#not saying dracula's a bad book

[gh-0-stcup]

We as a culture were robbed when Dracula caught on over Carmilla.

[thatscarletflycatcher]

I'm trying to articulate a thought: while a moral reading of a text is necessary and I'd say unavoidable, a judgement of a text cannot begin and end in its value as a didactic piece for teaching morality to the reader (or reinforcing their sense of moral selves).

This doesn't mean people should read books that make apology of things the person finds morally or psychologically repulsive, just because there's some artistic value in them anyways.

But I have seen people for whom reading (and engaging with media in general) becomes a moral race in which their enjoyment of literature must be thoroughly justified by the -often only superficially ascertained- moral value of the themes and lessons of the text, and for whom the things they read are a letter of presentation of the moral principles they spouse.

In other words, instead of the moral principles of the person delineating the framework through which they approach the text, it is a checklist of things the text must explicitly contain in order to be seen as having any worth at all.

Which is a rather sad and superficial way to engage with things.

[13eyond13]

.

[ieidolon]

you get it. you understand my vision

i want a dracula adaptation that fully embraces how horny jonathan and mina are for each other. i need a good screenwriter with contacts and access to so much money to clock how, towards the end of the novel, she almost exclusively refers to him as "my husband" or "my Jonathan" with what i can only interpret as barely concealed and utterly primal levels of possessiveness and desire

[whencartoonsruletheworld]

Hey so like many of you, I saw that article about how people are going into college having read no classic books. And believe it or not, I've been pissed about this for years. Like the article revealed, a good chunk of American Schools don't require students to actually read books, rather they just give them an excerpt and tell them how to feel about it. Which is bullshit.

So like. As a positivity post, let's use this time to recommend actually good classic books that you've actually enjoyed reading! I know that Dracula Daily and Epic the Musical have wonderfully tricked y'all into reading Dracula and The Odyssey, and I've seen a resurgence of Picture of Dorian Gray readership out of spite for N-tflix, so let's keep the ball rolling!

My absolute favorite books of all time are The Haunting of Hill House and We Have Always Lived in the Castle by Shirley Jackson. Classic psychological horror books about unhinged women.

I adore The Bad Seed by William March. It's widely considered to be the first "creepy child" book in American literature, so reading it now you're like "wow that's kinda cliche- oh my god this is what started it. This was ground zero."

I remember the feelings of validation I got when people realized Dracula wasn't actually a love story. For further feelings of validation, please read Frankenstein by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. There's a lot the more popular adaptations missed out on.

Rebecca by Daphne du Maurier is an absolute gem of a book. It's a slow-build psychological study so it may not be for everyone, but damn do the plot twists hit. It's a really good book to go into blind, but I will say that its handling of abuse victims is actually insanely good for the time period it was written in.

Moving on from horror, you know people who say "I loved this book so much I couldn't put it down"? That was me as a kid reading A Little Princess by Frances Hodgson Burnett. Picked it up while bored at the library and was glued to it until I finished it.

Peter Pan and Wendy by JM Barrie was also a childhood favorite of mine. Next time someone bitches about Woke Casting, tell them that the original 1911 Peter Pan novel had canon nonbinary fairies.

Watership Down by Richard Adams is my sister Cori's favorite book period. If you were a Warrior Cats, Guardians of Ga'Hoole or Wings of Fire kid, you owe a metric fuckton to Watership Down and its "little animals on a big adventure" setup.

A Raisin in the Sun by Lorraine Hansberry was a play and not a book first, but damn if it isn't a good fucking read. It was also named after a Langston Hughes poem, who's also an absolutely incredible author.

Fahrenheit 451 by Ray Bradbury is a book I absolutely adore and will defend until the day I die. It's so friggin good, y'all, I love it more than anything. You like people breaking out of fascist brainwashing? You like reading and value knowledge? You wanna see a guy basically predict the future of television back in 1953? Read Fahrenheit.

Huckleberry Finn by Mark Twain and To Kill a Mockingbird by Harper Lee are considered required reading for a reason: they're both really good books about young white children unlearning the racial biases of their time. Huck Finn specifically has the main character being told that he will go to hell if he frees a slave, and deciding eternal damnation would be worth it.

As a sidenote, another Mark Twain book I was obsessed with as a kid was A Connecticut Yankee in King Arthur's Court. Exactly what it says on the tin, incredibly insane read.

If Beale Street Could Talk by James Baldwin is a heartbreaking but powerful book and a look at the racism of the time while still centering the love the two black protagonists feel for each other. Giovanni's Room by the same author is one that focuses on a MLM man struggling with his sexuality, and it's really important to see from the perspective of a queer man living in the 50s– as well as Baldwin's autobiographical novel, Go Tell it on the Mountain.

