#lord of hell himself

[pumpkinthreattheelder]

Hello

This ship is part of my serotonin now 💕💕

[methoughtsphantom]

plot bunnies about an idea i don’t have enough motivation juice to write. red hood identity reveal variety

smol jason

So, Red Hood reclutantly working alongside the Bat to take down a child trafficking ring when he is hit with a de-aging spell. It even isn’t the first time Batman encountered the end of this particular spell so he already knows the victim would have no recollection of their memories, so he protects the now child (he guessing 11 estimate age) and guides him through the panic of not being able to take off the Red Hood helmet. the one that canonically has a bomb in it (cause older Jason is a dramatic bitchTM) so like, Batman catches the child’s prying fingers and takes them away from the latches because Hood has implied the existence of a bomb and that’s enough for dread to set in his gut. Bruce gently coaxes the child to let him confirm this with a device he takes out of his belt and raises it eye level to the kid’s head. It beeps. And B feels the ground sweep out under him. Because indeed this child has a bomb to his head. (and he’s suddenly hearing another bomb go off in the distance and a warehouse and —)

anyways, B ends up taking (read kidnapping) this twelve year old to the Batcave so they can pry off the helmet and I can only picture the ANGST because this is Jason and Bruce each unaware of who the other is. Jason still lives in the streets in his mind according to him and well, according to B, he’s dead. So they start bonding, kinda awkwardly at first cuz of the helmet’s voice modulator, but Jay at that age (at any rlly) was a spitfire and like he genuinely makes B forget this is a crime lord for a second (kinda difficult to that when the kid is stuck in the helmet) but whatever. I can only see Jason being his cautious self but kinda being at ends here because he kinda does need Batman’s help to get this thing off him, so he can only, just like narrow his eyes when the Bat approaches him for a blood sample. (“Need to check for magic residue, lad.”)

(Jason’s only allows this because he has a knife he found in the clothes he’d was drowning in earlier)

As u can guess, Bruce was obviously lying and wanted to run the blood sample to see if it matched any from his database (as the Red Hood has also implied that they have met before)

Anyways Bruce just gets the alert that the blood reading was finished almost at the same time they can pry the helmet off, and because he got a little attached, he just wants to see the face of this lively if wary teenager that has the same name as his (dead) son. (he managed to pry it from him earlier, how, i dunno) It’s literally Bruce’s martyr and huge guilt-complex that goes like ‘ah yes let me see the face of a child that was failed so throughly by the people who should’ve taken care of him’. So they pry off the helmet and then Bruce feels like he’s been doused by cold water. it’s like he’s staring at the ghost of his dead son again, the image completed with ruffled hair, slightly upturned lips and blue guarded eyes that look up to him with recognition but not recognition.

Bruce immediately hardens, shuts down any hope he can feel rushing in and desperately tries to close the dam and let his confusion and rage turn into anguish. “Who are you?”

The boy—the imposter quickly tracks the 180 demeanor change and immediately goes defensive. A painfully familiar scowl appears in his face.

“I’m Jason, I already told you that, what, your old age catching up to you?”

Batman stalks closer and then the boy’s taking two steps back for every one the Bat takes. He tracks the loose outline of a hand closing in tightly around the hilt of a knife in the boy wearing his son’s face and he can only think how dare he.

“Lies! You’re not my son! Who are you?”

Heart in throat, Jason struggles to keep distance between him and the towering black shadow that’s so angry he can sense it in his very bones. He doesn’t understand.

He doesn’t.

“I-I my name’s Jason. Jason Todd. My father is Willis Todd, not—not, Batman.”

And there’s that for the little snippet. Sorry this is so disjointed😭. After that’s just the mental image of Dick cutting in with Zatanna trailing closely behind him and being all “Hey I got your message about a de-aging spell and—“ and just stopping at the scene.

Because that’s Batman towering over a clearly scared kid. Said kid using the distraction to try and stab Batman. The action clearly enraging Batman—that doesn’t make any sense?! B would never— Dick immediately sprints into action and steps in between the two.

like Dick just giving his back to the kid and not seeing. Batman clearly shaking his head in denial and snarling, treating the kid like his crime lord self and Dick not understanding. Having to receive help from Zatanna to get the kid the hell out of here (but like where would they even take him? The manor??)

Zatanna just takes them to the other side of the cave and takes note of the teenager. How he has a dead grip on a red helmet and his gaze is stuck upon it.

