#music for said hyperfixation. why does this keep happening

[graham--folger]

hey. hey guys

head in my hands. i need a moment

shout out to me ig for putting this on my vashwood playlist immediately after it dropped

[bunnygirlwhore]

Doing a replay of Deltarune chapters 1 and 2 because I am hyperfixing after watching Device Theory Part 3 (go watch it, its by mollystars on youtube, I dont care that the full series is 10 hours watch it now please its so GOOD) and I have decided to write down random thoughts.

1. Why does Kris specifically plug in the tv?? Like, assuming a pre-meditated making the chapter 3 dark world, the tv is gonna be there no matter what, why does it being plugged in matter?

2. wait beautiful day is mentioned twice so early on, looking out the window in Kris's room and Toriel says it in the car.

3. Why did Toriel say Asriel's name in all caps like that?

4. Still don't know what to make of every clock in this game being broken.

5. I remember hearing Jockington has the same talksprite multiple times in the files, and he has the thing about having one picture of a soccerball over and over. If he has some third thing that repeats like this then there's like, something up with that.

6. The options of "not yet" and "yes. Ask." Still seem odd, IDK what to make of them.

7. Thinking about something one of my partners said and I can't help but wonder if the guitar in Susie's music is the same as the one in the song that plays when you seal the fountains.

8. Now realizing both the scene's with Susie outside the classroom have semi-meta stuff. Chapter 1 has the allusion to Asriel and Chara dying in Undertale, and Chapter 2 has the references to the wait between chapters.

9. I swear if you hit enter fast enough at the how's that sound choicer there's like, a frame of a new textbox.

10. Whatever happened to Kris at the bunker is like, gossip around town. I wonder if that's what Susie is referencing in the "Guess you have experiencing running away" line.

11. I wonder if we'll ever get to hear more of that ocean noise.

12. I wonder it at some point in the game perserving Kris's save will have an effect.

13. There's no way we don't come back to the cliffs at some point.

14. The like, green funky gaster narrated title screen calls copying files a division. That implies something is being spread evenly between the files. What could that be?

15. I wonder if the glowshard will do more than just be an investment.

16. Seriously what the fuck is up with this closet.

17. Could those monoliths in the background be chalk? Erasers? What the hell are those?

18. How did Lancer get up there?

19. The monoliths in the background before the jump down to town seem to have an intentional shape to them.

20. Why does Kris keep looking at the screen after cutscenes.

21. I wonder if Castle Town will get even more buildings later, and what implications an Inn might have. Dark Worlds are compared to dreams so often, what if you sleep in one?

22. Why does Ralsei with hood on have a talksprite? Is that gonna come up again later?

23. Ralsei has fur and two layers on, does he not get warm? Do Darkners not have to deal with temperature based discomfort?

24. I find the distinction between EARTH and WORLD to be interesting. All the weird all caps words in the prophecy really.

25. Why does prophecy drawing Ralsei have the cloak like that? Is that why the talksprite exists? Will Ralsei put the cloak back on to be like "I gotta, its for the prophecy."

26. I wonder, since the soul seems to leave Kris during fights, at some point will they use an enemy attack to go do something? Will they ask like, Ralsei or someone to do a long attack so they can go off to do something?

27. Odd how i-frames carry over between attacks.

28. Why did Kris look at the camera for a single frame.

29. Why does the exit used in castle town in chapter 2 not exist in chapter 1?

30. Still wonder why Ralsei looks at the camera like that before closing the door.

31. I always forget about getting candy from the other trees.

32. Wait in one of the x-flatter things Ralsei mentions EXP, which like, that does not normally come up in this game? Like at all? Now that I think about it, is there even any way to earn EXP?

33. Did Susie crack the door or was it just like that?

34. I know its nothing, but Ralsei using the word proceede feels so fucking ominous

35. You can get close enough to C. Round that it does the "!" but you don't encounter the creachure. It stops dancing and just kinda sits there. Amusing.

[quillsinkwell]

Sneak Peek for Chapter 14 of BTC!

Heya guys. It's been a while, huh?

Sorry this chapter took so long, life stuff came up. I was in a musical, final exams happened, and then I'm gonna be honest, I just forgot.

But with the power of Determination (and Secrets of the Machine reawakening my hyperfixation), I was able to finish the chapter!

Now, enjoy this sneak peek while I edit the chapter!

(Tom’s point of view)

Tom knew that he was being a coward. Al was hurt, Audrey was hurt, and here he was, brooding in the back room. He wasn’t worried about Al’s life. She knew how to deal with this sort of thing, he had faith she could instruct the others.

What he was worried about was what was gonna happen when it was done with.

The demon’s…outburst was unexpected, by all three of them. He talked about…them. The people no one in the studio spoke of.

Hardly anyone remembered their names, and those who did knew well not to speak them. But Tom remembered. He always did.

He considered that more of a curse than a blessing.

He knew that they were involved with the Demon, but he didn’t think it would cry for them. For Audrey. He thought it didn’t have a soul.

No, he knew it didn’t have a soul. It was concrete. It was soulless, heartless.

And yet it bawled like anyone would, seeing a loved one like that.

Yes, Tom was worried about what was happening next. He knew Al, and he knew after that, she wouldn’t let things continue like they used to be.

The reason she agreed to keep the Demon locked up was because they had no way of knowing if it could be trusted like Audrey, Porter, and Henry claimed. It wasn’t a human, it didn’t feel, it could snap and kill them all at any moment.

But it did feel, didn’t it? And not just grief like Al saw. The way it was trying to get them to the quickest route, resorting to forcing them, it wasn’t trying to lure them into a trap. It was desperate to save Audrey and Al.

It was also trying to save Al. Not just Audrey. It wanted to save all of them. Even Tom, who, like a fool, just had to go and see how many Lost Ones he could make pay for what they did.

Tom said that the Demon was a mindless monster. It said Tom was the mindless one, but it left out the monster part. That was a mistake.

What kind of monster left their partner to patch herself up when she just lost an arm? She was absolutely going to be furious at him. And he deserved it.

“She deserves better than someone like you.” A familiar voice called to him within the dredges of his mind.

He looked towards the mirror and saw her. An inky, pussing, mass loosely in the shape of Al. Its horns had more precedence than its halo. It crawled out of the mirror and made its way to him. Tom didn’t run. He knew she wasn’t real, that she was merely a figment of his mind made to torment him.

“She found you another arm. She does nothing but give her best to you, and you can’t be bothered to do the same. It’s a miracle she stays with you.”

I know.

“Why do you stay with her? You know she doesn’t remember anything, she can’t even be considered the real her anymore. That’s why you don’t treat her properly, and you barely agree on anything.”

I know

She was going to let the demon out because the only monster here was Tom.

“The only reason she stays with you is because she doesn’t know what a horrible person you are. How many people you’ve put into a grave. All for the sake of what? A paycheck? Science? ”

“Or maybe you just enjoy causing pain and suffering for other people. Is that it? Do you enjoy breaking people until there’s nothing left? ”

And she was right.

“There’s a reason the Machine turned you into a wolf. You’re a wild animal of a human being, sinking your teeth into your prey, ripping them limb from limb, just to get the taste of blood, the rush of destruction.”

Her mocking was interrupted by the sound of the door opening and a chair falling. Tom looked back to see what it was and it was…the tiny Ink Demon. He was flat on his face with the chair next to him.

Did he use the chair to open the door?

“BENDY!” Al yelled, coming after him. Pretend that didn’t happen! TOM! We need to talk! The- Bendy said, walking towards him.

“You’re in trouble now.”

####################################

Thank you to @preciouslittletoonette on Tumblr and @StarChaserN1, @AliventMaybe, and @EldritchBeingofInk for your lovely comments, and thank you to all my lovely readers for your patience and for liking and reading the fic and I hope you have a nice whatever time it is in your timezones!

[voxasks]

🫐 -Hey there, why not get in on this, haha. Let's go, show me what ya got TV man- Jokes aside, I am a young woman in her 20s going to university for a psychology degree. I am very ambitous & goal oriented, even if it is sometimes very intense. To the point of hyperfixation bordering on obsession. I was going for journalism originally, but I changed majors because I didn't like how much I would have to lick the butts & shoes of yellow journalists who aren't worth my respect or time. I wanted to be part of the information side of things & keep people informed on the happenings around them. But all they do from my perspective is waste hours churning out fiction for views. If I wanted to do that, I would have pursued acting as a career, which is a hobby of mine. I like community theater a lot. It is a fun escape from everything. Something just so satisfying about putting on a show, where the moment I step out on that stage & feel those lights & eyes on me, I am no longer concerned with my problems. The mask is on & won't be off until later~! Music is my other passion. I love writing my own music and lyrics. I play the violin, piano, & guitar. I am taking singing lessons for fun too. My few friends describe me as the one they look to for honest opinions, even if it might not be something they want to hear. I am also weirdly regarded as a ball of energy. I am not a recluse, I just have intense trust issues. It is probably due to the pathetic jokes of relationships I have had, among other potential trauma inducing experiences. I love going out, just only with people I would trust my life with or myself. I am still quite introverted, but I do like the atmosphere of people having a great time & me having a good time, even if it is dancing on my own. If I feel like it, I will just make the decision to disappear for a weekend & hop back around come Monday like I didn't just drop off the planet to who knows where & do who knows what. I am used to the not so great side of life. Walking to school, seeing a dead body on the side of the road, later on seeing those infamous white lines, hahaha. What a day that was, or the time I had to hit the deck from a drive-by. You get used to that rough life than wham in a place that is weirdly sanitized and "safe." It feels like whiplash. I cope with my experiences with humor. Rather laugh than cry, you know. Psych became my interest after taking a random elective in it, & I was hooked on being able to make connections about the world & people around me. Giving me a sense of understanding some of the why's I have asked for years. I'm still learning more, too. I have some ideas that are not exactly conventional & push a few boundaries with other fields of science & ethics. Regardless, I hope to use the knowledge I am gaining to help others help themselves. I think that is a key component in life, to be able to help yourself, even if it means getting/seeking help in order to get to a place where you can do that for yourself. If that makes any sense. With all this said, enjoy your hellish morning, abysmal afternoon, explicit evening, or sinful night. Whichever it may be for you, I like to cover the bases~!

“it  feels  like  you  took  psychology  to  make  sense  of  the  things  that  has  happened  in  your  life  subconsciously.  at  least,  that’s  what  people  do  from  experience  anyway.  it  sort  of  feels  like  you  have  adhd  as  well  due  to  your  spontaneity,  being  described  as  a  ‘ball  of  energy’  and  having  many  interests,  but  hey,  i’m  far  from  being  some  lab  coat  shrink  who’s  qualified  enough  to  sit  behind  a  desk  to  rot  with  everyone  else’s  trauma.  you  want  to  stay  true  to  yourself  no  matter  what,  thus  opting  out  of  journalism  to  avoid  kissing  other  people’s  asses,  i  can  respect  that.  you  sound  ambiverted,  someone  who  struggles  to  find  the  comfortable  balance  sometimes  but  everyone  does  too.  and  hey,  a  dead  body.  must  be  a  big  deal  back  in  the  living  world,  huh?  how’ve  you  been?”

based off of the 200 follower event.

[beautifulpersonpeach]

Hello there! Do you have some tips for dealing with a news album release by the Tannies?

I'm very slow when it comes to these things and get overwhelmed very quickly. I'm also not someone that usually listens to an entire album in one go. I tend to hyperfixate on one specific song (I feel like 80 percent of Troye Sivan's "Bloom" Spotify streamings came from me this year) and create my own mood playlists with different artists and put that on repeat.

And now with RM's new album, there's so much to unpack. There seems to be so much meaning.

I just watched the Wildflowers MV and I'm already emotionally overwhelmed (okay, I'm also currently on my period lol). But I do want to explore the artistry behind "Indigo"…but I need time.

Is there a good way to approach this? First listening to the sound? Then the lyrics? Then reading people's analysis? How do you approach a new album release?

***

Hi @guacamoli-avocadorado !

I have to admit first that I have a bit of a cheat code. I do understand Korean, so much of the lyrical expression, wordplay, etc, are things I typically pick up after only a couple of listens.

But I also think your way of doing things is already perfectly fine. You said you’re “slow” when it comes to fully taking in their music, but since when is that a bad thing? It is very fine to get into their music at your own pace. And I really mean that.

My favourite thing about any comeback is the interviews, and the way I get into music is to follow wherever my curiosity leads me.

I usually first listen to the whole album once on Spotify or Apple Music (depending on which I have open at the time). I just let it run through without thinking about it at all.

Then I watch the MV or whatever is released as the MV title track.

Then (not usually on purpose but life happens), I take a break. I don’t listen to anything but just do something else for a while. Usually during this time, one of the guys will come online to do a Wlive to explain the album/song, or there’s be some kind of official media (magazine interviews, tv interviews etc) explaining the album and I personally take my time listening to and reading these before getting back into the album.

Afterwards I listen to the whole album again and just let it play through. By this time I’ve gravitated towards one song or the other and I either replay those songs or begin adding them to my playlists. I also like to listen with different headphones and speakers at about the 5th listen. This might seem a bit much, but I think the members seem to have a preference for making music in specific frequencies and media. For example, I think Yoongi's music sounds better on speakers, Hobi's best on headphones (with the exception of Chicken Noodle Soup), and Joon seems to optimize for a mix of both.

I also have a Shazam playlist that I actively keep, and this way I can pair similar sounding songs.

I take long breaks often because I like to switch up what I listen to. So for example, just now, right after listening to the whole album again, I played my Hebrew music playlist (~20 mins), then a heavy grunge rock + rap playlist (~25 mins), then came back to Indigo. I don’t usually add the new songs to my playlists until a day or two later after I have an idea of how those songs fit with what I typically listen to.

Occasionally my friends send me ARMY theories about the songs, but as I said, I typically get the lyrics right away and over the course of days and weeks I sort of organically hear about fan theories for the songs etc.

Please don’t feel pressure to stream as hard as you can if you’re not inclined to do that anyway. Everybody in this fandom literally just does what they want, so why can’t you? Do what you want. If you feel overwhelmed by the music, video, theories etc, just take a break for as long as you want. When Mono first dropped, I didn’t listen to it for weeks. I was busy with work and just not that curious about the album though of course I love Joon. I got into it when I wanted and didn’t love it right away. But as I've said before, Joon makes music for use, and one day I was sitting in traffic in my car, it was raining, and Bad Bye came on and it felt absolutely perfect. I made the whole album play through for over an hour and I’ve loved that album deeply since that day, playing it very frequently when in that 'use' scenario.

Give yourself time. People on Twitter talk a big game but some people are just saying and doing stuff to keep up appearances. Do what you want when you want to. It’s music, not the bar exam. Whatever you’re doing is already fine.

[jackienautism]

going 2 be real for a sec

i usually keep this stuff to myself since its super personal and i probably will just sound like a crazy person bu t i really just want to get something down and post it and MAYBE get some sort of like ? validation. that im not the only one who feels this way or does this LOL

so just. long story short. does anyone get like physically ill over seeing someone else like . engaging and doing "more" with a special interest slash interest youre really really into? like. just like 10 or os minutes ago somethting happened and i started lowkey shaking and shit (but maybe its just bc its real hot where i am rn but idk) and felt sick to my stomach all bc someone was engaging "more" with something i rly rly like and i just uuuuugh

ive had this feeling ever since i got into until dawn and the quarry lol...... this feeling has been occurring a lot less frequently than during like last year. which like. speaking of. when the quarry first came out the feeling came and WEEEENT....... ALLL THE TIME. like i wasnt even into the game that much yet but seeing other ppl engaging w/ and making content for it...... made me feel suuuper ill. or maybe was it when i first started getting into it? yeah i think it was when i first started hyperfixating. but anyway LOL IT WAS A TERRIBLE FEELING. AND IT HAPPENED SO OFTEN TOO

luckily its gotten a lot better in terms of the quarry. especiailly after joining tumblr and all. but until dawn? naaah its still very much there lol. as i said earlier, it doesnt happen as much as it used to (in regards to UD) but. it stilll happens. as i just fucking found out. ive settled down quite a bit now but good god

until dawn is such a dead fandom but theres just some things that when i see it it still makes me go wiiiild (negative). i dont know why. it makes feel so sick. and i dont hold it against anyone of course, it just affects me interacting w/ slash following people LOL! and it mainly has to do w/ sam and emily LMAO especiallly sam as ive come to find out.... i think its becasue ive projected sooo much of myself onto her that im like super protective and shit. like... shes not your fictional public character shes MINE. and thats not your public piece of media. its MINE. you know?

and its liike. i KNOW that there are ppl who are more into UD and have been into it longer than i have. i know that. and htat doesnt always affect me. but tthen therr are just osme other times where it seriously DOES and its just.... man. i wish i werent like this LMAO

i think thats like the. basis of it. im just. man. and its such a hard thing to shake off ): i know im just gonna have to "get over it" and "learn to live w/ it" but man!!!!!!

idk man. just seeing others "understanding" a character "more" than i do and seeing others do suuuuper in depth character analyses just..... ESP if its characters i rly relate to and basically projected every part of ,my being onto........ it makes me ill!!!!!! like genuinely!!!!!!!!!

and its like weird bc like. i was SUPER into mean girls the musical back in 2019 / 2020 and so forth. but i dont ever remember getting THIS BAD over others being "more" into it than i was. and this isnt just straight up jealousy. i know how that feels and its DEFINITELY not that. i truly dont know what makes until dawn / the quarry so different. maybe becasue this was the first time ive engaged more with the fandom? especially on tumblr? i dont know man. i dont kn ow

hopefully this makes sense. im just tired

[eleanorfenyxwrites]

Random Idea junk drawer

So I had a great time doing my Wangxian-centric Breath of the Wild AU last year, and when I finished it I definitely left the epilogue open-ended enough to do more Zelda AU’s/Fusions in the future (I still don’t REALLY know how big the difference is between AU’s and Fusions and which one my other-content-inspired stuff usually counts as but I DIGRESS) because here’s the thing. The Thing(TM). Zelda games are my JAM. They were baby’s first special interest. Literally.