Agatha Christie mysteries are all still absolutely iconic, but Murder on the Orient Express is such a good read whether or not you know the end twist.

Maybe-controversial-maybe-not take: Lolita by Vladimir Nabokov is a good book if you have reading comprehension. No, you're not supposed to like the main character. He pretty much spells that out for you at the end ffs.

Animal Farm by George Orwell was another favorite of mine; it was written as an obvious metaphor for the rise of fascism in Russia at the time and boy does it hit even now.

And finally, please read Shakespeare plays. As soon as you get used to their way of talking, they're not as hard to understand as people will lead you to believe. My absolute favorite is Twelfth Night- crossdressing, bisexual love triangles, yellow stockings... it's all a joy.

and those are just the ones i thought of off the top of my head! What're your guys' favorite classic books? Let's make everyone a reading list!

[msanonships]

"With Osha and The Stranger’s relationship, Bram Stoker's Dracula by Francis Ford Coppola — which I know is different from the book — that film is one of my favorite films. Again, it was to have someone that was so scary, to have somebody that we clearly see is a bad guy, and he's doing bad things, and Lucy is dying, and then to have this deep connection with Mina, where you see a totally different side of him. One of the things that really works about that movie is that there is this past life, soulmate, reincarnation idea for this character that has been alive for centuries, and he is just shocked to find her. There's also a moment later in the movie where she agrees to drink his blood, and he says, “I can't let you do this. It's basically gonna damn your soul.” And she has the agency and makes the decision to make this bond between the two of them. Actually, in earlier drafts, The Stranger had a line from that movie, which is, “I have crossed oceans of time to find you." - Lesyle Headland (showrunner of The Acolyte)

[drac-kool-aid]

Y'know, something that gets me, is that in the book, Dracula's intentional predation of Lucy starts off with an accidental meeting. Sure, Lucy slept walked, and an argument could be made her path might have been supernaturally influenced, but I say she'd already been a known sleep-walker, and she went directly to a place she was familiar with.

Her stumbling onto Dracula's hiding spot in a very vulnerable state was just an accident, and from there, he intentionally set out to harm her, and through that, everyone around her he could get.

This is sort of related to Jonathan, too. Had Mr. Hawkins not come down with a bad case of gout, Jonathan wouldn't have been sent to Castle Dracula in his stead. Sure, Dracula probably would have had his fun with Hawkins before inevitably killing him, but I doubt he would have drawn it out so long or taken so much delight.

Dracula never sets out with a master-plan to attack Lucy or Jonathan. They just end up in his path and spark his interest. We know that if he isn't interested in you, he'll kill you. He'll, he breaks Mr. Swales neck doesn't even bite him. But the two victims he decides he's going to make suffer the longest he possibly can, he just stumbles upon and goes "oh this will be fun". Later, we see him start choosing victims as a way to retaliate, but for the two inciting incident victims upon which the rest of the story hangs...its just wrong place wrong time.

The reason this struck me is that I was misremembering. For some reason, which I now believe due to thinking about the *through gritted teeth* Coppola film, is that Lucy is sort of hand-picked by Dracula to be his victim. And yeah, the fucking film ain't subtle in its blaming of Lucy's victimization on the fact that she was Too Pretty and Too Flirtatious and Dracula psychically drew her into the garden in a flowing diaphanous dress, but it's really her fault....I hate this movie.

Like, i just read the films Wikipedia plot synopsis, Dracula "psychically seduces" Lucy before biting her. He chooses her out of everyone in England deliberately.

And just...no. That's not what happens. Lucy got so stressed from her wedding that her latent sleep walking started again. Mina gets so tired from the constant stress she falls asleep without meaning to. Lucy went to their favorite spot...Dracula just happened to be there and took advantage and both Lucy and Mina weren't floating along softly into a garden with a fan letting their hair blow, but cold, scared, and covered in mud and blood, and forced to sneak back to the house that way, facing not only the supernatural but the very ordinary horrors of being caught outside at night by a strange man.

Idk. The tragedy is that Dracula didn't set out to fuck with these people. It's just that they were the ones who crossed his path that he took an interest in, and he decided to draw it out as long as possible.

(Oh fuck, this is the crew of the Demeter too. It isn't like Draculas got some big plan. He just decides he's going to play with his food. Had he boarded any other ship it would have ended up the same way.)

I guess in conclusion, I find it odd that adaptions seem to need to find a reason for him doing what he does. Like, Coppola has to conjure up a whole reincarnation backstory at one point, but I don't understand why!! Let Dracula just be an opportunist, his casual cruelty knowing no reason. That makes him scarier.

