Maureen Gallace (American, 1960), Easter Sunday, Monroe, CT, 1997. Oil on canvas, 14 x 14 in.
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Maureen Gallace - Untitled (2017)
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Maureen Gallace, Late August, 2009
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Our Desert Plant #1, 2006.
Maureen Gallace
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Maureen Gallace - September, 2015
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Maureen Gallace, Long Island (with Vance) 2016
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Today I Heard the Pinecones Hitting the Ground, 1994
Maureen Gallace (b. 1960)
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Maureen Gallace: Sand Dunes, 2011 (Oil on panel, 11x14 inches)
via 303 Gallery’s The Perfect Show, curated by Collier Schorr
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Maureen Gallace, White Roses
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Maureen Gallace, September Sunset, 2008
Fitz Henry Lane, Brace’s Rock, 1864
“With the sun dipping below a gray and orange horizon, and with subtle colors reflected on a glassy sea, Gallace’s near-beatific “September Sunset” (2008) is exactly the kind of scene Lane favored, for instance in “Brace’s Rock” (1864), in which part of a jutting rock is illuminated orange by the sun while smooth water in a quiet cove (there is also the rotting hull of a wrecked boat on the beach) reflects both sky and rock. Like transcendentalist poet-philosopher Ralph Waldo Emerson, whose clarion call for immersive experiences in nature greatly inspired the luminists and the Hudson River School painters, Gallace opens herself to nature, studies it intently, observes its forms, and absorbs its changing moods, and then channels this into her art. Her paintings aren’t so much depictions of nature as they are charged and complex encounters with specific sites that, for whatever reasons, are deeply meaningful to her, and she sometimes returns to those sites to make new, slightly different paintings, studying the sites again, querying them, trying to discover a bit more of their mute secrets.”
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Maureen Gallace / Thanks to @j----me
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Trip to Moma Ps.1 (Part 3) - 4.10.17
"I saw houses, my mom saw more…definitely her favorite artist here."
Clear Day - Until Sept. 10th
Maureen Gallace is an American Painter known best for her “oil on canvas” land and seascapes. Her project “Clear Day” is comprised of 68 pieces in total. With no fuss or frills it can be best described as simple and forward with intention.
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Maureen Gallace, Early September, Oil on panel, 28 x 30.5 cm, 2011
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