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faeriekit · 29 days ago

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Writing the Occult: quick notes for non-practicing hobby authors and other nerds🕯️

Hey. Real talk. If you're writing about occult rituals, magic, the works, whatever, there are some great ways to clean up your act and get some better, more aware accuracy in there. A lot of stuff in the wider consciousness of pop culture is kind of...not correct, or, uh. Should be something you're aware of. For instance:

G*psy is still a slur! No, Romani people aren't more likely to be fortune tellers than anyone else. Quit it with the weird stereotypes. The "g*psy fortune teller" thing hasnt even been on trend since the early 1900s. Move on.

"Voodoo" dolls are a racist perspective of an African-derived traditional religious practice. Vodun is a religion. It's not even a gone or far away religion either; Vodun and Santería have followers and priests all over the US, as do other ATRs. Since. You know. Slavery. The word you're probably looking for is "poppet", which is the term for the tool itself (tiny cloth doll for magical use) as opposed to, like, a whole religion.

A wendigo isn't a catch-all cannibalistic creature; it's part of a wider religious worldview of the Algonquian peoples. Native people have requested that you Stop Talking Abou That— yes, even asking that one YouTuber to Stop That, not that he seems to care. White people seem to cannibalize other people all the time anyway, so I don't see why there's a huge need for a Native scapegoat... There are other supernatural creatures and shapeshifters that eat humans. Pick anything else.

A lot of higher-level occult rituals as writ are just. Straight up antisemitic! If you're writing rituals and your magical language of choice is in Hebrew...hey. Stop that. Same thing goes for "elites who eat babies/drink blood." A some of it is a clumsily handled metaphor for the cannibalistic nature of having an upper class in a society, but a lot of it really is just dressed-up antisemitism in a trench coat. If you're looking up real rituals for worldbuilding...FYI, you may want to glance again before adding it to your work.

Just because ten dudes are standing next to each other in order to do a weird ritual doesn't make them a cult. That's just a ritual. Cults have more specific requirements; ie, whether or not there's religious abuse going on. You can make your weird spooky org have religious abuse, but if they're just, like, high schoolers, they're probably just novice occultists who occasionally hang out together.

I haven't seen anyone use "spirit animal" in a couple years, so that's great! Native people have also requested that we Stop That. Spirit Animal is a specific religious concept we don't have to tread on. Think of a synonym for the concept you're trying to convey; don't steal a word that's already in use for a religious practice. (Same thing goes for totem FYI.)

Hallucinogens often make you throw up. Like. A lot. People do certainly attribute religious visions to them, but also like drink a lot of water and keep a bucket nearby, because the whole scenario is just super disorienting. Most spiritual circles who utilize similar substances will have a trip sitter (someone sober to call 911 if there's an emergency) if they've got the resources.

Making up rituals for your story is totally cool. People invent new rituals all the time. There isn't a standard to be held to on that front unless you outright name a real life religious or occult group they're meant to be part of; THEN people will want standards. Until then, though, you're probably good.

Most TYPES of rituals have, like, a label, though. A ward prevents something from entering a protected space, an invocation brings something forth from within you, a banishment pushes something away from you, a consecration makes something sacred...A lot of these may be obvious to you from pop culture, but if you're going to try and make a character an expert on magic, adding the vocabulary to their lexicon makes their expertise more believable.

There are a ton of ways to exorcise ghosts! Basically every religion has, like, ten of them. If you want to add a little extra flavor on banishing/preventing evil spirits, google [character's religion/culture] [ghosts/spirits] to see what sort of flavor you can add to their specific person.

Occultists and witches and wizards and priests who do magic argue all the time. ALL the time. Interpersonal drama is real and it can Get You.

It's traditional to do certain specific rituals naked. Just FYI. It's not required. Just traditional. Utilize this knowledge for narrative potential... or don't. I'm not your boss.

Yeah, sometimes there's blood; your mileage may vary narratively. Most people don't go for the whole knife thing —you can get lancets at any drug store—but maybe your character is especially dumb or otherwise desperate. Palms and fingers hurt the most knife-wise; if your character knows what they're doing, it won't be their hands.

The keeping skulls around thing is real too, if legally and financially difficult to arrange in many cases. It's usually animal though. Human remains have a lot of laws in the states and, obviously, relatives want to keep their family close to their family — still, narratively, your mileage may vary.

The "White magic" and "Black magic" dichotomy is racialized. No, seriously. The things people demonize about dark magic— soul magic, necromancy, zombies, love/control spells, etc— are all really warped versions of Ancestor worship and other spiritual practices from African Traditional Religious beliefs. Well, the whole Zombie thing is actually a holdover from slavery and it's more about forcing ex-slaved peoples into performing more labor even after their death while White people are afraid of traditional Black spiritual resistance against colonial religious oppression— I'm going too deep into this, just trust me that if a dichotomy says that White is good and Black is bad, there's probably something hinky going on.

And, finally:

Ouija boards are sold at Barnes and Noble by Hasbro for $25, and a tarot deck can retail for as little as $20 from Spirit Halloween or Spencer's. No, they can't summon demons from the astral into your house. Can they talk to ghosts? Up to you; it's your story. Are cheap paper board and plastic planchette powerful enough to murder people, though...? ¯\_(ツ)_/¯ My magic 8 ball says that the odds are unlikely.

Obviously, you can do whatever you want with your work— I'm not your dad and I can't stop you, but if you're the kind of person who's like, hey, maybe I do want to prune out accidental racial slurs from my vocabulary...hey! This list is for you! Halloween is a time to get spooky! Get scary! Get booped, even; still, if you want to have an underlying thread of what the occult looks like in practice, you might want to dust off a couple of mid Magic/Witchcraft/Spiritual/Occult books from your local library and flip through 'em for ideas. There's some fun stuff in there.

Like the sacred blowtorch ;)

Happy Halloween, everyone! 👻

#I wrote this for the DP x DC and other ao3 authors crowds so if this post goes out beyond that it ain't my fault okay.#don't come for me for expertise on the occult I'm out of practice and don't do that on this blog #find a nice witchblr blog and be polite :)#tw drugs #tw blood #tw cults #tw self harm #faer winds

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nias-nook · 3 months ago

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Bill Cipher and The Unicorn in Captivity

Soooo, I haven't been looking at Bill related posts much since the book dropped as I have mixed feelings on what TBOB and the subsequent site have revealed about him, his motives, his backstory etc., but (and maybe someone beat me to this) one thing I haven't seen anyone talk about yet is this,

So maybe I'm stating the obvious here, but this is The Unicorn Rests in a Garden, also known as The Unicorn in Captivity. This piece was a part of The Unicorn Tapestries. Its origins are shrouded in mystery and super interesting but I'm not really gonna touch on that here.

Now there is something to be said about how this one piece, and the rest of the tapestries tie to Bill. I'll briefly go over what the tapestry meant when it was made then dive into what contemporary interpretations of the piece say about Bill and his fundamental inability to redeem himself.

Also just want to establish before we get into this that I am...Not a scholar when it comes to this stuff. I just happened to recognise this tapestry and its symbolism when it dropped on the website and had to put my thoughts somewhere. I might add more later if I've forgotten anything, which I probably have.

Given this was a piece made in Europe in the Middle Ages, it's perhaps unsurprising that a lot of interpretations of it are biblical, but we can (mostly) safely assume Hirsch isn't going for a Christ allegory here. Then again, maybe he's going for nothing and all of this is pointless.

What is a little interesting in the wake of TBOB is its ties to marriage.

These tapestries are heavily theorised to have been made to celebrate a wedding, and their comparisons of love and marriage to a hunt that inevitably leads to the imprisonment and taming of your lover. Of course, Bill quite literally suggests this method in the book with The Love Cage that he uses in Weirdmageddon, but there's a million 'Billford is canon' posts (though I think that's reductive at BEST) out there so let's table that as it's pretty self-explanatory. Bill and Ford have been hunting each other for decades and Bill imprisons him in a so-called 'Love Cage' to try and convince Ford to be his 'partner' (be it platonic or romantic). This is what a victory in a relationship is to him.

What I'd like to focus on is the modern interpretation of The Unicorn in Captivity as a self-imposed prison.

"Look at that little unicorn! The beatific smile. He's happy now. He gets to live in a beautiful garden."

"Yeah, in a cage."

"A protective barrier. No one's hunting him anymore. Nor can he hurt anyone with that horn of his."

This summary of the piece is taken from the aptly titled Unicorn in Captivity from another animated series, The Venture Bros. (which, by the way, if you're looking for another show that's a whimsical and fun riff on 80s pop culture with a big mystery element, highly recommend), but this of course isn't the first piece of media to portray it this way. the most notable being The Unicorn in Captivity poem by Anne Morrow Lindbergh.

The unicorn is, on the surface, a prisoner. The Theraprism that Bill is now trapped in is a place he longs to escape, but that's the thing, isn't it?

He could escape any time he wanted to.

Bill, like the unicorn, is trapping himself more than the Theraprism is trapping him, but his situation isn't to be pitied, it's karmic justice. What's so satisfying about Bill's eventual comeuppance is that he's the one making himself suffer. The only thing Bill needs to do to escape is to admit he was wrong, to stop revelling in the suffering of others, but...Well, he chooses not to.

He could slip his head

From the jewelled noose

So lightly tied -

If he tried,

As a maid could loose

The belt from her side;

He could slip the bond

So lightly tied -

If he tried.

For all of his guilt about his parents and his so-called 'dark and troubled past', Bill has never regretted a single person he's hurt since. He didn't regret taking over the world, he regretted being caught. He didn't regret hurting Ford, he regretted losing him. Bill will probably be doomed to wallow in the Theraprism for all eternity, cursing his situation and blaming everyone else for his inevitable downfall. An overgrown child who once had too much power and lost it all throwing a tantrum for the ages.

But now he can't hurt anyone with that horn of his.

#gravity falls #the book of bill #book of bill #bill cipher #stanford pines

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animaymay · 9 months ago

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SxF 96 Analysis: Some Small Details About the Reveal

Ok, hear me out. I haven't even read the manga for Spy x Family (yet); I've only watched seasons 1 and 2 of the anime, but I've somehow stumbled upon spoilers for the last two chapters (ch. 95 and ch. 96), and other small bits here and there.

And since I am not totally caught up on the story, I hesitate to call this a proper analysis since I'm mostly going off of what I know from the anime at this point. But!

I've been following the chatter and excitement following chapter 96 and I just wanted to throw this quick analysis out there, since I haven't seen some of these details mentioned yet.

So, I'm going to focus on this particular moment, just for what it is. Down the line, after catching up and having all of the character and story details, I might revisit this scene again with additional insight.

Of course, I'm sure we've all seen this panel at this point.

