#most of the truth to power stuff hurts my brain honestly
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astraldrake · 2 years ago
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I was rereading "Truth To Power" and I remembered your post about OXA / the Device / the Deep. In the "YOU MUST" entry, Medusa (possibly Savathûn) says, "YOU MUST CAST ALL THE LIFE YOU CHERISH INTO A BLACK HOLE." Do you think the "black hole" is related to the triangle portal and/or the Deep?
it's an interesting theory, but no, the black holes repeatedly referenced in truth to power aren't metaphorical, they're referring to actual black holes. with regards to truth to power, Ikora talks about it more in this Record during a conversation with Arach Jalaal. (it's way down near the bottom so you have to scroll a bit.) this conversation is essentially the answer (or rather answers) to the questions of, "what the hell is truth to power?" as well as, "why the hell is truth to power?" In addition it also asks new, more wild questions such as "Did Ikora just almost realize she was a fictional character?" and " Is Savathûn going to try and resurrect herself using the playerbase somehow?" (realistically the answer to that second one is obviously no but like, it's funny to think about)
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thefairyhills · 1 year ago
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✧・゚: *✧・゚* A COLLECTION OF QUOTES THAT LIVE IN MY HEAD RENT-FREE.
as the title says, this is a list of quotes from books, movies, song lyrics, videogames, pinterest posts and anything else that has been stuck in my brain forever, for one reason or another. a part 2 may or may not follow. adapt any gendered terms as needed!
❝ to love is to destroy, and to be loved is to be the one destroyed. ❞
❝ there are no men like me. only me. ❞
❝ the heart is an arrow. it demands aim to land true. ❞
❝ give me back my girlhood, it was mine first. ❞
❝ stories connect us to our past. they shape a people in profound ways. without them, we are lost. ❞
❝ everyone loves strength, but do you love me for my weakness? ❞
❝ i wish that i could say i am a light that never goes out, but i flicker from time to time. ❞
❝ just between us, did the love affair maim you too? ❞
❝ when the world owed you nothing, you demanded something of it anyway. ❞
❝ death doesn't discriminate between the sinners and the saints. ❞
❝ when they shattered our spirit, we became sharpest at the break. ❞
❝ she didn't want to be loved for her petals, she wanted to be loved for her thorns. she knew if someone loved her flaws, they would love her whole. ❞
❝ to love someone is firstly to confess: i'm prepared to be devastated by you. ❞
❝ love speaks in flowers. truth requires thorns. ❞
❝ because saving the people you love isn't stupid. it isn't even a choice. ❞
❝ don't go where i can't follow. ❞
❝ whatever our souls are made of, his and mine are the same. ❞
❝ it takes grace to remain kind in cruel situations. ❞
❝ there's some good in this world, and it's worth fighting for. ❞
❝ the water hears and understands. the ice does not forgive. ❞
❝ i am my scars. ❞
❝ that's the thing about pain. it demands to be felt. ❞
it's not your fault i ruin everything. and it's not your fault i can't be what you need. ❞
❝ i'm not interested in being polite or heterosexual. ❞
❝ the flower that blooms in adversity is the most rare and beautiful of all. ❞
❝ you were the one who wanted to win. and i just wanted a sister. ❞
❝ you know how scared i am of elevators. never trust it if it rises fast, it can't last. ❞
❝ i am not ruined. i am ruination. ❞
❝ all my flowers grew back as thorns. ❞
❝ if i can't have love i want power. ❞
❝ i came out to attack people, and i'm honestly having such a good time right now. ❞
❝ anger was better than tears, better than grief, better than guilt. ❞
❝ i'm meaner than my demons. ❞
❝ i love her, and that's the beginning and end of everything. ❞
❝ you are haunted, like every other holy thing. ❞
❝ my skin has turned to porcelain, to ivory, to steel. ❞
❝ innocence died screaming, honey, ask me i should know. ❞
❝ what is infinite? the universe and the greed of men. ❞
❝ i could never hold a perfect thing and not demolish it. ❞
❝ how could somebody ever love me? ❞
❝ you don't get to destroy someone and decide how ruined they're allowed to feel. ❞
❝ i am afraid of you. in loving me, you hold a knife at my throat. in loving you, i tell you exactly where to cut. ❞
❝ because i take things away from stupid, evil old men. it's what i do. ❞
❝ they deserve to lose everything. and i deserve to have all their stuff. ❞
❝ tell me, if he handed you a bloodied hand, would you take it, just because it was his? ❞
❝ hell is empty and all the devils are here. ❞
❝ i desire the things that will destroy me in the end. ❞
❝ i have tried loving less but that hurts just the same. ❞
❝ wanting was enough. for me, it was enough to live for the hope of it all. ❞
❝ the only heaven i'll be sent to is when i'm alone with you. ❞
❝ i could recognize him by touch alone, by smell; i would know him blind, by the way his breaths came and his feet struck the earth. i would know him in death, at the end of the world. ❞
❝ these violent delights have violent ends. ❞
❝ we love with claws and teeth and the blood is just proof of how much. it's feral. and it's relentless. ❞
❝ feelings that come back are feelings that never left. ❞
❝ good for you, you're doing great out there without me. god, i wish that I could do that. ❞
❝ if i could hold you for a minute, darling, i'd go through it again. ❞
❝ i don't like that anyone would die to feel your touch. ❞
❝ i don't like that falling feels like flying 'til the bone crush. ❞
❝ and logically, you're the last thing i should have on my mind, but i want you there sometimes. ❞
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sylvanedadeer · 8 months ago
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If I remember correctly, you have mentioned that you are a big fan of literary tropes. Can you tell us what are some of your favorite tropes, least favorite tropes and what tropes you'd like to see more?
This one might be fairly long:
Anyone who knows me fairly well knows I'm literate largely because of comics. It's what my dad had around, so naturally, I'm a bit superhero/fantasy/fiction brained, but my dad is also a latin teacher, so I've been reading Homer, Livy, Herodotus, and Plato for probably longer than I should be. So, genre-wise, I tend to stick to writing/consuming fiction, usually fairly grounded in reality, with superhero stuff tending towards the top of the list.
Some of my favourite literary tropes are "The Self-Chosen One", "The Power of Friendship," and "The Sacrificial Lion".
"Self-Chosen Ones" are kinda self-explanatory, but have some chunky nuance to them. The archetypical "self-chosen one" is Sir Gawain, who chooses to take a challenge that would've otherwise fallen to his king, which ends up roping him... into a bisexual throuple? His isn't as chunky as like, Luz Noceda, who chose to take responsibility for her mistakes and for the people she empowered, or Moana, who rejects her destiny on the basis of destiny and chooses herself to prove TO herself that she can.
Marco, from Adastra, is an interesting instance of this, because the specifics of his "being chosen" were structured in such a way that he super WASN'T necessary. With Luz and Moana, there was... a remarkable lack of people hanging around to solve the plot, so by the Rules Of Stories, they kinda had to take things upon themselves, because otherwise... there's no story. Of course, Marco also had to go forward because PLOT, but 1. Not without grappling with the decision 2. At the detriment to his own health (his near-decapitation) and 3. They clearly outline why he made the choice he did, and also kinda... leave it tenuous on purpose. Very good way of using the trope for a tragedy.
"The Power of Friendship" is less of a trope and more just a reflection of the truth, that humans work well on their own, but will always work better, be happier, and thrive best with other people around them, helping and supporting them. The more direct invocations of this, like in MLP or Yugioh are kinda one of those guilty pleasures, even though I'd argue against the guilty part.
But less overt instances of it, like in Castlevania, when Alucard goes Fucking Nuts because Trevor and Sypha leave. The Avatar Gang and their whole "do you ever wonder if friendships can transcend lifetimes?". There are several instances of "you hurt my friend, time to die" in Invincible that honestly do a lot to keep me going despite the horrific nature of some of the fight scenes.
The most notable one that really got me was the "Loner realizes he has friends and allies" arc in TOTK, because I've clocked. About as many hours on BOTW as I have breathing, and it really does FEEL LONELY AND EMPTY, and that never FELT that way until TOTK came along and my nephew (Tulin) gave me the whole "We're stronger together" bit. I cried.
"Sacrificial Lions" are a little less obvious as to what they are, but the general gist is "a character who exists in the narrative as a heroic bastion of hope, who will be killed or die to further the narrative". Rose Quartz, Pyrrha Nikos, and most versions of Leomon I know about fit this category, as well as, like. Jesus lol.
I've... always liked heroic sacrifices it seems like the best way to really end a heroic character's life, and while I've reexamined that SPECIFIC point, I'm still a lover of the idea. Altruism is a very worthy thing, but I also like how these characters can haunt the narrative, almost always, to the point of making the cast Really Change. Rose is, of course, the inciting incident to an entire show, as her death lines up all of the pins that Steven has to kick over now.
Idk, I'm a fan. I also love it when narrative foils kiss.
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sparatus · 3 months ago
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Writer Interview
tagged by both @teamdilf and @daisywalletchains, thanks guys!!
When did you start writing?
probably about 7th grade was where i tried to start writing as a hobby, though most of that never saw the light of day except to show the one student teacher who was really supportive and encouraging. i was inspired by all the xenofiction i was reading at the time - warrior cats and guardians of ga'hoole like most middle-grade yeah, but also the chronicles of mistmantle and david clement-davies's work - and wanted to write my own book with foxes living in their own society, i was doing research during computer lab and had a big dramatic succession crisis in the red fox kingdom and everything. maybe someday i'll dust it off and play with it again, for baby me's sake.
Are there different themes or genres you enjoy reading than what you write?
mmm i suppose i tend to not mind a darker tone in what i read than my own writing, i like to have the light at the end of the tunnel but sometimes it's fun to read about things getting Bad Bad Bad with no way out too
Is there a writer you want to emulate or get compared to often?
david clement-davies. full stop. fire bringer was my favorite book when i was younger and i like to think you can see the influence he had on my writing if you're familiar, especially when things start sliding a little more ethereal and blurring the line between reality and spirituality, and when we're taking a minute to marvel at the natural world and our place in it. everything in tiirtias and the natural spaces of palaven? that's all DCD, baby.
also laurie halse andersen and speak is 110% where i learned to write stream-of-consciousness and intense emotional scenes so that'd also be a huge compliment
Can you tell me a bit about your writing space?
ehhh i don't particularly have one, i write when the mood strikes me. i'll either be on my phone at work or on my laptop in my room, usually later at night. brain works better after the sun goes down.
What's your most effective way to muster up a muse?
music! i'm not the type to have a specific playlist for every mood or character, but i have "every sense needs to be stimulated or i can't focus" brand adhd so having music or other background noise provides enough external stimulation i can sit down and think and write, lol.
Are there any recurring themes in your writing? Do they surprise you?
recovery, definitely. recovery from trauma, from depression, from abuse, from any past hurts that won't go away. religion, both the traumatic and faithful. family, for better or for worse, bio and found, what makes you worthy of being considered it. who can you trust, what is real, where does the line between truth and lies blur. and, i think maybe most importantly, the choices we make, and how they shape who you are; above all else, you take a look at all of the above, and you decide who you're going to be, and it's something only you can choose, for better or for worse.
a lot of my work is very personal, for better or for worse. i use my work to explore things in my past and make my peace with them. most themes don't particularly surprise me with that context, but i suppose if anything, i'm a little surprised by how much i write characters like taeja or sparatus finding strength and power in faith despite my own very complicated relationship with religion.
What is your reason for writing?
i am tormented by visions that must be expressed. also it's cathartic, if you think there's a lot you can learn about me from my fanfic you should see how deep the original stuff goes
Is there any specific comment or type of comment you find particularly motivating?
i love comments that pull out the little pieces they liked the most, the lines that struck a chord or the imagery that they found the most beautiful. i love that. tell me what you think i did well.
also honestly the ones that try to engage with the material and read into it, find the Themes or speculate on what's coming next. especially speculation. even if you're wrong i love that you're excited and want to see what's happening and it makes me want to get there faster. we are all in a car and i am driving and i am so happy that you're excited to be on this adventure with me.
How do you want to be thought about by your readers?
i just want you to like it dude, i want them to think i'm a good enough writer for them to keep coming back to what drew them in and also trust me when i offer something new and try it out too
What do you feel is your greatest strength as a writer?
worldbuilding, and weaving that worldbuilding in in a way that feels natural. my goal is to present the world in a way that the reader simply goes "ah, of course" and follows along without needing to halt everything and ask questions, you can just jump right in and understand without needing an intro course on where we are and what's going on, and based on feedback i think i've succeeded
also see spirituality/ethereality when it counts, above
How do you feel about your own writing?
right now? i'm comfortably proud of myself. i know i still have plenty to work on and places i can improve, but i'm working on those, i'm open to learning and trying new things, and when i publish something i generally feel confident in it and letting it stand as an example of my work. sometimes i don't feel that confident but that's okay too, it's part of the process. idk dude i like my work and i'm working on not comparing myself to others as much as i used to and i think that's the best place i can be
When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?
i'm writing this shit for me and if the rest of yall happen to like it then that's sexy but if you don't aight then move along. there's maybe a small handful of people i want to impress and i'll toss in easter eggs here and there just for that ":D !!!" reaction but mostly i'm playing in the corner with my barbies and if anybody wants to come watch they're free to do that just don't tell me what to do
not bothering tagging people on this one brain is wandering off
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hecckyeah · 3 years ago
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okay. now that my brain stopped short circuiting for a second, let me address some stuff about the new tbobf episode (which is mostly just me trying to explain it to myself and understand some of the choices that were made because i mean come on, it’s dave filoni and jon favreau we’re talking about. they’re solid.)
first and foremost. I think that “I’m really sad and angry about boba being a side character in his own show, they should have handled this differently,” and “oh my gosh DIN is here and LUKE and AHSOKA and GROGU, I THINK I’M DYING this is AMAZING,” are two sentences that can and should coexist. 
alright. we agree? good. now, some things I’ve been thinking about regarding luke in this episode.
I hated the sequels. if you’ve been following me for any amount of time, you probably know that. I disowned them way back in 2017 when TLJ ruined my life. I’m just about the biggest luke skywalker fan you’ll ever meet, so TLJ feels like a personal betrayal. anyway, so every piece of star wars media I’ve seen since then I’ve taken with more than just a grain of salt. I want to believe things will change but unlike the MCU, I don’t think star wars will branch off into separate realities. there were whispers about that a while ago, but honestly I doubt they’re true. 
all that to say, unfortunately I think they’re slowly, slowly pushing star wars toward that direction. and in doing so, they have to make certain.......choices for certain characters. that means placing doubts in our minds that maybe luke isn’t the perfect peacekeeper we always knew him as.
I HOPE. I hope they prove me wrong. I honest to goodness could not imagine a world where the s*quels are true in every reality.
but. there might be a light at the end of the tunnel, because I don’t think luke’s intentions are wrong at all. and let me explain.
it does seem like luke is the biggest hypocrite ever when he asked grogu to choose between being a jedi and going back to din. but he has a point, and please hear me out on this.
right now, at this stage in grogu’s life, he can’t do both. he’s just a kid, he’s still being shaped and formed into who he’s going to become in however-many-hundred years from now. if he goes off galavanting around with din again, soon he’ll be back to square one. if he spends his life with his dad, until din is old and gone, he won’t be able to go back to luke because luke will probably be gone, too. and by then, who knows if there will be more jedi around able and willing to train grogu as well as luke would have?
grogu is probably one of, if not the most powerful students luke will ever have. he needs to train this kid, set him on a good path before he can be manipulated or changed by other people who want to hurt him or use him for his powers. luke knows all too well what it’s like to be manipulated or wanted for your power. 
when luke placed those two objects in front of grogu, he knew the kid understood the implications of both. he can read his thoughts, remember? 
grogu knows his little heart has to be fully focused on his training in order to succeed. loving people is good, we know that and luke knows that. but there is some truth to the whole letting go of attachment thing. didn’t din do that when he let grogu go? didn’t anakin do that when he yeeted old palps down to his death, knowing it would kill him but finally deciding to be unselfish and let go of a life with luke? even kanan jarrus and ezra bridger both did that, showing immense self sacrifice for the greater good.
now it’s grogu’s turn. if he grabs that armor and says see ya later, he’s being selfish. he misses his dad, and that’s okay. but there’s a greater purpose here, and I think that’s what people don’t realize. the jedi obviously took it to the extreme, but the essence of it is true. 
when luke leaves dagobah during empire strikes back, that might seem like a valiant and wholehearted fuck you to the jedi and their attachment rule, but did no one see where that left him?? he ended up literally almost dead, hanging off a piece of metal under a floating city, with one less hand and a murderbot for a dad. oh, and he got his best friend imprisoned and also left for dead. if leia hadn’t been right there, luke would have died that day.
that was luke learning the meaning behind don’t get attached the hard way. 
attachment doesn’t mean not loving people. love is what brought anakin back from the dark side. but in order to do that, luke had to leave his friends on endor and see the bigger picture. when the emporer is taunting him, saying that his friends will die, he’s obviously distressed. but he’s able to refocus and trust that his mission, his purpose, lies with his father. that’s called letting go of attachment and not letting it blind you.
grogu has to learn the same lesson, but this time he has luke there to guide him.
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pinkpruneclodwolf · 3 years ago
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Okay so this has been a brainrot of mine since I've been introduced to the concept of OB!Yuu AU. I might have posted it alr--the concept of it at least on my other blog--but like I need help to flesh out details and stuff.
Essentially Yuu Overblots I won't spoil the details but the OB is the house and its residents/keepers. The keepers are Yuu but like in different stages of their life/portray Yuu in their most crucial points in their life Ig (I'm honestly still debating at some parts but the ones I'm sure about are Yuu around when they're five or four and there's the one who's the pre-canon ver of the current yuu). Each keeper holds power over specific parts of the house--I'm not sure where to put the actual Yuu but I'm thinking somewhere in the attic or basement but who knows.
The OB is more or less a defense mechanism for Yuu to hide away after the stress of it all. Trying to brute force your way results in hurting the actual Yuu. Basically demolishing the house is a sure way to kill them--since the house is their mind and the residents are their heart.
