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pucksandpower · 6 months ago

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So Good to Me

Charles Leclerc x Reader

Summary: Charles Leclerc is the perfect man for you … getting stopped on the street for a random TikTok challenge just serves to prove that even further

The warm Monaco sun beats down on you as you stroll leisurely along the bustling sidewalk, a canvas tote bag filled with fresh produce and flowers from the local farmer’s market hanging from your shoulder. The salty sea breeze wafts across your face, carrying with it the excited chatter and laughter of tourists admiring the luxurious yachts bobbing in Port Hercules.

You smile to yourself, relishing this perfect Mediterranean afternoon. Just a quick stop at home to drop off your purchases, and then maybe you’ll take a dip in the infinity pool on the terrace to cool off before Charles is done with-

“Excusez-moi, mademoiselle!” A young man’s voice breaks through your daydreaming. You glance over to see a twenty-something guy with a neatly trimmed beard, expensive-looking sunglasses, and a black t-shirt emblazoned with HUSTLE in white block letters. He’s holding a mini microphone and has his iPhone pointed at you, clearly filming.

A TikToker.

You sigh internally but force a polite smile.

“Oui, puis-je vous aider?” You reply in French.

“Ah sorry, I don’t speak much French! Do you speak English?” The TikToker asks eagerly in a British accent.

“Yes, I do. Can I help you with something?” You say, switching to English yourself. You just want to get home but you know these influencer types can be annoyingly persistent.

The TikToker grins. “Brilliant! I’m doing a social experiment for my followers. I was wondering — do you have a significant other? A boyfriend or husband perhaps?”

You raise an eyebrow questioningly but decide to humor him. “Um, yes, I have a boyfriend,” you answer simply.

His eyes light up. “Fantastic! And would you say your boyfriend loves you very much?”

You can’t help but chuckle at the boldness of this stranger’s line of questioning. “Yes, I would definitely say that. He loves me a lot,” you confirm, a soft smile playing on your lips as you think of Charles.

“Perfect! Okay, here’s the challenge,” the TikToker announces dramatically, staring intensely into his camera. “I want you to call up your boyfriend right now and ask him to send you some money. Doesn’t matter how much. But for every €100 he sends, I’ll give you €20 to keep for yourself. Let’s see how much he really loves you, shall we?”

You stare at this guy incredulously for a moment before bursting out laughing. Is he serious? He clearly has no idea who your boyfriend is. An amused smirk spreads across your face as you fish your iPhone out of your designer purse.

“Alright, you’re on,” you say confidently, already unlocking your phone and tapping on Charles’ contact. The TikToker looks surprised but excited that you actually agreed to his silly challenge.

“Put it on speaker phone,” he instructs, zooming his camera in on your phone screen which is now dialing Charles.

After a few rings, the warm, honey-smooth voice you adore comes through. “Allô mon amour, what’s up?” Charles greets you sweetly. “I’m just finishing up some simulator runs but I should be done soon to help with dinner.”

“Hey baby,” you reply, your voice automatically softening. “Sorry to bother you, I know you’re busy. But I’m out right now and I just passed by that little boutique near the casino, you know the one? And I saw the most incredible pair of shoes in the window. I swear they were calling my name.”

Charles laughs affectionately, the sound like music to your ears even through the cell phone speaker. “Oh yeah? The ones that were calling your name last week turned out to be, what was it, €900?” He teases.

You roll your eyes playfully even though he can’t see. “Okay, fair, but you know I hardly ever splurge on myself. I’m usually so frugal!”

“Mmhmm, whatever you need to tell yourself, chérie,” Charles says wryly and you can practically hear the smirk in his voice. “Let me guess, you need to go get these dream shoes right now? Or else they’ll haunt you forever?”

“You know me so well,” you gush dramatically. “I promise I’ll pay you back though! I get paid next week and-”

“Hey, hey, stop,” Charles cuts you off gently. “Mon cœur, you never have to pay me back, you know that. I love being able to treat you and spoil you. You deserve the world. Never forget that.”

You feel yourself melt at his earnest words, momentarily forgetting you have an audience. “I love you so much,” you murmur. “Thank you for always being so good to me.”

“Right back at you, ma belle. Je t’aime,” Charles says tenderly. “There, check your banking app. Let me know if you need any more. And have fun shopping! I’ll see you at home in a bit, okay? À bientôt!”

You glance down at your phone as a notification from your bank pops up on the screen. Your eyes widen slightly when you see the amount Charles sent over, but you recover quickly.