Meanwhile Dick has to physically restrain Batman from going after the kid and he raises his voice just enough to demand what the hell is happening?? Why is there a kid in the Batcave? …Batman??? Report. As he is demanding answers Dick had slowly loosen his grip on his dad only to now found him staring at his gauntlet’s data hologram.

The information displayed? 99.98% Match confirmed to Jason Peter Todd.

So as this is clearly pure angst, I want Jason to lash out, sticking only to Zatanna only to realize she’s the magic user that’ll quote on quote will return him back to normal.

Jason is just like on really uneven ground here, even though he doesn’t think he’s ready to retur. But then Batman is just like “Jaylad” … “Jay…” and taking off his cowl and reaching up to him and looking at him like he knows him, like he’s something fragile and precious. Which is sooo fucking jarring you can understand. Jason internally is all what the fuck

Jason just wants them to back off. Jason is an overwhelmed bean. He looks up to Nightwing for help but the man is also mirroring the Bat, domino off and eyes suspiciously bright.

Zatanna is literally the only person in the room not emotionally compromised. She’s with Jay in the ??? train.

Suddenly she looks down and there’s the little boy whose eyes are pleading in helpless confusion. Eyes practically conveying the question you can return me back to normal right?? he pointedly doesn’t rip his eyes from hers as Zatanna puts a hand on his shoulder, pretending she doesn’t notice how he trembles and wordlessly asks if he’s sure.

cut scene

Bruce interrupts because information overload and he can’t compartmentalize this is too important and he and Dick stop Zatanna to which she too is ?? because that was literally what she was called for here. Dick is no help.

Dick is torn.

[aletterinthenameofsanity]

sometimes I'm just vibing and then my brain screams at me "ALL THAT PAIN AND MISERY AND LONELINESS AND IT JUST MADE THEM KIND" and I go a little bit feral

[introspectivememories]

can't stop fucking thinking about sun/moon shuggy bc shanks is the sun always and buggy is forever the moon. buggy will never be the sun, he will never shine as brilliantly as shanks or anyone else. and the moon makes no light of it's own!!!! it only shines bc the sun's light reflects off of it!!!! buggy never shines by himself!!! he will never make his own light!!! buggy who is always second best, shining only from the light shanks gives him. even worse, you only ever see half of the moon illuminated at one time!!!! shanks who gives buggy the light he needs to shine but only for certain parts of buggy!!!! never all of him!!!!! buggy never shines fully and he never will bc buggy is the moon, he isn't a star or a comet or a meteor, he's a moon and moons don't shine by themselves. and buggy who devotes himself to shanks bc he wants to shine, by god he wants it so badly he aches somedays, but shanks is the golden child, shining with splendor, and buggy knows when to stop fighting a losing battle. he sticks around for years drawn in by the gravity of shanks' orbit until loguetown, and as his captain's head hits the ground, buggy feels himself splinter into thousands of little meteoroids. he leaves shanks standing in the rain and thinks to himself, i will shine by myself or i will die trying

[shellem15]

Anyways--do you think Asmodeus picks his champions based on how much they remind him of his siblings?

Cause like, obviously Zerxus The Redemption Paladin has Everlight parallels. But also Asmo quite explicitly compared him to the Dawnfather with the whole arrogance thing, not to mention the whole paternal projection/condescension thing he's got going on.

And also, Teven Klask kinda fits this model too in a weird way??? Like, his stern demeanor and big ego is also kinda Dawnfather??? From a very outsider perspective that is, like if all you knew about him was the temple at Hearthdell. (Obviously Teven is nothing like the Dawnfather in actuality). He fits the model very loosely, but I don't get the vibes that he's one of Asmo's favorites anyways so maybe there's more leeway.

Also, both Zexus and Teven are big strong paladins, and I'm just gonna say, Dawnfather in his most classical depictions (not talking baby boi Ayden, here) matches that description pretty well.

Asmo, buddy, I think your obsession is showing.

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

[nejackdaw]

Okay I haven't talked about Judas OR the Judas album in a while so I'm going to share this analysis I finally placed and I'm losing my mind about

In the song Field of Blood (song 5,) the chorus ends with a line I've never quite been able to find a suitable conclusion about. Right. (Putting my rambling under a read more, the screenshots make this long)

Oh, okay, "what is my god," he's having a crisis of faith. Why is God so cruel as to order Jesus be killed (reminder that the album is a mix of biblical and Gnostic canon, where Jesus asked Judas to be the one to betray him.)

