#most of the songs are film music from films i have never seen. and which i probably would not watch more often than yes based on the summary

[mezimraky]

spotif/y bad or whatever but i do owe them my mental stability as they could just take the songs 'blue velvet' and 'emerald and stone' and generate three (!) playlists worth of music which i just label as twin peaks vibes (regular, blue and italian) that now provides more solace and calm than anything else in my life

[neil-gaiman]

I'm sorry Neil, although I love your writing and agree with your opinions on most subjects I have to disagree with you on the writers' strike. No-one should have a more privileged life as a result of being clever and creative. I worked from the age of 15 to the age of 65 in low-paid jobs, taking 1 year off to go to drama school and 3 years off to get a fine art degree. I worked in terrible but necessary jobs, labouring, stacking boxes, unloading trucks, running errands, filing, going to work on a bicycle at all hours of the day and night on shift work in all kinds of weather. Even when I was a student I was still working in part-time cleani8ng jobs and even during periods of unemployment I worked in volunteer jobs for charities and social services.

According to Mensa I have an IQ of 160 and according to Plymouth University I have a BA hons in Fine Art but I cannot accept the idea that writers and other creative people should avoid normal jobs like driving an "Uber" or working in an office/shop/factory/construction site. To accept that idea would be to create a new aristocratic class when we should abolishing the old princes and aristocrats.

What we need, I feel sure, is a redistribution of labour so that everybody who can do so would spend some time each year in blue collar work and everybody who can would get higher education and a chance to make art of one sort or another.

The idea of doing other jobs to supplement writing or drawing shouldn't be seen as a terrible thing, a punishment or a suffering. Sharing the jobs around should be seen as normal.

I mean, I've done my half century of sweat labour and it didn't hurt me too much. I'm retired now and still making art of various kinds and I've never asked anyone to pay me for any art piece I've made. making art, writing, drawing etc. is the fun stuff which we get to do in exchange for the blue collar stuff which puts food on the table.

The worst pop song ever written was Sting/Dire Straits song "Money for Nothing" which ridicules the working class from a position of educational privilege.

So what's my question? My question is: What's wrong with a writer doing other jobs to make ends meet? Sounds perfectly fine to me.

Nothing's wrong with a writer doing other jobs to make ends meet. Writers and artists have been doing that since the dawn of time. Actors too.

But by the same token, there's nothing right about assuming that writing isn't a blue-collar job, or that writers and other people who make art can only make it for love and that thus they need other jobs to subsidise their craft.

I like living in a world in which the people who make the things that make the world worth living in get paid for their work. For me, that includes the people who make films and TV, books, art and music and comics.

Having spent a lot of time on film and TV sets, it's a blue-collar world on set, and everyone is working long and hard to make the shows you love. I'm never going to suggest that the riggers or the gaffers or the make-up team or the focus-pullers should drive ubers in order to have the privilege of being on the set and working there.

Or to put it another way, from the most blue-collar writer I ever knew...

[chris-hallelujah]

Have You Ever Tried This One? | m.s.

Summary: The triplets attend singer!reader's concert and Matt gets catches her eye from the crowd.

Part 2 Here!!

Warnings: insinuating sexual acts, talks of sex positions

Word Count: 640 words

My Master List

Join my tag list : @matthewsroses

Divider by: @anitalenia

A/N: This is inspired by this post by @delilahsturniolo . Thank you for letting me use your work as inspiration! Also thank you to @chestersturniolo for helping me find her piece. I do not give consent for my work to be reposted, rewritten, or shared on this platform or any other.

<3 - Billie

The lights in the arena darkened around the group standing at the barricade. Matt, Nick, Chris, and Chris' girlfriend cheered along with everyone else as you appeared in a spotlight on the stage. "Boston! It's so good to see you!" you exclaimed into the microphone causing the crowd to roar. Matt practically had hearts for eyes as you sauntered around the stage in small, sparkly outfits. Sure, he had heard your music and seen you in photos before, but there was something different about seeing you in front of him. Chris and Nick quickly took notice of Matt's in awe state and chuckled.

After a few numbers you had reached the interactive section of your concert. Oftentimes you chose a person in the crowd who was dancing the most or seemed to be having the best time. It was never actually based on your physical attraction to someone, until this time. You had been eyeing the three identical boys in the front row. One specifically caught your eye. You'd seen these boys online before and while you didn't know much about them, you knew which one you wanted. He seemed a bit more quiet than the other two and was staring at you like you were glowing. "Girls, girls, come here!" you spoke into the mic, gesturing for two of your dancers to come over. "Do you see that guy right there? Yes, the triplet but that one, with the pink t shirt," you pointed in Matt's direction. He froze as the camera panned to him for the crowd to see on the big screen. Everyone went wild causing Nick and Chris to bust out laughing. The lights throughout the arena flashed red and blue as a siren sound played throughout the stadium. You knelt down in front of him, "hey there, what's your name?" You cooed into the microphone, batting your eyelashes.

"M-Matthew!" he stammered nervously as Nick filmed the interaction.

"Oh Matthew, I'm afraid you're under arrest. You are just way too hot!" You giggled into the microphone, "Will you take these sweetie?" The security guard took the fuzzy pink handcuffs from your hand and held them over the barricade for Matt to grab. His blush was iminent as he took them with a smile and a nod. You stood back up, winking at him. "There are so many thoughts running through my head, Matthew. Dirty, dirty - oh! my clothes are falling off for you, Matthew!" You laughed stepping out of your dress revealing a shiny pink body suit. The intro of the song began and you danced and sang with your crew. "Whole package, babe, I like the way you fit. God bless your dad's genetics," You sang, gesturing to the triplets with a giggle. Every once in a while throughout the song you'd shoot Matt a look or a wink. "You make me wanna make you fall in love. Oh, late at night, I'm thinking 'bout you, ah-ah. Wanna try out some freaky positions? Hey Matthew, have you ever tried this one?" You sat on your knees with one arm in the air doing a lasso motion to represent cowgirl. Matt about fell over and Chris was a laughing mess next to him. His brothers could not believe what they were witnessing.

That song ended and the show continued. A few songs later, the triplets and Chris' girlfriend were approached by someone from your team. "Matt?" Your manager asked, "You've all been requested backstage after the show." She smiled handing them all passes and getting back to work.

"No way!" Chris' girlfriend jumped up and down.

"Dude, your charm got us connections!" Nick laughed patting Matt on the shoulder. Matt stood staring at the backstage passes in awe. He couldn't believe that you had noticed him in the first place but also to invite him backstage??

[ham1lton]

TEN THINGS F1 DRIVER Y/N L/N CAN’T LIVE WITHOUT — GQ.

— part of my maneater series ꕤ

Y/N (throwing her hat in the air with one hand and catching it in the other without looking): see? told you i could do it! not my only party trick.

Y/N: hi gq! i’m y/n l/n, formula one driver and i’m here to show you my ten essentials.

NUMBER ONE: IPAD

Y/N: first, has to be my ipad. this was my first big purchase and seeing my bank account being drained of that money almost caused a heart attack. but this bad boy helps me to organise my life, stops me from being bored on flights, keeps me in contact with my family and lets me write my notes. so yeah, thanks apple. also you guys should sponsor me.

NUMBER TWO: NOISE CANCELLING HEADPHONES

Y/N: i never used to travel a lot. when i was younger, my family couldn’t afford it so flying around a lot was a big shock to my system. obviously as in f1, drivers are required to fly to different races and it means i had to get over my fear of flying. these help a lot with that. these plus a spotify playlist made by my angsty teenage self will make me forget about the fact i’m flying. these are my favourite ones, i have multiple pairs just in case.

NUMBER TWO AND A HALF: MUSIC.

Y/N: i guess this sort of goes off the second one? but music. i keep trying to bribe the engineers to build a blue tooth radio in the car but to no avail. spotify has been my biggest supporter all of these years. i know i’m sponsored by them now but i have been using my account for almost seven years now? so my algorithm is perfection. it truly has helped me so much. i listen to music on the way to races, on the way back from races, in my house, outside my house, cleaning, cooking and even when i’m in the shower. yes, i’m a shower singer. once i get in there, i’m beyoncé!

OFF SCREEN VOICE: what was the last song you listened to?

Y/N: one second, let me see. it was the twilight soundtrack, in particular, decode by paramore. told you i was an angsty teen!

NUMBER THREE: EMERGENCY BAG

Y/N: okay this sounds bad, it’s not as much an emergency bag as in like medical supplies but more so like extra toothbrush, toothpaste, menstrual products, lotion and other stuff like that. i always carry this with me anywhere in case my suitcase goes missing. it has helped me and my friends out so many times so it’s definitely an essential for me.

NUMBER FOUR: HER CAMERAS.

Y/N: i picked up photography relatively recently and this was the starter camera that the guy in the shop recommended. so this is that camera. for this one, i vlog, which you guys might have seen and this is the camera i use for those videos. i actually don’t record my videos, one of my friends or family or colleagues or whoever will film and i will be in front of the camera. it’s my favourite part when i ask the camera person to reveal themselves and they do their own little introduction. i obviously provide the camera for it. which is this beauty right here.

OFF SCREEN VOICE: who has been your favourite person to film you?

Y/N: i have had a lot of people film me. my most recent being rihanna for my recent holiday vlog! so many people to the point that i genuinely don’t think i could choose a favourite. i mean, i’ve had my sister do it a lot so i guess i can choose her. she knows my angles best!

