#not tagging her she doesn't deserve it

[canonically47]

8

8: common fandom opinion that everyone is wrong about

i'll say it with my whole chest, so much of the fandom seems to like sierra, EVEN AS HER CANON SELF, and it's like this fandom-wide accepted opinion that she's a bearable character when she IS. NOT.

funny? very debatable, but for the sake of the argument i'll say yes-ish. has a good moment or two? perhaps. able to fend for herself? well, BUT BEARABLE??? are you kidding me i hate her. how can anyone like her. I GET THAT IF YOU REWRITE HER YOU CAN LIKE HER... i like my rewritten version of her... but she pisses me off sooo much and like. people are out here shipping her with heather and izzy when in reality she'd be the most annoying piece of shit around them too. do you not think those poor girls deserve better than this freak?

she is literally the insert of a weird group of fans why does anyone see anything in her...

ask game is here

[thelilylav]

We only see each other at funerals

(On Jason, Thalia, Nico, Bianca, and their parallels/connections)

The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art

[the-bi-fangirl-biatch]

the entire season they've shown sylvie perpetually being okay to just walk away from the fray and getting no consequences whatsoever. which would be ok since she doesn't rlly care about them like loki does. but in the end she just moves on so fast after she watched loki isolate himself and go off JUST to fix her mistake.......

meanwhile mobius is there, frozen in that time, left behind by the person he's an "expert" on not only bc of his job but bc of their friendship, him quitting the job that was his entire life, because loki has left and his previous purpose didn't have loki anymore

it's just fucked up how everyone else got their happy endings (good for them) except for loki and mobius. they're apart, separated once again, looking miserable in their last shots. just like last season.

[skyrigel]

I don't feel loved

[kitty-av]

Y'all, the 4:45 AM art demons have struck, for some reason I've just been awake this whole night. I have not drank cola or pepsi or anything like that, I don't know why.

Anyway, art tends to somehow be way better when drawn in ungodly hours, so I randomly drew Fright Knight on a date with Dora. Here you go •^•

ฅ⁠^⁠•⁠ﻌ⁠•⁠^⁠ฅ Cat because I felt like placing one here.

Have a good day/night everybody! •^•

[mulders-too-large-shirt]

my favorite scully moments from s2

after the x-files are shut down, she gets moved to teach at the academy, and in episode 1 she does a little monologue on how a person’s body is a physical manifestation of a lifetime, which one of the students describes as “spooky”

when mulder sneaks off to puerto rico in the same episode, she goes into his place to try and figure where tf he went, and prevents his sneaking about being caught by the investigators who broke into his home with the power of feeding his fish

lecturing about the dangers of eating raw steak in episode 2, then getting lost down a rabbit hole of worm science

when no one was answering the door in episode 3, she just walks in. this made me laugh hysterically, i cannot explain. both of these guys WILL enter your home.

every single time she is a bit of a medical nerd, like when she learns about the surgery that allowed people to survive without sleep in episode 4, which she describes as “incredible”

(and the freckles + flower earrings combo were also a fave)

when she scans the piece of metal that came from duane barry in a grocery store in episode 6, and the cash register goes crazy. and she denies involvement and just walks away LMAOOO <- honestly i'd do the same!!

she wakes up from her coma in episode 8 and wants to write a thank you note to the nurse that took such good care of her, only to learn no such nurse ever existed. scully got to witness the paranormal for once!!!!

in episode 9, someone brings up a volcano scientist in conversation, and she says she had heard he was brilliant, which means that somehow she is keeping up with volcano news. she is a woman of many layers.

being deeply worried about this scared looking grad student she just met, and once again not waiting for an answer to enter her room and figure out if she is okay

(and when said grad student is being consumed by a fungus, scully thinks quickly enough to get herself locked behind a door, keeping herself safe, despite being handcuffed and otherwise looking death by fungus in the face)

in episode 11, mulder walks into his office, only to learn she has been there and has been going through his stuff since 6 in the morning. queen of getting results!

