Nobody thought very hard about this before writing it into the movie. Though to be fair, that tracks with pretty much everything else in this movie, so why not, I guess. 
Also stars are way bigger than that, that was not a star. Just saying.
The Red Skull cameo made no sense.
I understand that the tesseract spat him out somewhere else in space, and I’m fine with that (like, that could have been interesting actually), but I don’t understand why he ended up as, like, a ghost doing the bidding of the soul stone or whatever??? Do the stones interact? Did the tesseract tell the soul stone to fuck that guy up cuz he’s an asshole? Was that just the effect of being transported too close to the soul stone? I don’t... understand that at all.
And, in line with the rest of the movie, he was very out of character.
“Thanos is sad because he LOVED Gamora”
Then he shouldn’t have fucking killed her. 
Even the smallest violin in the universe playing “my heart bleeds for you” would be too much. Fuck that guy and his fake depth.
Look I’ve touched on this multiple times already, but I keep coming back to it because it’s absolutely one of the worst things about the movie. 
If they wanted to make a point about Thanos' abuse not being mutually exclusive to the emotional experience of love on his part, they really should have hit it home instead of letting it just flounder. Abuse and love are not mutually exclusive, and we DO need more media that acknowledges that, but this is not how to portray that.
Gamora (or literally anyone) needed to actually SAY “I don’t care if you love/d me, you HURT me. You ruined my life. Your love is worthless and changes NOTHING.” 
Gamora suffered under his abuse pretty much her WHOLE LIFE and then he KILLED her. And he did it BECAUSE he “loved” her? And it was done to give him some sort of fucked up complexity/depth? That’s fucking violent. 
They didn't go hard enough on any of their character arcs/points
like... Steve was clearly shut down and depressed but that was never addressed. 
What was that about Tony wanting to stop being a hero and settle down and have kids??? They spent like 5 whole entire minutes (which is a long time in a movie actually) setting that up as a plot point and then never addressed it again. 
Bucky looked so tired when he saw the arm, like you could see on his face when he realized he was being sent back into war. Another assignment. Gotta kill more people. He looked so TIRED but then the next time we see him he’s smiling at Steve, and it never got addressed (AND THEN HE DIED SO???)
Bruce and Nat shared like one line, and then never spoke again (and while I’m not interested in them as a couple, that still felt weird). 
Rhodey went against that hologram asshole’s instructions and then it never came up again.
Rocket talking to Thor, asking if he’s okay, and Thor saying basically “I have nothing left to lose so I’ll be very useful” never became relevant. Rocket saying “Well, I mean, I’ve got a lot to lose actually” also never became relevant. 
Dr. Strange’s whole “duty” to protect the stone was supposed to be more important than anything, and yet it was not in practice more important than... like... anything, tbh. Nor did he have to deal with the consequences of failing his duty, even a little bit.
Vision was having headaches and then it turned out to be the stone, like, warning him about Thanos or something?? Never became important. 
Bruce couldn’t get the Hulk to help out. That’s... that’s it, that’s the whole character arc, he just couldn’t get the Hulk to help out.
Peter Quill was asked by Gamora to kill her. When the time came, he was actually willing to, but was stopped by an outside force. This was never addressed again, and then they both died. Cool. 
I understand that they might be trying to introduce all these plot points so they can address them in the second half, but.... like........... half these characters died already, and also that’s not a good way to write a two-movie story. Series’ need to have satisfying arcs within each independent installment. This movie did not.
((You may have noticed, also, that most of the characters the movie TRIED to give actual character arcs to, even if they failed, are white men. I noticed that too.))
Characters who have barely if ever been allowed to know happiness or contentment or safety, and then just die, are not enjoyable character arcs, fuck off.
Especially Bucky, but also somewhat true for Gamora, Mantis, Wanda (plus I’m still mad about Pietro). Don’t kill characters who’ve never really gotten to live well. Don’t make characters who only get to suffer and then die. Character arcs like that are almost always written by white male writers about marginalized characters, and it just feels violent. 
Steve’s new shield was weird.
I was actually hyped about T’Challa being the one to get him a new shield, because then it’d still be made of vibranium!! And everything from Wakanda so far looks rad as hell. But, uh... I wasn’t a fan of the design. It doesn’t look throwable, or big enough, or particularly useful. It didn’t do anything cool that I noticed. I thought maybe it was going to have a force field like the shield capes W’Kabi and the other male warriors used in Black Panther, or something else technological. Instead it just, like, gets 4 inches wider if you... put it on... or something??? Mediocre. Not worthy of having been made in Wakanda.
