#narratively they make so much sense?

[dansemacabre]

(tw unreality!)

ayo new theory just dropped and bad news! the implications are cosmically horrifying

in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool

when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:

the therapese at the bottom translates to “set coords for dimension: r34lity”.

and putting r34lity into the website gives us this image:

the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)

none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.

meanwhile, in the book of bill:

because bill’s not talking to a mystery “reader” who’s reading this book.

bill fucking sees us.

bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[puppyeared]

Wyrm on a string

[fluentisonus]

I've said this before but valjean's view of the bishop throughout the book gets me so bad because like. he knew him for what, a day maybe? and it absolutely had a vast & profound & positive impact on him. but then he goes on to spend the whole book comparing himself to his idealized vision of the bishop & finding himself wanting & feeling guilty and miserable about every petty or selfish thought that crosses his mind. but it's so fucked up because like we as the readers know the bishop better! we've read the whole first book and we know he came from a privileged & wealthy background, that he was a rake when he was young, it wasn't til he was in his 40s or 50s to have some sort of change of heart & become a priest (a similar age to valjean when he met him!), that he has moments that seriously shake him, that he has some dubious politics left over, that he still has moments of pettiness he has to work through on the page (his initial approach to the member of the convention, e.g.). and also he's just kind of a weird old guy (affectionate). and like this is not to criticize the bishop, I think he's a genuinely really good guy, just that while the bishop has a realistic view of himself & his past ("he described himself with a smile, an ex-sinner,"), valjean is not getting any of this except maybe like. what would be mentioned in the newspaper when the bishop died. so his whole view of him is of this one shining moment where he changed his life and he feels he doesn't live up to that. which is sad! because the bishop understood him more than he realized & wouldn't have wanted him to feel that way

[eudaimonia3301]

no because I think about them on the daily

Babs was so right for this they'd be such a fun couple. unironically I'm extremely on board for AzBabs.

Azrael #32 (1997)

[terrorgirls]

Armand + "Bad Faith"

Sartre explained: From bad faith to authenticity, David Detmer // Interview with the Vampire // Being and Nothingness, Jean-Paul Sartre

[part one]

[jajatoc]

Use your head, artilleryman. This railroad is my bread and butter. My veins! Blowing things up... It doesn't matter. The inquisitor will come.

Day 4, Sabotage

(You'll be the first person they hang!)

[epiphainie]

i've just finished my s7 rewatch and it's kinda so funny to me how much discourse people created over every bucktommy interaction when their whole arc boils down to tommy being patient and vulnerable with buck and showing up for him. like when you are not wearing shipper goggles under the name of "analysis" and don't try to reverse-engineer every word and look and shot with utmost bad faith, that's what it is. a simple and sweet story of a new exciting relationship with a guy who's understanding and willing to show up. literally the two things buck needs from a relationship but never had with his previous love interests. they are kinda sickeningly sweet and well-communicating actually lol

[flashhwing]

i love the kirkwall squad because they all have such protagonist energy. any of them could be the main character. except for varric but he did that on purpose. any of the rest of them could be the main character

[onaperduamedee]

Shooting star, as it turned out, never to return once you left our sky.

[wwxsflutesolo]

"Chuuya. Come to your senses. Our fate will not end in a place like this. Because you and I are destined to—"

@/kedreeva// ernest hemingway - the old man and the sea// death cab for cutie - summer years// unknown// unknown// lidia yuknavitch - the chronology of water: a memoir// richard siken - saying your names// taylor swift - gorgeous// unknown// victor hugo - les miserables// jeanette winterson - lighthousekeeping// sylvia Plath - lady lazarus// margaret atwood - power politics// tory adkisson - Anecdote of the Pig//richard siken - planet of love, wishbone// ethel cain - hard times// margaret atwood - variations on the word love

[coolnonsenseworld]

(this is part of the calendar 2024 lore, now on pre-order, to know more check out prev posts)

April was Keith's idea of relaxation. He enjoyed parks, the feng shui of them, nature's ability to thrive despite and against anything happening - the silence of it. Watching Keith wind down and relax when he is a strung wire most of the time, would definitely make Lance feel all lovey-dovey and clingy (as he tends to get) and when he’d worry he is disturbing, Keith would comment this is exactly how it should be - the constant yin to his yang, and the yang when he feels yin.