in the same episode, an old man overdoses on mushroom pills, and she shifts into Doctor Mode, yelling about “ventricular fibrillation” and “milligrams of lidocaine” and it was, like every other time she goes Doctor Mode, so deeply satisfying to watch

when she meets the two cops in episode 12, and can immediately tell they are having an affair and that the detective is pregnant, and despite the detective pleading with her not to tell a soul, the absolute MILLISECOND she is reunited with mulder, she spills the tea. and he is SHOCKED! <- arguably my favorite moment in the entire series so far

(and, to make the woman feel more comfortable, she confesses to also having had feelings for coworkers before which. elaborate on that, please)

but she really does care; when the detective ends up in the hospital, scully brings her a change of clothing <3

when she is so shaken by what she sees in episode 13 that she goes to the FBI’s onsite therapist; she’s too scared to tell mulder how she feels because “i don’t want him to feel like he has to protect me”

(as if there was ever going to be a choice; he is the protector and he Will protect, it's just his nature)

((and then later sobbing into his arms, realizing she doesn’t have to always put on a front))

toads start falling from the sky in episode 14, so she rationalizes that they likely came from a nearby tornado. this is a scully-approved theory.

they’re investigating a murder in the same episode, and a teenager starts pouring her absolutely horrific trauma out to both of them, scully holds her while she sobs into her jacket

honestly any time either of them know weird information, i love it. she says that it would take hours for a snake to eat a man and then weeks for it to digest in episode 14, and mulder makes some funny remark but it’s sooo endearing to me. she knows her snake facts.

then in episode 15, she notes poison in someone’s blood, but specifically that the poison comes from pufferfish eaten in Japan… girl i’m crying, she just knows stuff!

during that same case, they get rooms near each other like always, and she knocks on a door thinking it’s mulder’s. he doesn’t answer. she walks in and hears water running, so she just talks to him through the door to the bathroom. and i love this so much. i love that they are close enough to just walk into each other’s rooms and talk from behind the door while the other showers. it’s such married behavior.

working on the case in episode 16, we see her at home wearing a flannel, checking her computer, still serving looks but now giving casual

(and seeing the art she keeps on her walls- little postcards of beach scenes <3)

in the same episode, she knows mulder left to go get himself in trouble, so she bursts into skinner’s office to ask for help. but she feels bad for barging in on skinner, so she apologizes to him. which was very sweet.

when mulder is gone, she goes to his apartment to look for clues, and falls asleep on his couch

(and when X knocks on the door, she knows he is hiding something, and screams at him to tell her where he is)

this whole monologue from episode 17, which i loved more than life itself:

“several aspects of this case remain unexplained, suggesting the possibility of paranormal phenomena. but i am convinced that to accept such conclusions is to abandon all hope of understanding the scientific events behind them. many of the things i have seen have challenged my faith and my belief in an ordered universe, but this uncertainty has only strengthened my need to know, to understand, and to apply reason, to those things which seem to defy it”

(and that is just Her, isn't it? the need to understand, to rationalize. the worldview shaped on science- if she doesn't understand something, it's because a key piece is missing, and she'll find it. because the world Has to work that way, has to be bound by a greater logic, even if it is yet to be understood. to imagine otherwise would be impossible, to imagine otherwise would be to abandon hope in everything, and she cannot abandon hope)

((and maybe the idea that the world being something she cannot perfectly comprehend is a failing of her own understanding makes me a little emotional. but still))

she says that the whole loaves and fishes deal was a parable in episode 21; she is not a biblical literalist

(she then makes some sassy remark about things generating spontaneously, and mulder laughs in the corner. good to know he thinks she is funny)

every single time she answers the phone, she says “mulder, it’s me”, and idk i just think it’s so endearing

she thinks she might have been infected with a killer disease in episode 22, but mulder calls, so she tells him she’s okay and to take care of himself out there.... those are the last words she chooses, just in case they never talk again </3

and every time she says unsettling things, like “could be the residue of burnt human flesh” or “darkness covers a multitude of sins”, both in episode 23, i eat that up

reassuring her student who has just become a detective that she is doing just fine!!!

and then going to said student's funeral when things do not turn out fine... she loves her students that she taught for like 3 months so much :(

getting pulled aside by skinner and her bosses after mulder just acted wild in episode 25, and denying that she had seen any top secret files even though they say they will fire her if she lies lmaooo <- she is a ride or die!!!