At first glance, this panel is beautifully drawn. You can tell that it was drawn with a lot of care and attention to detail. Typically, such manga panels are used to emphasize the fact that this is an important moment for these characters and/or the story.

There are even bits of confetti(?) flying around them, reminiscent of cherry blossom petals; this is another known technique used in manga to indicate the emotional importance of a scene for the characters featured.

That all feels pretty obvious, I'm sure. But I also wanted to point out other small details given here, which could potentially add another layer to this scene for folks.

I've seen a lot of discussion around how Anya's admission here is a big deal (and it is). But I haven't seen anyone mention the small detail here that she whispers, "I can read people's minds."

I believe that is also why we see that speech bubble transparently -- to visually show us the softness of her voice in that moment (in addition to representing Anya's willingness to be transparent about herself).

However, let's consider the conversation up until this moment. Right before, Damian had jokingly asked her, "How did you know about my dog and the pond, anyway? What, did you read my mind or something?!"

Of course, he was not expecting Anya to say, "Yes". But it's not the fact that Anya said, "Yes" that makes this scene impactful. Anya could have easily said the exact same words, at normal volume, with a smirk on her face, and nobody would think twice about it. Damian would have immediately understood that she was teasing him. And anyone overhearing their conversation would have thought the exact same thing.

But that isn't what happened. Because Anya was serious in that moment. With a genuine expression on her face, she says, "Yes" and then she whispers her secret to him.

And that is what shocks Damian. That is what causes him to freeze.

In that moment, he's able to sense her sincerity and hear the truth in her words.

His gut reaction is to believe her, whether it's because it's Anya or because of how she said it. It isn't until he has a second to think and his brain kicks into gear that he starts to notice the disparity between what he knows to be true and what Anya is telling him. In a split second, he questions this, and then ultimately rejects the notion that she could be telling the truth.

Why?

The obvious answer would be that what she's told him does not line up with what he knows to be true of reality. The rational and logical part of his brain overrides his heart and his gut, ultimately recognizing this disparity and forcing him to reject Anya's claims.

However, they are at a young enough age that it wouldn't be uncommon to easily believe in "impossible" things like magic or superpowers. So, there's also a chance that it goes a bit deeper than this.

Perhaps this sudden display of sincerity and truth from Anya didn't line up with her typical behavior with him. He's not used to seeing that side of her, and as a result, his mind resorts to him thinking that she's lying to him. He thinks that she's just teasing him. Not only because that's what he expects from her, but also because the only other alternative would be for him to admit that they've just shared a true moment of openness and transparency between them.

Anya's whisper implies, "this is only for you to know." As a defense mechanism, Damian's brain decided that it was more likely that Anya was teasing him than it was that she was being vulnerable with him in that way.

Another detail from this moment stems from the fact that this reveal takes place while they are dancing together. Partner dancing is an activity that requires cooperation and teamwork. At first, we see Damian and Anya struggle with getting the hang of it, but eventually they start working together.

That, in itself, seems to be a fairly good representation of their relationship with each other. However, even more so, it follows the flow of their conversation in this moment. It isn't until they start cooperating that they start to open up to one another.

And the pinnacle of the conversation -- the reveal -- happens at the exact moment when Damian dips her. Not only does this make for a picturesque panel, but it is also a symbolic visual of what's happening.

Dipping your dance partner inherently requires a level of trust. The person being dipped has to literally put themselves in their partner's hands. Depending on the dip, they are giving up varying levels of control and safety over to their partner. They have to trust that their partner won't drop them, or bring them too close to the floor; they have to give up their balance and trust that their partner can hold the weight that they're giving up. And their partner takes on the responsibility and burden of that person's trust (as well as trusting that the person that they're dipping does not throw themselves around carelessly).

And here, in this scene, despite the bickering we see Anya and Damian do, we see that there is at least that small amount of trust between them. Anya trusts Damian to dip her, and Damian trusts Anya to be dipped.

But underneath the surface level, the fact that Anya whispers her secret to Damian while he's dipping her reinforces the idea that she trusts him with that knowledge. In that moment, she gave up some of her own control and safety, and placed it in Damian's hands. Only his. Her whisper implies, "this is only for you to know." And he's been given the responsibility and burden of deciding whether to hold it, or drop it.

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obizenyukii · 4 months ago

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top 10 obizenyuki moments (+all of the honorable mentions that i almost picked bc these three are too much .) DISCLAIMER: these are my opinions and also i talk a lot. <3

under the cut bc this is so long oh my god

number 10

THIS PANEL OF THEM BEING SO AT PEACE RESTING BY EACH OTHER'S SIDE. OBI DEEP IN CONTEMPLATION AS HE WATCHES OVER SHIRAYUKI AND ZEN. THEM SLEEPING SO SOUNDLY BECAUSE THEY CAN LET DOWN THEIR GUARD AROUND HIM. I'M FINE.

every time i see this panel i just feel so happy. they belong together.

number 9

needless to say you'll miss the young miss, but you'll be lonely without me too, i bet. this entire conversation . obi saying this as a light joke but also because he knows how much they both mean to zen. obi searching, in a way, for a reassurance that he /is/ needed and wanted as well, since it's so obvious that shirayuki would be. zen's response. this is a moment that shirayuki isn't physically in so i bumped it down a few places, but it's still so meaningful for the ot3.

number 8

obi longing for zen and telling his bestie (zen's gf, who he's known for also occasionally longing for) about it casually under the stars (and saying he'll say that to zen under the stars) . i know what you are .

this moment is absolutely iconic and one of my personal favorites <3

number 7

ot3 date <3333 the entire next chapter is just a bunch of cute moments of them (honestly could have had like 300 pics on this post if there wasn't a limit). them spending time together, goofing off, having fun and enjoying each other's company. give me 10 more of these dates please.

number 6

whenever i reach out my hand, you would grasp it?

the most iconic trio of all time you will not change my mind. this moment being an unsaid promise between the three of them to always come back to each other . lay me to rest

number 5

THE FACT THAT YOU'RE NOT DASHING OVER TO HER RIGHT NOW IS ALL THE ANSWER I NEED. THE TRUST. GOD. SHE CAN HANDLE HIM. I'M ON THE GROUND.

this moment is not as talked about (at least i haven't seen much of it discussed) but it's SO important to me. so much is being said without needing to spell it out. obi and zen keeping watch from afar, content in each other's company but also making sure shirayuki is in their sight. this is so romantic to do under the stars . they make me unwell. i need a vacation

number 4

obi and shirayuki always keeping zen in their hearts no matter what, despite him wishing not to weigh on them. this also touching on zen telling obi he wishes the title he gave him won't be a burden to him. the bond they have is highlighted so beautifully here. it's pure love <3 i'm sick to my stomach. /j

(& the bonus of obi and shirayuki seeing zen off together and looking at his retreating figure fondly. this is so romantic . i'm crazy .)

number 3

the iconic whenever i'm with you two it's always like this ;^;; <3 obi's love towards these two started to take root here. you don't understand because it's love dude . you don't understand because you were never attached to someone like this. you never had a home to come back to, never had the acceptance and understanding you have in them. dumbass. (said fondly)

it's okay, he learns it later <3

number 2

zen, furiously questioning obi and shirayuki on their health, making sure they're fine, and finally pulling them into a hug. his relief to have them safe and healthy in his arms. them realizing how worried he was . this is probably the most iconic obznyk moment and is a contender for n1 for sure, it was tough choosing between the n1&n2 moments ;; . god this moment. zen's "that's the most important thing" . don't talk to me i love them

number 1

the iconic line that is also my ship tag, if it's for you and mistress, i'm willing to go anywhere </3 this moment was what solidified the ship for me when i was only an anime only (shudders) slowly getting into the fandom. the anime was enough but this entire chapter had me setting my house on fire (joke). the brainworms never stopped. the entire chapter is so crazy ot3 but this moment is my favorite and overall the message/highlight of obi's resolve & his answer to zen's questions. it also showed more than any other moment obi's love & dedication to shirayuki and zen. shirayuki isn't even in this scene but it's still my favorite ot3 moment in the manga so far <3

and now, some honorable mentions. these following moments were all contenders for top 10 bc obznyk is so good. also these are not all of the obznyk moments in the manga ofc. there are many that i couldn't find in my screenshots and tried to find skimming through the manga but failed lol. these are just some classics/faves.

zen's iconic heart eyes

pretty early on in their relationship development, zen liking seeing them together ;;

zen being so happy around obi and shirayuki ;-;

zen introducing himself as obi and shirayuki's companion <3 it's just spelled out at this point lol

zen's heart eyes pt 100, if this post didn't have a limit i would've posted so many more of these

shirayuki and zen fretting over obi and then spying on him (while obi knows and is having the time of his life stringing them along) because he was seen with a pretty lady

it's like a part of me is always by their side <3 <3 <3 this would've been n10, but it's now the official number 11 moment

shirayuki and zen putting their full trust in obi to the point of fully letting their guard down, and obi realizing that for the first time, he's wholeheartedly wanted.

zen and shirayuki being the obi detection/protection squad <3

there's so much more. i love them so much <333333

#akagami no shirayukihime #obizenyuki #zen wisteria #ans obi #ans shirayuki #ans manga #akagami no shirayukihime manga #ans manga caps #obi ans #shirayuki ans #ot3: i'm willing to go anywhere #if yall doubted my obznyk craziness. i wrote a literal essay on how perfect they are for each other like 4 years ago.#its still sitting in my google docs lol #anyway sorry for typing soo much . this took so long #okay just checked bc i have no concept of time. it was two years ago lol.

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deepdreamnights · 2 months ago

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Hey there, saw your post re: harassment around artists using gen ai and thought it was great esp with the debunking of data usage myths. Would you share your thoughts regarding concerns that models are being trained to copy specific art styles and thus pose a direct threat to the artists whose art styles are being used?

Well, there's several levels to that.

The main one is that on copyright grounds, styles are explicitly non-copyrightable. Moreover:

No one's style is unique

No one's style is unimitatable by analogue means.

The second point is important, because anyone can go on Fiverr right now and and find someone to replicate any given art style, and every competent draftsperson has to be able to do it to some degree or another. No major animation house, art studio, or comic company has ever hired someone because they couldn't find someone else that could imitate the surface-level aspects of their style.

The first point is just a matter of basic reality. Ex-nihlo creativity either doesn't exist or is so rare as to be a once-in-an-epoch thing. Everyone builds on the influences that they learn from, and if you think someone has a unique style what they really have is a different media diet than you.

For example, Don Bluth. Born 1937, aged 15 in 1952.

Same year Time released this this picture of Burlesque Performer Dale Strong.

Someone made an impression.

Marilyn Monroe was also a national sex symbol when Bluth was a teen, putting some context to most of his other ladies, but especially Goldie Pheasant (or maybe she's more Jayne Mansfield, hard to tell through the bird-ness). His art style has obvious roots with Tex Avery and I would guess he read Mad Magazine a lot as a kid.