When I was 7 years old my parents bought a GameCube and a game disk that had 4 remastered Classic Zelda games on it (two 2D, two 3D) as well as a 20-minute playable demo for Wind Waker, with three different starting locations to choose from that you could play as many times as you wanted. And you bet my little 7-year-old ass played every bit of it that was within my skill level (which was not much lol), until I got my next Zelda game at 10 (that was Twilight Princess, and it was the first Zelda game I ever finished). I have the Wii walkthrough book for Twilight Princess that I bought used online and it reeked of cigarettes for months after I got it. I chose a screenshot of one of the characters out of it to paint on one of those horrible school industrial ceiling tiles in my 8th grade art class (sadly the photo of it is lost on an old dead phone, but it was really good, I mixed up all my own custom colors of paint and everything which was like. Impressive for 13 year old me :( ). I have and treasure the Hyrule Historia book. I had shitty ill-fitting graphic tees that said things like ‘Good things come to those who break clay pots’ (really funny to me now that I’m a ceramicist and could easily make pots for myself for the purpose of smashing if I were so inclined [I’m totally gonna]). I have massive Zelda tattoos on the insides of both forearms and I’m planning more so that I’ll hopefully end up with two Zelda half-sleeves. Like ZELDA IS MY THING. WHY I’m not writing more Zelda AU’s and playing around in my expanded sandbox of hyperfixations, I have no idea.

But anyway, I’ve started playing Ocarina of Time again, I have no idea how many times I’ve played it at this point within the last 19 years, and I’ve done it on every Nintendo console possible (except, ironically, the N64 as it was originally made for). So obviously I’m playing along and getting lost in the story because it’s a fuckin good story, as one does, and I was like ‘hey what if Wangxian tho’ and thus. Today’s junk drawer was born. Have I already started an outline of the fic plot points as well? Yes. Did I have to stop myself 800 words in and say that no I can’t just write out the entire plot tonight and no it can’t all go into this junk drawer post because I should actually just write the damn thing instead? Yeah. When will that happen? I don’t wanna think about it, so let’s just have fun talking characters and locations and their implications, shall we?

I’m going to post my notes completely unedited and let y’all see the whole ugly process, and I’m gonna put it below the cut because this is already long enough to scroll past but all I’ve done is gush about Zelda and in doing so further cement my well-established status as a huge fuckin nerd lol:

Jiangs/Lotus Pier as Kokiri Forest -- Deku Tree is Jiang Fengmian (Does this make Madam Yu the giant nasty spider inside????? ew)

- Wei Wuxian -- taken into LP/Kokiri Forest as a young child, young enough to fit in with the other children, but he'll soon be old enough for everyone to know that he isn't one of the lake/river children, he's from Elsewhere. - Jiang Cheng as Mido, small and angry and won't let anyone see JFM/YZY without really fucking good reason but also takes the leadership role in LP/Kokiri Forest once JFM/Deku Tree is dead - Jiang Yanli as Saria, gentle and sweet and fond of music and wandering through the woods that keep their lake hidden from the rest of the world. She'll awaken as a Sage in WWX's adulthood.

Cloud Recesses as Hyrule Castle, Lans are the Royal Family and Sheikah combined

- Lan Qiren as the king of Hyrule, though as the second brother he's supposed to be leading the Sheikah, not sitting on the throne - Lan Xichen (already in his 20's) as Impa. He'll awaken as a Sage in WWX's adulthood. Although he's supposed to be in line for the throne, someone has to be the leader of the Sheikah since LQR can't be, which leaves: - Lan Zhan as Princess Zelda -- plagued by dreams and visions of evil coming to take over the world, but no one takes him seriously because he's still so young. People also forget that in the line of succession he's supposed to be the one protecting the royal family as the next leader of the Sheikah, so it's actually his destiny to have these visions, not to be a politician. He sees in Wei Wuxian someone who's willing to break the rules and society's expectations to be the true hero he's been dreaming about. He'll take up the extremely active role of Wangji/Sheik as an adult, having learnt the Sheikah secrets under Lan Xichen's tutelage and taken up his rightful place as one of them since his escape from the palace as a child.

Kakariko Village -- inhabited by average people (akin to Caiyi town, close with the royal Lan family but not directly cultivators?)

Nies as Gorons in Death Mountain/Goron City/Nie Fortress

- Nie Mingjue as Darunia -- hot-tempered and built like the mountain, willing to swear brotherhood with the boy who came to save his people. He'll awaken as a Sage in WWX's adulthood. (NHS as the snot-nosed kid who hero-worships WWX in adulthood? lol)

Jins/Jinlintai as Zora's Domain -- The Zora are a proud people who live high above the rest of Hyrule at the top of their waterfall (tower). (Golden Carp Tower has a lot of water motifs and they decorate things in teal and gold like the zora do too)

- Jin Guangshan as King Zora - Jin Zixuan as Princess Ruto, eaten by their deity god (who is still a giant fuckin fish, I dunno what else he could be lol) and who thinks he has to be engaged to WWX after giving him the Sapphire (maybe because he was told from a young age he'd have to get engaged to one of the lake children anyway and just didn't know who/hint at unrealized Xuanli?) He'll awaken as a Sage in WWX's adulthood. - Jin Guangyao as (????? :( :( :( where will my boy go?? I need my boy for emotional support)

Wen Ruohan as Ganondorf -- a cruel king wreathed in shadow and flame....I mean it writes itself lol

- Baoshan Sanren as Rauru, the Sage of Light -- withdrew from the mortal world an unknowable amount of time ago to protect the Sacred Realm and has watched over WWX these last seven years as he slept. - Jiang Yanli as Saria, the Sage of Forest -- she awakens into her powers to protect her childhood friend/brother(s), though this will mean having to leave Jiang Cheng on his own in Lotus Pier - Nie Mingjue as Darunia, the Sage of Fire -- he awakens as a sage to honor the Brotherhood oath he swore with WWX in the past - Jin Zixuan as Princess Ruto, the Sage of Water -- he 'dumps' WWX because he has to do the more important work of stopping the apocalypse, try to contain your disappointment WWX, you can still be coworkers and save the world or whatever, if you even care. - Lan Xichen as Impa, the Sage of Shadow -- Lan Xichen must leave the mortal world behind to take up his mantle as the Sage of Shadow, leaving Lan Wangji to carry his worldly responsibilities instead (sort of half-retreating into seclusion like canon) - Wen Qing as Nabooru, the Sage of Spirit -- Wen Qing is the leader of the all-female band of Gerudo thieves who in no way endorse Wen Ruohan's domination of the world. When she leaves to take up her role as the Sage of Spirit, she leaves her cousin Wen Yun (my OC Madam Lan) to lead the Gerudo in her stead. (need to find a role for Wen Ning? Except zelda lore is that only one man is born to the Gerudo at a time every hundred years and he’s always their king. Maybe WN is meant to be the new one but WRH has reached immortality/won’t die and let him succeed him?)

Plot would follow Ocarina of Time fairly closely (Unlike my BOTW AU where I tried to make it...relatively more like canon??) because there's a very definite plot there, while BOTW is so much more fluid it was easier to adapt to something else.

[henrysalternateaccount]

I know this is so out of character of me but im fucking angry.

a rant about a certain someone of a certain situation in a certain fandom

warning! this rant includes mentions of grooming!! extreme hatred!! and so on and so forth about false accusations. be warrned!1!1!1 yk how wdy twt is in the first place.

fuck you. literally all of you. i hate every single one of you and you all deserve the worst. i defend my brother due to the harrasment he got over nothing, quite literally false accusations that stemmed from some petty little shits who didnt like him becaude he was an s.o fan, and an anthem fan due to a hyperfixation (which are mind you: most of the time hyperfixations are out of the persons control, you'd know that if you actually had a grasp on how a hyperfixation works dipshit) of anthems work which includes his music and general projects like s.o. he doesnt even support anthem anymore yet a funny little guy named austin decided to worsen the allegations made by jae after kyle (literally out of fear) put him and his associates on his dni (which he has every right to do!!) and out of some impulse filled rage i assume called kyle a fucking groomer.

dude. what? kyle did nothing, literally nothing. it was word against word and you decided to use his vulnerability of being a combo s.o and anthem fan to paint him as some sort of fucking monster. you actually have the audacity to call me a "story twister" (keep projecting you sack of shit) when you made my brother seem like a fucking weirdo when in reality you just didnt like him for being an s.o fan. OH AND HERES THE FUCKING KICKER!!! you all had no evidence due to this all "being on vc" when THATS ALL FUCKING BULLSHIT!!! THEY SAID THAT SHIT BECAUSE THERE WAS JO FUCKING PROOF IN THE FIRST FUCKKNG PLACE!!! he never groomed jae in the first place and you all KNOW that. you knew that in fact, and you still do yet you delude yourself into thinking they're a victim when reality in this situation they're not, and make actual victims of such look like a joke, victims like MYSELF and OTHERS a joke. jae shouldve spoke up about his uncomfortability about everything, instead of cry in silence because he didnt know how to stand up for himself.

tell me, how could kyle have known? thats the thing!! he didnt. he was clueless to the situation and, jaes age aswell. he would literally keep his age from kyle chat, and jae acting like everything was okay just made kyle assume everything was okay. he didnt know, he couldn't have when he when jae made it seem like he was fine with being in the s.o server, when he was fine being called cute (as a joke.) Kyle isn't a groomer, the definition of a groomer is a person preparing another person for literal abuse, and kyle wasn't doing that, at all. You throwing around words related to actual fucking crimes because you didn't like someone because of THEIR interest, and manipulating literally every single one of your associates into believing your falsified bullshit is fucking crazy. i don't know how they don't question your authority in the situation but i guess your just that good at getting away with it you fucking monster.

You're the manipulator here, the fucking story twister, the ableist one. You manipulated everyone in the fandom into actually believing your shit and I'm angry, wrathful, fucking pissed you're actually getting away with it due to the excuse that "you're moving on!!" If you genuinely were you wouldn't fucking attack me and harass me with your goons for calling you out for your bullshit. Someone actually moving on from their mistakes would apologize, and leave it. Do you want to know why I said you shouldn't have "crossed my path?" as in interacted with me, call me fucking names like some immature crybaby? Because I do shit like this when someone I hate does. I hate you. Kyle told me what happened between you, Jae, and himself and due to a similar experience I've had in real life I'm going to let you know I fucking despise you, Austin. You're the monster here, you're the manipulator here, and you. Are the ableist piece of shit here. (Me getting mad at someone's alter for being rude to me isn't ableist btw, dunno why you'd think such, I'll get mad at who I want for being rude to me. and yes i believe alters are ppl so shut it.) Austin, here's my point, and here has always been my point:

You were wrong, and you're not admitting it. You shouldn't support a liar. Just fucking apologize to Kyle, this got so bad he dropped school dude. Dropped. School. The fact you don't even see you tormented him into doing so is fucking sick. If you were actually moving on you wouldn't attack me, him, or anyone defending him. You should be ashamed of yourself and your actions.

[mmollymercury]

💎 & 🎥 would love to know your answers :)

@tomb-bloom-noctem

💎 - trivia/fun facts abt hyperfixation

How the crew spent 5 years making the film, talking to therapist in order to get everything right. And just all the details that come from colombian culture, that are everywhere in the film: how Mira points with her lips, Camilo snaps his fingers in excitement, the hand movements when angry- everything!

The fact that John Leguizamo was drunk when he recorded Bruno singing😭😭😭

Pepa's VA and Félix's VA's heights are reversed compared to their characters.

How Stephanie Beatriz was in labour when she recorded "waiting on a miracle"

Also, Stephanie was originally going to be Luisa but once they saw how she was irl they changed her role to Mira🦋

Of course, who would I be if I didn’t mention Bruno and Sid? Headcanon that he used Sid's voice to entertain the kids when they were younger💞

Isabela's power was originally growing potatoes!

Pepa's cigarettes in the concept art.

Antonio's animals have canonical names. Example: the toucan is called Pico. Theory: Pico flew into Brunos tower, looking for Mirabel, then chose to stay a little longer to keep an eye her, because of Antonio, Mirabel and Antonio have a close bound so maybe he asked for her, then, maybe the rats heard from Pico that she was in Bruno’s room and followed her, I don't see why they'd have needed to go in there before that.

Agustín's clothes show how he came from a wealthy family. He was an outsider in the Encanto. So that, combined with his clumsiness, probably didn't do him any favours in really impressing Abuela. No wonder it took Alma a bit to jive with him completely but you can tell she does now, example: how she looks to him and asks him to play music to liven up the room again. She could've easily asked Félix, he's a happy, infectious personality but the chose Agustín, that shows that she trusts him. Said it before and I’ll say it again: imo, her opinion of him changed when she found out he had a talent for playing piano.

In concept stages, Félix and Agustín were going to get powers once they joined the family.

Félix has always been on good terms with Alma so, he was instantly accepted and approved when he and Pepa fell in love.

Félix's and Agustín's natal families are still alive and live in Encanto!

Agustín was born on father's day💘

Isabela was born on August 7th, which is the day two colombian celebrations take place: the Battle of Boyacá and the Medellín Flower Festival.

Félix means "Happy" in Latin. And it really suits him 💓💓

Bruno could've been named Oscar yeah- but he could've also been named Emo

How there was a deliberate effort for the lead character to not have a comical sidekick. I love that, when the toucan flew into the tower with Mira, I was disappointed that he'd be her funny animal sidekick, when he flew away I was so happy!! And so relieved that the movie said: no, Mirabel and her family can carry this themselves.

In 2018 the crew took an extensive trip to Colombia to make everything accurate!

A 'madrigal' is a musical term and is used when people sing on top of eachother, which is what happens in 'We don't talk about Bruno'.

Most of the VAs are colombian-born/colombian-descent actors

Dolores clapping with her fingertips because of her hearing.

Alma has a speaking voice actor and a singing voice actor I would've never known tf!

📽 - fav scenes

Favourite scenes(I'm just writing as they come to my head so these will be out of order lol)

Waiting on a miracle

This part specifically:

Always gives me goosebumps and when I was able to see Encanto in cinemas, it was just even more amazing AAHHH😭💖

The beginning vs the end/Alma's romanticised version of how the miracle was born and what actually happened:

Bruno’s reveal + him almost falling over after he jumped over the gorge.

What she actually looked like is just so powerful it's amazing. Her face, how she collapses- my HEART.

And of course this part too:

No words, just perfection.

Then directly after that: 'he sent me you' has brought me so close to tears so many times I can't even describe-😭

And the music as the light slowly gets brighter as Mirabel tells Alma how important she is to the family. The hug and how Mira smiles and holds on like she's been waiting for this her whole life- AND THEN ALL THE BUTTERFLIES-

How the butterflies all fly to the gap in the mountains, showing how this is a good thing and walls are literally being broken and people are finally talking to eachother-

GOOSEBUMPS. GOOSEBUMPS. GOOSEBUMPS

Then...

"Brunito"

😭😭😭😭😭😭💞💞💖💖💖💖💖💖💖Asdffhkvjs.yvyj.

THE PLATE.THE PLATE.THE PLATE.THE FUCKING PLATE-

Absolute goosebumps in 'what else can I do', when Isa hugs Mira and then they skydive through the air, whip and nae nae around one of those spinny wind things; then land in a pile of flowers.

Directly followed by the fight that is so real and amazing it's criminal.

Honestly I could be here all day so this is a SEVERELY SHORTENED LIST but I think the scene that genuinely hits me the most is this part in all of you:

IT LITERALLY MAKES MY HEART ACHE.