but also going to his place, demanding assurance that she is doing the right thing by assisting him, and i love that. i love a character who will break all of the rules as long as they believe they are doing the thing that is morally Right, and that definition is so deeply her own, but she is committed to it, and she'll do anything to stick by it. and he just says something about getting the code that he wants broken, and despite how awful he's being, she goes through with it anyway because it's the Right thing to do.

later, her being the one to realize that mulder should not leave the house after his father was killed because he will be the prime suspect (he does not listen to this sound advice)

he stumbles into her place with a million degree fever, and she carefully lays him down in her own bed, despite the fact that he is soaked in his dead father's blood. and she takes care of him.

this one honestly deserves its own post because it is so incredible, but: shooting mulder with enough precision to get him to knock off his wild behavior that was going to make him look like he killed his dad, but not actually HURT him, then finding out krychek was putting LSD in his water, knocking him out, and driving 2 days to New Mexico to get him where he needed to be. AFTER he had been acting wild because he was inadvertently drugged, and had accused her of spying on him and being a traitor. that level of love is deep. very very deep. she is a Lover.

[fortunatelyyoungbarbarian]

Can we talk about Yue?

Let's just say there is a world where she doesn't have to sacrifice herself for Tui - because my girl deserves so much better like look at her.

But also, imagine the interactions she could have with all the other characters!!

Also, for that point, I'll be ignoring the fact that she'd most likely wouldn't leave the northern watertribe because responsibilities and her parents and jade jade. Let's just say it's her time for teenage rebellion and she sneaks off with the gaang or something. Idk.

Like she'd be there for the character development for Aang, Katara and Sokka (even Zuko).

But imagine she meets Toph!

Toph 'fuck you and what society/ my parents expect from me, I won't be put into a damn box because I'm not delicate porcelain to be put up on a shelf, I'll go kick ass and show people who I am, who I really am' Beifong?

That sounds so interesting! Like their parallels? Both being kept 'protected' and being put into positions they don't want and don't like (Toph being keept in a cage so to say and Yue being married off to someone neither she nor he loves).

But also, Yue is what Tophs parents see as a perfect daughter. She is soft spoken, elegant, meek and such. She is what Toph isn't.

But Toph gets free. She runs away and becomes happy and free.

I feel like they'd be such good friends once they get over the struggles. Toph would go commit some chaos and Yue would just smile and come along.

Imagine she meets Azula.

She's basically the opposite of Yue but they both have the same royal devotion. Also, Azula is a girl and it doesn't matter, she's respected and she's badass. That must be a culture shock for Yue.

Also, I think Azula and Yue have quite the interesting parallels as well. Both of them are the 'perfect princess' in the eyes of their people and culture but they are soooo different. Both put their duty above themselves in a way, both are 'blessed' (Yue literally by the moon and Azula is a prodigy), both have fathers who decide things for them (The whole marriage thing with Yue and do I even have to go into detail with Ozai?), both are kept in this cage of responsibilities and duty and both suffer in the end because of it, not having experienced the freedom a child of their status could have had their whole life only to be doomed in the end.

(Also, if we just mess more with canon and redeem Azula, I think they could be besties as well. Like they could learn so much from one another. Azula is sorta like an unhinged and abused Katara so I think it could work.)

Her meeting Mai and Ty Lee would also be something.

Nonbenders who are fucking badass? Respected for who they are? I imagine they could teach Yue how to defend herself. Just imagine Yue throwing knifes and chi-blocking people.

Same with Suki.

Another nonbender who's badass and a leader of a respected group. I think they'd get along just fine.

(Also, about that whole ship drama that would probably happen: I don't really care about ships so idk, make them poly? Who cares, just let them be happy man)

But what I would be most hyped about would be her meeting with Kanna.

You know, Kanna, who said fuck you to the sexist rules and just fucking moved across the world while a war was going on? Kanna, who basically told Pakku to fuck off and she won't marry a sexist man like him? Kanna, who's the grandmother of Katara? Who send Katara across the world to kick Pakkus ass (because she must have know)? The og? The legend? It would be amazing. I imagine they would both roast Pakku to his face. And Kanna would immediately adopt Yue as one of hers. It would be so wholesome come on.

