#michael helene salon gallery

[colognesforsalevn561]

11 Ways to Completely Sabotage Your black xs by paco rabanne for men eau de toilette spray 3 4 ounce bottle

PERFUME-- As the world's oldest fair of its kind, this city's yearly hodgepodge of modern-day and modern art has offered important (if sometimes conflicting) insights into economic as well as visual trends. This year's occasion was no exception.

Though one could hardly speak of a remarkable turnaround, there was little complete satisfaction for those prophets of doom who saw the modern market as particularly susceptible. In the 43rd installment that closed on Sunday, Art Cologne explained that the first order of business was to create a sleeker, leaner profile after years in which the fair had actually ended up being so puffed up that lots of gallerists and collectors honored it more in the breach than the observance. Last year such leading lights as London's Annely Juda Fine Art, Düsseldorf's Galerie Hans Mayer and Cologne's own Galerie Michael Werner simply remained at home, while participation dropped by more than 5,000 visitors. The pace-setting trio returned this http://edition.cnn.com/search/?text=Cologne year, proudly occupying the very first row and setting the remarkable expert requirements for which they have actually so long been understood. Attendance remained fixed, and there is clearly much work to be done if Perfume is to rearrange itself effectively within the extended family of fairs it has generated over the last 4 years.

There is, of course, an intrinsic dispute of interests between a fair's organizers and its participants. Still, it was in the interests of neither partner that the mother of all art fairs had begun to go to fat. In current years, a bunch of remedies-- unique events and exhibits, rewards and marketing gags-- were designed to invigorate the ailing dowager, however they showed of little obtain.

The outcome was a leaner and more focused discussion that inhabited 2 floors of a single exhibition hall. Gone were the champagne bars and luxurious carpets, the over-styled stands and designer sofas. The brand-new slogan was everywhere obvious: Back to Essentials!

It was, above all, the stricter filtering of applicants that restored a few of Art Perfume's authority. For some participants, the outcomes were tangible and instant. The resourceful Galerie Löhrl (Mönchengladbach) offered 20 deal with opening night, and more than doubled that overall in the 5 days that followed. Berlin's Galerie Fahnemann needed to rehang three times to fulfill need for works there, including a canvas by Imi Knoebel that brought EUR150,000, or $195,000. For Tom Wesselmann's "Red Ending," the Perfume gallerist Klaus Benden discovered a purchaser unfazed by the EUR450,000 cost. A lot of his coworkers, however, rarely covered their costs.

The organizers and participants benefit high appreciation for their efforts, the worldwide dimension of the fair was modest at best. Of 180 participants, 120 came from Germany, and 51 of those from the surrounding Rhineland capitals of Düsseldorf and Perfume. In regards to gallery representation, all but one of the leading 10 artists were Germans, and all were male. They represent the postwar generation that discovered its distinct voice in the 1960s and '70s, consisting of Georg Baselitz, Gerhard Richter and Sigmar Polke. With nail-reliefs on view at 9 various galleries, Günther Uecker was the undeniable champ. What this informs us is something that can be observed in different degrees throughout the marketplace: Functions by recognized skills with long track records and strong museum presence are holding their own. Fears of disposing in the modern field were not verified, though the average margins enabled bargaining increased by at least 10 percent.

Frequently these were works on paper or smaller canvases like those of Zsombor Barakonyi at Budapest's NextArt Galéria, a Cologne newcomer, or the classy paintings of Heinrich Salzmann-- lovingly painted details extrapolated from larger images-- at Munich's Galerie Rieder. Frequently, certainly, the formats showed the fair as a whole: more focused, more reflective, more fine-tuned. In this encouraging atmosphere, galleries and artists and specific works became noticeable that tended to be obscured by the razzle-dazzle of the boom years.

A clear standout was the exceptional work of Kirsten Everberg at the Los Angeles gallery 1301PE, returning to Cologne after a year's lack. Using aspects from movies, art history and architecture, the artist collages seemingly "real" scenes, generally interiors, that glow like cloisonné. The luminescent interiors painted by the young Julia Rothmund-- an authentic discovery at Galerie Löhrl-- are likewise resonant with narrative.

Initially glimpse, this year's Art Perfume appeared to minor the medium of photography, which was so much in vogue at the reasonable just a decade ago-- thanks in specific to the smooth and overblown "variations on the commonplace" preferred by the so-called Düsseldorf School. In truth, photography stayed a significant medium this time round, however in more subtle idioms and smaller formats. Viewed in historic terms, there was an appealing "standoff" in between classical European photography, showed with fantastic authority at Vienna's Gallery Johannes Faber, and the American variety revealed by Laurence Miller of New York City, who was displaying in Cologne for the fist time. At Faber it was the official structure that controlled, while the American "eye" as recorded by such brand-new masters as William Eggleston and the late Helen Levitt is more private and relatively more serendipitous. None of the results were so intriguing as those achieved by Hiroyuki Masuyama and exhibited in a spectacular one-man salon created by Studio La Città Gallery of Verona. Masuyama recreated the very https://sykscents.com/brand/liz-claiborne/ first journey of J.M.W. Turner from London to Venice, pausing to photo the exact same websites that Turner painted. When 200 photographic pictures of a scene are superimposed to form a single image, the results have a painterly quality that is amazingly Turneresque.