Also - both shirt and hoodie are Keith's (he has way too many hoodies with quotes). Lance took the hoodie for Keith, but Keith insisted he won’t get cold, so he wore it himself. On the way home Lance funds Keith the biggest sushi serving he could find on the menu, and, believe me, nothing lights up Keith's eyes like a table full of rice and algae. Lance just watches with a soft smile. (Keith does end up getting cold)

[iwritenarrativesandstuff]

Chapter 105.5 Thoughts: Control, Manipulation and Partnership

Or, how Chuuya is actually the most qualified character to land a victory over Dostoevsky.

I just want to preface this with: I think Chuuya has woken from the brainwashing. We can't see his eyes, he's holding his hat again, and look at the progression of his face and expression from the last few chapters with him (these are in order btw from left to right).

I'm not completely sure how he did this, but I chalk a lot of it up to sheer stubborn determination on Chuuya's part, mostly because it's funny and he was clearly fighting back before Dazai's speech. However, I find it likely the speech did contain some kind of code - others have pointed out how "Goodbye!" might be a reference to the original author's last unfinished book and we know skk's codenames for things generally are based off their real counterparts' works so, maybe he'd already broken out of it, maybe there was something in there that gave him the final push - who knows at this point honestly? Either way, it means Chuuya had the capacity to break out of the vampire curse on his own and that's incredibly funny to me for many reasons but mostly:

Fyodor: "Bold of you to assume Chuuya's ability can't overcome flooding."

Dazai: "Bold of you to assume Chuuya's personality can't overcome brainwashing."

But really, this highlights something interesting here, both in what Chuuya's role is ultimately intended to be in this arc, and in the way Fyodor and Dazai manipulate and value others in very different ways.

I've said it before but it bears repeating: we already know that Fyodor is an excellent long-term planner, while Dazai is effectively able to counter him because Dazai shifts into thinking like his opponent. They're foil characters for a reason; they're both highly intelligent, manipulative, and willing to play the long game for the sake of winning against their opponent.

Thing is, I also stand by the idea that personality-wise, they're not similar at all - and that has serious implications for the people they are connected with. The build-up to the prison escape arc really highlights this. Some examples:

Chapter 46: Fyodor believes that all people are sinful and foolish and that his goal is to remove sin. Dazai believes that all people are sinful and foolish but asks what's so wrong with that.

Chapter 64: They decide to have a "super-happy chit-chat" about their problems. Dazai's solution to Fyodor's issue with his lazy subordinates is to get them to think lazing around is a bad thing so they will put in effort of their own. Fyodor's solution to Dazai being unable to woo the waitress is to isolate her from her job, house and family so that she can only rely on Dazai.

Chapter 77: Fyodor believes god is perfection and harmony, and thus that the people capable of change are the superior ones with most control. Dazai believes god is the accidental and illogical and believes it is the ordinary people who fight and live in that uncertainty who create the greatest change.

So, what's happening here? Fyodor's manipulation is shown to be very exacting and direct. He leaves no room for error and regards people on a hierarchy - God above all, himself as a servant of God's will, and the sinful and foolish humans he has little regard for. Dazai's manipulation involves manipulation of the situation, and is often indirect. It involves people coming to the conclusion he intends for them to on their own. And from his later dialogue with Sigma, we see he doesn't regard the world in that same kind of hierarchy.

Now, look at the way Fyodor picks an item and Dazai picks a person when starting the game. Look at the way Fyodor refers to Chuuya respectfully but brainwashes him entirely and mocks Dazai for not being worthy of "using" his ability. Look at the way Dazai is a complete ass to Chuuya but ultimately lets him make his own choices (begging people to take note of that moment in Stormbringer where Dazai cuts himself off to correct his referring to Corruption as Arahabaki's true power to Chuuya's true power).

So, the actual strength Dazai has over Dostoevsky then, is not really his strength at all, it's the strength of others and their choice and willpower to act in the way they believe is best. It's the only means of getting a leg up on Dostoevsky, otherwise they will continue to go around and around in circles forever.

And Chuuya is the best candidate for finally throwing Fyodor off his game.