[pasdasin]

Wicked Game

wolverine x vampire!reader

an: set in a timeline where Logan and Alex Summers have beef since i envision this with the days of future past casting!

ch 1

warnings: mentions of blood, needles, generic doctor stuff, cussing i think, angsty lol

ur at the start -- next

~~~~~

The mansion was always having a frenzy. The rotating door of constant students, the random federal agents that never seem to fully go away, and the weird brotherhood that seemed to always succeed in attacking the school and yet never actually hurt anyone. In other words, this was the most fun you have ever had in centuries. The latest fun you ran into at the school was right now. Watching the students frantically try to finish the book report they were assigned by Storm. Listening to their banter and recollection of the book made you giggle at them. Scott Summers, the most vocal of the group, turned to look at you with a scowl on his face.

“Oh like you know anything about, uh, what are we reading?” He said turning back to his friends.

“Dracula?” You inquired, bringing the drink up to your lips.”I was there when it was written.” You smiled. “But don’t expect my help okay? I promised Storm that I wouldn’t say a word.” You walked out of room with a small smirk on your face, listening to their arguing fade.

Humming to yourself, you observed the students on your walk back to your office. As the school nurse, you knew a lot of the students on a first name basis. Many repeat visitors had graced your office with superficial wounds just so they would see you, and your favorite?

Mr. Logan Howlett, the Wolverine himself. Who was sitting on the bench in your office, awaiting your return. Your eyes locked onto his own, and your smile grew, exposing your fangs slightly.

“Well if it isn’t my most needy patient.”

“Guilty as charged,” he muttered standing to greet you. Pulling you into a hug, he squeezed you tight.

“Another day, another blood test?” You inquired, already knowing the answer. Your oldest friend nodded, removing his jacket so you could start to prep his arm for the extraction. Pulling over a stool, you sat as you wrapped the tourniquet over his bicep. “This might hurt”

“You say that everytime.” Logan responded, rolling his eyes and inhaling as the needle entered his skin. “You should train with us again” It was your turn to roll your eyes at him.

“Now you say that everytime,” he huffed at you using his words against him. “I am not who I was a hundred and what? Fifty years ago? I am a doctor, I help people… I am not a vampire.” You muttered the last bit, removing the needle from his arm and taping down gauze. Even though he didn’t need it, it helped him feel human.

You had met Logan around 1899, in the streets of London on the way to America. You both had caused some havoc and needed to escape the city until you had “died”. You both instantly bonded over your mutations and the fact that you both couldn’t die. You certainly had tried, burned at the stake, drowned, stabbed, shot in the head, even a stake to your heart. Your mutation had cursed to you continuously walk to the ends of the earth every time you needed a new identity, and somehow Logan was the same. If it weren’t for the adamantium poisoning his blood.

Holding the vial up to the light, you closed your eyes and focuses on the blood inside. Listening to the way it flowed and coagulated. Reopening your eyes, you stared at the vial until finally, you unscrewed the cap and took a sip. Closing it up, you placed it inside a centrifuge and wiped your mouth of any remains.

“Its so freaky when you do that.” Your rolled your eyes at him. “Especially when you drink it, why don’t you just take it from the source at that point”

“Firstly, I can taste the bourbon you had at lunch. Don’t you know addiction is bad for you? Secondly, I can tell that the serum has been working. I don’t taste the metal as much anymore. You should only need to get three more shots and finish one more round of antibiotics.” You informed him as he put on his jacket. “I love you Lo, but for the love of god please eat a vegetable, I can feel the fat you’ve been consuming.” He chuckled at your request and patted your head. Placing a small kiss on the top of your head, he left your office and shut the door behind him.

Sighing, you turned to start the centrifuge and rested your head on your hand. You hated how he did that. Joked with you and kissed you like you were his world. You knew you weren’t even close to being the owner of his heart. You had tried once, back before the great depression, but he wasn’t interested. He always had his eye on another.

You closed your eyes and let yourself drift away from your thoughts. Enjoying the silence you rarely got.

[spaceagebachelormann]

Hello! If you’re taking headcanon requests, may I please request headcanons for what Count Dracula & Erik the Phantom would be like as husbands?

dracula and erik as husbands !

✧ warnings — some mentions of death and possible spoilers for dracula and phantom of the opera. also like 2 sexual jokes i think

✧ additional info — i got so so excited by this request omg <3 if u wanna id rlly appreciate it if u sent me more requests for phantom of the opera and classic monsters!! also not really specific versions of them but i mainly had the book versions in mind

✧ m.list — nav.

ೃ༄ erik destler

he wouldn’t wait to marry you

like at all

the second you show him you’re willing to be in a relationship with him and he’s sure you won’t leave him he’s already planning your wedding