Perfume's future depends less on such bonbons than on bring in the kind of brave collector who once made this the pre-eminent address for modern art.

The existing stress on recovering a global profile may actually obscure the new function Art Cologne may ultimately play as a regional (not provincial) contender with wide-reaching authority. It is also home to numerous of the country's leading galleries and many savvy collectors. Otherwise, one may take a cautionary lesson from the gigantic bronze sculpture that stretched before the entryway to the newest installation of Art Cologne: a fallen, broken Icarus by Stephan Balkenhol.

[foryourart]

Étienne Szeemann’s Swiss cross made of hair from salon clientele, a personal tribute to his receipt of Swiss citizenship, ca. 1919. Getty Research Institute, Los Angeles (2011.M.30) © J. Paul Getty Trust. PLAN ForYourArt: February 22–28

Thursday, February 22

Caravaggio — Part II, Santa Barbara Museum of Art (Santa Barbara), 10–11:30am.

Immigration Workshop, CalArts (Valencia), 12–1pm.

Medeas by Andrea Pallaoro - Film Screening, CalArts (Valencia), 1–4pm.

School of Music Visiting Artist Series: Seth Boyden, CalArts (Valencia), 2–4pm.

Late Night: Tattoo, Museum of Natural History (Downtown), 5–9pm. $10.

Tom Friedman: Ghosts and UFOs: Projections for Well-Lit Spaces, Parrasch Heijnen Gallery (Downtown), 5–7pm.

Learning to Love the Literati Poetry Reading and Reception, Santa Barbara Museum of Art (Santa Barbara), 5:30–6:30pm.

MOVIE NIGHT – The Royal Tenenbaums, ESMoA (El Segundo), 5:30–7:30pm.

TOURS & TALKS: Stories of Almost Everyone Walk-through: Gary Dauphin, Hammer Museum (Westwood), 6pm.

Screening: Eliot Rausch, Underground Museum (Mid-City), 6pm.

ORANGE 6, Coagula Curatorial (Chinatown), 6–9pm.

One Hour/One Painting, Laguna Art Museum (Laguna Beach), 6pm.

Matthew Rolston: Hollywood Royale, Annenberg Space for Photography (Century City), 6:30–8pm.

Volume I: Cultural Identities, Residency Art Gallery (Inglewood), 7–9pm.

Kybelle Dance Theatre, The Loft at Liz’s (Mid-City), 7–9pm.

Challenge for Change | Mur Murs (1981), LA Plaza de Cultura y Artes (Downtown), 7–9pm.

Moving Line, El Camino College Art Gallery (Torrance), 7–9pm.

At land’s edge: Kristina Wong, Human Resources (Chinatown), 7–9pm.

Cameron Rowland lecture, Hammer Museum (Westwood), 7:30pm.

David Horvitz with Christine Sun Kim, JFDR, and Xiu Xiu Noise: Watering a Glass Flower II, (Some Meditations for Resonating Hourglasses Sounding the Shapes of Hours), Edward Cella Art+Architecture (Culver City), 7:30pm.

The Broad and X-TRA present Simone Leigh + Steven Nelson in Conversation, The first in a series of talks addressing the legacy of Joseph Beuys, The Broad (Downtown), 7:30pm. $15.

MONDONGO: WHAT ARE WE GONNA SAY AFTER HELLO?, Track 16 (Downtown), 7:30–9pm.

Cheng Foundation Lecture - Chop Suey, USA: How Americans Discovered Chinese Food, The Huntington (San Marino), 7:30pm.

TONY KUSHNER & SARAH VOWELL IN CONVERSATION, CAP UCLA (Westwood), 8pm.

Friday, February 23

Talk: A Bilingual Scholars' Day— Painted in Mexico: 1700–1790: Pinxit Mexici, LACMA (Miracle Mile), 9:30am.

A Man and His Prostate, Palm Springs Art Museum (Palm Springs), 10am–5pm. Through February 25.

Culture Fix: J. Lorand Matory on the Arts of Candomblé, Fowler Museum (Westwood), 12pm.

Distinguished Artist Interviews: Catherine Opie interviewed by Helen Molesworth; The Promise Piece, Ten Years Later, A message from Yoko Ono; Judy Baca interviewed by Anna Indych-López, 106th CAA Annual Conference, LA Convention Center (Downtown), 3:30–5:30pm.

