#notable knowings

[johntylermounce]

Kid Sister.

You've given me hope in something I've never had

Especially since I'm not old enough to be your dad

But you're more like a kid sister that boldly supports @glamour

So happy to find you're one not to get mad

And learning more about you can often be sad

This is why I'm boldly putting out my hand.

Written sometime in.. 2016.

But, finally posting now, here in 2023.

[ofswordsandpens]

I fear that "fire bending didn't come easy to zuko" and "zuko isn't a prodigy" (both true) has somehow snowballed into "zuko is a bad or at best average fire bender".... which simply isn't true, especially by the end of book 3

[suzannahnatters]

Last night I remembered another of my favourite Tolkien wifeguy facts.

So in Western mythology we've often personified the Sun as masculine and the Moon as feminine. Off the top of my head: The Sun is associated with purity, reason, scholarship, illumination, constancy, dragons, gold, and masculinity. On the other hand, the Moon is associated with darkness, silver, impurity, flux, change, uncertainty, fickleness, and femininity.

You can see all this imagery being adopted, eg, in the Mozart opera THE MAGIC FLUTE, in which a benevolent scholar wizard (with solar imagery). straight up kidnaps the daughter of the evil, passionate Queen of the Night so that she can be properly educated in Enlightenment rationalism, purged of all those icky feminine night/lunar influences, and turned into a good submissive little wife for the scholar's young disciple. Guys the music slaps but the story is SO gross and misogynistic.

Anyway, what does this have to do with Tolkien? I'M SO GLAD YOU ASKED.

In Middle-Earth, Tolkien does a GENDERSWAPPED Sun and Moon. The Sun is She, the Moon is He. And, like, it's not that he just thought "oh how can I make this mythology Different" - he really thought this through. In THE SILMARILLION, Tolkien tells us that the Sun and Moon are two vessels made from the last flower of Telperion and the last fruit of Laurelin, the Two Trees which once gave light to Valinor. Two Maiar were chosen to pilot these vessels. The pilot of the moon is Tilion, a hunter of Orome, and the pilot of the sun is Arien: "Arien the maiden was mightier than he", a spirit of fire whom I strongly suspect to be an unfallen Balrog.

Now, just as in our world, the Moon in Middle Earth has a reputation for waywardness and unreliability. Because, get this, apparently Tilion falls in love with Arien: "But Tilion was wayward and uncertain in speed, and held not to his appointed path; and he sought to come near to Arien, being drawn by her splendour, though the flame of Arien scorched him, and the island of the Moon was darkened."

And I just. Here's Tolkien, standing up in the face of centuries of unveiled misogynistic symbolism and saying, "oh, we've got two celestial entities, one of which is powerful and bold and glorious, and the other famous for being kind of lame in comparison? SOUNDS TO ME LIKE A SWAGLESS LOVER BOY ABANDONING HIS DUTIES TO WORSHIP HIS GODDESS. I MEAN OBVIOUSLY. WHAT ELSE COULD THE EXPLANATION BE"

[stellerssong]

Tell us the sex stone joke

so this joke requires the light setup of, as the Resident Geologist, on any given hike my dad will have been subjected to a light barrage of Hey What's This Rock I Just Picked Up Off The Trail, answers ranging from "that's clearly serpentinite, the state rock of California—note the distinctive gray-green color and soapy texture" to "that's probably a local mudstone" to "that is a piece of concrete" to "that is tanbark."

the joke typically runs as follows:

you, presenting an interesting pebble for identification: hey, what's this rock i just picked up off the trail? my dad, after a few seconds of thoughtful examination: ah, interesting. what you have there is what's known as a "sex stone." you, slightly shocked by the apparent erotic provenance of what you thought was a random rock: oh! okay. i see. thanks. my dad, slyly: would you like to know why they call it that? you: um. yes? my dad: BECAUSE IT'S JUST A FUCKING ROCK.

[captaincrazycreative]

I love that Celia went to the Jonah Magnus school of

"Giving vague and ominous hints towards your big mysterious twist backstory."

"Lets just say i have a...complicated immigration status."

GIRL YOU ARE NOT SUBTLE

[canisalbus]

While they're certainly no dogs, I saw this art and knew instantly who it looked like:

.