of course if you wanted to take it more slowly he might be a little impatient but he’d try his best for you :)

but he’d be so happy if u were ready to get married as soon as possible

the sad thing is he’d get so stressed while trying to plan it because he’d want it to be absolutely perfect because that’s what he didn’t get with christine

and he’d try to convince you not to worry about it or help plan the wedding becaus he wants it to be a surprise for you

however he’d talk to you about what you want <3

so unfortunately he doesn’t know a lot of people 😭 so your wedding audience consists of daroga, mme giry, and maybe christine and raoul if ur lucky and manage to convince them (but they’ll be a little on edge)

and u can invite ur family if they’d be accepting of erik!

once y’all are married it’s so sweet and romantic ohmygod

he’d make u breakfast and dinner every single day, even if he’s had a particularly bad day

he just loves doing things for you

he’d also love writing even more songs and sometimes even entire operas for you or about you, you’re his muse

before he was able to take breaks from bis work to focus on you for awhile

but now you’re married he just can’t be away from you for two minutes

will sit on the floor and talk to u while u shower

or he showers with u

his love language is spontaneously twirling u around and redoing ur wedding dance in the most random places

also carrying u to ur bed if u fall asleep on him or somewhere else, before marriage he’d just let u sleep there and make sure he doesn’t wake u up

such a sweetheart <3

ೃ༄ count dracula

takes his time to marry you

but that’s only because he takes a lot of time working out when and where to propose and shit

and then probably has the wedding planned before you even say yes

which obviously you do

he’d be a little cocky abt u saying yes ngl cause he already knew u would

but the wedding itself obviously takes place at night and mainly other vampires will show up, but he won’t let them remotely near you assuming he hasn’t turned you yet

if he has then go talk to them!! there’s no risk of u dying or getting turned by someone else!!

he’d also rlly like cooking for u and shit since he canonically had to sprint around his castle to make it seem like he had butlers or whatever 😭😭

how good is fucking amazing btw

like god damn

and obviously he has a comfortable ass vampire bed that he’d let u put 60 pillows on if u want

he’d also like have a thing for ur hair no matter how short or long it is

he likes standing behind u and running his hands through it when u do literally anything for funsies

and his fingers are really pretty and long and cold so they feel nice

he also brushes it a lot esp in the mornings

he also doesn’t even look another persons way when he’s with u

ever.

and his brides are now just. draculas sisters or wtv 😭

unless u want them to be ur wives too he won’t complain

as much as he loves you there’s time where he js like. wants personal time to go kill people think

id also imagine ur very close with renfield

like draculas kinda mean to him but ur rlly nice to him <3

like for example waving at him when u see him or just going “hi renfield!!”

renfields probably the one who found u ngl

i can’t think of anything else for him mb pookie 😔 i’ll add to this later

[nomourners-nofunerals]

“With Osha and The Stranger’s relationship, Bram Stoker's Dracula by Francis Ford Coppola — which I know is different from the book — that film is one of my favorite films. Again, it was to have someone that was so scary, to have somebody that we clearly see is a bad guy, and he's doing bad things, and Lucy is dying, and then to have this deep connection with Mina, where you see a totally different side of him. One of the things that really works about that movie is that there is this past life, soulmate, reincarnation idea for this character that has been alive for centuries, and he is just shocked to find her.

There's also a moment later in the movie where she agrees to drink his blood, and he says, “I can't let you do this. It's basically gonna damn your soul.” And she has the agency and makes the decision to make this bond between the two of them. Actually, in earlier drafts, The Stranger had a line from that movie, which is, “I have crossed oceans of time to find you.” A lot of Gothic romances were referenced — Jane Eyre, Rochester and sort of the Byronic hero for those two”

- Leslye Headland

[silencedrowns]

rating Halloween toilet decor at my local Michael’s

The classic skeleton on a skeleton shaped toilet. 8/10. you cannot go wrong with a spooky dookie but the book made of bone is definitely not it

Ichabod Crane toilet. 7/10. Points for originality with a less common Halloween figure and the satisfyingly smug pumpkin face, but points lost for confusing denim boot covers and the way the pumpkin isn’t reading the book whatsoever. Also makes me wonder if the axe is for toilet paper.

Dracula toilet. 4/10 for boring sculpt, bad paint job, baffling makeup, and the fact that Anne Rice says vampires don’t need to use the bathroom. Not that I believe Anne Rice about everything, but it’s funny to bring up the time Lestat gets body swapped into a normal body and spends way too many pages describing the feeling of peeing.

