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eamonwhalen · 4 years

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Rap I Liked 2020

An attempt at an omnivorous list of rap songs from the year 2020 that undoubtedly missed many good songs.

In a Spotify Playlist

In an Apple Music Playlist

If you’d like to read what I wrote this year click here.

1. Quelle Chris and Chris Keys featuring Earl Sweatshirt, Denmark Vesey, Merill Garbus and Big Sen - Mirage

2. Mozzy featuring Blxst - I Ain’t Perfect

3. Jay Electronica featuring Jay-Z - A.P.I.D.T.A

Sleep well Lately, I haven't been sleepin' well I even hit the beach to soak my feet and skip some seashells Sleep well The lump inside my throat sometimes it towers like the Eiffel Sometimes I wonder do the trees get sad when they see leaves fell Sleep well The last time that I kissed you, you felt cold but you looked peaceful I read our message thread when I get low and need a refill Sleep well

4. Shabazz Palaces - Fast Learner

5. G-Herbo featuring Juice WRLD, Chance The Rapper and Lil Uzi Vert - PTSD

“People judge people from my city, or people who go through what we go through. It’s just the way you’re brought up and different situations that you experience that change your life and make you who you are. There’s a lot of people who would come to my city and not make it. There’s certain survival skills that you learn in Chicago from just naturally adapting to your environment. People judge us and outcast us from what they see on the outside but they really don’t know what’s going on on the inside. We’re making rational decisions because what we go through forces us to make those decisions. Just the older I get, the more serious I look at it. When I was younger I had my family taking care of me, and I was just living life like a kid. But by 14-15, there’s a lot of kids in my city who are living the lives of adults at that age. Other places people don’t live like that. When I was 16 I started to see people die around me. In my city theres so little to depend on, so people take other options to survive and make a way for themselves. At a young age you start learning this,” - G-Herbo, from an interview I did with him a few years ago.

6. 21 Savage and Metro Boomin’ featuring Young Thug - Rich N***a Shit

the sounds of luxury

7. Sada Baby - Slide

8. Megan Thee Stallion - Circles

https://youtu.be/TwZl9WCHjnc

9. Polo G - Martin & Gina

10. Gunna - Skybox

11. Pop Smoke - Yea Yea

Rest in Peace Pop Smoke

https://pitchfork.com/thepitch/pop-smoke-dior-protest-music/

12. Bfb Da Packman featuring Sada Baby - Free Joe Exotic

13. NBA Youngboy - The Story of OJ (Top Version)

14. Bris - Me Important

Rest In Peace Tricky Dance Moves

15. Playboi Carti - @ MEH

16. Navy Blue featuring Ka - In Good Hands

“Even friends in a frenzy became ravenous

Brothers named universal, wise, supreme became savages

It's said the common thread with our enemies

Is we was all men in need with no amenities

Couldn't sit in peace, we each hit the streets for remedies

Through the hatred accumulate a hundred arms we was centipedes

The stress of empty pantries kept us antsy

No lie, essentials essentially in a shanty

Could give scripture but that big picture is what you can't see

Every grain I spelt is what helped enhance me

Went from gun waving to saving lives

I give sight to the blind just for the 85

That's what I was in the line of scrimmage

Lost some folks of course, that growth redefined percentage

Doomed in the womb, surprised I ain't see a hanger

Start questioning affection when all you see is anger,

But now I’m in good hands, surrounded by good women, good babies, good mans,”

-Ka

17. Lil Uzi Vert - Chrome Heart Tags

18. SahBabii - Double Dick

19. Rezcoast Grizz - Water

20. Future featuring Drake, Da Baby and Lil Baby - Life Is Good Remix

21. Drakeo The Ruler featuring Icewear Vezzo and ALLBLACK - We Know The Truth

The Ruler’s home. Read Jeff Weiss on Drakeo’s trial and release, and the book Rap On Trial for an underreported and understudied phenomenon.

22. Future and Lil Uzi Vert - That’s It

23. Shordie Shordie - Save A Little

coolest new voice in Rap

24. Busta Rhymes featuring Kendrick Lamar - Look Over Your Shoulder

25. Cam & China - Know What I’m Saying

https://youtu.be/H1JSWy9lxuk

26. Ovrkast featuring Navy Blue - Face

27. J Hus featuring icee tgm - Helicopter

Shaitan in police uniform Feds in a helicopter I seen pigs fly but I never seen a unicorn Tryna find cover on somebody's front lawn I see an undercover and he had his gun drawn Didn't like me 'cause I'll never conform Man want beef, but they'll never come forth Like CB, all I need is one corn You see me alone but I got a strong force No man can ever put my life on pause They enslaved my ancestor, no remorse I bring knowledge to Europe, just like the Moors The knowledge, they need it, they cravin' for more Left the yard before the jakes kicked in the door Have you seen a lengman drop his stick on the floor? Say you wanna bang, you don't look like you're sure

28. Demahjiae featuring Mejiwahn, Michael Sneed and Pink Siifu - Wild & Fireflies

29. Lil Baby featuring 42 Dugg - We Paid

No choice but to respect someone who is not only still rockin’ with the Detroit Lions in 2020 but says so much on the biggest song of his career thus far.

30. Ka - Patron Saints

31. Benny The Butcher - Famous

32. Key! - Spend One Night

33. Smino featuring JID and Kenny Beats - Baguetti

34. Open Mike Eagle - Death Parade

35. OMB Peezy - Sleep At Night

36. Mick Jenkins - “Carefree”

read me on Mick Jenkins circa 2016.

37. Chris Brown and Young Thug featuring Lil Duke and Gunna - Big Slimes

38. Freddie Gibbs and Alchemist - God Is Perfect

39. Chester Watson - Life Wrote Itself

40. Denzel Curry and Kenny Beats - DIET

read me on Denzel Curry circa 2015

41. Young Dolph - Hold Up Hold Up Hold Up

Still probably the coolest thing any rapper has done in years.

42. Dua Saleh - Hellbound

43. Rod Wave - Fuck The World

44. Young Nudy - Deeper Than Rap

45. Bobby Raps - Believe The Lie

Alex Howard, more like Alex Garland!

46. Saba - So and So

47. 2 Chainz featuring TyDollaSign - Can’t Go For That

https://youtu.be/ccenFp_3kq8

48. Blu and Exile - The Feeling

49. astralblak - Out In The Woods

50. Key Glock - Word On the Streets

51. Black Thought featuring Portugal. The Man & The Last Artful, Dodgr - Nature of the Beast

I feel like Phillip Seymour Hoffman, less Denzel Washington When people are watching me If the right amount of likes and follows can make me less hollow I'd somehow be more complete But people tend to be more toxic so we see more gossip And there's tension on the streets

52. Flo Milli - Not Friendly

53. Shootergang Kony - Still Kony 2

54. Homeboy Sandman - Trauma

55. Kevin Gates - Weeks

56. Pink Siifu and Fly Anakin - Open Up Shop

57. P Will aka Prince Williams - Survival

58. Cupcakke - Discounts

59. Nas - Ultra Black

60. Spillage Village - End Of Daze

https://www.nytimes.com/2020/11/04/magazine/societal-collapse.html

What I listened to most besides songs by artists on this list:

Jazmine Sullivan’s live performances of Lost One and Pick Up Your Feelings

Other stuff that doesn’t really belong on a Rap list:

Liv.e, Brent Faiyaz, Helado Negro, Slauson Malone, Chronixx, Contour, King Krule, Kehlani, Moses Sumney, Thundercat, Soccer Mommy.

