#mentioned a bit

[blimbo-buddy]

Adore your bone design btw! And the way you draw bigger cats in general. I'm fat n usually draw myself as a cat instead of a human, and your art is really inspiring me to try n draw my sona more accurate to my actual body type

Thank you anon! Fat characters can have such a wide array of shapes to their body and especially when it comes to fat distribution, that's something to keep in mind whenever designing fat characters.

I think when it comes to fat animal designs (specifically for Warrior Cats), some people opt for just a bit of pudge in the stomach area and call it a day. It's annoying especially when it happens to characters who are confirmed to be chubby/fat.

And to the people who struggle with drawing fat character designs; Keep practicing and take lots and lots of references. Take references from photos, models, hell even take references from how other artists draw fat characters. And as for animal artists and specifically warrior cats artists: Making the character fluffy shouldn't be the only way you draw fat characters, fluffy fur is not a stand-in for fat body types

[chloesimaginationthings]

Scott Cawthon’s version of FNAF Burntrap..

[locusfandomtime]

compilation of all the iconic insane mumbo jumbo posts

wanted to get them all in one place. feel free to add

[callisteios]

Hi, feel free to take my new uquiz to discover what kind of vampire you are!

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[inkskinned]

you're in the habit of denying yourself things.

if someone asked you directly, you would say that you love a little treat. you like iced coffee and getting the cookie. you drink juice out of a fancy cup sometimes, and often do use your candles until they gutter out helplessly.

but you hesitate about buying the 20 dollar hand mixer because, like. you could just use your arms. you weren't raised rich. you don't get to just spend the 20 dollars (remember when that could cover lunch?), at least - you don't spend that without agonizing over it first, trying to figure out the cost-benefits like you are defending yourself in front of a jury. yes, this rice cooker could seriously help you. but you do know how to make stovetop rice and it really isn't that hard. how many pies or brownies would you actually make, in order to make that hand mixer worthwhile?

what's wild is that if the money was for a friend, it would already be spent. you'd fork over 40 without blinking an eye, just to make them happy. the difference is that it's for you, so you need to justify it.

and it sneaks in. you ration yourself without meaning to - you don't finish the pint of ice cream, even though you want to. the next time you go to the store, you say ah, i really shouldn't, and then you walk away. you save little bits of your precious things - just in case. sometimes you even go so far as putting that one thing in your shopping cart. and then just leaving it there, because maybe-one-day, but not right now, there's other stuff going on.

you do self-care, of course. but you don't do it more than like, 3 days in a row. after that it just feels a little bit over-the-edge. like. you can't live in decadence, the economy is so bad right now, kid.

so you don't buy the rice cooker. you can-and-will spend the time over the stove. you can withstand the little sorrows. denial and discipline are practically synonyms. and you're not spoiled.

it's just - it's not always a rice cooker. sometimes it is a person or a job or a hug. sometimes it is asking for help. sometimes it is the summer and your college degree. sometimes it is looking down at scabbed knees and feeling a strange kind of falling, like you can't even recognize the girl you used to be. sometimes it is your handprint looking unsteady.

sometimes it is tuesday, and you didn't get fired, and you want to celebrate. but what is it you like, even? you search around your little heart and come up empty. you're so used to denying that all your desires draw a blank.

oh fuck. see, this is the perfect opportunity. if you had a mixer, you'd make a cake.

[gojosbf]

"Give me back my boyfriend"

"I don't know what you're talking about"

[lopsaii]

Ongoing stepladder debate

[fictionadventurer]

Personally, it's always a bit wild to me to see commentators interact with the Hunger Games franchise as if Collins were writing science fiction stories instead of essays with faces. She's just not that interested in fleshing out side characters or digging into the details of the worldbuilding. These characters are concepts and symbols before they're people. There's an almost mathematical precision to who and what she explores and how deeply she does it. This is a step or two away from pure allegory. If she were writing a couple of centuries ago, she'd have named her characters things like Innocence and Anger and Watch-Carefully-Your-Soul-Lest-Ye-Be-Damned, but since she's writing for modern audiences, she has to settle for puns and allusions. If she has another essay to write, she'll assign some faces to it; she's not going to look into backstories or other eras just for the sake of storytelling, and it's not a failing as a writer that she doesn't.

[bet-on-me-13]

Danny commits to the Bit a bit too hard...