But like what do you think? I alr have the plot for the fic and the first years are the main protagonists (kid Yuu is a way for me to explore and develop Sebek bc if Yana won't then I guess i'll have to do god's work then ig kjdghjdf) but like details details, I need help please.
Do you think the house is like Casita in Encanto where it reacts to dif people being there— say for example, Adeuce step in and the house tries to guide them into solving Yuu's OB.
Is it a manifestation of their home and each room is a family member or sibling, or like you said Yuu's most crucial moments in life (does this include future!Yuu? Where they try to help in the subtlest way possible.)
Does the house take after NRC and there are an abundance of residents/keepers and there's essentially a level or code they have to follow yo progress into another level think of it as Riddle levels pertains to painting over something/covering something up.
Leona's being desperation and trying to break free from a sea of people/residents pushing them back. Azul's being deal making or truth or dare where its one step forward two steps back?
Kid Yuu being the key could also play a key component by being the one to bring the boys into the house and desperately trying to help them navigate but each time they progress Kid Yuu kinda gets held hostage by preteen!yuu, teen!yuu, and even future!yuu to an extent.
The house could represent Yuu's psyche while under the influence of the OB, like it starts of outwardly normal but as soon as you step in you're immediately carted off somewhere—
CHENYA COULD PLAY A ROLE IN DIRECTING THE BOYS!!! THINK ALICE IN WONDERLAND.
Ooh, Sebek being a reluctant caretaker to Kid!Yuu is some good food right there. A feast if you will. Because head probably startle them just by being so loud and scrutinizing, but he learns to quiet down when they come across a room/sequence where sound is very important (something, something auditory and how it affects the mind).
The keepers could also take the form of the boys (idk who you'll choose as the main cast beside Sebek and Kid!Yuu) bc of how they influenced Yuu, good or bad. Basically them battling themselves and having to find a way to exploit their weaknesses while also becoming stronger as a result—you could throw in a headcanon or two about how UM's/twsts magic system works as well.
I def believe Keeper!Grim could take the form of OB!Grim as a manifestation of Yuu's fear of leaving and having Grim destroy the school as a result, causing Grim to confront whether or not he should let Yuu go.
I don't know where the heart of the house could be bc living room straight up sounds insane when you consider how the house shifts about (if it does) or if the house is like those mirror portals that transfer the boys into different sections each time they complete a sequence.
OVERALL MEGA BRAINED AND I VANT WAIT TO SEE WHAT YOU DO WITH YOUR HEADXANON
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acklesterritory · 4 years ago
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That Kind of Love Never Dies_Chapter 1
Hey guys, Now that more voted to split my fictions in 2 parts, I'm back with the first part. I hope you like it. Don't forget to leave me feedbacks. I'll always appreciate them. Love you all.
This is for writing event @tvdspngirl314
My quote is "That kind of love never dies"
Dean x Reader series (just 2 parts)
This chapter words: ~5k
Series warning:
Angst, fluf, smut, angry Dean, hurt Reader, hurt Dean, there's some more but I hate spoilers so I insist on "Angst & Hurt"
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It all started with a stupid argument at home. What was it? Three months ago? Sam couldn't remember the exact date but after years, it was the first time this awkward coldness between Dean and Y/n had started to build. He could remember the first time he and his brother came across Y/n like it was yesterday, they were hunting a very nasty creature who used to kidnap young and lonely women at night, then got them wrapped in ropes and ties on a bed in a warehouse to rape, torture and feed on their blood until the victim either died or accepted to turn into one of his kind.
Sam could remember the helplessness in people's eyes too. The pain of the victims' families, the frustration and anger on cops' faces when no one could find the criminal yet, even after the sixth missing girl.
"Sammy, he just kidnapped another girl. And I think I know where he's gonna take her. Let's hunt this son of a bitch."
When Dean was saying that, Sam never expected him to fall in love with the woman they would save that night. Well, unfortunately they weren't fast enough to prevent any harm to the girl. When they arrived and Dean killed the nasty creature, Y/n was almost dead. The monster had already raped her, tortured her … and when he felt the hunters enter the place, he drank almost all of her blood, to gain more energy to fight. So as always, Dean was up to blaming himself. Of course only in his own eyes, not anyone else's.
"Call Cas to come home. Tell him it's an emergency."
Dean told his brother when he finally could get Y/n out of those ropes. And Sam knew he was right. At that point, no one could save Y/n unless God or his angels. Maybe she was not so lucky coming across a nasty supernatural creature like that but she was lucky enough that Cas arrived just on time and healed her. However, angels can only heal physical wounds. But Y/n was hurt much more than that. She couldn't just move on from the things that the bastard had put her through. Even after Cas tricked her brain to forget some certain things, she still had bad nightmares and had this dark shade of hopelessness in her eyes. Soon, she started to eat and talk less and less. And Dean just couldn't let her go. He really wanted to fix all of that for her but she kept shutting him out… until the depression hit her. It was so bad that Cas felt the need to tell them to prepare themselves for her death. Because after all those days and unlike everything else in their lives, The Winchesters were already used to her presence around them; like the way a lonely person can get used to a wounded cat more and faster than anyone else.
"I'm not gonna hunt until I'm sure she can live her normal life." When Dean stated that, Sam really thought he was joking. But after a few days he started to believe it. Dean truly would do anything to keep her alive. From cooking vegetables to laughing at his own dad jokes in front of Y/n to make her smile. That was when Sam started to feel that they can be more than a random hunter/rescued victim relationship! It felt like his brother had finally found his motivation in life: "Saving Y/n."
Gradually Y/n started to respond to this special attention from Dean with trust and smiles. Soon they became a power couple that could motivate each other so easily that sometimes Charlie would call them out. And honestly Sam had no problem with it. In fact Y/n had become his other sister.
"My God, Dean! You're burning up!" It was two day after a werewolf hunt in which Dean had got hurt. At first it was just some scratches on his arms and chest. Yet as the time passed, more symptoms started to appear: headache, pain, fever, cold sweat, even nose bleeding and before they could figure it out, Dean fell unconscious. Apparently the claws of the werewolf were poisonous. However Sam wasn't sure. The only thing he got no doubts about was the fact that it was already too late. Dean couldn't make it to the hospital. So either Sam had to do anything possible to save him or Cas should've picked up his God damn phone.
"No. no, no, no, no. Dean … Dean!!!"
That was when Sam got to hear Y/n's helpless cry and see her true feelings. She was already in love with his brother.
Luckily, unlike typical love stories; no one died that night. Sam's antidote worked. And Dean opened his eyes an hour later.
"Sammy … Y/n?" As soon as the words were out of his mouth, Y/n grabbed his face and put her thirsty lips on her beloved hunter's, letting the tears stream down on her face… and then his.
"Never do that again." She begged, breaking the kiss, her trembling hands holding Dean's face so she could look into his eyes.
Sam couldn't stop his smile remembering how cute they were. Y/n literally had Dean wrapped around her little finger, to the point he accepted to teach her how to hunt and soon she was part of their team too. Until … a few months ago. After two years of them being constantly close to each other, Sam could tell something was off when Dean started to go out without eating breakfast with Y/n. Of course she got suspicious after the third time and that was when their endless arguments started.
"Why don't you just tell me what's wrong?"
"Because nothing is wrong, Y/n."
Actually there was. Something was VERY wrong. Anyone could tell that just by the change in Dean's eyes whenever he wanted to look at Y/n. Day by day he was getting more quiet and cold. Now they didn't even eat pie together or watch movies late at night. And Sam couldn't ignore his brother being grumpy or drunk on hunts, not anymore.
"Ok man, I've had enough. You either tell me what's wrong with you or next time I won't make any excuses so you can leave Y/n out of our hunt plans. I'm serious, Dean, I'll tell her the truth." He finally said, when they were alone in the impala, on their way to do their next hunt.
"She wants more."
"More?"
"Yeah. Sometimes it's like she sees more in me. She thinks we can have a different life. There's no need for any saying, I can see it in her eyes whenever we accidentally come across some family at a diner that try to feed their kids or people's wedding photos whenever we go to talk with some witnesses or whoever during the research! Sometimes she even looks up wedding dresses or kid stuff on the net!" Dean blew his anger out of his nostrils and sighed, shaking his head.
"Wow." Sam couldn't find the proper word to say but he couldn't hide his surprised face either.
"What?" Dean gave him an annoyed look.
"I mean …" Sam chuckled. "… are you telling me you're actually angry with her for imagining the things you always dream about?!"
"Sam …"
"No, really. I'm just curious. What's wrong with you, man?" Sam asked genuinely, waiting for an answer.
"What's wrong with me?! You think something is wrong with me just because I'm the rational one in this relationship; who's actually able to see the difference between a dream and the reality?"
Yeah, anyone could take that earnest speech, but not Sam. He'd seen and knew enough about his brother.
"What's the reality? Aren't you and Y/N living that dream life already?"
"What?! No. No … that's not the same." Dean shook his head.
"Really? How is it not? It's been two years, Dean. You two are constantly with and/or around each other. Always worried when the other one is in trouble and still looking at one another like there is nothing in the world that can make you happy as much as this relationship. So … excuse me if I won't buy your pretty speech; man ." Sam said, Rolling his eyes.
"Ok, let's say you're right but ... is it gonna be like that forever? With all the supernatural crap that we have to take care of … and the constant danger and chaos in this hunter life we have… I …"
"You what?" Sam asked when Dean didn't finish his sentence. He was lost in his thoughts, staring at this unknown point in the depth of the road. Finally he blew out his despair.
"I just can't let her fall for the things I know I can't provide for her. It's not fair, Sammy. It's not fair to lock her up in this dark life with me just because she loves me … especially while I know there is a whole bright future out there waiting for her."
"Here we go, the old Dean's self-doubt" Sam thought to himself as he took a deep breath before finding the best words to wake his brother up from this nightmare
"Yeah, I know but I don't think it's your call. If Y/n wants to go to hell with you instead of living in heaven with someone else, it's her choice. Not your responsibility. Right?"
Dean shook his head while his lips curved up a little to fake a smile but he never answered or said anything about that conversation ever again. He kept his silence for like three weeks … until someone new showed up: "Gary Smith". A tall man with the most stylish haircut and the most perfect teeth and smile.
They saw him for the first time at their hangout bar, as the new bartender who almost jumped in Y/n's way as soon as they entered the bar.
"Oh my God, bunny! Is this really you?" He said, pulling her in his embrace. Like she was the long time missing piece of his beloved puzzle!
"Bonny? You're wrong. Her name is Y/n." Dean said, pretty annoyed by the way Gary tightened his arms around Y/n's little shoulders, making him chuckle.
"No, uh … it's just a nickname." Y/n said as soon as the guy let her go.
"Yeah, actually the most fitting nickname that I could think of. I mean … you have to agree. She got the most cute little ears in the world." The guy explained, chuckling and pulling on her little star earring. Well, if Sam wanted to be honest, he had to agree with him. He never paid any attention to it before but now that Gary mentioned it, he could tell Y/n's ears were truly small.
"I see … So … I guess this means you were close friends?" Dean said, already hating the way Y/n e's blushed with hearing her old nickname.
"Uh … well, no. Actually more than that." The guy grinned, ruffling his own hair while he was awkwardly laughing and looking at Y/n. Just like a proud embarrassed teen!
"We used to date." Y/n said.
*oh* Sam tried his best not to let that stupid grin sit on his lips but Dean's frown and his sudden heavy silence didn't let him do so.
"Yeah. We are kinda each other's first. Like … you know? prom date." The man added, giving Y/n a wink while Dean's gaze was still locked on his large arm around her shoulders.
"Yeah. It's been years, Gary."
"I know. But believe me, bunny. you still look the same." He said, bending to put a kiss on her right cheek.
Dean would kill him. Sam just knew that. Because his brother's eyes were already burning with jealousy.
"By the way, don't you wanna tell me who these gentlemen are ?" The guy asked Y/n, giving her his softest smile.
"Of course. This is Sam and this is Dean. My colleagues who are my friends now. I live in their place."
After they met, everything got even more complicated. Y/n, the girl who was still trying to get old-happy-days Dean back suddenly stopped whatever she used to do. No more complains, no waiting at nights to see Dean before going to bed, no more effort to get involved in hunts, no nothing. And despite what Dean had claimed before, it was making Dean even more frustrated. Day to day he and Y/n were getting colder towards each other and there was nothing he could do to fix it. That was what made him even more furious. Sam already knew all of that and he still had to live with both of those grumpy faces. So last night when they began to fight, he could see this was coming: Y/n left the bunker after Dean let some hurtful things out of his mouth, just because he didn't know how to deal with all the heartache anymore. He now was convinced that Y/n didn't love him anymore. Yet the next day after drinking whatever strong drink they had, he begged Sam to come with him. Apparently Jodie texted Dean about Y/n being in her place for that night. Just to make sure that her crazy step son won't sell his soul over a tracking spell! So Dean almost begged his brother to be there with him, cause Dean believed that as much as Y/n didn't care about him, she still respected Sam and cared about him. Like a little sister and her elder brother.
So here they were, In Jodie's living room, in front of her and Y/n.
"Considering your sleepy eyes, I think we caught you at bed time, huh?" Sam asked, checking Y/n's obvious eye bags.
"Who says that? I'm totally good, Sam."
She said with a small smile, looking much more in control and stronger than before. So Sam knew it was a lie. Y/n Just had made her peace with what had happened last night. The realization۹ kicked Dean in the gut. Y/n always used to be stronger and bolder when she got hurt.
"I'm gonna make some coffee for us. Why don't you guys take a seat till I come back?"
Jodie interrupted, to ease the heavy and sharp silence that suddenly had fallen over all of them.
Y/n gave her a smile.
"Of course."
It was so fake. Her smile didn't even curl her lips completely. She was still badly hurting.
Sam swore in his head when he looked over his brother who sank silently into the nearest seat at the end of the table like a broken shell that he was too . One of Dean's hands was in the pocket of his jacket, the other formed a fist on the table. Sam was sure Dean knew it too. He knew everything was almost past saving. "Almost". Sam tried to stick to their small chance.
"So …" He cleared his voice before he put some (semi fake) hope into his words."You're … you're gonna come back home today or did Alex and Claire made you promise them otherwise?" He laughed and tried to make it funny but the truth was he asked this for Dean's sake, knowing he already was struggling to find the words … to let Y/n know how much he wanted her back … to ask her to come back.
"To be honest … I don't think I can live in the bunker anymore." Y/n said and as Dean's head snapped up to look at her in horror, she raised her hand to stop his (likely) protests.
"I applied for a job 3 weeks ago and to my surprise they called me this morning to tell me I'd actually got it."
*What?*
No one had to ask it. The question was already hung in the air. She snored mockingly in her nose. "Perfect timing, right?"
She moved her gaze from her interlocked fingers on the table to Dean's eyes.
He didn't answer, he didn't move but he got tense. Still staring back at Y/n.
"Why didn't you tell us?" Sam asked, once again saving Dean from asking the question he was itching to ask with some other words that for sure couldn't be nice.
"I wanted to but I didn't think I could actually get it and even if I did, I never figured out how to tell you. Besides, I never considered the "move out" option before..." She looked at Sam for a second before she turned her gaze on Dean. "... But I actually appreciate that you bring it up. I think now I can take the advice. I'm gonna move on."
Sam's heart dropped in his stomach when he heard those words. Because he knew what this meant. It felt something like having to watch Dean get stabbed in the heart.
"Is this … because of that Bartender?" Dean asked, staring deadly at Y/n with his bloodshot eyes. He was already chewing on his bottom lip. And Sam knew a heavy storm was on its way to hit them.
"I don't want to answer that question."
*shit*
"Why? Because you can't just simply say no?" Dean scolded and Sam could see how it pushed on Y/n boundaries.
"No. Because it's not your fucking business and it's not Gary's business either. But at least he knows his limits."
*well, fuck*
"By "limits" you mean when he drools on you just because for God knows whatever the reason, you started to wear leather jackets when we go there?"
"WHAT?!"
*Oh, fuck* Sam thought to himself, watching Y/n rise from her seat.
"You think … you really think that I …" she laughed nervously and Sam could tell she would punch Dean in the face if she wasn't a sweet, super nice person.
"How you can even …"
"I can even what, Y/n? Are we now going to pretend like I'm a blind man who can't see how you got attracted to your ex again? Did you really think I couldn't see how your hands were shaking when his filthy face lighted up by seeing you for the first time after all these years?"
Sam wanted to interrupt him or at least leave the room but everything was happening so fast.
"So what? Why and since when you care about my private life?"
"Since you stopped drinking bunker's beers just because you rather drink those crappy poisonous cocktails he makes at the bar!"
Dean was on his feet now as well. And despite his will, Sam couldn't stop his smile. He never saw his brother this jealous before. It was fun.
"Poisonous? … You … of all people, you are the one who says this? cause as much as I know, you're the one who puts dormitives in my guest's food so the poor guy gets tired and can't spend his time with me!"
"Yeah, because your poor guy is not welcomed in MY PLACE!" Dean yelled, punching the table with so much power that made everyone almost jump out of their skins.
"Dean!" Finally Sam interrupted but as soon as he stood up, someone rang the doorbell and Sam could hear Jodie welcoming someone inside.
"Guys … I know it's not my place to interfere but you two really need to sort things out somewhere private … of course that's when both of you can be much calmer than this."
"No, we have nothing to say or to talk about, anymore. Your brother was clear enough when he said he wants me to move out, so I'll move out. And that's it."
Y/n declared, looking at Sam to resist any eye contact with Dean, probably to make him even more crazy.
"And that's it? You wanna ignore that part where you were too eager and ready to accept that suggestion and leave the bunker instantly like your pants were on fire?!"
Dean retorted while Y/n was shaking her head like she couldn't believe him.
"Whose pants are on fire?" Jodie interrupted as soon as she re-entered the room with the coffees she'd made, this time a man was with her. Y/n's guy. The famous bartender.
*Oh, No!*
Sam sighed, closing his eyes for a second so the guy couldn't read his face.
"Obviously not mine." Dean hissed through his teeth, looking first at the guy and then at Y/n with such a disappointment and rage that no one could ignore.