Best books I read that were published in 2020: The Jakarta Method by Vincent Bevins and I Got A Monster by Brandon Soderberg and Baynard Woods

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furthernotes · 4 years

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On Spaces and Lines (Or the Things That Connect and Separate)

In her essay A Hero is A Disaster: Stereotypes Versus Strength in Numbers, Rebecca Solnit talks of our preoccupation with lone victors that often leads us to make light of the potency of collective action. She writes of her friend, legal expert and author Dahlia Lithwick, who was laying groundwork for a book on women lawyers who have argued and won civil rights cases against the Trump administration in the past two years. Her goal was to diffuse the spotlight from famed individuals—such as Ruth Bader Ginsburg, about whom many advised her to write instead—and onto lesser known lawyers. Elsewhere in the book, in City of Women, Solnit writes of the names which we give to our built environment: The rivers, roads, statues and colleges named after prominent, often white men; generals and captains whose shadows drape over their armies. One essay over, in Monumental Change and the Power of Names, she writes of the demolition and renaming of such monuments; changes that have shifted narratives and righted histories. She declares: “Statues and names are not in themselves human rights or equal access or a substitute for them. But they are crucial parts of the built environment, ones that tell us who matters and who will be remembered.”

I live in a quaint old neighbourhood in Singapore known as the Cambridge Estate. The vicinity is made up of roads named after idyllic English counties: Kent, Dorset, Durham, Norfolk, Northumberland; all a few minutes of walk away from the Farrer Park subzone—named after Roland John Farrer, who presided over the Singapore Municipal Commission, a body tasked to oversee local urban affairs and development under the British colonial rule. My block, an old building owned by the Housing Development Board, along with the streets that surround it, have seen some construction and renovation work in the past months. As Singapore went into lockdown at the start of April (which they prefer to call Circuit Breaker, God knows why, I’d say it’s some kind of a performative attempt at benevolence), most of the work have ceased. The roadwork at the intersection of Dorset and Kent, however, continued up until a week back. I eyed the workers, many of them migrants, from behind my mask as I crossed the street. They toiled away under the blistering sun, and I was reminded that elsewhere, on the outskirts of the city, the outbreak has reached the foreign workers’ dormitories; making prisons out of their rooms.

***

“Singapore Seemed to Have Coronavirus Under Control, Until Cases Doubled,” read a headline on the New York Times. When the city was first hit by the pandemic, its efficiency in controlling the spread was lauded as a model response. Now, its cases total to over 8,000, the highest number reported number in Southeast Asia. The number of infections climbed rapidly as the virus reached numerous foreign workers’ dormitories across the state—housing about 300,000 people—which are notoriously overcrowded and ill-equipped. The pandemic has gone on long enough, I think, for all of us to recognise that its effects have carved our social divides deeper than ever before. “The outbreak doesn’t discriminate, but its effects do,” is a sentiment that has been widely spread across social media and news outlets, inviting incisive criticisms on an array of issues, from capitalist policies to eco-activism and celebrity culture. A dominant theme, however, runs through their veins: the far-reaching power of privilege; and how it pervades even the smallest units of our lives. As “social distancing” and “stay home” were made law, it became clear that space is a luxury few share—at least, fewer than we thought. Instructions such as “stay home” and its varieties, writes Jason DeParle for the New York Times, assumes the existence of a safe, stable and controlled environment. DeParle notes that inmates, detained immigrants, homeless families and, I would add, victims of domestic abuse, are some of the discrete groups facing a dilemma amidst such instructions. He asserts: “What they share may be little beyond poverty and one of its overlooked costs: the perils of proximity.”

Close quarter is the very calamity confronting Singapore’s foreign workers community during this outbreak. Contagion hit a record high on 20 April, with over 1,426 confirmed cases, a vast majority of which coming from numerous dormitories across the state. Since early last week, active testing has been carried out since in the dormitories—which might explain the figures—but the City had been glaringly unprepared, which made for a peculiar sight. Immediately, I found myself questioning its renowned vigilance and extraordinary prescience; qualities that I often contrast with my hometown of Jakarta and its outrageously lethargic response to the pandemic. But the dorms had always been “ticking time-bombs”, Sophie Chew writes on Rice Media, and the City had turned a deaf ear to forewarnings from activists and NGOs that went back as far as February. The dorms are overcrowded, she reports: a single dorm can house over 10,000, and up to 20 people are pushed into a space the size of a four-room flat. A resident of S11 Dormitory located in Punggol, one of the first to be gazetted as an isolation site, says he shares the same shower facilities as about 150 others. The dorms are unlivable, Chew says; detailing that they are “notoriously filthy”, and some workers told The Straits Times that toilets were not regularly disinfected. This condition makes the concept of safe distancing “laughable”, writes the NGO Transient Workers Count Too (TWC2) on their website. To Chew, it is clear that Singapore’s “celebrated, ‘gold standard’ response had a citizenship blind spot.”

The blatant ignorance to the livelihood of the migrant populace is inexcusable, but it is hardly a shock for anyone from the outside looking in. The racial divide is patent; and—in the case of foreign workers—the tension is heightened by a system that enables the production of precarity and abets exploitation (Chuanfei Chin from the National University of Singapore wrote a concise paper detailing the network complicit in producing the social vulnerabilities experienced by temporary foreign workers, which you can read here). Yet, when news outlets started reporting on the crisis, they had been either clinical or deeply prejudiced, and the comment section only compounds the horror. These have not only mapped public opinion, but also reiterated the value that is given to the lives of foreign workers, and delineate further their standing in the Singapore society. The lines on this map are both psychological and structural: Yong Han Poh, writing for the Southeast Asia Globe, reminds us that their dormitories are built in isolated areas far from the public view. They are, quite literally, segregated from the wider population. The kind of treatment we afford them, the lines we draw, brings to my mind a passage from Solnit’s essay Crossing Over, where she talks of territories and migration: “The idea of illegal immigrants arises from the idea of the nation as a body whose purity is defiled by foreign bodies, and of its borders as something that can and should be sealed.” The concept, when taken in a literal manner, is eerily familiar: Almost immediately after the outbreak reached the dormitories, Facebook comments became unbearable, with an alarming number of people pointing fingers at the foreign workers’ habits and personal hygiene; insinuating that the contagion rates has more to do with their insanitary culture than the ill-equipped and overcrowded dorms (of course, they would not be the first to be at the receiving end of such narrative, which has shifted throughout history to serve the interests of those in power. Pan Jie at Rice Media offers a succinct chronicle of this.) Solnit calls this the “fantasy of safety”, where “self and the other are distinct and the other can be successfully repelled.” We are seeing, right now, that fantasy wielded by those with power; one they enforce out of suspicion and out of fear of losing security and authority. But all who have been subjugated, too, understand and yearn for this fantasy: To be liberated from the constant invasion of freedom and autonomy.