Isabela finally giving Mirabel love and support- and how amazing this must feel for Mira, it makes mY eyes SWEAT. "We see how brave you've been" just has so much POWER behind it, imagine finally being validated after being pushed down and ignored like- yes! I have been brave! I do burn bright! OMFG😭

The call back to Antonio's ceremony & Mirabel’s all in one- I CAN'T. Imagine how out of this world and amazed Mira felt when she put the doorknob in and then EVERYTHING GLOWED. like that literally makes my heart ache,,,,

And just the whole family in general doing this for her I CANT DESCRIBE IT, ITS BEAUTIFUL, ITS PERFECT, IT GIVES ME LIFE.

"I see, me. All of me."

🥺😭💖

[starsoddity]

ADHD NEIL PERRY HEADCANONS (that are TOTALLY canon)

[DISCLAIMER: everyone experiences adhd differently, so this is mainly based off my own experience :)]

once he hears about midsummer, he develops a full hyperfixation on it within an hour.

He scours the school library to try find a copy of shakespeare's comedies so he can read the script (before he even goes to the audition), and when he can't find it he goes to keating, who gladly gives him an old battered copy. He says if Neil has any questions, or wants to talk about it at all just to visit he can. Neil does. a lot. He starts staying back after every class he can, and sometimes gets there early when he doesnt lose track of time and forget.

speaking of losing track of time,, it's like he needs a baby sitter wherever he goes otherwise he will forget he exists and end up lying face down on the floor for three hours (todd has found him laying on his bed upside down so his whole torso is hanging off the side with a blank expression before. ("... watcha doing?" "i'm planning the conversation i'm gonna have when i meet james dean when we're in a movie together" "... ok, well how's it going?" "toddy, james dean is gonna think i'm a moron")

charlie has learnt to pick up on when Neil starts to feel overwhelmed because he starts to hold his breath and shift in his seat every few seconds. He doesn't really know what's going on, but he knows that giving him one thing to focus on helps

so every time it happens he starts saying whatever he can remember from midsummer, and neil starts to mutter the rest of the lines under his breath, and charlie starts drawing all the attention he can away from him (it's not hard,, he's charlie fuckin dalton)

puns become a permanant part of his personality because that is the only literary device shakespeare uses in that show.

if you mention midsummer nights dream around him you can physically see him tense up and try not to blurt out the closing monologue or shout some obscure fact about this one production of the show they did a few years back

sometimes he just trails off midsentence, losing his train of thought and he has to knock on his head a couple of times to get the brain jumpstarted

i have forgotten half of my ideas just writing this goddamn it

he cuts himself off too, inturrupting his own thoughts because he can't talk as fast as his mind thinks, especially when he's getting excited.

once he got in Midsummer, the only things he read in next few dead poets meetings were snippets of the script, and he made everyone else join in

charlie made a lovely nick bottom

he's asked the boys to come to the movies with him more than once but everytime he manages to drag one of them along he ends up talking throughout the whole thing about the actors and who they are and the work of the directors and the foreshadowing they use in the cinematography (because there is n o way that this is the first time he's seen it)

once he managed to convince todd to sneak out with him to see a community theatre production of oklahoma and he cried as soon as the overture started

when todd asked why he just said he really wants to be onstage

the same thing happened when a touring shakespeare theatre company came through and they did As You Like It

he memorised the whole "all the world's a stage" monologue as soon as he got home

neil loves rambling to todd because he doesn't like talking as much as neil, and he seems to like listening; he loves listening to neil. Him sitting on his bed, while neil paces frantically around the room, waving his arms with his voice, and never remembering to keep his voice down.

he recites lines over and over to himself as a form of vocal stimming, and if someone catches him he just says he's 'rehearsing' (even though most of the time it isn't even his lines)

i wish there weren’t a wall

i wish there weren't a wall

i wish there weren't a wall

it's like lines get stuck in his head the same way music and songs do for most people. sometimes he and todd are sitting in silence in their dorm and he just bursts out "uGH I HAVE "you're tearing me apart!" FROM REBEL WITHOUT A CAUSE STUCK IN MY HEAD"

oh god this is very long i might do a part 2

[adhd-ahamilton]

I got to see Hamilton in Sydney!!

It was a seriously, seriously amazing time – I was always worried that by the time I finally got to see Hamilton on stage (I was even supposed to see it in America last year lmfao) it wouldn’t mean the same anymore. And like, obviously it’s not my hyperfixation anymore. But even like this, it was still an incredible experience! I always figured that the recording would focus more on close-ups and the like because you can’t really see that on stage, but you really can see so much of what’s going on when you see it live and the whole stage is full of things to notice!

I have a lot of thoughts about it (mainly about the Australian cast, though some of these things could just be live performance things)!

Firstly, only two lines had their wordings changed:

* ‘John Adams doesn’t have a real job, anyway’ → ‘Vice president is not a real job, anyway.’ This got a good laugh from the audience; obviously it was changed to preserve the joke, since most Aussies wouldn’t have a good idea of who John Adams was. (I explained the joke when I watched the recording with my parents.)

* ‘Weehawken. Dawn.’ → ‘Jersey. Dawn.’ This was a bit of a surprise, but the more I think about it the more it makes sense. Aussies also wouldn’t know Weehawken (I didn’t even get that he was referring to a place when I first heard it), while Jersey is very clear because they already made a joke about it. (That one didn’t get much of a laugh though, ofc lol) And it’s actually more consistent because later they do say ‘we were near the same spot my son died, is that why’ so they drive that connection even deeper.

I don’t think there were any other music/staging/choreography differences from the recording – just the acting. But ooh, this really was differently-acted!

Hamilton

I love Lin-Manuel Miranda. I love his energy and enthusiasm and intelligence and his optimism. But while I loved his dorky version of Hamiton, I have to admit, I didn’t always think it matched up with even the musical’s script, let alone the real person. This Hamilton, though? I kept thinking about all the ways he felt different from the original, and almost every time, it was like ‘yeah, this feels more like what I know of the real Hamilton.’ (Or at least, the Hamilton we wrote about in fic.)

This Hamilton is aggressive and prickly. Up until Helpless, we don’t really see him smile – which makes sense, y’know, with ‘talk less, smile more.’ When he confronts Burr at the beginning of the play, he doesn’t have Miranda’s overly energetic and talkative air, he’s more pushy and too intense. You really feel like, oh, yeah, he’s just walking up to someone on the street and badgering them into telling him about their life story. When he says ‘God, I wish there was a war’ he’s less naive and more so hyperfocused on his goal he doesn’t notice he’s said something super insensitive. When Burr says ‘You wanna get ahead?’ his ‘Yes’ isn’t quiet and firm, it’s more ‘yes obviously, nobody would not want to get ahead, so just hurry up and tell me already.’

And that’s just in the first couple of songs! He continues on like this, with that kind of burning intensity and hot temper, through the musical, though ofc it softens at important times. Importantly, his relationship with Burr is largely based in frustration. When he does ‘My Shot’, it honestly feels less like he’s singing to impress the guys and more like he’s challenging Burr and everything he just told him; I’m sure I saw him glancing back at Burr several times. Likewise, when he tells Burr to go get Theodosia, it’s not questioning – he’s outright saying that if he really loved her, he’d take any risk for her. And in Schuyler Defeated, his ‘Burr?’ isn’t questioning there, either – he’s already angry, he’s just demanding his attention. He genuinely seems to like Burr in a weird way that even he might not understand at times, but for the most part he just seems to find him really frustrating and is always trying to incite him to do more.

This Hamilton also feels very independent, and even aloof. In The Story of Tonight, while the other guys are totally sincere and moved by it all, Hamilton feels sorta… distant. At one point he half walks off until Laurens brings him back, which I think happens in the recording as well, but here I especially felt like that was how he was ‘really’ feeling. Not that he was being manipulative or lying in any way, just that he couldn’t be in the moment because he was still stuck in his head thinking about the future. And the whole way through, he very rarely seems to properly open up – my friend said afterwards that Hurricane hits so much harder when it’s the first time he’s really vulnerable in the entire musical. Which is basically how it happens.

It’s funny – you think of Hamilton and Burr as being contrasting this way, with Burr keeping his cards close to his chest and not revealing what he really wants until The Room Where It Happens, but this Hamilton doesn’t feel far off. But rather than keeping a secret per se, it’s more… he has such an incredibly strong, intense drive, and you’re never super certain where it comes from. And in Hurricane, it suddenly becomes clear – all this time, he’s still caught up in that trauma, and still feels like he needs to fight and scrape just to survive, even when it turns into this self-destructive impulse. Honestly, Hurricane has always been kind of a weird song – he’s been corrupted and is not the most sympathetic beforehand, but then you get this grand slow inspiring song talking about how he suffered in the past and overcame it, but THEN you cut to an almost comedic number about how he fucked everything up for himself and his family. In Miranda’s version, that mood up-and-down always felt a little too jarring. Here it made perfect sense – it was so shocking to see how vulnerable he was at the beginning, and then the song isn’t just repeating what we learned in the beginning, it’s explaining what he’s been keeping deep down all along, but also making it clear that this is manic and awful and destructive.

Part of that is the singing, too. This Hamilton can rap really well, but his singing voice is startlingly gentle and beautiful. It really helps to get across the sincerity of his feelings in Helpless, Dear Theodosia, and as I said Hurricane. On the other hand, there are also times his voice just goes flat, like there are so many emotions he can’t process them – you see that a bit in My Shot when he gets worried (‘I never had a group of friends before’), but it REALLY stings when he says ‘I have so much work to do.’ That hit me way harder than Miranda’s version :(

However, when you combine this Hamilton’s aloofness with that certainty and intelligence, you also get a version of him that is particularly… ironic? He’s always crossing his arms (when he’s not rubbing his face with a palm; those two gestures repeat constantly through the play), and kinda stepping back and Watching people, with a bit of a sense of self-important and even patronising judgement. This is very much ‘So quick-witted!’ ‘Alas, I admit it.’ He definitely does come across like a dude who thinks he is ‘smartest in the room,’ and puts way too much stock in his own opinion. Particularly with Burr whenever they were getting along there was a distinct sense of ‘You know what? I actually think you’re pretty interesting. And my positive judgement is hard to come by, so that’s a big compliment.’ (Burr does not seem to get this weirdly condescending vibe though, lol.) Honestly…. I gotta admit: I really don’t like people like that, haha – though I can’t say it’s entirely inappropriate for Hamilton characterisation. This Hamilton genuinely feels difficult, and that matches up to what happens in the script.

But, the consequence is that after Hurricane, some of the later songs didn’t have quite as much of an impact on me as in the original. In It’s Quite Uptown, I could somehow never quite lose that vision of Hamilton as a bit sarcastic and superior – the way he rubs at his face in grief still just felt a little… put-on and theatrical, like you can hear the frustrated sigh underneath. And this is a song that demands complete, total, unrelenting vulnerability – Miranda’s Hamilton sounds like he’s dying the whole time and that makes the emotional stakes really felt. Maybe it’s that his voice was TOO gentle in this song – Miranda’s more awkward voice actually adds to the exhausted brokenness of the situation?

And finally, when we got to The World Was Wide Enough… Miranda’s speech there in the silence might just be my favourite sequence in the entire musical, so I think anyone else would have struggled to match up to that. It doesn’t help that I was distracted trying to figure out Burr in this scene (which I’ll get to later). It was still beautiful, of course, but ‘What is a legacy?’ just feels so so very Lin-Manuel Miranda and anyone else singing that just doesn’t feel the same.

Overall, I really really enjoyed this version of Alexander Hamilton – as I said, he felt much closer to the actual characterisation I always imagined for him. And this one showed some really fascinating vulnerability in unexpected places, even if the ending didn’t quite land as well for me.

Burr

This Burr was really, really fascinating as well – an interpretation that feels different all the way through, but really pays off at the end with something very striking.

So, something the group of us all agreed was that this Burr felt a lot more like the ‘trust fund baby’ he calls himself. There’s something elegant and refined about him, a rich person who is used to moving through the world as a person to be admired. He’s actually quite graceful, somehow, even though he barely dances? But that also really brings to the fore one particular element – entitlement. (Seriously, my mum is physically incapable of bringing up Burr without mentioning the word ‘entitled’, lol.)

This is a Burr who is used to not having to work for things. He just sort of expects things to fall into his lap, eventually, in contrast to Hamilton. The world will eventually shape to match his desires – that’s how things work. Even in the latter part of the musical, it doesn’t so much feel like he needs to fight and scrape like Hamilton to get ahead, but more like… getting ahead is his birthright, and he just needs to effect that inevitable change into the world. But I’ll get to all that later.

The other thing my friend said was that this Burr feels very much like a preacher’s son, and the more I thought about that the more I agree. There’s something almost… toxically positive about him – the smiles don’t feel two-faced and manipulative so much as maybe like, wilfully ignorant? There’s a very ‘Don’t fret, God will work things out in the end :)’ feel about him, actually. But there’s also something deeply naive in him. Leslie Odom Junior’s version also had some of that genuine lack of understanding – when he muses in confusion over Hamilton in Wait For It, or when his face scrunches in confusion when he says ‘I don’t see why that has to end’ in Schuyler Defeated, and this one does all that, but it feels like an even more inescapable part of his character.

Like, there’s something about this Burr that is just a bit… lame. A bit ‘Hello Fellow Kids.’ But, intentionally!! As I said, he’s a preacher’s son. When he tries to act kinda cool or badass, it just doesn’t quite work. When he interacts with the other guys, even as he smiles wanly and shakes it off when they insult him, you feel like he does still want to be – or even think he is? - part of that group of cool young men. He’s just too… nice, almost. I felt a little more bad during The Story Of Tonight (Reprise) and all. And he seems to take it really earnestly that Hamilton likes him, even if, like I said, there’s a sorta superior quality coming from Hamilton.

He just comes across more naive. Rather than a manipulator, this Burr comes across as more of a shameless Yes Man, who doesn’t think there’s anything wrong with what he’s doing. But I also sort of felt like other characters easily saw through him, and Burr didn’t quite realise that. Like with Jefferson, it sorta felt like he thought he was being really strategic but Jefferson was just like ‘sure, this guy works as an ally, even if he’s kinda annoying.’

And when it comes to Wait For It… the song makes it clear that bad things have happened to him – he hasn’t gone through life without suffering – but he hasn’t had the same reaction Hamilton has had. While Hamilton learned nothing will come to him unless he takes it, it feels like Burr learned that things will just… happen to him, good or bad, and he can’t control it. Nothing that has ever really affected Burr has been of his choice – he inherited his position, and then his parents died, and  all of that was just the uncontrollable whim of the universe. Leslie Odom Junior’s version emphasised the ‘I am the one thing I can control’ aspect a bit more – you feel that that version really had worked hard and struggled for the sake of his studies and job, but this Wait For It gave me a very uncomfortable feeling of being trapped. It’s as though everything about him is already decided, and even his efforts aren’t personal decisions so much as just what was natural and expected of him to do.

And that makes the second half of the story feel very different for him. In Leslie Odom Junior’s version, we see him take that self-control to new levels – that realisation that there is something that means as much to him as all of that drive and intensity Hamilton puts out, and it’s his own ambition. That he does want that, and he will have to fight and get his hand dirty to make it happen. As the story goes on, he becomes increasingly desperate and fearful, understanding more and more what it was to be that kid in the hurricane, becoming viscerally aware that terrible things can and will happen to him unless he stops them.

This Burr doesn’t feel like that. His downfall isn’t frantic. It’s very very cold.

In The Room Where It Happens, yes, his ambition crystallises and he changes strategy. But it feels less like an electric jolt, or an earthquake, and more of an epiphany. It’s okay for him to do these things. It’s right. He belongs in the room where it happens. Whatever he does to bring him there is by definition right and good.

He honestly seems to be feeling good through much of it. He’s so smiley when he comes up to Jefferson. He seems even more confused than Leslie’s Burr when Hamilton is actually mad at him for unseating Schuyler. And in The Election of 1800, there’s nothing of the original’s tired, manic energy, like he’s pushing himself to the brink and plastering on a smile to get through it. When this Burr campaigns, he’s energized and charismatic and friendly and filled with almost a kind of serenity. Like this is what he was born to do. His future is almost here – he just needs to reach out a little and it will be in his grasp.

Which, brief aside here while I analyse this haha – so, in Australia, a big part of our culture is what is called Tall Poppy Syndrome. i.e., an instinctive bitterness and hostility towards those who are perceived to stand above others. It’s often described as an aggression towards successful people, but I think that’s only part of it. Australians would describe their culture as breezy and casual and relaxed, but there’s also something disaffected about it, IMO. You’re not meant to ever take anything too seriously. Yes, we all take the piss out of politicians, but it’s sorta ‘lame’ to really seriously oppose them, too. It’s like our culture is stuck in the mindset of a self-conscious fifteen year old, where we’re all sorta lazily cynical and ‘bluntly honest’, but you’re not supposed to ever actually do anything about it all. Caring too much is kinda embarrassing. You’re just supposed to make fun of people and keep living your life. We don’t get the same fundamentalist groups intent on forcing their viewpoint on society like America does, but we also don’t get the same idealists who fervently believe that if we work hard we can make things better. They exist, for sure. But… well, it’s hard for me to imagine an Australian Leslie Knope, you know? (Who, btw, is one of my favourite fictional characters of all time, for reference.)