And Not to hang the guy out to dry alone, I was a teenager in the 1990s, and most of my sexy fictional ladies are 9/10 some combination of Dana Scully, Peg Bundy, and Rhonda Shear.

The point being that style isn't something you create intentionally so much as an accumulation of influences, drawn from the commons. Attempting to claim ownership of such a thing is by itself an act of theft in my view, and allowing them to be protected under the law would mean a judge being shown exactly how many pieces of prior art the Walt Disney Corporation owns that your work superficially resembles. Why, they'll even run it through a style recognizing AI to make sure they catch them all.

But let's talk about style matching.

It just takes one image now, and doesn't require training.

Which I'm sure sounds frightening, but this has been the situation since February for Midjourney, and it was available in the Stable Diffusion ecosystem long before that. If the threat were as pronounced as feared, we'd have seen the impact by now. And we haven't, and we're unlikely to, for several reasons, several of them listed above.

The largest is that style isn't even close to the be all/end all of what an artist brings to a given project. And the kinds of execs who are making a 'replace 'em with a robot' kinda decision aren't the kinds of people who care about art style beyond how much it looks like the most recent successful thing. And nobody's ever needed a robot to ride coattails.

But the next largest part is that AI style imitations aren't really accurate because the robot doesn't see style in the same way we do. It's all just math to the robot, and it prioritizes what it notices, not what we do.

I'll demonstrate.

Jack Kirby will be my example, for several reasons.

He has a bold and identifiable style, he's arguably the most famous artist in western comics history, and he has many analogue imitators and homagers.

Using Midjourney and prompting "an illustration of dana scully by jack kirby, 1968, in the style of 1960s marvel comics --ar 3:4 --s 15"

Using the base model, on the first roll we get three complete style mismatches and one that's kinda close, though I'd say that's way more Sal Buscema or John Byrne.

Kirby's women had a certain, difficult to describe oddness about their faces that the robot doesn't seem to grok, and it doesn't touch on the kinds of wild patterns and bold black/white swatches that make Jack's work feel 'jack'.

Tom Scioli's take on Kirby is a sort of lovingly flanderized parody, but it captures the spirit of Jack's art much more directly even if a lot of individual details aren't period-accurate. He draws Kirby the way you remember Kirby from your childhood, but I don't question whether the page above is trying to be a Jack Kirby homage or one to Sal Buscema.

But Midjourney has style reference, so we can inject the Kirby right in. Using the picture of Sersei dancing from above with the same prompt, we get:

Well, the work is more convincingly period, but again, we're not terribly close to being on-point. In fact, they're not very consistent between each other. Top left is any 80s marvel fill-in artist. Top right is maybe Kirby-esq. Bottom Left is flat out Jim Lee, bottom right is very Byrne-y.

Using three reference images to give the best shot, I'm also moving to using images of a similar color style, and all with a woman as the central focus. I have included the infamous Crystal pin-up shot because as I said, Kirby women have a certain oddness to them (fondly).

Results (MJ 6.1 on the left, Niji 6 on the right):

It all says 60s-70s Marvel, but I don't think Kirby would be the first guess for any of them. Maaaaaaybe the lower-left Dana in image #2 if you squint.

And that's Jack Kirby. Massively popular and prolific with a career spanning decades. If anyone in the comics space should be impersonatable by this thing, its him.

I'm sure you could train a LORA to get closer, and sure, the tech is only going to get better from here, but by the nature of how the system works no generation pulls just from what is referenced. Every generation is both blended with other concepts and emphasizes only what the machine catalogs as relevant, not what we might.

There's not much to stop someone from imitating your style with a machine, but there was nothing stopping them from doing the same with an underpaid freelancer. The results are likely to miss the mark regardless.

If the client wants you, they'll try and get you. If they just want something kinda like you, they've always had an avenue to that.

Fortunately, you're more than your style, and whatever anyone can do with the machine, you can do better because you've got access to both.

#ai discourse #style #art discourse #intellectual property

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gynandromorph · 6 months ago

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another little nofna style emulation comic i drew a bit ago that was primarily about why something can "look like words" when it isn't... it is possibly Legend's first time considering the involuntary nature of reading words. she can rationally know that she isn't looking at writing, but her mind continues to see words that she must try to decipher.

the comic ended up getting side-tracked, but i kind of just let these comics go where they go. it is the nofna spirit.

PS and Legend have probably only spoken several times at this point, as classmates. in my head, this is their first season of classes, and they have only just recently proceeded from practicing handwriting and making letters to writing out spoken word.

i imagine that letters and writing are not intuitive at all to people who haven't grown up with it. Legend knew how to read well before entering school. PS has not really internalized that letters represent sounds. she has seen her teacher or classmates speak words as they're writing lines, and later, other people can tell the words that were spoken while writing the lines. her penmanship is naturally excellent, and prior to this module, she was praised by her teacher lavishly.

i imagine that because MOST RODENTS become markscrafts, and rodents tend to be rather... prolific... in number. that classes for this profession would be fucking huge.

the teacher cannot individually dedicate attention to every struggling student, so the first practice is to pair two struggling students together who seem like they compensate each others' shortcomings and see if they can rehabilitate their grades together.

if students continue to fail despite peer review, that is probably the time where a teacher would talk to them privately or recommend a tutor, etc.

the classes also function by a "revise and resubmit" principle over an "extra credit" principle as it is the most direct way for students to figure out what they did wrong and the least amount of extra work for the professor.

their professor is a mouse; a tried to write the grade print small (called "mouseprint" in the canon).

PS's language here is very rough and strange; i imagine she has, at the VERY most, been exposed to common for only a year. she is maybe ~15-16 in age, psychologically. ever since i made her as a character, i assumed one of her core traits was a low drive to do work. she became a markscraft SPECIFICALLY because she did not want to put in the work to earn prestige or more credit. she picked the easiest possible career for her.

as a younger mind, and only recently introduced to the idea that she has to perform labor or GTFO society, her dislike of work is very obvious and she is not reserved about sharing it. she came from a life where she could volunteer to do small tricks for high value treats if she felt like it, and this life is comparatively brutal and demanding in her mind.

Legend's corsage is red star (Rhodohypoxis baurii) and PS's Leaf is a leaf from a large pineapple lily.

Legend is, conversely, probably 18-20 psychologically. idk, the ages are very weird with these animals. i've imagined her parents as highly Civilized people like XX's mother, but a little less strict. while many citizens of society hate wild people (presumably because many of them are serial killers who might serial kill them), not all of them do (example: nutsedge, who sympathizes with a Wild Hawk killing her classmates), and i imagined Legend's parents impressing into her rather strongly that she did not earn being born into a well-off family and physically gifted species.

of course, this didn't stop her from forming a superiority complex towards rodents anyway-- but, i think she's tolerating a significant amount of Weirdness from PS here that she extremely would not tolerate from someone she didn't assume was wild-integrating-into-society, from the constant touching, to the rude openness, the disdain for work ethic, the odd language usage, and the outfit that's essentially showing up to the study session in pasties and booty shorts.

it seems that in these stories, the animals attain a "fluent" level of speech in common relatively quickly (emancipation, secretary), somewhat influenced by natural talent; i think PS has a brute force spaghetti-against-the-wall approach that lets her just mimic as many phrases that she thinks are novel as possible. usually this is an option only available to toddlers who lack the self-awareness to feel embarrassment about constant awkward linguistic mistakes, but PS also has no cultural priming to be embarrassed of the behavior. you can see her parroting various things she's heard, such as "sooo much" as an emphasis phrase, and even "essentially" after Legend says it in passing. other more abstract phrases such as "with credit" or "okay" i imagine she knows simply by being exposed to them over and over again.

when the two get into deeper levels of literacy and markscraft classes, i imagine that Legend's knowledge of grammar and Big Words in general, combined with an ability to verbally express usually unwritten rules in the language, helped propel PS to a level of fluency that has her speaking like she was raised with it 99% of the time.

#nofna shitposting #partaking in the act

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askthefamous8 · 5 days ago

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Even if I haven't been very active lately, 9 years is still pretty significant- happy birthday to the blog!

So like Percy up there I'm gonna do so dome reflecting. This blog's where I've often done that for some reason, but here's the tl'dr for blog related stuff.

• I would like to keep drawing stuff but feeling generally unsure in myself, and I'm wondering if all the years of fandom harrassment have caught up with me • I have one big project in mind, I've been dipping my toe into what I'd need to do it. No spoilers but it was one of the first things I played around with this series, so do with that what you will • If I can keep myself drawing, I want to use more of the original source material since I'm struggling with original ideas. So stuff like redraws, hOpEfULlY even animatics, just like what originally got me so into trains yknow? Because that's fun and sparks joy. And that always goes down a treat with you guys so bonus • As always I appreciate you guys not coming after me for being so inconsistent

The rest of this is me doing what Percy's doing in the drawing and reflecting, as there is indeed much 2 think about. It's also a little sad and venty so, there's your warning there.

Ok so obviously a busy year, we moved into our new house that we actually own, I spent most of the year planning our wedding, and then got married. Big stuff. Also! I came off antidepressants in the summer. I've been on them for...basically as long as this blog, 6 months after I started it I think. Which also means I'd been on antidepressants my entire adult life. Feels like a big deal and I guess I'm still adjusting.

Another big thing, but sad, is that my dog died about two weeks ago. If you follow me on twitter you'll have seen her but she did make an appearance here a few Halloweens ago

I got her when she was 13 and had her 8 years after that. So that's been difficult. Unrelated to that (probably), but I just feel...really mediocre. And before you point out the obvious, this has been present even before I came off antidepressants. But yeah just... mediocrity. In myself as a person, how I look, what I draw, my whole life really (barring my marriage thankfully). What have I achieved? I'm 26, I'm not working, I don't feel well, my art isn't good (I don't think so anyway- like yeah it's technically fine I guess but it's not, and has never been, very stand-out or impressive). And lately art doesn't bring me the same joy it once did, and I'm wondering if all the years of harrassment from this fandom (mostly the twitter side, tumblr's been pretty good to me) has finally caught up with me and put me off the whole thing. Or worse, that I just don't have as much of an interest in it anymore. I don't think I'll ever be like "ok yep I'm officially done with this blog" because I'm so stubborn but idk. I want to make things and be creative, I want to make more train art, but it doesn't feel the same. I don't know what's wrong. What do you listen to? What you want vs what you feel? I still enjoy train stuff, I love going to Awdry Ex every year. It's been like this for awhile. It's not even like I have a strong feeling of what I'd rather be doing as far as careers go. And even if I did, oh yeah I'm sure my two degrees in animation will be very relevant in another field (sarcasm). I feel adrift. My sails are open but there is just no wind. Planning my wedding gave me something to do and work on and just, feel useful but now that that's over I feel lost again. Losing my dog, who had become the center of my life because of how vulnerable she had become, hasn't helped.