Hannah by Andrea Pallaoro - Film Screening, CalArts (Valencia), 4–7pm.

Art Buzz: Harald Szeemann, Institute of Contemporary Art, Los Angeles (Downtown), 5:30–7pm.

Bill Barminski Retrospective, Castelli Art Space (Culver City), 6–10pm. Continues February 24.

Alake Shilling: Monsoon Lagoon, 356 Mission (Downtown), 6pm.

Gabrielle Teschner, Michael Wall, and Brant Ritter, TAPPAN (962 East Fourth Street, LA CA 90013, Downtown), 6–9pm.

Panel: Chicanx/Latinx Art after PST: LA/LA. Sustaining the Field, Self Help Graphics and Art (Downtown), 6–8pm.

Guided tour: Mari Cardenas & Milton Jurado, Self Help Graphics & Art (Downtown), 6:30pm.

NO TIME TO WASTE, Moskowitz Bayse (Hollywood), 7:30pm.

Pictures of an Exhibition, LA Phil (Downtown), 8pm. Through February 25.

Djanjoba LA 2018: A Drum & Dance Gratitude Festival, various locations (across locations), 8pm. Through February 25.

Witch House: A Witches' Cabaret, CalArts (Valencia), 8pm. Through February 27.

Saturday, February 24

SYMPOSIUM: BLACKNESS AND THE ART OF EMPOWERMENT IN BAHIA, BRAZIL, Fowler Museum (Westwood), 10am–4:30pm.

Demanding Investment Without Displacement, The Wellness Center (Downtown), 10am–3pm.

Feminism and the State: Art, Politics, and Resistance, MOCA Grand Avenue (Downtown), 10am–4:30pm.

What is Contemporary? Feminism and the State: Art, Politics, and Resistance, MOCA Grand Avenue (Downtown), 10am–4:30pm.

Bob Baker Day, Bob Baker Marionette Theater (MacArthur Park), 10am–6pm. 

Not Her(E): A Workshop, Women’s Center for Creative Work (Frogtown), 10am–1pm.

Bonsai-a-Thon, The Huntington (San Marino), 10am–5pm. Continues February 25.

tokidoki x iHasCupquake Launch Event & Signing, La Luz de Jesus Gallery (Los Feliz), 11am–3pm.

Cartomancy: The Seni-Horoscope Re-imagined by Shay Bredimus and Tony Delap: A Retrospective, Laguna Art Museum (Laguna Beach), 11am–5pm.

Workshop: Finding Autonomy and Connection through Contact Improv, Pieter (Lincoln Heights), 12–3pm.

Donna Bates and Corban Lundborg, Gabba Gallery (Koreatown), 12:30pm.

Thinking Like a Roman: How to Renew America's Polarized Landscape, Getty Villa (Pacific Palisades), 1pm.

Artist at Work: Paper and Light, Getty Center (Brentwood), 1–3pm.

Dos Colectivos, USC Fisher Museum of Art (Downtown), 1–4pm.

Closing Reception, Tieken Gallery (Chinatown), 1–6pm.

Public Anchors Finale, Side Street Projects (Pasadena), 1–4pm.

Talk: Artists in Conversation: Isabel Avila and Linda Vallejo, LACMA (Miracle Mile), 1:30pm.

Existing On Our Own Terms: Healing Rituals As Liberatory Practice, Women’s Center for Creative Work (Frogtown), 2–5pm. $15–25.

Maren Hassinger: The Spirit of Things, Art+Practice (Leimert Park), 2–5pm.

The Great Compromise, UCI Claire Trevor School of the Arts (Irvine), 2–5pm.

"Animalia" - A Voice Event, CalArts (Valencia), 2–4pm.

Male Glaze pop-up, Freehand Gallery (Beverly Grove), 4pm.

The Circuitry of Joyce J. Scott: A Group Exhibition of Collaboration and Innovation, Craft in America Center (Beverly Grove), 4–6pm.

Melvino Garretti: Space Versus Space, Vernon Gardens (Vernon), 4–8pm.

Kevin Larmon: slipping in and out of phenomenon and Nathan Hayden: Strong Magic, CB1 Gallery (Downtown), 4–7pm.

Açúcar: A film series organized by Ellen Gallagher, Hauser & Wirth (Downtown), 4–10pm.

#CAMOLORDS - UNSEEN, Anahid Boghosian - HERE NOW and Brian Reed - From Semi-Abstract And Back, TAG Gallery (Santa Monica), 5–8pm.

UNICEF Next Generation Art Party, 800MAIN (Venice), 5pm. $40–150.

Petra Cortright: CAM WORLS, UTA Artist Space (Downtown), 5–7pm.

ADC Fundraiser: The Koerner Affair, Koerner House (Palm Springs), 5-8pm.