Watching Burr in The Election of 1800, I was struck by a memory. It was an Australian season of The Amazing Race, and on top of all of the typical relaxed Australian reality show contenders (seriously, I don’t know what the fuck Drag Race Down Under is on, that is the most un-Australian reality show I have ever SEEN), there was one couple that were I suppose Go-Getters. The type who eat healthily (probably vegan) and get up every morning in their athleisure to work out at the gym or go for runs. They were peppy and enthusiastic and they announced with huge smiles that they were going to WIN this! And the other contestants absolutely despised them. At one point, they did something to attract specific ire – honestly, it was probably nothing more than just not helping another duo who were going the wrong way, because in Australian reality shows everyone helps. But after that, multiple groups all ganged up to sabotage them. They took such delight in watching these two cheery people’s optimism flag, so very self-assured in having taught them to ‘not take yourself too seriously.’ Burr, as he was campaigning, reminded me of them.

It’s really telling, I think, that Burr is the one who reminded me a little of Leslie Knope, here – albeit obviously a much darker version. The kind of person who dorkily believes in the system and puts himself out there unselfconsciously, whose wide smiles are unironic and unmocking. In the original, Lin Manuel Miranda actually compared Hamilton to Leslie Knope at one point, with Hamilton’s ‘thirty years of disagreements.’ It’s a very Australian thing, to make Hamilton less earnest and more aloof and sarcastic, to make his anger as much about frustration with other people as about believing in something himself, and to make Burr, by comparison, sincere. Australians don’t really trust sincerity. Honesty is to be framed as an insulting joke, and Burr is just too polite to do that.

When the results come, Burr’s serene smile only very very slowly fades. Before his expression really drops, he turns away. When Your Obedient Servant starts, he’s quiet. The whole time he sings, he’s measured and controlled and entirely certain of himself. He doesn’t have LOJ’s grit or spikes in volume on ‘just to keep me from winning.’ He’s unnervingly quiet.

Even into The World Was Wide Enough this continues. In the original, Burr is outright frantic. He’s desperate and shaking with anger and fear, and when he points at Hamilton’s glasses and the like, you can feel that he actually isn’t sure of himself – that he’s trying to justify this to himself and knows he sounds crazy, but he just can’t pull back now. His voice shakes and goes up and down. When he says ‘we were near the same spot his son died, is that way?’ it rises and when he says ‘this man will not make an orphan of my daughter’ he cracks in real tears, like the mention of Philip reminded him of what’s at stake here, like that really is the reason he’ll kill him. This Burr stays quiet and cold. He doesn’t waver.

If that Burr was desperate, this one feels… and I hope this doesn’t sound like a joke: like a thwarted rich nice guy. The other Burr learned from Hamilton too well, and is replicating his self-destructive energy. This Burr hasn’t learned anything at all. Winning is still his birthright, and Hamilton has stolen that from him. Burr deserves it, and he deserves to punish Hamilton for this. It’s not an explosion of shock, a scrabbling for purchase in this new chaotic world that will doom them both. It’s vindictive. Burr knows what he is doing and he wants to hurt Hamilton for all Hamilton has hurt him.

After the shot, I was surprised to find myself not tearing up as I expected (usually, these two last songs always get me). With the original Burr, his singing is laced with pain as much as regret. When he repeats ‘death doesn’t discriminate’, we feel his sorrow as he fits Hamilton into the same kind of category as his parents and wife, as someone important to him who died. When he says ‘he may have been the first one who died, but I’m the one who paid for it,’ we understand that he’s referring to the depth of his grief. That having to live with knowing he killed Hamilton feels, in this moment, worse than death.

This Burr is still cold. And when he finally gets to it, and says ‘I’m the one who paid for it,’ he looks away. He almost spits. His face is contorted in bitterness. It’s rough and gritty, for the first time in the entire musical.

I can remember it vividly – it was shocking to see, and sends shivers through me to remember. I’d been waiting for that cathartic sadness, but it wasn’t here. This Burr, deep down, didn’t feel for Hamilton, at least in the end. He was pissed off because for once in his life his actions had consequences. Because of Hamilton, he had fucked up his life forever. His worldview had been shattered. And at that moment, that was all he could think about – that resignation and bitterness and anger. All along, maybe, he had been nice only because he’d had no reason not to be. Once it didn’t benefit him, and his pride and entitlement were damaged, he showed who he truly was.

It… was an experience, lol. Honestly I think it was partly lost on me because I so loved the original version and was like working myself up ready for a good cry here, so I didn’t get to just sit and take the full impact – I kept searching for a grief or fear that wasn’t there. But I don’t think this version is bad! It’s a very valid interpretation of Burr, and it was extremely fascinating to see unfold.

If I have one critique, it’s that one kind of problem with the whole Australian show is that the performances lacked grit. I really wanted more edge, more aggression, more intensity of those emotions – something more sharp and shocking. Hamilton delivers this kind of thing at times, especially early on, but ofc it fades away in the end. Jefferson, as I’ll get to, is too smooth-talking while also having that cold serene kind of anger. When we lack both Hamilton’s broken It’s Quiet Uptown and Burr’s frantic ‘this man will not make an orphan of my daughter’, we don’t get those life and death stakes quite as highly. By focusing all of Burr’s anger in one line, I think the rest of the songs didn’t have as much of an impact as I’d like.

But!! I really enjoyed this interpretation, and I’d love to see it again knowing what’s coming!

Eliza

OKAY nobody else is going to get those huge walls of text lmaoooo

Anyway this Eliza wasn’t a super different interpretation than Phillipa Soo’s, but I think she pulled it off at least as well, if not even better?

So, the really big obvious thing about this Eliza is her smile. Her actress has this amazing, big toothy grin that feels so lacking in guile, but also still so comforting. It’s so attention-grabbing and almost impossible not to be affected by. It just screams ‘hey, things will turn out okay, so cheer up! :)’ And it’s something that just comes out on Eliza as if on instinct – she’s wearing it through most of That Would Be Enough, and at the end of Take A Break when she escorts Angelica away, and even in Blow You All Away when she’s comforting Phillip or in flickers when describing Hamilton’s old letters in Burn.

The thing about Eliza as a character is that she’s basically defined by her emotional intelligence. She feels as strongly as Hamilton, but where he is uncontrolled and reckless and both self and other destructive, she is the opposite of all of those things. She’s measured and practical and knows exactly who she is and what she wants at all times. She will sacrifice for others, but it’s because she decides to, and if she is hurt, she will not keep herself in harm’s way. It’s an interesting kind of competence and I can understand in theory why it’s cool to have a female character like that even if I, as a neurodivergent mentally ill woman cannot relate in the slightest and feel sorta awkward to be judged against.

This Eliza nails all of that perfectly. She’s effortlessly charming and soothing whenever she wants to be – in That Would Be Enough, when Hamilton is turned away and putting up all of his sharpest bristles, you can feel her become something soft and liquid and find her way up against him regardless without getting hurt. It’s that strength of character that makes their relationship really work – it’s not necessarily that she completely understands him or is good at ‘handling’ him, but that her certainty of purpose and deliberate, skilful compassion make her perfectly suited to calm Hamilton’s deep down insecurities. She loves him entirely and makes him believe that. And when Hamilton responds with his own intensity, she loves that, and believes in that.

And all of that makes it mean so much more when she steps out of that natural mediator role for a moment. In Helpless she’s adorable, so giddy and excited and so clearly crushing on Hamilton with a youthful energy that somehow doesn’t feel all that naive. As she sings she’s constantly glancing back over at him, it’s really cute haha. But she does feel a bit more vulnerable here – it does feel like she’s silently asking for help from Angelica when they talk. More startlingly, there’s Non-Stop – when she calls out ‘Alexander’, it is SHARP. It’s the same kind of tone Hamilton takes when he calls out to Burr in Schuyler Defeated. It’s a bit startling actually, but in a good way.

That tone, I think, foreshadows Burn. Again, I think this Eliza takes the same tone as Philippa Soo, but this version (maybe just because I saw it live!) embodied it even more – she talks about her own desperation to understand, re-reading their old letters, and cites Angelica as back-up, but when she reaches the mid-point, she stops and seems to think. She weighs up the situation and her emotions. And when she says ‘I’m erasing myself from the narrative,’ it is very deliberate and conscious. She is in control of her fate and she can see herself objectively and this is what is just. Her moral core is impenetrable. She sees long arc of the future that Hamilton and Burr are so obsessed with and she says, yes, this is what should be done.

And then in It’s Quiet Uptown, that same self-certainty is there from the very first word. This whole musical, even at her lowest, Eliza has instinctively brought out that comforting, wide smile. Here, her face is expressionless. If Hamilton’s acting here didn’t quite hit my mark, Eliza’s was spot on. The withdrawal of that earlier warmth is all the colder when there is no doubt within her about it, and nobody can argue she’s wrong in that. When she takes Hamilton’s hand, she still doesn’t smile. It’s sad :(

Of all of the final songs, Who Lives Who Dies Who Tells Your Story hit me closest to the original. It’s actually almost jarring to see Eliza ask ‘have I done enough?’ This whole song, we hear a hasty energy to her she’s lacked all musical – the first sign that Hamilton has rubbed off on her, too. But when she asks ‘Will they tell your story?’ it’s still Eliza – this isn’t about a legacy, it’s because she’s still that giddy girl from Helpless who loves him and wants to do everything she can for the people she loves.

(Whenever she and Hamilton see each other but appear to walk past one another, only to circle around and meet in the middle again, I cry lmao;;)

Her gasp at the end is soft and quiet and delighted, as though she just spotted someone in the crowd who she hasn’t seen in years and can’t wait to catch up.

If I have one critique, it’s the lack of grit again. Her scream at Philip’s death wasn’t as wild and destroyed as Phillipa Soo’s, and while I like her gasp, I prefer the original’s shocked, overwhelming joy.

Overall though, she was extremely good! Her charisma was just blinding, but it was in that perfectly ‘mundane’ way you’d expect from Eliza. But that solid, immovable core always shone through. They really sold her relationship with Hamilton, too!

Angelica

This is the one I feel like I have the least to say about. My mum said she was the only character who just couldn’t quite match up to the original, and I don’t really agree, but I don’t have a huge amount to say, either.

This Angelica felt a bit older and more mature than Goldsberry. The original Angelica has a bit of brashness and vivid emotion to her – a bit more out there and exaggerated in her actions and expressions. More bold but also more chaotic. This one was a bit more quiet and considering. Diplomatic, maybe?

I actually worried when I first saw her that she wouldn’t be able to carry Satisfied because she was too confident and capable I wouldn’t be able to believe her vulnerability, but no, she pulled that off perfectly. When she was standing in the dark there in the end, the sadness radiated from her.

I actually got a lot more chemistry between her and Hamilton this time; I always thought I disliked the relationship in that canon because of my grudge against how LMM wrote it, but maybe it’s just that LMM was too old for her lmao. You’d think her quietness would contrast with Hamilton’s pushiness, but if anything it feels like she can just eyebrow-arch off his usual way of getting under people’s skin – when she says ‘you forget yourself’ it’s subtly disapproving, then when he delivers the punchline, it’s like he proves himself enough to earn her respect. Indeed, their mutual aloofness actually suits them both really well. You can just imagine them working together, quietly sharing their judgements on everyone else in the room around them. They’d be a terrifying power couple, and that really connects up to her advice in Take a Break.

I don’t have as much to say about the rest of the musical though. (actually IDK if that’s all partly just because by the end my ADHD brain had to work a lot harder to keep up, lol.) Her piece in The Reynalds Pamphlet did the job, and her singing in It’s Quiet Uptown was beautiful.

I guess, if I had to contrast them, the original Angelica felt more spirited and aggressive – very ‘you want a revolution? I want a revelation!’ - while this one felt more like the settled head of the family who already had her place but understood the world perfectly and knew she’d have to pick and choose what she wanted most. (...spoken like that she sounds like a big contrast to Burr, funnily enough?)

Lafayette/Jefferson

So not too much to say about Lafayette – the guy pretty much did him the same as Daveed Diggs, and pulling that off is very impressive but there isn’t too much to analyse here. If anything the Lafayette felt slightly less bright and cheery than the original, which may have been done to contrast with Jefferson.

Jefferson, on the other hand, was quite different. Diggs’ version is very loud and kinda abrasive and arrogant – always smiling and bouncing but with something clearly malicious lying behind all of that. He’s got a harshness to him, deliberately intimidating and surprisingly authentic in what he reveals of himself. He’s a villain character who’s fun to watch because he’s having fun himself and you gotta admire his balls.

This Jefferson is much more smooth and manipulative – maybe taking over from what Burr sometimes delves into? When he first appears, he plays to the crowd, encouraging the cheers, but it’s less arrogance and more like, he’s a celebrity putting on a show. He’s friendly and cheerful all through What’d I Miss?, disarmingly enjoyable to watch. He’s someone who knows the crowd and likes the crowd and is very very good and getting what he wants from the crowd without making it obvious he’s doing that. He’s definitely the type of #relatable celebrity fans would really want to defend.

But Hamilton represents a very clear change to his status quo. He starts off singing What’d I Miss? just in a fun, conversation-starting way as a rhetorical question, but after Hamilton introduces himself, he seems genuinely taken-aback. His last ‘What’d I miss?’ sounds like a genuine question, like, ‘wait wtf what’s going on here all of a sudden?’

And then we get the Cabinet Battles. Despite the above, Jefferson starts off his argument oozing with relaxed confidence. He doesn’t need to take any of this seriously – it’s already in the bag! Everyone loves him and as long as he makes some nice jokes and smiles disarmingly enough, he’ll always get what he want. And then Hamilton starts talking. And he’s pushy and hostile and sarcastic and mocking and angry and superior. And the whole time, Jefferson stands straight and Stares at him. We get none of Diggs’ ‘Haha, this guy is a riot! :D’ type of energy – this Jefferson is deeply displeased, and he is watching very, very carefully to take stock of the situation so he can put an end to it.

It’s actually really well done IMO – when the crowd oohed and ahhed, it felt like a 50/50 of ‘what the hell, people aren’t supposed to DISAGREE with Jefferson!’ and also ‘holy shit this guy is acting like an actual obnoxious child who needs to stfu right now.’ Both Jefferson’s easy entitlement and Hamilton’s unhelpful abrasiveness really got across.

In the second battle, Jefferson is much more careful. Whether it’s because he isn’t underestimating Hamilton anymore or because he cares much more about this, there’s an unamused urgency underlying everything he says. He still tries to be friendly and charming and diplomatic, but his smile drops often. This issue is important and he is not going to back down on it. It’s actually still not quite as immaturely insulting as Hamilton – more like, ‘can we stop humoring this asshole kid already and do something we very much need to be doing?’

(Also fun fact: in The Room Where It Happens, when we get to Jefferson’s version of events, Hamilton’s ‘I had nowhere else to turn’ is SO fake and sarcastic it was really funny, like even the Hamilton in Jefferson’s head can’t bring himself to actually say that sincerely.)

So, when we get to Washington On Your Side, he’s cold. At the time, he contrasts well with Burr, who is all smiles and surprisingly relaxed. This Jefferson is more like Angelica, quietly analysing the situation and slowly coming to a plan. The difference between cold, planning Jefferson and smooth-talking Jefferson is also great.

Because of all this, he has less of the really comedic stuff the original Jefferson got, with the exaggerated expressions and movements – in We Know, he’s more struck dumb by everything than the more over the top reactions Diggs did. But the controlled coldness contrasts with Hamilton better – it makes sense that he was the one who successfully connived himself to the top. And we get much more of that contrast between public and private Jefferson that is one of the interesting real-world meta statements, where who is was to the people and who he actually was were very different.

…….I think I had some kind of impression of ‘because I’m the president’ but I can’t remember what it was anymore. Hrm.

Anyway: enjoyed!!

Mulligan/Madison

So, how I’ve been saying the show lacked grit? I honestly think it might’ve all just collected in Hercules Mulligan lmao – obviously his parts are meant to be bold and brash and powerful, but these ones hit even harder than usual. His part in The World Turned Upside Down was just so Loud I could feel it in my chest! Great performance, I loved it!