WRONG

If we move two tracks ahead in the album to Death is Just a Kiss Away, right before the last chorus we have these lines:

Which is insane! Because this part is actually saying "you have two gods, God and Jesus" (sun and moon, as I'll get to) "and no matter which you choose" (obeying the kill command or refusing to kill Jesus) "you're going to piss everyone off"! Okay now I know, "but where did you get sun and moon/God and Jesus" and HERE I TELL YOU:

Jesus is CONSTANTLY referred to with constellation imagery! (There's a whole song about it!) The Gospel of Judas includes the quotes (from Jesus) "Judas, your star has led you astray" and "the star that leads the way is your star." The album takes this and RUNS with it. Makes Jesus Judas's guiding star. There is SO MUCH night/star symbolism going on here, mostly in Constellation, but also from A World Where we Belong:

SO BASICALLY: considering that Jesus is heavily referred to with night sky imagery and they're literally both referred to as "two moons aligned," it isn't unreasonable to conclude that the line from Just a Kiss Away is in fact talking about God/Jesus. WHICH MEANS

When Judas is about to hang himself and he pleadingly asks "what is my god?"

HE DOESN'T KNOW IF IT'S GOD OR JESUS BECAUSE HE'S FUCKING IN LOVE WITH HIM APNDOANSOANS HE OBEYED GOD BECAUSE HE'S GOD BUT HE'S KILLING HIMSELF OVER JESUS. I HAVE MANY OTHER LINES ABOUT THIS (DEVOTION TO JESUS, NOT GOD) BUT THAT'S A DIFFERENT TOPIC

[awfullybigwardrobe44]

Whom have I in heaven but you? And there is nothing on earth that I desire besides you. (26) My flesh and my heart may fail, but God is the strength of my heart and my portion forever. —Psalm 73:25-26

[mosscloakenthusiast]

HI!! for all your oli orionsound vod needs:

listen. listen okay i was getting real sick of this man not uploading vods (wants to watch them but they keep getting deleted from twitch). so ive taken it upon myself hope he doesnt mind

I have started uploading vods and will continue to hopefully!! I've also collected what i believe(?) to be every oli vod uploaded to youtube and collected them into various playlists (including an mcc playlist which has every mcc he's been in from his POV besides mccs 3-6 - for 4 and 6 i put a teammates POV but for mccs 3 and 5 there are no archived vods from anyone on his team . rip orionsound mccs 3 and 5)

if you know any vods on youtube i haven't playlisted OR have any vods downloaded that arent available elsewhere pleaseplease let me know!! trying to gather vods from this man is a living nightmare oh my god

[lovemongerer]

alastor is always in drag. to me.

[numbaoneflaya]

i clicked no and a bolt of lightning immediately struck me and i was left a pile of smoking ashes with cartoon eyes blinking in disbelief with sound effect

[fumblingmusings]

Imagining a young Arthur thinking the Normans are irredeemable doomed for hell monsters from the moment they killed King Harold, made the heir Edgar and his sisters flee, wrecked Arthur's language and broke his legal systems, made 10% of his country a wasteland, killed over 100,000 of his people by starving them to death and leaving them freeze... All that horror from William I and II...

But then Henry I becomes King. He was born in Selby, not Normandy. He was a fourth son (like Arthur), set to inherit nothing and isn't trusted by any of his older brothers. He just maybe happens to be there with one of the said brothers is killed in a hunting accident (oh no....) and becomes King. He marries Edith, the daughter of Arthur's last Anglo-Saxon princess, ensuring that Alfred the Great's bloodline lives on. He uses the Anglo-Saxon justice and taxation system because it's still better than anything Norman. He puts Englishmen back in positions of government and the Church. Henry and Edith called their daughter Matilda aethelic when in private and gave their son William an Anglo-Saxon title of aethling... Those imported Norman aristocrats mocked them for it calling them 'Godric and Godifu' - that foolish King and Queen pretending to be lesser than. Playing at being English and not Norman.

But it works. Arthur and England are at peace for the first time in... a long, long long time. Yes northern France is a nightmare but what does Arthur care for that. These guys are stamping out slavery and serfdom... That's pretty stupendous. Plus, his way of life is winning out long term, not the Norman. At least, that's what he tells himself.

And having the thought that maybe his people and culture won't be as wiped out by this King playing politics in order to carve out his own space distinct from his brothers... little Arthur sees a little bit too much of himself in this guy. Only for Henry's only son to drown on a crossing from France back to England (trying to save his sister oh my God) and then it just sets the stage for the Anarchy upon Henry's death because god forbid Matilda is Queen like...