"Hey, what's wrong?" The guy asked, choosing the worst spot to stand on: right next to Y/n.
"My typical life I guess. Nothing's new." She mumbled in reply to him but her eyes were still on Dean.
"No, nothing is wrong with your life, Y/n. It's about your choices. That's what's wrong with you. As always." Dean said bitterly. As sharp as a knife, as cold as ice. Sam could see how it drained color from Y/n's face.
"You better watch your mouth, buddy." The Gary guy warned Dean and Sam could tell that if it wasn't for the sudden thud sound that stole everyone's attention, Dean would throw a fight right there. But …
"Y/n!" Jodie almost screamed. Y/n was laying on the floor, seemingly unconscious.
"Oh, God." Sam said as Jodie rushed to her.
"Y/n? … Y/n can you hear me?"
As she sat next to her, Gary's fingers already were on Y/n's carotid pulse point. So Sam couldn't stop himself from looking up at his brother, who was still standing where he was. In shock.
"Oh, shit!" Gary's worried voice made Sam check Y/n's pale face again but Jodie was the one to dare ask the question which was on everyone's minds.
"What? What's wrong?"
"Her pulse ... too faint." He said before turning to Dean: "Is she bleeding?"
"Bleeding?" Dean blinked and mumbled in confusion.
If it was up to Sam, he'd ask *What bleeding?* & *Why are you asking this from my brother?*
"Oh my. You still don't know. Do you?" Gary sneered.
"Know what? What's happening?" Jodie was freaking out now and Sam actually felt the same. He didn't like the way this stranger pretended like he knew her better than them. However what happened next was much more unexpected. And … rude!
To everyone's surprise, the guy reached out to Y/n's jeans and drew his hand between her legs but before anyone could react, he spread her legs open so it could be possible for everyone to see that big red stain there. Then he raised his hand. It was all wet and red in blood!
"She's having a miscarriage." He revealed.
Sam's gaze instantly caught Dean's ... Burning. Dean was burning inside with his heavy silence.
"Don't you worry. It's not mine." Gary added more fuel to that hell with such a mocking tone, staring right back at Dean's eyes.
Now Sam could feel it. The storm was there: rising in his brother's roar!
Before Sam could've moved any muscles, Gary was already pinned to the wall, Dean's hands on his now-ripped-out collar.
"Dean, no!" Sam jumped in, trying to catch his brother's arm before his fist make any contact with the guy's nose but all he could do was changing the direction of the punch which landed on Gary's shoulder, making a painful cracking sound.
"I said no … Dean, stop it." Sam had to literally cage Dean in his arms so the furious man couldn't tear Gary apart.
"Get off me, Sam. This son of a bitch has to learn his place."
"Enough!" As Dean just broke himself free, Jodie's scream stopped everyone in their tracks.
"It's enough!" Jodie warned all three men, pointing at them one by one.
"You want to fight? Not here. Not in my house!"
"But ..."
As soon as Dean opened his mouth to protest, Jodie cut him:
"And you … you should know Y/n is pregnant with your twins. So … you'll be a responsible man who will try his best to save them or you can get the hell out of here and never come back!"
"What?" Sam was too shocked to suppress his reaction while Dean couldn't even find any words to say. His confused look darted between Jodie's face and Y/n's figure while his parted lips kept moving without making any noise, just like a dying fish on the shore!
"I promised her not to tell anyone but it was a promise under normal conditions, not this." Jodie sighed, struggling to keep her emotions under control. Sam saw the worry in her frown. Like a real mother, worried for her children. However it was nothing in comparison to his brother's blank eyes and pale face.
"Dean, It's ok. We just need to take her to hospital. … it's ok, man. I promise."
He had to grab Dean by his jacket, as his brother was struggling to process all of these in his head.
"Come on, man. We got no time. Do I need to do this alone or you'll …"
"Get the car, Sammy."
It was just a simple sentence. Yet it had enough power to make Sam's heart sank. Since Dean had put the car keys in his hand saying that, Sam couldn't stop thinking about that tone. Dean never had called Baby a "car" In years. And Sam had never heard that crack in his voice since their Dad's death.
"You ok?" He finally let himself ask, two hours after they arrived at the hospital.
"I want to be." Dean closed his eyes and put his head against the cold wall, letting the dim light to darken the shadows under his eyes.
"I'm sure she'll be good. She's strong, Dean. You know that."
He smiled and Sam looked away not to watch him. He knew that smile. Dean used to give him that, whenever everything was gone so wrong that Dean couldn't promise him anything good. Like when both of them were still kids. Hungry, cold and all alone in a rusty motel room where John had left them on their own for a one day long hunt but then a heavy snow had crashed the roads and kept them apart for half a week. So Dean had to wash the dishes and do the laundry in the motel to rent the room for another day and provide some snacks so they wouldn't starve to death. But after three days, the hotel managers didn't want them to be around. And Sam could vividly remember that smile on his brother's face when he asked: *Where should we go then?*
"You were always such a father material. You know?"
Sam admitted with a broken smile on his face.
"You were always responsible, kind and caring with me as a kid. And I can't imagine anyone who deserves to be a father more than you."
Dean took a deep breath and opened his eyes without looking at him: "But I don't want ... I really can't, Sammy."
All, it certainly wasn't the response Sam had expected. He used to believe that Dean would never turn down any chance to start a family with Y/n. Especially after everything in the world was back to normal.
"Are you kidding me? You always wanted this."
"No …" Dean finally turned his gaze to meet his brother's confused eyes. "No, Sammy. Not like this. I don't want to raise another kid without his mom. I'm not that strong anymore."
Dang. Once again Sam's heart dropped in his stomach. Dean was really helpless.
"Mr. Winchester?"
Dean was on his feet as Sam just realized the doctor's presence.
"It's me."
Sam prayed for any good news as doctor took a glance of Dean and fixed his glasses on his face …
"To be continued …"
READ CHAPTER 2 HERE
tag list:
@jay-and-dean @adoptdontshoppets @akshi8278
The next and also ultimate chapter will post on Sunday, April 25. Thanks for reading.
Feedback are always appreciated.
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billiejean485 · 3 years ago
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Okay, so it took over 24h for it to reach my brain, but it finally landed home.
WHY GABRIEL AGRESTE NEVER LETS HIS SON OUT
A short essay by yours truly
... So,
I wondered all this time why the hell Gabe never picked up on his son's negative emotions via Hawkmoth's powers. That part remains a secret (like, does he not pick up anything in his nearest vicinity or something?) - but what I believe I have finally figured out is why he is so damn controlling over Adrien.
The sad truth - although not the worst one it could have been: he is overprotective over the only offspring he has with the woman he obviously cherished over everything else.
I shall elaborate, so hold your horses.
We've seen throughout the show that Gabriel does put Adrien's well-being (although mostly physical) in secondary plan after restoring Emily's, and that he even almost gave up on his plans for the primary objective because of the danger of losing his son.
So why does he keep him cooped up most of the times? Simple: he doesn't want him out of his sight or anywhere near the danger that his Akumas would bring. If he knows at all times where Adrien is, he can be sure of his safety, so that's why he is so damn controlling.
And not only that, but he is afraid that Adrien may become a victim of his own Akumas (remember the line: "That's enough emotions for you for for today"?). If the boy is running wild out there, he won't know in what kind of emotional state he is (like we just saw in Glaciator 2) and if Adrien might turn into a bigger magnet for an Akuma than the victim Hawkmoth picked out (and we've seen the butterflies change target on more than one occasion).
... So... that's pretty much that. Unfortunately, like we all know, the head of the Agreste family fails miserably in noticing in what kind of emotional and psychological state he has put his offspring in because of all of this - and everything taken into consideration, it shouldn't be much surprising.
He has only one goal in his sight, and he has turned all focus to it. He excluded himself from the outside world and doesn't have anyone to influence his one-tracked mindset in order to start realizing that what he's doing is hurting his son (although he's probably aware of it to some extent). Natalie had some influence, but she is also too emotionally closed off to be able to see the whole picture - plus her love for Gabriel is completely clouding her vision. The bodyguard has no say in the matter either.
This is honestly nothing rare in parenting. Strict parents often do stuff like this believing firmly that it's the best that they're doing for their children - even without having a very risky plan to bring their s/o back to life.
Now why has this been the case even before Emilie fell onto a coma or whatever happened to her?
Emilie was supposedly the one who introduced the Miraculous to Gabriel, so they both knew about their powers before they probably even had a son. There was something dangerous going on, and they probably wanted to protect him from it - at least I'm putting my bets on that theory.
Was it a good idea to have a child in such circumstances? Absolutely not. But then again - we all know parents don't exactly have children prior to planning - sometimes it happens outside of that, be it a 'mistake' or plain bad judgment. Whatever the case, Adrien was born and the two of them decided to give him the best life they could, while keeping him safe from whatever they saw as a threat.
... This would actually explain why Adrien's father has become distant to him ever since his wife died, as well as confirm that statement.
He's desperately trying to bring her back - undo whatever mistakes separated them, and get a 'happily ever after' he had before or whished for.
Now, if the two Agrestes had Miraculouses before anything happened, we can make a conclusion that they were actively using them and fighting something. But that's for another theory - and other fans to wreck their brains with, because this by itself was enough for me.
... So sad and such a sweet irony it is that his son became one of his two biggest Nemesis.
Also my apologies for writing mistakes ('cause my head is all foggy at the moment - no idea why) and for having to be the Miss Obvious.
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wedreamedlove · 4 years ago
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Xu Mo vs. Mo Yi [Character Study]
I can never get over the aesthetic of these two pictures placed side by side LOL. But, anyway, the point of this post is to nip any undue comparisons in the bud and claims of copying organize my thoughts and compare these two characters to highlight their similarities, differences, and further explore each character through these contrasts.
Q) If you like Xu Mo, would you like Mo Yi?
Honestly, I think this depends on what you like most about Xu Mo. I already knew beforehand that I gravitate towards characters who think 5 steps ahead, are predominantly logical, and scholars/gentlemen, so it’s not surprising I bias both Xu Mo and Mo Yi.
However, as I got to know Mo Yi further (Themis is around 6 months old now), I find that he’s distinctively different from Xu Mo on three crucial points that’ll determine whether people from either camp will like the other character.
1) Stance on Others
In a post for Xu Mo, “Into Your World”, I argued that Xu Mo is an alienated genius who had troubles getting along with others, until he mastered the social game as an adult. However, you can still see glimpses of this as he tries to understand MC’s world and shares his own.
To be fair, Mo Yi’s past is still under wraps but I feel confident in saying that, while he was probably highly intelligent compared to his peers [SR Sculpted Heart], his isolation doesn’t seem to come from his innate nature but rather his social position (there’s heavy implications that he’s like some sort of noble or something) [SR Snowy Pine Fairytale].
IMO, these backgrounds really shaped the way these two men interact with the world.
Xu Mo has a detached and indifferent view towards other people. They simply exist and don’t bring anything positive or negative to him. His ambition to ensure the survival of humanity reflects this too because it’s pure utilitarianism; everyone (apart from MC) can be sacrificed equally for the greater good. If anything, he probably finds other people to be interesting subjects to study, no matter what kind of person they are. IIRC the only time he expressed dislike to people, or a group of people, was when he told Hades he enjoyed killing thieves LOL.
Meanwhile, Mo Yi has an elitist streak to the point where he and his MC actually clashed opinions and debated each other [SR Warm Fingertips]. It’s incredibly ironic because he’s a psychiatrist who treats his patients without judgment, but at the same time he looks down on so many things and people (PUAs, people who betray love, hypocrites who only seek power and fame) [Ch2; Personal Story Ch1-3; SSR Moonlit Ball].
One of the things I noticed early on is that Xu Mo draws from the Eastern scholar archetype, “Xu Mo Character Study”, while Mo Yi actually draws more from the Western gentleman archetype.
So, just to summarize this section, Xu Mo is detached from the world naturally and likes to observe people and try to blend in. Mo Yi deliberately draws a line between him and others and, at times, has the casual cruelty of someone born as nobility (arrogance is carved into his bones, even if he tends to keep it low-key because he generally has a “gentle and polite” attitude).
2) Stance on Love
Xu Mo didn’t understand love, or really even emotions. Love is grown between him and his MC (there’s multiple analogies throughout the game about how their love is like a seed). I think [Ch25] pretty much sums it up for Xu Mo, where he goes through that emotional rollercoaster and muses about how, at the end of human evolution, emotions should be discarded. He also admits that MC taught him the “fear” of a normal person, because now he has someone he cannot give up no matter what, which goes against his previous utilitarian beliefs.
Compared to this, Mo Yi fell in love at first sight. Yes, you read that right. The “scientist and logical” archetype fell in love at first sight LOL. Not only does he acknowledge it right off the bat, but he fully embraces it too and believes that real love makes people better versions of themselves [Personal Story]. Mo Yi is a through and through psychiatrist in that he never underestimates how primal emotions (and love) can be.
Heck, not only is this central to his personal story, but we also have hints that one of Mo Yi’s parents fell in love at first sight with the other person (and he inherited their predisposition for that). Unfortunately, their love had a tragic end and Mo Yi seems to have a huge grudge against his father for whatever happened to his mother (again, Mihoyo is keeping this a mystery LOL), but Mo Yi explicitly confirms that even if his love leads to a tragic end he will still walk down this road and attempt to change it [SR Cool Summer].
IMO one other difference between them re: love is this exchange that lives rent free in my head which I saw in a Xu Mo/Reader/Mo Yi fanfiction LOL. Bear with me here.
Mo Yi: Wearing a mask for a long time will tire you.
Xu Mo: It’s enough just to wear one in front of the necessary person.
Xu Mo and his MC make great efforts to understand each other’s worlds, but this understanding comes from the doors he chooses to open to her. He reveals himself as much as possible, but I think he’s an inherently private person (and there’s all that Ares stuff) so there are times where he hides things so that he doesn’t worry his MC. I think this is enough to count as a “mask”. Sometimes he pretends he’s okay when he’s not.
On the other hand, while I think Mo Yi shares the sentiment in not wanting his MC to worry unduly, he tries to reveal himself as much as possible. There’s an amazingly relatable conflict in him here where he wants her to know every side of him, but he’s also terrified of how she’ll react if he shows her his ugliest sides and imperfect sides (he has some sort of phobia or fear about imperfection, but Mihoyo has been keeping mum on the exact details of this so far) [Personal Story; SR Sculpted Heart].
It’s pretty ironic that Mo Yi wants to be perfect, but he realizes that the more perfect he is the more of a sense of distance there’ll be between him and his MC because of the subconscious pressure someone “perfect” brings LOL [SSR Border of Light and Darkness].
3) Stance on Growth
If you haven’t realized that one of Xu Mo’s greatest themes is the phrase “Take your time in growing”, then what have you been reading? Jkjk, but seriously this gets repeated in multiple places, although my brain always goes back to [Blossom Date] for this.
Even if he and his MC start off with fundamental differences (she believes all people have inherent worth and can’t be involuntarily sacrificed), he wants to personally watch the journey of her maturation. He also subtly guides and teaches her. Unfortunately, due to circumstances of the main story, he doesn’t get his wish and she grows up a lot out of his eyes, but their relationship still revolves around him wanting her to have as much time as possible to grow.
He’s, for a lack of better word, extremely gentle about this (setting aside as much of the Ares and story parts as we can, because LovePro’s story is tragedy on tragedy LOL). I think [Autumn Blaze Date] shows a good analogy for this, because he holds the bicycle steady for MC until she can get going on her own, and he also catches her the first time.
Meanwhile, Mo Yi... ha ha ha. I just came out of chapter 3 for his [Personal Story] and let’s just say his philosophy is tough love. It’s ironic because, in many of his other dates, he wrestles with an internal conflict to protect his MC but also to let her experience all sorts of things to both test and temper her.
This is going to touch on the previous topic about love for a moment, but a part of Mo Yi’s love at first sight experience is also “testing” the other person through all sorts of situations and, after seeing all their different sides, he can determine whether his love at first sight is one that’ll last for the rest of his life or if it’s just a fleeting moment of beauty and emotion.
He also extremely respects his MC’s sense of justice and pursuit of the truth in the world, no matter what she encounters, and I wouldn’t be surprised if this is what drew him to her in the first place. But MC’s occupation and beliefs will make her confront a lot of dark and dangerous things and so, whenever possible, Mo Yi lets her confront these in “controlled” situations to train her. If I had to make an analogy, IMO, he’d let his MC ride the bicycle and pick her up only after she falls, or when she’s like 0.1cm away from the ground LOL.
Mo Yi is (perhaps rightfully) called out on this by another character, who believes Mo Yi is too arrogant in believing everything is under his control and he can prevent MC from getting hurt whenever he lets her get into dangerous situations, and I’m interested to see if Mihoyo will let him experience failures with his philosophy so he can grow more, like the things Xu Mo went through re: his personal beliefs [Ch24].
Overall
I don’t know how well I explained myself, especially for people who don’t know anything about Mo Yi, and each section goes back and forth between the two characters LOL so here’s another section that attempts to describe their overall atmosphere.
If, like I said in my Headcanon Notes, Xu Mo makes me immediately think of all the words for soft, gentle, light, still, water, etc etc., then the words I constantly think about for Mo Yi is messily human. He’s like a bundle of contradictions, but coherent because it’s being intentionally done.
Mo Yi doesn’t discriminate against his patients, yet he can be elitist and looks down on others. He wants to let MC have dangerous experiences, but also wants to protect her. He wants to be perfect, but he also wants to reveal himself entirely to his MC because that’s real love.
In contrast, Xu Mo has a very clean and orderly personality LOL. You can draw clear cause and effect lines from his personality to his actions.
So, anyway, these are two interesting characters who start off with similar archetypes as scientific logical men of scholar/gentleman dispositions, but yet they’re also on opposite ends for a lot of things such as their approach to emotions and the world.
Oh wait, lastly, because I don’t have a good place to put this—but I think it’s funny—is that both characters are pretty possessive and greedy, but while Xu Mo does things in a sneaky, cunning and fox-like way Mo Yi gets ridiculously open about his jealousy and it’s hilariously cute but also almost childish? I often forget Mo Yi is older than Xu Mo by a year, because Xu Mo honestly feels a bit more mature than him LOL. If we count them actually aging by when their game came out though, then Mo Yi is 28 and Xu Mo is 29 now.