Of course there are a lot of other characters that she'd meet, but I think the ones I mentioned are the most interesting once because of parallels and stuff.

[starfall-isle]

I’m just a ten cent copy

Of people far more advanced than me

[wannabemasterofwindintraining]

Unboys your cowboy

[bittersweetresilience]

say hi to me i don't know, i just remembered being so much brighter, i guess

cigarette ash like wildfire burning holes in the nighttime open scars feel like barbed wire white lies flying high like a ceasefire dropping flags on the shoreline this is as far as i can feel right 'cause what you don't know can haunt you

and all we ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think for a while

don't drag it out living like that doesn't mean a thing

so let's, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars 'cause happy endings hardest to fake

and i wanna let you know i wanna let you go but i just can't bring myself to speak but this is how it goes the end credits, they roll this bridge was built over kerosene but we can watch it and all i ever wanted was sunlight and honesty highlights to want to repeat let's get away from here and live like the movies do i won't mind when it's over at least i didn't think

so let's run, make a great escape and i'll be waiting outside for the getaway it doesn't matter who we are we'll keep running through the dark and all we'll ever need is another day we can slow down 'cause tomorrow is a mile away and live like shooting stars you can wish away forever but you'll never find a thing like today

[sapphic-agent]

(Sorry for the small text at the bottom)

[beanghostprincess]

A very interesting AU concept would be swapping Sanji and Pudding, hear me out:

It starts with 9 year old Sanji at G€rma. In one way or another, his modifications partially activate. He is still weaker than his siblings, but its enough for J@dge to not imprison him even after Sora's death. (He still gets berated tho) Living like this slowly makes Sanji lose his emotions. He doesn't have a will to to live, yet he can't die.

Meanwhile, at Tottoland Big Mom is furios at a 6 year old Pudding because she just can't awaje her 3rd eye. She calls her a failure, punishes her for nothing, and tells her that she isn't her favourite daughter anymore. Hearthbroken, Pudding decides to run away like her big sister Lola did by hiding in the hold of a ship. She ends up in the east blue and after the ship wrecks, she meets Zeff. They are both stuck on an island fir 80 days, but he sacrifised his leg because he could never let a lady go hungry, its just wrong. Later they are saved and end up opening the Baratie.

Zeff raises Pudding as his precious daughter. She is already great at baking, but he teacges her how to make other dishes and cuisine. Everybody loves her, and anyone who even lays a finger on her will die.

Then Luffy arrives. While Pudding's real dream is to learn about the 3 eye tribe, she tells everybody that is to find the All Blue for her old man (she still covers her eye, Zeff is the only person who has seen it). After the events of the Baratie arc, she joins the crew as the cook.

The rest of the story would be similar. Pudding is now a pirate who uses her leg fighting skills and smarts to get by. (As well as an idden power thats connected to her 3rd eye) The marines gave her the epithet "chocolate leg Pudding". Im not sure if she already has the memo-memo no mi... I'm gonna assume she does and its very useful for her.

The first change in the plot is at Thriller Brak. Pudding notices her sister, but she is scared to face her at first, since that woukd mean telling her friends about her true lineage. For most if the arc, she deribetaly tries to hide herself and even wears a disguise. In a final moment in the arc, she asks Lola to talk to her privately. We don't see what happens yet, but we will one day.

The rest of the story is the same, until Whole Cake Island. When she is kidnapped by the Big Mom pirates. When her bounty poster is changed to "only alive". When the invitation to the wedfing of the 3rd son of the V!nsm@ke family and the 35th daughter of the Charlotte family are handed out. When Big Mom decides to claim her disowned child to give her up in an arranged marriage as part of a coup. Threattening to hurt Zeff and her friends if she doesn't comply.

I love this so damn much you don't even know-- I've always been saying that Pudding's story is basically Sanji's but like, with the bad ending because she never got to escape when she was little but Sanji did. And now that you mention this AU, it's just perfect to show their similarities but also to turn the stories around and,,, It's amazing.