Opening Reception: Carmen Argote Artist Lab and Opening Reception: Mariángeles Soto-Díaz, 18th Street Arts Center (Santa Monica), 6–8pm.

Rodrigo Valenzuela: General Song and Carla Issue 11 launch party, Klowden Mann (Culver City), 6–9pm.

Kevin Cooley: Still Burning, Kopeikin Gallery (Culver City), 6–8pm.

Matthew Brandt: AgX.Hb, M+B (West Hollywood), 6–8pm.

Lorser Feitelson: Figure to Form, Louis Stern Fine Arts (West Hollywood), 6–8pm.

Aaron Wrinkle: LA Salon, there-there (East Hollywood), 6–8pm.

L.A.W.S. presents Language: The Art Show, Los Angeles Water School (Downtown), 6pm–12am.

SHOP and SOLO PROJECT, Denk Gallery (Downtown), 6–8pm.

Robert Moreland: Slow Talker, Wilding Cran Gallery (Downtown), 6–8pm.

Like Ghosts: New Works by Rema Ghuloum and HK Zamani, JAUS (Sawtelle), 6:30–9:30pm.

THE PAIN ISN'T OVER | Leafar Seyer & Prayers, THESE DAYS (Downtown), 7–10pm.

Herakut: Rental Asylum, Troy Brooks: Skinwalker, and Adrian Cox: Terra Incognita, Corey Helford Gallery (Downtown), 7–11pm.

L.A. Dance Project presents Bodies2, L.A. Dance Project (Downtown), 7pm.

Los Angeles Ladies Arm Wrestling Presents Queens at the Table, Bootleg Theater (MacArthur Park), 7–11pm. $10–15.

Sonnets and Sonatas Presents: Animals!, Getty Center (Brentwood), 7:30pm.

Independence Day and A Cylindrical Object on Fire in the Dark, Los Angeles Contemporary Archive (Chinatown), 7:30–10pm.

lost tribes, LACE (Los Angeles Contemporary Exhibitions) (Hollywood), 8pm. Also February 25.

Saluti, Grace Palmer: Secrets of Virtuous Cycle Management Institut IDGAF, Pieter (Lincoln Heights), 8:30–10pm.

The Moon Has Made Us Brothers, CalArts (Valencia), 9–10pm.

Sunday, February 25

The Art of the Movie Poster: Highlights from the Mike Kaplan Collection, LACMA (Miracle Mile), 10am–7pm; talk, 4pm. 

Tony DeLap: A Retrospective, Laguna Art Museum (Laguna Beach), 11am–5pm. 

TURBANTE-SE / A HEAD WRAP WORKSHOP, Fowler Museum (Westwood), 12pm.

Mesoamerica in Midcentury California: Revivals and Reinventions, LACMA (Miracle Mile), 1–2:15pm.

Painting workshop with Alake Shilling, 356 Mission (Downtown), 1–4pm.

IN CONVERSATION: ENRIQUE MARTINEZ CELAYA WITH DAN MCCLEARY & DEMIAN FLORES, USC Fisher Museum of Art (Downtown), 1pm.

Symbols in Copper, California African American Museum (Downtown), 1–3pm.

WORKSHOP: FREE THE VOICE: Odeya Nini, Pieter (Lincoln Heights), 1–4pm. $35.

Pop-Up Community Portrait Studio, Santa Barbara Museum of Art (Santa Barbara), 1–4pm.

Dora De Larios and Rigo 23: Ripples Become Waves, Main Museum (Downtown), 2-5pm.

Panel: Albert Chong, Andrea Chung, and Maria Magdalena Campos-Pons, moderated by Los Siu, California African American Museum (Downtown), 2–4pm.

WON JU LIM: Aunt Clara's Dilemma, AUDREY HOPE: Dreams of Pentecost, and MARISSA GRAZIANO: Lesbian Step-Sisters Better Not Get Caught By Dad!, DXIX (Venice), 3–6pm.

Artist Talk: All Hands on Deck, Otis College of Art and Design (Westchester), 3–5pm.

HOME, HOOD, HILL: Final Projects: Group XLV, Mackey Apartments, MAK Center for Art and Architecture (Mid-City), 3–6pm.

Chad Attie: The Last Island Talk & Screening, The Lodge (East Hollywood), 3-6pm.

Feminism Now, Shoebox Projects (Downtown), 3–6pm.

Anna Wittenberg: Dog Mod, Bozo Mag (West Adams), 4–8pm.

Talk: The Art of the Movie Poster: A Conversation with Mike Kaplan and Kenneth Turan, LACMA (Miracle Mile), 4pm.

Surfing Countdown, Zebulon (Frogtown), 6pm–12am.

WORKSHOP: Orgasmic Yoga: Dr. Victoria Reuveni, Pieter (Lincoln Heights), 6–10pm. $30–40.