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princekirijo · 4 years ago
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BRO, YUKARI. 👀👀
OK HERE WE GO STRAP IN FOLKS IT'S YUKARI TIME! Also a lot of this is kinda salty? I guess? So just a fair warning I just have strong opinions on Yukari 😔
Ok so Yukari. I love her so so much she's one of my favorite characters in the series and one of my trio of comfort characters (the other two being Akihiko and Mitsuru). She's such an interesting and complex character that gets heavily misinterpreted by a lot of the fandom (*cough* cishet men *cough*).
Like ok first off people say that she's mean but while she can be very rude and one of her big flaws is that she doesn't consider others' feelings she's not entirely a bitch either? I think the best example of this that not many people I've seen talk about is how she's the only character who objects to the protagonist and Fuuka joining immediately and wants to make sure they're not being forced into joining. While ultimately both of those characters join of their own accord, Yukari asks them multiple times if they're ok with joining, something the others never do (Mitsuru is guilty of being quite insistent on them joining but that's a discussion for another time). She also feels incredibly guilty for spying on the protagonist at the start, pointing out multiple times that it is a violation of their privacy. Both of these show that she genuinely cares about other people. Pictures are from you lol <3
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On that subject when Ken joins Yukari is actually the nicest to him out of all of them, often making sure that he feels welcome and making an effort to talk to him. I think the only other character that does that (if my memory serves me right) is Fuuka. In her social link too she helps out that little kid that was crying in the middle of Paulownia Mall, staying with them until she found their parents or that they were safe. And even in Ultimax her relationship with Ken is just so cute she's so nice to him, she really is like his big sister. So to say that she's just mean and just a bitch is wrong because there's plenty of examples of her being a very nice person.
And actually a lot of people hate her because of how 'easy' her social link is to reverse (I've seen people on YouTube mention this a few times so I thought I'd talk about it). I think it's either rank 5 or 6 there's a scene where Yukari loses her purse and goes back to get it. You find her surrounded by a bunch of guys who are threatening her and are very close to hurting her. The protagonist steps in to stop them and then chases them off. Now I think it's only in the male route this happens (again my memory is bad so sorry about that 😞) but she gets annoyed at you for helping her and then you're given a few options. The correct one is to leave her alone (or something like that) but the one that most people go for which reverses the Social Link is the option to hug her. And people (male youtubers *AHEM*) get annoyed about this because oh yeah of course in this scenario hugging Yukari is a great option and why the hell would she get angry and reject them like that. Like jeez I don't know definitely not the fact that she's very clearly shaken up by the fact that she was almost attacked by three men (who could have done god knows what to her if we hadn't intervened). And definitely not because she's said lots of times that she doesn't like to rely on anyone (particular men) given the whole situation with her mother. The other thing is that I don't think it's outright stated but I really wouldn't be surprised if Yukari was super touch averse given the situation with her mother throwing herself at random men all the time. And (as we discovered lol) there's a very high possibility that her mother was an alcoholic because of this she says in the answer after Junpei's past where he talks about his alcoholic dad:
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So like if her mother was an alcoholic there is a high chance she could have suffered some form of abuse which would lead her to being very anti touch. So it really drives me mad when people get annoyed about her Social Link being so easy to break because if you think for a second before doing anything, you'll realize it makes sense that she wouldn't want to be hugged.
But that's enough salt, I love Yukari for a lot of different reasons but the main one is (predictably given that it's me) her relationship with Mitsuru. Regardless of how you want to view it, they are so important and integral to each other's character development. From the tension between them at the start of the game to the end where they're so close, it's honestly one of the best relationships in the game in my opinion. You can really see how much they grow to care for each other. Yukari is the only character brave enough to call Mitsuru out for her bullshit and you can see how Mitsuru grows to appreciate that (because as much as I love Mitsuru, Yukari is absolutely valid to call her out for some of the stuff she does and she needs Yukari to do that). Yukari also ends up being the catalyst to Mitsuru's ultimate persona awakening. At the start of the game too, we're made to believe that both of them are very different. But as the game progresses we're shown that they're actually quite similar. Something I love that the movie does is this scene here (again thank you for pointing this out to me):
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The way Yukari finishes Mitsuru's sentence so to speak shows that they actually have pretty similar reasons to awakening to their powers (Mitsuru in order to protect her father and Yukari to protect her father's memory and find out the truth about what happened to him). Yukari also helps Mitsuru open up to others (she's the only other person aside from Akihiko that Mitsuru calls by their first name) and Mitsuru helps Yukari (in a way I can't explain because my brain is failing me) to not judge people as much. They're so important to each other and their character development is so interlinked I just love it so much and it's a big reason as to why I love both of them.
And my other reason as to why I love Yukari is that she's allowed to express her anger in a way that isn't fake or cute (I honestly can't think of another female character who is allowed to do this but I'm sure there's other examples). The best example of this is of course the Answer which I've spoken about before so I'll do my best to keep it brief. I think Yukari's anger in the Answer is a very real response to grief. She's upset over the loss of the protagonist (whom she's heavily implied to have feelings for but I don't think it's outright stated) and she's jealous of Aigis because she inherited his power. She wants to save him so badly because she really cared for him so now that she has a chance and the others are stopping her (in her eyes) she feels betrayed so of course she's going to lash out. Now I fully acknowledge that what she was doing was wrong and she is acting very rude but as I said it's her way of dealing with grief. Something P3 does very well is show how different characters react to grief (eg Mitsuru closing off even more from the others, Akihiko deciding to take it in his stride, Ken having a similar reaction etc). And Yukari's way is no expectation and it's not bad because there's no bad or wrong way to deal with grief. Something people forget as well is that she acknowledges and apologies to the group after the Erebus fight for her behavior and she explains herself (another example of how she is actually a nice person and not a total bitch). I just really related to how she dealt with the whole thing and I love her for that. I also think that some of the other characters in the series (Ann mainly) should have been allowed to express their anger in a more... Real way? Ugly way? I'm not sure how to describe it but I would have liked to see them get angry in a way that wasn't cute (somebody pointed out that the negative reaction to Yukari's anger is probably what stopped future female characters from doing just this and it was an excellent point).
OK so this was super rambling and if you got to the end then wow thank you. I just really love Yukari and it makes me upset how a lot of fans treat her, either as a typical oh this is my persona waifu uwu or she's such a bitch I hate her with no thought process. I honestly understand why some people don't like her but I just ask that people think about how she reacts to certain things and why she acts the way she does before just essentially watering her down to a bitch with daddy issues. She's my emotional support bisexual and I adore how she interacts with the other cast (especially Mitsuru).
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cadomoisspokenfor · 4 years ago
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Ya know thinking about it, maybe there’s nothing more to Syds weird amount of trust for Farouk than gullibleness and pride.
There seemed to be a pattern of her not really internalizing the severity of Farouks crimes, she mostly just thought of him as an “asshole” throughout all the seasons and not someone doing deep long lasting damage to the people around her.
In chap 11 when they find the music box David ask what it is she says, “Nothing just your asshole parasite messing with my head.”
As if its Davids fault Farouks evil, or as if Farouks only a David problem, and not ya know, an extremely powerful supervillain bent on world domination.
I’m trying to figure out what Syds perception of Farouk was, so lets look at their major interactions.
1. Discovers his existence, chap 5. She was wondering what the problem in her and Davids relationship was and now she has someone to blame. I’ll point out, it’s likely she was only thinking of Farouk as an obstacle in the way of her and Davids relationship, and not as a horrifying abuser who’s had a chokehold on David for his entire life. Now the “mission” is clear, snip Farouk outta Davids head, everything’ll be perfect.
2. David and Amys childhood home, also chap 5. Farouk jump-scares them a few times. And I think as far as Syds concerned, that’s a cheap trick. She sheds a tear but then puts on a brave face and keeps moving. Just a horror show after all. None of it “real”. But then Lenny actually jumps out and attacks her, telepathically ties her up then starts grotesquely kissing David while he’s unconscious. And the way she talks, I think Syd internalizes Lenny as being like... a jealous ex. The kissing, the “you stole my man” type language. Man, this relationship obstacle just won’t get out the way. And then...
3. Mental Clockworks, chap 5-7. In the white room Farouk reveals his true form and chases Syd down which scares the shit outta her. But, important note, he doesn’t actually touch her before the delusion is put in place. It’s still very much not real.
Anyways, what’s a horrifying display of control and power for everyone else worked a bit differently for Syd. She was the only one who noticed anything was off. And she couldn’t place it for a while, which worried her, and she eventually gets incapacitated by Lenny. But then, she’s woken up by Cary who takes her into a phone booth and tries to update her on what’s happening, only she’s already figured it out. I’ll point this out as a moment of overconfidence, she’s visibly proud that she was able to see through the illusion. She’s not like the others, she’s a hero archetype. And being that means when Cary hands her the glasses and tells her to go save the others she’s super confident in her ability to do so. She’s the hero after all. And when she does put on the glasses she remarks, “She thought it’d be more interesting.” She’s actively downplaying this nightmare. I don’t hold it against her but my point in saying all this is that it comes back later. This is another instance of her thinking Farouk’s “Not that big a deal.” Underestimating his abilities. I mean, she saw through it after all, she could probably do it again if she needed too... right?
To summarize 3, Syd sees herself as the hero who saw through Farouks cheap illusion. She feels stronger than Farouk here, like he couldn’t hurt her (really hurt her I mean) even if he tried. And in that, she can’t relate to the others who treat it like a big deal or like a traumatizing moment in their adventure. It was just a standard hero vs villain fight to her. Really hope the points getting across cause this’ll come up later.
4. White room, chap 8. Another interaction with Lenny only this time she’s on the ropes, looking a lot worse for ware. Syds not scared of her anymore, or so she tells herself at least. She saw through Farouks tricks. She can do it again if she has too. Nothings gonna get in the way of her and Davids happily ever after. Except Lenny has a good point... she’s still inside David. Still attached to his mind. She could explode his brain if they try to rip her out forcefully. And David can’t handle himself against Farouk, Syd knows this. Cause Davids never won against Farouk up to this point. Getting out of Mental Clockworks was a team effort from her, Melanie, Cary, and Oliver. If it hadn’t been for the crown they wouldn’t’ve gotten out of their. Syds role in this was to keep Kerry and Rudy safe until Cary could complete his end of the plan. And she did. But David was helpless in that, as far she knows. So she, the hero, needs to do something. Just sitting around isn’t good enough. So... she switches with David again. Using a true loves kiss too, a truly fairy tale worthy action, one for the books.
She’s fully possessed now, completely outta control of her own body, but Farouk only used her to get Kerry. It’s a very short moment for Syd, she might not even remember it. When she wakes up she says, “Did we win?” She honestly might’ve just blacked out after the kiss. Because they’re not telepaths their minds are probably much easier to push to the side than Davids. She might not’ve really... experienced the possession is what I’m getting at. And she’s once again most concerned with David.
D: “You should not have done that, as much as I like kissing you.”
S: “It would’ve killed you.” She says that last line not in a concerned way, but in a playful-ish way. As if to say “Obviously I saved you. I’d destroy the world myself if it meant saving you.”
Ya know what, I’ll point out here also that David once again failed to beat Farouk. Syd managed to get Farouk out of his mind but David still couldn’t stop him in the real world.
5. Plaque, chap 9. As explained in show, Syds been part of the team hunting down Farouk and trying to stop him from finding his body. Before chap 12 she and everyone else is under the impression that Farouk is the source of the “maze virus”. A psychological plaque that freezes everyone in their tracks and causes them to chatter their teeth. Disturbing, but... just based on other stuff we know about the character... she probably doesn’t care that much. Her main focus is probably still David. And when David comes back, she immediately blames him for disappearing. Her context here being that he was found in the club they followed Farouk to, next to a bunch of teeth chatterers mumbling, “Help them. Their in the maze.” Clearly, he’s been somewhat involved with the events of the past year, so why hasn’t he contacted her? Why hasn’t he included her in it? Why’d he abandon her? He says he doesn’t remember anything? Ptonomy says otherwise. Clearly he remembers something. He’s keeping secrets. She gets why from the others, but why from her? They’re supposed to be a team. And he abandoned her, to go clubbing with Farouk or whatever it is that he was doing their.
6. Music box, chap 10. Davids back. Maybe she can just pretend things are normal. He leads them to the middle of nowhere and they find her old music box. Farouk. That asshole. His little jump scares and memory tricks won’t get to her. He can’t hurt her, remember? This is all he can do. Illusions, trick. And she’ll see right through them every time. Besides, was reminding her of her childhood really the best he can do? Yeah she’s got a childhood, so does everyone. She’s over it already. (I’m starting to type more and more in Syds perspective.)
6.5 Syd the illusion breaker gets caught in the maze, chap 12. Only... she’s out of it before David even enters her mind to save her. She sees that he’s there, doesn’t know why, but decides to use this as an opportunity to teach him a lesson. We all know the lesson though. The headline in this particular case is, “David never saved Syd from her maze.” He never even saw it. She doesn’t know what he’s talking about when she mentions it. He entered her mind but she’s the one in full control. Scary good control even, props to her. The lesson she’s trying to teach him is sort of... her own thought process on heroism. “Love can’t save us, it’s what we have to save.” Up to this point “love” is all Syds been fighting for. It’s been the driving force behind her heroism. She’s done some messed up things in her past, sure, but all her problems only made her stronger. They made her the “truth seer” she is today. They led her to David, the best thing that’s ever happened to her. No villain can hurt her more than she’s hurt herself. This all... obviously doesn’t translate perfectly to David. That’s just... not been his experience.
(Skippable David Tangent) Farouk hurt David the most that any one person could. And David couldn’t hurt himself more even if he tried. And all Davids pain hasn’t made him mentally stronger, less gullible, or less sensitive. The opposite in fact. Davids minds been split, unbeknownst to Syd. He’s in a constant state of confusion. He keeps getting tugged around by friends and enemies and doesn’t know what to do about it. Davids pain hasn’t shielded him at all, just caused him more strife. He’s even still being manipulated by his abuser. The survivor story just doesn’t work on him, at the moment at least. As far as Davids concerned his “strength” comes from his powers, and he didn’t get a choice in those either. Syd doesn’t see any of this, she’s not a telepath. She hopes her story will help him but... it really only applies to her. Back into her perspective though,
7. Lenny’s back, chap 15. I know this isn’t a Farouk interaction but it is sorta important. Davids not listening to her. She’s trying to remind him of the mission, trying to keep him focused, but clearly it’s not working. Losing his sister really affected him. She understands sure, but he won’t even talk to her about it. Love is what’s supposed to be used to help each other through these dark times, to make sure people don’t feel alone. But he’s isolating himself from her. He isn’t “saving love” he’s pushing it away. That’s not what heroes are supposed to do. Farouk is once again in the way of their love. She can’t blame David, and she knows it’s not her fault, so Farouk.
But the headline there is she’s downplaying his sisters death. As if it’s just another trick to mess with him, an obstacle to be hurdled over. Like the music box thing. But... his sister died. In fact... Lenny was more immediately comforting to him about it than either of the Syds were.
Syd still isn’t internalizing the pain Farouks causing to others. All she’s internalized is her own wins against him and the fact that he’s never permanently damaged her specifically. Or so she says. He’s still just a ghost in a haunted house.
8. Lenny talk, chap 16. Syd comes over to gloat. She sees through Farouks trick. Lenny’s not gonna frazzle her, or David. She’s just another obstacle to their happiness. Only Lenny drops a hard truth on her. And Syd doesn’t seem to want to hear it. She’s stunned at. Tbh... I think she walks away deciding not to believe her. It must be another trick. She just said that to mess with her (again, Syds thoughts). She really really wants to continue thinking of Farouk as “just some asshole” who they need to work with and/or defeat so her and David can finally have their happy ever after. At this point, if she actually started thinking of Farouk as dangerous to her, as a major threat, it’d feel like giving him power. The power of fear, over her. She refuses to be afraid of Farouk, cause she knows that’s how he tricks people. That’s how he controls them. So she doesn’t listen to Lenny. She resolves to continue downplaying Farouks crimes. A dog barking in peoples ears.
9. The cave, chap 18. In between this and the last one David left her again. He really doesn’t get what “saving love” means. But she dedicates herself to him again. If he won’t save love, she will. She’s a hero after all. She’s beaten Farouk in the past and she’ll beat him again if she has too. And then... the cave. Incorporating what another fan has said, even if Syd does pic up on Melanie being Farouk, she knows her future self wanted to work with him for some reason. He was the key to saving the world. He may be a house haunting asshole, but if he saves the world, then there’s gotta be something more to him... right? Melanie complains about Oliver some more, she’s over it. But then Melanie starts showing Syd images. Syd doesn’t know how she’s doing that, but some of the images are from very private personal moments. And they’re all centered on David. These must be memories. Both her and Davids. How Melanie is doing this can go on the back-burner for now, what is she trying to tell her with these? That Davids crazy? No, Farouk’s the one who was behind all these things. Davids “her man.” Her one true love. The problem in their relationship has always been Farouk.
But then... there are all those moments after she got Farouk out of his head. Him keeping secrets. Him not confiding in her, or being there for her. Him constantly leaving her behind. That’s not how love’s supposed to work. A psychopath? Well, when you say that... and you show these images on the screen... and you show him torturing Oliver ( a victim) to get to Syd. And enjoying it, almost like he just wanted the excuse to go all out. Like it’s not really about saving Syd. Or love for that matter. Syd maybe admits to herself at this point that Davids fairly unhinged. He’s had a rough childhood though, there were bound to be some sharp edges here and there. He tortures Oliver for a long time though. And it really starts to feel like he just likes doing it, not that he’s doing it cause it’s “necessary”. It doesn’t even work.