Image courtesy of Sumita Thiagarajan via Facebook. Taken on Keppel Island.

It is critical to examine, Rebecca Solnit writes, who is meant by “we” in any given place. One way to do this is by looking at the lines drawn by the semantics of names and categories. The term “migrant” has come under scrutiny in recent years: What separates the group—defined as “a person who moves from one place to another, especially in order to find work or better living conditions”—from expats, for instance, could be only a matter of nationality and skin colour. As Indonesian author Intan Paramaditha states in her essay on LitHub: “We can read the map, but the map has read us first.” Further in her essay, she continues to say that these categories determines how one experiences mobility, whether one would “encounter bridges or barriers, hospitality or displacement.” Making the distinction even more severe are neoliberal policies that have turned lives into pawns and commodities and made decent livelihood a due owed and never paid (while “errant employers” is often cited as the reason for foreign workers’ exploitation and abuse, research have shown that the legal framework protecting them, while comprehensive, is flawed). This points to the central criticism against the term “worker”, which, as Yong writes in her essay, reduces them to factors of production and labour units. Recently, online platform Dear.sg, which describes themselves as a “media conglomerate steeped in culture and grounded in locality”, befouled this already murky waters: With an article titled We Need Foreign Workers More Than They Need Us—a headline that might deceive one into thinking it’s an innocent op-ed designed to galvanise empathy by tugging at one’s guilty conscience—they concluded that migrant workers are valuable because they are essential to our material needs. “Construction sites might have to be abandoned for a while and projects will take a longer time to be completed,” it says in one passage. It then implores its readers to “think of your Build-To-Order flats…the new airport terminal, street repairs and maintenance…”, and reminds them that now, “we have to wait even longer.” What is meant by “we” had never been so grossly exclusionary. The article has narrowed migrant workers into tools of prosperity, and never once suggested that they be a beneficiary (they have received a number of backlash on Instagram, and as of yesterday they are still actively deleting comments). At the end, under a heading that says Modern Slavery Or Not (sans question mark), they ask if we should start ringing the alarm on exploitation of cheap labour. Does all this leads to the so-called modern slavery, it asks, grammatical error intact. “Maybe,” it answers, aloof. “Forced contracts and bonds, who knows.”

Evidently, this pandemic is not “the great equaliser”. If anything, it has magnified privilege and heightened insecurities. Solnit offers us hope in what she calls “public love”: collective action; a sense of meaning and purpose that belongs to a community. She refers to the 1960 earthquake of San Francisco, and outlines a shared sentiment of loss among the people, that is “if I lose my home, I’m cast out among those who remain comfortable, but if we all lose our homes in the earthquake, we’re in this together.” Perhaps the nature of this pandemic bears little resemblance to a natural disaster, but we experience collective loss all the same: Much of our freedom and flexibility—to work, travel, or to socialise—have been suspended for the foreseeable future. But they are losses felt more profoundly by vulnerable groups, and let it not be forgotten that they were cast out before any disaster—the precarity of their livelihood a disaster in its own right—and they bear distress many of us are precluded from. These inequalities have been laid bare in the weeks following the outbreak in dormitories, and there had been no shortage of care from the ground: Comedian and YouTuber Preeti Nair ran a fundraising campaign to aid two NGOs, TWC2 and HealthServe, in meeting the urgent needs of migrant workers that have been put under quarantine. As of 21 April, they have raised over S$316,000—more than triple their original goal of S$100,000. There are spreadsheets detailing efforts of different organisations and how we can contribute (Yong included one at the end of her essay, and a local community library, Wares, published a Mutual Aid and Community Solidarity spreadsheet). Many Singaporeans who are able and secure have donated their Solidarity Payment to non-profit organisations working with vulnerable groups. Corporations, too, have started partnering NGOs to raise funds and distribute masks at affected dormitories. It’s not just in Singapore: Worldwide, the pandemic has fostered record numbers of philanthropic donations and vast networks of mutual aid—a new map, if you will, with unmarked territories and nameless seas. There is a growing recognition of mutual dependence, a survey by the New York Times shows, and while there is no guarantee that the shift in moral perspectives will last beyond the crisis, there is hope in knowing that we are re-examining—if not redrafting—the map that we were given.

Yet I still find evidence of a divide: I have heard more and more that we need not need to worry; most of the cases are from the dorms, I hear, there are less in the community, I hear, directly from the official WhatsApp updates, and I recognise once more the gulf that has yet to be bridged. Between the lines, I find the seeds of amnesia, which—Solnit writes in her essay Long Distance—holds us “vulnerable to experiencing the present as inevitable, unchangeable, or just inexplicable.” She talks then of the term “shifting baselines”, coined by marine biologist Daniel Pauly, and stresses the importance of a baseline; a stable point from which we can measure systemic transformation before it was dramatically altered. This pandemic, one can hope, will alter how dormitories are managed and equipped for the better. Beyond this pandemic, Manpower Minister Josephine Teo said in a statement in early April, “there’s no question” that standards in foreign worker dormitories should be raised, and appealed for increased cooperation from employers. Meanwhile, measures taken to manage this crisis—particularly with the issue of overcrowding and hygiene—have been widely criticised; prompting authorities to move residents of the dormitories to vacant Housing Board flats, military camps and floating hotels to reduce crowding. The Prime Minister further addressed these measures in a live address to the nation yesterday—in which he also announced the 4-week extension of the Circuit Breaker—promising stricter safe distancing measures, increased on-site medical resources, closer monitoring of older workers, and distribution of pre-dawn and break fast meals for Muslim workers who will start fasting on Friday. “The clusters in the dorms have remained largely contained,” he says, and pledges their best effort to keep it that way. When this crisis is over, I tell myself, we must not forget the baseline of their predicament, or be too quick to acquit those in power from any wrongdoing—if only to preserve a benchmark of assessment. Without a recollection of the past, Solnit warns us, change becomes imperceptible, and we might slip to “…mistake today’s peculiarities for eternal verities.” Nevertheless, the Prime Minister sounded assured. He even wore a blue shirt—that must have meant something. I, for one, am hopeful, as I always try to be. There’s still much reason to be.

***

I stopped at the traffic light at the intersection of Dorset and Kent. I glanced at the street sign, green as they’ll ever be. Solnit writes: “Pity the land that thinks it needs a hero, or doesn’t know it has lots and what they look like.” Indeed, we do not know it. I wondered then if the crisp white paint will ever spell a different name. For all the transformations construction workers have made to our built environment, will there ever be a monument in their name, like the kind we have bestowed our tycoons and presidents and—oh God, I groaned as I realised this—counties of former occupants? In a few weeks’ time, this intersection will be vacant once more; the deafening drill and temporary fences suddenly vanishing from sight. Their mark will go undetectable and nameless; swallowed whole by the scorching sun and the picturesque imagination of the Dorset and Kent of another continent. The light turned green. As I crossed the street, I remember Solnit saying that the truest lines on this map are only those between land and water. “The other lines on the map are arbitrary,” she says, they have changed many times and will change again. One can hope.