NUMBER FIVE: LIPGLOSS

Y/N: when i won my first championship and i kissed the camera, the amount of calls from makeup companies my manager received was actually obscene. i think i got so many comments on social media asking what makeup i use and how it stays on throughout the race! to be honest, i don’t always wear makeup but in the original video, i was wearing this fenty gloss. it’s in the shade fu$$y. so, yeah, at least no one can call me a gatekeeper! i always keep it on me. i feel a little more ready to face the world with lipgloss. now, i have my own fenty collection! so check that out.

NUMBER SIX: HER LUCKY SHOES.

Y/N: okay i know i say i’m not necessarily a superstitious person but these shoes have been with me from f3 until now. every race i’ve worn these, i’ve won. so i like having them around. i think they bring luck. i can’t wear them any longer as they’ve worn through the soles now. really annoying but we power through.

NUMBER SEVEN: WINGSTOP BLACK CARD

Y/N: i was really craving wingstop one night. so me and my sister were in london? i think and i vlogged our hunt for wingstop and they reached out to me to give me a black card. i know, isn’t it gorgeous? i was so happy. too bad i have to cut down on what i eat thanks to my nutritionist, but my siblings and friends love this thing.

NUMBER EIGHT: SKINCARE ROUTINE

Y/N: okay, so i’m trying to get more consistent with my skincare but it’s not necessarily working the way i want it to. however, i still stick to the basics. sunscreen, cleanser and moisturiser. i really like keeping my skincare on check as there is this unsaid rule that women have to wear makeup in their jobs and if i keep my skin looking good then i can skirt that rule. i love this cream in particular, it’s moisturising but very light on the skin. best of both worlds.

NUMBER NINE: NECKLACE

Y/N: this was given to me as a gift from my family when i turned eighteen. it was a necklace that i’d had my eye on for a very, very long time. they saved up for so long to buy it for me and it’s become my signature piece. i wear it around my neck constantly. it’s weird having it off my neck to show you.

(she fastens it around her neck quickly)

Y/N: now i feel normal again.

NUMBER TEN: MY PADDOCK PASS

Y/N: i am so bad with keeping my paddock pass on me. for people who don’t know what this is, this allows me access to the garage and things like that. i usually keep it around my neck because if its in my pocket or my bag i’ll forget. my assistant sometimes carries mine. i’m not going to show you my picture because it’s awful. i had woke up really early after no sleep and one of the staff had made me take the picture. now i am forced to wear this monstrosity at work. i keep it hidden as much as i can. last time, lando saw it and laughed so hard he cried so yeah.

author’s note: this was hard as i wanted to keep it as vague as possible so that you can relate it to your own maneater! i’m still taking questions/asks/requests so please send some in!

[f1tales]

i'm working late, cause i'm a singer - mv1

that's that me espresso || part four

previous part || next part

pairing: max verstappen x ofc!piastri

summary: oscar’s older sister is a singer, who’s taylor swift’s opening act for the eras tour. she goes to a few races on her break. she meets max; who thinks about her every night now. much to oscar’s annoyance.

author's note: i didn't proof read this.

face claim: sabrina carpenter

liked by maxverstappen1, hattiepiastri and others

ivypiastri: i'm working late, cuz i'm a singer ✌

View all comments

ivysgarden: girl new music when?

ivypiastri: soon 👀

ivypiastrifan: 💓

landonorris: i'm working later, cuz i'm a driver? idk what this means..

oscarpiastri: it means she's working late cause she's a singer.. what's not to understand? muppet

landonorris: hey! who u calling a muppet?

oscarpiastri: you.

ivypiastri: ladies, ladies. easy

maxverstappen1: 👀

oscpastry81: uh max what u doing here?

landonorris: i'm wondering that too.....

Ivy hadn't been able to attend the Chinese Grand Prix. She had been cooped up in a small studio in Perth to work on some more songs for her album.

That didn't mean she didn't watch. Max had FaceTimed her the second she could. Her heart skipped a beat when his smiling face appeared on her screen.

She missed him.

Which is why she was headed for the airport: on her way to surprise Max in Monaco. Oscar and Lando were headed off to the MTC, so she couldn't ask them to pick her up from the airport. She had pressured Oscar into giving her Daniel Ricciardo's phone number.

She had met the fellow Aussie a few times, twice in the paddock and once that week on his farm, but they had never exchanged phone numbers.

He had been very excited to come pick her up in Nice. Went on and on about how romantic this was. And how Max couldn't shut up about her.

Only twenty-one hours until she would see him again. God, she was so gone for this man.

Ivy spent the majority of her flights scribbling down some lyrics in her notebook. A big portion of her album was done now. Max had been so excited about the songs she had showed him.

She still remembers the beaming smile on his face when she played him a song over FaceTime. She wrote it after she and her ex broke up and about how the dating pool was slim; she hoped he wouldn't think it was offensive.

On the contrary; he laughed as he bopped along.

It had been Ivy feel all giddy. Never in her life had anyone made her feel that way. And they'd only known each other for about a month.

At the airport in Nice, she looked around as she dragged her suitcase behind her. Surely Daniel Ricciardo wouldn't be hard to miss. She squinted her eyes as she did another take around the airport arrivals hall.

"Looking for someone?"

Ivy jumped aside. Daniel's booming laugh could be heard all throughout the airport. They might have heard him all the way over in Monaco.

"Funny."

"Alright," Daniel grabbed Ivy' suitcase out of her hand, "let's get you to Max. He'll be so excited! Surely this is the most romantic thing someone's ever done. Can I film it?"

liked by ivy_piastristan, formulaoscar and others

ivypiastri_updates: Ivy was spotted arriving in Nice earlier today! She was seen leaving with fellow Aussie Daniel Ricciardo 👀

View all comments

ivysgarden: she looks stunning!

piastriverstappen: wait wait wait, wasn't she seeing max tho?

pastrysiblings: chill, DR literally only picked her up...

eics.ivy: noooooo my piastappen heart 💔💔

oscpastry: is that what we're calling them now?

formula-ivy: guys, seriously!! she was never even confirmed to be dating max. go touch some grass please.

maxinmotion: are we forgetting daniel's literallly max's friend? maybe he asked him to pick her up.

pastrysiblings: or or or or max and ivy aren't together. 🤔🤨

maxverstappen1: Hm.

eics.ivy: MAX?!

maxinmotion: @/pastrysiblings explain this then.....

pastrysiblings: @/maxinmotion i can't.. i'm stumped.

Daniel glanced over at Ivy, who was sitting in the passenger seat of his Porsche. She was fidgeting with her hands as she looked out the window.

"Do you want to stop at mine first? Shower or something?"

Ivy looked over at him. A grateful smile spread across her face. "Yes, please! Thank you. I don't want to show up at Max's house and smell like plane. Imagine that gives him the ick."

The Australian driver hummed, "somehow I don't think anything you do could ever give that man the ick."

They fell into easy conversation about music. Ivy invited him to the studio some time, maybe he could play guitar on a track or two. Ivy had grinned at the way his eyes lit up. Daniel, in return, had invited her to come to a race as his guest sometime.

They pulled up to the garage of Daniel's apartment in Monaco. Daniel frowned. Ivy followed his gaze. Max was standing in front of the apartment building. His arms were crossed over his chest and he looked anthing but happy.

Ivy looked over at Daniel, "we're you expecting him?"

Daniel groaned. He shook his head, he showed Ivy his phone. Heidi had texted him; it was all over Instagram. Pictures of him picking Ivy up at the airport.

Now, Daniel knew Max to be a pretty reasonable person in his privatel ife. But not when it came to Ivy. Daniel has no idea what happened the day he met her, but he's crazy about this girl. He's incapabale of reasonable thinking when it comes to her.

"Well, this should be fun."

Ivy glanced between Daniel in the driver's seat next to her and Max standing with his arms crossed outside; yes, this will be great fun.

part five coming soon.

taglist: @mastermindbaby @charlesgirl16 @a-beaverhausen @shelbyteller

[wideeyedloner]

I've seen so many posts talking about the Honda scene being a visual metaphor for Deadpool and Wolverine having sex that I want to talk about the film as a whole for a second:

Deadpool & Wolverine is a romantic comedy.

There are a bunch of places (including this one) that describe the format of a romantic comedy, but the basic beats are as follows:

1. Introduction to your protagonist "Okay, Peanut, guess we're getting that team-up, after all." Deadpool and Wolverine opens on Wade digging up Logan's remains from Logan (2017).

2. The inciting incident "I'll do it." Paradox kidnaps Wade and blackmails him into locating a Logan to save his timeline. Cue "Iris" by Goo Goo Dolls, featured in City of Angels (1998).

3. The meet-cute "You two going to fuck or fight?" After initially failing to resurrect his own timeline's Logan, Wade travels to several other timelines to find another in a montage set to Huey Lewis and the News' "The Power of Love".

4. The new reality/new world "Let's fuckin' go." Paradox sends them to the Void, ruled by Xavier's insane twin sister, where it turns out many other mutants have also been sent. They need to escape in order to save Wade's timeline and try to undo the events of Logan's timeline, which Wade has promised is possible. This requires them to work together.

5. The mirror moment/recommitment "I'm going to fight you now." Logan finds out that Wade lied to him in order to secure his cooperation, leading to the Honda fight scene set to "You're The One That I Want" from Grease (1978). Logan is demoralized but Laura convinces him that he's still needed. He really is; it's his compassion that convinces Cassandra not only to spare their lives, but to send them back to Wade's timeline if they're willing to take a leap of faith together.