Frankenstein’s monster. 10/10 this is perfect. The pose, the sculpt, the self referential book… this monster knows what he’s about and even though like all these other toilet figures he’s wearing pants, it’s fine. Top tier silly. I love his face and I genuinely contemplated buying this for about 30 seconds before I realized then I’d have to own and find a place for a Frankenstein toilet figure.

Edgar Allan Poe on the toilet. 9/10 this is the only time I’m deducting points for “but he’s still wearing pants!” because this is an actual human figure, but I’m adding a ton of points back for how scrunkly he is and the large amount of accessories.

Laptop skeleton toilet. THIS IS PERFECTION 100/10. The pose, so familiar to anyone who���s had to use a computer for news or bad social media or zoom. The silly ghost not quite Apple logo. The jointed knees letting you bat at the feet like a cat with a toy. You cannot improve on this. One of my favorite objects in the Michael’s Halloween section of all time. This skeleton is a mood and an icon and I love it so, so very much.

Hey Michael’s? What in the actual fuck is this. I’m not even going to rate this because this is literally just a regular toilet, not a Halloween toilet. “Oh it has a snake on it” snakes alone do not make something Halloween or have we all forgotten about Britney Spears with the yellow python (top 10 “how did I think I was straight” moments). Send whoever designed this embarrassment to remedial Halloween school where they have to design anatomically improbable skeletons. IT DOESN’T EVEN HAVE A SEAT YOU’D FALL RIGHT IN THIS THING SUCKS

[cambion-companion]

BG3 Companions on a Halloween Date

YES I was itching to do something for the BG3 gang for the season. You could say it's been bugging me. Hah. Ok sorry it's the influence of my pfp.

Let's start with

You want a cozy night in under the covers, watching scary movies (or puppet shows or whatever the heck is the equivalent in Faerun) but he's not sold on the idea. "I've seen enough horror to last me several lifetimes, darling."

Instead Astarion would take you out in the crisp Autumn air, under the distant sun, for a walk crunching through the dried leaves of brown and red.

He'd want to go to the pumpkin patch to find the perfect gourd for a Jack-o-Lantern.

When the sun set so very early in the afternoon, you'd retire back to your cozy abode and set to carving faces into your pumpkins.

Astarion of course would make short work of his, dexterous as ever with those knives, and he would do his best to shape the face into what he hopes he looks like.

Either that or, depending on where you're at in his character arc, he'd remake Cazador BEFORE gutting it and making a whole show of utterly eviscerating the poor Halloween decoration. "Astarion, this is supposed to be relaxing." "This IS my ideal downtime."

You want someone who will snuggle under the covers and watch Hocus Pocus with you? Wyll is your man. But sorry I'm trying to keep to a less modern AU.

Wyll seems like the kind of guy who would put on some fitting music as you two cooked together, dancing in the kitchen intermittently and almost forgetting to check on the cookies before they burned.

He's such a sweetheart, checking to make sure you're happy with just spending an evening indoors with him. "We can go out on the town if you desire, sweetheart." "No, Wyll, I've told you this is absolutely perfect."

Depending on the choices you've made with him thus far, Mizora might pop in to dip her finger in the batter and bamf out again, giving ya'll a cheeky wink. "Ta ta, love imps. You make me physically ill."

Sigh, you're back for more bones hm?

Alright I'll entertain you.

You ask Withers to dance to Spooky Scary Skeletons. He looks at you, unimpressed. "Get thee hence." "Wilt thou harass someone else?"

Ideally I would propose and she'd say "yes". Oh what? Sorry, I was miles away.

For a Halloween date. Hm. A corn maze. Definitely.

She'd be all about her tutelage under Shar's freaks followers and want to show off her sneaking skills.

It would turn into a game of hide-and-go-seek and then it'd get a little creepy before she'd inevitably pounce on you and you'd end of in a fit of laughter together.

"I wasn't going to hurt you!" "Well, Shaddy, sometimes I wonder." "Good to keep you on your toes, then." "Careful, I saw a pond on the way in."

Then you two would go and get some candied apples and chat about memories and flowers that bloom in the gloaming.

Oh Gale.

He'd love to read to you out of a classic gothic novel (cough cough Dracula cough cough) while you two cozy up under some blankets.

He'd probably get fresh with you and run a hand up your leg or something, OH SORRY this is post the patch that fixed that? OK. He'd wait an extra hour.

Tara would curl up next to you and listen as he read from the book, the firelight crackling and warming your bodies as the night grows dark outside.

Afterward he would ask if you'd like to be guided into the Astral plane where you can look down on the All Hallow's Eve festivities below.

yeah, gotta give Tiefling daddy some love. Especially since I still feel bad for massacring them all my last playthru.

Zevlor is another who has seen his fair share of horror, and he would opt to do something more lighthearted with you for a Halloween date.

He seems like a family kind of man, so I expect he would invite the whole gang over for a delicious dinner. Mol and her friends, Arabella and her parents. Rolan and Zorru and maybe even Auntie Ethel will sneak in there. Then it really WOULD be a Halloween experience.