“Thank you, baby. See you soon!” You reply before hanging up. You turn back to the TikToker who is gaping at you in disbelief. Casually, you turn your phone screen towards him and his camera so he can clearly see the notification that €10,000 has just been deposited into your account.

The poor guy looks like he’s about to pass out from shock. He opens and closes his mouth a few times, rendered speechless. You just laugh good-naturedly.

“Well, guess I won your little challenge, huh?” You remark, slipping your phone back into your purse. “Tell you what, why don’t you donate whatever money you were going to give me to a local animal shelter instead? I think it’ll be put to much better use there.”

The TikToker finally manages to pick his jaw up off the floor. He laughs shakily and nods. “Yeah ... yeah I can do that. Wow. Um, thanks for being such a good sport about this. And congrats on, uh, winning, I guess?”

You give him a friendly wink. “Anytime. Have a nice rest of your day!” With that, you turn gracefully on your heel and continue on your way back home, feeling rather smug and deeply appreciative of your wonderfully generous boyfriend.

“Wait!” The TikToker calls out after you. You glance back over your shoulder curiously. He hesitates before asking in an awed voice, “If you don’t mind me asking ... who the hell is your boyfriend?”

An enigmatic smile plays on your lips. “No one special really,” you reply breezily. “Just a guy who loves driving fast cars.”

You leave the gaping TikToker in your wake as you saunter off, already daydreaming about showing your appreciation to Charles later for being the most incredible boyfriend imaginable.

Maybe you really will splurge on those designer shoes after all … and pick up a little something special from the lingerie boutique next door while you’re at it.

Your smile widens. Just as a little thank you to your man, of course. Life is good when you’re in love with Charles Leclerc.

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skyisclear · 1 year ago

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2nd Impressions (8/8)

- Sky West -

#aaaaand done #i really need to start posting newer stuff #have this awful habit of staying really stagnant with my work and using past stuff i made #gotta shoot some black and white film #sadly its a horrible day for that #anyways #have a good day #love you <3 #photography #film photography #original photographers #photographers on tumblr #nyc #35mm #sunset

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ms-demeanor · 1 year ago

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Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

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euniexenoblade · 2 months ago

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The Rocky Horror discourse is so annoying, upsetting, and transmisogynistic cuz it often starts off as trans women just honestly discussing how they have trauma related to it or how the film has all the classic transmisogynistic tropes of killer/rapist man crossdressing or how the creator has said some bigoted stuff, and the tme response to personal stories of trauma and actual media analysis is always the same cycle of responses.

"MY trans women friends love it!" Ok that doesn't matter to the point "It's important queer history!" That's why this discussion matters, we need people to understand that queer history can also be transmisogynistic "it's from 50 years ago society is DIFFERENT!" The world is not so different that transmisogyny doesn't exist "the creator is trans!" The creator has said transmisogynistic things and just because he himself might be tma doesn't mean he can't be transmisogynistic or that his transmisogyny doesn't actually influence his identity. "Rocky Horror is ONLY popular cuz transfems love it!" Spacelazar said this one in response to a post I made about actual trauma I have related to the movie, completely discarding my actual real trauma that's not saying you're not allowed to like or watch the movie, to claim that Rocky Horror is only popular cuz of transfems - that cis society isn't more why it's considered a cult classic.

And, tme people just refuse to empathize and often resort to name calling, memes, often times not just falling into misogynistic standards (hysterical women/trannies amiright guys) but also racist remarks (I saw a white tme person make a "woke" joke to mock a black person).

It's just completely dishonest and transmisogynistic. The discussion isn't "you're not allowed to watch Rocky Horror" or "you're a bad person for enjoying it" it's that it's a piece of problematic media that exhibits transmisogynistic bigotry and instead of using their big kid brains and acknowledging that and moving on, tme people really need Rocky Horror to be exonerated as this piece of perfection. (Tbf I think it's largely just cuz it's trans women having an issue, if cis men said Rocky Horror was offensive and misandric I'm sure people would be like oh yeah it is!).

#rh

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gloomwitchwrites · 1 month ago

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Monster (S)mash - Task Force 141 x Female Reader - Porn Star AU

Content & Warnings: Porn Star AU, group sex, oral sex (male & female receiving), unprotected piv, cnc, restraints, anal sex, double penetration, haunted houses, masks, knifeplay, creampie, multiple orgasms, cum swallowing

Word Count: 5.5k

A/N: For Kinktober 2024 (Group Sex)

On the set of Monster (S)mash, the monsters come out to play. It's your first themed porn film and it's set in a haunted house. You're eager. Excited. But you've never taken something like this on before. You're filming with four of the greatest names in porn, and you don't want to mess this up.

ao3 // main masterlist // kinktober 2024 masterlist

"Would you like to review the scene? Go over boundaries again?"