6. The crisis/all is lost "They do not play nicely with each other." Cassandra is still insane, so she follows them because she'd like to eliminate all timelines and rule over everyone in the Void. To stop this, Paradox tells Wade and Logan that someone has to cut power to the device she's using at the guaranteed expense of their life.

7. The climax "I got nothin'. Give me this." Naturally, Wade and Logan fight over which one gets the privilege of sacrificing himself for the other. Logan initially wins him over with a heartfelt speech, but Wade gets Logan with a sneak attack. Wade struggles to make the connection between the terminals because they're further apart than the wingspan of a single human, but they're conveniently just the right size for two (ಥㅅಥ). Of course, the choir version of Madonna's "Like A Prayer" is playing here.

This scene encapsulated everything I enjoyed about this film: that it was stupid, emotional, action-filled, filthy, and obviously about romance between men. My husband is straight and he left the theater with me in full agreement that a) this was a romantic comedy and b) they had sex in in the Honda.

8. The resolution "Althea, this is--this is Logan." It's the end of the story, they're about to part ways, and Wade will never see Logan again if he lets him walk out of his life. So he takes Logan home and makes him part of the world he'd been telling Logan he'd been trying to save all movie long.

❤ The end ❤

The Soundtrack I can't tell you how excited I was about the soundtrack. It's full of old, romantic songs. "Only You (And You Alone)" has to be on like every doo-wop or "Best of the '50s" compilation album. "Iris" (oh god this song is old now) was featured in the romantic drama City of Angels. Everyone and their dog has covered "You Belong to Me", and the most famous recent cover has to be Jason Wade's version that was featured in Shrek (2001). Chris De Burgh may not be crazy about "The Lady in Red", but I think it's fucking sweet. I grew up on musicals and LOVE LOVE LOVE LOVE LOVE "You're the One That I Want" from Grease (1978).

The Honda Odyssey Fight Scene I wanted to come back to this because there is so much to it. I'm bringing up "You're the One That I Want" again.

There are intentional parallels made between this dance number in Grease and the fight scene. It's about the flirtatious push and pull between Sandy and Danny throughout after she's made her superficial transformation into the 'bad girl' at the end of the movie. It's the same in the Odyssey between Logan and Wade. They throw each other in and out of the car as they fight (and sure, go in and out of each other).

Just look at this:

Yup, completely intentional visual metaphors for fucking galore. Logan and Wade even have a post-fight bondage scene.

Also! These scenes end with the couples in moving vehicles.

In conclusion: Deadpool & Wolverine is a violent romantic comedy. Of course they fucked.

[warping-realities]

Beautiful Things

Hey, everyone! This story is part of the Viral Transformation funfarre proposed by the one and only @occamstfs, in celebration of hitting 2K followers! Congrats, bro, you totally deserve it. He’s one of our top authors and never fails to bring the best stories.

Before I dive in, I gotta give you a heads-up that this is a story about corruption, where good people turn into the worst kind of folks. If that’s a sensitive topic for you, I’d recommend not moving forward. Trust me, in the original project, things were way worse, but after chatting with the MAN himself, who helped me with some edits, I softened the tone of the story a bit. If you’re interested in the original version, I can post it later, but this is the final cut.

That said, I hope you all enjoy it and join me in celebrating this awesome author!"

Alois was strolling mindlessly in the morning towards the student exchange center in Seattle, where a bunch of fresh-off-the-boat students from all over the world were gathering for the adaptation phase of their exchange semester. The eighteen-year-old Austrian was loving the experience of taking a gap year before diving back into his studies in Vienna, where he planned to become a doctor. As he walked down the busy street, on what should be the only sunny day of the year, he spotted one of those types he had seen around the city. They were all buff and tall, with wavy, well-groomed hair, and the big ol' mustache that defined them, giving off the vibe of some douchebag brotherhood or whatever. This one in particular was jamming out to music on headphones that looked straight outta the nineties, just like his outfit, which consisted of Levi’s jeans, a white tee, a dark jacket, and combat boots. The whole look cranked the douche factor up to eleven, making Alois's heart race a bit as a shiver of attraction ran through him. When the guy passed by Alois, he shot a look at the smaller red-headed man, dripped with arrogance while a smirk played at the corners of his lips, like he knew some secret that Alois was clueless about. To make things worse, the music blaring from his headphones was so loud that Alois couldn’t help but catch a snippet.

“Please, staaaayyyy…”

That stupid song again. At first, Alois thought it was kinda interesting, despite all the religious preaching in it, which rubbed the young atheist the wrong way. What he didn’t realize was that the singer was all about filming a lot of TikTok videos to promote his work, videos that inevitably flooded the social media feeds of a gay dude with an unfounded attraction to that type of guy. A type that seemed to be multiplying on the streets of Seattle every damn day. Sure, Benson Boone was from Monroe, just a few miles away, but still… Maybe he was looking at things from the wrong angle, maybe it was the singer who was cashing in on the style of the group he and his fellow exchange students had dubbed the Mustache Gang.

The fact is, after several months, the hype around the song should’ve died but apparently that was still far from happening. Trying to leave the discomfort aside Alois headed to the coffee shop that had quickly become his favorite spot during his short stay in the city. As he walked along, head down like most introverts do, he got lost in thought about what kind of work the exchange agency would hook him up with, until his daydreaming was interrupted when those familiar chords hit his ears again.

“I want you, I need you, oh God…”

But this time, someone had slapped a cheerful electronic beat onto the song, which not only butchered it but also made it even more annoying. Looking for the source of that cacophony, he lifted his head and glanced to the side. He could’ve sworn he saw a chubby dude coming his way, but now there was no sign of him, just another one of those big-mustached douchebags strutting around with the swag all of them seemed to have, along with the usual cocky grin. Dressed in a white tank that showed off his defined arms and hairy chest. There was no one else close to Alois on the street at that moment, which was a blessing, since his dick was starting to stir at that sight. But that also freaked him out. Where the hell did that damn music come from? Was he seriously imagining things now?

Distracted and worried about his sanity, he stepped into the coffee shop. At that moment, the place was almost empty; there was just an old dude, well past his prime, fiddling with his phone, looking like he was in a bad mood while he seemed to be listening to something that deeply disgusted him through the giant headphones he was wearing. Apparently, the use of those things was a trend around there.

Passing by the old guy, Alois headed to the counter and ordered his usual coffee with cream and sugar. As he made his way back to the exit, still freaking out about his mental state, disaster struck. Clumsy as ever, he tripped and faceplanted on the floor, coffee spilling everywhere and staining a good chunk of his clothes.

“Alois, du bist dumm…”

He said stunned in embarrassment, as he turned to the side, starting to get up. His view landed on black combat boots that ended in large calves covered in denim, leading up to thighs as thick as they come. But the old man was wearing a suit, no? Clearly not, since the Levi’s pants had been replaced by a black hoodie that concealed a massive chest, which the sleeves were stretched to the limit by powerful biceps. The grand torso gave way to a handsome face framed by wavy brown hair, and right in the center, the ever-present slick mustache that even the guy’s prescription glasses couldn’t diminish the douchebag effect. With his eyes closed and a focused expression, he didn’t even seem to notice what just happened right next to him.

But Alois couldn’t help but wonder, where the hell did that old guy go? While trying to figure out when the old dude left the shop and the Mustache Gang member took his spot at the table, the man seemed to wake up. Smiling and fixing his hair, he finally noticed that a kid was trying to get up from a puddle of coffee right next to him.

“Need a hand, little bro?” he asked, though not with a genuinely empathetic expression; on the contrary, the grin he shot at Alois did little to hide how much he found the situation hilarious.

“No, I’m good, thanks!” Alois replied, finishing getting up and bolting out of the shop as the guy burst into loud laughter behind him. Apparently, this dude wasn’t just rocking the look of a douchebag. Rushing to wipe the coffee off his hoodie, Alois continued his march to his destination. Luckily, no other mortifying events unfolded along the way. Upon entering the classroom, he passed by Charles, a French dude with long blonde hair and delicate features, who was checking something on his iPad while also rocking a pair of those old-school headphones. Not wanting to disturb his classmate, he didn’t say hi and headed further back in the room, where bis friends Arjun and Qian, hailing from India and Taiwan respectively, were hanging out. As he passed Charles, he heard that stylized version of Benson Boone’s song again.

“I found my mind, I'm feelin' sane

It's been a while, but I'm finding my faith…”

Apparently, he wasn’t going crazy after all. He quickly turned towards the source of the music only to find one of those big-mustached douchebags and no music font at all. But he could’ve sworn that… wasn’t there another person there? A kid with long, well-kept blonde hair? Well, his hair was definitely blonde and well-kept, just like the his mustache. Wearing a tank top that showed off his arms and staring at everyone in the room with an air of immense superiority that made Alois feel torn between attraction and disgust.

Resuming his path back to his friends, he discreetly adjusted his boner in his sweatpants while sitting down and trying to forget about that damn song.

“So, who’s the jerk sitting at the front of the class like he owns the place?”

“We’ve been wondering that too, man,” Arjun, the skinny Indian boy with long limbs replied.

“I guess we’ll find out soon enough,” continued Qian, who was more compact, as their teacher, Mr. Sizemore, spoke to the class.

“Guys, today I brought the manager of one of the establishments where you might work. Chuck works at a pub called Shooters; it’s an opportunity we typically offer to our students over twenty one. However, the place has expanded and now also has a Hookah Lounge, the Puff Palace. Although I must say the best option would be for no one here to inhale anything, this is still a decent job opportunity. Without further ado, here’s Mr. Chuck Morris.”