SCREENINGS Part of the series The Black Book: Chocolate Babies, Hammer Museum (Westwood), 7:30pm.

PlumbLine - Jewelry Objects seminar, Long Beach City College Art Gallery (Long Beach), 7–9:30pm.

Monday, February 26

Artists, Icons and Legends: The Portraits of Michael Childers, Palm Springs Art Museum (Palm Springs), 10am–12pm.

THIS, NOT THAT LECTURE: CHARLES WALDHEIM, UCLA (Westwood), 6:30pm.

Tuesday, February 27

Cut! Paper Play in Contemporary Photography and Paper Promises: Early American Photography, Getty Center (Brentwood), 10am–5:30pm. 

Film: Amadeus, LACMA (Miracle Mile), 1pm.

Artists Council 50th Anniversary Celebration, Acqua California Bistro (Rancho Mirage), 4–7pm.

PAUL ESPOSITO, UCLA (Westwood), 5–7pm.

Artist walkthrough: Black, The Loft at Liz’s (Mid-City), 7–9pm.

PEN PRESENTS X ARTISTS BOOKS: ALEXANDRA GRANT & KEANU REEVES with SYLVAN OSWALD, The Masonic Lodge at Hollywood Forever (Hollywood), doors 7pm; show, 8pm.

How To Have Hard Conversations, Women’s Center for Creative Work (Frogtown), 7–10pm. $16–20.

PlumbLine - Jewelry Objects closing reception, Long Beach City College Art Gallery (Long Beach), 7–8:30pm.

SCREENINGS: Faces Places, Hammer Museum (Westwood), 7:30pm.

Zoe Buckman: Champ, The Standard (Hollywood).

Wednesday, February 28

MAC Meeting, Lecture & Luncheon with guest speaker David Zippel, Palm Springs Art Museum (Palm Springs), 10am–1pm.

FOWLER OUT LOUD: RANDY REYES: LXS DESAPARECIDXS, Fowler Museum (Westwood), 6pm.

Talk: Michael Govan and Richard Prince, LACMA (Miracle Mile), 7pm. Sold out.

Founder's Day Lecture - In Search of Blue Boy's True Colors, The Huntington (San Marino), 7pm.

CONVERSATIONS: Jeffrey Stewart and Carl Hancock Rux, Hammer Museum (Westwood), 7:30pm.

Getting Fed By Your Feed: Curating An Instagram Diet, Women’s Center for Creative Work (Frogtown), 7:30–9:30pm. $1–10.

Reconstructing Grandfather, ICA LA (Downtown), 7:30pm.

Cross-Hatched: Incidents and Echoes: Jasper Johns + John Cage, The Broad (Downtown), 8pm.

[burpenterprisejournal]

BURP ACTION FOR THE END OF 18 (so far...)

It seems we are running fast towards the end of this wicked year, but before there’s still some stuff going on. JD Zazie, M. Pogo and WJM, the last survivors of the Burp Collective, seem to be busy as usual. Check what’s happening. We hope to meet you in flesh & blood in the next days. And we’re still not telling you anything yet about both the CARAPAX and the YURGLE top secret projects...

More links to posts and extra details will be added soon. Stay tuned. 2018/11/03 ACTIVITY CENTER + MAT POGO MICHAEL RENKEL’s  NOMOS ALTO Ausland Berlin - DE

2018/11/03 Mózg Festival JD ZAZIE DTEKK PLEQ Trzeci Bydgoski Salon Ambientu Bydgoszcz - PL

2018/11/07 REANIMATION ORCHESTRA Wendel Berlin - DE

2018/11/08 HEENAN-PELLEGRINO-POGO Sowieso Berlin - DE

2018/11/11 H. 23:30 TURBULENCE a radio show curated by JD Zazie Reboot

2018/11/12 JEALOUSY PARTY (reading) SHA ACCHIAPPASHPIRT MSB Loophole Berlin - DE

2018/11/14 L’ARBI / ROBAIR HEENAN / PELLEGRINO / POGO Geyger Gallery Berlin - DE

2018/11/16 26. Audio Art Festival SEIICHIRO MATSUMURA LAURENT BIGOT TIMOTHY MAXYMENKO KAJA SZWARNÓG JD ZAZIE PIOTR MADEJ HEVRE Kraków - PL

2018/11/18 JD ZAZIE VIRIL E²/Sterput Brussels - BE

2018/11/20 Sound it out! JD ZAZIE Paradox Tilburg - NL

2018/11/22 Eavesdrop Festival PAREIDOLIA CATERINA BARBIERI HACKLANDER/HATAM JASMINE GUFFOND HELEN HESS SILJE NES DJ JD ZAZIE Musikbrauerei Berlin - DE