On the more creative side of things, I also don't really know what to do with this blog's story either. The show's ended as far as most people are concerned, and I kiiinda wrote myself into a corner because once Thomas turns 18 he's going to leave for university, and that sets off this whole arc with James but basically the problem is it involves characters leaving and for some reason that feels like a no-no here. Don't get me started on the timeline lol. But Thomas works on a railway on Sodor, that's how it has to be...right? I guess I'm sort of at a crossroads of, ok do I want this to be close to the source material, and thus easily digestible to newcombers? Or do I want to make it more and more my thing and distanced from the source material? I doubt there's many new people coming since the series ended. And even then, there's a lot more humanization artists around now than when I started, so it's not like I'm filling a niche anymore. Just to be clear it's fine and also good that there's more humanization artists, variety is good, I just don't feel as "needed" anymore (which is 100% in my head and not an actual role that belongs to me or something). I started this blog when I was 17, so my interests and what I relate to have changed obviously. The character designs certainly have. It's never followed a super rigid story plan, but the core of it has always been the central cast doing things on Sodor. I however have always had a scene/project/animatic/whatEver in mind for when this 'series' would '''officially''' ''''end''''. But then what comes after that? I've always tried to run this blog like they are Real People that You interact with. But in real life there is no ending to the story, there's always more stuff to come. You get married, and it's wonderful, and then life goes on. The credits never roll. So maybe that's what I'm having trouble coping with...the progression of time. Ah, my old nemesis. I've always had trouble with letting go of things. There's nothing to say that I couldn't still draw stuff after the series "ends". I guess any story after Thomas leaves could be like... a sequel series or a spin off or something. Spin-off of a spin-off. Famous 8 All Grown Up. Famous 8 Qurter Life Crisis. Who knows. I certainly don't.

I've also been really into an original project unrelated to this but those don't get as much attention and while I'd like to do something with it one day, I don't feel very confident in being able to make that happen right now. But you know... as far my as art not being super spectacular goes... I think my individual talent has always been is my ideas, like the writing side of things. And then brought to life with my art, which normally isn't anything to write home about but is good enough to convey the idea and be not-awful to look at, lifts both of them beyond what they were individually. Maybe that's what I should focus on. Maybe that's wishful thinking.

So....idk. Idk what I'm doing but I'm trying to be gentle on myself and just let myself continue to drift, to heal from this heavy loss, and then in the New Year I'll try and pick myself up. Then there will be no more big once-in-a-lifetime events coming up, no more just-moved-into-a-house-and-oh-no-there's-a-bunch-of-things-that-need-attention-NOW scenarios, and no more big holidays for awhile. I guess we'll see.

If you read all of this I am so sorry but also thank you for reading my ramblings. And thank you for being around, whether that's been for a few months or for several years, but especially if it's been several years

#blog anniversary #happy anniversary 2024 #percy #sleepyart #sleepy speaks #oh man does sleepy speak

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darkcircles4lyfe · 10 months ago

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This doesn't have anything to do with anything, but i had a talk with a friend a few days ago, about shonen biasis and the way this shapes our expectations, and mha came up so i remembered how so many people apply those biasis HEAVILY into the manga, to the point that they sound like they're looking for a different story.

And one of those things that it seemed to be MOST talked about is exactly bkdk's relationship.

I have seen many times people from the fandom (sometimes really angrily) point out how in most cases Katsuki seems to basically take up not one, but four roles in Izuku's life and this includes putting him in situations that people associate with the MC's love interest, and it is weird that, despite Izuku "having a girl" for people to make assumptions about, he seems to completely repulse any female character that could be the counter part to Izuku's.

And this made us wonder if Katsuki's placement in those roles and lack of interest was made specifically because the author precisely did not want the actions that both do for each other as romantic but a whole another thing entirely, as a subversion for the these classic tropes, as he did by making the conflict between Ochako and Himiko not a "rivals fighting for the affection of a boy" but something that is connected to the plot of these characters instead.

Oh you bet! I am always down to talk about this, because I think about it a lotttt.

This reminds me, recently I remembered a funny habit I used to have with books I read. Like, back in middle school. I used to start by flipping directly to the last page and reading the final sentence. Usually this did not spoil anything whatsoever, but sure enough, by the time I read through the whole book, that sentence would take on new meaning.

So I started musing about what it would be like if only I could do this with bnha, if everything was already out. It made me feel so nostalgic…

Will the last panel be something grand, or something small? Hopeful or sad? Distant? Intimate? A parting message to the reader? Will it look like almost nothing of consequence to the unknowing eye—yet burst with hard-hitting subtext?

Of course I wonder about all the twists and reveals that might be still ahead of us, but it’s kinda soothing to think about how the whole thing could be put to rest. Because then I realize I’m not worried.

For once, this is not because the story is following so many tropes so predictably that I know exactly, in so many words, how it will end. It’s more like the story is a close friend who I’ve gotten to know well enough that everything they do is so “them” it makes me smirk. I'm often marveling at how Horikoshi has managed to pull all this off. How is it that (at least here in the west) people who aren't really paying attention call it basic and cookie-cutter. Even a Japanese animator called it "classic," and this interview shows such obvious dissonance between Hori and the interviewer, just... wow. But it's so clear that bnha has broken just about every rule in the book at this point, so much so that I struggle to condense it into words. I'm like--*gestures broadly at everything*--why haven't more people picked up on it??

Yet we still get bombarded with people saying "it's a shonen, c'mon, we all know how this will end." Um. No you don't. I KNOW there has to be a bunch of people who are secretly frustrated by Kacchan taking up all the roles and getting all the moments. It's not even in a mysogynistic way, because Kacchan is the most anti-dudebro character imaginable. Bkdk's relationship isn't intended for them and they know it... and you know what, I'm starting to ramble. You've heard all this before. The thing I should really be focusing on in your ask is the part where you mentioned how you and your friend were speculating about bkdk ending up as "a whole other thing entirely" rather than simply romantic.

Well, fuck it, I've been biting my tongue, but now might as well be the time I talk about this. I got into a bit of a disagreement with someone over it once and then I shut up. Because it's very difficult to approach the subject without being lumped in with those people who see bkdk as "brotherly" (ew) or otherwise try to push some "crisis of male friendship" agenda, or at the very least without being accused of enabling people to make excuses against bkdk being canon ad infinitum. So let me be clear that I do NOT want bkdk to have an ambiguous or open ending. I want their complexity and importance to be acknowledged. I want them to use their words. I think we may have created a bit of a false dichotomy there.

I am aromantic, and to suggest romantic relationships are inherently the most important and intimate goes against every fiber of my being. I also reject the idea that cut-and-dry gay representation is more desirable just because it is more easily understood by the masses than aspec representation or representation of relationships "beyond" both romantic and platonic. We recognize how ridiculous it is for people to expect Izu*cha at this point, right? Well, the reason they're so confident anyway isn't just because of heteronormativity. It's also because of amatonormativity, the assumption that romantic attraction trumps all: no matter how much focus bkdk get, Izuku blushed at Ochako, so that automatically makes them more "important." THAT is the notion that I want to challenge most. More than anything, I want bkdk's relationship to be fully acknowledged because they have so much more going for them than just attraction.

You and your friend make an excellent point, that it would be very much in line with Horikoshi's taste and the patterns of his writing so far if he chose to subvert the shonen romance trope not just by giving it to two boys, but also by disregarding its premise entirely. It's unlikely he'd try to stuff them into such a copy-paste ending right at the end.

So maybe they won't get the blushy confession, the obligatory kiss, the wedding, the 2.5 kids and a white picket fence. That's fine, we shouldn't pretend those tired tropes are suddenly revolutionary just because they're gay. But don't be disappointed! Without them, we have more room for things that are actually personally meaningful to bkdk to stand out and receive the nuance they deserve: talking through their feelings openly, building each other up like no one else can, understanding each other like no one else can, smiling at each other, embracing, holding hands, rushing to the other in the hospital, being glued at the hip (or even closer), healing mutual trauma, putting each other first in all things. Maybe we'll also get confirmation on Ochako's side as she moves on from her crush on Izuku. You know what other shonen manga took this exact angle as a way of subverting tropes and presenting genuine complexity? Blue Flag! There are so many ways to do bkdk justice.

Even a kiss isn't out of the question, if the right opportunity comes along. A perfect example of what I'm talking about is Good Omens (major season 2 spoilers) because the kiss between Crowley and Aziraphale was not at all about canonizing them. It was an expression of pain and desperation that just made sense at that particular moment. Neil Gaiman was adamant that if it took that kiss to understand the context of their relationship, you really weren't paying attention. I respect the hell out of that.

Recently I was even daydreaming about bkdk getting something similar to the sort of uh, shall we say tasteful nudity, that togachako got, because of how Izuku appears in the vestige realm.

Ya know like not in an nsfw way but in like a "this is so deeply intimate and soft that I feel like I'm intruding" kind of way... yeah. Because it represents vulnerability and openness and acceptance of someone as they are. And I don't care if people call that bait. It's not. It's beautiful. It’s honest.

#asks #anon #lin answers #bnha manga #mha #boku no hero academia #my hero academia #bakugou katsuki #midoriya izuku #bakudaku #bkdk #dekubaku #dkbk #aspec #queerplatonic

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marigoldwriter · 4 months ago

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Wonderland: Places we haven't seen, Unknown locations and Relating different media.

(I haven't read the book, so if you finish reading this and want to add something that's in the book and I don't know, please comment)

If there's one thing I know we can't do when it comes to the Wonderland of the Descendants universe, it's rely on the description from the 1951 film.

In the official description on the website Fandom in Disney Wiki, Wonderland is described as: "It is an imaginary land created from a dream a young girl named Alice experiences. Wonderland is a world without any form of logic, inhabited by fantastical creatures, anthropomorphic animals, and a slew of colorful characters. The fearsome Queen of Hearts rules the land."

So, originally, Wonderland wasn't even a place of its own, but rather the creation of a little girl's dream.

And it's exactly here that we establish that the Wonderland 1951 film and the Wonderland we know aren't the same. Pretty obvious, right?

But still, some things from the 1951 Wonderland need to be considered. I think we'll come back to that along the way.

Now, all that's left for us is Wonderland from the 2015 film. Oh, I love that film, it was because I rewatched it that I decided to write this, anyway.

In the official description on the website Fandom in Disney Wiki, Wonderland is described as: "It is a nonsensical realm populated by humans, talking animals and plants, and other magical beings. Laws of physics don't always make sense in Underland."

And there's this difference between the Wonderland of 1951 and the one of 2015, the name of Wonderland isn't even Wonderland for the citizens there, "In Tim Burton's Alice in Wonderland, Underland is true name for the world Alice Kingsleigh once referred to as "Wonderland", but it is revealed that she misheard the name as "Wonderland" when she was a child."