Kate Laswell, the Intimacy Coordinator, takes a seat on the opposite couch.

"I'd like a refresh," replies Johnny. "Now that I'm in character." He grins, gesturing at himself, and you almost laugh at how ridiculous he looks.

Johnny MacTavish, known in the industry for his many creampie videos, is dressed as a crazed clown with a red wig and exaggerated makeup. His clothing is nothing more than a black industrial vinyl apron covering up the important bits. Kyle Garrick, a connoisseur of the cam world, sits next to him in a fresh white robe with a Jason Voorhees mask sitting on top of his head, the elastic band digging into his skin behind his ears.

Kyle taps away at his phone. "I should go before you, mate." Kyle glances up and winks at you. "Since I’m up first."

You feel heat rush to your cheeks. Kyle is incredibly handsome—all four of them are—but Kyle has a gentle swagger that flusters you a bit every time he addresses you. The two others, John Price and Simon Riley, are still in the makeup tent transforming into a werewolf and a demon.

While you've been on various porn sets, this one is far more complex than previous films you've been a part of. Monster (S)mash is set in a "haunted house." You'll go room to room, each containing one of the four men before it ends with the five of you partaking in each other. Filming is expected to take all day and possibly into the next.

Kate finds a comfortable spot on the sofa and addresses the two of you. "Your scene takes place in a forest with a cabin. They'll be a fake machete. We're looking at knife play. Some c-n-c. A bit of a chase. What do you think about that?"

Kyle shrugs and then glances at you. "Sounds fun. I'm excited. But it's what you want." He gazes at you expectantly.

You shrug. "What we talked about during our meeting yesterday is good with me."

Kyle nods. "I remember."

"And we know the safe word and the non-verbal signal in case anyone needs to stop?" asks Kate.

"Apple," says Johnny.

"Three fingers with a wrist shake for non-verbal," adds Kyle.

Kate smirks. "And what if someone is restrained and cannot shake their hand?"

"Then three fingers will do," you finish.

She smiles, clearly content with that answer. "Very good." She clasps her hands and then pushes up from the couch. "My assistant and I will be standing off to the side watching and listening for a signal."

Rodolfo, the director’s personal assistant pops his head in. “We’re ready for the first scene.”

Kyle groans as he stands, returning the Jason mask to its proper place. The robe is gone and tossed onto the sofa beside Johnny. Kyle is completely naked underneath it all. You follow him out, robe still on.

"Head that way to mark," Rodolfo says to Kyle and then he gestures at you, beckoning you closer. "Stand here."

You find your mark and then remove your robe, handing it off to Rodolfo who politely keeps his gaze averted. Unlike Kyle who wears nothing, you're in a skimpy black thong that's more string than material.

“Quiet on set!” comes Alejandro Vargas’ voice from the director’s area. He’s standing behind a monitor, watching whatever is coming through on the camera.

There's some minor rustling before all goes silent.

"On three...two...one."

You stand just outside the entrance of the fake haunted house. Taking a deep breath, you count to three. Glancing over your shoulder, you deliberately stare off-camera, and then head inside. The camera moves forward as you walk, focusing in on the makeshift sign.

You will be touched, carried, restrained, played with...

The camera lingers on the sign for a few seconds before following you into the dark.

"Cut!" Alejandro calls out. "Let's hold there. Get her to mark two."

Rodolfo appears, gesturing toward the first "room" of the haunted house.

Each set is separated by curtains. With the lights on, it looks a bit silly, but during filming and post-production editing, no one will know that these scenes weren't filmed in an actual haunted house attraction.

As you step up to your mark, a tingle of excitement swells in your belly. You've always found your job fun and enjoyable, but this is the first themed film you've attempted. While the film crew and intimacy coordinator have solid reputations in the industry, the four men you're working alongside are known for their decency, politeness, and general kindness when working with others. During yesterday's meetings, they were incredibly focused, asking questions, and spent extra time wanting to know and remember your boundaries and limitations.

When you first started out, that was unheard of. You’d show up to set and hope for the best. Discussions about limitations and boundaries were few and far between.

"Going on three...two...one."

You enter the first room.