Firstly, let's just establish something: no matter how mad he is at Dazai, he's not going to side with Fyodor, not willingly. Fyodor threatened the Mafia in the Cannibalism arc by attacking Mori, first of all. I doubt he's forgiven him for that. Secondly, Fyodor embodies everything Chuuya can't stand about Dazai, at the very least, younger Dazai - the manipulation, the lack of consideration and connection with others, the callousness and lack of regard for life.

Well, perhaps he's not quite as irritating. +1 point for Dostoevsky I guess?

But lastly, it is more advantageous for Chuuya at this point to help fight against Fyodor, especially since most of the Mafia has been vampirized by his organization. Helping the Agency stop the terrorist plot will help the Mafia by extension by undoing that. And we know from Stormbringer that no matter how much Chuuya is personally hurt, he considers taking out the threat to his people a higher priority. Always.

(You could make the argument that he was told whatever Teruko told Atsushi and decided to join, but not only do I find this wildly out of character, but if that was the case then there would've been no reason to brainwash him.)

That said, I don't think this was preemptive "Dazai's master plan #3057", and in fact, I stand by the idea that Dazai had no idea Chuuya was going to be in the prison. It is very, very important to me that for the rest of this arc, no matter what Chuuya does, that his actions are his own. Not Fyodor's, not Dazai's, but his. And not just because I hate that he's being controlled right now and that freedom of choice has always been important for Chuuya.

But because it makes narrative sense.

The vampires are a bit silly, yes, but they represent the way Fyodor and Fukuchi think - humanity will commit atrocities. They cannot be trusted to make their own decisions. They want to make a world that is free by... mind-controlling people so their plans work without a hitch. In short, they choose, on behalf of others, to sacrifice human autonomy for peace. So, if we are going to turn this arc around, we need to have characters breaking out of that control and thinking for themselves, in spite of the uncertainty of the outcome.

We already see this with Atsushi in the last chapter! He finally takes initiative and makes that choice to leave the room when he doesn't exactly know what the right thing to do is. And this is also why I don't think Teruko is wholly convinced by the DoA either - she lets him go. She gives him the freedom to choose what he does with that information.

Another one of the focus characters here is Sigma. Sigma is a guy who has no past, whose humanity is questioned, who keeps being used by organizations for his valuable ability, who has no home but desperately wants one... oh wait. Remind you of anyone's younger self? This could go one of two ways: Chuuya fails to assert his autonomy, leaving Sigma to learn from that failure, or, Chuuya succeeds in asserting his autonomy, leaving Sigma to learn from his success.

I think it, by necessity, has to be the latter. Sigma's at a tipping point right now, and I think seeing someone try to assert their freedom only to fail would damage him greatly. And I think it's a waste of Chuuya's character honestly.

Chuuya needs to assert his autonomy in this arc. Not just for thematic reasons but because I can think of no one else who can effectively break the "super-genius stalemate".

I keep hearing "Dazai knows Chuuya" in response to Fyodor calling their bond shallow, and that is absolutely true! But Chuuya also knows Dazai. Incredibly well. Odasaku knew Dazai's soul, but Chuuya knows Dazai's mind, knows his strategies and ways of thinking without even needing words. What's more, Chuuya has thrown off Dazai before and done what he didn't expect him to.

Which is nifty, because Dazai and Fyodor think a lot alike. Chuuya is in a unique position to thwart Dostoevsky because he may actually be able to predict him to a degree. Chuuya can absolutely land a victory against him, and it's excellent because it would be completely unexpected to Fyodor, who apparently thinks Chuuya's strength lies only in what his ability has to offer and not much else.

But listen. This also can't be skk's plan. I need Chuuya to sideline both of them. Both for the sweet, sweet catharsis of putting those two idiot geniuses in their places and also because I need Dazai to have screwed up. He wasn't wrong about people making their own choices in uncertainty. People need to assert their autonomy to create change. Dazai can't be wrong in this regard.

But with going ahead with the trap to drown Fyodor despite also having to drown Chuuya when he promised not to let him get killed... this needs to have been a mistake, otherwise the value of Dazai's emotional speech to him is diminished.

I want Dazai to try to laugh it off. I want him to say he always knew Chuuya would escape and then for Chuuya to deck him because "no, the fuck you didn't".

I really think Dazai hoped Chuuya would make it. Do remember that Chuuya was one of the first reasons young Dazai decided to try giving life a chance. The fact that he flashbacked to all his key memories with Chuuya says a lot. But his survival was no guarantee and it seemed very unlikely.