The guy smiled arrogantly before stretching and scratching his neck, causing the lightweight, almost see-through fabric of his tank top to expose his nipples, which didn’t seem to bother him at all. He took his sweet time getting up, like he was in some kind of private show.

But in Alois’s opinion, it would’ve been better if he had stayed seated and shut up, because the first words that came out of his mouth to the class raised a wave of utter dissatisfaction.

“Hey there, guys! Happy to finally leave your miserable countries behind and be in the greatest nation in the world?” The conversation didn’t get any better after that, and Alois was sure that whatever happened, he’d never set foot in that bar called Shooters.

After class, he was chatting animatedly with Arjun as they headed back to their dorm.

“I’d love to know what that illiterate would do if he knew he was talking to future doctors, engineers, journalists… while he’s gonna spend the rest of his life working in a bar serving people like him,” Alois commented.

“Probably nothing would change. People like him always think they’re superior just because of how they look and because they were born here in the States. Doesn’t matter if they live in a trailer and rely on government assistance.”

“True, ahhh, I want a coffee; I spilled mine all over this morning. Do you want one too?” Alois asked as they passed by his favorite coffee shop again.

“No, I’m good. I’ll go ahead; we’ll catch up later,” Arjun replied, continuing on while Alois entered the coffee shop. After carefully getting his to-go coffee to avoid a repeat of that morning’s fiasco, he turned and headed to the exit when he heard the synthetic chords again, accompanied by that familiar lyric.

“Don't take these beautiful things that I've got…”

This time, he saw where the sound was coming from—a Latino guy a bit older than him was listening through those giant headphones. Feeling sure he wasn’t losing it, Alois allowed himself to breathe a sigh of relief, only to get a major scare. In the blink of an eye, where the guy had been, now sat one of those big-mustached dudes, this one bigger and more muscular than the others, but with the same wavy hair and infamous mustache.

Alois was stunned, staring at the man, who in turn pointed a finger at him as if to assert something and gave him a smile that freaked the young guy out to his core.

Not knowing how to handle that situation, Alois bolted from the shop, trying to make sense of what he had seen. Still in shock, he entered the room he shared with Qian in the dorm, where his friend was sitting on his bed, fiddling with his phone, still dressed in the button-up shirt and khakis he wore to class.

“Dude, you won’t believe what just happened. You’re gonna think I’m crazy, but… I... I forgot... How bizarre, I'm sure it was important Qian! Qian? Is everything okay? Qian…? You good?” he asked, realizing his friend hadn’t heard a word he said, just to see his face contort and his eyes roll back as if he were convulsing, and then… puff. Right in front of him stood another member of the Mustache Gang, wavy hair, slick mustache, a chiseled face and a muscular body on display.

“You good??? Qian? Who the hell is Qian? I’m Ken, you foreigner dumbass.” Said the young man of Chinese descent, the irony of using that kind of comment not even crossing his arrogant and brutish mind. “You’re here only because I couldn’t score with an American ass. But a hole’s a hole…”

“I… what…?”

“You just accept a quick hookup on Grindr man, It's not that difficult. Gonna act all shy now? Here in America, that kind of behavior doesn’t fly. Either you do what you came to do or bounce, but then you'll miss out on all this,” the guy replied, flexing his powerful muscles while giving him an arrogant grin. Alois was thinking about where exactly he was and what he was doing there.

“So ginger, what's it gonna be?”

.....

When he got to the dorm for international students  after getting his ass wrecked by the massive schlong of his Grindr hookup, who he discovered was co-manager of Shooters and Puff Palace alongside Chuck —those two even shared an apartment above the pub—he hated himself for getting into that mess just for a quick lay. Yet, at the same time, it was the best fuck he’d ever had. As he stripped down and got ready to shower and wash off the sweat and sex smell from his body, the distinct ping of a Grindr message caught his attention. Opening the app, he found a new message from Ken Lee.

“Hey ginger I think you’re gonna like this.” Ignoring all common sense, thinking it might be a nude, he clicked the link the other guy sent along with the message. Strangely enough, it was a clip from a podcast where a young woman interviewed a flamboyant man, who was wearing a bright and flashy suit, both chatting animatedly. Everything about them screamed obnoxious  starting with their shrill voices that didn’t stop talking for a second. Losing interest and wondering why a guy like Ken would send that to him, Alois let the video play as he headed to the bathroom in the room he occupied alone in the dorm.

“… so, Benson Boone? He’s such a total hottie, girl!”

“Don’t even get me started, Yasmin! I melt for a guy like that! I’d do him in a heartbeat.”

“Me too, Nico! But with that whole Christian boy vibe, I’m not sure he’s got the moves.”

“Girl, it’s just marketing. A guy like that, with that body? And anyone rocking a mustache like that knows exactly what to do with a girl… or a man.”

“Nico you slut, I heard some rumors…”

“I know, girl! I wouldn’t doubt he’s hooked up with more than a few, after all, a man has his needs, and to a guy like him a hole’s a hole like my brother used to say”

“Oh, my brother always said the same thing. What’s going on that there aren’t any more men like him in America?”

“I’ll tell you, I don’t get it either. Everywhere I look, I only see snowflakes and wimps. They say they are our allies, but this talk about toxic masculinity has turned all of them into whiners. Of course I prefer not to be attacked in the street by a bunch of homophobes, but sometimes all we want is someone to fuck us senseless And no one does it like a good douchebag, and don't come to me with that talk that this is a white, cis man's thing, yada yada yada... all due respect to the cause, but we need more men like this hottie, not less. Real American men, who know what they want and make it happen, I don't care what they do with their lives as long as they fuck me right. So I vote for more douchebags, of all races, creeds and sexual orientations, sis!

“True, Nico! I wish I could make that happen…”

“Me too, girl, but how about we listen to his updated song while we wait for the real American men to come back?”

“Sure, girl, this version is way better and more danceable, perfect for a man to sweep me off my feet. Play it!”

Then, the chords that had been haunting Alois all day started playing, and he quickly turned on his way to the bathroom to stop the video—there’s no way he’d want to listen to that on his own.

“Mm. Please stay. I want you, I need you, oh God…”

As he turned towards the source of the sound, he froze, hearing it as a feeling of numbness invaded his head and took over his body, barely letting him take a step back before being flooded with memories and sensations that weren’t his. His childhood in Austria was being replaced by one  in Virginia, time spent studying swapped for sports practice, the memory of a skinny physique giving way to a powerful, muscular body, atheism giving way to worship at church every Sunday, even if he spent most of the time distracted, checking out the girls present. And speaking of girls, nights of sex, just banging them in the ass to keep his virginity intact, and when a girl refused, there was always a twink willing to step in. After all hole’s a hole. Then there was the end of school five years ago and the move to Seattle, working as a personal trainer during the day and a bartender at Shooters at night, the apartment shared with Chuck and Ken, and all the possible and imaginable orgies they had . He knew that, as a good Christian, he’d eventually have to give it all up, settle down, and start a family, but until then, the single life was too good to pass up, and he was gonna enjoy it. And even after he gets married if the desire arises, well a man has his needs and one thing he has learned is that no one is a better bottom than a slut boy desperate for a fuck.

“No… no… what the hell…. This can’t be real…” Alois grumbled as he tried to move towards the phone that he now knew had to be the source of this whole bizarre situation. However, with every step he took, his muscles expanded. His skinny chest exploded into slabs of meat that are now pecs, below his abs form into six brick-like blocks, and his arms and legs thicken to a considerable size. His hair grew longer in well-kept waves, and that infamous mustache sprouted and grew on a more masculine and angular face. At the same time, the room he was in transformed, and he found himself on the other side of the city, in the place he had just left a little over 40 minutes ago.

When he got to the phone, Allen adjusted it, fixing the camera angle. That video was gonna be perfect for his TikTok, especially with that new version of Benson Boone’s song, one he’d used in a bunch of other videos, but this remix version was fire.

Fixing his hair and flexing his powerful muscles, he smiled at the camera.

“Yo, what’s up, fam? Today’s heavy lifting day and a wild night at Shooters. If anyone’s interested in what I’m packing here, just swing by or hit up the link to my OnlyFans in the bio. Only for the grown folks, are you really gonna miss out on this?” he wrapped up, crossing his arms in front of his body and flashing one of those grins at the camera.

“Damn, that looks so good!” he said, posting the video on TikTok and heading towards the living room of the apartment he shared with Chuck and Ken, not even bothering to shower. He had a new client coming to the gym in the next hour, so why waste time on more than one shower? “Tonight’s gonna be lit for sure, guys,” he said, talking to his roommates.

“Are you talking about the Indian skinny boy who’s training with you?”

“Ugh, definitely not. Dudes like him are for when there are no other options. But it wouldn’t be a Friday night if Big Al didn’t get some real action.!” He said grabbing his cock and balls over his shorts, laughing. "I can't wait to get some ass." He concludes while shaking his huge cock out of his shorts and making everyone burst out laughing.

“We’re all gonna get some, man. Chuck’s been spreading the word in an exchange class; soon, it’ll be packed with foreign slutty chicks and twinks looking for an American dick, and we can bang them all we want, Red.” Said Ken with a mischievous grin.

"And God bless that! "Chuck added beside him with an identical smile, which was also mirrored on Allen's face.

...

Allen was sitting on a bench in front of the gym, waiting for his new student, a scrawny Indian dude from the exchange program named Arjun.

“You coming, bro?”