It's arranged to resemble the front of a cabin in the middle of the woods near a lake. The cabin is just a facade anchored onto a wall while blue lighting creates water-like ripples off the front of the cabin. The path to the "exit" is lined with two folding chairs, a metal picnic table, and a makeshift campfire with fake flame included. Ambient nature sounds play in the background, but it's only loud enough to create an unsettling atmosphere.

Slowly, you step around the two folding chairs and walk past the picnic table, glancing around in feigned nervousness as if danger lurks around every corner. That danger is just Kyle in his Jason mask.

As if summoned by your thoughts, Kyle appears. Standing near the makeshift exit, he is completely naked other than the mask and the machete clenched in his right fist. You freeze, holding up your hands in a placating gesture.

Kyle rolls his shoulders and neck. You hear the audible pop from where you're standing. He saunters forward, turning the machete handle end-over-end in his palm. Though you know the machete is fake, and that Kyle won't harm you, your fight-or-flight response kicks in. It fuses with your excitement and underlying arousal, sending your senses into overdrive. Your vision narrows, focusing on Kyle as he swaggers toward you.

"No," you whisper, backing toward the spot you entered from.

Kyle lunges, and you shriek, turning on your heel to dodge out of the way.

Spreading his arms wide, Kyle blocks your way forward. You step to the left and he matches your movement, the machete blade outstretched. While the two of you discussed this scene with the intimacy coordinator, the chase is entirely improvised. You don't know what Kyle will do or how he'll eventually trap you. The idea is thrilling, warming your body with heightened anticipation.

Stepping around the edge of the picnic table, you aim to dart around him on the right side. Kyle leaps over the fake flames and lands in your path. He swings the machete and you duck. The blade is nothing more than rubber, and his aim is purposefully wide.

As you turn away, Kyle follows, his stride casual and calm. It's infuriatingly sexy how sure of himself he is. And somehow, you're flustered by him, even as you try to make for the exit.

But there is no escape—and it's not like you want to get away from him.

Kyle's muscled arm catches you by the stomach. He hauls you against his chest, even as you wiggle and squirm, lashing out as if that will do anything. His strength is apparent in the way he confidently keeps you close, unafraid that you might accidentally clip his jaw with your knuckles.

The camera moves in as he brings the machete up to your throat, pressing the rubber blade against your jugular.

"Stop moving," he growls, the mask muffling the sound.

You cease your squirming, both hands grasping his forearm. The edge of the mask digs into the side of your face, and his hard cock presses roughly against your back.

"Are you going to be a good girl?" he asks. The low gruffness in his voice sends a bolt of heat straight to your pussy.

You whimper, but say nothing.

Kyle lightly slaps the inside of your upper thigh. "Answer me."

"I'll be good," you gasp, the sting of his strike causing your muscles to clench, ass bucking into his pelvis.

"You'll be what?" This time he squeezes your thigh.

"A good girl."

He makes a pleased sound as the machete falls away and his arm releases you. Grabbing the back of your neck, Kyle uses his grip to turn you around, to force you to look at his face. With the mask, all you can see are his eyes. They're in shadow, but fuck, they're gorgeous.

With a final squeeze, Kyle forces you to your knees. His cock bobs in front of your face. Your lips part, but Kyle keeps a firm grip, allowing nothing. He is in control.

Your gaze is entirely focused on him. You have no idea where the camera is, and there is no point in looking. It's not your concern.

"Wider," he instructs, and you present your mouth to him, tongue out. "That's it."

The head of his cock taps against your tongue and then slides back and forth over its surface, teasing what's to come.

You want it. You want him.

Kyle's hand moves from the back of your neck to the top of your head. He fists your hair there, and then guides your mouth around his cock, forcing you to take every inch of him. The cool rubber of the machete presses against your neck. Your hands rise, anchoring yourself by grasping the front of his bare thighs.

You hold on as he fucks your throat. Keeping your gaze on the mask, you relax your muscles, focusing on not gagging. Kyle is more length than girth, and the head of his cock roughly hits the back of your throat with each stroke.

"That's a good girl," he rasps. "My perfect slut."

The praise is wonderful. Perfect. You hold on to it, humming with contentment around him, the vibrations making him shiver. In your peripheral, you notice the glint of a camera lens but you don't glance over. You focus on Kyle, and how eager you are to get both of you off.

Kyle is rough but not overly slow. He's careful not to go too far. His movements are restrained but controlled, and that only turns you on more. One of your hands slips between your thighs and you find yourself blissfully wet.

You circle your clit and then dive downward to slip one finger, and then two, inside your pussy. Repeating the motions only builds the oncoming orgasm like a viper hidden in a pile of leaves, waiting to strike.