And then... Melanie shows her Future Syd. She matches the description David gave her. And there’s David, in those same pajamas he wears. And... he’s kissing FS. He didn’t tell her about that. It’s not cheating cause it’s her future self. But... they talked about this. David was the one to say it might feel weird. Why not tell her? Why keep that a secret. Even if it’s not cheating, it certainly feels like it. It’s a huge betrayal. And he doesn’t have Farouk as an excuse. Davids just... a bad person. She’s starting to piece together the point of all this. “Legion, The World Killer” yada yada.
David hasn’t been loyal to her. He hasn’t saved loved, he’s not going to save love. The path he’s on is dark and selfish. Could he destroy the world? They’ve known he could since season 1. They never thought he’d actually do it. But wait no, you can’t give up on love that easily. He’s a good person. And then Melanie shows it all again. And she shows him kissing Lenny. And she shows FS telling Farouk about David. And Syd can’t help but concede. Davids too far gone. Farouk may be an asshole, but David lied about everything. He lied to Syd. Again, Davids not going to save love, he missed the mark on that. Davids going to end the world.
Very important to point out here, as I’ve tried to build it up, Syds internalized herself as a hero who doesn’t let anything get to her. Farouk can’t hurt her with his illusions and tricks. She’s seen through them before and she’ll do it again. But David betraying her? Keeping secrets? Playing with her heart? That hurts more than anything Farouks done to her. She invested in David. She was on his side no matter what, but he wasn’t on her side. So if FS says Davids evil and has gotta go, than she’ll believe her. He’s gotta go.
All of this hopefully explains my theory on Syds specific moment-to-moment reasoning thoroughly
I also wanna say though, if I’m right this makes Syds moment on the mountain make more sense. All the specific unexplained discrepancies.
She says she knows it was Farouk who showed her all that. Because she doesn’t perceive Farouk as that big of a threat and again, as mostly a house haunter. Those were clearly memories, she doesn’t care that the infos coming from him, and she believes she can tell the difference between an illusion and something real. so Davids gotta answer for that.
She gets a detail wrong, she says “He went to see her, after you quit.” But we all know he saw her before David quit and specifically set him up. Syd doesn’t know David specifically broke their rules after they set them. She thinks he kissed her beforehand and didn’t tell her for whatever reason.
And again, she doesn’t fully understand what everyone around hers been through. Hence, “The son of sam” thing. To her, Farouk maybe evil, but you can see through his tricks if you just try hard enough. Even though he possessed her she didn’t really register it happening. At a certain point the things you do when he’s in your head are on you (says Syd).
Oh, and also majorly, the “Farouk, your enemy” thing. She never really care about him all that much. He was just an obstacle. David was the one who had a weird complex about him.
Tl;dr Syd doesn’t view Farouk as much of a threat. She doesn’t register or internalize the pain he’s causing to the others cause he’s not doing any of it to her. Syds main focus is David and when she realizes what Farouk’s showing her are memories, and that David’s betrayed her and isn’t planning on “saving love”, that hurts her more than anything Farouks done. Thus, she turns.
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lovelivingmydreams · 4 years ago
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A story by heroes and vilains
Virgil Anker: Confrontation
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Virgil hates confrontation. That is probably why it took him until now to talk to Janus. And even now it can’t be avoided any longer, he wants to.
When he saw Roman again the next day, he was momentarily speechless.
When he said he’d try out wearing his flag, Virgil hadn’t expected him to do this. The theatre kid entered the classroom with rainbow hair and a rainbow backpack slung over his shoulder, his red varsity jacket open, showing off his matching rainbow shirt. Roman locked eyes with him and strode over to his desk with an excited grin, sitting down on top of it. “You are extremely extra any chance you get aren’t you?” Virgil chuckled. Come to think of it, he really should have expected this. “I am,” Roman agreed, proud of it, as he took off his jacket. Virgil smiled as he saw the writing. Gay Disney Prince indeed. “Well it looks good on you,” he told him honestly. It did. It was like he was glowing. “Why thank you, mi caballero guapo.” Before Virgil could begin to decipher that, their homeroom teacher walked in and Roman took his seat. The second they were handed their schedules, Roman compared them with a growing smile. “We have almost every class together!” he exclaimed, sounding about as happy about it as Virgil felt. This year was looking better and better with every minute. “Aside from our electives that is. Why am I not surprised you’re taking drawing classes? Though you don’t really need the extra help. You are amazing as you are. Which reminds me. Did you think about sending in your designs?” Virgil didn’t really have the chance to react to anything Roman just said, and when he did, he wasn’t capable of it. Roman had been leaning over to read Virgil’s schedule and hadn’t moved away while ranting, and now he looked up and Virgil could feel his breath on his face. Roman quickly sat up with a sheepish grin. “Sorry. Got a bit ahead of myself there.” Virgil looked away to hide his emberasment. He played with the edges of his hoodie for a moment. He knew he was blushing and that his foundation wasn’t covering it up anymore. Why had he let Picani and the counselors convince him to slowly build off the amount he put on every morning? Sure it was part of letting others in and all that stuff. But he was still nervous about it. Blushes and freckles and heaven forbid any sort of tan hadn’t been seen by anyone other than his dads in ages. Even uncle Thomas hardly saw him without make up on. And J… Well, it’d been a while for him too. Start of last year come to think of it. The last time he’d stayed over at his place for a night. It was a thing that just happened sometimes, when they were too lazy to go home. They both had a bag of stuff in the other’s house for just such occasions. Those days of having so much fun that hanging out just evolved in staying over were something he’d missed a lot. And part of him still hoped they’d come back soon. That Janus had woken up and was back to his old self. “No problem…” he assured Roman, forcing himself not to dwell on those thoughts. Instead he thought about the answer to his question. “Well… I don’t know. You really think he’d want it?” he checked, looking up to read Roman’s face. “Are you kidding?” Roman exclaimed with a look as if the answer was the most obvious thing in the world. “If I were forced in that atrocious ‘crime against fashion’ as you adequately called it, I’d be wishing on every star for a new outfit. And what you have drawn up. It’s not just an answer to his every prayer, it’s the most awesome costume he could ever hope for.” Virgil felt a corner of his mouth lift and looked away again. “Alright… I’ll send it in… But with some adjustments and under an alias,” he insisted. He wasn’t sure how his dad would feel about him restyling the city’s newest hero. “How about Dante?” Roman offered. Virgil did his best not to show how happy that choice made him. He’d gotten the reference. He knew the book. Of course he did. He was a theatre nerd. He was bound to know the classics right? Virgil nodded. “Sounds good,” he agreed. When the door opened Virgil had actually been in the process of taking out his sketchbook to show Roman the finished design, but then the teacher spoke and he immediately found every nerve in his body on edge. Not a great reaction to have when hearing your life long best friend’s name. Virgil couldn’t make himself look at Janus. He’d promised himself over and over again that he’d face him head on when the time came. Principal Stokes had warned him that they were in the same homeroom. But once class started he’d foolishly hoped that they managed to move him in another group after all and had just forgotten to tell him. He should’ve realized he was just late.
Before he knew it, Janus was in front of the desk. “Move, that’s my seat,” he said through gritted teeth. What had him so agitated? He’d taken peace with Virgil sitting next to Roman last year right? Why was he back to being a jerk about it? Sure he’d never liked it, but hadn’t he learned his lesson about telling Virgil who he could and couldn’t sit with? “De ninguna manera,” Roman replied, leaning back in his chair with a confident smirk. Virgil wracked his brain. He’d just told Janus, “No way,” if he remembered correctly. Roman had never talked Spanish for no good reason before though. Was this because Virgil asked about it? Some kind of learning by exposition? “You want to sit with the coolest kid in school? Get here on time.” And then he has to go ahead and say that. Roman definitely did not know the power he held over Virgil’s mood. Hearing Roman say that, without a hint of doubt or insincerity, made Virgil a lot more confident about what he had to do today. Roman Castile had his back, and a lot of other people too. People liked him. He had to remember that. “Excuse me?” Virgil’s eyes widened as he saw that Janus raised his fist. He’d never seen him actually hit anyone. He’d threatened to do it a few times. But never in front of a teacher. Had he lost his mind? “Mr. Bullard! Seat! Now!”
Janus’ gaze moved from Roman to Virgil, waiting for him to say something. Too bad for him, Virgil wasn’t going to say what he wanted to hear.
“You heard the teacher Jan. Just go.” After a few moments of disbelieving silence Janus went to sit at the empty desk on Virgil’s other side. Luckily there was a bit of open space between them. “Good,” the teacher sighed as she continued her class. “As I was saying, I hope the rest of the year will go without any more incidents like yesterday. Mr. Anker, Mr. Castile, I speak for the whole school when I say that we are happy to see you two are back and unfazed by yesterday’s incident.” “Thank you Mrs. Foster,” Virgil muttered a little embarrassed by the attention. He just hoped some different type of gossip would grab everyone’s attention soon. And maybe it already had. Roman’s coming out might distract a little from what happened yesterday. “I wouldn’t dream of depriving you of my radiant presence for another day,” Roman jested, stealing the show effortlessly as usual. Virgil joined his classmates in their laughter, feeling himself relax. The bell rang and Roman and Virgil were among the first to leave the class. Janus, luckily, had to stay back to get his schedule.
Virgil was happy to find that Roman’s locker wasn’t that far from his. “Where are we headed next?” Roman asked while he was collecting his things. “Um…” Virgil muttered as he dug in his backpack. He was pretty sure he knew the schedule by heart already, but they had enough time to make sure. The second Virgil confirmed their destination, the paper was snatched out of his hand. “Hey!” he exclaimed turning around to find Janus studying his schedule. He looked very unhappy.
Virgil was angry enough not to worry about that. His attitude from earlier and now combined made him not feel sorry for the cold shower Janus was going to get once he learned the full truth. “How can we have no classes together? I thought we were going to take sociology?” And he just pissed him off even more. “No!” he snatched the paper back, surprising Janus. When their eyes met he could see surprise shift to hurt confusion. “You were. I tried to tell you that I wanted to do art, and you didn’t listen. Like usual.” And that was all he was going to say about it right now. He was so mad at himself for hoping today would go well after that stupid text. He always got him like that. But this back and forth was hurting him. Hurting others. He couldn’t let it continue. “We’re in building C. Let’s go,” he told Roman, who nodded, collected his last things and starting to follow him to class. Staying out of the argument, like Virgil had asked him last year. “Virge, come on!” Janus was blocking his path, looking at him pleadingly. Looking like the real Janus. No. It’s a trick. Or not a trick maybe. But it wasn’t… He couldn’t back down now. “You are mad, I get it, I’m sorry okay?” Virgil felt his heart clench. It had been a while since he’d said sorry like that. But saying sorry, while a good step, was only a start. He and Picani had made a list of things that needed to happen before Virgil could start letting Janus back into his life. If ever. “Can’t we talk about this? We always work things out,” he pleaded  and Virgil flinched. He wanted to. He really did. Not here and not now though. He had to do this. For both of them. They both needed some space. “My decision is final J. I’m done enabling your behavior. I thought I was helping you out, but I was making it worse. I can’t protect you anymore… You are right. Sometimes we have to do what’s best for us. And for me, that is not being around you anymore.” Please, please let it be now. Virgil wished. He didn’t, he was reaching out, and once more, Virgil found himself looking at Roman’s back. “He’s asking you to back off. Give him some space.” He sounded soothing. He wasn’t trying to taunt Janus. Just to diffuse the situation. Janus didn’t see it that way. With a loud bang, Roman was pushed against the lockers, making Virgil flinch. This wasn’t good. He could feel his self-control slipping. He couldn’t have an attack right now. He hated that he’d taken a pill yesterday. If he hadn’t then he might have allowed himself to take one today. Now he was going to lose it in the middle of the hallway and… “Stay out of it Chapero!” This was followed by another bang. Virgil looked up and was surprised to find Roman was now the one holding Janus against the lockers. He looked livid. “You better not know what you just called me,” he warned. Janus grinned at him, clearly feeling vindicated for some reason. “I don’t say anything I don’t mean. Payaso.” Virgil had to put a stop to this. He wouldn’t let Janus taunt Roman into getting in trouble. “Roman! What’s going on? Let him go. Let’s just go to class. Please,” he pleaded, wondering if it would help to lay a hand on his shoulder or make things worse. Roman looked back though and once their eyes met he seemed to calm down. “Sorry. You’re right. We’ll be late,” he sighed, letting go and letting Virgil lead him to their class “Get to class Jan!” Virgil called back. “This isn’t over!” Janus promised, but to Virgil’s relief, he didn’t follow them. Virgil waited until they left building A before he looked over to Roman. He looked really upset. After taking a deep breath to steady his nerves, he carefully laid a hand on Roman’s shoulder. “You okay?” he asked. “I’ll be fine, just pissed off,” Roman assured him before looking at him concerned. “How about you? He was your friend for a long time right?” Virgil sighed sadly. “He lives in the house next to mine. We basically grew up together I guess.” Virgil wasn’t sure if he wanted to smile or cry as he thought back to the countless memories they shared. Janus and his parents had always been a part of his life almost as much as his dad was. “And I tried to protect him from bullies as best I could, you know because of,” he made a gesture to his face. Roman nodded. He understood. “I didn’t realize he isn’t that same kid anymore. I guilted myself into sticking with him. He was my friend, if I didn’t help him who would? He needed me. He stuck with me too. You get the picture,” Virgil shrugged dismissively. Though it was so much more complicated than that. He didn’t want to get into the nuances of his past and his decision now though. There was simply no time. “When he told me to take the same elective as him. I had enough. I told you about the summer camp I went to. What I didn’t mention was that it was a camp where they teach you to stand up for yourself. ‘your needs are important too’ and all that stuff. So when I got home I asked my dad to help me convince the principal to make sure I shared as little classes with him as possible. I felt shitty doing it.” It still felt like a betrayal on his part. “But at camp, I also learned that me tolerating Jan so long isn’t helping him. Mrs. Danvers was on the right path when she separated us last year. We both need to learn be us without the other. And maybe when we’ve figured that out, we can try again.” God he hoped they could try again. He missed his friend. But that might take some time. And the ball was entirely in Janus’ court. Speaking of. How badly had he just messed up with Roman to make him loose his composure like that. “What did he say?” he asked Roman. “Janus likes to brag that he is fluent in Spanish and French. I didn’t know he’d also learned slang.” “He learned slang alright,” Roman scoffed. “I’m pretty sure he was just trying to get a rise out of me, which succeeded.” Roman took a deep breath, calming down considerably. “You sure you want to know?” he asked, much more gentle. “Yes. If it upset you that much, I do,” Virgil said firmly. He wanted to know how mad he had to be with Janus when they inevitably talked later. “Alright. Payaso, means clown,” Roman told him. Clearly he was starting with the less offensive term. Virgil gave him an encouraging nod. “And… Chapero,” Roman’s face when he said the word filled Virgil with dread. It must be really bad. “It means- It refers to my…” Instead of finishing his sentence, he gestured to his coming out shirt. No… “Seriously!?” he growled as he turned, about to tell Janus that he’d have to work twice as hard to make Virgil trust him again now. Because this… This made him want to keep Janus away from his family. What if he’d said something insensitive in front of Logan or Patton? He would not allow it. Suddenly he felt a pull at the back of his hoodie. Stopping him in his tracks. “We can’t be late. Not for him,” Roman reminded Virgil. “You’re right.” There were priorities in his life other than Janus. He could not let him take up a leading role in it any longer if he wanted to heal. Man, he was started to sound like Picani. They arrived in their class and sat themselves at a desk fairly central. Virgil was secretly happy that Roman chose to sit next to him again.
“Well, what do you know? My two favorite boys at one desk. Must be my lucky day!” Virgil looked up. Stacey was sitting on Roman’s desk, subtly respecting Virgil’s personal space while still drawing his attention. He appreciated that. She was good at this flirting thing. “Good morning to you too Stacey.” Roman greeted with a smile. “Hi,” Virgil said casually. “Ro. Guess where we’re going for our date?” Stacey asked excitedly. “No clue,” Roman shrugged as Virgil tried to find a polite way to correct Stacey. He wasn’t sure if he wanted to go on a real date with Stacey yet. It wouldn’t be fair to her to let her think he was. And even though Roman clearly wasn’t into him, he wanted him to know that it wasn’t a real date for some reason. “The art studio! We’re going to go nuts on a blank canvas together. Isn’t that the coolest thing you’ve ever heard?” she gushed. Virgil was kind of flattered that she was so enthusiastic. But still… “Well… It’s basically just hanging out,” he corrected her gently. To his relief Stacey seemed unbothered by that. “Yeah. What did you call it? Vibe check?” she verified. “Something like that,” he nodded to which Stacey started rambling again. “Basically we’re going to roll with it as friends and see if we click romantically while we are pouring our souls out on canvas. No click? No hard feelings.” Before anything else could be said the teacher arrived, sending Stacey to her own seat. After History he had art with Stacey. Connor Grant was everything he had imagined he would be. “Virgil Anker… You won the prize at last year’s exhibition. I see here you never took an art elective, did you follow classes somewhere else?” he wondered warmly. They were all sitting on the floor in the studio and getting to know one another. “Um, well I watched some tutorials and stuff online and took some inspiration from that,” he explained. “No formal training? Well such raw talent… It’ll be a privilege to help you find your way Virgil. Such a gift, deserves to be developed with proper guidance.” Virgil grew flustered at the praise and the cheers and claps he received. No one seemed envious. Grant was full of praise for everyone’s unique talents though, so that could have something to do with it.
After class he walked over to him. “Um, Mr. Grant. I kind of have two questions, if that’s okay?” he asked timidly. “Ask away,” the man smiled warmly.
“Thanks. Um… I kind of made a portfolio of sorts. Would you mind looking at it?” he asked shakily as he handed the binder over to him. “It would be my pleasure,” Mr. Grant assured him. Feeling empowered Virgil pressed forward. “Is… Are we allowed to use the studio after hours for private projects?” he wondered.
“Of course. The muse does not work on any arbitrary schedule set by us. You can always ask me for the key,” he said as he locked the room and handed the key over to him. “What… Really just like that?” “I have a spare should I need it. But I’ll need that one back after your date with Miss Stacey.” Virgil blushed and bit back his protest. It didn’t matter. He had the key, he could get on with his day.