Starting with Sanji, I adore that the approach here is that he's emotionless. I don't think he'd be like his brothers in a narcissistic, egocentric way. I think that after being abused constantly he just loses all will to leave and shuts down completely even if there is still empathy within him. The whole thing with the Vinsmokes is that they were all raised to be powerful killing machines and that's why they act like this, not because they actually are emotionless. And Sanji in this context isn't either, he just seems like he is because he just... Gives up. So I imagine a black-haired Sanji with some blond, completely shut down and just taking the abuse and living with it and serving the family without anything else.

But there is still some type of connection in him to like, animals and women, I think. It's small but it's there. He's not our sweetest boy but he won't harm women the way Niji does and he will help and feed animals because he is strangely attached to them and cooking. But Judge doesn't really say anything about it anymore because at least the kid gets the job done and doesn't seem like he's going to rebel or anything. He's kind of like in a Reiju position? Where he understands their situation and has his own emotions but just shuts down? Except that he's well, extremely depressed and mean and she's concerned for him. I think she still protects him though, she's the only one Sanji doesn't push away. Typical "they sit in silence and she hugs him and even though he stays expressionless it's obvious that he likes it with her".

And Pudding... I love that she gets her happy ending here. I've been saying Zeff has girldad energy and it just makes sense that he'd be extremely protective of her while teaching her to cook and fight on her own!! He raised the most gorgeous, sweetest, and yet ruthless cook of all seas! I think he'd be such a great dad for her because he would help her stand up for herself and also take care of her in their early years together when she is still having trouble adapting to a new, healthy environment. Of course, she still has nightmares and trauma responses when she grows up, and he helps her anyway, but she gets better at some point.

I love that he's the only one who sees her third eye!!! That'd be like, such a good plot point too for her to join the strawhats... Also, her dynamic with Luffy would be hilarious because despite being sweet, I wanna desperately keep her mean personality and she would be SOOO done with Luffy. Their relationship would kind of resemble Lusan's a lot, imo. And Nami would be sooo happy to have another girl in the crew so early!!! I also think she'd hate Zoro but not because of like, parallels with Zosan or anything, I just think their personalities clash too much-- And she'd have a soft spot for Usopp but that's because, you know, everyone does. Also, I like having a girl in the crew that isn't part of the coward trio. She actively fights and I love it. Then Vivi and Robin join them and y'know, I am starting to think another girl in the crew would be literally amazing hahahaha (I've been saying this for so long). So I am guessing everything stays the same except that during Thriller Bark she reunites with Lola but yeah, she doesn't tell the others about it. Because that's what WCI is for!

Then WCI happens... And I am losing it because I really, really, really want her to have the biggest breakdown about it and sacrifice herself Sanji-style (don't you just love how you don't even have to change the plot because they're literally parallels??? I will never understand how some people can hate Pudding lmfao she's literally Sanji). So she's forced to do the exact same thing she does in canon if she wants to save the ones she loves, but she doesn't want to kill Sanji?? Like at all?? And then you have Sanji who literally gives zero fucks about what's going on. I think he'd be forced to act politely and like a gentleman when he literally doesn't care about all of this-- And probably Pudding finds out and he's mean to her, yadda yadda yadda.

And y'know I would absolutely love if Sanji knew they're going to kill him but couldn't care less about it because perhaps dying is better than whatever life he's living, and when Pudding realizes what's going on she makes him want to live just... A little bit. Something awakens inside Sanji and suddenly he's scared and he doesn't want to do this. Sanji sees Pudding's third eye... Pudding finds out about Sanji's mother... They actually won't stop arguing at first, Pride & Prejudice style, and then Sanji sees her with a different perspective and all of a sudden he starts acting more protectively and sweet to her? So she's confused as hell and still tries to argue but uhhhh complicated relationship they've got there, but at least they help each other out.

And idk perhaps we have the Viinsmoke sibs having the same scene they have in canon and helping Sanji out but the crucial part is Reiju paralleling the original scene in which she helps Sanji escape. And he finally does and he leaves with the strawhats because I need them to have a happy ending. So he's still dealing with, you know, trying to express his emotions and wanting to live but he'll get there someday because at least now he's safe. Nobody kisses and forgets anybody because I will not allow a sad ending here, thank you.