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[vvienne]

knowing what we now do about pal's ideas about the permeability of souls casts this interaction in a fun new light

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[johntylermounce]

Watch Fiona Apple - I Want You To Love Me (Official Audio) on YouTube Music

Yes, #2020 but just starting a full listen from Artist's intended point-of-view how the album shall be listened in full.. #forthynight. Also, attached is a proof sheet from: #PhotosbyJohnTyler and just waiting to return to 35mm vintage found camera to return to studied Craftsman's shift. Noted: trios exhibits appreciated and funded to.. #LakeCharlesLA. Follow on IG to ponder the titles of notoriously prestige exhibits. Apple, F. Gives an insightful mind frame while combing a great read, 'The Writer's Art' by: James J. Kilpatrick.

Model: Casey Laine.

[mylittleredgirl]

controversial opinion, but i love second-person pov in fic. in this case, i specifically don't mean x-reader; that seems like a different kind of story that scratches another itch.

i want you to be a fully-fledged character, familiar, recognizable. the thing i love about second-person is not that it inserts me into the story as a reader, but that it inserts the narrator as this omniscient, invisible, inescapable force.

in present or future tense -- you do this; you will do this -- the repeated you becomes a back beat of inevitability. the character is being moved from page to page by the voice of god, and we can see god's shadow on the wall. the you is so bound by the constraints of their own character, their own nature, that they could never have chosen another path. it creates an undertone of horror in any genre for me. the story is that there could be no story other than the one the narrator chooses to tell.

[prolibytherium]

Just in general I think trying to look to pre-late modern period history for validation of LGBT+ identities is an absolutely useless venture. Every single underlying human experience defined through the lens and framework of LGBT identity has always existed, but it's impossible to pin down Exactly who and what a figure might have been if they existed in this contemporary context and decided to self identify via these labels.

It's also a wildly reductive lens that flattens the complexity and variety of how sex and gender has been constructed across time in different cultures, how sexual norms have varied, etc. This is not a constructive approach to learn about history and you're never going to be able to fit historical figures neatly into little identity categories.

[thethirdromana]

Mem., get recipe for Mina: a food guide to Dracula Daily

Inspired by There and Snack Again (in which you eat along with the LOTR movies), this is your guide to eating and drinking along with Dracula Daily.

All under a cut because there's no way I can do this without extensive spoilers. I strongly recommend not reading this unless you already know what happens in Dracula. Also only if you're comfortable reading about alcoholic drinks - there's a lot of booze in this novel.

Let's eat!

2 May We start with the famous paprika hendl. Google "chicken paprikash" and choose whichever recipe most strikes your fancy.

3 May For breakfast, choose from mamaliga (cornmeal porridge, similar to grits), "impletata" (vânătă umplută - stuffed aubergine) or anything with more paprika in it.

4 May For dinner, Jonathan has robber steak: "bits of bacon, onion, and beef, seasoned with red pepper, and strung on sticks and roasted over the fire".

5 May Slivovitz, if you'd like it (Jonathan declines). Then, for dinner, Dracula serves up roast chicken, with some cheese, a salad and a glass or two of Tokaji wine.

6 May "A cold breakfast" for Jonathan. In Romania a cold breakfast might include boiled eggs, telemea (sheep's cheese), franzela (bread) with assorted spreads, sliced cucumber and tomatoes, and sunculita taraneasca (sliced smoked pork). Jonathan also has "an excellent supper", but doesn't tell us what that includes.

16 May Would it be too bleak if I suggested eating a symbolic Jelly Baby?

26 May A glass of wine as Quincey and Jack congratulate Arthur and drown their sorrows.

18 June There's a kind of Scottish fruit slice called "flies' graveyard". That might make a suitable snack given Renfield's meal today.

24 June I guess a gingerbread woman, for the wolves? IDK, it turns out doing this for a horror novel is a bit grim.

8 July Thankfully the internet has hundreds of ideas for spider-themed cakes so you can eat along with Renfield.

18 July The voyage of the Demeter begins! Celebrate by eating like a sailor: have some salt pork, or make ship's biscuit.

20 July Renfield has just eaten several sparrows. Provide redress by feeding birds near you, bird flu guidance permitting.

24 July Imitate the "feet-folk" from York and Leeds by drinking some tea or eating some cured herring.

10 August Lucy and Mina enjoy a "severe tea". There are lots of severe teas in Victorian literature, but few writers actually describe what's in it - e.g. the Churchman's shilling magazine, 1868, has a story with a severe tea "which implies coffee, tea, and muffins, with substantials". What are substantials? I have no idea, but that's what you should eat today.