So! For the first few weeks after his accident, whenever Danny would try to help the people of Amity Park, he would be treated as a Villain.

No matter if he had just defeated the Big Bad of the Week or saved a Cat from a tree, everybody in town only saw him as a Monster or Villain to he feared and hunted down. Danny was really getting sick of trying to get them on his side, until Sam made a suggestion.

"Why not just...play into it?" She said, barely looking up from painting her nails.

It was just an offhand suggestion, but it stuck with Danny. Why shouldn't he lean into it? The people of Amity Park already saw Ghosts as Evil, and they already assumed he was in cahoots with the Ghosts attacking the town. Why shouldn't he just...play into it?

So he does just that.

From that day on, whenever Phantom was spotted he would dramatically monologue about his Evil Plans, or claim that another Rogues attack on the City was his own act of terror.

Box Ghost destroys the towns Warehouses? It was on his orders.

Ember mind controls masses of Teenagers? All part of his Plans somehow.

Every Adult in Town is kidnapped by Young Blood? Danny gave them over to a friend as a Gift.

He crafts an identity for himself as the most Vile and Horrible Ghost that has ever attacked the City, using his own infamy to cement his legend even more firmly. The town only sees a Monsterous Villain, who has eveded capture near effortlessly for months on end, who constantly attacks their City and gets away with it.

Of course he still needs an excuse for how his plans keep getting stopped, and he gets it when his girlfriend Valerie becomes the Red Huntress. Before that, he just claimed infighting or the Fentons getting lucky, but Valerie becoming the Town's Hero meant he had a plausible excuse for how he kept getting "Foiled".

Val was suspicious, because she was not as involved as Phantom painted her to be, but in the end she had no proof of him faking his defeats. And she couldn't come up with any explanations for why he would do that in the first place. I mean, who would fake being a Supervillain? It had to he something else.

This did come back to bite him a while later, when the Justice League decided that enough was enough, and dispatched Justice League Dark to recruit Red Huntress and help Deal with him.

Coincidentally, that was the same day Pariah Dark attacked the Mortal Realm and sucked Amity Park into the Ghost Zone.

And honestly? Danny had spent over a Year proclaiming himself as a Villain who commanded Ghosts to attack the Human Realm, and he had heard about the Right of Conquest being Absolute in the Ghost Zone, so why not make it official? Why not overthrow the Ghost King, become the Ghost King, and cement his identity as a Villain while also forbidding Ghosts from entering the Human Realm without his permission?

He may have gotten a bit carried away and forgotten that the Villain thing was a disguise...but hey! He was still preventing Ghost Attacks! ...mostly. That's got to count for something right?

He may have let the Bit run a bit too far...

...

Check the tags for more context!

[radiance1]

Danny has been reincarnated.

Which was an odd thing to realize, it wasn't even a slow one he just... snapped into it one day. One moment he was staring at a wall out of boredom the next, well, he was staring for an entirely different reason.

It was a task for his now young -he thinks around three years old?- mind to work its way through the memories, but it wasn't like he had much else to do honestly. So, what does he know?

His name is Danny, like, his actual name and not just a moniker. He was once a halfa and he already knows he's going to be missing invisibility and intangibility. He, well, died. For like, a second time which actually makes sense because reincarnation-

Anyways.

He was a clone of two people from this thing called the Justice League which, weird name but probably some government or activist group. Wonder Woman and Superman. Which were pretty weird names to name your kids but eh.

He doesn't really remember much besides that from this life, or the one from before but he's an adult! He'll figure things out once he gets out of this containment tube thing.

Did he mention he was in a test tube? He's a tube baby now. He thinks? Or maybe it's more like he's being contained.

Whatever.

So he breaks out. Thank you apparent superstrength that he has no idea why he has but he's not going to complain! He then wandered around all of the other test tubes, able to remember just enough of English to see that yea, they're dead.

He probably was too, before he had memories zapped into him. Or a vegetable.

He then finds this really big container, checks it out, then opens it because the clone inside isn't dead!

'Project Match' it said. He'll just call him Match.

Was he thanked for helping him? Nope. You would think that he would be thanked or at least somewhat respected for saving this guy but nope!

He was, quite literally, held up by his leg and dangled in the air. Who dangles a three-year-old?! Well, he was technically and adult but still! The next few things were a blur but after pulling off the old Fenton charm he found him and Match outside as he tried to stop him from attacking random people.

