#mainly just them in this chapter

[ruporas]

i’ll find you again in every universe. let us be a little more honest, let us have a little more time.

[starrysharks]

quick concept art of octavia with dreads for a planned chapter

[tryingtostaysilly]

Okay so I'm literally halfway through reading the latest Nevermore chapter I haven't finished it I stopped and came to tumblr just to comment on this but

WILL MISOGYNY JUMPSCARE???!!?!?!?!!

I KNOW HE'S JUST MIMIKING MONTY TO FIT IN BUT AGHJADSGJHUSAGSHDGH DUDE???!?! IM CRYING HE HREALLY JUST SAID "women ☕🚬" UNPROMPTED AND THEN WENT ON A FUCKIGHNN RANTT ABDHSSGAHGJGHA MY BLORBO IS PROBLEMATIC NOW I CANT HOW DOES THE CLUSTERFUCK BECOME EVEN MORE FUNNY AND AWFUL EVERY TIME THEY APPEARRRRR

MEGAMIND LESBIAN ROLLS “WORST FRIEND GROUP EVER” ASKED TO LEAVE NEVERMORE ACADEMY

[toxictrashdump]

That was my parting lie, and I'd wrapped it in all the bows

[iridiss]

just noticed a plot hole in my mcd rewrite fic, cycles of love

gonna have to go back through all the chapters to rewrite whatever snippets have it

[anominous-user]

triple threat end card but with the honkai inpact trio. and also bald TT.

[simgerale]

CHAPTER ONE ; 1/3

TRANSCRIPT:

[sounds of swords clashing and rowdy cheering]

geordie: Your highness, apologies for the intrusion, but her majesty has asked me to remind you of the time.

killian: [panting] The time? And what exactly is the time?

g: Half past noon.

k: So she wished to inform me of my tardiness. Thank you, Geordie. I will be with you shortly.

---

k: Am I the only late one?

g: I am afraid so. Even the princess arrived promptly.

k: Drat. Dara will never let me live it down. The one time I lose track of the hour…

g: No matter, your highness. Soon you will be Knight Captain and have plenty of excuses for tardiness.

k: I sincerely hope not. I am perfectly satisfied with my rank.

---

luca: There you are, at last.

k: Apologies, apologies. What did I miss?

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[beastsovrevelation]

My issue is, I'm seemingly incapable of writing oneshots. I'm so eager to explore various ships, but only come up with epics. Why can't I ever write a short story, or two?.. Some angst. Some smut. Some fluff, with a relationship already estabilished. Hell, I'd probably feel much more productive.

[dallonwrites]

the first chapter of lover boy is really intense on an emotional level because So Many Things happen in quick succession it's like beau barely gets a chance to breathe and process it. meanwhile RR opening chapter is just felix and dorothy arguing in a laundromat.

[goldentigerfestival]

Forgot to post this earlier but I did in fact comb the entire Vesperia script to determine how many times he uses ま/まあ throughout the game, along with a few other phrases he uses repeatedly. This counts all of main story, every single sidequest, and every single skit in the game.

Final counts were:

ま/まあ: 279

Ma/Maa; translates to "well". He uses this at the beginning of a sentence usually, but it's sometimes in the middle. "Ma" is usually more quick and snappy. "Maa" is more thoughtful and/or prolonged. Obviously it can vary based on context, but that's the general breakdown.

んじゃ and any variants: 133

Nja, along with variants such as "ja", "soreja", etc. Variants are counted when they're all used to express "let's get going", when they're about to head off ("ja" could be used in a sentence such as "ja/but then, why is xyz like this", etc). They encompass translations such as "well then" (let's get going implied. includes "so then", "then" "alright then", and so on), "we should be off", "let's get going", "let's go", etc. (not to be confused with 行こう(ikou), 行くぜ, (ikuze), and other similar versions of this phrase. That can also mean "let's go", but any instances of Yuri using that particular phrase was not counted because it wasn't a variant of, specifically, んじゃ, which is also his most common "let's go" ja variant).

おい / おいおい: 66

Oi/Oi oi; translates to "hey"/"hey, hey", though "oi" is more or less an accepted word in English nowadays.