I just wasn’t a fan of pretty much any of the new designs they added to this movie (except the new spider suit, and that one lady villain; but that was really it). 
“All the stones together can alter reality!! Obviously the only solution is murder.”
I know everybody has said this, but why... didn’t Thanos just... create more resources. If the problem was too few resources, why didn’t he snap his fingers and make more??? If you have the ability to alter reality and remake the universe with a snap of your fingers, and your intentions are to improve the quality of life of all people’s throughout the universe, why the fuck is your only solution “murder half of everybody”?? 
And why would you murder a RANDOM half of everybody? Why wouldn’t you murder, like “the half of everybody who is the shittiest to other people, on a planet by planet basis” or something? Like, if your intentions are truly benevolent but you also truly can only use murder to improve the universe (which, like, is a very VERY bullshit “if” but I digress), why would you think the best use of murder would be “random”? That just seems like a privileged person trying desperately not to sound bigoted (while sounding bigoted nonetheless). 
So it doesn’t matter if they’re a mass murdering dictator, or a serial killer, or a sexual predator, or a corrupt politician lobbying for a skewed distribution of resources based on bigotry? They’d still only have a 50/50 shot at dying, even though you claim to be doing this for the betterment of the remaining people’s quality of life? 
What about communities that have already suffered genocide? They have to suffer that again, because you can’t get your head out of your ass long enough to comprehend the nuance of this bullshit situation you’ve created?
What about people who are studying genetically modified food to make resources more plentiful? People who spend their whole lives making hugely positive differences in the distribution of resources? People who are just good, and care about others, and take steps to improve the lives of others, people who aren’t going to fuck up the paradise you want to create? They also have that same 50/50 shot?
And if your goal is only the deaths of 50% of the people in the universe, what about bus drivers who are actively driving buses? What about surgeons who are in the middle of surgery? What about people driving cars on the highway? Killing half the population instantaneously would result in way more death than just half the population. 
This plan falls apart more and more the more you think about it.
"The biggest cast of all time” and NOBODY is queer. 
Like, there are two characters in the entire MCU who could conceivably be considered canonically queer: 
Valkyrie, because she was supposed to have a scene indicating her canon bisexuality. And even though they cut it, it was IN THE SCRIPT so it’s halfway canon.
Loki, but only because he’s queer (genderfluid and pansexual) in the comics. So like, he’s NOT canonically queer in the movies, but he’s also not specified as NOT queer, so...? The writers definitely didn’t intend it, despite queercoding him, but we can pretend. 
And in infinity war, Loki dies 5 seconds in, and Valkyrie straight up doesn’t exist. So????? It was boring and sucked.
They attempted to address the MCU Villain Problem, and failed.
The MCU villain problem, AKA the villains in most MCU movies are forgettable and boring because they and their schemes always came as an afterthought. 
Recently, to address this, the formula (as seen with Killmonger and the Vulture) seems to be "a villain that needs to be stopped, but who is understandable and maybe even relatable and likeable". In both the case of Killmonger and the Vulture, this worked (not perfectly, but it did). They made the villains PEOPLE outside of their villainy. They made them complex, and it was compelling and therefore memorable and interesting. 
They tried to apply this formula to Thanos... in the worst possible way. 
As I’ve already talked about. They tried to make him complex to avoid their usual villain problem, except in the process they MADE HIM THE PROTAGONIST. There wasn’t a hero protagonist. There was only Thanos and a lot of heroes trying to stop him, and posing no real threat to him or his plot at any point.
And the heroes OPPOSED him, but they did not properly condemn him or his logic, and then he won.
Fatphobia and emasculation aimed at Quill for the lulz  
They wanted Peter Quill to be threatened by Thor for some reason, and the way they chose to do that was to make Quill’s friends call him “one sandwich away from fat” and thus “not a man”. 
Then he started vowing to commit to a better exercise routine or something, and tried to lower his voice to sound more like Thor. Bless Thor for not understanding what was going on and thinking Quill was mocking him (aka, not thinking of Quill as having anything he’d need to compensate for), but Quill being threatened by Thor, as well as his jealousy of Gamora’s attention to a “more attractive” man, honestly just felt like the writers scrambling for a reason to give the characters conflict, and settling on a toxic and offensive trope. 