Luckily the charms and privilege of the youngest (he's assuming he's the youngest, because he's physically three) was more than enough to get through to him. Sure, the guy couldn't form words, really aggressive for literally no reason, really weird but also absolutely cool looking eyes. But he worked around the first issue by developing their own personal language from like grunts and stuff, the second he once again used his youngest privilege to boss him around and the third a pair of sunglasses easily fixed.

He just had to steer Match clear of those random S crest mark thingies. Which was a weird thing to hate but hey, he's not there to judge.

[chloesimaginationthings]

FNAF movie Vanessa wants to meet Glamrock Bonnie..

[nyerusnova]

yeah... things are pretty yikes right now in the current batfam storyline,

but at least Tim is rocking those thigh-high boots and I just wanted to appreciate that for a sec

[bluerosefox]

Striking of the Clock

BrainDead or DeadTired idea.

During Tim's BruceQuest he uncovers hidden texts/tombs of a being that controls and watches over the Time Stream and Tim knows this being will have to be his best bet of finding Bruce while also trying to figure out on his own how to get Bruce out of the Time Stream as well.

However the being doesn't have a summoning sigil due to being an Ancient.

He does find the sigil for the Ghost King however, a being that borderlines into Ancients power territory and could in theory grant Tim an audience with the Time being if Tim plays his cards right.

In the end, Tim decides it was worth a shot. He convinces Ra's to 'help' him summon the Ghost King. Ra's wanting to see if such a being could be real and to see how far Tim is willing to go to bring Bruce back, allows League resources to be used.

It takes a few weeks, with Tim also making plans to undermine not just the Council of Spiders but Ra's as well, but eventually the time to summon the Ghost King comes.

Tim honestly was expecting the large eldritch like being that showed up, he just wasn't expecting the being to be basically a formed galaxy mixed with ice and the northern lights itself.

He also really wasn't expecting when he negotiated a deal with the Ghost King, and taken into a place called the Infinite Realms when they shook hands (Tam and Prue is also taken with him, he refused to leave them with Ra's), for the being to shrink down and turn into a white haired, green eyed teen around his age who starts flirting at him.

Nor was he expecting for another being, one that apparently is able to shift aging forms, and a grandfather clock in its chest to appear next to the teen and bonk the white haired teen with a staff and tell him to stop flirting with his future new apprentice....

Wait what?

-x-x-

Danny is rarely, very rarely summoned since taking the mantle of Ghost King. Due to being a new Ancient most old sigils that was once connected to Phantom (mostly teens from Amity tired summoning him a couple of times) no longer worked and the only ones that did were the ones he gave to his friends and family or the Ghost King ones (but again rare due to how rare texts/tombs to the Ghost King is written down)

So when he felt the pull of a summoning he made sure to go in his eldritch form, mostly to see if he could scare them or at least intimidate.

Honestly he was expecting the cult, given the fact they summoned a being known as the (freaking) Ghost King, maybe not them being assassins/ninjas but still a cult.

He wasn't expecting the cute, same age as him too, guy in the room.

(CW totally paused time for a second, gave Danny a file on who and why he was summoned, discussed getting Tim Drake out of Ra's hands (and maybe allowing CW to finally have his own future apprentice because Tim is a smarty smart whose been slowly able to figure out the freaking Time Stream itself.), and then started the timeline again)

Danny decided, after striking a deal, that since he's going to be working with Tim, aka Red Robin (who Danny found out used to be Robin! From Gotham), from now on he might as well shoot his shot and flirt with him and-

"OUCH, CW REALLY?!"

"Stop flirting with my new apprentice for now My King, we have work to do."

[gfguren]

pro hero!bakugou x fem!reader | fluff, suggestive, husband!katsuki, katsuki implied as being taller than reader, implied age (~late 20's, early 30s~), light-hearted bickering, an excuse to write more domestic!kats, 1.8k | cw: cursing, suggestive

-your husband comes home late, soaking wet and a little bit handsy-

Katsuki is late; you hope traffic isn't too bad. Outside your window the sky is overcast, steely shades of grey over a slate canvas. The roads are dyed an inky charcoal, pooling at the surface where rain drip-drip-pours in endless streams.