Whose Story Is This? Old Conflicts, New Chapters, Rebecca Solnit, 2019.

POSTSCRIPT

As I am finishing this essay, I wonder how big of a role I play in this equation, and if I tip the scale further towards inequality. I realise how small we all are; how powerless we might all be without the aid of top-down political action. I am not under the delusion that individual responsibility counts a great deal in this narrative (David Wallace-Wells calls accusations of personal responsibility a “weaponised red herring”), but I also refuse to trivialise the weight of our own actions (the great Gloria Steinem reminds us that “a movement is only people moving”). This being so, you will find below some spreadsheets and relevant, verified fundraising campaigns where you can extend your care. Every dollar counts, and every hand have the power to soothe.

Fundraising Campaigns

Preetipls x UTOPIA for Migrant Workers NGOs

Support migrant workers through Covid-19 and beyond, a campaign by Humanitarian Organisation for Migration Economics (HOME)

Vulnerable Women’s Fund by AWARE

Donate Your Solidarity Payment. Funds will be channelled to Boys’ Town, Hagar Singapore, Singapore Red Cross, AWARE and HOME

Entrepreneur First supports The Food Bank - Feed the City #Covid-19. Funds will be channelled to the Food Bank. You can also donate food to Food Bank Boxes available island-wide.

Spreadsheets

Mutual Aid and Community Solidarity – Coordination by Wares Infoshop Library

COVID-19 | Needs in the migrant community as included in Yong Han Poh’s essay

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baliportalnews · 2 years

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Mazda Perkenalkan New Mazda 2 Sedan dan New Mazda CX-8

BALIPORTALNEWS.COM, JAKARTA - PT Eurokars Motor Indonesia (PT EMI) selaku agen pemegang merek sekaligus distributor tunggal Mazda di Indonesia, memasuki semester 2 tahun 2022 resmi memperkenalkan model terbaru dari Mazda 2 dan Mazda CX-8. Memadukan kecanggihan dan tampilan yang estetik, the New Mazda CX-8 dan the New Mazda 2 Sedan siap untuk melanjutkan superioritasnya di segmen premium SUV dan sedan di Indonesia. Ricky Thio, selaku Managing Director PT EMI saat acara peluncuran yang diselenggarakan di dealer resmi Mazda, di Simprug, Jakarta Selatan, Selasa (26/7/2022) lalu mengatakan, ini menjadi kebanggaan dan kebahagiaan tersendiri dapat memperkenalkan generasi terbaru dari Mazda 2 Sedan dan Mazda CX-8 kepada publik di Indonesia. “Dua karya seni terbaik dari Mazda, karena tidak hanya menawarkan kecanggihan tapi juga menghadirkan desain yang estetis,” ucap Ricky Thio. The New Standard of Luxurious and Classy Design Hadir dalam balutan desain KODO yang elegan, New Mazda CX-8 menawarkan standar kemewahan dan kenyamanan baru dalam berkendara. New Mazda CX-8 tampil lebih elegan dan semakin berkelas lewat penyematan new front grill, new 19-inch wheels design, serta LED headlamp with Adaptive Front-Lighting System. New Mazda CX-8 menghadirkan suasana kabin yang luas, sehingga memastikan keleluasan gerak. Pada sisi eksterior, fokus pada proporsi, bentuk, serta detail terkecil, aliran garis panjang menciptakan gambaran visual yang kuat. Penambahan fitur seperti roof rail dan desain bumper depan yang rendah menghadirkan keunikan dari kombinasi keanggunan dan kekuatan. Dari sisi tampilan, kesan estetis New Mazda CX-8 diperkuat dengan teknik pengecatan TAKUMI-NURI. Teknologi pengecatan kendaraan yang unik dari Mazda dilakukan dengan kombinasi warna, highlight, bayangan dan kedalaman warna. Semakin menekankan keindahan dan kualitas bentuk bodi dari desain KODO yang dinamis. Di bagian pengemudi, hadir teknologi G-VECTORING CONTROL PLUS (GVC Plus) sebagai cara Mazda human-centric engineering membuat pergerakan kendaraan lebih responsif, lebih mengundang percaya diri dan kenyamanan. Pada area kabin, kenyamanan juga didukung oleh kehadiran Captain Seat pada baris kedua yang dilengkapi dengan Center Console, serta seat ventilation. Untuk entertainment, New Mazda CX-8 dibekali dengan sistem audio premium BOSE, Mazda Connect yang memberikan Anda koneksi tanpa kabel dengan smartphone saat sedang berkendara. Wireless Smartphone Integration, yaitu fitur sistem integrasi yang memungkinkan pengendara mengatur ponsel dari central display, serta wireless charging (Qi). Fitur-fitur unggulan lain yang melekat pada SUV premium ini antara lain: Electric Sunroof, Hands-free power liftgate yang memungkinkan Anda membuka dan menutup pintu bagasi bahkan ketika tangan Anda penuh hanya dengan menempatkan kaki Anda di bawah sensor yang terletak di bawah bumper belakang. Untuk sistem keamanan yang maksimal, New Mazda CX-8 menghadirkan 360 View Monitor System yang akan membantu pengemudi dalam memarkirkan kendaraan atau sedang berkendara di jalanan yang sempit. Smart City Brake Support yang dapat mendeteksi kendaraan baik di depan maupun di belakang kendaraan, dan secara otomatis menggunakan rem untuk membantu mencegah kecelakaan. Lane Departure Warning System yang dapat mengenali tanda lajur pada permukaan jalan, Blind Spot Monitoring (BSM) dan Rear Cross Traffic Alert (RCTA), keduanya akan menggunakan sensor yang sama untuk mengingatkan pengemudi saat mendeteksi kendaraan yang mendekati dari belakang dan kedua sisi titik buta. Menjunjung tinggi filosofi Jinba Ittai - Being One with the Car, the New Mazda CX-8 dilengkapi dengan Skyactiv-Vehicle Architecture, pendekatan unik terhadap teknologi struktur kendaraan baik dari bodi, suspensi, hingga kursi; memberikan pengalaman berkendara yang lebih natural dan nyaman. Para pecinta Mazda juga akan semakin dimanjakan dengan kesenyapan kabin yang memungkinkan para penumpang untuk menikmati percakapan terlepas dari kecepatan kendaraan. Personalize Classy Identity Di sisi New Mazda 2 Sedan, generasi terbaru dari Mazda 2 yang akan memanaskan segmen sedan ini juga tampil estetis dan disematkan berbagai fitur teknologi canggih. Seperti inovasi GVC Plus yang dipadukan dengan Skyactiv -Vehicle Dynamic, dan Skyactiv -Vehicle Architecture yang akan memberikan pengalaman kenyamanan baru dalam berkendara. Sebagai sedan terbaik di kelasnya, New Mazda 2 Sedan hadir dengan tampilan yang semakin mewah, elegan, dan lebih sporty lewat penyematan 16-inch wheels, lampu depan menggunakan LED projector dengan auto on/off dikombinasikan oleh DRL. Serta Mazda juga memberikan automatic wiper dengan sensor hujan.