Especially because Chris Pratt is In Shape. He has like a six pack. He’s objectively NOT fat. If he were, and they mocked him for it, that would be fatphobic and shitty, but the fact that he’s NOT just makes it baffling on top of being fatphobic and shitty. It’s like those makeover movies where they put glasses and baggy clothes on a conventionally attractive woman and then claim she looks terrible. 
Bad.
There were better options for Thanos' reasoning and the writers... really should have taken them.
I have HEARD that the comic version of Thanos’ motivation was “He’s in love with the embodiment/god of death, and wanted to kill half of everybody to impress her” and to be honest that would have been a better option.
(Side Note: Maybe the use of Hela as the Goddess of Death in Ragnarok is why the writers of Infinity War hated Ragnarok. Maybe they were mad they couldn’t use her for this movie, and that’s why they murdered and buried everything Ragnarok accomplished with such thorough dedication.)
Other better Thanos motivations just off the top of my head: 
He wanted to take over/colonize/enslave other planets to house his own people who DID use up the resources on their own planet.
There’s actually something ELSE he wants to use the Infinity Stones for, but he needs to kill tons of people to get it, or to get the Infinity Stones.
He was cursed to be immortal and will not be allowed to die until he kills enough other people.
He needs to trade like 10 million souls to the embodiment of death to bring someone he loves back from the dead.
He plans to harvest people from a bunch of different planets to produce a youth serum for alien elites-- (no wait that’s the plot of jupiter ascending)
He just hates people and thinks people should die.
He literally eats people, and he’s enormous so he needs to eat a lot of people.
Just saying, all of these are better motivations than “I’ve just gotta murder people cuz if I don’t then people will run out of food, and then they’ll die. I don’t WANT to, nobody else wants me to either, but I’m going to anyway. I’m sad about it.”
"We don't trade lives" 
This was a line from Steve about killing vs not killing Vision, and in the subsequent context of the movie, it’s violent as hell. 
“We don’t trade lives” he says, to discourage Vision from consenting to death to save everyone. Then he/they take Vision to Wakanda where Wakandan soldiers lay down their lives by the dozens to hundreds to protect Vision. Vision, who was willing to die. 
Steve Rogers is a soldier. He KNOWS that trading some lives for other (hopefully more) lives is how this is going to go. He knows. This was like the “Language” line from Avengers; it doesn’t make sense for the character.
But even beyond that, as I’ve said, they are absolutely going to-- and for that matter they were PLANNING to trade black Wakandan lives for Vision’s safety. And even if that weren’t a plot point, they’d be planning to potentially trade their OWN lives for those Thanos would kill if (when) they fail. 
“We don’t trade lives.” Yes, you do. Of course you do. And the audience knows it because the audience has seen all your other fucking movies. 
Why couldn’t the writers take a breath and stop trying so hard and just let the characters say what they mean. “I don’t want you to die.” “Please let us try to save you.” 
Why couldn’t they have just, like, made up an actual reason why they couldn’t afford to lose Vision? Maybe Vision’s headaches could have been actually utilized as a warning system? Maybe Vision could have communicated telepathically with Tony’s AI all the way through space, so Vision was their only was to know what was going on with Tony and Co.? Maybe destroying the stone while it was inside Vision was massively dangerous (like, could have gone off like a bomb or something....? I mean he CAN use the stone like a laser, maybe trying to destroy it would make it detonate.). 
THERE WERE OPTIONS. Instead they went with the absolute fallacy of “We don’t trade lives,” delivered by a character who would never have said that, and followed by the traded lives of MANY black people for one white man.
Bad.
The Soul Stone has really low standards for supposedly having high standards
Why require somebody to go through with a whole test of “give up the thing or person you love most” to acquire the Soul Stone? Like, the explanation “A soul for a soul” was kind of cool, but what does that have to do with love? It’s not the Love Stone, it’s the Soul Stone. Love doesn’t have anything to do with that, and even if it DID, Thanos’ version of love should have made the stone go “Um, I think the fuck NOT, you abusive motherfucker,” instead of “Sure! I’ll hand phenomenal cosmic power over to you because you just seem super legit. Nothing could go wrong here.”
Was the love thing even real, or was the Red Skull just bein’ his racist self, and wanted to watch Gamora get tossed off a cliff because he’s a nazi and bored as hell?
Furthermore, why did only one of the stones require a test? Is the Soul Stone just really needy? What is the deal with these stones??? Nothing was ever explained at ALL and it made NO SENSE.