You've taken up residence in the foyer, between the linen closet at the end of the hall, and the umbrella Katsuki left by the front door this morning. The very same one you reminded him to take with him at breakfast, and twice again before he left in the evening. If you loved him a little bit less, he might listen to you one day.

But you do—love him—right down to his bad habits and stubborn disposition.

So you wait for him the same way you have for years; perched at the breakfast nook in the corner with a warm cup of tea and a paperback that's been gathering dust for half-a-year now at least. The bar table is worn at the edges, legs wobble if you lean too far forward—frankly, you should have gotten rid of it years ago—but it was the first belonging that wasn't yours, or Katsuki's, but ours; a piece you thrifted when you were both still twenty-something and broke.

The years have changed a lot—our table, our bed, our house, our life. Your Katsuki.

—His wife.

The band around your finger is white gold; it clinks when you put the mug to your lips. Honey, ginger. Sweet. Rain hits the window and falls; two trails meet at the middle, and stick to each other like glue. Katsuki would laugh if he found you right now, smiling into your tea like a lovestruck fool.

You let the ceramic rest, turn to page thirty-or-something of a book that you totally-intend-to-finish. An hour passes before you hear the telltale rumble of an engine.

You spot his headlights first, misty pools of sunlight spilling onto the pavement when he pulls into the driveway. It's well past midnight now; Katsuki is a shadow against the porchlight, long strides and a hand over his crown. You have half a mind to bring the umbrella to him, but he's quicker, ascends the four steps to the veranda in two big leaps; you barely register the rustle of keys before he's stepping into the house, pooling rainwater at the welcome mat.

He's soaked at the shoulders, a grumble in his throat when he kneels to unlace his shoes—black leather, designer and sharp, same as the suit jacket around his shoulders. Tailored to fit him just right.

Katsuki's always been handsome, even as a hero in training renting hand-me-down suits from the little mom-and-pop shop down the street. But it really strikes you just how beautiful he is when you look at him now, dressed to the nines. All the years of hard work paying off in more ways than one.

You go a little fuzzy when he lifts his head to catch you staring; red eyes kindling the air and making it hard to breathe. He's the spitting image of a number two hero, just returned from a long night at some fancy-pants gala; sometimes you forget that's exactly what he is. Even more dumbfounded that, somehow, he's yours.

"I know," he grumbles, moving his shoes to the cabinet and meticulously hanging his jacket over the chair to dry. He briefly eyes the umbrella. "I f'rgot, kay?"

So have you, suddenly.

There's a pause and—"I didn't say anything."

He meets you at the table, one hand at the surface and the other at the knot of his tie. "Y've got that look."

You tip you chin to glare at him playfully. "And what 'look' is that, Bakugou Katsuki?"

"Like y'r about t'chew me up." He pulls the fabric strip from around his neck in one fell swoop, pops the first button of his dress shirt with his thumb. Your eyes fall for only a moment—barely a second—but Katsuki grins with the self-awareness of a man who's known you half his life. "Or about t'jump my bones, hah?"

He looks entirely impish in his revelation, ego flaring to rest in his cheeks; you have half a mind to nip at them like candy floss, instead you reach for the cuffs of his button-up, tidy the sleeves one fold over the other until the rainwater and well-kept muscles catch at the seams. You feign a sigh when his stare becomes too insistent to ignore, hand falling to rest at the peaks of his knuckles. "You'd like that, wouldn't you?"

"Yeah." A spark of firelight flashes in his eyes, deep carmine and coy; teasing him was so much easier a decade ago. "I'd let'cha."

You roll your eyes. "You're so unsexy, y'know that?"

"Hah," he barks with all the disbelief in the world. "What? Want me t'do that dirty talkin' shit instead? Jump y'r bones right here at the table? D'n think she'll hold up, baby."

He lets a fraction of his weight fall against the corner and the old wood immediately cries out, splintering oak and creaking hinges and the real, immediate threat that the poor thing might actually collapse at your feet.

You spring up defensively. "Katsuki!"

A once neatly-folded towel tumbles from your lap to land at your toes. His gaze falls; grin widens.

"Said y're gonna make me 'deal with it' next time I forgot the stinkin' umbrella, didn't'cha?" His fingers pinch the fat of your cheeks teasingly. "Love me that much, hah?" Your eyes narrow, fingers dive with intent for the space beneath his ribcage. He's quicker, wraps five fingers around your wrist and pulls you in with a hand at the back of your neck. He breathes, warm against the top of your head—"Missed y'tonight."