Point is I can see Arthur just going full on fuck it once Henry II becomes King (like what was the point of it all if Matilda's son was going to be King anyway). I like to think of it as the turning point from where he's a somewhat put upon forgotten about rainy droopy island that Vikings keep plundering to a nightmare himself. That desperation to prove himself, to be worth something, to take all that grief and pain and make it someone else's problem. It takes him 100 years after the invasion, but that's the point when the Arthur who used to hide in the woods from Denmark and Scotland disappears, and instead you get the Arthur who's... a bit of a giant hypocrite. And looks the other way.

The forcing a language on a population, the replacing the ruling class with loyal people, the leaving just enough of the old systems of government in place for purely pragmatic purposes, the use of scorched earth tactics if need be. Sometimes it feels like nothing changes.

What happened to him was wrong and yet what does England do to others for so long? I like the idea of an Arthur who learnt the wrong lessons from that invasion and thinks he was weak when it happened. Because to think otherwise would be to realise he'd done nothing wrong, and to realise that he was a victim.

And that's something Arthur just cannot be.

[fangsandfeels]

Going through all the ascended Astarion stories, where Tav either breaks up with him and reconnects years later, bringing the messiest “divorced couple” vibe along, or becomes his spawn and ends up being completely miserable and at the complete mercy of the vampire lord, I got a vision.

(Short outline: spawn!Tav goes to Avernus to avoid being trapped in a relationship, badassery, horrors, and deep existential issues ensue. Full description of the cringe can be found below)

- Tav agrees to be turned into Spawn by Astarion, ignoring the red flags because they really wanted to believe him and didn’t want to leave him alone. However, after they do, they get slapped with way too many red flags in the face (the “as long as you remember who you belong to” phrase during the second encounter with Araj, the command to shut up after mentioning Cazador’s name, the deceptive reasoning behind why he isn’t making them a full vampire), Tav grows very aware of eternity that awaits them after they defeat the Netherbrain. And it terrifies them. They understand that they don't want to find out what being his consort means. They are no longer sure about anything.

- When Karlach starts burning, Tav talks her out of it and jumps on the opportunity to go to Avernus with her  (and Wyll), before Astarion gets to react and use compulsion on them. They aren't sure it would work, but it does. Small mercies.

- Between fighting off Zariel’s hordes and getting used to their new condition, Tav goes through heartbreak, oscillating between being angry with Astarion to missing him to feeling sorry for themselves. It's a cycle of angst and mental gymnastics, interrupted by battles and stirring trouble in the Hells.

- Ultimately, Tav reflects on the choices and actions that led them to this path. And when they find a way to fix Karlach’s heart, making it possible for her to go to Faerun for good, Tav chooses to stay in the Hells. Not even because they aren’t eager to confront Astarion and get controlled by him, but because they feel they belong there. Cazador might have planned the ritual, and Astarion might have completed it, but it was them who helped him do it -- they can be angry at Astarion all they want, they can tell themselves it's no longer him. They can spend years guessing whether he really wanted it, whether he is happy or not right now. Maybe they did fail him. It all doesn’t matter. They are as guilty for condemning these souls to suffering in the Hells. So, the question is: what will they do about that?

- Basically, a story that doesn’t necessarily have anything to do with Astarion, and is mostly focused on a vampire spawn Tav, who navigates hellish landscapes, occasionally helping whatever poor souls they can, learning sad stories of victims who got lured into horrible deals, musing on existential questions and wondering how should they take their life when their luck runs out on them, and they get captured by Archdevils.

- While they avoid signing any contracts or any deals and focus on honing their skills and new vampiric abilities, they do seek ways to modify their body, so they could increase their chances for survival (yes, I freaking love Vampire Hunter D: Bloodlust, how can you tell?).

- For an extra Divine Comedy (and angsty) flavor, Tav talks to an imaginary Astarion (the one they remember so fondly before his Ascension) -- the habit that started from a random “what the Astarion I knew would have said about this?” thought and kinda became a way to stay sane in this place.

[sobselpop]

I finally watched Dr Horrible’s Sing-Along Blog and I have to make it everyone’s problem

[merwynpersonalhub]

Hey mercury do you remember the time dedede was swole-

mf they had a deal not to mention about it

[dying-suffering-french-stalkers]

god help me i'm going insane about dickson xenoblade again