2018/11/27 GORGO a radio show curated by JD Zazie Colaboradio

2018/11/27 Starling Murmuration #27 BUSATO / DAVILA / MASSARIA TAVIL / UNKNOWN EMILIO BERNE’ BUSATO / ERASLAN / ERIKSON DJ MAT POGO Loophole Berlin - DE

2018/11/30 Multiversal #89 BUSÆXUS JEALOUSY PARTY JD ZAZIE COMPANY FUCK ČIRNŬ / PIÑA CONRATE / LILIN / GRANLI / COQUELET RauXXXaus / Schwester Martha Berlin - DE

2018/12/01 Bruital Night JD ZAZIE / MARCELLO BUSATO UNDER KONSTRUKTION CNM CORAZÓN DE ROBOTA NOISIV MUNSHA & DR. NEXUS QUASI STELLA Loophole Berlin - DE

2018/12/05 REANIMATION ORCHESTRA Wendel Berlin - DE

2018/12/11 BURP Rendez-Vous ARNAUD RIVIÈRE HORACIO POLLARD DELMORE FX JD ZAZIE JEALOUSY PARTY SISTEMI AUDIOFOBICI BURP MENTAL CHEESE #2 Ziegrastrasse 11 Berlin - DE

2018/12/20 Matanzas release Party DON THE TIGER THE SHITTY LISTENER JEALOUSY PARTY DJ LUCRECIA DALT Arkaoda Berlin - DE

[johnsimon]

Elisabeth Muhr, Denise Rich, and Jean Shafiroff chaired the 65th Viennese Opera Ball on Friday, February 7, 2020, at Cipriani 42nd Street, New York City, under the patronage of The President of the Republic of Austria, H.E. Alexander Van der Bellen. Actor Nathan Lee Graham emceed the Ball, celebrating the cultural and economic relationships between Austria and America, connecting two continents, two cities and two centuries in one glamorous evening.

“There is nothing like this in America with pageantry that could only come from the Habsburg Royal Houses” said President and Executive Director Silvia Frieser, “Just as in Europe, the celebration began with our Debutantes, wearing beautiful tiaras donated by Austrian jewelry company Ciro and white gowns, dancing the Polonaise and Alles Walzer with their partners in white tie.” Artistic Director Daniel Serafin presented an operatic concert with Ewa Płonka, Limmie Pulliam, Michael Spyres and Corinne Winters performing alongside a full orchestra conducted by Matthias Fletzberger. At Midnight, a Quadrille that enlivened the dance floor until 4am.

The Viennese Opera Ball proudly supports charitable projects of New York and Vienna. This year, appropriately benefiting the musical therapy program at Memorial Sloan Kettering Cancer Center through Denise Rich’s Gabrielle’s Angel Foundation for Cancer Research. While the Viennese Opera Ball is inspired by the famous Vienna Opera Ball in Austria, it is older and it’s own American 501 (c)(3) not for profit foundation, held under the auspices of the U.S. Austrian Chamber of Commerce.

The Honorary Gala Chair was The Honorable Michael Ludwig, Governor, and Mayor of Vienna. Notable guests included Host Committee members Janna Bullock, Joanna Fisher, Ana Saucedo, Randi Schatz, and Marisa Rose Van Bokhorst, Honorary Guests Florence Hvorostovsky and Ann Ziff, Junior Chairs Emily Mohr and Colgate Rumbough, Junior Vice-Chair Briana Lestage, as well as Star Jones, Ricardo Lugo, John Paulson, Karlheinz Muhr, Martin Shafiroff and Stifel Investment Services, Hikmet Ersek (CEO of Western Union), Actress Samantha Mathis, Lukas Barwinski-Brown (CEO, Lang Lang International Music Foundation),  Trisha Willis, John Willis, Diandra Douglas, Sandra Stockmayer (Viennese dancing school Svabek), Agnieszka and Witold Balaban, and U.S. Military Academy West Point Cadets who marched in with flags representing America, Austria, and the European Union before singing the three respective anthems.

Sponsors included The City of Vienna, Royal Flowers, A.E. Koechert, Aida, as well as a selection of donated Austrian wines and spirits by Schlumberger, Sonor Wines, Esterhazy, Rick Gin and Manufaktur Mueller, and Hallstein Water. The debutantes wore beautiful donated tiaras by Austrian jewelry company Ciro, and were exclusively styled, together with the opera singers, by The Salon at BG.