"Are you fucking yourself with your fingers?" Kyle's question isn't meant to be answered. It's rhetorical. He knows you are. He can see it.

With his cock in your mouth, you're unable to answer. One watery tear rolls down your cheek and Kyle lightly taps the machete blade against your throat.

"Not being a good girl. Didn't tell you to do that."

The machete disappears. Using his grip on the top of your head, Kyle guides your mouth off and away with a wet pop. He drags you to your feet, and as you move to run from him, Kyle presses the tip of the machete against your stomach.

"Get on the table," he growls. "Now."

You glance over your shoulder briefly to figure out where it is. The path is clear—just a few steps and you're on it. Kyle prods you with another poke of the machete.

Moving backward, you eventually bump into the edge of the table. Kyle does not help you up but the top is just below hip-level. You get on easily.

"On your back. Legs spread."

The command in his tone is undeniable. You do exactly as Kyle says. The camera is directly behind him, following his forward advance. Kyle wraps his hand around your ankle and tugs, dragging you to the very edge until you're close to falling off.

Without ceremony or elegance, he tears away your thong and tosses it aside. Kyle lines himself up and thrusts.

"Fucking hell," he groans.

You moan loudly, toes curling as your pussy takes all of him. The stretch is just enough to hurt but entirely euphoric.

Kyle slams the machete down onto the table next to you. In seconds, he has one hand over the front of your throat and the other on your inner thigh, keeping you wide as he drives in and out of your body.

This is where he's roughest, and you don't care at all. It's delicious. Glorious. From this angle you can watch every corded muscle shiver as he moves.

And the eye contact.

Kyle won't stop looking at you. His gaze is firm. Heavy. You are trapped by it as much as by his strength. His hand on your inner thigh slides further inward until he's almost on your pelvis. The camera shifts to point directly at where your bodies meet just as Kyle's thumb starts rubbing slow circles around your clit.

The building orgasm shivers outward, stretching into your limbs. A sense of numbness comes with it, as if you're floating above your body. It lingers there at the heightened apex before crashing down around you.

Your body tenses—seizes. Kyle groans, continuing to thrust through it. His thumb keeps stroking, and the intensity continues, wave after wave flooding through your system until you near overstimulation.

Kyle's thrusting increases, a pounding rhythm that signals his coming end.

"Fuck," he groans, hand around your throat tightening slightly.

The fingers on your thigh dig in, and Kyle stills, his sigh a gentle rainfall. You feel your pussy flood with warmth as his release hits him. You see the shudder, watch as his eyelids close behind the mask, and the keen pulse of his veins in his arms.

Kyle thrusts once. Twice. And then with a heavy sigh, grasps the base of his cock, stroking it as he slowly eases out. The camera comes into view, panning inward to catch the sight of his cum. Kyle keeps you still, gaze lingering on you. He's waiting for the camera's retreat.

Just as it backs away, Kyle's grip on you loosens. You're the pretend, helpless victim no longer.

Gripping the machete, you strike out. Kyle avoids your terrible swing, and that gives you your change. Off the table and onto the floor, you rush toward the exit, not looking back though you hear his enraged growl and the swoosh of air as he lunges for you.

You disappear, nearly stumbling into the next room as the director calls for the end of the scene.

"Cut!"

You catch yourself before falling forward, a little breathless. Poking your head out from behind the curtain, the set team comes rushing in, moving objects out.

"Let's set the next scene."

As you step out, Rodolfo and someone from the makeup department rush in. You're offered your robe which you politely decline but accept the water.

"You good, love?" Kyle approaches, removing his mask, gaze expectant and observing.

"Yeah. I'm good," you reply, taking another gulp of water.

His observation isn't one of keen interest but one of concern. He's checking you over. Making sure he didn't harm you.

"I didn't hurt you?"

You're a little sore but it feels good. "No," you answer. "Promise. I'm fine."

He grins, relief clear on his face. "Thought I might have been too much."

You shake your head. "Not at all."

Rodolfo checks his watch. "Ready for the next scene? Or would you like a break?"

You cap the water and hand it to him. "I can handle it."

He nods. "Be ready in five."

After a bathroom break, a brief touch-up, and a gentle cleanse between the thighs, you're herded to the next mark.

"We're going in ten...nine..."

Your robe is removed and water whisked away. The camera is somewhere in the room already, ready for you to step out from behind the curtain.

"...three...two...one."

You emerge, knowing that this might be the scene you need to call a stop to. Not that it'll be Johnny's fault, but the place is absolutely ghastly.