New Mazda 2 Sedan. Sumber Foto : Istimewa Pada bagian entertainment, mobil sedan ini sudah menyuguhkan head unit touchscreen 7 inch yang dapat terkoneksi dengan Apple CarPlay dan Android. Selain itu juga mampu memutar radio, USB port, serta Bluetooth handsfree phone and audio capability dan reverse camera. New Mazda 2 Sedan juga dibekali dengan wireless smartphone integration. New Mazda 2 Sedan dibekali mesin Skyactiv- G 1.5 yang memiliki efisiensi tinggi, menghasilkan kinerja responsif, bersama dengan penggunaan bahan bakar yang hemat dan emisi yang rendah berkat mesin unik teknologi Mazda. Performa mesin ini dapat mencapai Max. power: 82kW (111PS)/6,000rpm dengan Max. torque: 144Nm/4,000rpm. Untuk fitur keselamatan, New Mazda 2 Sedan dibekali sistem keselamatan maksimal. Sedan ini di antaranya dibekali fitur ABS, Electronic Brake-Force Distribution (EBD), Brake Assist (BA), Dynamic Stability Control (DSC), serta Traction Control System (TCS). Belum lagi, New Mazda 2 Sedan juga dilengkapi teknologi BSM dan RCTA, sistem Airbags yang canggih yang mampu memberikan keamanan maksimal saat terjadi tabrakan frontal, serta bodi kendaraan yang menggunakan baja tarik ultra-tinggi yang memberikan kekuatan dengan bobot rendah, sedangkan kerangka menyerap dan menyalurkan energi dari kabin. Untuk harga, SUV Premium New Mazda CX-8 dibanderol Rp795.500.000 (OTR), sedang New Mazda 2 Sedan dibanderol pada harga Rp338.000.000 (OTR). Harga yang ditawarkan sudah termasuk MyMazda Service, yaitu, gratis layanan purna jual selama 3 tahun, atau 60,000 KM (mana yang lebih dulu).(*/bpn) Read the full article

#EurokarsMotorIndonesia #Mazda #NewMazda2Sedan #NewMazdaCX-8 #Sedan #SUV

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hastingsimbolon-blog · 3 years

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♡♡ ALL NEW VOXY 2.0 AT PREMIUM ♡♡ ☆Warna Putih ☆ Harga: 561.200.000 ☆ Unit Bersedia Indent ☆ Kondisi New 2022 ☆ Jual Kredit atau Cash ALL NEW VOXY 2022 sudah memiliki fitur Toyota Safety Sense (TSS) generasi 3.0, dengan menggunakan Monocular Camera dan Milimeter Wave Radar Sensor sebagai komponen utama TSS, yang memberikan pendeteksian yang lebih baik dan fitur Dynamic Radar Cruise Control-nya dapat beroperasi mulai 0 km/jam. Selanjutnya, fitur heater outer mirror all new Voxy, bermanfaat menghilangkan embun pada outer mirror sehingga memberikan visibilitas maksimal bagi pengendara saat keadaan hujan. Fitur safety yang sudah disematkan pada All New Voxy adalah Blind Spot Mirror, Clearance Sonar, Panoramic View Camera. Fitur Telematics juga sudah dilengkapi jadi pemilik kendara. Find My Car, E-care (maintanance), Inquiry & Suppirt Center, Geofencing, Trip Driving Update Sekarang Anda sudah bisa memiliki All New Voxy, Hubungi Hasting 085269128744. BONUS & BENEFIT YANG ANDA DAPATKAN : ♡Kaca Film Luxury ♡Welcome Carpet Bludru ♡Pertamax Gasoline / Dex ♡Tool Kit + Template Nopol ♡Warranty Accu 1 tahun / 20rb KM ♡Warranty Shock 3 tahun / 100rb KM ♡Warranty Engine 3 tahun / 100rb KM ♡Warranty Kelistrikan 3 thn / 100rb KM ♡Free Jasa Service 50rb KM ♡Astra world 5 tahun ♡Asuransi Allrisk selama tenor ♡Souvenir Exclusive Auto2000 ♡♡♡Minat Unit Toyota Lain, Seperti Avanza, Rush, Agya, Calya, Cross, Innova, Alphard, Fortuner, LC, Voxy, Anda bisa Juga Hub, 085269128744♡♡♡ ♤♤Terima Tukar Tambah, Mobil Lama Tukar Mobil Baru♤♤ Mobil Apa Saja Boleh..Khusus Trade In, klik Disini: https://wa.me/message/KTMLVMWQSSGEH1 Alamat Showroom, Ikuti Google Map Berikut: Sales Toyota Indonesia - 085269128744 Jl. Lkr. Luar Barat, RT.12/RW.11, Cengkareng Tim., Kecamatan Cengkareng, Kota Jakarta Barat, Daerah Khusus Ibukota Jakarta 11710 0852-6912-8744 https://g.co/kgs/VTk9Lv 《《Call/ Wa: 0852.6912.8744 Hasting Simbolon》》 #voxy #toyotavoxy #voxy2022 #allnewvoxy #voxyputih #voxywhite #auto2000kapuk #vorypremium #voxyindonesia #voxyterbaru #jualvoxy #hargavoxy #tradein #tukartambah #promomobil #salestoyota #salestoyotaindonesia #indonesia #jakarta #bekasi #depok #tangerang #love #jual (at Sales Toyota Indonesia) https://www.instagram.com/p/Ca83paDL8aU/?utm_medium=tumblr

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suzukiapvluxury · 3 years

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(WA) 0823-1110-0719 DISKON! DEALER RESMI Suzuki APV BLIND VAN harga suzuki karimun wagon baru mobil di Sukapura Jakarta Utara

INFORMASI PEMESANAN (WA) 0823-1110-0719 DEALER RESMI SUZUKI. Mobil Suzuki adalah mobil berkualitas yang terkenal karena mesinnya yang tangguh, irit BBM, perawatan mudah dan sparepart melimpah. suzuki x over baru,suzuki apv luxury r17,suzuki jimny 2,suzuki ertiga hybrid,harga suzuki sx4,ignis suzuki 2021,jual karimun kotak,harga mobil apv 2021,suzuki sx4 cross 2021,harga ertiga sport

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Whatsapp 0823-1110-0719 DEALER RESMI Suzuki APV BLIND VAN harga suzuki karimun wagon baru mobil di Sukapura Jakarta Utara

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suzukijakartapusat · 3 years

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(WA) 0823-1110-0719 TERBAIK! DEALER RESMI Suzuki Ertiga harga mobil baru suzuki sx4 2021 rc2 di Jatimekar Jatiasih

INFORMASI PEMESANAN (WA) 0823-1110-0719 DEALER RESMI SUZUKI. Mobil Suzuki adalah mobil berkualitas yang terkenal karena mesinnya yang tangguh, irit BBM, perawatan mudah dan sparepart melimpah.

Segera miliki Mobil Suzuki untuk menemani aktivitas anda dan keluarga.