He hurried to his locker, hoping to find Roman there so they could walk to Math together. Roman hadn’t arrived yet. Drama must be running late. Virgil packed his things humming to himself when he suddenly felt an hand grab his shoulder and turn him around roughly. “We need to talk, now,” Janus said, clearly in a hurry. Virgil frowned. He was right, but he wasn’t in the mood to talk anymore.
“Are you going to apologize to Roman?” he bit. “What?” Janus asked baffled. “Or any of the people you’ve tormented over the past year, if not years?” he doubled down. “Because the only way, you and I are ever going to be on speaking terms again is if you stop acting like everything I despise in this world. Which, in case you are unaware, is a narrow minded, homophobic, bully.” Janus looked down, ashamed, and that gave Virgil hope he really shouldn’t be feeling now. “I already told you Janus. I’m done. When you start acting like my friend again, I’d like to have him back. I miss the Janus I’d stick by no matter what. But the guy I’ve seen the past year… I don’t know who that is. All I know is I want him nowhere near my family.” Janus looked up. “Listen, I messed up. I got mad and I just said the worst thing I could think of okay? I know that won’t excuse it. What with your dad and his boyfriend situation…”
Virgil stiffened. His protective instincts fully engaged. “What do you mean…” when did he learn about Patton? Why hadn’t his parents told him? “If you said something to upset Patton or Logan, I swear!” “NO! I didn’t… I promise. I just… Need you to hear me out, like now. I need to tell you something important. Let’s just go somewhere quiet for a bit. Okay? I swear I’ll leave you alone after… Just, please Virgil, I need you to know…” There was a part of Virgil that saw Janus’ desperation and wanted to answer. Wanted to lower his guard and follow him. Help him out. He shook his head. “I can’t Jan. I want to. Trust me, I really want to be friends again. But I know that if I go with you now, things will just go back to how they were and that… I was being suffocated by you. I didn’t feel like me with you anymore. Even when we were just us, I couldn’t fully be myself. I’m sorry. But I’ll listen, once you’ve proven you're over this whole,” he gestured to the general space between them. “Thing where you think you can control my life. It’s not good for me.” He was about to head to his class when he was pulled back and slammed against the locker, hard. He didn’t have time to protect himself. The impact hurt. But he kept his composure. “Damn it Virgil! Just stop being dramatic and come with me!” Virgil heard people gasp and shout around them. He just stared Janus down, to make sure he saw that there was no doubt in his mind when he replied. “No!” “Let him go Bullard!” Virgil looked up surprised. Roman had come. He was happy to see him. But he didn’t want their friendship to start off with Roman thinking he couldn’t take care of himself.
“I’ve got this Roman,” he told him. Roman looked at him, his gaze steady and calm. “I know. But you don’t have to do this alone.” Virgil took a moment to process that. Right. Roman knew he was capable of standing his ground. This? was different from when Janus would try to ‘protect him’. Roman was being supportive. Not controlling. He had not once decided in Virgil’s stead. The closest he’d gotten to that was that one time he’d been openly critical of his friendship with Janus, for which he’d been apologetic right away. Two of Roman’s friends flanked him, one, Kelly, whispering something to him. Roman nodded in acknowledgement. He raised his head, squared his shoulders and spoke clear and decisive. “I’ll ask one more time. Leave him alone.” Virgil barely registered Janus stepping away. He would’ve crashed to the floor if he hadn’t stabilized himself a little with his shield. He was glad that that power was a rather intuitive one, because he never seemed to have time to decide to use it. And catching himself was not an application he would have come up with on his own. He rubbed at his chest where Janus’ arm had pressed into him, speeding up the recovery. “Think you can take me Castile?” Virgil looked up at Janus, he was walking towards Roman arms lifted as if daring him to hit him. What was he doing? This was the opposite of helpful if he wanted… Didn’t he want them to be friends again? Roman wasn’t intimidated. “I’m not going to give you the satisfaction of getting me in trouble,” he replied once Janus came to a stop. “So you’re just talk then huh? Afraid to get your butt kicked in front of everyone? Trying to score easy points with Virgil? Hoping I’ll let you steal him from me that easily?” Was he trying to blame Roman for this? Virgil had worried something like that would happen. Janus clearly thought he had no agency of his own. But still… Had he completely lost his mind? “Trying to repay him in some small way for saving my life yesterday. But none of that is any of your business.” Virgil was in awe of how passionate Roman sounded. “Virgil’s decision to finally break free from you has nothing to do with me, and everything with how you’re treating him. I don’t understand what he saw in you that made him stick around this long. But you took it for granted and now it’s done. Leave him alone.”
Just then, Roman’s other friends, including André, arrived and immediately they all started to tell everyone in the audience to get to their classes. As the crowd disappeared Virgil saw the tension leave most of Janus frame. Though he could see him tap his left hand against his leg, a dead giveaway that he was growing more nervous.
“What’s wrong Castile? Don’t want an audience? I thought you lived for the cheers of a crowd?” Roman didn’t budge. “Or maybe this is an exclusive event? Just for your little fanclub and Virgil? Is he your newest devoted follower?”
Virgil winced at the sting of hurt and betrayal in J’s tone. “You guys should head to class,” was Roman’s response to that. His friends did not like that. “You’ll all get in trouble if you don’t get to class in time. Now go. Tell our teacher that Virgil and I will be there soon. I’m not feeling well and Virgil is looking out for me.” Janus scoffed. “Making your friends lie for you Castile? Some friend you are.” Roman quirked a brow, not impressed. “Or tell them the truth. Apparently Bullard wants detention on the first day.” Virgil could tell Janus realized he had made a mistake. Roman’s friends left and Janus doubled down on the false display of confidence. “Now we’re talking! A private show, just for you Virge,” Janus looked back at him, but Virgil didn’t want to reward his behavior with the slightest bit of attention.
He just kept soothing the imprint on his sternum and looked at Roman making sure he wasn’t in any kind of distress right now. “Virge? You okay?” Roman asked. “Yeah, fine,” he muttered. When he tried to walk past Janus though, he was stopped by a brisk hand gesture. He could’ve ignored it, but he could see Janus was seconds away from snapping. He didn’t want to set him off. Not so close to Roman. And besides that, he didn’t like seeing him in pain. “Just get to class. I can handle myself.” Virgil appreciated the thought, really he did. Roman was doing for him what he’d seen Virgil do for others plenty of times in the past. But Virgil had learned by now that that kind of behavior wasn’t very healthy of him either. “Stop mocking me!” Janus exclaimed. Virgil acted without thinking. He ran up to throw himself in between Janus and Roman and then he felt Janus’ fist connect with his stomach at full force. It hurt a lot, and likely would hurt for a while. He fell to his knees, groaning in pain. Roman was at his side in an instant. “V… I...” Virgil looked up and as he blinked away the tears that threatened to overtake his vision he could see Janus was horrified with what just had happened.
Roman was furious. “Messing with him emotionally and mentally isn’t enough for you? You have to resort to physical violence as well? What kind of friend are you?” Virgil flinched. Roman had really picked up on everything hadn’t he? He wanted to argue that Janus would never intentionally attack him, but the way his chest still ached, even though it was drastically overpowered by the pain in his abdomen, was proof that J could lose his temper with him. Janus didn’t respond. He looked down and walked away. Virgil could swear he’d seen tears in his eyes.
Once he was gone Roman turned his attention back to him. “You okay? Should we go to the nurse?” he suggested worriedly. Virgil felt is heart flutter a little at his concerned tone. Roman was making it really hard to get over his crush. But he knew that the nurse wasn’t an option. Besides, he was already healing. “No. Dad will lose it if he knows someone actually hit me. Let’s just go to class. I’ll be fine by the time we get there.” Roman looked uncertain. “Okay, if you are sure.” Clearly he wanted to argue, but he was respecting Virgil’s boundaries. “Thanks for catching that one, but you didn’t have to. I did some self-defense courses. I would’ve been able to get out of harm’s way without hurting him.” Oh? That was interesting. Maybe he could ask Roman for some lessons just in case. He’d watched some videos online on basic self-defense and parkour. The later he’d been practicing every time he went out. Just in case his cloak failed him next time the cops sent someone to figure out who was leaving them packages. You’d think they’d take the intel and not ask too many questions. But clearly that wasn’t the case. They even had heroes on the lookout for him in his regular spots. They must really want to catch him if they went through the footage to get hints on the location where he recorded some of the evidence. “I’ll remember that,” he grinned, trying not to show that most of his upper body was still in various degrees of pain. “Seriously though that’s the second time you’ve jumped to my rescue. Thank you,” Roman said as he helped him up. Virgil once again played off how it hurt with a grin. If not for his healing factor he would probably want to go to a doctor to be safe. And even now he was wondering if whatever he did to heal bruises was good enough to fix more serious injuries. Was it even a serious injury? Or did it just hurt a lot? He promised himself that if he was still in pain when they got to class he’d agree to go to the nurse’s office. It normally didn’t take him long to fix himself. “Guess DreamPrince inspired me to be heroic,” he joked. Because apparently, Dream Prince was now his codename for Roman whenever he was too scared to make his feelings for him obvious. “He does seem to inspire a lot in you. I’m almost envious of him.” Virgil’s heart skipped a beat at that. Did Roman mean…? “I’d love to be the one to inspire someone so much, artistically and the like I mean. Oh, that would be the dream. To be someone’s muse and have them be mine in return.” You already do, Virgil wanted to say. But he couldn’t. Not when he already agreed to give Stacey a shot. “That would be pretty cool I guess,” he said instead finally able to walk without wincing each step. “You sure we don’t need to have you checked out?” Roman was clearly not convinced. Virgil nodded firmly. It was not worth worrying his dad over. “I barely feel it anymore. He didn’t hit that hard,” he shrugged, feeling a little bad for that lie. But he wasn’t ready to tell Roman about his powers yet. Maybe he would be, one day. The rest of the day was hopefully a sample of how the rest of the year would go. Virgil sat next to or near Roman for every class they shared, and he’d allowed himself to sit next to him during lunch. Stacey got a kick out of the fact that Virgil had ‘charmed’ the key from the teacher. Virgil insisted that it was not that big of an accomplishment. They had fun. Stacey had a lot of energy and a curious and adventurous nature. He liked hanging out with her, and he thought she was very attractive. But when the cliché paint fight broke out and they came close enough to feel each other’s breath… Virgil knew that he could kiss her. He could see that she was okay with that. Hoping for it even. It would just take one question and a slight tilt forward… And he wouldn’t mind kissing her. He felt attraction that was for sure. He was even wondering if she’d be as energetic when being kissed as she’d been all night. But he didn’t feel a spark. He’d felt the spark a few times. The little jolt to his heart that told him that he didn’t just want to kiss a person. If that made sense. Not just with Roman, though that spark was still the strongest he’d ever felt. He knew that he liked Stacey, platonically. And he found her attractive, physically. But he wasn’t romantically interested in her. And while he didn’t see the harm in casually kissing... He didn’t want to do that with Stacey. For various reasons. He’d stepped away and Stacey pouted. But she’d agreed that she wasn’t interested in him long term.
She did offer to let him kiss her anyway. For practice. He’d laughed and politely declined to which she pretended to be dramatically disappointed.
When he got home and he told his dads that it was fun, but they were just going to stay friends, he didn’t miss the relief on Logan’s face. He bit back the comment about turning sixteen next October. His dad would have to come to terms with the fact that he was of the dating age sooner or later. But he wasn’t going to push it. He let himself fall onto his bed that night, thinking of Roman and how he definitely would have kissed him. About Janus, and what he’d needed to say. He let those thoughts go though. One day at a time. Today had been okay, all things considered. Maybe tomorrow would be fine too.
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akkalatechlabs · 3 years ago
Text
The Rise of Amadeus.
So after some talk with @artisticzaati I’ve decided I’ll post the side storyline that blossomed the most Amadeus art and really shows how he is at his peak. It’s written by him and I but I altered it a bit to make it more... readable for tumblr. You’re welcome!
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TW: Extreme descriptions of violence and major character death.
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Ravii awaited at the spot they made the deal at; Fort Hateno. The corrupted king sat upon a decaying guardian, looking up at the clouds slowly moving across the moon. Round and bright... Closing his eyes he listened to everything around him, the crickets, the wind blowing into the hollow guardians... it was honestly, peaceful. Not for long however, once that man step foot on the field, the kingdom was going to fall into his hands. If everything fell into place as he planned, like pawns on a chessboard, he would sweep this land and take it by force. It all depended on one man. The one who better hold his end of the bargain. If he did not show however...
Ravii takes out the locket in his pocket, looking at it. Opening it up it has a simple name in it beside the picture of that man and a woman together: 'Purah.'  
"Purah... Hm.." He closes the locket and shoves it back into his pocket, "I will see you soon it seems." He sighs, hopping off the guardian.  
Robbie, far from Ravii looked down at the new sword hybrid in his hands, swallowing nervously. This was all Ravii wanted and it was over.  
  Simple.  
“... Alright. Alright! Get ahold of yourself...” Robbie whispers to himself.
  (HE IS GOING TO TURN ON YOU.)  
Robbie freezes in place. No... not him. Not now!
“... everything will be alright.” Robbie reassured himself and... the other.
Nodding to himself he walks to Fort Hateno, raising his gaze on Ravii walking away. Robbie inhales and runs over to meet him, breathing heavily.  
“Wh-wait-! I am here, as promised! I... I also brought this, as promised!” He holds out the sword bladesaw combination, looking up at him for a moment then bows his head down, holding up the sword over his head.  
“It is light and swift as a normal sword but when you pull the trigger, it activates the bladesaw part...” He swallows nervously, staring at the ground. He can feel the other's gaze on him. Looking down on him. Burning into him... He hated every moment of it. But he needed to protect Purah and their child from this man at all costs.
"Impressive... you made it pretty quickly too." Ravii raised an eyebrow, taking the sword out of Robbie's hands. He takes out his other sword to compare the two blades carefully. Testing out the weight of each blade. He swings the ancient tech sword, humming to himself. Swings his other sword right after.  
Another amused hum leaves the King.  
"You are quite talented. Never met someone who can craft such weaponry like this before..." He glances at Robbie, seeing his head still bowed, "You impress me." He pulled the trigger and gasped as it went off.  
Immediately Ravii dropped his old sword on the ground to grasp the new blade with both his hands. Swinging it side to side, full force. Turning around he looks at the decaying guardian and swings at one of the legs, immediately cutting through it.  
"It is incredible! Such power..." Ravii smiles and looks at Robbie once more, pulling the trigger to make it stop, using the tip of the blade to lift Robbie's chin to make him look up.  
"You have my trust. All of it."  
  That was no easy feat.  
Sweat dripped on Robbie’s forehead as he looked up at Ravii, forcing out a smile.  
“Of course! It is always a pleasure to create new weapons... this was a difficult one but I did it! It is one of my best...” He slowly stood up, carefully pushing the tip of the sword away with his finger and took a deep breath.  
“Are... Are we done here? I brought you the sword. That is all you asked for, right? Is... is there anything else?” The Sheikah regrets opening his mouth already. He HAD to ask if there was anything else... Careless again.
  ... As always.  
Robbie's expression slowly changes to a grin, crossing his arms and shrugs.  
"Not that I would give you anything else. The sword is all yours now, can I leave, your Majesty or whatever you are.”  
Robbie suddenly snaps out of it, his eyes widen and he covers his mouth.  
“NOT NOW... NOT RIGHT NOW... YOU IDIOT” Robbie thought to himself, directing it to the other.
“ ... M-My apologies I... I...” Robbie swallows nervously. The other one was going to get them both killed at this rate.  
Ravii was taken aback by the sudden expression change of the other. His sudden... tone of voice and atmosphere around him sent the King to a genuine shock.  
"... What did you say to me? Repeat yourself." He aims the sword to Robbie's face, the tip of the blade just mere inches away from nose. Ravii leans closer to Robbie, glaring intensely at him. Eyes sharp as the blade itself.
"Say that again to me." Ravii glared at the Sheikah.
Robbie’s eyes widen as he gazes at the tip of his own creation in from of him. Slowly his eyes travel up to Ravii's face.  
“I... erm, I don't remember. I have this uh, c-condition it's uh... very serious. My brain just mutters weird things and I cannot control it!” This was incredibly unbelievable. Lying was not his best suit, that's for sure. But there was half-truth even with how ridiculous it sounded...  
“K-King Ravii, I apologize if I said anything to trouble you. Please forgive me. I beg of you! I'll make it up to you! Another weapon! Or... or... just...” He had to remain calm, this would go very badly if he screwed it up.
“... Th-the guardians. I'll make you a custom one that only listens to you! I can d-do that! Simple!” Robbie held his head down now, looking at his own legs wobbling from the amount of tension and fear he was facing right now. He felt sick, unstable... as if he could faint right here from the high stress.
"... Such disrespect for me will end up being your end. Do not speak to me again like that." Ravii lifts the blade slightly, tilting it to the side, slicing a bit of Robbie's cheek deeply.  
"... Understood? You are mine. You speak ill towards me and you will face the consequences. I do not care if you were to die, I'll get to you and..." Drawing back, Ravii nods his head up, ordering Robbie to stand.  
"... Purah, was it? If you wish to go against my words or even disrespect me even slightly... her blood will be on your hands. Do you understand me?”
All the color in Robbie’s face drained when he spoke her name... He knew her name.
   He... knew her name.
Purah isn't safe anymore.  
More was at stake now. More than he could handle. He couldn't handle this, he wanted to run far away with Purah for safety...  
Swallowing nervously Robbie stood up, wiping the blood that dripped from the fresh cut on his cheek against the sleeve of his jacket. Smudging the mixture of crimson red and a dark glimmer of black color across his cheek, making a larger mess on his face... His eyebrows furrowed as he hissed in pain between his clenched jaw. Being cut by his own created sword, at least he knew it worked... how ironic was that? Robbie forced a chuckle under his breath at the thought alone. How dare this man make a fool out of his work like this?  
Ravii turns around – his back facing Robbie. His cape gracefully following behind him.
  The symbol of the Triforce was on it... Ravii wore it with pride.  