おっと: 12

Otto (not to be confused with "oto", referring to sound); an expression of surprise that can translate roughly to "whoa there" (which is the most common translation I do see for it and what I'd use in most cases too, context of course varying). The reason I included this one despite it being so seemingly low in number is because it's not a particularly common expression, much less one used multiple times by a single character? It's so rare from anyone else, which is just a regular thing relative to Yuri and his dialogue/speech (i.e. most characters sparingly use phrases repeatedly, as compared to Yuri... as you can see lol. Other characters use these words/phrases, but nowhere near as regularly, if regularly at all).

Realized along the way I should've included やれやれ (yare yare, "good grief", "oh dear", "oh boy" etc), but by the time I realized I should have in case it was an interesting count, I was too far into the script to be able to handle going all the way back through it LOL.

No. No, I am not joking that Yuri used ま/まあ 279 times throughout the course of the game. That is to say, it could be more if I missed any, but on the assumption I didn't, that's where it stands.

Why do I love this so much? Because it's a very specific character quirk of a character I adore. I'm very fond of his repetition. Thank you.

[tothesolarium]

I am completely captivated by your descriptions of these characters i am eagerly awaiting more snippets (almost like a dog waiting for table scraps you could say)

I wish I had some better treats to give you

Both of them are like this, thinking this is pure violence and not affection involved

Also the catharsis of being a well trained weapon, treated only for your capability to destroy and realizing you can redirect that skill. Mainly, to protect those you love. Resulting in great bodily injury,,, from the other hound,,,,

But also to destroy those who tried to train you so cruelly !!

Also some old mech concept sketches - one of which has been more developed but we still trying and full of to many ideas

I luv u coyote

[cattailtales]

seeing the reactions to this latest chapter I can’t help but to think back to the first post-war arc and remember how little was ever addressed then too.. like dgmw I enjoy all these characters and think horikoshi is insane for trying to juggle so many but in the end he kinda like. Cannot handle it all. maybe he could if he didn’t waste time on silly things.. like I get that he’s trying to uplift the story in the end but it kinda falls incredibly flat with so many anxious questions looming and a rapidly approaching finish line…

[yeyayeya]

Can’t get over the fact that when I search for a fanfic to read, it always focuses on the main pairing and of course it’s more romance than anything (either one-shots or really long slow burns, no in between)

Yet my fav fic (that I literally just found last year) to which I just go back and read every 2 weeks, doesn’t have romance as the main focus at all and mainly focuses on the weird ass platonic relationship of the 3 main characters is so weird to me. Yes, it has 3 ships tagged and they have stuff for them sprinkled in the fic, but all in all it’s just mainly platonic and I just can’t get over it

Some platonic ships just hit harder than romantic ones wtf

I am still insane over that fic I love it so much ugh I need to rant about it

[no1ryomafan]

We’re gonna ignore the fact it’s nearly 3 am while I type this but I’m gonna for once embrace my true cringe-I say as cringe is dead-and admit at least here since I said it on twit but not everyone follows me there that I’ve been cooking up a getter crossover fic with mega man ZX of all things. Why? Well next to mega man being what truly sparked my obsession for robots and ZX is my favorite series of the franchise there is a scary amount of similarities between the two that a crossover unironically fucking works well. Like I don’t think it was anything intentional, ZX definitely has some mecha influence like every other mega man series but it was more so (obviously) inspired off of toku if we focus on an genre in Japan. However both in a way can be boiled down to “humanity’s future is tied directly to machines” and “destiny is my path to choose” in terms of narrative themes so they legit stick together sososso well.

(also I noticed like- Arma!Kei and Go and Ashe and Grey are almost scarily fucking similar minus Ashe&Grey actually getting to know each other since that sadly doesn’t happen-in the manga they do meet but they aren’t related rip-in game but I might need to save that for a different post even though it’s not at all in the au since there’s no place for it I just I rotate it constantly)

Me and my beta reader were so insane enough that for nearly a YEAR we figured out this au because it was just “what if ryoma but in ZX” for the longest fucking time I’m not fucking exaggerating because it’s a semi trend of mine to want to throw ryoma into other series even if I’ve mostly restrained myself with this 💀 But when the fic is up I will likely be tagging it under ZXG so it’s easy to organize so yeah.