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#InteriorKarimunWagonR SubaruJimny IgnisGxMt PromoIgnis HargaApvLuxury HargaVitara ApvGx HargaJimmy JimnyVerde SuzukiCarry1000Adiputro

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budidayabaik · 7 years

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Review Biennale Logam kota Pasuruan

Dibelahan bumi manapun acara seni rupa yang bernamakan bienalle selalu akan mengiring opini kita kepada event pameran seni rupa yang besar, yang mewah, atau bahkan ekperimental. Karena memang nama biennale selain berarti event yang dilakukan tiap 2 tahun sekali, biennale juga memiliki sejarah yang panjang terkait dengan perkembangan seni rupa. Seperti kita tahu bienalle yang tertua adalah venice bienalle, lalu kemudian di susul oleh kota-kota besar lain didunia untuk membuat bienalle, dan tidak terkecuali di Indonesia. Di Indonesia ada 3 perhelatan bienalle yang meiliki usia yang cukup tua dimulai dari Jakarta Biennale, Jogja Biennale, dan Jatim Biennale. Selain 3 perhelatan bienalle tersebut ada beberapa event bienalle yang muncul seperti Makasar Bienalle, Biennale Grafis di Bandung, Biennale Klaten, Biennale Sumatra, dan beberapa kegiatan lain yang menggunakan nama biennale.

Gejala biennalisasi juga terjai di Pasuruan, Pasuruan adalah salah satu kota di Jawa Timur yang memiliki perkembangan seni rupa yang signifikan, mulai dari banyaknya kegiatan yang muncul tiap tahun nya dan ruang-ruang alternatif yang bermunculan. Di Pasuruan Biennale menjadi kegiatan yang dibuat dengan mengabaikan konsepsi biennale yang umum selama ini, seperti biennale harus menjadi acara yang mampu memunculkan isu daerah, memetakan seniman lokal, melakukan internasionalisis diri, atau tujuan-tujuan yang lain yang biasanya di sematkan dalam penyelengaraan biennale.Yang terjadi di Pasuruan adalah biennale diadakan oleh KADIN (Kamar dagang dan Industri) kota Pasuruan, dan tujuan diadakan biennale ini adalah untuk memantik para pengrajin bisa menciptakan karya yang lebih kreatif dengan bentuk karya yang lebih dinamis, upaya yang dilakukan adalah dengan menyelenggarakan bienalle diharap para pengrajin akan semakin terpacu untuk membuat karya ekperimental, dan karya yang dihasilkan nantinya dapat menjadi sebuah produk unggulan.

Biennale yang diselengarakan di Pasuruan menjadi sangat menarik ketika mereka berani membuat dan mempermainkan konsepsi biennale dengan sangat leluasa, memang biennale tidak memiliki pakem yang mengikat dan harus dilakukan saat menyelengarakan biennale. Saat mendengar biennale opini kita akan selalu di giring pada acara yang sakral dan dikultuskan, namun yang terjadi di Pasuruan paradigman yang demikian benar-benar dibongkar dan dimaknai ulang dengan sesuka hati, menurut saya ini hal yang sangat menyenangkan, saat kegiatan yang sakral bagi seni rupa lalu di selengarakan oleh sebuah dinas pemerintahan yang mana mereka juga tidak terlalu paham dengan konsepsi penyelengaraan biennale, namun mereka berani untuk menyelegarakan dalam pemahaman yang terbatas, tentu saja ini menjadi hal yang terkesan prematur sekaligus ekperimental. Kenapa prematur, karena saat tidak dibarengi dengan pengetahuan dan referensi yang cukup biennale yang di adakan di Pasuruan hanya terkesan seperti pameran biasa yang diberi judul biennale. Kenapa ekperimental, kerena meskipun penyelengara buta mereka tetap mencoba meraba dengan meilibatkan Zuhkriyan Zakaria seorang kurator asli Pasuruan untuk membawa perhelatan biennale ini menjadi kegiatan yang seirus, lebih dari sekedar peran seperti pada umumnya. Meskipun kurator banyak bercerita bahwa kerjanya banyak mendapat pembatasan dari lembaga yang menginisisinya, namun dia sepakat untuk bienalle ini sebagai ajang ekperimentasi yang dilakukan oleh Kadin dan oleh pengrajin, bagaimana upaya lembaga pemerintah untuk dapat mendorong kreatifitas pengrajin lewat perhelatan yang saat namanya diguakan akan terlihat penting, yaitu â€˜biennaleâ€™.Namun meskipun biennale yang diselenggarakan di Pasuruan sangat fleksibel dalam memaknai dirinya tanpa peduli dengan konsepsi biennale pada umumnya, mereka tetap berpegang bahwa bienalle adalah acara yang di laksanakan tiap 2 tahun sekali dan di selengarakan secara berkelanjutan.

Biennale yang di selengarakan di Pasuruan mengambil nama biennale logam, karena di tahun ini mereka berfokus untuk memarkan karya-karya berbahan logan dari para pengrajin. Logam dipilih menjadi tema juga karena Pasuruan adalah kota yang memiliki keunggulan industri di sektor logam. Untuk tahun depan mereka berencana untuk membuat biennale mebel, dan 2 tahun ke depan kembali ke biennale logam dan seterusnya.

Yang menjadi catatan penting adalah saat bagaiman biennale bisa menjadi perhelatan yang sangat cair dan bisa dimaknai dengan lelusasa, tanpa ada tendensi yang seriuspun biennale tetap bisa di selengarakan. Bila di kota lain mungkin dalam penyelengaraan biennale akan selalu menimbulkan pro kontra, karena nama yang terlalu berat dan terlanjur di kultuskan. Di Pasuruan biennale di selengarakan oleh sebuah lembaga, dan mereka berani memaknai bienalle dengan sangat leluasa. Ini merupakan entuk ekperimentasi terhadap nama biennale, dan tentu saja sangat menarik. Biennale hanya sekedar nama sebagai pemantik kreatifitas para pengrajin, atau seniman.

____________eng________________________________________________________________________

Whichever part of the earth any art event that is called Biennale will always lead our opinion to the big art exhibition event, which is luxurious, or even experimental. Because it is the name of biennale besides means the event is done every 2 years, biennale also has a long history associated with the development of fine arts. As we know the oldest biennale is Venice Biennale, then later followed by other major cities in the world to make biennale, and not least in Indonesia. In Indonesia, there are 3 Biennale events that have a fairly old age starting from Jakarta Biennale, Jogja Bienalle, and East Java Bienalle. In addition to these three biennial events, there are several biennial events that appear like Makasar Bienalle, Bienalle Graphics in Bandung, Bienalle Klaten, Bienalle Sumatra, and some other activities that use the name of the Biennale.

Biennialization symptoms also occur in Pasuruan, Pasuruan is one of the cities in East Java that has a significant visual development, ranging from the number of activities that appear each year and alternative spaces that appear. In Pasuruan Biennale is an activity created by ignoring the general biennial conception so far, such as a Biennale must be an event capable of raising regional issues, mapping local artists, self-conducting internationalism, or other purposes usually attended in the Biennale. occurs in Pasuruan is a biennale held by KADIN (Chamber of Commerce and Industry) of Pasuruan, and the purpose of this Biennale is to induce the craftsmen can create more creative works with more dynamic forms of work, the effort is to hold biennale expected of the craftsmen will be increasingly encouraged to make experimental work, and the resulting work will later become a superior product.