After the dinner and the guests are snoozing or already left he'd wrap an arm around you and pull you close. "Would you accompany me outside? I would like to show you the stars and tell their tales. It's been so long since I've gotten to properly admire them. Or you."

Of course I have to include the daddy devil, who do you think I am?

Raphael would take you to a haunted house, of course. OF COURSE.

Hell, what better house that is haunted than the House of Hope?

It would be horrifying for you, since the no touching rules don't apply there, and most amusing for him.

You'd practically climb the cambion in your efforts to avoid the ghosties, especially that one who constantly says "huuuurt meeee, pleeeaaase."

Raphael would enjoy watching you squirm, and remind you such a fate would not be yours only IF you followed his rules.

Oh yeah, and maybe if you're lucky, or perhaps very unlucky, he'll invite you to his Boudoir.

Oak Father frowns on dissecting pumpkins for the sake of creating superfluous lanterns (or something...I heard it from a friend who heard it from a friend, ok)

Instead, Halsin would druid craft you vines and harvest fruits in whatever shapes, sizes, and colors you desired.

He'd also want to go trick or treating so BADLY. "But Halsin, you're eight feet tall and built like a linebacker. No one is going to mistake you for a kid." Then he'd cast Disguise Self and you'd be forced to take him out on the town in hunt of candy.

Poor guy didn't have much of a childhood and wants to experience the finer things in life. Get those king sized candy bars...just once.

You are a bit huffy, having expected a more...romantic evening than this. But he'll make it up to you later winkwonk , till you can bearly stand it.

Aw

You guys would get all CUTE and gussied up together.

Go out on the town.

Pick the best looking victim to be a sacrifice to Lolth.

Wait...what?

[tac-the-unseen]

What the Lost boys think about vampire related media

Fluff, x reader but just barely

•While making conversation with your four Vampire lovers you were suddenly plagued with a question.

“How do you guys feel about vampire related media?”

-That question was an immediate head turner. The cave goes dead quite before Dwayne speaks up, “Well…vampires are in hiding so…”

-This sparks a conversation about how media representation of vampires may not be accurate, but that's a good thing. “If a book or movie comes out and it is shockingly accurate to what being a vampire is really like, the creator isn't going to last long.” David explained

-That's because there's a set of rules vampires have to follow and one of those rules is to never publicly reveal your double life identity

-”If something like that comes out, that means a vampire has broken that rule OR somebody knows vampires very closely and is creating media they know shouldn't exist.”

-Turns out if a vampire breaks that rule it's basically open season to kill and destroy their creations.

•You turn the conversation and begin to ask how they, specifically, feel about certain vampire representation

•Bram Stoker's Dracula

-Dwayne is the first to buy in his opinion.

-Dwayne feels that while it is a cult classic and well written, The characters are exceedingly dumb.

-”Johnathan spends a ridiculous amount of time talking about other characters ‘Breasts’ and trying to figure out why his host climbs walls ‘like a lizard's.”

-David is the next one to speak up

-David thinks it's not really worth the read

-”Unless you're trying to brag to people there's no point in reading it.”

-”Also why was Mina talking to that old sailor so much?”

-Paul laughs as he remembers “how fucking crazy he wrote Dracula to be”

-”I'm pretty sure the real Dracula thinks it's a heinous crime against him”

-Paul hasn't read it but have heard enough about it to know even the more obscure references

-Marko comments on the graceful writing style and the beautiful descriptions

-”I've only read it because Dwayne thought I would like it"

-Marko also loves how oblivious Jonathan and most of the other characters are

-All of them think the movie adaptation is hilarious and love the shitty special effects

•Interview with a vampire

-Paul chimes in immediately

-”God it's so homo erotic it hurts…in a good way.”

-Paul thinks its a nice horror novel mixed with a weird cozy atmosphere

-Dwayne thinks it's another well written classic and He actually begins to rave about all the themes involved within Anne Rice’s work

-”It's a beautiful Gothic thriller with a deep, sadly comedic energy.”

-He even offers to read it too you sometime

-Marko chimes in quickly about “Claudia’s rebellious behavior and persona”

-”imagine watching your family choose somebody else over you. It's so deeply upsetting but to an understandable level.”

-”I would have hated to turn so young. I look like a teenager and other people can respect that to a certain point. But being five years old with the mind of an adult, No one would respect you.”

-Marko relates to Claudia on an internal level and loves unraveling her character. When you ask why he quickly responds "Some people call me a cherub... You think I enjoy that?"

-David says he doesn't have much to say other than it was a decent read (That's his version of a compliments)

•Twilight

-All of them agree that it's laughably horrendous

-Almost immediately at the same time they say “This is the skin of a killer Bella”

-This leads to banshee like laughter

David speaks up immediately

-”Why do you humans want us to sparkle so bad?”

-”I personally hate the idea of being a walking disco ball, but to each their own.”

