#much play fighting. Very good :')

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[gingermintpepper]

I continue to be in the foulest of moods so here are some Zeus + Apollo headcanons because they make me happy :)

(Important note: this is largely specific to my original work and is not me making inferences from mythical or historical texts)

Zeus and Apollo spar. Like a lot. Like a lot. A big reason why Apollo gets so good at boxing is because he usually sparred with his father as a young god and getting hit with one of Zeus' punches is!! Not advisable. He focused on becoming fleet-footed to combat Zeus' more solid fighting style which was definitely helped by his dancing. Conversely, Hermes would later develop wrestling partially as a response to Apollo's annoying fleet-footedness in combat.

Zeus decides to tie his mind to Apollo's when the strain of Apollo's visions become too intense for him to handle alone. When Apollo first returns from his exile after slaying Python, his visions are so severe that he suffered from 'time-blindness' where he could only percieve the future and was completely unable to see the present. Zeus shoulders some of that strain until Apollo becomes strong enough to handle prophecy on his own - though Zeus is careful not to give Apollo absolute prophecy lest he get overwhelmed again.

Despite their closeness, or maybe because of it, Zeus and Apollo argue quite a lot. Usually it's banal things like administrative work or squabbling over which of them should get the larger portion of a hecatomb, but they do argue about how prophecies should be carried out quite frequently too. There's a general agreement for Zeus not to bring up Apollo's children after how messy Aristaeus' anointing was (and how angry Apollo was at Zeus' disagreement with his decision to make his firstborn son a god) but the odd occasion where it cannot be avoided is usually when they have their most grave spats.

One of Zeus' greatest regrets is his relationship with Ares, partially because Ares grows up seeing him dote and teach Apollo with his full attention. There is... a lot of himself that he sees in Ares. A lot of Kronos too and the part of Zeus that is a warrior before he is a king has done his best to keep the boy at arms length entirely because of that familiarity with the face staring back at him. It's another of the things he and Apollo have argued ceaselessly about. Naturally, Apollo has attempted to bridge that gap many times and while Ares is still quite close with Artemis, when it comes to Apollo, he is particularly sensitive.

Zeus is the one that ultimately decided that Apollo should never marry. Due to Apollo's love-curse and his already concerning tendency to be overly attached and committed to his mortal affairs and offspring, Zeus decided that marriage would be doom to Apollo's spirit and proclaimed him unfit for the ceremony and its status. Instead of the expected argument, everyone was quite surprised when Apollo merely bowed his head and accepted such an outrageous decision.

[somegrumpynerd]

Good heavens, look at the time! (Points to a clock where every hour is replaced with "gooptales")

@topazshadowwolf's boys will be the death of me please read it it's so good

[caluupin]

Finished TGAAC around 2 1/2 weeks ago but only finished the doodles today. but still, here ya go!

[ghcstcd]

Big teethies for Aethie!

[prettycoolducks]

just finished playing portal revolution. I like evil science lady and her rabid vacuum cleaner

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[brick-van-dyke]

If there's one thing I've respectively noticed from Zionists and defenders of Israeli war crimes, it's that every source, argument and potential avenue to explore each explanation is riddled with cherry picking, moving the goalposts and mental gymnastics to explain why their conclusions, which typically are barely even related to the sources they use, somehow overshadow literal reality and what we see with our own eyes.

While scrolling, one example I came across was the repetitive misrepresentation of BLM, antifa and quotes from Martin Luther King Jr, as well as statistics, scholarly journal articles and government website information. These are all good sources, yet every single time they're mangled completely until the only possible "interpretation" of any of them is "well Israel is right to defend itself after shorting rockets beforehand because the retaliation was brutal and all Arabs are bad by default therefore". As if any of these sources are even about individual exceptions of Israel versus hatred towards Arabs.

I think what I find most absurd, as someone in the middle of their own studies, is how every bit of critical thinking and logic goes out the window as they do every single thing possible to do what professors worldwide say NOT to do when evaluating sources. It's like watching a race to see who can tangle and misconstrue scientific information to fit their world view the fastest. Then said people say "um actually I studied at university before so it's actually not wrong that I'm doing this exact this everyone is warned not to do because I have a permit". Ignorance I can forgive, but willful and arrogant manipulation? That's another thing entirely.

[bhaalble]

I like Shadowheart but I legitimately do not know where the narrative emerges from that Lae'zel is the aggressor because in every single playthrough I've done Shadowheart talks about her like three times more and usually unprompted. Lae'zel's RUDE sure but the worst thing she does to Shadowheart is tell us not to save her in the middle of a burning crashing mind flayer ship (while doing nothing to stop us if we decide to do it). Shadowheart comes out the gate suspicious of Lae'zel and is incredibly hostile and mistrustful of her not because of anything she's actually done. Shadowheart has actually done something to Lae'zel's people and she knows it but when confronted about that immediately jumps to "well it was probably stolen plunder anyways 😒😒😒" ITS NOT. ITS CARVED WITH GITH RUNES AND HAS BEEN WITH THEM FOR GENERATIONS. AND ALSO THAT WOULDNT MAKE IT YOURS.