It's set up like a meat processing warehouse. The room is bathed in red light. Fake bodies wrapped up in cloth hang from the ceiling along with a few hooks on chains. There are two "exits" covered in plastic strip curtains. One is a true exit and the other is where Johnny is supposed to emerge from, but you have no idea which.

The camera follows your forward movements as you navigate around the hanging set pieces. Against the wall is a stainless-steel table. On it are bloody body parts all haphazardly stacked on top of each other.

As you make it to the middle of the room, Johnny appears—not that you see him. You don't notice him at all. It isn't until he revs the chainsaw he's holding that you do. It startles you so bad that you stumble backward into a fake body, almost tripping on your own foot.

Johnny charges forward, much faster than Kyle. The hanging bodies, hooks, and chains are in the way. You try to push them aside, to run as you're supposed to, but it hampers your movement.

Johnny catches you quickly.

Cornering you between a trio of hanging bodies, Johnny circles the space, revving the chainsaw as he walks. There is no chain on it, but he doesn't point it at you. He keeps it pointed away from his body and yours.

Transferring the chainsaw to one hand, Johnny snags your upper arm, dragging you against him. You beat at his chest, the vinyl apron slippery when your skin makes contact. Nothing happens. Johnny is solid.

With his grip on your arm, Johnny hauls you toward the body-covered table. He sets the chainsaw down and then both hands are on you. Spinning you around to face him, you attempt to fight him off even as he restrains you, attaching handcuffs to your wrists with ease.

“Let me go!” you shriek, but Johnny only laughs. It’s manic and high—completely deranged. It’s wonderful acting. You’ll give him that.

With a sharp tug on the connecting chain, Johnny sends you stumbling. He steps out of the way, his hand coming down on your ass with a sharp slap. You yelp but manage not to fall. The smirk on his face tells you everything. He’s loving this.

You attempt to strike out at him but Johnny is so much stronger.

Using his massive, muscled arms, Johnny wrestles for control, winning easily. You’re herded to the center of the room. At one of the hooks, Johnny lifts your arms over your head, hooking the connecting chain on the nearest one.

Everything stretches, but it’s not painful. It's a good stretch and just enough to keep you on your feet but appear as if you're hanging in the air. It's a great trick. You're on full display for the camera and for Johnny.

You’re facing away from Johnny, and you have no idea where the camera is. All you’re aware of is your breathing, and the swelling tightness in your muscles as the stretch starts to curl forth a gentle ache.

You’re hanging there. Untouched. Waiting.

There’s a gentle brush against the back of your thigh. You jerk against the touch, tilting your head to catch a glimpse of him. Johnny appears before you like a phantom. He steps into your view slowly. The red light bathes him in a blood-tinged glow.

Johnny grins, grasping your chin in his hand.

“Are you going to remain a good girl for us?” His Scottish lilt is sinful. You find yourself leaning forward as if you’ll kiss him. That grin softens, and then becomes a wicked thing.

Johnny drops to his knees before you.

His hands grab the backs of your upper thighs, lifting you off your feet. He guides your legs over his shoulders, hands adjusting to support your ass. Johnny’s mouth is on your pussy immediately, tongue teasing your entrance. The fake plastic nose he wears perfectly presses against your clit. It rubs back and forth against it as he devours your pussy.

The orgasm comes quickly and with sharp intensity. You scream out your pleasure, head falling back, eyes closed as Johnny continues to feast between your thighs. Your toes curl, the muscles in your lower back seizing and relaxing with each wave.

With a final lick, Johnny tilts his head back, smug with himself.

You’re gasping for air, chest heaving as Johnny returns your feet to solid ground. He ascends, hand undoing the ties that keep his black vinyl apron in place. He circles you as he does it, a teasing dance before it falls away.

Your gaze immediately drops, and fuck—Johnny is thick. There’s a decent amount of length but this man is all girth.

He palms his hard cock, gaze enraptured with the sight of you. Circling you like a predator, Johnny takes his opportunity to run his hands over your body, to touch everything. It’s been he comes to a stop behind you that the anticipation builds.

Johnny’s face presses against your neck as his hands grab hold of your hips. His cock rubs against your ass and then slides between your thighs. He rocks back and forth, coating himself in your wetness. The head of his cock pokes at your sensitive clit.

You whimper, and Johnny gives you relief.

With his grip on your hips, Johnny angles himself at your entrance. A quick thrust, and Johnny is home to the hilt. Your thighs are pressed against each other, and the thickness of Johnny’s cock is only intensified by the limited space.