The 2020 Debutantes

Aimee Anne-Caroline Auguin of New York City

Daughter of French conductor Philippe Auguin and opera singer Jena Ruchek

  Natalie Aldridge of Mequon, Wisconsin

Daughter of Thomas Lee and Jane Marie Aldridge

  Rachel Barcellona of Palm Harbor, Florida

Daughter of Frank and Barbara Barcellona

An Autism advocate

  Despina Drougas of New Fairfield Connecticut

Daughter of Demosthenes and Carmela Drougas

  Rachel Engelberg of Vienna, Austria

Daughter of Martin Engelberg, Member of the National Council of Austria and Danielle Spera, Director of the Jewish Museum of Vienna

  Clara Heupgen of Munich, Germany

Daughter of His Excellency the Austrian Ambassador to Portugal, Thomas Stelzer, and Helene Heupgen

  Asia Hickman of West Point, New York

Daughter of Marc Hickman (U.S. Department of Defense) and Major Jamie Hickman (U.S. Army)

She is the 2017 Miss New York Teen America

  Katherine Kuhl of New York City

Daughter of the late Dr. David Kuhl and Diane Kuhl of the American Ballet Theatre

  Luisa Majnoni d’Intignano of New York City

Daughter of Giovanni Majnoni d’Intignano, a Director of the Bank of Italy and Bonizella Biagini of United Nations Development Programme

Proudly representing the country of her birth, Italy

  Anastacia Grace Weyerhaeuser McCarthy Markoe of White Bear Lake, Montana

Daughter of James Admire Markoe, Jr. and Sarah Jane McCarthy

  Christiane McCabe of New York City

Daughter of Michael J. McCabe and Aline Rizk

  Olivia Maria McNaughten of New York City

Daughter of Anthony McNaughten  and Rossana McNaughten

  Yaelle Shaked of Guaynabo, Puerto Rico

Daughter of Alon and Lorraine Shaked

Currently attending Harvard University

  Doris Winkler of Vienna, Austria

Daughter of Harald Swoboda and Brigitte Winkler

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Photos: Patrick McMullan

65th Viennese Opera Ball Benefits Music Therapy Program at Memorial Sloan Kettering Cancer Center Elisabeth Muhr, Denise Rich, and Jean Shafiroff chaired the 65th Viennese Opera Ball on Friday, February 7, 2020, at Cipriani 42nd Street, New York City, under the patronage of The President of the Republic of Austria, H.E.

[micaramel]

Artist: Judy Chicago

Venue: Salon94 Freemans and Salon94 Bowery, New York

Exhibition Title: PowerPlay: A Prediction

Date: January 10 – March 3, 2018

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Salon94, New York

Press Release:

From 1982 through 1987, the celebrated and iconic feminist artist, Judy Chicago, created a body of work examining the gender construct of masculinity. In a series of drawings, paintings, cast paper and bronze pieces, she explored how prevailing definitions of power have affected the world in general — and men in particular. More than thirty years after Chicago completed PowerPlay, Salon 94 is proud to present a select group of works from this prescient series in Chicago’s inaugural exhibition with the gallery.

Four monumental paintings will be on view at Salon 94 Bowery. After the furor and acclaim that she received from The Dinner Party (1974-79), with its decidedly female subject matter and evolving feminist iconography, and while simultaneously working on Birth Project (1980-85) which explored aspects of the birth process from the painful to the mythical, Chicago turned to an entirely new subject: man. While traveling through Italy in 1982, Chicago was inspired by the style and scale of Renaissance painting. Having already mined several art forms including minimalist sculpture, large-scale installation, ceramics and china-painting, textile-based works, performance and even auto body painting, Chicago developed a new painting technique which sought to reproduce the vibrant color and luminosity of the Renaissance precedents. The technicolor figures pop off the Belgian canvases- a combination of a clear gesso base, sprayed acrylic under paint, and thin layers of oil paint on top.

In preparing for PowerPlay, Chicago executed extensive drawings of the male nude, which she recalls as being frightening and difficult due to only ever having access to female models during her art education. With the PowerPlay series, Chicago paved an early path for many female artists who came after her, by appropriating and reversing the male gaze that men had used for centuries to depict the female figure. As she stated the year she began the series, “I knew that I didn’t want to keep perpetuating the use of the female body as the repository of so many emotions; it seemed as if everything – love, dread, longing, loathing, desire, and terror – was projected onto the female by both male and female artists, albeit with often differing perspectives. I wondered what feelings the male body might be made to express.”

Chicago recognized in Renaissance painting, the conflation of the birth of modern society with that of the ubiquitous male hero. Her stylized sinewy male bodies are decidedly reminiscent of the Socialist Realism used in Soviet-era art, particularly in propaganda used by the Russian government to invoke nationalistic pride and to glorify and propagate the ideologies of authoritarian leaders. Rather than portray the male figure as a hero in her own work, Chicago pulls back the curtain to reveal an uglier side of man that is alarming, revolting and eerily predictive. In typical Chicago humor, her fallen heroes are drunk with patriarchal power as they drive destructively, “piss on nature”, pull hair, pick their noses and stick out their tongues. In the centerpiece of the show, the massive triptych titled Rainbow Man, the worst deed of all is preformed, the “bait and switch”, which Chicago likens to the Trumpian tactics used in the 2016 election.