So, Chuuya is faced with the fact that Dazai nearly sacrificed him to kill Dostoevsky and save his new Agency friends.

And I hope he finally gets mad. I hope he finally expresses hurt on his own behalf for once. I hope they are forced to break their status quo that they have carefully maintained by not talking about anything ever. I hope they are pushed to uncomfortable places and that it is Chuuya who finally spurs this development.

Let Chuuya break the stalemate between Dazai and Dostoevsky. Let him shatter the status quo that him and Dazai have kept going for year after year.

Autonomous action in the face of uncertainty is necessary for change.

[seilon]

my only complaint about 2005 dw is that we didn’t get more episodes with gung-ho mortal baby jack harkness. absolutely smitten by that fucker

[ganondoodle]

so guess what they released more interviews and i think given what a writing shitshow totk was and what they have been saying in all these interviews is actually painting a really bad picture; i dont have the time, nor the energy to go over every detail

but they were commenting on people wanting the more linear format back and aonuma himself basically said that he thinks people who feel like that do so only bc of nostalgia and "Why do you want to go back to a type of game where you're more limited or more restricted in the types of things or ways you can play?"

what .. the fuck, more freedom DOESNT automatically mean better??? like ... restriction can be a GOOD thing just as tooo much freedom can be BAD?? like in totk??? are you fukcing shitting me- what the hell are games even for then, has he had an awakening to the fact that he actually just loves sandbox games without realizing it???? im not playing fucking zelda for a sandbox, especially not when its advertised as a somethign else

its pretty clear that they want to keep this format going with everything they say there, ... maybe it really is over huh

also i hate how they kept talking around answering anything about story/lore; they go asked how ganondorf even connects to ganon since theres nothign about it in game, and all they got out was welllll we dont wanna say anything bc its up to the player; about every question you got the answer of "make somethign up yourself" which is just ... its really clear they dont actually care but dont want to say everything is meaningless actually, so they try to be vague about it and with doing that really just confirm they didnt think about it and they dont care- so no lore actually matters, nothing thats been said or established has any meaning bc they will get rid of it the second it crosses paths with their new -more freedom equals better- philosophy, they say its bc they want you to be "free" to think up anything but apparently dont realize that when there are no rules, no consistent lore or anything that it ROBS it, it stops having meaning, its fun to connect dots only when there are rules you need to work with and dots to connect in the first place, when you have an established world with its restrictions it drives you to think more creatively about things- but when there are no rules?? its fucking boring!! thats what it is!!

when you discard all rules i wont care to get invested into anything bc i know it will not be considered again, be done away with without any reason and wont have influence on coming or previous games ... bc there are no rules, anything is possible and everything can be changed any second, so nothing matters

(they also talked about the many viral videos of those very few dedicated people that make godzilla mechs in totk and how happy they are about that- i get that to some extent, but the way they kept talkign about it really just felt like it confirmed my suspicion that that whole mechanic was mainly implemented to let people do that since that gets shared around en masse making it seem like that is why people enjoy it while neither the game nor the narrative are build around it in any way ..)

it just makes all the time i spend thinking, feeling and theorizing about zelda like a true waste of time, bc nothing matters and there are no rules-

i am someone who greatly enjoys working with and around established lore/rules, its fun to me to recontextulize things by being smart or creative with it all without breaking anything or as little as possible of the established things!

if i wanted to do just do anything i want I COULD HAVE ALREADY DONE THAT bc theres nothing actually stopping anyone to just make up what they want! i DONT need canon to lose all rules for that??!!

maybe ill have to make myself believe the franchise ended with botw on a good note ... ono

[beannoss]

Hi Bean!

I have a question for you! I have noticed in your writings that Twilight and Yor begin a romantic relationship after their secrets are revealed. Are you opposed to any romance between them before they find out? I assume if so, it’s because it’s morally questionable, though a lot of fans find romance before compelling as it raises the stakes considerably. I’m not suggesting one is right and the other is wrong, I’m just interested in your take on this! I love your writing! Thank you! 😊

Hello you! I'm always chuffed to see your name pop up 🫶😊!

Oh boy! Thank you for this ask — it's a big question but also I do have thoughts XD Sorry it's taken me a few days to get my ducks in a row!