[kaitousassistant143]

Something that has always bothered me about totk, is that Zelda is the sage of light AND time. Like listen, I know she's been associated with both over the years but she's always been more associated with LIGHT more than time. She gives you the light arrows in most games, uses and summons them herself using HER powers, she's always wrapped up in a glowing golden pure light; even in tears of the kingdom, she's the dragon of LIGHT my guy. No time shit to be seen. And WHO has always been time hopping, time manipulating, and all around affected the most by time throughout the years? L I N K. Link has👏🏽ALWAYS👏🏽been the 👏🏽time👏🏽guy. The one who traverses through timelines, time periods, etc etc. Skyward, Ocarina, Majora, the list goes on. It just feels weird that they simultaneously switched their roles, and just gave Zelda all of it. I just think it could've been a cool parallel if Link was the sage of time and Zelda was the sage of light, especially since in ancient hyrule, it was the opposite. It would also make Zelda stand out if her ancestors were associated with time and yet she's more associated with light. It just feels like they too scared to give Link any title really besides just being the hero. Playing it plain and safe if you will. Yet making him the sage of time would be a good way to explain a lot of the plot things that go on in the main story. Not to mention his connection to the other current sages. You don't need to make Zelda a time sage just so that she can appear in the present. That has more to do with her essence or spirit. But anyway, I digress.

[sysig]

Finally made a Parapluesch OC, introducing Mama Oz ♥ (Patreon)

[brynnmclean]

WIP Wednesday

It's Wednesday!!!!!!! Tagging @butcharondir @dwarveslikeshinythings @rain-sleet-snow and @allatariel if y'all feel like participating :)

I made a post about this late last night (also one bemoaning the fact that my chapter count might grow again, seriously cannot emphasize enough that I have up until now been IMMUNE to that fic writer stereotype, I'm a chronic underwriter usually, I swear), but here's a section of the Hellblade fic:

“I want to know,” Ástríðr seethes, “I want to know you regret it—all of it, the sacrifices, the tributes, your father’s tyranny over everyone he deemed weaker than you.” Gods. Shame burns like bile in the back of Thórgestr's throat. “I do regret it,” he says, looking her dead in the eye, willing her to see the truth. “I never wanted any of it. I took no joy in it, I’m not—I’m not that kind of monster, not a draugr.” When nothing in her expression changes, not even a flicker of belief, something wrenches inside him, beyond anger. “I am not my father, Ástríðr, I will never be him.” He has to stop, has to swallow hard to keep from choking—I was wrong about him, I was wrong... Ástríðr releases him and he sucks in a sharp breath like a flinch. “All right,” she says, her voice the flat of a blade rather than the edge now. She sits back down on the edge of the bed, but Thórgestr feels no relief. There is no yielding in her. This is only her allowing him to catch his breath and adjust his splintered shield before her next swing. “You did fight him in the end, I’ll give you that.” “He nearly killed me,” he spits, gingerly pressing one of his hands over the bandages. “I was his last sacrifice to the giant. To himself.” Quiet falls in the room at that, and Thórgestr feels it like a weight on his shoulder—the place where Áleifr held him still for the sword. A shudder runs down his spine. He leans back into the chair, pressing that shoulder hard against the wood, trying to focus on that feeling and not the memory. He turns his face away from Ástríðr’s gaze, but his sight falls on Áleifr’s sword still there, leaning against the wall with his armor. Suddenly, viscerally, he wants it gone—broken, shattered, cast into the depths of the sea. “I want to rebuild Bárðarvik.” Thórgestr turns back to Ástríðr, but she isn’t looking at him anymore, she looks out to the hall and the world beyond it. “I want the tools to fix our bridges and our buildings. I want payment back for what your Björg took from my people. I want food for the winter, sailcloth for our ships—and I want to take the Vestmenn away from this place of cruelty. Your father is gone. So is mine. But I’ll have what I’m owed. Tell me, Thórgestr,” Ástríðr says, “what is your regret worth? What of your word?”

[kiwikiswia]

girl