If we focus on the details, the entrance to the Rabbit Hole is in the middle of a huge, healthy tree in the middle of a forest in Descendants, but in the 2015 film, it's on a wealthy family's estate — "This entrance is located on the Ascot family property, in a rabbit hole in the ground by a tree nearby the mansion. If someone falls in the hole, it will lead them to the Round Hall in Underland. The hole is stuffed with furniture of many sizes, from small table lamps, a bed, and even a piano; some furniture is positioned on the walls of the hole, while others are just floating in midair."

So what happened to the Ascot Family? I mean, they were assholes, but anyway, what happened to them? Did they move after Auradon was built? Or, Idk, Bridget uses a different Rabbit Hole, maybe.

In the official page on the website Fandom in Disney Wiki, it's said that: "Underland is a far more nonsensical world than the one Alice remembered, and it has a solid geography, divided between many regions, including Marmoreal (southeast), Crims (center north), Witzend (west), Iplam (center west), Queast (east), Snud (south), and the Outlands (far west). The Crimson Sea is situated directly north of Underland."

The 2015 Wonderland is much richer in information, so let's ask a few questions. The questions here are:

Where's the Castle of Hearts located in Descendants? It's in Crims, It's in Witzend, childhood home of the two Queens, it's near or far from the Crimson Sea?

If Bridget, Queen of Hearts, is referred as "Your Imperial Majesty", it means that all the other regions of Wonderland were conquered at some point and united into a single Empire/Kingdom. How?

What happened to Mirana (the White Queen)? She was killed, she fled to Auradon, what was her fate?

What about Marmoreal, and the White Queen's servants and subjects?

What about all the other regions? We don't hear about them, so what happened?

Did our famous Red Queen, Iracebeth, ever exist? She is an ancient Queen from a bygone era?

How the hell did they manage to unite all the kingdoms? Obviously through brute force but how? That would have taken decades, at most a century, so how do we have the Wonderland Empire/Kingdom perfectly united in 2025?!

What happened to the Red Queen? If two tyrannical forces that have the same objective face each other and one of them loses, we obviously already know who it was.

Where was the Kingdom of Hearts at this time before they simply became the largest and only kingdom in Wonderland?

Since I don't have an answer to these questions yet, I'll delve into some regions of Underland, and at the same time I will make some notes:

First, we have the Marmoreal Region, important places that we have located here are:

The White Queen's Castle

"This castle is where Queen Mirana lives, along with her court and army. Its architecture seems to be inspired by the pieces and the board of a chess game, and it seems to be entirely built of marble, with a predominant white color. The castle is surrounded by tall waterfalls, and large gardens."

I would really like to know what happened to Marmoreal, It was a kingdom completely against the Red Queen, so they were the ones who always fought against these type of tyranny, despite both being related by blood (Mirana and Iracebeth were sisters, so), could the two kingdoms have united against the Kingdom of Hearts at some point? Very unlikely.

And if we take some facts from Lewis Carroll's books, there were three kingdoms: The White, the Red, and the of Hearts. So what happened to the rulers of these two kingdoms? Because one of them definitely survived and emerged victorious.

Tarrant Hightopp's (Mad Hatter) House

"Located near the White Queen's castle, the house of Tarrant Hightopp rests atop a cliff surrounded by waterfalls and green mountains. The entire house is modeled to resemble a top hat."

This just makes me think that Maddox's surename is actually Hightopp. And that he probably really grew up in a house like that.

But now, seriously, Maddox is an adult, while Redell is a teenager, so he and Bridget must be pretty close in age, so I wonder, when does Alice in Wonderland take place in the Descendants universe? It still doesn't make sense, but it's Wonderland anyway.

Next we have the Crims Region, important places that we have located here are:

Salazen Grum

"Salazen Grum is the castle and former home of Queen Iracebeth, who lived there with her court, servants, and army. The castle seems to be entirely built from stone, with red as a predominant color. It had gardens with many red roses and hedges cut into the shape of the Red Queen herself. After the Red Queen's reign ended, she was banished to the Outlands, and the castle fell to ruin."

I would really like to know if all these kingdoms were ruled by people who were related. Mirana and Iracebeth were sisters, but what if the ruler of Hearts was also related by blood to them?

Well, if they were related by blood, they are no longer so, because of the amount of centuries that must have passed (no one can convince me that Iracebeth and Mirana didn't live longer than a normal human being), in any case, they are now extremely distant relatives.

Salazen Grum seems to be the place that the Queen of Hearts would take to renovate and transform into her own castle, although I disagree with that, because it seems that the Castle of Hearts is located in Marmoreal, due to the trees and the abundant nature around.

House of the March Hare

"Located in the Tulgey Wood, the House of the March Hare is a windmill in ruins. This place was once surrounded by lush trees and beautiful flowers, but is now a gloomy wasteland. This is where Tarrant Hightopp, Thackery Earwicket, Mallymkun, and Chessur enjoy each others company by drinking tea and eating cakes. Alice Kingsleigh visited this place when she first came to Underland when she was a child, and again when she was a young adult."

In my defense, I know that the March Hare House is mentioned or referenced in the book "Descendants: Beyond the Isle of the Lost", and it's probably more renovated, but it is worth mentioning anyway.

Gummer Slough/The Chess Board

"On the Frabjous Day, this large chess board served as the battle ground for the final clash between the armies of the White and Red Queens'. It was also here where Alice Kingsleigh slayed the Jabberwocky."

THIS PLACE DEFINITELY EXISTS IN WONDERLAND DESCENDANTS, NOBODY CAN CONVINCE ME OTHERWISE!!

No one can convince me that the War of the Roses were not fought right here. Any beginnings of conflict must be fought in this place, it's a cultural rule of Wonderland and no one can convince me otherwise.

Third, we have the Witzend Region, this region was introduced in the second film.

Witzend Town

"This town was ruled by Iracebeth and Mirana's parents, King Oleron and Queen Elsemere. The region was populated mostly by humans, though some talking animals lived here as well. It was the original home of the Mad hatter himself, Tarrant Hightopp, his family, and their hat shop. The entire town and surrounding forest was burned to the ground by the Jabberwocky during the Horunvendush Day (the day the Red Queen took control of Underland), and is currently abandoned."

Well, for the most part, this city is populated by humans, so many core characters can unfold here. It could be around here that the Castle of Hearts could be located, since many humans are seen in the "Red" music video.

Witzend Castle

"This castle was located in the Witzend Town and the home of King Oleron and Queen Elsemere and the childhood home of the princesses Iracebeth and Mirana."

As I said, this could be where the Castle of Hearts is located, it is similar, but I can't say, the times are different perhaps, but the same place.

♡ ♡ ♡

There are many questions, the geography of Descendants Wonderland is not very explicit, there are some places mentioned in the book, such as:

Rabbit Hole.

The Queen of Heart's Castle and royal plaza.

Maddox Hatter's room and workshop.

Tulgey Wood.

March Hare's Residence.

White Rabbit's House.

Wonderland High.

Bramble Bay.

Looking Glass Mountain.

Vorpal Mountain.

Most of them reference both the 1951 and 2015 films, so we can assume a lot. The real question is how all the kingdoms were united into one, and where the other rulers are, or rather, what happened to them, since they probably either fled or were killed by the ruler of the Kingdom of Hearts.

And also how we can understand this better. If anyone is willing to talk about this for hours, or make a world map of what Wonderland looks like today, with Bridget as the current Queen, I'm available!

Was it long? It was, but I wanted to write something like this because I was really intrigued by what Wonderland looks like from above, and the geography and locales of this peculiar place, since we spend more time in Auradon than anywhere else in all the Descendants movies.

Heart-shaped kisses for those of you who read until the end, thanks my dears ~ 💋

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koalatysleep · 11 months ago

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Kuwameshi: the 'undercover' love story in Yu Yu Hakusho

This Christmas season, I binged watched the entire Yu Yu Hakusho anime series on Netflix (I was hit with a strong yearning for more content after binge watching the live action), and Kuwameshi became my OTP even though I started off shipping Yusuke with Keiko.

I must say the anime is a remarkably progressive work of art given that it was created as a Shonen manga in the 90's. I love love love love the entire series!! Right off the bat, the series subverts gender tropes, heteronormative romance stereotypes, and the sleeping beauty fairytale with Yusuke in the position of sleeping beauty, Keiko in the role of Prince Charming who literally brings him back to life with a kiss, and Kuwabara as the real love interest and knight in shining armor who continually saves and inspires Yusuke throughout the series.

Instead of a sleeping beauty that passively waits to be saved, Yusuke is actively making choices that ultimately helps to save himself, by first deciding to return to life, then by taking on the emotional work of helping Kuwabara study for the test, and saving Keiko by sacrificing his spirit realm egg and his chance to return to life.

The fact that Keiko was saving Yusuke, while Yusuke was saving both Keiko (from the fire) and Kuwabara (from the evil machinations of that despicable teacher), and Kuwabara was also saving Keiko (from thugs and then the fire) and Yusuke (by being one of the reasons Yusuke was moved to choose life over death and then from the fire) was an extremely refreshing change from the stereotypical heteronormative romance where the male character is doing all the saving, while the female love interest is just a passive character without much agency or ability to contribute, and no other character seems to have much of an impact on the romantic pair. Here we have 3 fiercely independent characters who are all actively helping themselves while saving each other in a holy trifecta of character development goodness.

When Yusuke's body was in danger in the burning house, I love the scene where Keiko shook off the bystanders holding her back with a fierce determination that we come to associate with Yusuke in life-or-death fights, sprang into quick-thinking action by dumping a bucket of water over herself, and ran headlong into the fire and mortal peril, all to save Yusuke.

Yusuke and Keiko would have been my ride or die OTP if the series had continued developing her character and the story along these lines, but even during this arc of reviving Yusuke where the main focus was on Yusuke and Keiko as a romantic pair, the seeds for Kuwabara as Yusuke's 'undercover' love interest are already being planted.

In fact, Togashi's authorial intent for Yusuke and Kuwabara as the central love story in the entire YYH series can be seen in their name designs itself!

Yusuke is written in 2 characters - the 1st character means Spirit/Soul, and the 2nd character means Assistance/Help.

Kazuma means True Harmony. So put together, Yusuke and Kazuma means Souls in True Harmony who help each other. And isn't that the very essence of our heroes right there? ❤️🌈

It's only after Yusuke possesses Kuwabara's body in Episode 2 that he got the help he needed to clearly communicate to Keiko to save his body from cremation. When you watch the episode, Yusuke and Kuwabara literally spoke with their 2 voices overlapping as one in multiple scenes! It's especially obvious in the sunset scene when they finally get to tell Keiko to save Yusuke. Yusuke and Kuwabara are literally Two Souls in One Body!

