#lloyd haynes

[retropopcult]

Room 222 cast photo, 1969

[citizenscreen]

From ABC’s “Room 222” in 1969, (clockwise) Lloyd Haynes, Michael Constantine, Karen Valentine, and Denise Nichols.

[chernobog13]

Kirk checking the status of repairs aboard the Enterprise in Where No Man Has Gone Before.

[forever70s]

cast of "Room 222" (L to R): Lloyd Haynes, Denise Nicholas, Michael Constantine, and Karen Valentine

[clemsfilmdiary]

Look What's Happened to Rosemary's Baby (1976, Sam O'Steen)

Also known as: Rosemary's Baby II

5/5/24

[denver-carrington]

Lloyd Haynes, who played Judge Horatio Quinlan, the judge who presided over Blake’s trial in Season 1.

[edpor68]

Happy Monday! A gif from the 1970 Room 222 episode ”Half Way” - Pattye’s first tv appearance! #pattyemattick #patriciamattick #Room222 #adorable #1970tv #GoneButWillNeverBeForgotten #gif #giphy #lloydhaynes

[antebellumite]

Antebellum Peeps ( TM ) As Dogs

some people and dogs were not included. include more at your leisure..

Albert Gallatin is a Labrador Retriever. He's smart, resourceful, basic, but he also gives very reasonable person vibes, even if he can feel a little boring at times. Still, that complete uninterestingness is what makes him special.

Samuel Howe is a Schnauzer. He's caring, social, protective of what he cares about for as long as he cares about it. I have never seen another dog that looks as much like a misogynist than schnauzers do. I like to think the ears and muzzle hair fit him.

William Lloyd Garrison is a Doberman. Proud, looks intimidating at first, and doesn't forget or forgive easily. Noble, just generally popular and well known. You can always depend on him to do what's right, even if it’s not exactly what you want him to do. This is Garrison as a dog breed, but also for him as a human being.

Floride Calhoun is a Chow Chow. High strung, bites strangers, and judges and ranks everyone based on their usefulness and importance to her. Fatalistic, cruel, probably some unresolved trauma as a natural consequence of being a Christian White Southern Woman in 1800s. Very Chow Chow behaviors.

Thomas Benton is a Rottweiler. Like a doberman, but more stocky, Benton is courageous, good-natured ( when he isn't faced with Clay, Calhoun, or Foote ), and confidently self assured. He's a stereotypical police dog, MANLY.

Andrew Jackson is a Canary Dog in behavior and a Greyhound in physique. He is large. He engages in dogfights. He looks fast, but is actually fairly chill and doesn't mind being lazy. He could rip someone apart. He WILL rip someone apart. He drools. He contains multitudes.

Benjamin Brown French is a Goldendoodle. Like a goldendoodle, French was created upon this Earth for one purpose. For a goldendoodle, that purpose was to remind mankind of their hubris. For French, it was to be the guiding voice of The Field of Blood. Both of them are lovable and funny unique abominations in the worst/best way.

Charles Sumner is an Akita. A very sleep deprived Akita with heart issues. Very strong, large, bear-like, and could probably take down a tank if he could. Like an Akita, though, Sumner is long-lasting and has thick skin! Metaphorically.

Harriet Martineau is a Papillon. Intelligrnt, petite, friendly, and has a much smaller stature than most of the other dogs on here, and despite not being American, is actually much more well-educated about American politics than actual Americans! She is also tiny but gives an air of great dignity and royal elegance as well a cuteness.

Julia Howe is a Wetterhoun. She's a water dog, with a natural talent, and despite being fairly reserved, gets along well with other people. She also has a strong will and won't back down from a challenge and is actually way more tolerant and patient than most people around her notice or give her credit for.

Daniel Webster is a Mastiff. Like a Mastiff, Webster is SCARY HUGE, has a reputation as being noble and almighty, and is the perfect fighting dog ( in terms of debate ). They both reportedly have the exact same mouth shape. He's also not easily provoked, similar to the Mastiff, and is pretty docile and domesticated when it really comes down to it.

Harriet Beecher Stowe is a German Shepherd. She's willing to learn, incredibly curious, smart and she's actually competant at what she sets out to do. Stowe, also like a german shepherd, is a very recognizable kind of figure, just like how german shepherds are recognizable dog breeds.

John Calhoun is a Border Collie. He, like a Border Collie, is terrifyingly smart. Calhoun is also adaptable ( to changes in political climate ) and great at herding ( his colleagues to secessionist ideals ), like a border collie.