He remains behind you, pumping steadily as you hang from the hook. Johnny’s hands on your hips delve, squeezing your thighs. He brings one palm down in a quick slap against it, your thigh jiggling from the strike.

“Fucking gorgeous,” he whispers into your ear, and you know that’s only for you to hear.

While Kyle was a bit rough with you, but Johnny is steady, his rhythm hitting all the right beats until you’re numb with lust. You fall into it, heading leaning back against his as Johnny as his way with you.

At his end, Johnny’s groan morphs into a whimper. He comes inside you, his grip tight as he holds you flush against him. A few more thrusts and then Johnny is pulling you, forcing your thighs apart to show the camera the mess there.

You expect a pause as the camera lingers there. What you don’t expect is for Johnny to put his mouth back to your pussy, to suck his cum out of it, to stand and force your head back, slipping his fingers between your lips only to spit his cum down your throat.

He grins at you, licks his lips.

This dirty fucker.

Your thumb finds the small button on the cuffs. Like everything else, it’s a prop. You press the button. The chain breaks as it’s supposed to. The moment your feet are flat, you take off, rushing toward the exit.

You hear pounding footsteps and then—

“Cut!”

Johnny almost knocks you down on the way out. “Shit,” he gasps, grabbing on to you before you topple forward.

“Take ten!”

A robe is thrust at you, and Johnny is pulled away as someone else shoves another water into your face and someone else fusses with your hair and makeup.

It’s the maze that’s next. This one is completely staged compared to the other scenes. At a certain point, you, Johnny, and Kyle will converge on a singular point. Johnny on one side of you. Kyle on the other.

When you’re set, you enter into the makeshift maze. You don’t need to go far. Just a few feet. Johnny is right behind you, every step heavy and loud as he navigates the maze. Only a couple striders further and you’re trapped.

Kyle steps out of the dark and you come to a halt. But as you retreat, Johnny is right there, blocking your exit. Their hands are on you immediately. You have no control. You give in to them, allowing them everything. It’s nice to surrender, to hand control off to someone else.

They move you into position. Johnny’s cock slides home, filling your pussy. Kyle takes the other side, and then you’re full in both holes, groaning loudly with each thrust. Your hands seek, fingers digging into whatever they can find.

Over your shoulder, Kyle pushes up his mask enough to reveal his lips. You go in, tasting Kyle’s sweetness. His hand grasps the front of your throat, dragging you in for a deeper kiss.

Johnny isn’t one to be left out.

As Kyle breaks away from the kiss, Johnny reaches for him, the two men locking lips next to your face as they both move in and out of your body. You drape your arm over the back of your Johnny’s neck, and all you know is the perfect way they fill you, and the feel of their lips against your skin.

And when it’s over, you’re a little disappointed that it couldn’t continue.

There’s another break—this one longer than the others. Kate’s assistant massages your muscles, and she checks in before the graveyard scene with John Price. You’ll truly need some rest before the final scene with Simon Riley and the rest of the men, but you can do one more.

But only one.

And it’s the easiest of the bunch.

There is no chasing. No running.

You play the helpless damsel, pushing at John’s chest as if you don’t want it. All around you is smoke and shadow. The headstones around the two of you create a little circle, almost as if you’re in the center of a ritual.

You’re put on your hands and knees on the ground, the fog from the fog machine swallowing up your hands and legs. Price is behind you, already pumping, already taking from you like the wolf he’s supposed to be.

The makeup department did wonders. They gave him sharp teeth, yellow contacts, and a partially transformed look to him. It’s brilliant, really. He looks very much the monster.

Each stroke is deep. John presses on your lower back, forcing you into a different position, pushing your ass higher into the air. Your legs widen and then John increases his pace, his pelvis smacking loudly against yours. Skin meets skin, and your pussy quivers with excitement as the orgasm builds.

You stroke yourself between your legs, leaning on one side to keep yourself upright enough not to slip. You’re slippery between your thighs, and you can’t help but trace where your bodies meet. Your nail grazes John’s cock, and he emits a low moan.

John grips your ass harder, and then he’s pounding into you, using your body like it belongs to him. You lightly bite your lip, trying to focus on your building orgasm. Each stroke comes with a spank, jerking you against your teasing fingers.

“Oh—fuck,” you mewl as your orgasm comes raging forward, curling outward.

John fucks you through it, growling like a fucking animal behind you. When your orgasm wanes, his hand grasps the back of your throat, holding you in place as he continues. All you have to do is sink into it, to grin with contentment and let him have what he wants.