Madison was very very different naturally, but also very different from the original version? While the original Madison felt tired and a bit disgruntled, like he was exhausted by Jefferson’s in-your-faceness and just wanted to get this done so he could get back to his work, his one felt much happier to be there. This Madison felt like he actually saw himself as Jefferson’s teammate, like he considered himself part of the show and was happy (even smug) to be helping out. When Jefferson passes him the microphone, rather than say ‘France’ with an irritated expression as if to say ‘everyone already knows this, just get on with it already’, it feels more like this Madison already rehearsed this with Jefferson deliberately. He calls out ‘France,’ as though it is some incredible zinger, like he’s been given the mic drop here. It’s pretty cute haha!

Overall this Madison felt a lot younger. Talking afterwards my mum mentioned that Mulligan’s role is hard because he has to switch to playing ‘an old man’, and was pretty surprised when I said Madison was actually the same age as Hamilton. This version felt a lot more age-appropriate. He still gets sick and starts coughing (and it feels a lot meaner when Hamilton makes fun of him! The dude was just so happy to be here – let him have his zingers!!), but aside from that he thrums with nervous energy behind Jefferson, like he’s ready to help out anytime he’s needed.

In all, he kinda feels like he fulfils that certain comedic henchman trope a bit? It really comes together with the ‘Can we get back to politics?’ ‘:’( please!!’ exchange. Madison isn’t made fun of, per se – it’s not like he really does enough in the script to get that kind of attention. But he’s just a bit funnier and more sympathetic, while also strangely feeling more like he and Jefferson are an actual team. (I mean, Jefferson hands him the mic as though he’s setting up a zinger, too. They’re both a bit ridiculous!)

Laurens/Phillip

Okay, this was one I was really curious about, for obvious reasons – LMM always sorta made it out that since he never included any of the Hamilton/Laurens stuff in the script, he kinda tried to act it in there more. In Story of Tonight or Ten Duel Commandments, or even briefly in the opening song, there’s meant to be a closeness that hints, however subtle, at that relationship.

Unfortunately, I didn’t get that at all here.

Laurens’ casting surprised me at first – he’s super short and extremely baby-faced, to the point that I wondered if he wasn’t played by a cis man. (His actor is a man, though, though ofc I wouldn’t know if he’s cis or not.) I was kinda confused about that all through the first act… until I got to the second act and, uh, remembered. But despite this – perhaps because of it? - he is an absolute firecracker. He’s hot-headed and rough and determined and every bit the young impassioned soldier.

He’s a bit more naive in the early songs – he seems genuinely friendly with Hamilton in The Story of Tonight, and you feel like he really does just like him from the moment he hears Non-Stop – but like I said, Hamilton is still pretty closed-off through all of that, so… it doesn’t really feel mutual. Hamilton likes him fine, but it doesn’t feel like he cares as much as Laurens does.

In Satisfied, he indeed seems super drunk, but it’s more like he’s just too young and drinking too much at a party than anything. The only time I really felt any particular chemistry between him and Hamilton actually comes from Story of Tonight Reprise – when Hamilton wanders off to speak with Burr, in sincere friendship, and Laurens comes over and starts ribbing Burr about his girl with almost malicious energy, it did sort of feel a little like he was jealous, if only that Hamilton and he had been talking so easily.

Finally, we get to Stay Alive. There, Hamilton and Laurens are just so angry and disgusted with Lee that they don’t really have room for anything else. It’s all very focused and determined and Manly, without any time for something softer or close between them. And I’m not sure how to feel about that. Laurens’ revulsion for Lee is historical record, and it says a lot about him and his values that that was so important to him. But there are other important parts of Laurens – that worry and fear and insecurity inside him, that ended up being so damaging to him. In such a limited script for him, ‘Alexander, you’re the closest friend I’ve got’ is really his one chance to show some of those emotions before he dies. Instead, Laurens never really gets to show that vulnerability, and I worry that it makes him feel too much like a ‘generic soldier character.’

I wonder if it’s because this Laurens looked so youthful that they sort of overcompensated, and felt the need to make him extra manly to make it clear he belonged there despite his appearance. But it sort of felt a bit too… macho for me. Nowhere to be found is that 18th century romantic friendship. Instead, it’s been replaced by a more WWI era Comrade and Comrade type deal. They’d die for each other, but would they write romantic letters to one another? And I think this is also unfortunately pretty Australian – real emotion is lame!! The only acceptable emotion is fucking hating your boss, and challenging him to a duel with your squadmate to get him what he deserves.

Well, I’m reading too much into it all, lol. But I always felt like the original Laurens barely got to show much of himself as it was, and this one felt even less so, unfortunately.

His final scene – is it We May Not Live To See Your Glory? - is done well, though. Again, Laurens just sorta feels like a generic young soldier, but ‘idealistic soldier who died too young’ is moving enough on its own. And in one of those rare moments, Hamilton really does feel shaken and vulnerable. ‘I have so much work to do,’ as I said, hurts – so lifeless and unlike him. Like nothing could process those emotions in him now, or express them.

Philip, on the other hand, is the exact opposite. First of all, yeah – having a shorter, younger-looking actor makes that Take a Break scene WAY less awkward, haha. It wasn’t even funny, it was just like ‘oh huh this just kinda looks all right?’ And the actor did really well playing a kid! He looked like a completely different person there, which is really good.

And then we get to Blow You All Away, and hoo boyy. If Laurens had been excessively confident, Phillip oozes uncertainty with everything he does. When he flirts with the girls ‘when I come back we’ll all strip down to our socks’ he manages to pull off the cocky act but in basically every other line you can see and hear the ‘a-am I doing this right? I’m not screwing this up, am I?’ radiating off of him. He definitely believes he’s doing the right thing – when he says ‘you talk about my father I will not let it slide’ there’s no hesitation – it’s just that he very clearly isn’t sure if he’s up to the task of doing it.

It was sorta interesting, actually – I think the original Phillip was more naively overconfident and reckless, and only had an attack of the nerves after he got himself into the duel. But – and this might just be me projecting here, lol – when this Philip confronts Eacker in the theatre, I got a real sense of like… ‘??? can I do this here? Where are you meant to threaten duels???’ and when Eacker is like ‘piss off, I’m watching this show now’ he seemed to wilt a lot, and straight up froze for a second or two, like he really didn’t know what to do at that point. And then of course when he talks to Hamilton he’s really worried…

And then his death. Somehow, I never used to cry much when this happened – it’s obviously very sad, but it didn’t manage to hit the right heartstrings to make crying, even in the recording. But oh god, this one was just awful… Even as he’s dying, Philip is still just so desperate for approval, like he’s so scared his parents will be mad at him for screwing it up, and Eliza is trying so hard to reassure him before he dies… I cried a lot :(

So overall, I really liked this Phillip, even if I don’t necessarily think it’s an improvement to the original. Laurens I kinda preferred the original, though this was still an interesting interpretation that gave me a lot to think about!

Washington

The guy did well! He has what Washington needs, and that’s a stature. When he’s on stage, your eyes are just naturally drawn to him. Even when he’s not doing much, he’s still a little intimidating. He has presence!

And in fact, this actor had an interesting quirk where the whites of his eyes could be seen easily? In Right-Hand Man, as he’s striding around at the center of the stage, his eyes just looked white, and it drilled in that slightly manic, crazed intensity underlying his strict, rigid rapping and self-control. It have the whole thing a really great effect.

But this Washington also had a sort of almost… slight fem-ness to him, that I didn’t get as much from the initial? It’s funny how during One Last Time, I suddenly got this vivid though, ‘oh, it’s like he’s a cool supportive teacher.’ Which… obviously?? Haha. Like he’s clearly a mentor to Hamilton all the way through! But it’s that specifically teacher description I really felt all of a sudden, that he was warm and approachable and gentle at heart, despite everything I said above lol.

Like, I feel like this Washington was just a bit less stoic than the original? Slightly more expressive and less stern. When he says ‘I’m from Virginia, so watch your mouth,’ in the original, it sounded like he was genuinely kinda offended? It was ‘watch your mouth’ as in ‘don’t disrespect my home state.’ But in this one, Washington sorta grimaces a little theatrically and says it more incredulously, like he’s actually saying ‘you wanna maybe try thinking about who you’re talking to before you say that shit, son?’ It’s more of a warning – less that he’s upset and more that other people would be, so he should really try thinking before he speaks.

He also still does the part in Who Lives Who Dies Who Tells Your Story when Eliza says she spoke out against slavery and he kinda stumbles and stares and then looks down in shame, given the real Washington’s actions.

I liked him! I felt a little more warmly to him in the end than the original, but that might just be a product of seeing it live.

Peggy/Maria

Okay so I don’t really have anything to say about Peggy, which had basically always been the case, hah. :’) I mean, I think this version made the transformation between her initial wariness vs her later excitement more clear? But that is very likely a live show thing.

Maria, though!! Honestly? I was never really a fan of the original Maria’s performance. She just feels too much like a cliched seductress archetype, and while you can argue that that’s the role she plays in the story, especially since there’s the uncertainty over whether or not she was deliberately setting Hamilton up, it just feels too on the nose. It makes it harder to believe Hamilton didn’t know what was up the moment he saw her, which I don’t think is intentional. And it makes me feel bad for the real Maria Reynolds.

But this one was very different – much more vulnerable. When she first talks to Hamilton, she’s not doing a sexy pout and throaty singing, she’s just sorta… quiet and monotone and lost, much like Hamilton gets when he’s too emotional as well. Like she’s in shock and truly has nowhere to go is just sort of crumpling as a person. And when she propositions Hamilton, again it feels sincere – she just wants him to stay.

And after he talks to James Reynolds (just as perfectly, theatrically assholish as in the original), that continues. When he confronts her, she genuinely seems desperate and scared and upset. I felt so, so sorry for her that I was yelling in my head right then ‘you can’t just leave her now!’ at Hamilton – and then immediately remembered what that’d mean… it’s a much more gripping situation.

And then in the end, James Reynolds walks off and claps, and Maria just stops, face and body entirely stoic, and follows after him in silence… Is that an indication it was all an act from her? Or is it that she’s so scared of him that she totally closes up and can’t cry, can’t show any kind of emotion or weakness around him, and just has to try and be a silent and flawless wife? No matter how you interpret it, it’s chilling.

Oh, and IDK if this is done in the recording, but in The Reynolds Pamphlet, she gets given one, too, and her look of just… upset/disgust is also really painful. At the end they say ‘his poor wife’, but who thinks about poor Maria?? :(

I still wouldn’t say that this is an accurate adaptation of the real events, since I think that gets right into the script and structure of Hamilton in ways that a regional performance just can’t really make better. But this version is at least better. It plays Maria with more dignity, I think, than making her into a sexy bombshell, even if that bombshell act does get subverted in the original as well. This one feels significantly more sympathetic.

King George

He was great!! He was played by an older actor who seems to have done a lot of serious Shakespearian plays, which of course makes him absolutely perfect – both in that he could flawlessly depict that pompous old privileged Brit, but also in that he probably has a good backing in comedy and political satire :P He was clearly having the time of his life playing to the crowd – throughout all his time on stage he was constantly alternating between doing one or two lines very serious and mostly straight, before doing something absolutely hilarious. That back and forth worked extremely well!

Also I never saw it properly on the recording but when he gets up and dances in the middle of the stage during the Reynolds Pamphlet?? AMAZING.

Obviously, Johnathon Groff is his own personality and is friends with LMM and brings all of that unique stuff to the table that nobody could replicate. But this actor was just as much fun to watch, and does have the added benefit of really looking and sounding the part.

Final Thoughts

I’d really love to hear other people’s thoughts on this run, especially from the perspective of it being an Australian cast/audience – I really hoped the booklet would include at least a piece or two from someone who worked on this run, but it did not. (In fact, it was one of the scantest musical books I’ve seen? I don’t regret buying it as a souvenir of course but usually they have at least one or two interesting pieces of new content aside from just backstage pics…)

What really sticks out to me is the structure of it all. Hamilton is definitely the central character that brings everything together through the first ¾, but around The Room Where it Happens Burr starts to take over bit by bit, allowing him to keep up the energy as Hamilton falls back further and further into becoming both less of a hero but also more quiet and passive. By The Election of 1800, Burr is giving us all the energy – until the end of The World Was Wide Enough, when he too falls back and Eliza takes over.

Given this, this Hamilton did an incredible job throughout most of the performance – he had amazing chemistry with every other character and really exemplified that scrappy, intelligent, driven, but aggressive and difficult character that never quite shined through in LMM’s performance for me. Burr’s more subtle performance complements that well, and he even arguably outdoes Leslie Odom Junior in The Election of 1800. However, after that I think his quieter acting and singing sort of fails to fill the hole Hamilton left behind, reducing the climax a bit of its energy. Thankfully, Eliza was able to bring that all back for her final number.

It also strikes me that this performance is a bit less teary, at least from the men. Eliza, Angelica, and Maria all bring out that vulnerability and the sadness of their positions wonderfully – a great improvement in Maria’s case, for me. However, Burr’s The World Was Wide Enough severely downplays the sincere regret angle, while Hamilton never quite hits the right notes on It’s Quiet Uptown. However, Hurricane and Phillip’s performance in Blow You All Away definitely hit that fear and panic leading to self-destruction. (Interesting I guess that Burr doesn’t also seem more fearful in The World Was Wide Enough?) Is that also a gendered expectations thing, perhaps?

Either way, I’m extremely glad I was able to see it if only for Hamilton’s performance – honestly, maybe the reason it seemed to lose a lil steam was just that Hurricane was so good everything else failed to follow it, haha. Burr also absolutely fascinated me here, too, and that was so much fun to see play out in real time!

Hamilton will be coming to Melbourne next, and I’m not sure yet if I’ll be able to go there but I’d really like to! It’d be really fun to test out these expectations/conclusions of mine with a fresh viewing, as well as see any other new cast changes/interpretations…!

[thoughtsbynyx]

Part 2 of Why I Ship Zutara

(and why Kataang took the short way out)

*this time with pictures* (it’s longer than the previous but worth the read, bare with me)

part 1

GAang Dynamics 

(see Katara and Zuko’s portions I couldn’t figure out a way to incorporate them fluidly)

RoyalTeaLovingKookiness explains the GAang’s dynamic as well 

Katara is (the G)Aang’s Mother/Older Sister Cont. (and character develpment)

In the GAang. Katara “adopts” Aang almost as soon as she bends him out of the ice

She almost always looks after Aang, keeping him on task, helping him learn, being the rational voice they all need to hear sometimes

With Toph she’s less of a mother and more of an older sister that tries to steer their junior in the right direction (they bud heads and have a couple fights, but manage to have fun together and help with what the GAang needs)

She has to unlearn how to be a kid/teen because she learned to be a mom first

She bears a lot of the emotional work and trauma for the GAang, even before Zuko appears in Book 3

In Book 2 & 3 (mainly) she learns that she is allowed to be fun, immature, and selfish with what she needs/desires (which was something she’s been made fun of & had to apologize for)

She realizes and embraces the fact in Book 3 that she can be an individual person that follows what she wants without having to worry or care about what the others thing she should do (this also happens in the NWT, Ba Sing Se, and various places in the Earth Kingdom) (she becomes more assertive in what she needs/wants)

Zuko: the dad the gAang needed

He’s obviously educated (both in & out of banishment)

(Leadership skillz) He’s commanded a ship at 13

Has worked for a living wage at 16 (as seen by Jet, he can (barely) handle customer service)

When he was accepted into the group, he channels the only responsible adult he knows-- Iroh

making tea, reckless outings to help others, thinking ahead of oppnents and obsticles, letting them vent, providing shelter when they needed cover, dad jokes (”leaf me alone!”), and being a human shield

Look at FrostGaurdian’s post for more

Zuko’s Nature

In the Zuko Alone episode we can epsically see that he’s been in the shadow of his younger sister Azula

Throughout Book 1 he threw tantrums left and right

With his obession (read: hyperfixation) on honor, he was stuck in his “failure” against Ozai when he was 13

/\ \/ he relapses into this thinking when he joins Azula in Book 3

He took advantage of Iroh before they separeted, and even then he searched for his approval and validation

The Warped perception of Love and each other

It may not be obvious but Aang has an idea of Katara in is head that is not like her in the SLIGHEST (see Southern Raiders section)

He even points it out in the comics 

Image description: 

*13 and 12 year old Aang and Toph are discussing what it’s like having a crush* 

Aang: “Believe me, Toph, I know what it’s like to have a crush on someone, it can blind--” *Toph is unamused*

Aang: “ Yeesh, Sorry. What i’m trying to say is, sometimes you can like somebody so much that it affects your perception of them.”

Toph: “Kind of like how your perception is affected by your fuddy-duddy traditions”

With Katara in the comics it points out the “right kind of love” but referencing Zuko’s sacrifice in protecting Katara

Image Description: 

*Hakoda talking with Katara about love*

“So you know that the right kind of love-- the kind that’s real, that sacirfices--that kind of love doesn’t blind you. It actually helps you see“

In both instances it shows that Aang is putting Katara in a pedestal and doesn’t see her for who she is because of the crush he has on her.