I want to start, though, by emphasising that my thoughts and preferences here are exclusive to Spy x Family as a canon enterprise; they don't pertain to fanworks or other fan theories, I'm not out to yuck anyone's yum ��️ ditto for even my own writing! You're right that I don't really have an interest in exploring that dynamic but I reserve the right to change my mind ;)!

[Reference herein to manga chapters not yet animated]

Right, so. There's lots of things I love about SxF, but one of the things that interested me early and keeps me engaged is that it operates under an interesting and complex morality. Spy work and contract killing are obviously an ethical minefield, and in the real world, generally to the bad. Within the world of SxF, Endo takes pains to write Twilight and Yor both firmly on the morally right side, even if Twilight’s tactics or Yor’s actions in a vacuum are frequently questionable. With Twilight especially it seems Twilight is currently (resisting) working through the impact and ethical implication of his actions on Anya. When it comes to Yor, I expect that’s where we’ll see him wrestle with similar questions through a romance lens. I think it was quite deliberate and important that Twilight specifically articulated that he’d been wondering if Yor had previous romantic relationships, and that it was now confirmed she hadn’t. As far as I can remember, it’s the only time he’s had that sort of reflection on Yor's life before the Forgers; I mention it because it mirrors times he’s reflected explicitly on Anya’s history and trauma and her needs as a child, with implication that his actions and motivations for adopting her could/probably will hurt her. I hazard that his observation about Yor will be similarly indicative of an arc down the line.

When it comes to canon, if the Yor x Twilight romance were to firm up while Yor still believes Twilight is Loid, I admit there’s a high chance I’d nope out. I want to emphasize firm up though… I tend to think Yor already has feelings for Loid (Twilight?) whether she’s fully aware of them or would necessarily articulate them as romantic (and I think this is being really interestingly conveyed and explored through her current feelings about kissing, though I may differ with some on how I think that may shake out). I also think there’s a… less high but not impossible chance that Twilight is aware he has or is developing feelings for Yor. I’ve argued before that he knows he has formed/is forming an attachment to her and that he knows he trusts her. I don’t think it’s too far from there to romantic feelings for Twilight: after all, attachment and trust (intimacy) are not things he's had in a long, long time. And given his current pseudo-short temper and general malaise comes out most with Anya, with Yor he’s been notably softer and more receptive. In my view, this is partially because so far he hasn't really done much that would really hurt Yor and nor has she done anything that would really hurt Twilight. So far, Twilight and Yor are on a fairly even footing.

This is a very long way of saying that I trend toward thinking we’ve got at least a few toes into the romance already.

The reasons I’d be a squicked by the firming up of the romance, pre-reveal, are related to its being morally questionable as you pointed out (I'll talk a bit more about that in a moment.) But it's also because I think it would undermine character arcs and dominant themes.

Twilight’s arc involves finding and forging a new pack, a new family. Somewhere safe and loving that he’s been denied essentially for his whole life (I don’t dispute that his mother loved him deeply and did her best to protect him: living with an abuser and then with her under war was never going to actually be or feel safe). A big part of this safety and love for Twilight is about being accepted, warts and all. Twilight started lying because he wasn’t accepted by his father as he was. There’s a fair bit to work through by way of accepting Twilight’s warts already — I think Yor will be fairly understanding as things currently stand, and that’s part of why they’re a good match. Their moral compasses, their sacrifices, how they see the world and how they want to try and make it better, align and/or resonate in foundational ways. However, given their current standing, pursuing deeper intimacy of a romantic/sexual relationship with Yor before reveals, I think would take it past the line. And particularly when considering Yor’s character arc.

Yor’s arc is also around finding love and security, but centred less around acceptance (although that obviously also explicitly features!) and more around self-worth and understanding her value. If the romance were to firm up pre-reveal, the false pretences are… I mean, to me, they lob a Molotov cocktail into that theme of self-worth and being valued, as she really would just be being used: the intimacy could never be real because Twilight is not Loid Forger. To expand a bit on an earlier point, perhaps ironically, Yor’s relationship with Loid is mostly on the up-and-up: they both know any marital connection they demonstrate is fake. They may be (are) friends, and also they’re under no illusions that it’s something of a tenuous friendship (at least for now). They co-parent Anya but are clear that this co-parenting comes with clear lines around and between their relationship otherwise. I want to tread mindfully here, because I also really like and appreciate aroace interpretations of Yor and Twilight and their relationship: I think this discussion around firming up their romance actually also holds true in the case of attempting to substantially deepen their platonic bond, pre-reveal. In the same ways, Twilight needing acceptance and Yor learning self-worth would be severely undermined by a pre-reveal apparent and false deepening of their commitment to one another.