"Now tell me... these guardians." Ravii spoke, glancing at Robbie with a side glance over his own shoulder, "How can they follow only my orders alone? How do you make them listen to your orders? Is it those ugly things you wear?" Motions his hand to his forehead, speaking of the goggles.  
"They do not work for me when I took them. Why do these 'guardians' only listen to you? What makes such a simple person like you so special?" Ravii spat at Robbie, glaring at the Sheikah. He turns around again, about to grab his collar until ... what was that black on his cheek? Ravii clicks his tongue, quickly inspecting the blood and whatever the black stuff mixed with it was.  
"Are you... even a Sheikah?" Ravii spoke as he scoops a little of it on his finger and rubs it between his index finger and thumb, looking closer.
"What is this? And why does it...burn?" Ravii wipes it on Robbie's jacket, frowning. "Ugh...disgusting. Let us go, you strange individual.... Clean yourself up. I don't want to be seen with such a mess of a person."  
Robbie slowly raises his hand to his cheek, wiping the malice mixed blood onto his hand and his vision starts to blur. Taking a deep breath, he shook his head to gain his focus back.  
“Ah... y-yes. The guardians and I are uh, you see... we are linked by a telepathic force. It took a while to master it but with the help of the ma-... ancient texts, I figured it out. It is a technique only the Sheikah can master. Especially me, since I... I have ancient technology built into me.” Robbie smiled a little as he taps his left temple, showing his burnt-out eye as it flickers for a moment.  
“Without me, they will go haywire. Well, the ones under my control. There are still some that I haven't gotten to save yet... but that aside! If you have me, the guardians will also be on your side!”  
 Maybe with that fact he won't get hurt again, Robbie thought to himself.
“Meaning you lied to me just now, didn't you?" The corrupted king looked down at Robbie, his grip on the handle shaking, twitching... aching to cut the man testing his luck in front of him again.
"So, what is the truth? Can they only listen to you or perhaps... they will listen to me if they see who is stronger? Is that it?" A crooked grin slowly arched on Ravii's face, his expression becoming more twisted before the other's eyes.  
"They just need to see who is the true leader here! The true king! I will guide them... I will guide them all... rushing to get what I deserve. I don't think I even need you anymore..."
Robbie’s eyes widened at the King, “No-! No... I am not lying! If I make it from scratch, I can program it to listen to you. The other ones are harder to do that. I swear! If I were to get hurt or..." Robbie swallows nervously, “...worse, they will target whoever hurt me majorly. A simple cut will not trigger them... but anything more severe? They will all go haywire and out of control searching for whoever hurt or killed me. I would never lie about something like this.” Robbie glances at Ravii's hand clenching the handle as he spoke. He could tell this man was clearly unstable. Worse than Astor, even...  
“I will make you many guardians that listen to your orders! I just need more time! More time... I swear it! Please...  
 ... Please...” 
There was a sob slipping in his voice, Robbie was becoming scared and couldn't hold back anymore. Tears were pooling up as he felt he was begging for his life right now.
Ravii shook his head, laughing.  
"Look at you! The real colors come out when I drop you. You beg for a use again... how humbling... but also incredibly pathetic." Ravii leans down, face to face with Robbie and wipes the tears off the other man's cheeks.  
"Fear not... your actions will not be in vain! I know people like you. You only live to be useful for others. Over and over... but there is always someone better, isn't there? A replacement. Just know... that you will always be in my heart. This senseless vicious cycle will end..."  
Ravii smiled, patting Robbie’s chest where his heart was, "And I'll make sure your dear Purah knows how proud you made the kingdom with your sacrifice..."  
Ravii drew his hand back and with a swift movement, he lunged the blade into the Sheikah's chest, leaning closer to Robbie's ear, smiling widely. "A worthy right-hand man you were."  
Robbie's eyes widen at the sharp pain in his chest, slowly glancing down at his own creation... no...  
   Robbie tries to push Ravii away as he drew closer again to him.  
“... ngh!” Robbie mutters out as his gaze started to blur. No... he can't do this. Everything was blurring.  
  The pain was unbearable.
Ravii pulls the blade out and kicks him onto the ground as he takes the locket out of his own chest pocket, tossing it beside Robbie.  
"As promised... Now then... I have a kingdom to take over and guardians to control. Goodbye, Robbie." Ravii turns on his heel, swinging his sword harshly to whip the blood off his blade as he walks away from the other laying on the ground. Ravii picks up his older sword he dropped from before, placing it back by his hip as he carried the new sword in his hand.  
“Pu...rah...!” Robbie whispers as he lays on the ground. Clenching his teeth, he tries to pull himself up - sharp pain would travel throughout his body with every movement.  
 He cannot let him get Purah. No.. No....
Ravii’s ear twitches as he heard Robbie muttering something under his breath.  
"Purah? Oh, that dear one? I'll take very good care of her. She is a pretty one... Maybe I'll make her MY wife!" The King cackles.  
“...Ra...vii!” Robbie speaks a little louder, making sure the other could hear him.
With his final breath he whistles for the guardians, glaring at Ravii, his eyesight clearing on the other man. Focused. Scanning. Making sure the guardians would destroy him from where he stood. Even with his last breath he would make sure Purah would be safe from this man.  
Ravii, still cackling at the Purah comment suddenly pauses as Robbie whistles. Tilting his head curiously.
Robbie slowly pointed at Ravii as guardians flew over him. Ravii, raising his head glances up at all the guardians flying towards him. 
Ah. This was his chance!  
"Hear me, mechanical beasts! I have defeated your... leader. You must listen to me now-" Robbie cuts him off with his last breath, simple two words that made Ravii freeze up.  
“... destroy.... him!" The Sheikah screamed in pure anger and hatred and dropped. He had no more strength to move anymore.
All the red pointers all focused on Ravii - as much as he adored the attention, he knew this would end badly.  
"... You bastard." Ravii clicks his tongue and takes a deep breath, glancing at the lifeless man across from him.  
"You were telling the truth, huh?" Ravii shakes his head. Sighing, Ravii rushes towards Robbie and skids to a stop, sitting beside him.  
"Shoot me. Your leader here is in shots way... want to hurt him more? Go ahead you idiotic beasts." He glares at the closest skywatcher to him dead center to the eye as he pats Robbie's head, cackling.
"Come on! Do it. Or listen to me..." A smirk arched Ravii’s lips.
The skywatcher scanned Ravii and Robbie beside him. Errors popping up on their side of the screen. Not knowing whether to shoot or not.  
“ . . . (bzzzt) . . . Smart.” That was... Robbie's voice from the guardian? No. It was more glitched than his voice.  
  What was that?
“You are pretty smart for a royal pain in the ass, I'll give you that.”
Robbie's hand suddenly slammed on Ravii's shoulder as he used him to sit up, shaking his head and took a deep inhale and exhaled. That same black ink from before was manifesting by the blade wound.  
Ravii flinches at the sudden hand on his shoulder as if all time stopped, he slowly turns his head, seeing the man he watched just die rise as if nothing happened. Like a phoenix from the ashes, he rises again... but this wasn't the same man.  
No. He could feel the overwhelming power from him. There was something dark within him and it chilled even Ravii - nothing ever made him flinch.  
 Not like this.
“That hurt, you know. I told him you would betray us and he fell right into that one, the idiot.” Laughing 'Robbie' pats Ravii's shoulder, leaning his face in front of Ravii's with a big grin on his face.  
“How dare you kill Robbie! We were just getting along too! But fret not, I'll save him eventually...  
 ... but!
   Until then! It's my turn to shine!” The corrupted Sheikah quickly grabs the hybrid sword he made and stands up fully.  
“Time to rock!” He smiles as he swings the sword by Ravii's face
"What?! How are you still alive?!" Ravii screams and goes to grab his old sword just as the other swipes it from him, swinging it by his face - cutting a few hairs hanging from his forehead.  
He was faster than Ravii in the state. What happened for him to change?
"What do you mean? You speak as if Robbie has died yet you - Robbie - are speaking to me right this moment! Have you gone mad?" Ravii swallows nervously as he jumps to his feet. He draws his old sword from his side, holding it up while watching the other closely.  
"...Just who are you?!" Ravii glares at him, standing his ground now.  
‘Robbie’ laughs and points the sword at Ravii while walking slowly around him, gazing.  
“Finally someone asks! But you of all people...” His grin grows wildly as his stare intensifies.  
“... I am Amadeus. I do not know what I am, but I have a body and mind, anger and passion. Am I alive? Who knows what I truly am. Perhaps I am merely apart of Robbie who was caged for so long... begging to be freed, or someone of my own. Malice with mind and soul of my own somehow? Despite it all...
  ... All I know is I am alive....and that we are one the same - two sides of the same coin. Unlucky for you, you ran out of luck with this flip. And now that I have full control again thanks to you, well...” Amadeus flips the sword in the air and catches it by the handle, snapping his stare at Ravii again.  
“I'm going to make sure you regret threatening Purah into this mess. Robbie begged for her safety and trust. I am not so nice like that.” His head twitches as he glares at Ravii. Thinking for a moment his expression changes, a mischievous grin on his face quickly flashes.  
“I'll be kind, I'll pretend to be Robbie for a moment though, just for fun! How would you like to go? A beam from one of my babies here or a sword into your empty void where your heart is supposed to be like you did with us?”  
Amadeus taps his arm in a ticking rhythm. Grinning still.  
“Tick. Tick. Tick... hurry before I choose for you!”
   ... For once.  
For once in Ravii's entire life, he was speechless and terrified. What WAS this man? No ordinary Sheikah... why didn't he sense that power around him? Did he somehow keep it locked away within him? No... there was no way he could have done that. Ravii shakes his head and glances at the guardians above and the ones quickly scurrying on the horizon. More were coming and he was going to be surrounded - no escape. He had to think quick... Maybe if he struck them like last time, he can kill this "Amadeus" as well...  
"You say you do not know what you are... perhaps I have... no, I truly did underestimate you. If you join me, imagine what we could do together - you and I! You could then discover who or what you are! Don't you realize what you can do? With this... with these..." He raises his hands up, looking at the guardians above them, "... we could take over this kingdom so easily. Just you and I alone!" Ravii was clearly shaking and avoiding the choices of his own execution.  
"We can take over together, Amadeus. You have so much potential... and you are wasting it on me. Why not of grandeur scale?!" He was pointing his sword at him now; his voice was panicked - he couldn't calm himself.  
"Please! I beg of you! Work alongside me!" Ravii’s voice was laced with desperation and fear. He stood, watching the other tilt his head in thought as he screamed and plead for Amadeus to join him.
“Oh, what was that? You beg of me? Wow... doesn't THAT sound familiar or WHAT?  
 Say it again, 
     say it again!” Amadeus cackles, clapping and walks towards him as two guardian stalkers follow him closely.  
“Yeeeow... muuuusic to my ears!” Amadeus grabs Ravii by the front of his cape and with his other hand he loops his sword around Ravii's sword, knocking out of his hand. Amadeus then slams him against the wall, glaring at him.
“Tick TICK...
  Actually, that is too bad... times up.”
“Wh-?!” Ravii winced as Amadeus slammed him against the wall, staring at the corrupted man in horror.
Amadeus tilts his head and pulls the trigger of the sword, making the smaller blades go on, rapidly spinning like the bladesaw.  
“You said you want to see who I am? Want to work with me? Well...  
  ... I made my decision. 
You hurt me twice with my own weapon, now you'll see it's ‘true potential’.”
Just as Ravii did to Robbie - with a quick motion he drives the sword into the corrupted king, not breaking eye contact as he does so. Watching Ravii as all the color on his face drains. Just like he did with them.  
Pulling the trigger again the blades stop and he let's go of the blade, leaving it there lodged in his chest.  
Ravii coughs violently as his eyes widened at the horror in front of him. Not the guardians or even the sword... that man in front of him. Ravii has never felt so much fear in his life. The sword he requested was now in his own chest by the creator himself.  
“I work for no one. If anything, I want to see this kingdom in ruin by my guardians. No kings nor queens, no monarchy... nothing. I don't care.  
  ... Oh, and you can keep the sword. It was made for you after all.”
Ravii’s vision was shaking, blurred... he felt panic, nausea... all at once and suddenly he felt ...
     ... Cold.  
Dropping to the ground he glanced up at the glowing eye of the monster in front of him. No, not the mechanical beasts... that monster he let out of the cage. Amadeus' eye glowing a dark, deep red looking down on him.
Amadeus watches Ravii fall to the ground and his grin only grows wider. It would be the last thing he sees along with the guardians lasers aiming at him. He waves his hand as he picks up Ravii's old sword and walks away.
The fallen king watches Amadeus pick up his sword and walk out of his sight. Now focusing on the red lasers of the guardians.  
Amadeus hum one last word that would be the last thing Ravii hears.  
As if all time stopped, everything was silent.
  “... Boom.”
The guardians fire their beams all at once and the king's scream were drowned out by the loud boom of the beams.  
King Ravii was no more.  
Nothing, nor even the sword was left.  
   Like the kingdoms he left behind.
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carlosgabrielruiz · 3 years ago
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PINKERTON - 33 1/3 Proposal Part 6
CHAPTER 4 Many Rivers to Cross:A Brief History of Rivers Cuomo
For most people, Weezer begins and ends with Rivers Cuomo. Period. Point blank. Rivers Cuomo is undoubtedly the brains and heart behind the band – without him, there would simply be no Weezer. Rivers is the primary songwriter, lyricist, band director, and de facto Great Leader (although it should be noted that in the early days he shared some of those songwriting duties and credits with Matt Sharp and original guitarist Jason Cropper). 
Rivers was born in Manhattan on June 13, 1970. He grew up in upstate New York in the Buddhist Zen Center where his father was a farmer. In 1975, his father left the family and Rivers moved to Connecticut with his mother and brothers to live in Yogaville on an ashram farm.(1) He grew up as a quiet and shy child only later to become a metalhead with an outgoing love for Kiss and Van Halen.
When he turned 18 Rivers moved to L.A. and started to officially make a go of it in music. He got a job at Tower Records and was introduced to drummer Pat Wilson. (2) They became friends and formed a band called Fuzz. Rivers moved into Pat’s apartment which he shared with Matt Sharp, who was a talented multi-intrumentalist. Matt soon decided to join them and they embarked on an odyssey that would eventually make musical history. 
Valentine’s Day of 1992 was a momentous occasion for the newly formed, yet still-unnamed, new band because that was the day that Rivers Cuomo (lead guitar), Matt Sharp (bass), Jason Cropper (guitar), and Pat Wilson (drums) first gathered together to rehearse and record their sessions. The band “got together at T.K. rehearsal studios, in West LA, and rehearsed for either 3 or 4 days straight.”(3) The demo tape that was made during the session featured a list of all the potential band names they were toying with at the time including the initial band name “Fuzz”, as well as “Meathead”, “Outhouse”, “Hummingbird”, “the Big Jones” and “This Niblet”.
Things moved quickly for the band from there. A little over a year after their first official rehearsal, the band - now officially named Weezer - signed a major label record deal with Geffen Records. The band had hoped to self-produce their debut, but the suits at Geffen were not going to let that happen. Eventually, the band picked Cars’ frontman, Ric Ocasek, to handle production on the record. According to Rivers Cuomo, “The record company was really pushing us to work with a producer, so we figured that if we had to have somebody in the studio with us, it might as well just be someone who writes good songs – and the Cars’ first record just rules.” (4) 
The band went to Electric Ladyland studios in New York to work on their record. Everything was going great up until it wasn’t. There were internal problems with the guitarist Jason Cropper that led to Rivers firing him from the band. According to Ric Ocasek, “He (Rivers) called me when the record was finished, the day before we were supposed to start mixing, and said, ‘Listen, I just fired the guitar player.’ So I said, ‘What are you gonna do now?’ He’s like, ‘I want all of his parts off the record.’” Luerssen (2004)
With two days before mixing was due to begin in New York, Sharp and Cuomo called Brian Bell.5 He auditioned on tape and was hired to replace Jason. But it was too late to in the game to fly him out to re-record all of Jason’s guitar parts. Under the gun, and with only a day of studio time left before mixing was slated to begin, Rivers re-recorded all of the guitar parts himself (even though Brian is credited on the record).
The Blue Album was released on May 10th, 1994. The 10-track LP provided a “new roadmap for alt-rock following the death of Kurt Cobain and the conclusion of grunge’s first era.”(5) The catchy power-pop record with hook-laden choruses and kitschy Spike Jonze directed videos was an overwhelming success. It would invade the mainstream and go on to sell over 3 million records in the U.S. alone. The band went on a seemingly never-ending tour to promote the record. 
Rivers struggled with the newly found fame and success that the Blue Album had brought the band. He was “frustrated by the limitations of rock and the lifestyle of touring around on a bus and playing the same songs over and over.” Cohen (2015). So he did what most people in his position would do, he put the band on a hiatus and enrolled in Harvard to study classical music. 
But before the semester started, Rivers decided to fix his right leg, which was two inches shorter than his left leg. The surgery on his right leg left him in agonizing pain. It would be a long recovery. During his first year at Harvard Rivers’ right leg was encased in a metal frame that would require him to adjust and tighten the screws daily in order to elongate the bone.(6) He became hooked on painkillers and opioids while trying to manage the pain.
As he told The New York Times. “I grew a long beard and walked around with a cane… The only time I could write songs was when my frozen dinner was in the microwave.” Rockland (2006) “Where I was emotionally … I went to a more serious and dark place.” Runtagh (2019). 
Alone and in pain, Rivers was listening to a lot of classical music and he kept coming back to the opera Madame Butterfly by Puccini. “One of my favorite operas by him was Madama Butterfly, specifically when the role was played by Maria Callas,” he recalled to Pitchfork. “On tour, I would listen to her every night after the show and be so moved by the depth of emotion and sadness and tragedy. It really was calling to me, like, “Come on, Rivers. You can go there. You can go much further with your music than ‘The Sweater Song’ or ‘Buddy Holly’.” Cohen (2015)
His deeply personal and emotional lyrics were raw, to say the least. He opened himself up to a level of honesty, anger, pain, and emotional truth that was only hinted at within the Blue Album’s casual, ironic detachment. But make no mistake, that anger and honestly was always there just below the surface, only it was wrapped around a bouncy hook with a singalong chorus. 