The Fortuneteller

*Also even though Aunt Wu tells Katara she’s to marry a powerful bender it could’ve been anyone, not just Aang. Zuko, Azula, or Toph (maybe even be single forever and reject it all together because she’s a master bender) were also candidates. She didn’t get any more specific besides powerful bender*

a lot of the information that I gathered is from wednesdaywildheart’s post

This episode shows how Aang’s crush is just a crush, using Meng as an example

Meng points out how both their names rhyme “that rhymes with Meng!”

The Parallels

Like Aang is with Katara, she’s 2 years younger than he is

The “sparkles” show up when they both see their crush and plays the same music

They have tried to flirt the same way with their crush (and were both brushed off when their crush showed disintrest and indifference)

The Differences

Towards the end of the episode, Meng realizes and acknowledges that Aang doesn’t return her feelings and advances. She even tells Aang that she supports his feelings towards Katara

(This doesn’t happen until Book 2) When learning more about the Avatar State, and the Spirit World from Guru Pathik, Aang had to open all 7 chakras, however he couldn’t open the seventh (the Thought Chakra), refusing to let go of is attachment to Katara, blocking himself from the Avaatar State (which bit him in the butt (or back) when he faced Azula) 

(of course this could be because he’s 12, and hasn’t learned the difference between between, lust and Iove, platonic and romantic attraction yet) 

Ember Island Players

Catie-does-things goes in depth with analysis of this episode

You can’t tell me this wasn’t one the most Anti-Kataang, Pro-Zutara, Anti-Zutara, Anti-All three of them episode (besides Fortune Teller and Southern Raiders)

Even though the play is a mockery retailing Books 1 & 2, it does give a possible reason why Katara would choose Zuko instead of Aang, (“the Avatar? He’s like a little brother to me!”) and she even used a similar phrase in Book 1 (“he’s a cute little guy like Momo!”) 

Aang was lowkey OOC here, when it was stated by Actor!Zuko to Actor!Katara “aren’t you the Avatar’s girl?” to which Aang nods, a grim/serious look on his face (because of this he literally confuses canon with fanon, and at the intermission confronts Katara on a statement she never said herself, instead taking to heart what an actress portraying her said)

Literally one of the very few episodes where these two talk about their feelings toward each other (and it ends terribly)

Because Aang is 12 (and frozen for 100 years), he may not (completely) understand romantic and platonic boundries, getting upset at Katara, and not reading her (uncomfortable) body langauge before kissing her

Direct conversation from the episode: 

Aang:“But it's true, isn't it? We kissed at the Invasion, and I thought we were gonna be together. But we're not.” Katara: Aang, “I don't know.” Aang: “Why don’t you know?” Katara: “Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.” Aang: “Well, when is the right time?” Katara: “Aang, I’m sorry, but right now I’m a little confused.”

To be continued in Part 3.....

some of what will be featured:

Southern Raiders (supposed to be here but this is wayyyy long)

Parallels

(Blue Spirit & Painted Lady, All Book Endings, Red & Blue ships, Lightning and Blood Bending, Oma & Shu)

[ledamemangociana]

RANKING HAISUTE (or the ones i’ve seen so far)

not that anyone has asked me, but i’ve literally been so hyperfixated on these shows for MONTHS and although i’ve gotten my bestie into them now, it’s not like i can bombard them with all these deep-ish dives into these things and how much and why i love them, so i thought HEY why not just put it out into the ether coz DAMN i really wanna talk about them.

under the cut for length (HELLA LENGTH) and spoilers.

let me preface this first by saying i havent seen ALL the shows yet. i havent ever watched the first run of Itadaki No Keshiki, and i havent seen any of the new Karasuno cast shows yet, as by the time i had gotten hooked on these shows, the time to watch Strongest Challengers and Battle At The Garbage Dump on DMM.com had passed, and with my limited budget (i havent been able to work properly since literally mid-July last year), it’ll be a while before i can afford their twin pack DVD when it comes out next month. ALTHOUGH i am hoping to be able to download Fly High on DMM.com before the availability runs out in the middle of March, if i’ll actually have enough money for that.

additionally, i rank these from my least favorite to most favorite, but that does not mean that i hate or dislike any of them. in fact, i have little to zero negative things to say about any of these shows. i just happen to love some more than the others, and i think you’ll be able to tell by how long i go on about each show. i’ll TRY to keep things concise but im telling you now, i’ve already tried this once until an accidental button press erased everything i had written, and this will not be short. at all.

i’ll start first with the things i love about Haisute in general:

quite obviously, the projections. before i finally saw Haisute this year, i had only ever seen BNHA, KNY and Kuroshitsuji musicals, and while they have awesome set pieces, i had never seen video projections utilized the way Haisute does, and i think it’s so wonderful and creative, and so technically sound on everyone’s part. like, it has to be so precise with cast performance and blocking and sound and lights...like. dudes. shout-out to the tech staff of Haisute, y’all are amazing.

the acting performances in general. i dont think there’s a bad actor at all in any of these. some stiff-ish performances (Noah Ishikura as Lev, but mostly in SoE, which was his first time acting ever, so understandable), maybe, but even those actors do great when they’re having a pivotal moment, scene or dialogue. it’s hard to pick faves but somehow i do have them, lol - Kenta Suga as Hinata (obviously), Kentaro as Daichi, Hiroki Ino as Suga, Kousuke Asuma as Oikawa, literally ALL THREE BOKUTOS, literally BOTH AKAASHIS, Ami Saito as Yachi, Tatsunari Kimura as Kageyama, and my top two faves, Shori Kondo and Takato Nagata as KuroKen. for obvious reasons (see: my numerous gifsets that i still have so much to add to alkdjf).

the music is WONDERFUL. the varieties across shows, teams and characters while still maintaining the main themes are just so good. it’s easier for them to be highlighted to since there isnt any singing, and so many moments are told through the music rather than the music accompanying the moment imo.

the choreography is gold af. im sad we lose HIDALI after Tokyo Battle, but im sure the rest of the shows still keep that amazing spark. but i juST. HIDALI’s choreography is iconic. i’ll talk abt it a bit more in some of the entries in the list.

OKAY, now on to the rankings.

7. View from the Top (2nd Run) so again, I DONT HATE ANY OF THESE SHOWS. the reason this is at the bottom of my list is mostly because of what it doesnt have through no fault of its own, rather than anything that it does. i personally love watching character growth and evolution, so for the most part, the first story in anything that has multiple follow-ups tend to be my least favorite part, and i come to enjoy them more as a “look how far we’ve come” thing. that being said, i do think this was such an awesome show to kick-off what has become an iconic 2.5D franchise. so much of it feels like the transition from potential to kinetic energy. a little show that could, and then did. i do think i enjoy this more with a nostalgic sort of fondness than i do with a “look how cool this thing is!” feeling, but again, that’s coz i enjoy watching things changing rather than at the start. what definitely stands out to me here is that i came to it this as only my fourth 2.5D franchise, and the ones i’d watched before this were so different in staging and execution, and that really had me hooked. also, this franchise honestly is one of the best casting in any show i’ve ever seen in my life, like wtf, i havent seen a badly cast actor at all, even for the side characters i dont really pay that much attention to otherwise. you cant help but be sucked into the bright light that is Kenta Suga, and Kousuke Asuma has to be the most Oikawa Oikawa to ever Oikawa anything Oikawa. Tatsunari, Ryotaro and Justin absolutely jumped right out of the manga and anime and onto the stage as Kags, Tsukki and Asahi. and GAWD do i love me some Kentaro and Hiroki as DaiSuga. i went in a big fan and simp of Hiroki Ino and Sugawara, so for the first couple of watches, i was heavily focused on Ino!Suga, but by the third rewatch, Ken-chan came around a corner and smacked me in the face with a 2x4 wrapped in barbed wire. when that man smiles, i just get murdered.

6. Start of the Giant i honestly had a hard time picking between this and InK for the bottom spot, not because i hate this (AGAIN, I DONT HATE ANY OF THESE SHOWS), but because of how this show feels to me. ultimately, i picked this one to win over InK because of how much character progression is shown between these two shows. stating the obvious, KAZUMA KAWAHARA. HOO BOY. and big, BIG shout-outs to Kouhei Shiota for portraying Tanaka’s emotional roller-coaster so excellently to stride alongside Ennoshita’s big journey and Kazuma’s powerhouse performance. i also wanna spotlight how much more comfortable Tatsuya Kageyama was in his second go-around as Kags, and how well Keita Tanaka and Naoki Tanaka came in as new(old)!Daichi and new!Suga. it took me a while to get to this show because i was so sad to lose Ken-chan and Hiroki after SoE, and i thought i just would not be able to love DaiSuga the same way. turns out that that’s a good thing, because they do play similar but different DaiSugas to Kentaro and Hiroki. it possibly also helped to know that KT wasn’t entirely new, and to have known of Naoki from BNHA (with Hiroki!), although i hadnt known it was him until i started the show up at last, lol. Kentaro got to play a captain who was warm and very much one of the boys, someone who was growing into the role of a captain of a team that had a very real chance of going farther than it had in a while, while KT got to play a Daichi who, fittingly, was more established as a pillar of the group (and im sure the storytelling of this show helped with that), more of that Dadchi that we know and love. Hiroki got to play a gentle but mischeivous Suga who was all about watching over and taking care of the team, watching and waiting for his turn while understanding that Kags was their best chance, while Naoki got to play a more active, more athletic Suga who was becoming more active the closer the team got to Nationals. their performances stood out not just coz they were new, but because of the theme of this story in particular, about captains and leading, so i thought it was quite a nice way to welcome them into the fold. i also of course enjoyed Johzenji and Wakunan, maybe Johzenji more than Wakunan. i saw someone say they’re a bit like Fukurodani and Nekoma lite, and i can totally see and agree with that. this show also feels a bit like Revival lite, in that it’s got a fun first half and then a more action-packed second match with an emotional gutpunch at the end. but ultimately, this is lower on my list because, through no major fault of its own, it felt like a filler show, considering what was coming after this. it felt a bit like “lets’ get on with this story so we can get on to the last hurrah that everyone is looking forward to.” of all the side teams to have been portrayed in the Engeki story, i feel like i remember johzenji and wakunan less. again, that’s not really anyone’s fault, it’s just where this show was positioned in the timeline and what it was ultimately representing. as a parting thought tho, i just wanna shout-out the new lighting scheme they did for this show, especially coming from SoE where there was a lot of darkness or back-lighting. this show is brighter lit in general than most of the shows that came before it, and idky exactly but i do appreciate that a lot.

5. Winners And Losers objectively, this is probably one of the top 3 shows in all of Haisute’s history. but it’s lower on my list because it is the most taxing to watch and rewatch, not because it’s too slow or anything like that, but because it really just is such a tiring story, and i think that’s deliberate on the part of the writers and directors. this was Karasuno’s first major loss, and it was against an opponent they thought they knew, so of course the lead-up had to be a big deal. it’s also a story that revolves quite a bit around kageyama reaching a turning point and learning a few lessons that would ultimately change him, so the story had to also execute that change happening not just in Kageyama but around him. add to that the fact that this was Tatsunari’s goodbye performance (as well as Shohei’s as Noya, but then he doesn’t really get a big emotional moment here) and it’s just heavy on the emotions all around. the comedic distraction of ShoriTaka as Tetsuko and Kenko was honestly quite welcome, lmao. quick little shout-out to Kousuke Asuma and Allen Kohatsu as IwaOi, since they got to really show off the different sides to both those characters in this, and they just are stellar in general. that bit at the end of one of their flashbacks where Iwa-chan tells Oikawa that he’s not the only one fighting, there’s six people in that team, and Oikawa breaks into laughter as Kousuke strips off the flashback jacket, and Iwa’s like “uuuhhh did i hit you too hard, or?” UGH, i love that bit, that almost creepy laugh from Kousuke and the way he comes out of it to say “suddenly im not so upset” is just SO good. im also so happy to see Hiroki get his due as Suga when he finally gets to step up to the plate - or net, as it were - and basically pinch-hit for Kags. he plays senpai!Suga so sweetly, like you really can’t help but love him coz he’s so caring. i also did not expect to be hit right in the feels with the switch back from him to Kageyama, but that bit where he says “it’s frustrating, but hinata’s expression when he’s hitting my sets is different from when it’s yours” really got me. and then when he had to leave the court, asahi and daichi send a fist bump his way, and he gives just this tiny fist bump wave that’s both tired and disappointed and sad, and it’s juST! it hurts me everytime. and before this gets long, im gonna just spotlight the last 10-15 minutes of the show, right after Karasuno loses. Kenta absolutely nails Hinata’s expression in the manga, that wide-eyed disbelief and shock. and then when Daichi tells him not to apologize because he didn’t miss, when Daichi just walks over and hugs him, good gawd. (sidebar, but i’m so glad i got to see that bit with both Ken-chan here and KT in Strongest Team.) and the way Hinata couldn’t move after thanking the audience, not even after Ukai called him back, so Daichi had to actually go get him? my heart was in PIECES. and then the fuggin dinner scene. LORD ABOVE. like, if you dont love Kenta Suga as Hinata, this is the scene that should convince you you’re wrong.

4. The Strongest Team this is right smack dab in the middle of the list because it’s probably the best staged show of all the seven that i’ve seen, but it also hurts me so much for all the obvious reasons. this is the one i’ve rewatched the least, and everytime i rewatch it, i cry as if it’s the first time im watching it. the whole show absolutely feels like a tribute to the Karasuno cast and all the growth they’ve had and contributed to Haisute over their three years with the show, and the entire thing feels so fond, if that makes any sense. everyone on the team gets a big emotional moment, and it’s so sweet to see them each paid tribute. aside from them, i gotta AGAIN shout-out kousuke as oikawa. i like aoba josai enough, i like oikawa enough as a character, but that moment when kousuke absolutely broke down in the locker room after losing to karasuno broke my heart, even more so knowing that he absolutely felt all that gratitude because he wasnt sure he’d be able to come back to the show coz of his hip injury. i think one little moment that doesnt get as talked about as it should is just after he and Iwaizumi have that short convo of always being each other’s partners even after they’ve moved on to different schools. they do their fist bump, and then Iwa walks away, but Kousuke/Oikawa is still absolutely in tears, and as Iwa walks off, he just kind of reaches out and lets out a pained “Iwa-chan!” that’s just barely audible, and that jUST. GETS ME EVERYTIME. hell, im feeling a little heartstring pull right now just thinking about it. i also wanna shout-out Shiratorizawa because Engeki made me actually care about them. like, okay - i dont hate Shiratorizawa, at all. but watching the anime, despite having an entire season be around them, i just never really latched onto them. i like Ushiwaka enough, and i just...dont like Tendou (sue me). but Engeki Haikyuu has a habit of spotlighting other teams and characters enough to make you actually think about them and care about them, and Shiratorizawa was the biggest example of that for me. their theme is awesome, it’s this big, deep, heavy thing that feels as big and broad as the players look. and i could feel their almost militaristic teamwork when the coach is on them, and it’s so good. speaking of Coach Washijo, shout-out to that flashback scene to his younger days. Kenta looked absolutely risible in the wig and giant eyebrows, but i think it was an important touch to have the person playing Hinata be the person playing younger Washijo, because their inner conflicts are basically the same, and Washijo comes to appreciate Hinata’s efforts because of it, so i thought that was a nice touch. (still dont like Tendou tho, sue me.) i gotta end this entry coz it’s getting long, so im just gonna quickly list my favorite scenes/moments:

Yamaguchi’s pinch serve, and bringing out the spear. Kairi Miura wields that spear like he’s been doing it all his life.

Tsukki’s big “GODDAMMIT I THINK I LOVE VOLLEYBALL NOW” moment. the expression on ryotaro’s face right at the end of that scene, where he’s basically saying “it’s just a club, AND YET!” uuuggggghhhh, please i love it. also, shout-out to when Hinata pointed at him and just said “...nice.” like...that always feels like only half Hinata and Tsukki, and more half-Kenta and his best friend Ryotaro, just like the “Tsukki! that one was worth a 100 points!” line that absolutely gets Ryotaro so that on the live cam he had to turn his head away before he meant to for the next bit.

that moment in the last-ish set of the match where everyone is just DESPERATE to win, so it becomes this frantic rally and volley where everyone just starts to grunt and yell louder and louder, and people are running back and forth and jumping and diving, and it’s just this cacophony of sound and blur of movement that just seems to stretch on and on, until finally Shiratorizawa just yells “SHUT UP! WE’RE STRONGER!” and knocks all of Karasuno down. WHEW. that bit is just. WHEW. i almost always forget to breathe at that point. and then the waterworks get turned on as Ukai tearfully tells them to get back up, because volleyball is a sport where you HAVE to look up. LORDDDDD.

the bit towards the end of the match, after tsukki returns from his injury, where they absolutely acted out Ushiwaka pushing Hinata and Tsukki to the floor and holding their heads down. when i first watched it, i gasped because that is straight out of the anime and manga, and then when the rest of Karasuno came in to pull Ushi off, i just turned into a giant sobbing mess.

the graduation curtain call, obviously, but in particular, the bit that will ALWAYS, WITHOUT FAIL, destroy me is when Kenta says “this show was so tiring and tough sometimes, but when i look back, all i can remember are the good times, the best times.” GODDAMMIT IM TEARING UP BADLY RN JUST THINKING ABOUT THAT BIT.