On the point of it being morally questionable generally, yeah it is. I mean, look, it's fiction and they aren't real people who can be hurt by those actions. So in principle, Endo can write what story he wants, I wouldn't think it reflected poorly on him or anything like that. I just don't really want to read a story that goes to that place; it’s a squick. I'm sure this has been discussed before in fandom, but my read on the moral dubiety centres around the idea that it isn’t possible to actively choose or meaningfully consent to emotional or physical intimacy when one person is lying about who they are (and in this case, they're both lying about who they are... Although Twilight to a greater extent). This does tie back into SxF themes as well, as choice and consent are also… maybe not big themes of SxF exactly, but active choice and informed consent are things which have come up more than once (I have my thoughts as to why: for a character whose choices drive so much of the narrative, Twilight is actually also a character who’s shown to have little actual choice or control over much of his own life. Considering his motivations for a world where children don’t cry, imo valuing active choice and meaningful consent are important factors required for that world. And I also actually suspect the theme of choice will become more important the more we learn about Donovan, and his role as foil for Twilight.)

Also, honestly for me, it would be too close to a common trope in a lot of popular western fiction/media that I don’t like: a woman being taken advantage of by a man in some way, shape or form, and then through the magic of her non-specific womanness, forgiving him his gross transgressions under the thinnest of pretences. Particularly as Endo has already taken pains to sidestep that as a foundation of their arrangement. To be fair, I wouldn't be surprised that were Endo to take the pre-reveal romance path, it would be a deeper interpretation of that trope, but as with other sexist tropes utilised in pop fiction/media, I have to ask why the choice couldn’t have been for a more interesting path, rather than retreading that one. And particularly given everything he's established for Twilight and Yor: it goes against much of what Twilight stands for — and indeed goes against much of what he meaningfully brings in his current relationship with Yor, that of encouraging her, supporting her, and shoring up her thoughts, opinions and self-image, particularly when she voices upset or doubt about them. It also goes against much of what Yor stands for: while the power imbalance would lie firmly with Twilight, it remains true that Yor’s lies in an apparently deepening intimacy would also undermine the safety and security she ostensibly creates for Twilight. She also so obviously hates lying, the prospect of her keeping her secret into what she believed was a real relationship would wreck her. Doubly so, given the weight Yor puts on Loid's acknowledgement of who she is and what she believes: something she hangs her self-worth on, a recognition of her value. And I'd argue here that it would actually, conversely, be impossible for Loid Forger to acknowledge or accept Yor's truth: that's only something Twilight can do.

And so I guess there’s also just the bare fact following from the above that I think a pre-reveal firming up of their relationship is the less interesting choice for what is a major franchise that has otherwise done innovative things. Another reason I love SxF is that it subverts tropes and complicates cliches. One of which includes communication: for a pair who have crossed lines as a foundation of their relationship, Yor and Twilight actually do a lot of communicating. That’s a subversion of many heterosexual romantic tropes and norms, at least in a Western context, and, to put it sort of flippantly, it would bum me out if it failed at the final hurdle.

I just want to emphasise one more time, my opinions and preferences here are strictly related to Spy x Family in an official canon capacity, and nothing to do with fanworks or fan theories or what fans want to explore in whatever fashion. Part of my feelings here are also honestly because of the tone and pacing of SxF. I think it entirely possible to do interesting things with those tropes and actually think Endo is the type of writer I would trust to do so. But the way SxF is written by way of tone, pacing, narrative priorities and audience demand, I don't think even Endo would be able to do them within SxF in ways that wouldn't squick me out and make me lose love for Twilight, specifically, pretty entirely. I'd rather he just didn't 😂

Tl;dr: in canon exclusively I’m not into a firming up of their romantic relationship pre-reveal! Their situation is complicated enough as it is; give these goobers the love they want and can share with one another, kindly and gently, when the world has been neither kind nor gentle with them. In my view, it’s already primed in their character and thematic arcs 🫶