When PowerPlay was first shown in 1986 at ACA Galleries in New York, it received scant attention and continued to be her least recognized body of work. Though now, more than thirty years later, her depictions of the male figure in various states of acting out in unscrupulous ways could not be more relevant to our contemporary dialogue on the abuses of power that we are experiencing and witnessing first hand.

Also on view for a limited time at 1 Freeman Alley, Salon 94 will present a group of unique cast bronze and paper wall sculptures and a series of fiercely colored small paintings. The scowling, contorted and forlorn male faces evoke the embellished facial expressions of an operatic chorus. They collectively call out like lost souls, giving one the sense that they are in a purgatorial state of suffering; victims of their own misdeeds.

On January 13, 2018, Salon 94 hosted a conversation at Salon 94 Bowery with Judy Chicago, Jonathan Katz and Michael Kimmel. Jonathan Katz is an activist, art historian and writer working with the intersection of art history and queer history, particularly during the Cold War era. He is currently the director of the doctoral program in Visual Culture Studies at State University of New York (SUNY), Buffalo. Michael Kimmel is a leading expert on men and masculinities and is currently the SUNY Distinguished Professor of Sociology and Gender Studies at Stony Brook University. A recording of this event is available on request.

Biography:

Born Judy Cohen in Chicago, Illinois, in 1939, Chicago, whose influence and worldwide recognition are remarkable, is at once an artist, author, feminist and educator with a career now spanning fifty years. She attended the Art Institute of Chicago and the University of California, Los Angeles and her early Minimalist work was part of the landmark Primary Structures exhibition in 1966 at The Jewish Museum in New York. In the late sixties and early seventies, after a decade of professional art practice during the height of the male-dominated Minimalist and Light and Space movements, Chicago began to make a conscious departure from abstraction and move toward figuration. She also changed her last name to Chicago after the town of her birth, shunning the patriarchal and societal construct of taking the father’s last name, and pioneered Feminist art and art education through a unique program for women at California State University, Fresno, a pedagogical approach that she has continued to develop over the years. In 1974, Chicago turned her attention to the subject of women’s history to create her most well-known work, The Dinner Party, which was executed between 1974 and 1979 with the participation of hundreds of volunteers. This monumental multimedia project, a symbolic history of women in Western Civilization, is permanently housed at the Brooklyn Museum as the centerpiece of the Elizabeth A. Sackler Center for Feminist Art. Roots of “The Dinner Party”: History in the Making is currently on view at the Brooklyn Museum through March 4, 2018. In early 2018, Salon 94 will publish a fully illustrated catalog to coincide with and expand on the Roots exhibition.

The artist’s works are held in museum collections throughout the world, including the British Museum, London; Moderna Museet, Stockholm; Tate Gallery, London; Metropolitan Museum of Art, New York; National Gallery of Art, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; Getty Trust and Getty Research Institute, Los Angeles; San Francisco Museum of Modern Art; and over twenty five university art museums including Brandeis, Cornell, Harvard, Illinois, Michigan, UCLA, Canterbury (New Zealand), and Cambridge (UK). Over the past several years Chicago’s works have been included in a broad range of major group exhibitions such as Pacific Standard Time: Art in L.A., 1945–1980 organized by the The J. Paul Getty Museum, Los Angeles, Ends of the Earth at Haus der Kunst, Berlin, Pretty Raw: After and Around Helen Frankenthaler at the Rose Art Museum, Waltham, MA and The World Goes Pop at Tate Modern, London. Chicago’s traveling solo exhibition Why Not Judy Chicago? was also recently on view at the Musée d’Art Contemporain in Bordeaux, France. Her solo exhibition Inside the Dinner Party Studio at the National Museum of Women in the Arts, Washington, D.C. was on view from September 17, 2017-January 5, 2018 and Roots of “The Dinner Party” History in the Making at the Brooklyn Museum will be on view through March 4, 2018. Forthcoming, Chicago’s works will be the focus of the group exhibition Tuer l’ennui, The Sixties in SoCal at the Villa Arson in Nice, France, opening in June, 2018. The Institute of Contemporary Art, Miami, will present a major survey of her work opening in December, 2018. Her forthcoming monograph will be published by Scala in January, 2019. Chicago lives and works in Belen, NM.

Link: Judy Chicago at Salon94

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[koryember]

Snake Lady This was an awesome Halloween shoot that I did with Michael Helene Salon Gallery! It was a very early day (We had to be there at 6am to start on all the hair!) but it was a lot of fun.  One of the most fun parts of the day... I had been in the chair for a couple hours as stylists had been arriving throughout the morning. Then, when hair and makeup was done and I stood up, everyone was blown away by how tall I am! Loved seeing the looks on their faces! Lol Don’t forget to check out my Patreon! https://patreon.com/DVSCosplay