Méret Oppenheim 1985 Gloves
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Méret Oppenheim (Swiss/German 1913–1985) - Gesicht im Nachthimmel (Face in the Night Sky), Oil pastel on paper, 49 x 65 cm (1963)
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Méret Oppenheim: ‘Pair of Gloves’ (1985)
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Méret Oppenheim (German/Swiss, 1913-1985)
one of pair of gloves - goat suede with silk-screen and handstitched - 5 ⅝”x 3½” - edition of 150 - 1985
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Meret Oppenheim, "Red Head, Blue Body"
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i'm reading about 20th cen artist méret oppenheim. so, so fascinating
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Nobody will give you freedom; you have to take it.
Méret Oppenheim, Surrealist Women: An International Anthology
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méret oppenheim in fifty shoes that changed the world - the design museum (2009)
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Méret Oppenheim: 'X-Ray of My Skull' (1964)
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The Surrealist Roots of Schiaparelli’s New Braided-Hair Tie
The hairy accessory has roots in works by Meret Oppenheim, Mimi Parent, and Pippa Garnern.
The use of hair calls as far back to Surrealist artist Méret Oppenheim, specifically a bracelet that the house created based on her design nearly 90 years ago. In 1936, she successfully proposed a metal bracelet with an exterior covered in hair. According to Schiaparelli, Pablo Picasso then met the artist at the Café de Flore while she was wearing the bracelet and mentioned that one could make anything from the same material. Thus was born the idea for the work that Oppenheim is perhaps best known for: her fur-lined teacup, Object (1936).
Two decades later, Mimi Parent, another artist working in a surrealist mode, would create a work using hair in an uncanny way. Her 1959 Masculin-Féminin shows a cropped shot of a model in a suit wearing a tie made from hair. The image was used on the announcement for the 1959–60 International Exhibition of Surrealism at Paris’s Galerie Daniel Cordier. (Fittingly, the new looks by the house, which has had ties with the likes of Magritte and Dalí, arrive on the the centennial of the art movement known for whimsy and absurdity.)
Artnet News
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Méret Oppenheim (German, 1913-1985), Face in the Night Sky, 1963
Oil pastel on paper, 49 × 65 cm
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Le Déjeuner en Fourrure, Méret Oppenheim. 1936.
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Méret Oppenheim, 1985
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milksockets :méret oppenheim in fifty shoes that changed the world - the design museum (2009)
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Meret Oppenheim, Large Cloudy Sky Over the Continents, 1964 | 43 1/4 by 82 5/8 in.
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if we were dating, could we listen to tracy chapman's give me one reason? i'd rather it be warm or mild outside forever, which is what i always say in winter and i'll say the reverse in summer. i want to go to berlin. i'm continuing my spanish. i want to learn everything but focus on surrealism. i didn't know that méret oppenheim was a woman. some of the best things in the world are things that you had to crawl on the floor and bite for -- they weren't easy but perhaps tolerable or you went a little crazy but came back on top. i don't want to win; i just want a pleasant life that is well-dressed, a continuous flow of art, and eccentric. i have to be more confident to be eccentric; otherwise, i am just a weird, quiet person and that is boring and sad
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