Jefferson Davis is a Skye Terrier. Only ever had one person he actually loved ( his first wife ), and never moved on after her death. Like a Skye Terrier, gives off large amounts of old man energy. Had some pretty funky facial hair too once you stop and think about it. I also think it's funny how I'm assigning Davis a super tiny dog when in real life he was like Abraham Lincoln's hight.

John Quincy Adams is a Shiba Inu. BOLD and ridiculously PROUD and incredibly CLEAN and GRUMPY and INDEPENDENT and UNHAPPY and DIGNIFIED and ALOOF and THERE IS LITERALLY NO OTHER DOG THAT FITS JQA MORE.

William Seward is a Siberian Husky. Seward, similar to a Husky, is stubborn, clever, capable, and despite having great intentions, does tend to have some odd ideas at times. He’s extremely determined in his tasks, perhaps overly so. They're both also dogs that are instantly recognizable on sight, and have something to do with Alaska.

John Randolph is a Pug. He just is. His health issues are infinite. He looks hideous. He is tiny. He vibrates with rage at any given moment. Every noise that he makes only alienates him more. He is such a pug I genuinely can't imagine him as anything else, even before he contracted tuberculosis.

Rachel Donelson Jackson is a Bichon. She just wants to live her life, and move on, similar to a Bichon's passive nature. Chill, going with the flow. She and Bichons share the same vibes.

Nicholas Biddle is a Pomeranian. Tiny and extroverted and happy and friendly and lively and playful! Loves being in the center of attention like any other pomeranian. Both Biddle and Pomeranians have fantastic hair and are always alert about changes in their enviroment, and aren't afraid to challenge others. Often to their own detriment.

Mary Todd Lincoln is a West Highland White Terrier. Like a West Highland White Terrier, Mary Lincoln is tiny, and has a temper that can vary wildly depending on what's going on and who she's with. She hates being rough handled and is normally assured, stubborn and self-confident.

Louisa Adams is a Pitbull. Intelligent, trustworthy, kindhearted, and genuinely a good person even if it might not seem like that at first. She enjoys taking humorous situations literally, or at least with tongue in cheek, and if you wrong her she will not let it go. She's also a pretty medium-sized figure, both in society and as a dog.

Abraham Lincoln is a Great Dane. Because TALL politicians mean TALL dogs. Yet, despite being an imposing figure, he's genuinely friendly and is incredibly loving and devoted towards others, including strangers and especially children! He's just in general laidback, but make no mistake, can definately become dangerous if you provoke him.

Henry Clay is a Collie. His defining feature is that he's sensitive and keenly aware of other's emotions, as well as very goal-oriented and is terrified of any prospect of failure on his part. He can be " single-minded to the point of obsessiveness." And like a certain other collie on this list, Clay is also great at herding people towards desired politics.

Fanny Longfellow is a Golden Retriever. Gentle, smart, affectionate, adorable, and is incredibly tolerant of outsiders. Her friendliness is the stuff of legends, and she was incredibly popular and well known ( although not very much today ). She'll gladly pull others into her family, and she just gives really shiny Good Vibes.

Stephen Douglas is a Jack Russel Terrier. A bite that's ten times larger than his size and is very, very, fearlessly, active. If left bored or unhappy, Douglas will do great damage, like kickstarting Bloody Kansas. The Jack Russel Terrorist if left to his own devices.

Margaret Bayard Smith is a Cardigan Welsh Corgi. Loyal, devoted, and surprisingly responsible. She has hidden insecurities and despite what others might see as drawbacks, she has shown her effectiveness, intelligence, and presence time and time again.

Theodore Parker is a Chihuaha. He's a good guy and just wants to make sure that things turn out well for his friends and family. He's smaller than you might think he should be, but what he lacks in physical strength, he can easily make up for in bullets and words. He also needs serious modern medical intervention.

Martin Van Buren is a Pekingnese. Ridiculously fancy and small. Like a Pekingnese, also recognizably cold and determined, and tends to manipulate those around him, and tends to be stubborn and set in his ways. Yes, he truly does seem to make his own rules on how the world works, but he makes up for it by being a dandy.

Varina Davis is a Cocker Spaniel. Fancy and her hair is fantastic, gives very prestigious vibes about her. She is independent if needed, but still cares for others. Despite this, she still does have a vicious streak a mile wide.

Anna Maria Calhoun Clemson is an Australian Cattle Dog. A very intelligent herding dog, like her father, and closely resembles him. She can actually be pretty affectionate, but knows what she wants and definitely isn't afraid to nip people or bite to get there.

Adele Douglas is a Poodle, But specifically, she's of the medium-large variety. She's larger than Stephen Douglas that's for sure. She's intelligent, fancy, traditionally feminine, and is better than you in every way. She's loyal and greatly sociable and energetic. She's protective of her family, and loves them, even after they're dead.