3. Summer Of Evolution this is where the lines between the rankings get a little bit blurred, because i love these top three equally for the most part, but i had to choose a number two (i absolutely know what my number one is), and when i really think about it, SoE just gets edged out by my number two, but barely. i think what i love the most about this show is that this, more than any of the other shows, really portrays these characters as high school kids. and that’s not just because part of the story is set in the school and it’s actually showing the school sometimes, but coz they’re going through and portraying teenage experiences and emotions. most of the other shows portray the team in matches, so we’re seeing them more as volleyball players than teenagers or students, but we get to finally see that here, and it’s really refreshing. other than that, im gonna try to just list some of my highlights and favorites again coz i dont wanna keep going too long:

im so glad to finally have girls on the show, and not just in a “YAY FEMINISM! GIRL POWER! WHOO!” kind of way. kiyoko has always felt like an inextricable part of the team for me, so it was bittersweet to have such a great Karasuno cast but without a Kiyoko, so i was REALLY happy to finally get her here! and for a first time actor ever, Shizune was so awesome! she absolutely has that gentle strength that Kiyoko has, and the way she’s been written in absolutely does feel like she’s always been there. i do wish she got more to do with the third year boys, but all in all, it’s SO good to have an actual Kiyoko who absolutely looks like she came out of the manga.

im also just so DAMN happy about Yachi and her portrayal here. i think ami saito is so dang perfect, and yachi is such a fun addition that fits right in with the chaotic fun of Karasuno. one thing that i REALLY love, though, is how she gets to just act. before Haisute, my only experience of female characters and actors on a 2.5D stage is with Uraraka (and two or three other female students) in BNHA and Elizabeth in Kuroshitsuji, and those characters are your typical cutesy girls, and their movements and body language are so typically girly, you know what i mean, those softer arms and smaller movements, looser fingers, these little “Kyaa~” things, those things. but Kiyoko, Yachi and Saeko arent like that, so that’s not how they’re portrayed here. Ami as Yachi is just as loud and expressive and active as the Karasuno boys, bar actually playing in a match. also, her chemistry with Kenta is SO GOOD. i dont really ship YachiHina, i think they’re cute friends, but BOY DID THESE TWO MAKE ME RETHINK THAT. ami’s Yachi with Kenta’s Hinata made me think “YOU KNOW WHAT I WOULD LIKE TO SEE THESE TWO GO ON A CHAPERONED DATE.” they’re adorable. a particular fave of mine is when hinata climbs a tree to help a baby bird back into its nest and he asks Yachi if she wants to climb up too, and also after Yachi finishes making the Hinata poster, she jumps onto the back of Hinata’s bike and they ride off-stage together. PLEASE IT’S SO CUTE.

also: SAEKO NEE-SAN PLEASE STEP ON ME.

OH HI FUKURODANI. they are such good chaos boys, i love them. i dont have much to say about them here just yet, but WOW im so glad to have them onstage at last.  

NEKOMA IS BACK THANK GAWD I LOVE NEKOMA. of all the teams portrayed, i think nekoma is the one that feels the most connected together (AHA!). like, even when they have a new character and/or cast member, the new ones never really stand out as new, they feel like they’ve always been there. this play really showcases the teams at their most casual so we dont get to see as much of their excellent teamwork and connection as we do in past and future shows, but you really get a sense of their family dynamic and just GOD I LOVE THEM SO MUCH, and honestly dont get me started on ShoriTaka, i will literally never stop

shout-out to Tatsuya Kageyama, he had big shoes to fill not just in terms of character but also as an actor, since this is his first show ever. much like with KT and Naoki as DaiSuga, it does feel like he plays a similar enough Kageyama without just mimicing Tacchu. this is also the right Kags arc to introduce a new Kageyama actor with as well, since there’s a big change after that loss to Aoba Josai and Oikawa, so i think the writing of the show also absolutely helped Kage-chan ease into his role, and helped the audience ease into this new Kageyama. overall, i think he did an awesome job, and we’re really fortunate to have had two awesome Kageyamas before gen 1/1.5 changed to gen 2.

i also just noticed/realized that the backstage video for SoE starts with the introduction of Kage-chan and Fucchi as new cast members, and ends with the farewell to Ken-chan and Hiroki as graduating members, and i know that’s just natural coz the first time the Karasuno cast met the two new members was at the photoshoot for visuals, but also what a nice little circle of life there.

COMING INTO THE HOMESTRETCH NOW, if you’ve made it this far, thank you SO MUCH, im sorry, i really just have a tendency to ramble, and like i said, i dont really have anyone or an opportunity to talk this deep about these shows to, so thanks so much for your time.

2. Karasuno, Revival! WHEW okay, so idk if this is Unpopular Opinion or controversial coz objectively it is the best show so far, and i’ve put it only at number 2. BUT LISTEN: before i saw Tokyo Battle, this was absolutely my number 1 favorite. the Dateko match is so good and so fun to watch, and honestly, that rap battle gives me so much life im almost immortal now. i LOVE that they also got to show ikejiri (THANK YOU KENTA SUGA) and ken-chan as daichi got his moments because of it, and it gave us “katou tou shinakya, katenai!” as an iconic quote and theme for the show, we got a fantastic moment for Asahi that was paid off from the previous show, also honestly “otchita kyougo, tobenai garasu” is just gonna be stuck in your head forever for a while. we also got Kousuke and Allen’s excellent IwaOi back, bringing with them their “Iwa-chan, are you my mom” dynamic (and gawd the cackle i let out when Iwa yeets a volleyball at Oikawa, or that turn and yell that makes Oikawa yelp as he exits off stage lkasdjf), which is always a plus. but! BUT!! best thING FOR ME???? NEKOMA, BABY!! like im sorry, im biased, but i fuggin LOVE nekoma, kuroo is my favorite character in the entire series, and Haisute really gave them a fantastic story and dynamic, because again, there’s so much you can do on stage that you sometimes cant do in anime or manga, so they were really able to highlight Nekoma’s famous teamwork, especially when centered around Kenma. more on that later, but like. it was just such a JOY to watch Karasuno, still kind of scattered puzzle pieces at this point trying to figure out how to best go together to create one big picture, go up against the smooth teamwork of Nekoma, and learn and grow from it. also they honestly have the best team theme music and team dance, fite me. also thank you Haisute for making KuroDai so painfully real lakdsfj

1. Tokyo Battle okay okaY OKAY OKAY OKAY. i think there are some people who actually like this the least coz it’s just too different from the rest of the shows that came before it - no Karasuno, less projections, different music style, aesthetically different stage, etc. B U T. aside from me just being biased because Nekoma are my favorite team, i actually think many of those differences are what makes this show my favorite one. first of all, the music is LIT AF. the themes for each team are so distinct, they really help play up the animal motifs that are played up the most in this show than in any of the others. secondly, THAT CHOREOGRAPHY THO. good gawd. HIDALI said “it’s our last Haisute, let’s go out with a bang” and they really fuggin did. Fukurodani absolutely is TOKYO PARTY TIME, they got to really play up their party birds schtick and i love it. Nohebi i cannot HELP but love because i love snakes, but also, with Nohebi’s cast, you can tell the choreographers were so happy to finally have an actual technical dancer. they had yuu fukuzawa doing the most and then some in playing up the snake theme, and it’s literally so hypnotic to watch his pops, locks and isolations. he’s also just such an AWESOME daisho, and it helps that nohebi are written to be cunning and sneaky. i also love that he and Kuroo seem to actually have a lot of untold history, and i kind of wish we could get a bit more elaboration on that, coz Yuu’s and Shori’s chemistry as frenemy team captains is SO GOOD. and then of course. NEKOMA, BABY!! so okay. kenma absolutely should be the lead of this show, and he is, BUT he’s also, to a certain extent, inextricable from Kuroo and the rest of the team, so that you dont always get that feeling of Kenma being in the spotlight the same way Hinata is (for understandable reasons since Nekoma arent even really the main characters of the story as a whole), and i think that’s important because, again, Nekoma is all about that teamwork and connection. like, Kenma is the lead because he thinks for Nekoma, and Nekoma acts accordingly, instead of how it is usually where the story is showing Hinata’s perspective alone. it also feels like that in terms of the actors. like, technically Takato is zachou, and he is, but also several times in the curtain call speeches, the cast members refer to or mention both Takato and Shori together. even Takato says that when he had spoken to Kenta about how nervous he was about taking up the zachou mantle from him, Kenta had said “if it’s you and shori, you’ll be fine.” they are a unit, and it really comes across in their portrayals of Kuroo and Kenma as well, and even if you love nothing else about this show, you literally cannot help but love that about them. i think the show does a great job revolving the Nekoma team dynamic around that too without making it the ONLY thing that keeps Nekoma together. the star of the show is absolutely the theme of “connection” (more than the other theme of promises), and if you’ve seen the show and you dont cry at the “Tsunage” section as Nekoma wins the match against Nohebi, then are you really watching the show lmao.

OKAY OKAY I’VE REALLY RAMBLED ON, and if you made it all the way here, THANK YOU AND IM SORRY. but also, there’s still a lot of things i wanna talk about that i didnt talk about here coz im mostly a scatterbrain and live half my life radiating BDE - Bokuto Dumbass Energy. so if you’re also ridiculously obsessed with these shows and wanna talk about it, my inbox is open. someone come hyperfixate with me while i make SO MANY MORE GIFSETS OHMYGOD ALL THE GIFSETS geezas crust when i get to Tokyo Battle i will be insufferable.

[foxgloveinspace]

Andrew Minyard is ADHD:

I said I would only really write this if people were interested, but I lied, lol. WAIT One person liked the og post while I was typing this, so there's interest and it’s justified! Lol.

Ok, I’ve seen other posts talking about this, but some of them used some things that I didn’t agree with, so I’m gonna do my own.

I wanna set the preface of, if you see Andrew as ADHD, awesome! If you don’t, that's great too! In reality, this is all speculation, and self projecting, and my desire for actually good representation of ADHD characters that are not stereotypical, so if you see Andrew as something different, that is completely and totally a-okay.

-ADHD has three types, inattentive (formally known as ADD), hyperactive (previously just ADHD) and combined type. Some people prefer calling it Executive Function Disorder (EFD), because Attention Deficit Hyperactive Disorder describes how it affects people around ADHDers, more than it affects ADHDers. For the sake of this, I’m going to refer to it as ADHD, because it’s more commonly known, and it’s what I call it for myself. I also acknowledge that according to the timeline, Andrew would probably be diagnosed with ADD (if he ever got diagnosed, that is, which I don’t know if he would or not). Please keep all this information in mind.

Things that would be explained if Andrew was ADHD:

Instead of reason’s I think Andrew is adhd in canon, I mostly have thing’s I think could be explained if he was:

-Why he ‘hates’ exy:

This is a big reason in my mind, he is very insistent he doesn’t like exy and I can explain why he actually doesn’t with him being ADHD.

He started playing in juvie, as something to do, it’s a good way to completely clear his mind and concentrate on something that he is actually good at, which is instant gratification, it's something ADHDer’s experience a lot. It’s one of the main reasons ADHDer’s love video games (if your curious there are videos on youtube explaining this. I am ADHD and this is already overwhelming enough for me than trying to explain this as well).

Andrew only tries at exy when he is in the goal, otherwise he couldn’t give less of a fuck about it. He doesn’t care about stats of other teams, or watching other peoples games, it’s only interesting to him when he’s in the goal or when other people make bets/dares with him; “can you shut down the goal?” “pick a number” playing while coming down from his meds for a long period of time, things like that. Making it interesting, keeping himself engaged with it, is a big thing for him. Again, instant gratification. And also an explanation for why outside of the court, when people try to talk to him about the sport, he doesn’t care, he ‘hates’ it. Cause he does. He hates talking about, that doesn’t interest him. It’s boring and not what gives his brain satisfaction within the sport itself.

-Spending habits (TW: Not sure how to tag this tbh, but Andrew being prepared to die? I’ll put it in double parentheses, just incase):

((While I am of the firm belief that the number one reason that Andrew bought the first car is cause he completely wasn't expecting to live through the crash and then had no idea what to do with that amount of money when he wasn't expecting to live)), ADHD would also explain why he buys such expensive stuff. Again, it's instant gratification. It's like trying to tell yourself to wait for something you really want as an award. What's the point when you can have it now? He goes out and buys the most expensive cars he can cause it scratches that itch in his brain.

- Subcategory to spending, Daredevil:

It could also have to do with going fast. Most 'daredevils' are actually ADHDers. Going fast and doing daring things triggers chemicals in our brains, same as hyperfixations and instant gratification. In fact, that could also be a reason for sparing with Renee as well.

-Zoning out:

Ask any ADHDer about maladaptive daydreaming, and dissociating. Andrew has been known in canon to lose himself in thought a lot, and stare out in space for extended periods of time. This is very common with ADHD, and while it’s a small thing, it’s something I think about quite a bit, and so I included it.

-Loud Music:

Another way to drown out your own thoughts is to listen to music, and a lot of ADHDers like loud music. Andrew likes loud music while driving fast. This is very ADHD to me.

-His major:

I think this is something else that can be explained with ADHD, as a hyperfixation. Its not something he wants to do with his life, but it's something his brain lets him concentrate on, and therefore, something to do with his time in college, something he doesn't necessarily want to do, and is doing it out of necessity.

-His memory:

Something about adhd is that it is almost always paired with a different thing. Autism and dyslexia are the two most common. So his perfect memory would be something else neurodivergent that could be paired with his ADHD.

-Attachment issues/RSD:

Andrew keeps everyone at arm's length, and while this can be a part of his past, it can also be combined with RSD, or Rejection Sensitive Dysphoria. Which can mean any sort of negative attitude towards you can send you into a spiral. So Aaron not being understanding of their deal/promise and pushing him away would be devastating to him on a whole other level, one that feels right for how he acts in canon. But on the other hand he can't let go of Aaron because he is already attached to him. 

Again with Nickey, he's someone that's been in his life for so long it would be devastating for him to just up and leave, especially to an eighteen year old. He would never tell him this, because of RSD, and if Nickey decided to leave despite that, it would have been very devastating to him and Nickey would have never been allowed back into his life, so that would be the number one reason for Andrew to get Nickey into college with him.

ADHDers are also very quick to get attached to people, something we see with Andrew is that once he has decided someone is 'his' he is unshakable in his loyalty.

I hate going into it, but that would be another reason for how he is with Cass, why he is so desperate to stay, despite what is happening in the back ground.

-Emotions:

I know Andrew has reasons for being emotionally distant, but when he feels emotions in canon, anger, he is quick to it, and feels it fully to the point he can't control it. It's very common in ADHD to have no control over how you react to your emotions unless you spend a lot of time doing it, like Andrew has.

-Long Weird Conversations:

The way he talks to Renee, and then Neil, where they jump around from subject to subject, with no discernable connection to the subjects. Like, that's stereotypical ADHD, but one that actually ADHDers relate to. 

-Sensory things:

Things in canon that Andrew does/likes that scream sensory issues or stimming:

-Stimming:

Likes extreme foods (sweet and spicy things).

Has comfort objects (arm bands, while I know they were to hide his scars, I feel like the fact that they don't bug him even in extreme weather is a major factor in them being a weighted stim for him).

Smoking (I don't know how to describe how this is a stim for Andrew, but it is?).

-Sensory Issues (I know most of these have canon reasons, but I wanna say they could be heightened by ADHD, so keep that in mind):

Not eating around other people/eating in small bites. (Hating food textures is a common thing for ADHDer’s).

Being a light sleeper/taking forever to fall asleep. (Brain won't shut off/be quiet).

Wanting a routine but simultaneously hating it. (His love/hate relationship with exy. He never complains about getting up for practice, that Neil mentions, but is constantly hating how repetitive it is. Going to Eden's almost every Friday, where it's the same place but different every time without being too different.)

That's all that I can think of right now. I tried to not mention anything that happened while Andrew was on medication, so the whole 'keep my attention' doesn't really count in my opinion.

Thank you for reading, and maybe I might come back to this and add more someday, but for now it's finished.

In conclusion: Andrew being ADHD makes a lot of sense within canon.