This symbolizes how Kuwabara truly desires for Yusuke to return to life, as much as Yusuke himself, and foreshadows how Kuwabara goes on to stand with Yusuke as One Soul in Two Bodies throughout the rest of the series. I haven't even meta-screamed about the homoerotic subtext of Yusuke possessing Kuwabara's body! 🤣🤣🤣

We further see how Kuwabara is in True Harmony with Yusuke when Kuwa takes it upon himself to look out for Keiko on Yusuke's behalf when he thought Yusuke was permanently dead! Kuwa literally stepped in on spirit Yusuke's behalf to beat off the thugs bothering Keiko, and then puts his own life at risk to save Keiko from the house fire!

No one asked or expected Kuwa to do this, he looks out for Keiko simply because he knows how important Keiko was to Yusuke, and taking care of the people Yusuke loved is how Kuwa keeps a piece of Yusuke alive! Like, it boggles my mind how deeply Kuwa loves & values Yusuke to the extent that people important to Yusuke is by default important to Kuwa even after Yusuke's death! 🥹🥹🥹 If this isn't True Love (True Harmony), what is? Like, I know real-life married couples who do less for each other! I've meta-ed screamed a bit more about how truly, madly, deeply Kuwa is in love with Yusuke even before canon began, link to that other meta is at the end of this one!

And then of course we have the all-important Episode 3 where Botan literally tells us Yusuke and Kuwabara are so emotionally in sync (True Harmony) with each other that Kuwabara can sense Yusuke's feelings even though Yusuke is a spirit! Their connection even this early on literally transcends the boundaries between life and death! And it's only when spirit Yusuke started following Kuwabara around that Yusuke grew as a person, by learning about Okubo's family situation and deciding to help. This is a large reason why Puu's egg absorbed good energy to develop into lovable goofy Puu!

Yusuke is so moved by Kuwabara's honorable character and determination to help Okubo, that we see Yusuke doing the stereotypically 'female' emotional work of helping Kuwabara study for the test even though Yusuke himself hates studying. It's actually such a huge thing that Yusuke not only does this on his own free will without anyone nagging him into it, he actually looks like he's enjoying helping Kuwabara study! Yusuke has such massive character growth just by helping Kuwa! Look at how happy Yusuke looks! I just love how Kuwa is such a positive influence on Yusuke, because Kuwa inspires and emotionally resonates with Yusuke so deeply! Compare this to how Keiko wasn't able to get Yusuke to study despite all her nagging (which actually inadvertently makes Yusuke feel worse about himself, link to another meta post about this at the end of this one), and you see how Kuwa is Yusuke's True Love Interest who's in True Harmony with Yusuke!

And of coz, Their entire study dream-date is so romantic!! The way Yusuke's hand lingers on Kuwabara's shoulder when he first finds Kuwabara asleep over his desk, and the way this shot (Yusuke's gaze) lingers on Kuwabara's bruised and exhausted face clue us into Yusuke's burgeoning romantic feelings for Kuwabara!

The romantic coding of this scene is further confirmed through the soft lighting, the tender background music, Kuwabara's romantic candy colored galaxy in his dreamscape, and how soft and tender Yusuke's voice is when he whispers to Kuwabara back in Kuwa's bedroom. When morning dawns, the romantic background music segues into a scene of two lovebirds on a branch accompanied by birdsong, and this becomes our visual & audio analogy for Kuwameshi romance later throughout the series!

I personally think it's not a coincidence that Yusuke was carrying Puu's egg on him when he possessed Kuwabara's body and when he followed Kuwabara around as a spirit, and that the egg developed into a bird creature Puu who later becomes a majestic phoenix, but you'll have to read my fic The Good Fight to see what I mean! 😜

Then we get the laugh-out-loud hilarity of Yusuke possessing the body of the knocked-out-girl to beat off the thugs who were about to waylay Kuwabara on his way to the test 🤣🤣🤣! i roll on the floor with laughter every time! Apart from the sheer comedic genius, we also see that Yusuke did not hesitate to literally 'become' a girl to help Kuwabara! We see how emotionally invested Yusuke is in Kuwabara's success, because Yusuke is moved by Kuwabara's heart and grit!

I mean honestly this whole episode of Yusuke doing the 'female emotional work' of supporting Kuwabara is really amazing. I would have loved more episodes like this throughout the series where we get to see more of Yusuke developing his emotional muscle without any life-or-death fights!

Immediately after the revival arc is done, the story goes on to subvert heteronormative expectations even further - one of the first things Yusuke does after coming back to life is to save Kuwabara's cat in a really really sweet gesture. Yusuke punching the lights out of the thug holding the cat hostage, and then turning around in slow motion to reveal his identity is a typical hero's entrance when they save their love interest. The way that Yusuke cradles Kuwabara's cat with such gentleness and care while kicking the living shit out of the thug who had grabbed Kuwabara around the waist, and then returning the cat to Kuwabara in the midst of fighting is seriously swoon worthy !

I mean, if Yusuke had done this for a female character or even a 'good-looking' male character, it would have been universally interpreted as a clear romantic narrative, but because Kuwabara is not female and also not conventionally 'good looking', this flies under the radar, which is how the story can clearly depict Kuwabara as Yusuke's romantic love interest from here on out without anyone being the wiser.

I mean!! Throughout the rest of the series, Kuwa-chan literally spurs Yusuke on to greater heights than Yusuke would have attained himself, because Yusuke cares so deeply about what Kuwabara thinks about him, and living up to Kuwabara's faith in him! This is Yusuke we're talking about, he doesn't give a shit what others think if he doesn't respect them, so the fact that he wants Kuwabara to think highly of him speaks volumes about how highly he admires, values and respects Kuwabara in return!

During Genkai's succession arc, our heroes were literally on an Arcade Date!! Look at our boys putting their best selves forward to impress each other! 🤩😆 The way they're drawn so beautifully in such heroic frames tells us just how much they want to impress each other! If this isn't courting behavior, what is?

Look at how impressed Yusuke is at Kuwabara's high score in the punching game, and how he pretends otherwise! 😆

OMG they way they totally ignored all the onlookers as they gleefully try to outdo each other and show off for each other is SO CUTE!!!!!

I personally think Yusuke was in such a bad mood with the bat demon coz Yusuke was in a hurry to get back to Kuwabara! When he finally made it there and explained what took so long, his eyes were on Kuwabara the entire time!!! And look at how Yusuke is peacocking in front of Kuwabara when he explains how he's faster than the bat demon! 🤣

It's also because Kuwabara asked Genkai to wait that Yusuke was selected despite exceeding the time. Kuwa had zero doubt that Yusuke would make it! His belief in Yusuke is absolute! The scene where the boys forgot themselves and hugged each other in their excitement is chef's kiss! Look at Yusuke throwing himself bodily at Kuwabara! OMG I just love how Kuwabara makes Yusuke forget all about pretending not to care or appearing aloof (which is part of Yusuke's emotional armor) and brings out Yusuke's True Self!

Yusuke had so much fun with Kuwabara, he literally forgot all about his mission to find Rando, to the extent that even Koenma remarked on this! 🤣

Seriously the anime puts so much effort into the little details like these unconscious body language tells and non-verbal cues, it's really amazing!!! When Yusuke later tried to get Kuwabara to retire the fight against Rando to protect Kuwabara, Yusuke (who was still shocky from his fights) literally pulled Kuwabara close with a hand on Kuwabara's chest and another nearly on Kuwabara's neck! These are not platonic personal space boundaries, it's Yusuke's unconscious body language cluing us into his romantic feelings for Kuwabara! Look at how close Yusuke is to Kuwabara!

During the fight with Rando, it's also because Yusuke was so emotionally impacted by Kuwabara's serious injuries that Yusuke was able to tap into a new level of power! I was honestly surprised by this when I first watched the anime before I clued into the Kuwameshi subtext, given how cool and collected Yusuke was when Hiei almost turned Keiko into a demon!

And the unconscious Kuwabara was still cheering Yusuke on! When Yusuke was on the verge of being eaten alive by the demonic fish, Kuwabara's spirit even left his body to go save Yusuke, and Kuwabara knew just the right words to say to Yusuke to spur him on! Souls in True Harmony who help each other!

Cheering on the male character in spirit is literally what female love interests do in anime, and it's usually a one-sided depiction of the female shouting the male character's name in a paroxysm of emotion without the male character actually hearing or interacting with her, so this trope is again nicely subverted here coz Kuwabara is literally a spirit who can have two-way dialogue with Yusuke, and he's obviously a badass himself, which is why he can reach Yusuke as a spirit to begin with. Genkai approves!

As the series progress, we see more of Yusuke and Kuwabara's body language cluing us into their romantic feelings for each other. During their chocolate shake date, they were mirror images of each other when Keiko crashed their conversation and Yusuke covers up what they're really talking about with the movie excuse. When Yusuke was making his excuses to run out on Keiko, he again places his hand on Kuwabara's chest when he asks Kuwabara to come with him, then Yusuke pulls him along by the wrist 😍😍❤️❤️.

You can see in all these interactions that Kuwabara's attention is on Yusuke almost all the time, especially when Botan's explaining the 4 saints beast situation to them! Kuwa literally did not take his eyes off Yusuke even though Botan's the one speaking! This is despite Kuwabara supposedly having a 'crush' on Botan, but we will have to leave the explanation for this for another meta! ;P

I digress! To me, Yusuke running out on Keiko with Kuwabara and forgetting he left Keiko at the movie theatre clearly signals authorial intent to focus on Kuwabara and Yusuke's relationship, rather than Keiko and Yusuke's. At the end of the 4 saint beasts arc when Yusuke exhausted his lifeforce to defeat Suzaku, it was Kuwabara who brought Yusuke back to life by transferring his remaining life-force to Yusuke despite knowing this is akin to suicide, similar to how Keiko saved Yusuke from the fire despite mortal peril to herself at the start of the series. This time, Yusuke wakes up in Kuwabara's bed after Kuwabara has taken care of Yusuke for 3 days, to the sound of birdsong!!!! And from here on out, Keiko is relegated to a side character without further character development of her own or much contribution to Yusuke's personal growth.

When Toguro wanted to devastate Yusuke into unlocking his true power by killing someone Yusuke loves, he chose Kuwabara above all others, even though Keiko was in the audience. It's very telling that Toguro tried to kill Yusuke's metaphorical heart by ripping out Kuwabara's actual heart!! Kuwabara is Yusuke's heart! The subtext is main text!

Kuwabara chose to meet his death courageously even though he knew he had no chance of surviving, showing Yusuke once again the difference between true strength vs just power. The intensity of Yusuke's resulting grief and utter devastation at Kuwabara's death changed the very essence of Yusuke's reiki. The intensity of Yusuke's emotions is the reason why Yusuke rejected Toguro's "power above all else" motto, it's the reason why Yusuke understood the difference between true strength vs just power.

