#not even talking to her

[marypsue]

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

[i-dont-watch-movies-or-tv]

I feel like the age of having a "burner email" is gone. Out of curiosity,

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[chimchiri]

gideon & harrow OR rd and sf as cowboys please please please

It's the cowgirl necro and her gunslinger cav! Who is so damn extra she's got three guns: one left, one right, and one in pole position! (She swears the ladies love it!)

[me-beef]

@strangeravatar made a great point

i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make

but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do

ooohh you want to go look at our stickers so bad

[possamble]

hiii everybody are you normal about Falin showing Laios the same little spell that Marcille showed her? are you normal about Falin remembering it fondly enough that it was one of the first things she showed her brother while trying to teach him magic?

[chloesimaginationthings]

FNAF movie Vanessa’s childhood was never hers

[anna-scribbles]

inspired by recent events from my sister’s actual real life

[notbrucewayne48]

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

[azulhood]

Danny was tired, like 'I feel it in my bones and soul' tired. And he didn't want sleep at home because there's only so many nights, he could spend lying awake making sure his heart was beating in case his parents checked on him.

Currently he was flying aimlessly not really taking in his surroundings, but he could neither sleep while flying or fly forever. Normally he'd sleep over at Sam or Tucker's, but the Mansons had made it clear that he wasn't welcome at their house anymore and Tucker was grounded. Both would sneak him in if he asked, but he didn't want them to get in trouble for him. Which leads him to decide between his two choices, sleeping in a graveyard, or sleeping in a forest.

The graveyard was a little crowded with all the ghosts that called it home but he could probably find a quiet spot to sleep. The forest had a great view of the stars but was filled with traps from both his parents and the GIW after tracking his ecto-signature. Both options weren't appealing, but he wasn't about to chance sleeping on the roof of his house again. There were too many ghost detecting guns attached to it now. Danny sighed, graveyard it was, at least the ecto from all the shades/ghosts would hide him well enough. Decision made, now all he had to do was make his way over there. But first, where the heck was he? Danny looked around at the unfamiliar grey sky and gargoyles littered around and realized he had no clue where he was. He must have flown too far away from Amity without noticing...Again. It was really becoming a bad habit. Danny stared down at the city's inhabitants that were going home or heading to nightshifts or whatever and dreaded the long flight back to his town. And maybe it was ghost instinct, or maybe it was just his exhaustion. But his brain suggested 'What if I just possess someone?' And to him that seemed like a perfectly logical train of thought. He wouldn't control their body or anything, just sleep in their skin...That did not make it sound better at all. Before he could think twice, someone left a general store, arms filled with stuff and somehow projecting an aura of safety. The two thoughts of 'They look comfy' and 'screw it' clashed together in his head as he made the very stupid decision of performing a swan drive right into the someone. "WHAT THE-" "Don't worry, I'll be gone by morning I just need to sleep" Danny cut off the persons freakout-he should really get their name at some point- he would have explained more but the sleep gods had already done their job. This left one very confused, scared, and freaked out Batkid.

[barghest-land]

drawings from paleo expedition to dagestan, done right on the trip. sometimes messy when it was cold and rainy, but i won't correct it. i think it's cool to leave it just the way it was done, and not retouch it after. there will be more drawings later, but those will be done from home

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[nenayaquisieras]

my brain is saying 141 with a reader that sees dead people. like they notice how respectful she is to the dead. when she kills she moves the bodies, sometimes says a small prayer to herself. they see her looking at things that aren’t there. “Did you see that? Never mind.” or she mentions she feels something weird in the air, or something wrong. talks to the team about the sleep paralysis she gets, always leaving out the grayish dark figure that accompanies her on those nights.

She’s never told anyone until she got drunk enough to were she’s literally laughing saying

“oh yea i see dead people.” And the guys obv think she’s joking and egg her on about said dead people she sees. but then she tells them about the entities that follow them, the people they’ve killed, always following them around. some are very angry, she feels their malicious intentions. ends up describing them in grave detail, they way they looked, what they wore, the last words they spoke before her teammates pulled the trigger. Something that only THEY would know.

“oh man, let me tell you about Gilbert my sleep paralysis demon. I swear he’s been visiting me more and more recently.”

[hinamie]

playing around w slightly different hair renders

[morganbritton132]

Eddie: *overhears some girls gossiping about how Steve and Nancy got in a fight in an alley and the police got involved*

Eddie: *hears someone else say that Nancy Wheeler was taken to the police station*

Eddie: *sees Steve jumpy as hell with bruises on his face*

Eddie: *notices that Steve doesn’t talk to his friends anymore. notices that Steve and Nancy always seem miserable together. notices that only one of them is trying to please the other*

Eddie: *witnesses the halloween bathroom fight*

Eddie: *sees Steve confused, beat up, bruised to hell, and single the literal next time he sees him*

Eddie: *puts the pieces together and draws a conclusion*

Conclusion: *is wrong*

Eddie, accosting Steve at lunch: Hey, did you know that if a guy is getting hit by somebody that it’s abuse? Even if it’s a girl doing it.

Steve, confused: Oh-kay?

Steve, deciding that Eddie is reaching out to him for a reason and draws the same wrong conclusion about Eddie: I mean, yeah. That’s - yeah? That’s true. And messed up. You should tell someone if that’s, uh…going on.

Eddie: Yes, exactly. You should.

[nine-aetharia]

i need swifties to shut the fuck up about 'oh so kendrick's disses can be analyzed for hidden meanings but we can't do the same for taylor songs' yeah bc that's not isolated to kendrick. subliminals and entendres abound in rap. taylor swift songs are as deep as a puddle while youre wearing flip flops and your feet still arent wet