With a dozen or more new songs ready to record, Weezer decided to head to the studio. Only this time, they would self produce the new record themselves. They wanted a feel that was similar to their live shows that would better capture the power and energy of their new songs. The resulting record was a “grittier, slightly darker sound that was more Pixies than the polished power-pop Ric Ocasek had helped the band realize on the Blue Album.” (7)
A few months before the album was slated for release, Rivers Cuomo “issued a precarious warning to the band’s fan club about his mental state during the writing process:” Braun (2016).
There are some lyrics on the album that you might think are mean or sexist. I will feel genuinely bad if anyone feels hurt by my lyrics but I really wanted these songs to be an exploration of my ‘dark side’ – all the parts of myself that I was either afraid or embarrassed to think about before. So there’s some pretty nasty stuff on there. 
You may be more willing to forgive the lyrics if you see them as passing low points in a larger story. And this album really is a story: the story of the last two years of my life. And as you’re probably well aware, these have been two very weird years.
But the worst was yet to come... TO BE CONTINUED IN THE 33 1/3 BOOK PINKERTON 
1 - Weezerpedia. Rivers Cuomo. https://www.weezerpedia.com/wiki/Rivers_Cuomo.
2 - Cohen, Ian. (2015, February 9). Rivers Cuomo. Pitchfork. https://pitchfork.com/features/5-10-15-20/9590-rivers-cuomo/.
3 - The Weezer Recording History. (2006, February). Weezer.com. http://www.weezer.com/info/recording/WeezRecHist3.htm.
4 - Luerssen, John D. (2004, August 1). River’s Edge: The Weezer Story. Toronto. ECW Press.
5 - Runtagh, Jordan. (2019, May 10). Weezer’s Blue Album: 10 Things You Didn’t Know. Rolling Stone. https://www.rollingstone.com/music/music-features/weezer-blue- album-rivers-cuomo-things-you-didnt-know-822881/.
6 - Rockland, Kate. (2006, February 16). At School with Rivers Cuomo: Student with a Past. The New York Times. https://www.nytimes.com/2006/02/16/garden/16weezer.html.
7 - Braun, Laura Marie. (2016, September 23). How Weezer’s ‘Pinkerton’ Went from Embarassing to Essential. Rolling Stone. https://www.rollingstone.com/music/music- features/how-weezers-pinkerton-went-from-embarrassing-to-essential-105567/.
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shimmershae · 5 years ago
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Remember all the ship imagery we got in the early episodes of this season?  Carol literally sailing toward Daryl in a boat, the ships all over her bedding, the helm in the background as Daryl takes her dinner and a flower, and Daryl’s comments about poking holes in any boats she might use to leave him again?  Well.  It just occurred to me, when Carol had her emotional breakthrough and decided to fight and stick around and work toward putting her demons to rest, i.e. go home to Daryl, it was after a boat literally fell on top of her.  And maybe it was an odd little coincidence, but somehow I don’t think so.
I mean.  The first instance, with Carol literally sailing toward a waiting Daryl was lightly tossed about as our ship finally, well, setting sail.  I know I had a lot of fun with the idea personally.  But shining a different light on it, I think Carol ‘coming home’ to Daryl was twofold.  One, she was literally coming home, albeit somewhat reluctantly because she still hadn’t figured out a way to reconcile her feelings on Henry’s death and all the traumas it pushed to the surface nor all of the emotions being back in the circle of those who know her best kept ever present.  And two, it showed that Daryl is not only her person or place of stability, but that he perhaps has already reached the point where he knows exactly what he wants and that’s Carol herself.  I mean, he’s literally right there, ready and wanting to be her port in the storm.  
Yeah, I don’t know if I’m explaining myself well.  I’m sure someone else can piggyback on this and do a much better job, but I’m going to keep spit balling okay?  Okay.  
The boats on Carol’s bedding were a nice little touch, don’t you think?  Especially since Carol’s been shown to dream about Daryl in that bed.  Not in exactly the way that some of us might want her to, lol, at least not onscreen because our girl did say to Michonne that her dreams were good and that’s why they hurt so very much--why oh why they cut that scene from the aired episode I’ll never understand, unless they wanted to play close to the vest with their hand for a little bit longer (unneeded IMHO since those that don’t want to see are not going to see what’s staring them right in the face until it bites their noses off, but I digress) but still.  It’s been shown and suggested she dreams about Daryl when she sleeps in that bed.  Basically, she only allows herself to semi-admit what she most wants in her dreams, and I don’t remember if we see that bedding again later or not but I did find it kind of weird at the time that she was sleeping on top of the covers.  It’s almost like she doesn’t want to embrace (cover up) the comfort that her subconscious offers her, huh?  Psst.  Daryl.  Or, you know, literally stop running and relax enough to truly let her mind and emotions settle.  
I’m digging a little deep aren’t I?  Oops.  Sorry if I sound semi-delusional.  I am somewhat sleep deprived.  But truly.  My brain cannot accept that all of this is mere coincidence so the hamster wheel is trying to theorize and this is what you get.  Sorry not sorry, lol.  
So where was I?  
So basically Daryl’s had his epiphany.  The years Carol spent by another man’s side weren’t something he reacted to with the usual or stereotypical signs of jealousy because he’s Daryl.  He wants the best for those he loves even at his own expense, but there was some deep-seated stuff there he maybe didn’t recognize right away or likely, as with Carol, didn’t want to immediately confront.   
Sigh.  These two and their shitty self-esteems.  Whatever are we going to do with them?  
Putting the rest behind a cut because this is about to get even longer.  Read at your own risk.  ;)
Shit may not be settled, but Daryl’s more settled and mature than he’s ever been and he knows what he wants:  Carol.  So he’s there waiting on Carol’s boat to sail in.  He’s right there.  Waiting on Carol to have the same epiphany or reach the same conclusion or not, whatever may come, because Dude loves her.  He might not have put words to it, but he’s shown her and us in so very many ways.  Carol might have come to him on the boat, but make no mistake.  At this point in time?  Our man is the captain of this ship.  He’s standing at the helm.  Get it?  The helm in the background?  Er, I’ll shut up before I make myself sound even nuttier, lol.  
Let’s talk a little bit more about Carol, shall we?  
So Carol.  She knows what or who she wants too.  She just hasn’t dared to voice it.  Even in those woods, when her subconscious in the form of Alpha pressed her to admit the truth she wouldn’t say the words out loud.  It’s almost like her keeping those feelings secret is her way of protecting Daryl from the ‘monster’ she feels like she’s become.  
Oh sweet baby girl.  My heart aches so much for her.  She just has no idea.  Really and truly no idea.  
Listen.  Daryl was completely serious about poking holes in all them boats.  And call this a reach if you want to, but I think that little comment of his was twofold as well.  More on that a little later.  
Dude isn’t all that well-versed in matters of the heart, especially with somebody that means so very much to him.  So understandably, he’s not going to automatically get everything right.  And let’s be real here.  He’s still so much more of a show than tell kind of guy so that’s what he’s been doing.  Showing Carol how much he cares.  Demonstrating his love by being there for her, by having her back, and by calling her on her bullshit (but only after she’s taken up all the slack and put them both and their communities in an arguably untenable position). He wants her to stay and he’s done everything within his power to make her want to stay--except say those three little words.  
Which circles me back around to the two-fold part of the holes in the boat comment.  You know where I’m going with this don’t you?  Don’t you, lol?  There’s someone else Daryl hasn’t said those three little words to or about, even after Carol herself tried her best to put them in his mouth.  Our guy went so far as to tell our thick-headed Queen that it’s not like that, not at all, effectively poking the biggest of many holes in the most present ship.  I say present for lack of any better moniker.  Let’s just say that it’s the most threatening in Carol’s mind and subconscious because literally the only person acting like it’s a real thing is Carol.  Kelly’s little wink and nod isn’t something I’m going to take on gospel because let’s just say a thousand and one ships could be launched at a teasing sister’s behest and only one or two be manufactured out of more than popsicle sticks and imagination.  How many cute guys did your little sisters have you in love with when they simply offered you a smile or kind word?  I literally cannot keep track of how many would-be suitors my little sister would have had me have, lol.  The list is simply too long.  It’s one of the things little sisters are so very (obnoxiously) good at--spinning fantasy into a reality of their own making.  But yeah, I’m going off on another tangent.  In case you haven’t noticed, I’m very good at that.    
My point is this, hahaha.  Daryl’s not just willing to poke holes in all the literal boats to keep Carol with him.  The man has also, in his Daryl way, poked holes in the notion that he could feel something romantically for another woman.  Because it isn’t like that.  Not for the captain of this ship.  He knows what he wants whether he’s managed to use his words yet or not.  
Carol’s trickier because she’s not reached the same sort of zen Daryl has yet.  She’s still operating under the erroneous assumption that she’s not good enough for her Mr. Crossbow and has been doing her level-best to steer him toward what she considers his perfect match even though her subconscious has been baiting her to just fess up to her buried truth--that she wants and loves Daryl just as much as he wants and loves her.  
But you know what happened?  
A literal boat fell on top of our girl’s hard head and knocked some sense into her.  Honestly.  While the circumstances were actually heartbreaking--our baby girl’s emotions have been so fucked up for so long over something that couldn’t necessarily be helped in the world she’s been surviving in--I have to laugh now,putting it into this newfound perspective.  Kang literally bashed my baby over the head with her demons and the truth of her feelings.  Seriously.  She held all her so-called ‘failings’ up in her face and had her confront them before confronting her with her biggest fear.  That fear being, you guessed it, that she lose Daryl.  
You know what happened from that point.  
Deciding that she could never let that happen, Carol had her own epiphany--it’s never too late--and she decided to fight and she went home to Daryl.  Really went home to him and yeah, things are still up in the air because Angela Kang wanted to blue ball us just a wee bit more but I can’t be the only one hearing those drums break for their big solo in that old Phil Collins song, lol.  
I can almost taste canon on my tongue and hoo boy is it sweet.  A little bit spicy too.  
Damn the coronavirus.  Seriously.  Send that thing right back to hell.  
I don’t know about y’all but I need that finale yesterday.  
Anyhoo.  If you found your way to this last sentence after this mega stream of consciousness hooey, bless you.  If you feel inclined to add your own thoughts to my sleep-deprived thoughts, be my guest.  
Later, lovelies.  
Keep calm and Caryl the fuck on.  
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jadienjaystoriesandart · 4 years ago
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*Laces fingers together with a smirk* Soooo, lots of people do Sanders Sides Halloween stuff, right? Well here’s my AU on this. Based kind of the Goosebumps movie, in that it’s about characters coming out of books, but it doesn’t follow the same plot except getting characters into the books again. You’ll see.
The Forevermore Night! (Forevermore AU.)
this AU mostly is a reader insert, would make it a choose your own adventure but I’m bad at those. 
So, characters and plot, won’t spoil too much for plot but here’s the basics.
PLOT: You are an average college student getting by for another Halloween alone as usual watching scary movies, scrolling through Tumblr, and maybe going by yourself to a haunted house. That is until a package from your dear friend overseas comes in, it was your late/early birthday gift. Inside the box you find a series of books that your friend thinks you’d really like.
The Forevermore Series.
Supposedly it’s about different types of creatures who each haunt the reader in a choose your own adventure style. Seems pretty fun. And looks like there are 7 in total, perfect for a night of Halloween in your house. 
The books normally come individually, but your friend got them in a bulk in one giant book. They always did know you. Halloween comes tomorrow as you settle down to get a headstart in reading. However, upon opening the book a ringing fills your ears and you’re out cold. 
Upon waking the book in blank, and the seven characters turns out are very alive and seeking to cause mischief and find themselves a new host. 
Now you and the writers of the books, Joan and Talyn, have to round of the characters and get them back into the story before you become their next host and may or may not cause the world to be plunged into the world of the Forevermore. With you as the King/Queen leader as a puppet for the creations. 
However, something it’s quiet right, these people don’t act like book tales but rather real people. And Joan and Talyn refuses to answer any questions about how or why they are alive. Just that they were put into the books for a reason. There is more questions than answers, and you aren’t sure who your trust or who is telling the truth. 
Because if they were put into the books, that would mean they used to be real people. But if that’s true... then why were they put into the books in the first place? And why are they so afraid that a man named Thomas got out?
CHARACTERS
Patton Hart aka The Doll Maker - Ever been afraid of dolls as a kid? Yeah here’s a reason why to be afraid. Each doll is made with special care and crafted by hand when made by the Hart Family. Made from all sorts of materials and made to look however you please. With such life likeness it’s easy to see why they are famous and so expensive.  Patton loves each and every one of the kiddos he crafts, making sure only to have the best. Even if that means plunking the eyes from a naughty child to use for the perfect child. Or making a bad kid suffer so that the good kid can gain such soft skin. Naughty children should know better, but his kiddos are always well behaved. And always make the family happy. Parents deserve good children, the world does too.  And who is going to miss such bad children anyway? Certainly not him or their parents, not when they have their perfect kid. And besides, bad kids make perfect parts for his little kiddos.  As for teenagers and young adults, well Patton still has use for them, some parts are useable, but he always does need extra hands around the workshop. After all, it isn’t hard to rework the brain, and they are always so much nicer once he’s done.  Yes, he love his kiddos, of all ages. 
Roman Prince aka The Happy Ending - Every fairytale deserves their prince, their knight in shining armor, their hero. Such is Roman’s story, ‘The Happily Ever After’, the tale of a knight who saves princes and princesses, by basically kidnapping and enslaving them to his kingdom. The princesses bring much to his land, brave souls looking to rescue them, and the princes are pretty things to look at, which Roman loves. He is their hero, he saved them all and brought them to a place where they will always be happy. There is no time here, no pain here, no need for trivial mortal things. They are forever here, forever young and happy.  Roman is such a nice knight to them, but some do need to be punished, he hates having to harm the ones he saves. But they need to know the outside world is horrible, here they are safe with him. With his powers to create whatever he wants, snap thing into existence, he’s very powerful.  Prince of the Forevermore with his brother and previous king. He always is looking to add to his collection of pretty things. That or a good fight, which ever comes first. 
Logan Adams aka The Mad Scientist - What would the world be without ethics on testing and creating? Well Logan is a good example of what happens when you throw our morals and feelings. Logan has made far advancements in the scientific field, if it wasn’t for the fact he likes to trap people for testing his newest creations.  Logan is passive about life, being he found a way to make himself immortal he tends to disregard those who aren’t. Honestly mortality is just so stupid, when your life is condensed into a century at most. You have to play games to escape his traps, and use logic should he ask you do anything.  To him, it’s all a game, he’s only interested in the end result. But he does enjoy a challenge, and if you can outsmart him, color him impress. He may even offer up a golden liquid to you as a reward. After all there aren’t many who can outsmart him. 
Virgil Spider aka The Welcome Home Party - Remember that haunted house you were always afraid of? That always seemed like no one lived there. Then one day you gather up the courage to peak inside and see if it is haunted or abandoned. As you walk in the house seems lively, the hallway lit up in a nice warm glow. And you turn to see someone coming down the stairs.  It’s your older brother, Virgil. Right, this is your house. You’ve lived here since you were a kid with your big brother. He’s happy your home asking what took you so long. What ever did take you so long? You can’t remember, but it doesn’t matter.  Your big brother is always better than most other peoples brothers. Virgil always knows how you feel, and always does his best to make you happy. He gives the best kinds of hugs, and only ever opens up to you. You love your big brother after all, and he loves you too.  Virgil loves all of his family, he loves to hold you, love the way you smell, the way your blood tastes on his tongue. You always seem to get weaker and sleepier each time Virgil holds you. Maybe you should rest for a bit, Virgil says he’ll keep watch, so no monsters come. You can trust him, he’s family. So what if he’s part spider, he’d never hurt you.
Remus Prince aka The Slimy Monster - There is a reason these books are rated for young adults. And it’s not just the gore and such, it’s when you read Book 5, that’s when it’s becomes clear. Remus is a slimy monster with eight tentacle like appendages. He lives in a camp for young adults in the lake, and the stories told of him are meant to keep campers out of the lakes at dark.  Not that it always works, as most college students think they know everything. So when allured out to the water by the sweet sound of a siren, they don’t think twice. Guess that’s why so many go missing. Remus loves his trinkets and toys, he loves to drown them when they loose their usefulness. And he also loves the sounds they make when he does use them. By this point he’ll have enough children to make his species the dominate ones. Life is great for this sea monster, and it’s about to get even better. 
Janus Silver aka The Great Magician - Everyone loves to watch magic shows right? Loves to get their palms read, the cards look at, and their futures unfold. Some people also love to go see hypnotists and see if they really can use a pocket watch to put them under. Ofcourse there is the risk factor and you have to sign a form to make sure you can go in. No one ever reads them anyway, just sums up your a willing participant.  Called up to the stage by a handsome man that wears a half mask, taking your hands in warm gloved ones. Leading you to sit down, and just to relax. You do funny things on stage under his guide and such, unable to stop yourself. But not that you want to. Suddenly you find each time after you wake up in strange places. You start to lose hours of time, unable to recall what you were doing. Your mind is no longer your own, you respond to commands on the snap of gloved fingers. You obey, that’s all there is too it. And soon, your mindless, you’re his doll, his puppet, you do as he says. You’ll believe whatever you tells you, his little sleeper agent.  What’s his goals, honestly no one knows, the two faced snake only speaks in riddles and lies. We can only hope he just likes to have people under his control and that there isn’t a deeper plan. Such as pure anarchy, or even starting the purge. Who knows what’s going through his mind. Moral of the story, always read the fine print.
Thomas Sanders aka The King and The Host - Not much is known about him, his story is still in the making. He’s locked far within the pages, but that’s what they want you to think. You’ve seen him alot, he’s in each of their stories. Even if you don’t know it. Put together the pages, it makes his story of what happened to him. That’s what he wants you to do after all, help him out. He’s been trapped for years, they trapped him with them. It was an accident, he swears. Question you should ask is... do you trust him?
Want to know more, I take asks! :D
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