Biennale held in Pasuruan becomes very interesting when they dare to make and play a conception of biennale very freely, the biennale does not have a binding grip and should be done when conducting biennale. When we hear the biennale of our opinion will always be swayed at the sacred and cult event, but what happened in Pasuruan paradigm that is really dismantled and reinterpreted at will, I think this is very fun, when the sacred activity for art than on the list by a government agency which they are also not very familiar with the conception of the biennale, but they dare to hold in a limited understanding, of course, this becomes impressed premature as well as experimental. Why premature, because when not accompanied by enough knowledge and reference biennale that was held in Pasuruan just seemed like an ordinary exhibition entitled biennale. Why experimental, even though blind organizers they still try to feel with Zuhkriyan Zakaria Pasuruan a curator of the original to bring this biennale event into a serious activity, more than just a role as in general. Although the curator has much to say that his work has been heavily restricted from the institute which informs him, he agrees to this bienalle as an arena of experimentation by Kadin and by craftsmen, how the government agencies can encourage the creativity of artisans through the event which, when used, namely 'biennale'.However, although the biennale held in Pasuruan is very flexible in interpreting itself regardless of the biennale conception in general, they still hold that biennale is an event held every 2 years and held in a sustainable manner.

The biennale in Pasuruan takes the name of a metal biennale, because this year they are focusing on exposing works made from logan from the craftsmen. Metal is chosen to be a theme as well because Pasuruan is a city that has an industrial advantage in the metal sector. For next year they are planning to make furniture biennale, and 2 years ahead back to metal biennale and so on.

The important note is when the biennale can be a very fluid event and can be interpreted freely, without any serious tendencies biennale can still be held. If in another city may be in the implementation of the biennale will always cause the pros cons, because the name is too heavy and already in the cult. In Pasuruan biennale organized by an institution, and they dare to interpret bienalle very freely. This is an experimentation of the name of the biennale, and of course very interesting. Biennale is just a name as a creator lighters, or artists.

#artreview #subarsip

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yourluxuryblindsbali · 2 years

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Canopy Membrane Jakarta is widely utilized in outdoor spaces, including as resorts, restaurants, and other recreational facilities, in tropical regions like Jakarta, Indonesia. if you are looking for the best company for membrane do visit Luxury Blinds Jakarta and get an excited deal.

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expomahal-blog · 5 years

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Woodmac - International Woodworking Machinery 2019 at Indonesia(Jakarta) 2019-October

dining room furniture business ideas, bedroom furniture B2B Opportunities, bathtubs jacuzzi business ideas, shower cabin and accessories events, furniture sub industry and machineries Events, wallpapers & wall decor events, paints events, window accessories network, portable electronic devices events, kitchen and bath ceramics and decoration materials directory, natural and artificial stones Exhibitions, upholstery fabrics contact list, curtains business, tulle Shows, and roller blind systems companies contacts, table linens Meetings, towels Fairs, blankets B2C opportunities, pique B2B ideas, bed linens contacts list, pillows Exhibitions, carpet business, carpet floor Events, hand-woven carpets Fairs, tableware directory, kitchenware business opportunities, decorative products B2C opportunities, giftware business contacts, electrical appliances business ideas, bathroom & kitchen accessories contact links, lights & lighting. directory, dealers and distributors Shows, designers B2B ideas, luxury hotels Trade Fairs, clubs and restaurants Business events, high level buyer groups contact info, high level decision makers Events, customers companies contacts, furniture companies Trade Fairs, decoration companies companies list, home textile and carpet companies contact list, interior design companies. business ideas 2019, October, Uzbekistan, Tashkent

UzStroyExpo 2019 at Uzbekistan(Tashkent) 2019-October

UzStroyExpo 2019 trade show event mainly focuses on:

dining room furniture Shows, bedroom furniture business opportunities, bathtubs jacuzzi business, shower cabin and accessories Exhibitors, furniture sub industry and machineries B2B ideas, wallpapers & wall decor Expos, paints B2B Opportunities, window accessories events, portable electronic devices Exhibitors Directory, kitchen and bath ceramics and decoration materials B2B ideas, natural and artificial stones contact list, upholstery fabrics Exhibitors, curtains Meetings, tulle network, and roller blind systems companies contacts, table linens Exhibitors, towels business, blankets contact list, pique Exhibitors, bed linens B2B ideas, pillows directory, carpet Trade Fairs, carpet floor info, hand-woven carpets B2B Opportunities, tableware info, kitchenware Exhibitors, decorative products companies list, giftware events, electrical appliances network, bathroom & kitchen accessories contacts list, lights & lighting. B2C ideas, dealers and distributors Events, designers companies contacts, luxury hotels directory, clubs and restaurants Meetings, high level buyer groups events, high level decision makers Meetings, customers B2B Opportunities, furniture companies info, decoration companies Fairs, home textile and carpet companies contacts list, interior design companies. Exhibitors Directory

related products/services/industry/business. This trade show opens top business opportunities to exhibit products and services from dining room furniture contact info, bedroom furniture events, bathtubs jacuzzi companies contacts, shower cabin and accessories Trade Shows, furniture sub industry and machineries Exhibitors, wallpapers & wall decor Shows, paints contact links, window accessories Expos, portable electronic devices network, kitchen and bath ceramics and decoration materials companies contacts, natural and artificial stones B2B ideas, upholstery fabrics Exhibitors, curtains Trade Shows, tulle companies, and roller blind systems network, table linens Exhibitors, towels Trade Shows, blankets events, pique B2C opportunities, bed linens contacts list, pillows contacts list, carpet contact info, carpet floor Events, hand-woven carpets Shows, tableware Meetings, kitchenware Events, decorative products companies, giftware Exhibitors, electrical appliances contacts list, bathroom & kitchen accessories contact list, lights & lighting. B2B Opportunities, dealers and distributors contact info, designers B2C ideas, luxury hotels business, clubs and restaurants B2C ideas, high level buyer groups Exhibitors, high level decision makers companies contacts, customers Fairs, furniture companies contact list, decoration companies directory, home textile and carpet companies Fairs, interior design companies. Meetings industry.

Find More Details about UzStroyExpo 2019 event...