-Marko chimes in quickly

-”Would you like it if we sparkled?” He asked while leans on you affectionately

-Marko thinks the only reason to read it is to have a nice laugh

-”Why did Edward have such a violent reaction of Bella standing by a fan? That makes no sense…like I have mates and I enjoy the smell of you guys but…I'm not nearly clawing off my face at your smell”

-”Yeah yeah, I get he's trying not to overreact but running out of class to get away is crazy.”

-Paul even adds that even thought it's very dumb even he can appreciate the message it's trying to said.

-”something something, coming over adversary, something something, love wins, something something..”

-”Also that Jacob imprinting on Bella's infant daughter is super fucking creepy.”

-when you asked Dwayne about his feels he scoffed and said It's insulting at best and borderline sexual harassment at worst.

-He refused to go into depth

•You thank them for humoring you and they tell you that it's no problem

-David kisses the side of your head in an uncharacteristically soft way “We don't ever mind answering your vampire related question.” He tells you

-Marko turns to you “But seriously do you want us to sparkle?”

-”I think I have some roll on body glitter somewhere..” Paul says while getting up to look for it

Thanks for reading <3

[kaiserin-erzsebet]

Dracula, as a novel, has a bit of a contradictory approach to abelism that makes it both comfortingly sympathetic and quite uncomfortable to read at different points.

While I would argue that we're never supposed to see Seward's treatment of Renfield as good, Dr. Seward is a morally ambiguous character and the narrator. So, the book does primarily focus on his dismissive approach to Renfield in a way that is uncomfortable to read.

However, the treatment of Lucy's sleep condition in the text is quite sympathetic. It's not her fault that someone uses it to victimize her. She just happens to have a stress related condition. The description of her being fed on also mirrors some chronic illnesses (it gets worse at night, there are good days and bad days, there is no obvious reason for it)

Mina's reaction to hearing about Jonathan's condition is also wonderfully sympathetic. Sister Agatha says that he might be fragile because of his illness for a long time, and Mina does not even think of this invisible disability as a reason to not marry him. Love doesn't depend on being completely healthy and able-bodied.

Much like the presentation of gender issues in the book, I feel like the text does have a lot of good things (and surprisingly progressive things) to say about illness and disability, but it is intermingled with moments that are hard to read.

[vickyvicarious]

It seems like the general first impression was "The Demeter crew is suffering and sleepless and dying, while Mina is having a nice sightseeing vacation", but... Doesn't it seem less of a contrast than that?

Lucy's now increasingly odder sleepwalking was there from day one of Mina's arrival, making Mina sleepless. While the crew sleeps with one eye open.

Even on the first day on Whitby, Mina was taking about death and lost ships. While the crew was beginning to lose men. Mina and Mr Swales talk about tombstones and suicide. While the First Mate jumps to his death.

*Mina voice*: the reports of my hot girl summer have been greatly exaggerated...

You're onto something here, definitely. Of course, in the original book, we don't see anything from the Demeter until a little ways into Mina's stay, so it (re)reads as more foreshadowing than it seems like a parallel, but that's one of the really fun things to notice in the daily format! I'm reminded of Lucy's three suitors and her letters about looking into her mirror coming so soon on the heels of Jonathan's encounter with the three vampire women and with his mirror getting broken.

I never noticed just how much a lot of Mina's storyline here lines up so well with the Demeter though. And now that I'm thinking about it... There's a bunch of those kinds of connections!

Of course, there are overall ones. Like you said, Lucy's sleepwalking begins right away, and it robs Mina of her sleep. Meanwhile, the crew of the Demeter are kept awake by storms, by double-watches, by having to pick up the work that no one else is left to do. But though that's pretty overarching, there are also some moments that line up really well. For example, July 27: "Lucy walks more than ever, and each night I am awakened by her moving about the room." and July 28: "Four days in hell, knocking about in a sort of maelstrom, and the wind a tempest. No sleep for any one. Men all worn out."

Then there are Mina's conversation with Mr. Swales, especially the latter one with its talk of suicide, of going to hell - only two days before the mate leaps to his death rather than allow Dracula to get his soul. Mr. Swales also parallels the first mate a bit in being, as Mina says, "a most dictatorial person in his day" and very insistent that there's nothing supernatural going on, though as yet he's not been proven so terribly wrong about that the way the first mate was.

On July 24, Mina says there is "a buoy with a bell, which swings in bad weather, and sends in a mournful sound on the wind. They have a legend here that when a ship is lost bells are heard out at sea." That same day the Demeter is approaching more bad weather, and later on they get lost in the fog. (Though we never get mention of any bell ringing.)