There’s something primal to the way he holds you down and fucks you. It’s different from the way Kyle kept you in place or the way Johnny fucked you. Even in their roughness they were sweet. John is all business, and you’re perfectly fine with that.

His cock is fucking perfect, his dominating demeanor a soothingly sensual experience. There’s something to be said about giving in—to submitting.

But it’s after the extended break that completely alters your brain chemistry.

Simon is the last. The very last.

There is no chase. No true lead up.

This room is set in hell. There are fake flames, reddish-orange backlighting, and a throne. Simons sits on that throne, lounging casually, legs wide, his cock and heavy balls on full display. He’s dressed like the devil, but there are no plastic horns or dollar store red cape. He is perfectly painted in red and black. From his head are twisting black horns that curl up and back. They’ve given him red contacts and fake canines for a vampiric bite.

You are in his thrall, sitting at the base of his throne when the camera turns on. There is a leather collar around your neck connected to a silver chain that Simon holds in his fist. He lightly tugs on it, urging you forward.

Your hand wraps around his cock, stroking slowly, coaxing him toward hardness. You tease the head with a swirl of your tongue before taking him into your mouth. Simon fists the chain, twisting another link around his fist. Every time you take him deeper, Simon shortens the chain further and further.

At first, there is no tightness. It grows shorter. Shorter still. The leather begins to bite into your skin. With each twist of Simon’s wrist, the leash shortens. It draws you closer to Simon, leaving no room for you to retreat—to get air.

Your nostrils flare as you breathe through your nose. Relaxing your throat, you suck him down, cupping his testicles gently in tandem with your movements. The only sound he makes is a grunt and you have no idea if that’s good or bad.

But his cock is hard. Solid. You can’t take all of him or you’ll fucking choke on it.

He tugs sharply on the leash. "In my lap, pet."

You do as Simon instructs, standing between his legs before turning around toward the camera. You sink down into his lap, and Simon leans back, gently guiding you to straddle his lap, legs wide and draped over his thick thighs. He rubs his cock against your pussy, and then you’re sinking down on him.

John arrives from the dark, still in costume. He prowls forward, coming up to the left side of the throne. He grabs your wrist as he comes to a stop, guiding it to his cock. You fist John just as Simon thrusts upward.

Kyle arrives soon after. He kneels in front of you and Simon, teasing your clit with his fingers. It starts as a gentle stroke before his tongue replaces them, swirling little circles against your clit. Simon thrusts upward again, and your pussy clenches.

Just before your orgasm crests, Kyle’s tongue descends, stroking against the space where Simon’s cock intrudes. He descends further, lightly sucking one of Simon’s balls into his mouth. It’s brief. Just a blip. And then his tongue is back on your clit.

Your orgasm comes raging forward, but just as your mouth opens to cry out, Johnny appears, grabbing the back of your head, filling your mouth with his cock.

Your body is theirs to use.

Theirs to enjoy.

Simon thrusts upward, and Kyle draws back, his lips glossy with your arousal. He puts the mask back into place, and Simon lifts you off his cock. You’re picked up. Turned around. You sink back down on Simon’s cock, and Kyle is right there, adding his cock to your pussy. It’s an incredibly tight fit. They rock their hips gentle as John and Johnny touch your body, guiding your hand and mouth back to them.

One of them comes inside you—but you have no idea who before you’re full of just one cock. There are two sets of hands on your ass, bouncing you on whoever’s cock is filling you up. You’re simply clinging on, fingers digging into Simon’s shoulders. His head dips, the horns brushing against your cheek as his tongue circles a nipple.

John grabs the bottom half of your face. “Open,” he instructs and you do so, eagerly sticking out your tongue. John jerks himself until his cum explodes on your tongue. He tips your head to the side and Johnny follow suit.

“Swallow,” growls John and you do exactly that.

Someone groans, and whoever is inside you comes. You’re lifted off Simon’s lap, brought to standing, and then promptly bent over the arm of the throne. Simon’s cock returns to your mouth, and someone settles behind you, spreading your legs before sliding inside.

Every time someone comes in your pussy, you’re moved. Switched. Bent over. Spread wide. Forced onto your knees. You take it all. Enjoying every orgasm. Enjoying every touch.

As your energy fades, it is Simon that takes the final fuck, who brings you into his lap. His hands are firm on your ass, bouncing you up and down his shaft as the camera zooms in on it. You are lost in him—lost in the bliss that pulses throughout your body.

You are perfectly fucked.

Perfectly content.

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