Some things can only be learnt through experience, and Genkai knew this was a hard lesson Yusuke needed to experience for himself before he could learn the difference. (She also knew Toguro still had some shreds of goodness deep down and wouldn't kill Kuwabara straight out).

Yusuke himself said he used to secretly admire and aspire to Toguro's power even as he was scared shitless, before Yusuke's eyes were opened to the immeasurable worth and value of love and friendship, the things that Toguro gave up in his blind pursuit of power. Yusuke lost his fear of Toguro after that, he stopped admiring Toguro after that, he pitied Toguro instead. Yusuke was able to gain this emotional maturity through the grief & devastation of losing Kuwabara. And because of that, he was able to defeat Toguro. Talk about the Power of Love! Kuwabara really is the Warrior of Love! Even when he's not physically fighting, he inspires Yusuke to new levels of both emotional maturity and physical strength through Love.

I mean honestly, at this point in the story, Kuwabara had clearly taken center stage as the love interest for Yusuke, one who actively plays a role in Yusuke's personal growth and emotional motivation, one who is strong enough that Yusuke can be honest about his spirit realm duties and his full self with.

It's a bit of a shame that the story didn't develop Keiko into a more interesting kickass female character like Botan, who's independent and capable of taking care of herself, and whose contributions to the story is not just restricted to that of a romantic love interest. It would have been nice to see Keiko realizing that she and Yusuke are better suited to be found family and lifelong friends rather than romantic partners. It's a pity especially since Keiko got off to such a strong start by saving Yusuke so courageously from the fire. After this point however, the story relegated Keiko to the stereotypical female 'love interest' who's just passively waiting on the sidelines for Yusuke to return.

But given that Yukina is also a similar stereotypical female 'love interest' for Kuwabara, one who's written out of the narrative almost as soon as she's introduced, and thus I also don't find Kuwabara and Yukina convincing as a romantic couple, I wonder whether the author deliberately chose to under-develop Keiko and Yukina's characters and to protray them as rather helpless, one-note and bland, in order to highlight the real love story he's trying to tell between Yusuke and Kuwabara. (Togashi even said in a Q+A that his least favorite character is Keiko, coz she's a typical manga character.)

If I were trying to tell a non-heteronormative love story aimed at teens in conservative 90's Japan, hiding Kuwabara and Yusuke's love story in plain sight, under the cover of them both having female 'love interests' is probably one of the ways to do it while still getting published in Shonen Jump.

It's clearly contrasting Kuwabara and Yusuke's extremely compelling romantic subtext with the very bland and unconvincing heteronormative pairings. It leaves it up to the audience to notice for themselves which pairings they find more compelling to root for, and perhaps in so doing, the story subverts a conservative audience into unknowingly supporting a non-heteronormative couple of Yusuke and Kuwabara 🤣

Togashi also said in his letter to fans that he ended the manga for three reasons, one of which is that he has exhausted the character directions he can explore within the publication bounds of Shonen Jump.

I wonder whether a sexual romantic relationship between Yusuke and Kuwabara (the sex is hinted at in this bonus canon content) is one of the directions Togashi couldn't explore within the publication bounds of Shonen Jump 🤣. (But that's okay Togashi, thank you so much for giving us the rich Kuwameshi subtext in canon, we'll take it from here to explore these directions for you 🤣🤣).

When I first read part of the manga casually as a kid, all the subtext flew right over my head of coz, but now when I watch it as an adult who understands just how much queer love stories were not allowed any expressions in the 90's, I really love Kuwabara and Yusuke as each other's true love interest.

The development of their relationship can also be read as a natural progression of their characters growing closer together than Yusuke and Keiko can, due to Yusuke having to keep Keiko in the dark about spirit realm activities to protect her from it, and Keiko just being so different from Yusuke that she inadvertently makes Yusuke feel worse about himself. This is apparent in Episode 1 itself, when Keiko inadvertently triggers Yusuke's self-worth issues when she berated Yusuke quite thoroughly to apply himself to school - she immediately assumed he must have done something wrong for Takenaka-sensei to be looking for him (when actually Takenaka just wanted to proactively counsel Yusuke!) and she outright says if he doesn't go soon he'll drag her down and she'll get a scolding as the class monitor as well. This is when Yusuke flips her skirt, not because he is romantically interested in her or is pervy, but because he just wants to stop her words which were quite hurtful for him coz it confirms all his worst fears about himself!

Keiko also can't understand why Yusuke enjoys challenging good fights, whereas Kuwabara can and in fact enjoys those fights himself. So perhaps Keiko and Yusuke drifting apart as a romantic pairing once the revival arc is done is also a natural state of things.

In any case, by the time the dark tournament is over in episode 67, it's Kuwabara that Yusuke seeks out for an early lunch at school, it's Kuwabara who Yusuke riles up by poking him in the ass 🤣🤣, similar to how Yusuke used to flip Keiko's skirt, except Yusuke's jabbing Kuwabara in the ass when he's in a good mood and wants an excuse to be close to Kuwabara! I haven't even screamed about the HILARIOUS homoerotic subtext of Yusuke jabbing Kuwabara in the ass just as Kuwabara's thinking about becoming "a real man" for Yukina! 🤣🤣🤣🤣

Look at our boys taking the opportunity to physically be as close as they secretly want to be with each other, under the guise of rough-housing and bickering! Yusuke's full-on hugging Kuwabara in the second frame, and he's got his leg over Kuwabara's shoulder in the third!! 😍😍❤️❤️Once again they totally ignore their audience and focus just on each other, to the extent they didn't even realize the class bell had run and Takenaka-sensei and the entire class is looking at them! 🤣

This scene of Yusuke seeking out Kuwabara for lunch in a good mood and needling him for food is SO CUTE and so sweet! Coz it's Yusuke's way of asking for Kuwabara's attention. It's Yusuke's way of saying he wants to spend time with Kuwabara, he wants Kuwabara to be the one to take care of him (by feeding him), and when Kuwabara reacts with outrage instead (coz he is still in denial about his feelings for Yusuke at this point), Yusuke immediately reacts with hurt defensiveness. Even so, they still have such a great time with each other! It's very relatable and very sweet! Haven't you ever just riled up your crush and teased them mercilessly coz you wanted the excuse to be close to them? I also love that Yusuke is actively seeking out Kuwabara to do normal mundane things like eat lunch together, he must have realized at some subconcious level that Kuwa-chan is his OTP!

We even get Kuwabara's friends and Botan wondering whether Kuwabara and Yusuke were a bickering married couple in a previous life, so the subtext is more or less already the main text by this point.

Then we see Kuwabara catching up with Yusuke after school and Yusuke sharing his feelings of ennui with Kuwabara, who brought Yusuke right out of it with ease 🤣🤣 it's these seemingly little things like Yusuke opening up about his feelings to Kuwabara, Kuwabara keeping Yusuke grounded, and Kuwabara talking about his loss of reiki with total ease with Yusuke and being worried that Yusuke was going through the same that shows the deep emotional connection and deep trust between these two.

Of course, then Yusuke gets abducted and we see Puu flying straight to Kuwabara for help, so again the story subverts the typical heteronormative romance by having both Kuwabara and Yusuke continually inspire, save and rely on each other as true equals in their partnership. No one is the wilting flower, no one is just passively waiting to be saved, and both are simultaneously both the protector and the protectee. Just as Genkai told Yusuke to never forget why he became strong and who he became strong for, they are truly the main reason why the other became so strong!

Speaking of abduction, the tables gets turned later on when Kuwabara is the one who gets abducted and Yusuke goes after Sensui on a bicycle(🤣🤣!) like a man possessed. I mean seriously, even before I clued into Kuwameshi, I thought Yusuke looks like a man who's singlemindedly saving the love of his life! And then of course, Kuwabara experiences the devastation of Yusuke's death, similar to how Yusuke experienced the devastation of Kuwabara's death during the dark tournament, and we get that precious glimpse into Kuwabara's feelings for Yusuke all along! It was never about winning Yusuke in fights, all his challenges were just an excuse to be with Yusuke! His heart gets so excited when he's with Yusuke! He was over the moon when Yusuke called him by name the first time! He did it all - Genkai's succession trials, Rando fight, Byakko fight, yukina rescue mission, Dark Tournament, facing down Toguro - all of it, for Yusuke!!!! Screams! Can it get more romantic than that?!? This not only reveals Kuwabara's heart, it also reveals authorial intent for the Kuwameshi love story from the beginning!

And then of course Kuwabara chooses to avenge Yusuke even if it means his own death and the destruction of the entire human realm! Kuwabara, the warrier for love, truth and justice, protector of the weak, literally chose to burn down the whole world to avenge Yusuke, and follow Yusuke into death! That's how much Yusuke means to Kuwabara! The entire world literally means nothing to Kuwabara if Yusuke isn't there! So for me, I fully believe Yusuke and Kuwabara are the real love story here!

If you love the delicious Kuwameshi subtext as much as me, come scream about it with me in my Kuwameshi meta series on AO3, and my Kuwameshi Alternate Canon Fic The Good Fight on AO3! Most chapters have End Notes with more meta about canon that inspired that chapter! There's just way too much meta to put all into one post here!

If you'd like to read more meta on when Kuwabara fell in love with Yusuke, here's one you may enjoy!

If you'd like to read meta on when Yusuke fell in love with Kuwabara, here's one!

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readypanda · 6 months ago

Text

Indigo Park Spoilers (and very long post) ahead

Since Indigo Park is the newest fandom I've been dipping into, I figured I might as well make my own analysis for the game. The question I'll be discussing today is,

WHAT EVEN ARE THESE THINGS?

(sry for bad picture quality lol)

The thing I find interesting about these mascots (Molly, Lloyd, and what we've seen of Finley) that kind of sets them apart from other monsters in the mascot horror genre is...they almost seem like they're just animals. (I'll go over evidence for this in this post)

Think about it. In other mascot horror games, we've gotten:

animatronics possessed by dead children

employees/kids surgically(?) turned into toys

people mutated by a giant ink machine

animals/people who have had their DNA spliced with a mutagenic chemical

A little girl somehow turned into a monster (I think??)(really sorry Amanda I don't know what you are)

etc.

(I'm not up to date on all these properties and I know there's many more, so forgive me if my lore understanding is less than adequate. you know how it is with indie horror)

The important note about all these is that for the most part, these mascots are intelligent, or at least have the capability of intelligence. Almost everything on this list was at one point human, in fact.