We help you to grow your business by providing the required contact details of all companies participating in this event and you can download the same data in excel format using the above links. Location of the Event:Uzbekistan(Tashkent) Year-Month:2019-October Official Website:Event Website source https://www.expomahal.com/2019/10/woodmac-international-woodworking.html

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arsub · 7 years

Video

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ARSUB 2017 - Biennale Logan Kota Pasuruan

Biennale yang diselengarakan di Pasuruan menjadi sangat menarik ketika mereka berani membuat dan mempermainkan konsepsi biennale dengan sangat leluasa, memang biennale tidak memiliki pakem yang mengikat dan harus dilakukan saat menyelengarakan biennale. Saat mendengar biennale opini kita akan selalu di giring pada acara yang sakral dan dikultuskan, namun yang terjadi di Pasuruan paradigman yang demikian benar-benar dibongkar dan dimaknai ulang dengan sesuka hati, menurut saya ini hal yang sangat menyenangkan, saat kegiatan yang sakral bagi seni rupa lalu di selengarakan oleh sebuah dinas pemerintahan yang mana mereka juga tidak terlalu paham dengan konsepsi penyelengaraan biennale, namun mereka berani untuk menyelegarakan dalam pemahaman yang terbatas, tentu saja ini menjadi hal yang terkesan prematur sekaligus ekperimental. Kenapa prematur, karena saat tidak dibarengi dengan pengetahuan dan referensi yang cukup biennale yang di adakan di Pasuruan hanya terkesan seperti pameran biasa yang diberi judul biennale. Kenapa ekperimental, kerena meskipun penyelengara buta mereka tetap mencoba meraba dengan meilibatkan Zuhkriyan Zakaria seorang kurator asli Pasuruan untuk membawa perhelatan biennale ini menjadi kegiatan yang seirus, lebih dari sekedar peran seperti pada umumnya. Meskipun kurator banyak bercerita bahwa kerjanya banyak mendapat pembatasan dari lembaga yang menginisisinya, namun dia sepakat untuk bienalle ini sebagai ajang ekperimentasi yang dilakukan oleh Kadin dan oleh pengrajin, bagaimana upaya lembaga pemerintah untuk dapat mendorong kreatifitas pengrajin lewat perhelatan yang saat namanya diguakan akan terlihat penting, yaitu ‘biennale’.Namun meskipun biennale yang diselenggarakan di Pasuruan sangat fleksibel dalam memaknai dirinya tanpa peduli dengan konsepsi biennale pada umumnya, mereka tetap berpegang bahwa bienalle adalah acara yang di laksanakan tiap 2 tahun sekali dan di selengarakan secara berkelanjutan.

____________eng________________________________________________________________________

http://budidayabaik.tumblr.com/post/168460758718/review-biennale-logam-kota-pasuruan

#artdocumentation #artreview

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touristguidebuzz · 7 years

Text

New Trump Property in Bali Faces Resistance From Locals

A Hindu temple stands in the way of upgrades to a Trump resort in Bali. A player walks on the golf course at Nirwana Bali Resort which will be upgraded to a six-star resort managed by Trump Organization, in Beraban, Bali, Indonesia. Firdia Lisnawati / Associated Press

Skift Take: Bali has strict laws regulating the height of buildings, and the proposed tower from the Trump Organization would violate them.

— Andrew Sheivachman

Thousands of people flock daily to the centuries-old, sacred Hindu temple at Tanah Lot, a rock formation that juts into the Indian Ocean. An island at high tide and flanked by sheer cliffs, it’s among Bali’s most photographed sites, particularly for the mesmerizing sunsets that transform the waters into a shimmering orange vista.

It’s getting a new neighbor, described as “Trump International Hotel and Tower” in the Trump Organization’s promotions for what will be its first resort in Asia. They promise breathtaking views, a super-sized golf course overlooking the temple and an “enchanting and unrivaled getaway from the current luxury hotels” in Bali. For those weary of mere five-star opulence, it offers six.

Nothing that one might consider a tower is going to fly on Bali, where height restrictions prohibit structures higher than the island’s plentiful coconut palms — about 15 meters (49 feet).

Locals welcome new investment in the popular Indonesian resort island but are determined to preserve their unique traditions. Neighbors are resisting efforts to expand the Trump site.

And if a tower ever starts rising, local authorities are ready to flatten it.

“If suddenly they build an unapproved tower, of course we will stop them and demolish it,” said Ida Bagus Wiratmaja, head of the district’s development and planning agency. “There are special rules for the temple and the temple area.”

Tanah Lot and other temples dotting the cliffs are more than a lure for tourists. They’re the heart of life in the surrounding Beraban village, where tradition and spirituality are woven into daily living. The Balinese are proud that their island’s Hindu culture has flourished for centuries even as later arrivals — Islam and Christianity — supplanted it elsewhere in the Indonesian archipelago.

The height restriction is the key regulation the Trump hotel must contend with, since the 100 hectares (250 acres) where it will rise is already occupied by a golf course and aging resort owned by President Donald Trump’s Indonesian business partner Hary Tanoesoedibjo, who also harbors presidential ambitions.

At a cost of about $300 million, Tanoesoedibjo’s conglomerate MNC will redevelop the site. The Trump Organization will manage the new property under an agreement made with MNC in 2015. That was before Trump was elected, so it does not conflict with his pledge not to make new business deals as president.

The two groups are also working together near the Indonesian capital, Jakarta, to build a super-luxury “Trump Community” in a 3,000-hectare (7,413-acre) mini-city alongside a national park that is one of the area’s last refuges for endangered species.

MNC and the Trump Organization did not respond to requests for comment on the Bali project. MNC in March reportedly promised to respect height restrictions and says it is still designing the new resort despite plans to shutter the existing one around the middle of the year. Still, the Trump Organization continued to bill the project as a hotel and tower as recently as Thursday.

MNC will also have to work around a temple on the site, leaving it completely undisturbed.

“Whatever they build should not deviate from our Hindu culture because it is the soul of the Balinese people,” said Made Rumawa, the religious leader of Beraban.

“As a priest, I insist they comply with the rules because they have been set out clearly,” said Rumawa, a towering man clad in white from head to toe. “So, whoever comes, whatever their intention, do not be blind and walk in the darkness.”

Plans to expand the land available to the resort, in part to accommodate a larger golf course, are struggling.

Villagers said MNC has had an offer on the table since 2015 to buy adjacent land, which is mostly used for growing rice and other crops. Wayan Surata, a former resort worker who helped MNC compile a list of landowners several years ago, said about 80 percent of the owners have rejected it.

Local Opposition

Ketut Sukarjaya, who works at the old resort and is close to retirement, said land belonging to him and his brother has been in their family for several generations and they had no financial need to sell it.

Surata said he was one of the few who has agreed to sell. Pointing to a verdant stretch of land bordering the resort, he said he sold with a “heavy heart” because he urgently needed money for a garment business he had started.

MNC’s offer of 150 million rupiah ($11,290) per a Balinese measure of land that is equal to about 100 square meters (1,076 square feet) is far below what villagers believe is fair given the prime location, Surata said. Most think it’s worth three to seven times that.

Selling is also a fraught issue because the island’s farmland is gradually being depleted, increasing a lopsided reliance on tourism. In Beraban, about 40 percent of arable land already is being used for housing and tourism.

“We are optimistic it will be more difficult to buy land because the people are now more aware that land cannot be created,” said Made Sumawa, the village’s stern-faced guardian of custom and tradition. “The investors wanted to expand the area but after they learned of the people’s character here, they realized it’s difficult to buy the land from them.”

Associated Press writer Niniek Karmini in Jakarta, Indonesia contributed to this report.

This article was written by Stephen Wright from The Associated Press and was legally licensed through the NewsCred publisher network. Please direct all licensing questions to [email protected].

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