“Sorry, I’m on my way. Got held up.”

“So, meet me in the gym locker room so we don’t waste time. In the meantime, check this out,” Allen said, sending the link to Yas and Nico podcast, she was a hot babe even if she seems as dumb as a rock. Not that he cared much about that at all; she was hot, and that was good enough for him, and that Nico had a very fuckable butt. He didn’t even stop to think about why he was sending that video; it just felt like something he should do.

.....

While he was chilling on a bench in the gym locker room, mindlessly scrolling on his phone, he didn’t notice the transformation happening to his student right behind him. The skinny Arjun was rapidly inflating with muscles and attitude without Allen even realizing it. It was only when he looked up and saw a dude of Indian descent with silky hair and the infamous mustache, wearing nothing but gym shorts, casually scratching his powerful pecs.

“Art, you still haven’t finished getting dressed, you asshole? We gotta workout, take some pics of our pump for OnlyFans and hit the bar shift afterwards.”

“Chill, Al, I’m getting ready. It’s not like your muscles are gonna disappear because of a five minute delay in your workout.”

“Five minutes is already too much,” he replied, flexing his arms and smiling arrogantly. “Tonight, I want the max pump in these Beautiful Things I’ve got.”

[gotta-get-back-to-hatchetfield]

Okay so I took some notes during the Hatchetfield Halloween party stream

This doesn't include spoilers for Working Boys (which was actually fucking excellent) and also doesn't include the proposed NMT3 episode descriptions just because I didn't screenshot and I've seen a billion posts of them going around.

Steph's mum's dead, Matt Lang says it's likely something to do with when Solomon Lauter says about the black book 'I'm never touching that book again'.

Nora is the owner of beanies

Melissa is a serial killer in every reality

The black alters constructed by the church of the starry children: Lakeside mall, Waylon place, the highschool, the starlight theatre, CCRP (formerly the site of the Hatchetfield Gazette)

Greenpeace girl's real name is Harmony Jones

Duke's dad was the sheriff of Hatchetfield and was murdered in October 2005 by Wilber Cross

Linda auditioned for Working Boys but was the only person not to make the cut.

Working boys was originally going to be much longer and more complicated and the black book prop was originally commissioned for it. In the end most of that content ended up getting lifted and pulled into nightmare time episodes. The song 'The Summoning' was originally written for Working Boys as the goal was to trick the cast into performing the ritual. This also originally wasn't supposed to happen in Nerdy Prudes.

They're keen to put the brakes on Hatchetfield at some point soon and the next musical definitely won't be Hatchetfield.

NMT2 ends on a cliffhanger because they originally intended to do NMT3 very shortly after to wrap up some of the loose ends.

Doing NMT3 will depend on demand. Writing a season of NMT takes about 4 times the amount of time as writing a musical and If they did NMT3 they'd want to make it even less zoom cally than NMT2 (i.e. have characters talking to each other) which also takes a lot of time and money. They are very keen to do it on a personal level as the arc from NMT2 currently feels unfinished but doing it will depend on demand.

They're keen to do more film style things akin to Working Boys.

Proposed NMT3 episode 'Bottle Imp' was originally planned to be part of NMT S1 E2.

NMT3 would revolve around Halloween.

They originally thought the musical trilogy would start with nerdy prudes must die and have the sequel be 'horny campers must die' (which became absintence camp), the third in the trilogy would have followed a similar plot to proposed NMT3 episode 'Devils night'.

The soldier referenced in the description for proposed NMT3 episode 'Orbweaver' is General MacNamara.

If they ever did another Hatchetfield musical at some point in the future it would be about Miss Holloway and her origins story.

They want to do a Hatchetfield movie at some point, and Working Boys was a test for how well Hatchetfield transfers over to that medium. This would have to be isolated in location and character list to be feasible. Their current thoughts for this would be 'Cast Party Massacre' which would involve a lot of the new characters we met in Working Boys.

[cheeseandbretboy]

JOKER (2019) AND JOKER: FOLIE A DEUX (2024) SPOILERS !!!

still trying to sift through my thoughts but i liked joker 2. i dont get how the ratings are so bad?? were people expecting a romance???? a fun movie? i mean even i was surprised by the depressing end but im really glad it happened because thats what joker 2019 was about too. arthur was never the actual 'joker' we see in dc films, and we knew that. his whole story is tragic but a lot of people missed that in the first movie. the second speaks on that to humanise arthur (even though thats what they literally tried to do in the first one?? didnt work i guess) and shame those who use him as a symbol for misogyny and incel stuff. i think what most people are mad about is how hes not as 'villainy' as the other jokers BUT AGAIN he was never the true joker and im confused as to how people missed that !! personally i loved how it shows that even after he's secured himself the identity of joker he's still repeatedly exploited as he was before that, and he has to come to terms with it. harleys character was really surprising for me because usually she's the one being manipulated by joker- in this case it was the other way around. especially interesting was how joker was the one who sung 'bewitched' about harley (the original song is sung about a man, so they had to change he/him to she/her) and the scene of joker and harley's show where she continues singing 'to love somebody' without looking at him, instead basking in the attention the audience gives her. people were expecting a twisted sexy romance between them but instead we were given something really uncomfortable and unnerving- like that sex scene. her character also gives insight into parasocial relationships and how weird and dangerous they can get. she never really knew arthur- she knew joker. the film starts with us finally happy that he 'for once in his life, has someone who needs him' and ends with us absolutely distraught. in the first movie, he says stuff like 'you dont listen' and 'i never knew i existed' and STILL after becoming an infamous killer, getting a show about him, EVERYONE talking about him, he's still not seen. there are just so many things the film points out about its fanbase (incels, parasocial relationships, identity, the glamourisation/sexualisation of violence, columbiners, exploitation etc etc) and i guess people don't like that. they want capitalism=bad, 'men have it so bad', and mm gore! which is fair- i loved it too- but it doesnt hurt to delve into the identity of 'joker' (whatever that is) and how that influences its viewers. its quite meta i like it a lot. they didnt care that the ratings would be awful because they had to speak on what the first movie did to people

oh also the intertextuality is just amazing. the songs are great, like i mentioned before with changing the female and male roles with 'bewitched', and even though i absolutely hate musicals this really worked fo rme. i think it's because musicals often have songs smack bam in the middle of realistic scenes and the singing just ruins it for me- but in joker 2 they're more often a part of arthur's fantasies so it was actually better. i wasnt sure about the musical element at first but after rewatching joker for like the 1000th time i realised how much its intertwined in the first movie- we just never really paid attention to it. the end of 'gonna build a mountain' was amazing (you have to pay attention to the lyrics), 'the joker' was great, and the few instances of violence we see from arthur while hes singing is really entertaining i love it sm. i keep mentioning 'betwitched' but i love it. 'she is cold, i agree, she can laugh, and i love it' ahh. i loved the intertextuality with nolan's the dark knight. a lot of people hate it, but i think people should be more flexible with inspiration and interweaving similar but different stories into films. just because it follows a similar story doesnt mean that it should either perfectly fit the mould of nolan's batman, but neither does it mean they should abandon it altogether either. harvey dent really surprised me, and even though he was a pretty minor character i loved the few references to nolan's batman they give (like his gory face after the explosion at court being a possible villain origin story). most obvious is the end though, where arthur is gutted by that inmate who admires him. the use of the joke was amazing and i was really surprised by how he got stabbed. you can see in this moment that arthur has been relieved of his identity of 'joker' and can finally rest as himself, just a mentally ill guy with a history of tragic abuse. when lee and his fans betray him (the real life ones too hilariously) we realise no one truly saw or loved him, and he couldn't deal with that. so, the identity of joker was passed on to that inmate- "ah, what a fine young son to take my place"- while he cuts a glasgow smile into his face. in felt this was sort of missing from joker 2019, so im really glad they used ledger's joker as inspiration for this inmate.

there's a lot more to talk about, ESPECIALLY gary's reappearance which im so so glad about, it really fleshed out his character. when he walked up to the stand, you can see people whispering and laughing at him- arthur never made fun of him. it really helps to make people question what constitutes a bad person. sure, these people didn't kill 6 people, but how easy would it be for them just not to laugh? it showed arthur's empathy, and how uncomfortable he was with admitting to it when trying to paint himself as the joker. "you were the only one who was nice to me" was said by arthur in the first movie when he kills randal and gary says something similar to him during court.

anyways wow that was great people are mad the 2nd movie is as depressing as the first (if not more). at the end ofthe first, arthur has a whole revolution loving him, and we did the same. at the end of the second we realise we never truly knew him, but exploited his character.

[wowevenmoreloveonearth]

You know what? I have become a gaylor sympathiser

This is going to be a long post, sorry! Please read the full post before even thinking about commenting.

Over the past few days I’ve seen a few posts on my dash about taylor swift and her fans that have left a bad taste in my mouth.

I know that a lot of people think that some fans of her are “trying to make her gay” and I just wanted to put the record straight and defend some people after actually looking at what’s going on. And I know I’m probably opening myself up for tumblr’s poor reading comprehension but before I start I’m going to say this:

I do not think taylor swift is a lesbian

Ok? Now let’s have a conversation.

First of all from what I’ve seen most of the fans who talk about Taylor swift and queerness do it from a point of literary analysis and learning queer history. This is a huge part of the community and lots of people have said that they never would have learnt so much about queer history without reading taylor swift’s works through a queer lens.