So why do I think Indigo Park is any different? What leads me to believe they aren't intelligent? (at least, the animal versions of the characters that we run from in the game. Whether they are separate from the versions of the characters Rambley interacts with is something I'll touch on later)

I think the most obvious piece of evidence in regards to Molly and Lloyd (again, not much info on Finley yet) is how Lloyd acts. He doesn't talk at all, he just stalks the main character and attacks like an animal might (with the exception of a couple times he stands on two legs or props himself up here and there).

As for Molly, I hear you saying, "But she talks! We hear her speak!" And yes, dear reader, you are right. Molly does speak. This would disprove my argument of the mascots being purely animalistic, if it weren't for this kill screen.

Now, do we ever actually hear Molly say something that isn't a repetition or couldn't reasonably be a repetition? Has she said anything to prove her intelligence at all? (genuine question here because I haven't examined every one of her voice lines lol. If I'm wrong about this then whoopsie!)

Despite the past 250 words of speculation, though, whether they act just like animals isn't actually that important. We'll see more of them in later chapters anyway (or Lloyd and Finley at least) so that will likely prove or disprove this point with time.

The more interesting question is, what are they? Like, physically?

When Molly dies, we clearly see blood around her decapitated head. At the very least that rules out animatronics or something mechanical. In addition, in the audio of the hidden tape you get when you show Rambley one of the collectables, you can hear two staff members complaining about being replaced by "new mascots" right after they "got a new raccoon costume." This could mean a few different things, but it seems to imply that the mascots we see in this chapter are meant to be replacements for actors in suits (for meet and greets, promotion, shows, etc) and/or replacements for limited, expensive, and cumbersome animatronics. If this is true, we can also probably rule out them being human. Unless Indigo Park also had a secret human experimentation lab, which I wouldn't put past them.

I think it's too early to definitively state what these mascots are, but based on the evidence of above, I have a theory.

My personal theory is that these mascots are just animals who have been changed or mutated in some way to allow the park to have more "realistic" representations of the characters (also probably to cut down on the costs of paying a human employee). That would explain why they act the way they do and why they are so violent. They literally are just wild animals who have been warped to represent these cartoon characters.

Another important caveat to this theory is that, if this is true, then the mascots who attack us in the game are most likely NOT Rambley's "friends" as he knows them. That would explain why he doesn't call attention to Molly chasing us or Molly's dead body (with the exception of one very small reaction when he talks about the mascots). You would expect him to seem a little more upset if he thought that was his friend, but maybe on some level he knows it's not really her, just a representation of her.

That brings up another question, which is a can of worms I won't fully open here: Do Molly, Lloyd, and Finley have sentient "AI" equivalents like Rambley? If not, does Rambley know his friends aren't real? I'll let you decide.

Anyway, that just about closes my thoughts on this silly raccoon game. Thanks for letting me ramble on about it, and thanks for making it to the end of the post!

Lemme know about your own theories in regards to what these things are, or if there's any key evidence I missed. Kinda threw this together lol. Most of it will likely get disproven by future chapters but hey, thus is the price of theorizing ¯\_(ツ)_/¯

#indigo park #indigo park theory #indigo park spoilers #uniquegeese #mascot horror #I should probably like actually play through the game myself and maybe make an addendum to the post if I find anything new #since you can only get so much info second-hand #maybe ill make a post dump about random details i noticed #it was annoying to find the tape recording #I don't know if anyone has uploaded the full clip by itself to youtube

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hyperesthesias · 1 year ago

Note

Can you actually write something smutty for Viktor? Or just a guide on how to? I really want to write some Viktor smut, but I'm worried I won't do his disability justice as I'm able bodied and a dumbass

Of my twelve years on this webbed site, this has got to be the best ask I have ever received lmao

I would be happy to help, friend. I'll answer this in two parts.

Yes, I am planning on writing Viktor smut for Viktor x Anya. I had a lot happen in the year since I made the post you're referencing, but I've finally been able to get back into fandom stuff. I wanted to lay some backstory with them first though, as I am apparently a PWP kind of person lmao. It's coming soon! (No pun intended).

You've taken the first great step in recognizing that your experience and knowledge may not be congruent with potential portrayal, and therefore asking for advice. I don't mean to sound patronizing at all. I am an author and I have seen many professional authors that don't do this, so you're already ahead of the game! I wouldn't consider that dumbassery in any way, shape, or form.

I'll put the rest under a cut due to the nature of this post.

*Disclaimer to this is, of course, I don't speak for every disabled person, this list isn't extensive, and these are my opinions.

I, personally, operate under the assumption that Viktor has Post Polio Syndrome. Looking at photographs (x, x, x) it's pretty clear the animators used PPS as a framework for Viktor's movements and posture, as well as his mobility and assistive devices. People with PPS often develop need for braces, canes or crutches, and treatment for scoliosis -- all of which Viktor has. You are more than welcome to headcanon something different, as I don't believe the writers or animators have ever confirmed or denied PPS, but based on my own experience and research, I would bet money on it.

That being said -- regardless of PPS, or otherwise -- the first thing to consider when writing smut for any disabled character is fatigue. It may not be the obvious thing, as mobility devices often are the first thing to catch an observer's eye. But there is so much that goes on beneath mobility devices. Fatigue is a big one.

Consider the worst flu you've ever had -- all the time, every day, even in your sleep. It can be maddening, like you can't get any relief -- even if you take pain reliever or use other analgesics. Most people with a severe flu aren't exactly in the mood to be frisky, especially spontaneously. Many physically disabled people rely on preplanning. Having a date night where they can plan for extra pain reliever, or where they can schedule the rest of their day or week to conserve energy for a special night. The psychological energy that people need to conserve alone can take a lot of effort. Being disabled is also mentally exhausting, especially when you have a partner and their needs to consider. Giving a disabled person time to prepare for sex (or other tasks) is essential.

Related to that, is the fact the energy levels aren't always consistent. A disabled person and their lover could be going at it like rabbits for a while and then suddenly the disabled partner may need to stop because their "battery" (their physical energy levels) has run out. They may need a break for a few minutes, or they may just need to end the sexual encounter altogether.

The worst thing you (or your character) could do is take this personally. It has nothing to do with their partner, it's their body that is (frustratingly [on many levels]) not cooperating.

Something to toy with (no pun intended) when writing characters with energy level deficits is vibrators. Twice the work with half the effort. Don't be afraid to write smut with toys and vibrators -- it doesn't even have to be kinky. Toys and vibrators are normal and vanilla, all things considered. The only reason they haven't been normalized is because of patriarchal standards as to what sex is and is supposed to be.

The second thing to consider is physical limitations of positions and potential discomfort. I've seen several fanfic writers describe situations and positions that Viktor simply would never be able to do (e.g. lifting his partner onto a table or desk).

Viktor doesn't have a lot of strength. That's not to say he can't be rough or that all smut has to be vanilla. But realistically, it's absurd to think that he can lift someone else or manhandle them with any force, or thrust at the speed of light (💀). He also doesn't have any balance whatsoever post Act I. During Act I, he's able to hobble somewhat without his cane, as long as he has something to hold onto, as seen in episode three. But in Acts II and III, his balance issues combined with scoliosis would make any positions where he has to stand much more difficult.

Therefore, if you're wanting to write a scene somewhere outside of a bedroom (e.g. the lab, his office, etc.), he'd need something to balance himself. Seated sex is a great concept to play with -- very disability friendly and offers many options for all sorts of scenes. Desk/table sex is also realistic, as long as your character lifts themself onto the desk or table, and he's able to lean on it.

Scenes that take place in the bedroom also have their own limitations. He has zero use of his right leg, which means he'd need more time to get in and out of different positions. Missionary would take a toll on his back, I'd imagine, from being hunched over -- not that he couldn't do it at all, but that was more of a sidenote. Having your character straddle him, while his back was supported, is probably the most comfortable position I can imagine. Or spooning. Or maybe doggy, though I think his back and hips might get tired. But I'm just spit balling at this point. Utilizing objects from the setting is important -- pillows, having your character bent over the back of a couch, etc. This is where creativity comes in -- it's just important to keep in mind where his limitations are located on his body: his back and his leg/hip.

There are also adaptive devices for sex and disabilities.

One final thing I want to say is: don't overcorrect. This is common. It's one thing to keep a character's disability in mind, but it's another to make a disability the entire character. Just because Viktor is disabled doesn't mean he can't have the filthiest, most disgusting, raw, life changing, I-should-visit-a-confessional type of sex. However you headcanon him to be in bed is exactly how he can be. If you see him as a cruel Dom, he absolutely can slap the shit out of whoever has the pleasure of being beneath him, while he makes them beg for his mercy -- with his back and leg supported. If you see him as a bratty sub, he can be that, too -- while he lies there with a back pillow to relieve pressure off his spine. If he's the plainest, blander-than-vanilla type of lover, that's exactly what he is -- while he takes a few extra minutes to move from one position to the next. If he's any combination of those things, more power to you.

The point of writing a scene, is the point you're trying to make. Meaning: a lot of writers worry about conveying ideas and settings perfectly and with detail, while losing sight of the main point of their story. Rarely will you ever have to add paragraphs to a piece of writing in order to convey something, especially if it's not the main point. Often, it only takes one or two sentences. Keep the main point of the scene in mind. If you're writing a fic where Viktor and your character are secretly getting it on in the lab, then the point and the idea of that scene is the forbidden sex they are having. Not necessarily his limitations. You can easily acknowledge Viktor's disability by saying something like: 'Viktor sat on a chair at the far end of the lab, away from the door's line of sight. He leaned his back against the seat, allowing his spine to settle, before he coaxed his lover onto his lap. His lover straddled his legs, reaching to kiss his neck, while his hand trailed up their thighs...' You've successfully conveyed the limitations he has in two sentences, while maintaining the focus of your scene, and without reducing Viktor to a caricature of his disability. Less is more throughout your fic.

As a side note, which is completely my headcanon -- and something I've vaguely alluded to in my Viktor x Anya fics -- is that Viktor also has erectile dysfunction as a result of the PPS. Polio is a neurological virus, meaning is attacks the nerve cells, the main cause of the atrophy in PPS. It isn't common, but it's not uncommon for males with PPS to struggle with ED. As such, in my own personal stories, I have mentioned that Viktor takes medication to help with it. Sildenafil (the generic for Viagra) is a medication that specifically targets nerves.

That's my own person interpretation, though, and has no bearing on what we seen in Arcane lol.

To close this off for now, I want to reassure you that your efforts count and they matter. No one will write any depiction of disability 'perfectly'. Disability is unique to every person, and one person's spinal disability will look different to another's. Even people with the exact same diagnosis and prognosis will differ in how they experience it. You're not a dumbass. You're very intelligent to recognize the need for external resources. Enjoy yourself, enjoy the work you write, and keep asking questions.

If and when you decide to write your Viktor smut piece, I would love to read it. And likewise, if you'd like to read what I write I'd be happy to send it to you! If you're comfortable coming off anon, you can message me privately and we can talk more!

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