11 August Dracula has a little nibble on Lucy. I don't suggest doing this for every vampire bite in the novel, but given this one is particularly significant, how about marking the occasion with some black pudding?

30 August No food details for a while, but in this entry, Lucy notes that she "has an appetite like a cormorant" and "Arthur says I am getting fat". Celebrate with some cake.

3 September Van Helsing has been! And surely he wouldn't have come all the way from the Netherlands empty-handed? Acknowledge his visit with some gouda or a stroopwafel.

4 September Eat some sugar, which Renfield has requested for his flies.

7 September To stay in line with what the characters actually eat and drink, have a glass of port (though ideally not if you've just given blood). But for the real spirit of the day, consider a corn-on-the-cob.

9 September Free space! Jack has "an excellent meal" but doesn't say what it is. Dig into your favourite dinner.

10 September A sip of brandy, with which Van Helsing wets Lucy's lips.

11 September The garlic flowers arrive. There's lots that you can make with wild garlic - personally, I like it in risotto.

17 September A boxful of garlic flowers arrive for Lucy every day. Time to make chicken with 40 cloves of garlic. Other options for today include more black pudding (in honour of Renfield lapping up Jack's blood) or sherry.

18 September The Zookeeper enjoys a teacake, and so shall we.

20 September No food, but the labourers have "a stiff glass of grog". This is rum diluted with water, but you could also add lemon or lime juice, sugar, and/or cinnamon.

25 September Nibble another Jelly Baby for the Bloofer Lady.

29 September A lot happens in this entry, but there's not a lot of food. There are thirsty labourers, however. Maybe have a beer?

30 September Mina makes everyone a pot of tea. Also, we don't know what they have for dinner, but they eat it at 7pm, if you'd like to time your evening meal accordingly.

1 October More tea! Since this is being gulped down by a working man, make it builder's style - strong, sweet, lots of milk.

2 October Jonathan visits the Aërated Bread Company. He only has a cup of tea, but you could have whatever you like best from their menu:

(source)

3 October Dracula forces Mina to drink his blood like "a child forcing a kitten's nose into a saucer of milk". You could either have some more black pudding, or drink a glass of milk in solidarity with Mina.

15 October The Crew of Light aren't focusing much on meals any more, but they have travelled on the Orient Express. Here's the 1887 dining car menu.

(source - I can't vouch for the accuracy of a random person on Twitter but it looks plausible)

29 October No one is thinking of food in this bit of the novel (though Mina makes yet more tea), but as they're heading to Romania, have some sarmale. These stuffed cabbage rolls are the Romanian national dish.

31 October Mina and Van Helsing have "a huge basket of provisions". Have a picnic in their honour, if it's warm enough where you are.

1 November Mina and Van Helsing have "hot soup" into which the local cooks have put an extra amount of garlic. Consider having a truly extra amount of garlic with this 44-garlic-clove soup.

7 November The Crew of Light return to Transylvania. No details of food, but in honour of their journey, I would suggest a final round of chicken paprikash, to bring us back to where it all began.

[jeremiahthefroge]

Hey so y'all know how Garroth asks Aph if she's sure about taking in Levin? Because her duties as a lord might get in the way? Do you ever think about how he was raised? And how maybe he's looking at Levin and seeing another kid who might suffer bc his parent is too busy being important to love him, and he's afraid? Because he knows (or at least REALLY wants to believe) Aphmau wouldn't do it on purpose, but then again, part of him still wants to believe his father didn't either? And the way he IMMEDIATELY volunteers to be in Levin's life, IMMEDIATELY steps up at every occasion, gets Zoey involved, ACTIVELY SAYS THAT HE KNOWS LEVIN WILL BE SOMETHING GREAT SOMEDAY TO OTHER PEOPLE?? He's making DAMN sure that kid has people in his life, and that the kid has somebody who unapologetically is proud and enthusiastic about him. I think he's making sure no kid ever has to grow up anything like he did.

[thestarfishface]

Finalizing the script for my next video, hope you guys like several paragraphs of genuine constructive writing advice occasionally interspersed with rants like "STOP GIVING YOUR CHARACTERS BOTH HUMAN AND ANIMAL EARS, THEY DON'T NEED BOTH, PICK ONE"