Adding on to that point, it seems a little hypocritical for the gay site which loves queer readings of books, tv shows, songs, musicals, films etc to be bullying a pretty small group of people who are mainly doing queer readings of lyrics. Especially when those people get near constant death threats. Instead of bullying these people (who don’t think or do what you think they think and do) why don’t you go outside and think “does this affect me? No. Do I agree with them? No. Am I going to cyber bully them because of this? No.”

Secondly, for the people who believe that any speculation on a real persons sexuality is 100% wrong. I used to think this too but I have changed my mind a bit about this recently after stopping and thinking about it properly. I’m not trying to change your mind at all I just want you to stop and think for a minute.

If you only get mad when speculation is queer in nature, then maybe think about that for a minute. Why is it totally wrong to think a person might be queer. We probably do it in our daily lives with people we know and they likely do it with us, back in the day that’s how queer people found each other-by speculating on sexuality. Would you be upset if you found out someone that you know thought you might be queer? I wouldn’t, maybe you would but if you would, why? Why is it terrible to think someone might be queer (this is NOT about hounding a person to admit to being queer like shawn mendes, this is just thinking in your head and on your small blog that the person will likely never see). Also this is literally the website where we talk about historical (real people) being gay even when they would have never said something to the equivalent.

An addition to this point before people start saying in the comments is that this is NOT the same situation as with kit connor. The issue there was people assuming that he was straight and taking that role away from a queer person. Speculating that he was queer was the opposite of what happened in that situation. So this is not an example of what happens when you speculate queerness.

Final things to say:

1) don’t believe every post you see with someone looking insane about taylor swift being gay, a lot of them are fake.

2) before anyone says “they should listen to real queer artists instead” most of them very much do. There’s a lot of fans of Hayley kiyoko, girl in red, Janelle monae, tegan and sara, zolita, kehlani etc.

3) there are some queer flags that are there. Sorry but there are. Hairpin drops, lavender, the ladder, flag colours, songs about women, friend of dorothy reference. Whether they are intentional is a different matter.

4) shipping real people is not what is happening for the majority of the people in the community. Also this comes back to queer vs straight again. Plenty of swifties ship taylor with men she’s been seen with and no one goes into their inboxes and sends death threats even when they are the ones making taylor swift all about the men she may or may not have dated.

5) taylor swift has never stated her sexuality. I know this may be hard to belive based off of how some people act, but it’s true. She has made vague statements which could have many meanings but she has never clearly stated anything. When gaylors get upset with taylor it is not because she said she is straight, it’s because they are getting death threats and doxxed and she seems to either be unaware of it (which is unlikely given how she seems to be a little terminally online) or she doesn’t care enough to tell her fans to stop.

6) if she does explicitly say she’s straight then there will probably be disappointment in her use of queer history and flags and her potential queer erasure (as we saw with lavender haze, with straight women describing their relationships as lavender) and centring herself in queer spaces (like the you need to calm down music video) but no one will be angry that she’s not gay. And a lot will probably be grateful that she actually explicitly stated for the record to absolve any confusion. The main issue would likely be other fans ramping up the death threats and bullying.

In conclusion: these people who do queer analysis of Taylor’s work are not trying to out her or make her gay etc. if you don’t understand it that’s fine it’s clearly not for you and you can go quite easily without seeing any of it. It’s not illegal to read works through a queer lens and if it means more people know about queer history then I think that’s a very good thing.

I changed my mind after looking at what a lot of people are actually saying rather than what people perceive them to be saying and maybe you will too?

Just be kinder to people online please and if you don’t like what people are saying block them and do not engage!

[jokeroutsubs]

ENG SUB: JokerOutSubs x RADIOaktivno collab: Joker Out – Šta bih ja

Audio + CC link here

We want to thank once again Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), for collaborating with us for a third time. We’ve previously worked with him on the English subtitles for the 'Umazane misli' album presentation and 'Demoni' album presentation. Please check them out, if you haven’t seen them yet.

We’d also like to extend our sincere gratitude for the shout out during the interview! Acknowledgements of our hard work and positive comments like this keep us going, and the whole team was so pleasantly surprised! It is very much appreciated!

Credits: Transcript and translation by @kurooscoffee and an anonymous member of JokerOutSubs, proof read by IG GBoleyn123, captions by @kurooscoffee and X pastellibianchi.

Transcript below the cut👇

Host: Bojan from Joker Out is with me. Hi.

Bojan: Hi, hi!

New songs are slowly trickling towards completion, or not?

Bojan: Let's say 'slowly trickling', is a very good expression, yes.

So is the creative process also slower because of all your other occupations or not?

Bojan: Yeah, these concerts are a bit of a distraction, the heat outside certainly doesn't have the best effect on working before four or five in the afternoon, so the pace isn't the fastest, but I still think that it's the right one for this moment.

And if you also look at last year, would you say it was a great year?

Bojan: Yeah, that year was… Really, to say dreamlike would be an understatement, because even when we were dreaming, we couldn't have imagined that, so, truly unbelievable.

After all, 'Carpe Diem' was the most played Slovenian song?

Bojan: Yeah, yeah. It's true.

And then there's the golden record in Finland.

Bojan: Yeah, we never imagined that we'd get a golden record in Finland before we got it in Slovenia, but here you go, anything can happen.

And you have also literally taken Slovene around the world.

Bojan: We have, yes. Which is a very interesting phenomenon, that can't be fully grasped either by the locals in the places that we visit, nor by us, but it's beautiful and very magical to come to a new place every time and to hear the people, whom you actually can't differentiate, while they're in the crowd, from the Slovenian audience, in terms of singing.

The 'See You Soon' tour is also behind you. That was an actual, real, tour. How did you experience all this?

Bojan: Yeah, now we've actually experienced this, let's say, a tour as we imagined it from music documentaries and films from abroad and I have to say that it was a really good mixture of intensity and pleasure. We went into all of it, I'd say, quite maturely and professionally, so that we could make it through all the concerts healthy, and get one hundred percent out of ourselves at each location. So it'll forever be one of those very, very, very beautiful memories.

I guess it all requires quite a bit of physical fitness as well?

Bojan: Yeah, which, honestly, I'll speak for myself, I don't have, but cardio at concerts somehow meets at least the basic needs.

But it looks different on stage. You're always in good shape there, when I see the various clips online.

Bojan: Yes, exactly! I'm somewhat in shape on stage, but offstage, (laughs) unfortunately, not so much.

You've already played new songs on the tour and one of them has now become a single. It's the song 'Šta bih ja'.

Bojan: Mhm.

This time in Serbian.

Bojan: Yeah. 'Šta bih ja' was basically the first song that we did in London, when we went to make music for the third studio album and somehow, already in the rehearsal space, it suited the band the most. And the first time we played it live, it was apparently also very well… it had a very good response from the audience and we stuck to the song and we recorded it in the studio as the first one and released it as the first single, because it was kind of expected by the fans.

Considering the activities that you all have in the band, or that you have yourself, then you don't have either a house or an address?

Bojan: Unfortunately, no. (laughs)

In that case, maybe you prefer to offer or give out hotel addresses to everyone?

Bojan: Yeah, yeah. You could find a lot of hotel addresses because we've tried out plenty this year.

There's also an animated video that accompanies the song?

Bojan: Yes, the music video is… actually the work of one of our fans. On his Instagram profile, for each of our songs, he posted 15- to 20-second video animations which we always thought were, I'd say, original, different, and we decided that we wanted to do something different for this one and something that we haven't tried before, so we contacted our friend and asked him if he could make a music video. Fortunately, he responded with a positive answer, so we are very satisfied with how this came out. And again, involving the fans in our work somehow completes the picture and gives it an overall conclusion.

You mentioned earlier, Bojan, that you're preparing a new album, when can we expect it?

Bojan: You can expect it, let's say, by the end of October at the latest, I hope, and if not, certainly by the end of the year.

Will you be switching between languages on the album as well, Serbian, Slovenian, English?

Bojan: Absolutely, yeah. All three languages. will be present on the album.

When will there be a song from you in Finnish? Considering the fact that you did pretty well with Finnish?

Bojan: Oh! It's not in the plans as of yet, but I'd say that if things continue developing the way they are at the moment, something like that could happen very quickly, yes.

Because Käärijä's latest single is also a collab, or rather, a 'featuring', if I remember correctly. It was released not long ago.

Bojan: Yeah, yeah, yeah! He recorded the latest collab with Joost Klein, a Dutch musician, so, I don't know, well, maybe, like I'm saying, there may be some kind of a collaboration, or even an independent Finnish project in the future.

We'll say more when the album comes out, so we don't break the tradition.

Bojan: Right

By the way, the two interviews that we've done (T/N: 'Umazane misli' & 'Demoni' album presentations), have already been translated into English by a team that also works for you, or rather supports you.

Bojan: That's right, JokerOutSubs, who diligently review the materials about us on a daily basis, as they come out, and translate them into English and many other languages, so one huge huge hello to them, and a big thank you.

As I said, the song 'Šta bih ja' is now released. When is 'Bluza' coming?

Bojan: 'Bluza' is coming in the near future, but to be completely honest, I have no idea when we're planning to release it.

But now, on the air, we'll hear the recent one, 'Šta bih ja'. Bojan, šta bih ja radio? ('Bojan, what would I do?')

Bojan: Šta bih ja u ovoj crnoj noći bez tebe radio? ('What would I do in this black night without you?')

ŠTA BIH JA

Everyone: We are Joker Out!

Bojan: And you're listening to RADIOaktivno.