The weirdest the game gets about this is that fight where Lae'zel challenges her to a duel and Shadowheart instead sneaks up on her in the middle of the night and holds a knife to her throat! And then starts!!! lecturing LAE'ZEL about how they need not be enemies and they could instead direct that hostility at others! This is seconds after "If the others ask, I'll say you were turning. Don't expect to be mourned" btw

To be clear this too is yuri but girl you have problems! Conditions even!

[fauvester]

time honored garak-bashir tradition of dangerous holosuite romps

[samarecharm]

Endlessly tickled by the idea of Akira being a good shot but a shit gamer. I like to think its cause hes got incredible hand eye coordination and super steady ‘surgeon’ hands; hes very good with precise movements, but panics when he has to do brain melting inputs. His brain can keep up but its hard to make his hands follow suit. Its why u can have him be dogshit at arcade cabinets; panicking with the little joystick and button mashing like mad, while having him be a beast at things like darts and billiards.

The only arcade games he can play is house of the dead-esque shooting games (hes literally at the top of the leaderboards for MILES and he draws crowds whenever he plays) and DDR cabinets (hes just very light on his feet)(NOT to be confused with stepmania; he would die if he had to do arrow inputs with his HAND). Its kinda fun to watch him fumble with the other silly gimmick cabinets, but its more entertaining to watch him do what hes good at. If u take him to play darts, and if the darts are super cheap, he will absolutely try his best to split them down the middle each time. Doesnt always work, but its insane to know that he lands the bullseye literally 100% of the time.

[longagoitwastuesday]

Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something

[trickerys-domain]

I was tagged by @contrivedcoincidences6 to make my OCs this picrew!! Thank you for tagging me, I finally got it done lol!!!

Iseya Tabris: A headstrong and compassionate duelist/assassin rogue. Blunt, and sometimes vengeful, to those who show corruption, incompetence, or cross her; but endlessly kind to those in need. Absolutely did not want to get married, but always wore Nelaros's ring to honor his sacrifice and as a reminder (yes, I did full ass sacrifice a whole item spot for this in game the whole game). Iseya thought she would always sacrifice anything for her family and people, including her found family and her lover Alistair. She was prepared to die to stop the blight, and would have if not for Morrigan's offer.

*Hilariously I named my Warden years prior to the release of The Last Flight novel, but it really added a great element to her character.

Marian Hawke: A two-handy Reaver Purple Hawke who loves her family especially her sister. Even Gamlen grows on her after the death of her monther as she finally is worn down enough to see him better. Marian starts off as a confident sassy jokster who tries her best to make a new life, but as the years go on and she loses and lose and loses, her jokes become a coping mechanism. A mean streak also appears. By the end she's so tired and depressed that she doesn't even notice Anders pulling away from her. She spares and stands by him anyway because she needs this one thing to stay in her life.

*I just really like the default Hawke Names, I think they fit Hawke really well.

Shiren'ne Lavellen: A compassionate, kind, yet firm and decisive person, Shiren'ne prepared her whole life to become a worthy Keeper for her clan. Yet after she ends up with a new calling she takes it with stride, understanding her role in the world is now beyond just her people, but she always rebuffs being sent by Andraste and stands by her gods. Shiren'ne's favourite thing about the Inquisition was getting to know everyone and learn so much about other cultures and customs, and was always happy to share and demonstrate her Dalish culture (within reason). And although she had been so ready to be Keeper and she is Dalish to her core, after everything she knew she could never return and instead found a new quiet life with Cullen. Shiren'ne prefers slower ritual and practical magics and leans towards old nature and healing (I wish spirit healer had been a subclass), but is eager to learn about the fade, spirits, and the journey of ones soul after death, showing this by choosing vallaslin for Falon'Din.

*Took some research, but her name essentially means Voice of the Journey. She chose the name herself for her Valleslin ceremony as part of accepting and stepping into her role as First.

No pressure tag to @wolfwhisperertf, @the-nameless-nerd, and anyone else who wants to ❤️

[incandescentflower]

ok yes I do now have a hou minghao problem

[pushing500]

I didn't know that the anxiety trait gave colonists panic attacks. Aw, poor Vu. At least Candlelight was there to help calm her down.

Irwin wants everyone in the colony to have a good time, which is all good and well, except that the food we're binging on is only edible by about three colonists. Everyone else is gonna be living off tea and coffee for two days.

We all headed down to the riverside for the feast, which was very eventful and lovely (well, lovely for some people- Candlelight couldn't walk for a few days, but that's what she gets for getting into a fight with someone who is actually capable of melee combat).

Why does nobody want to take the only colonist I actively dislike?? I don't want to deliberately accidentally get him killed, but it's getting to the point where I think it might be my only option...

First | Next | Previous