Anne Royall is a Keeshond. She's relatively unknown, similar to a Keeshond, and can learn very quickly. She's a quick learner, intuitive, empathetic, and very persistant in what she believes in what's right, no matter what anyone else tries to tell her.

Lucretia Clay is a Newfoundland. She's calm, motherly, supportive, and a little larger than life. Doesn’t like crowds. She also has great athletic ability, which might or might not include swimming. Not sure about Newfoundlands’ business skills regarding her though.

Hugh Lawson White is an Afghan Hound. They're both dignified and aloof with a clownish streak and have also fantastic hair. White, like the Afghan Hound breed, is very old. Or at least, I always imagine him as being old.

Jessie Benton Fremont is an Alaskan Malamute. Big, smart, in charge, very influential. Prominent in her day, similar to an Alaskan Malamute and both her and the breed are distinguished and recognized today. Both of them also have something to do with a gold rush, one Californian, one Alaskan.

Susan B. Anthony is an Azawakh. She's independent and determined, as well as intuitive and understanding about what's going on around her. She's typically reserved, and while not aggressive, it does take some time and sensibility to get to know her. Fast, and both organize in groups to take down enemies.

Louisa May Alcott is a Greater Swiss Mountain Dog. Genuinely happy, enthused, collected, and satisfied with what she has. She's confident in nature and works well with children and her family members. Despite this, she's also vigilant, and can be outspoken and revolutionary if you pay attention. Inclusively, the four Greater Swiss Mountain Dogs all contain vaguely Alcott-like traits- a fitting parallel to Little Women.

Emily Tennessee Donelson is a Borzoi. She's calm, reliable, and tends to follow others' instructions, but she's also independent and can be rebellious at times. She doesn't need you or anyone, and quite frankly, she doesn't have many strong feelings about leaving if she doesn't feel respected. I realize I am painting a very weird picture of the Donelson-Jackson family here but just listen to me ok.

Robert Hayne is a Cavalier King Charles Spaniel. Adaptable, highly affectionate, playful, patient, eager to please, and both of them have a higher mortality than others. Both Hayne and the CKCS breed are both highly adorable and dandy-ish as well.

Margaret Eaton is a Basenji. She's friendly, a bit gossipy, though reserved with strangers. She cannot be trained and she and the Basenji both resemble pariahs in their lifetime. She has her own goals and wants and isn't afraid to try and reach them. Eaton also just in general feels like she'd be a sort of square, short-furred kind of dog, and I also think she doesn't like wet spaces.

Henry Longfellow is a Samoyed. He's optimistic and friendly and lovable and unique and I have an instant revulsion against using the same dog breed twice, otherwise, he'd be a Golden Retriever. The Samoyed's incredibly long and poofy white coat also resembles the long beard that Longfellow developes later on in life.

Sarah Polk is a Yorkshire Terrier. Fairly humble, but still elegant, important, and an air of prominence if she feels like it. She also isn't often taken seriously, despite her genuine great advice, but that's okay, because through god and girlbossification all this are possible.

Elizabeth Cady Stanton is a Schipperke. Determined, steadfast, sturdy, and like a Schipperke, is great at organizing and 'herding' people into organizing movements and the like. She's also a rarer kind of dog breed because the portraits taken of her look very prim and proper, which I'm pretty sure was all on purpose, but either ways, it still works.

Maud Howe is a Saluki. She is very freelancing, independent, and a rather creative person, all of which are incredibly similar vibes to a Saluki. She's shy, but despite this is also a socialite and interacts with others, playing a part and serving in various societies to help her community. She seems like a very special person, in the end, and really does deserve to be called a special breed of dog.

Sarah Goodridge is an English Setter. She's a gentlewoman by nature, intensely friendly, and she's very active and adores visitors, as well as being sensitive to criticism.

[forensicated]

04x45 - The Assassins

Tosh and Frank are in a cafe to speak to the manager as a police snout. They want to know about fake Yugoslavian car parts being brought into the country and apparently, his cafe is where they make the deals. "Where are they all then?" the manager drawls. He has a bouncer because they're open 24/7 as a transport cafe and Frank recognises him but doesn't quite know where from yet. The manager brings Frank a breakfast that is swimming in grease and calls it the best breakfast in London. "Shame about the service." Frank snarks.

Yorkie and Malcolm attend a disturbance where a couple appear to be moving furniture for a house move. They ask for a 'Mr Cooper' who is the person who has booked them and he's apparently called the station saying they're causing a disturbance.