Gamora deserved better, and so did every audience member who’s ever been abused.
I’m just gonna circle back to this point and address it head on.
Here’s a great article on this subject from somebody better equipped to address it than me.
But basically just... fuck the writers for showing us her power, and then making it pointless. Making her stab Thanos in the throat and then allowing him to wave it off like it didn’t happen or didn’t matter or like he was just testing her. Fuck the writers for letting her be murdered at the hand of the man who ruined her life, to further HIS goals, and to give HIM ‘depth’. 
If she doesn’t get resurrected in the next movie and deliver the killing blow, I will be even more furious than I already am, and that is honestly already an impressive level of fury. 
God I’m so fucking glad I didn’t pay to see this garbage fire of a movie.
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coline7373 · 8 years ago
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(I tried to send this through asks before and clogged up your ask box ridiculously, and it wouldn’t go all the way through, so hopefully this works? Sorry!)
Re: your post about Geno: I understand why you’re upset! It’s very hurtful when you realize that someone might not be who you think they are.
But the thing is, hockey players are young (mostly straight, mostly white) men who have been idolized and put on pedestals for most of their lives, and they are not going to hold the same views you and I do. This is not a good thing! NHL has Issues with misogyny and homophobia and racism. Just look at what’s happening with Jaret Anderson-Dolan. Or, on a microaggressive and been-going-on-for-longer scale, things like ‘Cindy Crysby’ (although, tbf, that has dropped quite a bit as years have passed).And if Geno supports Trump (most likely he does, but also most likely, like most other rich white dude athletes  he probably doesn’t give a fuck about politics either way), then the thing is, a lot of American players have probably voted for Trump.The NHL obviously needs a lot of cleaning up, but it’s unfair that Geno, and only Geno, is held culpable for his private thoughts which he has never expressed in public (and although I’m like 90% sure that he is very much not a liberal, there is always that 10% unsureity and it’s always a good idea to give a person the benefit of doubt).
Also, no person is responsible for their partner’s views, and though Geno obviously doesn’t exactly disapprove of Putin, and obviously he’s not disgusted by Anna’s political views, we have no idea what Anna’s stance on, say, what’s currently happening in Chechnya is, let alone Geno’s. And while Anna and Geno are obviously in a better position to be informed about Putin than most of Russia, Russia is not exactly known for free and fair press so they may have absorbed all kinds of propaganda. Which does not mean they aren’t culpable for any bigoted opinions they might hold! They fucking are. It’s just a possible reason.
Also, holding Russia to a different standard than the rest of the world is A Thing a lot of countries do, and Russians along with Russia because they have a terrible President. Look, a lot of the 'progressive’ world turns a blind eye to homophobic (and misogynistic and racist but let’s just stick to homophobia for simplicity’s sake) shit that goes on in a lot of countries (Indonesia, Mexico, Tanzania, Iran, Ecuador…and these are just five countries I named off the top of my head where horrific violence is happening against LGBT people right) because it’s politically convenient to them to support those regimes and even when the countries themselves are actually making some token overtures (no, a light swat on the hand is not going to prevent homophobia!) the citizens of the progressive countries just don’t give a fuck. Which, fair enough, our countries, our messes. No-one else is obliged to clean them up. But that also means singling out Russia and Russians is, well, more than a little bit hypocritical.
And look, Geno has not been overtly misogynistic or racist or homophobic on camera, as far as I’m aware. For a hockey player, that’s quite a coup (although of course you could argue that players who are at Geno’s level of talent have obviously been trained for international-level fame from when they were very young and also have a lot more extensive PR coaching for day-to-day stuff than more minor players and are unlikely to slip up). Also, you know, those remarks about him being okay with having a gay teammate from the Olympics can’t be quite discounted, because, as you said, he’s from Russia. He could have gotten away with 'no comment’ and no-one would have thought any less of him, but he didn’t. So there’s that.
And, again, because he’s rich dude who is in a very secure position both socially and financially, he might be not at all homophobic or misogynistic or racist in his private life and yet support politicians who are homophobic or misogynistic or racist, because a lot of those things won’t impact him.
The thing is, this is hockey. A lot of the people here are not nice people, and I’ve made my peace with that as long as they don’t do anything overtly terrible in public, so. I guess that’s what I’ve been trying to say?
(Again, sorry for the tl;dr!)
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