You hum against his chest, damp fabric sticking to your cheeks, flush and warm with surprise. You can count the number of times he's been this blunt with his affection on one hand; at least twice being in the presence of an empty champagne glass, or five. "Did you drink?" He gruffs at that—the only indication that he heard you at all. "Katsuki?"

"Come with me next time."

You tilt your chin, brow creasing. His head dips at the sight of the first wrinkle, the way it always does when he's trying to change the subject, or sweeten you up, or get his way in any way, really—a habit you must have taught him because you let him get away with it every single time. It's probably why he looks so offended when you pull back suddenly with a click of your tongue.

"That's not an answer."

"Not a drop," he finally says—huffs—with an almost boyish scowl.

You find yourself stifling a laugh, hand over mouth, and he glares, even as you step away to rustle through the linen closet. His eyes are red hot, brow downturned, downright grumpy, only cooling to a simmer when you're toe to toe once more, fresh towel in hand and lightly waving him down to your level. His spine bows, head dips until you're massaging the soft cotton through his hair; you would have had to fight him on this once—years ago—before time weathered his sharp edges, doused the wildfire raging in his heart until he became the man he is now—irritable, arrogant, stubborn, still, but willing—to make amends for who he was before, to extend a hand where he's able, to let you offer him one in return.

"Chose this one on purpose, didn't'cha?" Katsuki's voice is lukewarm, a tepid grumble at the back of his throat, an almost purr when you dip your fingertips against his nape.

"No idea what you're talking about."—but you do. The towel in question, he means, is from the left side of the closet, your side, all soft cotton and fluff; the same ones he refuses to use, for those very same reasons. "Said they 'd'n dry a damn thing' but-" you drape the supposed 'overrated, overpriced pile'a'fluff' around his shoulders to ruffle his bangs, more wily than usual, and barely damp. "Would y'look at that?"

He snorts, hand falling to the small of your back. "Don't get smart."

"Or what?" you keen up at him, at the balls of your feet, tip toes and still barely nose to nose; they bump once on accident, and twice on purpose. "Huh?"

Warm, exasperated breath fans across your cheeks. "Tryna start somethin' t'night, are ya?"

You bat your lashes, head tilting and fingers splaying across the 'v' of his neckline. "Me? Start something?" Your grin betrays your facade. "And what if I am?"

He pulls you in at the waist, holds you steady with one, strong arm, warm lips at your jaw and low, deep voice in your ear. "Better be ready t'finish it, then."

His right hand comes to rest at the back of your thigh, teases the skin right where your skirt ends; gooseflesh blooms all the way up your spine and you shiver. "Who's jumping bones now, huh?" you bark—yap, like a scaredy-pup with it's tail between it's legs—bite lost somewhere between the callouses on Katuski's fingertips and the press of his hips against your own.

You straighten your shoulders to get a good look at the ego washing over his face like miles of trumpet vine. All consuming, a force to be reckoned with. And devastatingly pretty.

"That'd be me, pretty lady," he says, all kinds of smug and annoying.

You hold him with your stare for an entire second—two, just so you can get a real good look at his stupid, handsome face—and then you're pulling him in by the collar, wrinkling the shirt he'll spend too much on dry-cleaning tomorrow. Not that he seems to mind when your tongue meets his, honey mingling with the mint on his breath and making his head swim, all but forgotten when a hand comes to rest at your waist, heated fingertips beneath your sweater, licking softly at your skin.

He walks you back 'til your thighs hit the table—(it rocks, precariously); one of your hands fall against the surface, the other to his heart that thump-thump-jumps when thunder rumbles through the house, and stills. You smile, soft against his lips, thumb tracing the precipice of his collarbone until your fingers can curl around his spine. The next kiss against his mouth is featherlight, barely there; you sigh, contentedly—"I love you."

Katsuki goes a little hazy, eyes the color of early Autumn; the blazing summer sun reduced to a tealight candle, flickering in the palms of your hands. "Yeah," he chokes. And you know just what he means.

You kiss him then, once more, a little more playful this time; mischievous and coy with a cheeky, "—even though you're totally unsexy."

"So help me, y/n, I will howitzer this table."

[soupdwelling]

never love an anchor - the crane wives

closeups under the cut