[tossawary]

So, the Jackson "The Hobbit" movies get rid of the dwarves having musical instruments, rather adding a very atmospheric humming to the "Over the Misty Mountains" song. And I like this adaptational choice just fine, I think it sounds good, and because the question of "What happens to the instruments? Are they taking clarinets and a harp and etc. on the quest?! Are the musical instruments magical?" has bugged me for years. And I do think this choice suits the general *waves hand vaguely* more "serious / grim / lower high fantasy" aesthetic cultivated by the previous Jackson "Lord of the Rings" films.

But I do like the mental image of the Company being a very literal band going on a quest, because I think it's funny and delightful and unique. If I was doing an animated movie in particular, I would not like to be rid of the musical instruments during that scene. The vibe is very magical. Very whimsical. And whimsy does not have to be wholly separate from very serious subject matters! I think it would be very cool if the dwarves had more casually magical tools generally, which would do some easy additional worldbuilding for the level of craftsmanship in this world, and could fit in perfectly well alongside hidden doors and invisibility rings and mithril shirts and glowing swords and jewelry that never comes accidentally undone.

If someone did a version where all the dwarves are carrying musical instruments throughout most of the quest in this way and the creator really leaned into the music generally and audio-visual relationship in film specifically, I would absolutely watch it. That sounds amazing. It wouldn't necessarily have to be a musical or an opera as well, though that would also be extremely cool. (Personally, I would even also watch a "Fantasia" version of "The Hobbit" FOR SURE. I am an artsy dork like that. Though it might not be my first choice in my ideal creative project.)

I think you could could do some great, whimsical scenes with the dwarves singing at various points on the road, the musical instruments breaking at certain emotional points, the dwarves trying to do little musical spells at various points, and so on. A lot of this stuff could even just be other members of the Company fussing around with these things in the background (trying to play a musical spell to light a fire) while Bilbo has a foreground conversation with Thorin or Gandalf or something. I LOVE in animated (and live) movies when you can see supporting characters bickering or getting into hijinks in the background of a scene. (Also, this world was sung into being in a way, wasn't it? Why not have more magical music?)

(OHHH, the way that Smaug could be done in a more audio- and music-focused version of "The Hobbit" would be SO COOL.)

Alternatively, generally, I've also imagined that there are other dwarves with wagons nearby to take the musical instruments away again (let's say the instruments are not magical in any way and taking them along would therefore largely just be impractical), and that the night at Bilbo's house was actually also a RITUAL meal/meeting for the members of a long journey. You're going on a quest? You seclude yourself with your company, eat, drink, talk, plan, and sing a little to bond as an exclusive group the night before heading off together. Normally, this would have been done back at their own home or something, but they had to get their burglar first.

I think this would be a cool way to slip in characters like Dis and Gimli even just in the background, as family members come to see everyone off, seen fixing Kili's hair or hugging Gloin as the Company prepares to leave Hobbiton that last morning. Thorin and Balin could be exchanging a couple quick lines about how Bilbo hasn't shown up yet, and in the background, we could see Dis hugging Fili (the true purpose of a well-done adaptation of "The Hobbit" is to break my fucking heart) and Gloin's wife drawing off with a wagon full of musical instruments while young Gimli waves tearfully! You wouldn't even have to have them say anything to slip them in!

Just... I'm listening to the Andy Serkis audiobook of "The Hobbit" right now and I want to see some gloriously artsy visual adaptations of this world.

[misskattylashes]

Okay inspired by @thetruthisfictional post about Milex patterns. I thought I would share some observations I have made in my autistic pattern seeking brain.

I am only looking at the post EYCTE period to the present day, and not everything is in chronological order.

Louise

Louise started to appear around the same time Miles decided to move back to the UK permanently. Rather than Alex split with Taylor, there are rumours of him cheating on her with Louise, creating a reason for him to want to leave LA. It is also a convenient narrative because Miles and Taylor were friends, so the reason that Miles and Alex can’t be seen together is because Miles doesn’t like Louise because of what she did to his friend Taylor.

Which means Alex can come home to London, without it looking obvious that he is following Miles.

Plothole – the reason for his return is so  Louise can split her time between London and Paris to pursue her ‘successful music career’. The truth has since emerged that Louise lives in Paris and Alex lives in London and Louise has no career to speak of.

Louise’s use of social media

A genuine social media account will post day to day happenings, even not every day. Shared songs, interesting meals, something work related. Louise’s posting only ever coincided with events happening around AM. Go and check her account sometime, see how much she posted around the summer of 2022 leading up to the release of The Car. Note also how she has posted every September 21 since 2021 which also coincides with the day she was officially announced in September 2018.

Songwriting

Since EYCTE Alex has not used one female pronoun in a romantic sense. Miles barely has either, nothing to the degree of the previous two albums.

Alex’s image

This is so carefully protected. Most recent photographs were taken several days or even weeks before. Alex is usually in his ‘costume’. One of the most questionable being the recent Eurostar ones. He was sitting there so obviously being ‘Alex Turner’ but the only people who recognise him are a couple of fans who happen to have professional equipment. I suspect there are all sorts of clever wizardry and facial recognition software going on in Meta that stops unfamiliar photos of Alex being published. Before you say ‘How can they do that?’ think about times you may have uploaded a song only for the sound to immediately disappear or you get a message with the list of territories it can’t be played in. This happens in seconds so the technology is there.

The train photos fitted a convenient narrative. Just after Alex was seen coming home from Paris, Louise is seen in the Caribbean with her family. We then get a recent of Alex in NY. Louise comes home from the Caribbean to Paris, but then makes sure to tell us she is going to NY, we then get the pap walk etc.

Why are we never allowed to see Alex walking along Bethnal Green High Street or in the pub with Miles? I think this is less to do with record company pressure and more to do with Alex wanting to keep his private life private.

Miles’ use of social media

Last year when AM were in the UK, I would notice that days Alex was on a break, we would hear nothing from Miles. You might get one official post about OMB that was clearly posted from his social media team. But stories would be empty.

Once Alex went to the US in late August, many a night we were treated to tipsy Miles chatting to the TV, or filming little Maxie getting up to mischief in the house. Soon as Alex came home it stopped.

Earlier this year Miles started the late night posting again and filming Maxie. Lo and behold a few days later we get pics of Alex in NY. Soon as he comes home, it stops again.

Another thing I have noticed. When Miles posts videos he always puts the photographer's name. But he occasionally only puts an 👀. These will always appear when Alex isn’t seen elsewhere.

There are probably many more but I will probably do a part 2.

[medra-gonbites]

Baldur's Gate 3 Companion Head Canon Music Edition

Ok soooo ! Recently my bestfriend and I wrote and composed a song about BG3 (which we might release one day) and it got me thinking about the Tadfools (as if I don’t already think of them 15 times a day) and imagined what their band would look like and which instruments they would play and thus voilà my rendition:

Karlach | Drums

Look at her and tell me she does not play the drums. She would sometimes have to be asked to stop because she would not notice everyone has stopped playing but her. She just has the proper energy, rhythm, not to mention arms, to rock that drum set and start a solo Whiplash style.

Lae'zel | Harmonica

“What is this shiny rectangle? “whistle metallically” Oh. This sounds… beautiful. Like the screeching of a blade on a sharpening stone, but… Better!” And that’s how Lae’zel picked up on the harmonica, true story, I was the harmonica!

Wyll | Main Vocal and Violin

Yes, Wyll would absolutely sing and dance and become an icon on the Sword Coast. He also plays the violin. I don’t know, maybe it’s the horns, but I could also see Duke Ravengard enrolling him at conservatoire at age 6 to play the violin. He writes most of the lyrics

Shadowheart | Bass and Back-up Vocals

Shadowheart is a bass player. Look at her smoky eyes and her pout: she obviously plays the bass! She matches her nail polish to the colour of her bass (black, purple, white). She is always down to jam and she also provides Wyll with beautiful back up vocals when he needs it. Her timber is quite ethereal as well.

Astarion | Electric Guitar

Astarion has massive rockstar energy. He did try to play with his teeth on more than one occasion but that breaks the strings. He has several guitars, guitar straps, dedicated stage outfits and hundreds of guitar picks (which he does not even use but hoards like a dragon).

Gale | Synthesizer

Gale is a piano player but why constrain himself to a regular piano when he can make it sound like space music. Or any other instrument really. Fender Rhodes with a distortion and reverb to the max? Yes, please. He tried the keytar and while he does like the funkiness of it, he prefers the horizontality of regular synthesizers. I also believe he’d compose a lot of the songs.

Now for the one who are not part of the band but do play an instrument:

Minthara | Band Manager

Sorry I do not see Minthara as a musician. She’d be an amazing band manager or music producer though. If I must attribute her an instrument I would say the harp as she canonically has a lute but I imagine the discipline it takes to learn the harp is quite in character and would be a funny contrast; the angelic sound it makes, opposed to… Well, Minthara.

Halsin | Bansuri

And he made it himself from bamboo or wood. He plays it during his session of guided meditation or when he is alone in the forest. Usually attracts dozens of critters and little animals and it makes him look like a Disney princess (Although he has never seen a Disney film himself.)

Jaheira | Steel Drum

She learned during her hippie phase in college back when she would travel to Puerto Rico and/or Jamaica twice a year. She still has her old steel drum and will take it out if you nag her long enough or if she is in a celebratory mood. She might play it at your LuAu themed birthday party if requested.

Minsc | Triangle

It is the only instrument that he can play. It looks relatively simplistic but it is actually quite tricky to play as it requires great timing and a little bit of technique. Minsc is a natural at both. He likes being part of an orchestra and finds the agitated man with a stick the funniest of all people.