[katierosefun]

so after one really big latte, a muffin, a run which resulted in a near accident with an oncoming car, and a shower in which i contemplated my own mortality, here’s my thoughts on the adorable me & au podcast, because babe wake up new hyperfixation dropped. very spoiler-y, i’m sorry in advance for how f*cking long this is, this might only have like two people reading this but i have many thoughts please listen to this podcast because it’s so cute and i listened to it all in about 2.5 hours? 

- firstly: the main character is super relatable. like, scary relatable. meet kate “acunningplan” cunningham, a gal about to enter her senior year of college and just kinda,,,lost. she works as a barista and very confused, very...stuck gal by day, fic writer (and still very stuck gal) by.........not barista hours. 

- honestly, i love kate. idk i’m about to enter my senior year of college, and bro i related so hard to her fears of “bro i can’t even think about next week without feeling overwhelmed”. she misses her best friend whitney a lot, who is currently on the other side of the country for an impressive internship. so that can be kinda lonely. 

- but fear not, kate has an escape, like so many other fic writers/fandom people: fanfic. this whole story references tumblr without actually naming tumblr (let’s be real....it’s tumblr, from the “notes” to “this stupid app keeps crashing”), and kate follows this tv show about werewolves and supernatural creatures. very gay. only problem is that there’s not a whole ton of people active in the fandom, since this show is relatively new. 

- however, in this small fandom, kate meets ella: otherwise known as “hella-enchanted”, who is another fic writer. 

- kate is very obsessed with the idea of alternate universes, and for that alone, i love her.

- okay, so even if you’ve never fallen in love with a person online/in fandom circles, i just wanna say that ella and kate’s interactions are still so super relatable. the shooting messages, the starting random conversations and getting a little thrill when you see someone liking your personal post or whatever. it’s very wholesome. 

- also, at the end of episode 1, kate goes on about how “yeah, fanfic is kinda odd, but it led me...to you” and it was so soft and gentle you just know your heart is gonna melt huh 

- at one point, kate decides to be vulnerable via vent post about something that came up on the show (and oh god yeah i feel...things. kate relates very hard to one character in the tv show she’s following, and tbh,,,yeah. i can’t quite word it right now, but i think anyone who feels kinda.....stuck? would relate.) 

- the “EXACTLY ONE PERSON ASKED FOR THIS ESSAY SO HERE IT IS” please

- also oh :’)))) kate talks about ella’s playlists and when i tell you i squeaked a little bit because oh hey--

- anyways lol yes can you relate to like,,,posting a vent post and forgetting to delete it and being mildly horrified (but also mildly touched) when someone actually responds?

- ella’s very sweet, just responds with “seems like one of my favorite fandom people needed a pick-me-up” and :’))) i would die for ella! (i mean, i would die for all the characters) 

- okay yes also all the bits where ella and kate scream at each other about fic. very relatable, very real, you can tell that the writers of this podcast really knew this feeling, and i just :’)))

- THE TWO DEBATE OVER TITLES,,,,,kate keeps sending in crack-y titles and also song lyrics, and ella comments on “well,,,i just read this whole wikipedia page, so i think i’ve lost the high ground”, so if y’all KNOW i started laughing at that 

- also LMAOOOO the moment when conversation diverts from fic and fandom to slightly more personal things! kate being like “oh,,,,,you have an actual job! like,,,you’re an actual adult and.....how’s that?” and then quickly rambling on via message “actually let me change the topic because that’s probably too personal”...

- okay so there’s this bit where ella drops the fact that she’s never read anne of green gables because “listen,,,,you have an ex-girlfriend who sang the anne of green gables musical all the time--” and kate’s “.......ex-girlfriend? you had an ex-girlfriend? girl--” (and BACKSPACING ALL OF THAT because “god i’m such a freak”) 

- much gay disaster

- so much gay disaster

- opportunity for kate and ella to meet irl comes up! at a fan convention! in toronto! (and kate lives in bc). kate’s best friend (remember, internship one?) invited kate over to toronto for this thing anyways, and then ella posts something about “heeeey i’m gonna be in the area so if anyone wants to meet up for the fan convention...” 

- let me just say......kate chucking her phone across the room because she freaked out about that. again. very cool, very nicely done, very relatable, etc. 

- ALSO,,,,i forget if this was one of kate or ella’s fics or if it was the actual tv show, but there’s this tidbit where the characters in the literal fandom has this conversation: 

“don’t waste your time.” 

“what?” 

“don’t waste your time on me.” 

and the way that reflects kate’s feelings-but-she’s-not-trying-to-think-about-it for ella please let me just die here

- okay, so kate does decide to message ella about the meet-up, and let me just tell you, kate’s inner monologue about the worst possibilities for ella’s responses: 

“1. no response. which is terrible. 

2. you find out you’re not wanted after all. :(((((

3. the most terrifying response of all.......” (an enthusiastic “yes i’m so glad we can meet up!!!”) 

- well, of course ella responds with #3. 

- gay disaster kate not knowing how to acknowledge her feelings for ella...she goes on this “you don’t wanna come across as....y’know because if they suspect that....y’know.....and like, i don’t....y’know--” oh my god kate 

- anyways, kate works at a coffeeshop, right? and her co-worker stewart (nonbinary pansexual co-worker! we love to see the rep!!) being like “oh yeah maybe you can bring over your friend!” and kate panicking because “ohhhhh i’m not too sure about that,,,,she’s,,,,,,,,,busy......” (ie. the awkward moment of having to explain that,,,,,,your online friend isn’t exactly someone you’ve met in real life,,,,,,,,and not sure exactly how to explain that so you just,,,,,,“ohhhh uhhh......y’know...............it’s really hard to.......get her out of.....work.....” 

- kate and ella video-chatting for the first time is very cute, very gay. very gay. 

- they swap “how’d you know you were gay / liked girls” stories :’))) 

- “that’s a cute story!” “you’re a cute story” [awkward silence] “please let me hide under the desk now” (have i mentioned that kate’s  a disaster? i love her, but you’re a disaster. we need to be best friends.)

- kate.....describing herself as “irl fanfic disaster waiting to happen” and the whole “i didn’t know we were actually dating until she asked if she could kiss me” lmaoooooooooo (but okay yes this is also a mood? like,,,,,,idk something about heteronormative standards so like,,,,,it’s so stupidly hard to figure out if a girl is flirting with you or if they’re just being nice i am glad kate’s such a disaster) 

- in other news: kate’s “how tf do i write a kiss scene i don’t like the word lips ughhhhHHHHH” (yeah, mood kate) 

- lmao stewart (kate’s co-worker!) just chilling with kate and being like “oh yeah i figured you had a girlfriend? the one you’re talking about? ella?” and kate blanking because “wait you thought ella was my girlfriend? she’s not....uhhh....” and then later drinking with stewart and rambling about ella and panicking because “what if she realizes i can’t talk about anything except this tv show what if she thinks i laugh too loud what if i have horrific body odor what if she realizes i have NOTHING to say what if our meeting goes SO terribly that i need to deactivate and change my name just so i could like her posts at 3 am” and then her small “please forget i said any of that” 

- oh kate :(((( 

- kate :((((((

- k a t e :(((((((((((((((((((

- anyways, kate does go to toronto. 

- meets ella. 

- very cute. 

- ella...........very gay. they go into a coffeeshop and kate doesn’t know what to do. 

- okay but what’s hilarious is that ella,,,,,seems so cool and suave and i too would be kind of intimidated by her but then these two idiots really talk about writing kissing scenes and the build-up and ella’s voice gets all,,,,,,suggestive and there’s this.....awkward gay silence between the two oh my GOD they’re both IDIOTS 

- also okay yes kate and whitney, a irl friend, having a heart-to-heart. good. we love that. also, whitney being like “I MISSED YOU!!! YOU IDIOT!!!! and i’m glad you have a new friend, and you’re happy, but I MISSED YOU!!! I HATE THIS CITY AND I DON’T KNOW WHAT I’M DOING!!!” (whitney is also very relatable. ily whitney.) 

- they’re so cute. they hug, and it’s sweet :’)) also, then kate says in a stupidly small voice “i think i’m....kinda in love with [ella]?” and whitney being best supportive friend-- 

- OKAY so we finally get an episode of ella’s perspective 

- listen, you’re gonna think ella’s this cool, suave person who has all her own gayness put together (i mean, she kinda knew since she was 9 or 10 years old? she’s had a girlfriend? she seems like she has her life together? she’s waiting to get into grad school? she has a job? she just seems....cool and knows what she’s doing). 

- but then you realize. ella is just as much a pining mess. (her bullet point list/schedule in her head is so relatable. as someone who uses her notes and reminders app religiously, that was just :’))) 

- ella: reasons why this is not a date. and then....kate sends a message. (ella: reason why this....might be a date....kate keeps saying stuff like...that.) 

- kate rehearsing how to tell ella that she maybe kinda likes her? very cute. (”you know the feeling in your chest when....uh, you know when you feel like you have a frog in your stomach--oh god not the frog NOT the frog”) 

- the love confession is very cute, and also very relatable. “i like you a lot” “i like you too!” “no i mean,,,,like i like you. wait. which like do you mean? wait that’s not english. uh. what did you say?” 

- kate’s “I HAD A WHOLE DRAMATIC FANFIC CONFESSION PLANNED OUT” 

- kate and ella just spilling everything made me :’))) 

- “i like how your brain works” “i made so many posts hoping that you would just talk to me” “you always make me laugh” “you just make me feel...better” “you make me smile” 

- “this whole summer you’ve been making me smile and i guess it kind of freaked me out? ...i don’t know where my life is going but if i have a choice, i want to go in any direction you’re going because you are cute and smart and amazing and i like you a lot, ella. like that. so yeah. that’s what i was thinking i’d say.” 

- i essentially explaine dthe whole plot but 

- i love this podcast a lot

- it was very sweet

- and very cute

- very wlw 

- i don’t even mind that i almost got hit by a car while i was running and listening to this it was worth it 

- idk. just like. anyone who’s ever read or written fic or just like...not necessarily fallen in love with another person? but at least relating to that feeling of “oh god i am not qualified to talk to this person” and “oh god what if they realize i’m actually,,,,a loser” and “oh god wait how to friend” can probably hit a lot of people

- but that said. the romance was very cute, very sweet, makes me :’))) 

- okay i’ll stop talking now but i just. it’s very cute, very relatable, i wish we had a season 2 but i think it’s a limited series. (but they’re living rent free in my head! forever!)

[lieblxng]

im developing a lot of aus including the reverse au which is currently only available for rose, but leon also has it developed, i just forgot to put it in the verses page for him haha but wow im developing a reverse verse for a chara i dont have??? i might as well throw damos on the blog and be the only person in the pkmn rpc who plays him LMAO i cant help falling for obscure characters but i think he might have a better chance in getting interactions than my etrian odyssey muses but no if anyone wants to do damos,,,,you can hmu 😳😳 i cant reply it or see it if you do tho LMAOO

anyway reverse!damos here who goes by lazarus (meaning: my god has aided me) is not a nice farmer unlike his normal verse, instead being akin to a mercenary, but he kinda fills in the role of marcus - he has the ability to manipulate the hearts of pokemon, even legendaries and because of this, he’s been fiddling with legendaries and experimenting with things to try something out - and while reverse!arceus has been severely weakened from an intense fight or a meteorite too (im still figuring it out) and lost its life plates, lazarus finds it. it’s on the brink of dying, and instead of returning the plates like a nice person, lazarus only thinks of profit and benefitting himself - because it’s so vulnerable, it manipulates reverse!phae into summoning the lake guardians, where it promptly fights them and steals their gems before kicking them into the dirt. then he uses said gems to restraint and fully take control of reverse!phae before inserting the plates back into it, saying it will only get them back if it corporates. yes, lazarus literally pulls a cyrus being the first one to actually create a draft of the red chains to have arceus under its command. one of cyrus’ pc posts is “According to myths, the Pokémon created Sinnoh with its power. However, capturing the Pokémon with a Poké Ball prevents it from using its full power... But with the Red Chain, the Pokémon can be shackled, and its power can be used without restraint...” and he’s implying arceus with the first mention of pokemon, so maybe the red chains can be used on god??? i dont see why not, although the lake guardian was made more to check the creation trio than god itself, but why wouldn’t you have checks against god? “The Pokémon of the lakes and Mt. Coronet are somehow connected. Capturing the Pokémon of the lakes will free the Pokémon of Mt. Coronet. From the Pokémon of the lakes, crystals can be extracted to create a Red Chain.” i know he implies the creation trio with pkmn of mt. coronet but technically arceus lives in mt. coronet as the hall of origins can be summoned there LEMME HAVE THIS - 

originally i was going to have reverse!arceus be a completely neutral god, both in personality and how it handled things - just create life, casually, and just head out and do nothing for them - “the humans can handle their planet however they wish to. if they destroy it, they destroy it.” and i was trying to redesign it and it kept coming up as punk (more below because this is a long ass post)

so i was like, aight i guess i’ll go with what my heart wants but something still didnt feel right, because punk is an expression more than just a simple fashion statement - it was created to rebel against those who tried to hold you down and mold you into who they wanted you to be. to defy the shitty standards of what’s supposedly normal. and then it all clicked when i looked at this vid 

ive heard the music itself and one of my favs, but not the music video so i kinda just exploded with ideas and it really completed the punk i wanted to go with - funny thing, im a bad character designer so i scrapped the punk look and pulled a unique thing with phae’s case - legendaries and mythics are statements of unchanging, fixated ways while normal, evolvable pokemon are statements of improvement and change - growth, which is something phae is completely jealous of. gods don’t evolve; they don’t change. so i thought, why not keep its original look (i love it too much anyway and i cant think of anything better tbh for phae) to reflect that aspect but have the way it governs and behaves different? normal!phae and reverse!phae are still similar but opposite - normal being the kind, caring god and reverse being the relentless, uncaring god. both are the two most popular aspects and themes of gods and how they treat those beneath them, so i thought it worked.

reverse!phae never wanted to be a god. it’s immature and uncaring on purpose to get the attention of the creator of the original one itself; to be a sign of rebel, to show that it was its own character and no one can morph it into what they want it to be. it revels in its creations screaming in pain, as nothing else entertains it so and because it empathizes with them. it sends the world into pure chaos a majority of time so no one enjoys living. seeing its creations, both human and pokemon, excel in the trials and tribulations of this hell; seeing them perform so expertly under extreme stress, how humans and pokemon can come together and defeat anythin - and rebelling in their own right and way give reverse!phae so much hope and relief. that it’ll be able to do the same. and once reverse!phae does get its creators attention, you bet it’s gonna be very angry on why it exists. it might even try to murk its creator. it’s more of a “i didn’t ask to be born so i’m gonna make it your problem” type of person, and a god prone to violence - often fighting with its own creations, like even the lake trio and the creation trio. but it checks them all every time, and it’s so hungry for an actual fight that reverse!phae can actually work for and struggle for and feel like it actually won. and that’s when lazarus comes in. that’s where lazarus comes in.

how much it hates lazarus. how much it hates lazarus. it hates everyone, but lazarus has a special kind of hatred reserved just for him. in fact, hatred isn’t the proper word to explain the intense, raw, unfiltered feelings reverse!phae has for him. on one hand, it absolutely respects the honest work he puts in to further himself, but on the other hand, being the one on the receiving end of his malicious intentions is never ideal. it has no interest in whatever petty crimes he wants to commit, but trying to take god and become it yourself? completely admirable. a fantastic way to rebel, but having to have someone chain you down and control you? reverse!phae’s worst nightmare. i’ll get into that later since this is already long enough god help me

is reverse!phae messed up? yes, severely. that’s kinda what happens when you rot alone in the depths of dark space for eons. no human nor pokemon - no, no living being can ever handle that. both normal! and reverse!phae have the same backstory, but different reactions to it. reverse!phae wants everyone to scream and lash out, it wants everyone to rebel against their origins and become their own people, even with the immense baggage on their shoulders. it wants everyone to risk death to accomplish their dreams. it laughs in everyone's faces before spitting in them. i think reverse!phae will be one of my most violent takes on a muse, if not, my most since it is god and the shit it talks can easily be proven right. it constantly berates and breaks people down into pieces. no one understands it. it hates everyone and everything it sees. it doesn’t need love and kindness, it just needs a body to break. which is untrue, because obviously its yearning for love and kindness - something its never experienced - and it’s lashing out for attention. secretly hoping someone will just hug it and all its problems away. that everything will be okay in the grand scheme of things. that it won’t have to have the unlimited stress of being a god anymore.

usually when i put my touch on muses, canon or not, they’re primarily good people with hearts of gold. even with ones less so, they’re not as intense as this. so working with that kind of character is thrilling and i’m excited to see if i can get anyone interested with it lmao- reverse!phae’s name might be nou or chali, what would be better? sorry this was such a long post!! i’ve been working on this since last night and it’s been really fun to develop like this again - i only get this kind of productive with my hyperfixations, so they’re both a blessing and a curse -  i think this is everything i have rn for the reverse au but ii’ll be going back into it