Mrs. Westenra is afraid of Lucy's sleepwalking because she "has got an idea that sleep-walkers always go out on roofs of houses and along the edges of cliffs and then get suddenly wakened and fall over with a despairing cry that echoes all over the place." On August 2, the captain is awoken by a cry that sounds close, but which he cannot see the source of in the fog. The next day, the mate runs up onto the deck crying out after being figuratively 'wakened' to the true horror of who he's up against just before he leaps over the side of the ship. Also on August 3, Lucy goes about searching for the key so she can get out, and the mate went searching through the boxes in the hold. He clearly found what he was looking for, and it had terrible consequences; if Lucy finds what she seeks in her sleepwalking, what might happen to her?

And, one that I can't believe never occurred to me before... Mina's not only worried about Lucy, of course. She's very afraid for Jonathan. Because he, much like the men on the Demeter, has vanished unseen. He went off to his work (on watch/work trip) and hasn't been seen since. Even when she hears from him, it's brief and she can sense the letter is uncharacteristic of him, short and lacking detail. The reason, though she doesn't know it, is of course that Dracula stopped him from saying anything else/more. Jonathan's real sentiments and words were 'lost in the fog' so to speak (the false trail laid by the letters being the metaphorical fog here). It reminds me of the one sailor's cry that awoke the captain. And even with that, she's still waiting for more word of him and should have had it by this point. But he's simply gone.

It's not endless horrors for Mina at the moment, but the ominous tone is certainly building over time despite more positive moments happening too. To use a weather metaphor, more and more stormclouds have been gathering over time, looming threateningly overhead. And it looks an awful lot like the weather Dracula brought to the Demeter.

[mossbone]

The recent Dracula Daily updates are interesting to me. This book is infamous for being about the vampiric Horrors, as defined by their sexual immorality and hedonism; unlike our Heroes who are proper and British and christian. And yet...here we see the horrors being compounded and enabled by the rigid social structures emphasizing morality. And for all Bram Stoker's biases, I think that was intentional.

Firstly, the horror is compounded by the Need for Propriety. Lucy is sleepwalking, in nothing but her nightgown! How awful! So awful it is unthinkable as an option to Mina until she sees undeniable proof Lucy left the house. When that is proven true, "ever growing fear chilling my heart" Mina feels turns to "a vague, overmastering fear obscured all details." She then runs through the streets and finally turns to the cliffs, not fearing like Lucy's mother, to see her in danger of falling of the cliffs, but simply fearing to see her safe in their favorite seat—exposed to all the town.

She in fact sees in shadowy detail, an unidentified man leaning over Lucy. Yet..the whole update is strewn with Mina's massive and unfortunately justified fear for her friend's reputation, maybe more than her safety. Did someone take advantage of Lucy, enact some violence or violation of her while she was sleepwalking? Irrelevant, compared to the question: will anyone see them and assume they were up to some promiscuity? After all, she can't help but be "thinking how the story would become distorted—nay, infallibly would—in case it should leak out." There is the psychological horror on top of the nights events, which were traumatic enough.

An indictment of the present state of late Victorian values and their strict judgments already. But then. The consequence of our young heroines being unable to share their story is that Dracula continues to work unnoticed. He will get more victims, he will continue to grow in power and terrorize Lucy and whomever else he wants. Just like Jonathan being trapped in an increasingly abusive work contract because he feels he must stay to the strict matters of politeness [an imbalance of power that work relationships had then and continue to fucking have], here Lucy and Mina are trapped in very clear physical danger because they cannot share the predator hunting them without surely being accused of being a liar and a whore.

Of course, the loved ones of our protagonists are not of that malicious nature at all. If only they could talk to each other freely, Jonathan and Arthur and Lucy's other suitors would obviously not blame her. And Mina, or likely anyone, would help Jonathan recognize the red flags as what they were. But such close communication is impossible given the heavy expectations of the day.

Social standards were very bad and restrictive in 1897, and I think Bram Stoker consistently criticizes how they are with his novel, even while it serves as a cautionary tale against immorality. The solution to sexual abuse and immorality, in his words, is not punishing people for suffering from them or talking about them. I think he is saying this masterfully, as well, by allowing the audience to feel the visceral fear and helplessness through the perspective of the narrators so closely. Unlike many novels of the time which had people near the protagonist serve as cautionary tales and indictments of society, he forces the reader into those shoes through intimate first person narration.

Anyway. Good chapters, huh. Sadly still relevant.