Boo | Church Organ

I have no argument to justify this but the hilarious image of a miniature giant space hamster playing the phantom of the opera on a huge cathedral organ. 

Gortash | Acoustic Guitar (but not really)

Gortash will claim he plays guitar. He will claim it even faster if he is flirting (approximately 2 minutes into the conversation and/or maybe before even asking your name). He, however, does not. What he can do is play one song (wonderwall or alleluia take your pick) that he learned by heart back in highschool specifically to brag at parties and bag dates. In adulthood it works way less.

[bettyshoweduptotheparty]

Midnights is defined by duality: The story of an unreliable narrator and performance art (Part 1)

One year on, I think I've finally figured out what midnights is about. And it might surprise you.

The midnights album has just celebrated its first anniversary. And having listened to these songs for the last 12 months, staying up late to watch live streams of the Eras tour, and at times being unable to escape news about Taylor on every medium, I finally have an idea that makes all of this make sense: This is Taylor's duality era. And she wants us to notice. Join me on the ride if you want to know more :)

I made a post a few weeks ago about how the Midnights aesthetic has the ‘two Taylors’ duology: Private vs public, which is the lead theme that carries over into the music and most recently also into her public image. Midnights had a mismatched visual to it from the very beginning with the depressed 70s look (announcement photo and vinyl covers) and the glamourous midnight blue (cover image and public appearances).

The two Taylors in the Anti Hero mv really drove home the message for me that this album is about two versions of the same story, and Taylor is the writer and narrator. And while I'm sure that these two versions have existed for a lot longer than the midnights era, they have not previously been so prominently next to each other. In fact, the very point of having the public narrative, is to keep Taylor's private life out of the public eye. She has never shied away from providing the 'stories' that her fans want to see in order to relate to her music, and as the girl that made her fame with songs about heartbreak and fairytale princes, that usually meant being seen with a man that these songs could be attributed to. And she made sure people would make the connection, be it with scarves that change ownership, or foxes on shirts:

(Btw you can't deny how effective this was, with just a few photos she managed to hang an entire album on each of these men!)

So, acting is not new to Taylor. In addition to appearing in a few feature films and TV shows since 2010, she's done this public performance for well over a decade now. And she has been vocal in recent years about her intention to go into filmmaking, so we know she's able to tell stories in multiple ways. She's a storyteller first and foremost, maybe the best of our generation. But is she a reliable narrator?

What does 'unreliable narrator' mean?

A story told by a so-called unreliable narrator, is usually a first person narration, where it turns out that the person telling the story was either lying or in some other way unable to give a truthful account of events (e.g. hallucinating or dreaming). That usually means that the audience is left with having to interpret for themselves what really happened and what was real or not real. Famous examples of this kind of storytelling are the 2010 psycho thriller 'Black Swan' with Natalie Portman, or the YA novel 'We were liars' by E. Lockhart. If you like stories that leave you guessing, check those out ;)

So, why is Taylor an unreliable narrator? For those fans that have paid attention to her lyrics, it has long been evident that her songwriting and public narrative don't match up. The most obvious theme being her 17-year run of writing songs about secret relationships and hiding, while she was parading men around in public to be photographed with. But, as we know, most people ignore it because it's just easier than digging deeper into lyrics. But now with Midnights, I'm starting to think she wants people to notice the duality and start to question her narrative. The sheer number of songs on that album that have strong double meaning or draw attention to lying or distorting the truth is astonishing: Right out the gate with track 1 we have Lavender Haze, a pretty loud song about bearding using the very well established queer reference of lavender. (And maybe she leaned out of the window a little too far with that title, because we all know the gaylor uproar was so loud when the title was revealed, that she had to backpedal and hetsplain it.) Immediately followed by Maroon, the song that has probably singlehandedly turned the most swifties into gaylors since Bettygate of 2020... Then on to Anti Hero, the ultimate duality song that also makes mention of lying and scheming, same as Mastermind. High Infidelity and You're Losing Me join the ranks of songs that look like they are about romantic relationships on the surface, but could also be interpreted to be about Taylor's relationship with fame and her fans. High Infidelity is a play on words of the term High Fidelity or HIFI, which is a 90s sound technology that refers to truthful reproduction of sound. High INfidelity is therefore a genius way of referring to both cheating and unfaithful reproduction of sound, almost like someone who makes music that isn't quite truthful... We also know from Aaron Dessner that this song was written following the 2021 Grammys and in the light of the whole William Bowery grammygate situation... I think there is point to be made about this song drawing attention to lying in a big way.

The timing of the release of You're losing me right around the time that her breakup with Joe made the news also feeds the narrative of a breakup song. But in this very 'breakup song' she says You say, "I don't understand," and I say, "I know you don't" and talks about sending signals that fall on deaf ears. Doesn't that sound an awful lot like 'I gave so many signs'? What does she know the addressee won't understand? Is it that when she finally reveals all her lies 90% of her fans will be shocked to their very core? On the exclusive CD version that has this track on it, it also immediately follows Dear Reader which on the track list looks like this:

Dear Reader You're Losing me (Does that look like a message? I think it does...)

By the time we make it to Dear Reader, she's basically told us 'I'm a liar who hides behind fake lavender relationships who charms everyone like a sleezy congressman, I'm the narcissistic Anti Hero you can't trust who schemes like a criminal and plans out everything like the puppet master I am, just so you like me and therefore you shouldn't look up to me, but I know you still will.' If that doesn't scream 'I want you to question everything I say or do' I don't know what does. Which brings us to performance art.

What is performance art?

Performance art is any kind of visual art that involves a dramatic performance aspect. To explain how this relates to Taylor and who she may have taken inspiration from, I refer to the brilliant Kristina Parro on TikTok:

Ok, groundwork is laid, but this is getting too long. Part 2 will be relating this to upcoming music releases and media coverage but that will have to wait til tomorrow.

As always, thanks for humouring me guys!

[black-arcana]

Watch: EVANESCENCE's AMY LEE Joins HALESTORM For 'Break In' Performance At Canadian Tour Kick-Off

EVANESCENCE singer Amy Lee joined HALESTORM on stage last night (Tuesday, October 15) at the Vancouver stop of the two bands' joint Canadian tour to perform the HALESTORM song "Break In". Fan-filmed video of the performance can be seen below.

In August 2020, HALESTORM released the official music video for a reimagined version of "Break In", featuring a guest appearance by Lee. The new version of the track, which originally appeared on HALESTORM's second album, 2012's "The Strange Case Of..." , was recorded in October 2019 at a Nashville studio with producer Nick Raskulinecz, who had previously worked with both bands. The clip captured Hale and Lee delivering an impassioned studio performance of the track.

The updated "Break In" appeared on "Halestorm Reimagined", a collection of reworked HALESTORM original songs as well as a cover of "I Will Always Love You", the love ballad made famous by Whitney Houston and Dolly Parton.

Lzzy and Amy performed a quarantine rendition of "Break In" in May 2020 on Hale's Internet show "Raise Your Horns With Lzzy Hale".

Speaking about the collaboration, Lzzy told Amy: "What I love about dueting on that song with you is that it started out as as love song that I wrote for my significant other" — referring to HALESTORM guitarist Joe Hottinger — "but when we sing it together, it's this act of unity, especially with the two of us being women and being women musicians. It's like we have each other's backs. And the lyrics mean something completely different when I sing it [with you]."

Regarding the way the new version of "Break In" was recorded, Lzzy said: "We did it performance-style, literally next to each other in the same room — from beginning of song to end of song, singing with each other.

"I've never done anything like that, but especially with a female singer of your prowess."

Amy added: "Nick always gets the challenge and gets the most out of me… So he made us stand there in the room and sing it live together a bunch of times. What that really means is that editing, you couldn't use when you did something cool but I messed up; it would have to be that we both nailed it for it to make the cut. So to do it in that way was really challenging and it was really cool and it fits the song so well.

"I remember you saying, and we both were saying, when we were listening back, it's really weird, at times — I know my part, but you can't pick out whose voice that is in that one particular moment, 'cause we started matching each other, 'cause it was on the spot. It's really cool how that happens.

"It feels like a match. It doesn't feel like any one person is pulling the other person along a little bit or leading the train. It really felt like an evenly matched dance."

Lzzy and Amy originally performed "Break In" together in 2012 during the "Carnival Of Madness" tour, which was headlined by EVANESCENCE and featured HALESTORM in the support slot. At the time, Hale told Zoiks! Online about how the live collaboration came about: "It's funny. We had talked in the beginning of the tour, 'Oh, we should do something.' What would we do? Do we do a cover? Do I come out during her set? She came up to me, I think it was two weeks in and said, 'I'm obsessed with your song 'Break In' right now.' I was like, 'Thank you so much.' Then she said, 'I know all of your parts, all the backing parts and everything.' I was like, 'Sweet, that's awesome.' Then she said, 'This is going to sound really weird and please feel free to say no, but do you think I could come up during that song and sing it with you?' I'm, like, 'Of course. This is awesome.' We didn't have a whole lot of time to rehearse. We literally ran through it once before our show in El Paso, right before the doors opened. It was perfect. I told her, queue insane crowd noise. She was like, 'Oh, I don't know.' 'No, seriously — they're going to freak when you walk out on stage.' ... [And] they did. We couldn't hear each other for the first four lines."

Back in 2021, EVANESCENCE and HALESTORM joined forces for a massive North American tour that ended up being a rousing success.