A gang of toff students enter the cafe making loud and depreciating comments. One of them is played by Daniel Flynn (future Superintendent, John Heaton) who is being led around by a collar and lead. Heaton Strathvane also speaks with a Jamaican patois. The manager tells them to sit down and shut up if they want serving.

Mr Cooper tells Malcolm and Yorkie that he lied about a disturbance to get the police to attend. He doesn't think the company is to be trusted. His wife admits they're very worried because they have valuable property like the husband's stamp collection. Malcolm asks if he took out insurance - he didn't. He suggests attending a broker in the high street as soon as they open and before the movers leave to get peace of mind.

The posh students continue making loud comments and open a bottle of red wine. One declares the other customers are almost in the presence of royalty and should be down on one knee. "There's only one place my knee wants to go and it's not down on the carpet." Frank drawls. The idiot approaches Tosh and asks him if he knows what democracy is. "Yeah, I do. It's the freedom not to have someone sit next to you without you asking them to." He says pointedly.

He calls the others over and they claim that Tosh and Frank are gay. Tosh is about to tell them they're police officers as the female throws the bottle of wine at the wall. The idiot who approached Tosh shouts "ASSASSINS!" and starts throwing furniture. Tosh shouts that they're police so not!Heaton tips their table over and the others join in the rioting which sends Tosh flying.

Mr Copper attends Sun Hill and tells Tom that he thinks one of his officers is making money on the side as an insurance broker because he was very insistent that he go and take out insurance (!). He tells him he's 351 or maybe 531. "Oh, and he's black. Must dash!" he says, leaving a confused Tom in his wake.

Tom tells Bob that Tosh's wife was in looking for him. Bob is confused and asks what she wanted. "I said to her I'm younger, richer and better looking but she wouldn't have it..." Tom smirks. He tells him that he sent her to the canteen.

Uniform back up arrives at the transport cafe where the riot is still going on. It's been trashed completely and in the rush to arrest each one, Frank ends up covered in ketchup.

Muriel Lines tells Bob that she asked for him because he's the only one she's met. She asks him if he can speak to Tosh for her about housekeeping money. He said he'd get some out for her but she hasn't seen him in over 24 hours and she needs to go food shopping. She can't use her bank card because it's over the limit. Bob says if Tosh is on a job he can't interrupt him so he pulls his wallet out and hands over a few notes, saying he'll settle up with Tosh later. Muriel thanks him and tells Bob that it was her and Tosh's 15th Wedding Anniversary the day before and not only did he not remember - he didn't even leave work to come home.

The idiots continue kicking off as they're forced inside the station. Burnside tells Bob that one of them reckons he's the 57th line to the throne. They call themselves the Assassins and take restaurants apart. As Tosh takes Eric the bouncer from the cafe to make his statement and be checked over, Burnside tells Bob that he thinks there's something iffy about him and asks him to run a check. The idiots don't understand why they've been arrested and claim they'll pay for any damages and throw a bundle of notes into the air. One asks if they've heard of Diplomatic Immunity. He's the son of a cultural attache to somewhere that Google doesn't recognise my attempts to spell. The others think it's hilarious as he suggests they contact his father.

The idiots are transported to court as Bob tells Tosh that his wife has been in and that he forgot his anniversary. "... She didn't say how many years it was did she?" he asks hopefully. Bob tells him it was 15 and that he should play the black eye he received in the fight for all he can in the hope it'll distract her.

Mr Cooper returns to show his insurance policy to Tony because he still thinks that the company he engaged is dodgy. He doesn't tell Tony who he is or what he is so Tony has to get it out of him bit by bit. He tells him to tell 'him' that it cost him £30 and he's still suspicious of them. "...I will as soon as I see... him?!" Tony blinks, still unaware of what is going on or who Mr Cooper means.

The diplomatically immune idiot is not happy as his father has to attend the station for the embassy to 'take responsibility for him'. He demands 'someone who knows how to treat me'. Malcolm rolls his eyes. "They're all busy." The idiot digs away at him and tells him he's a slave grafting for the white man. Bob interrupts and tells him happily that his father is on the way and he doesn't sound very happy.

Tosh and Frank enter the court as Strathvane's barrister is giving character evidence and saying that the police have made up all the charges against his client. He insists his client has suffered because the police picked on him because he's upper class and a Viscount.

The woman prisoner tries to insinuate that Viv is a lesbian and tells her she loves fighting. She moans for a second and holds her side before telling Viv 'It's nothing!' "Shame..." Viv says, smiling and closing the cell door.

Unfortunately for the posh barrister, Strathvane undoes all his good work in setting up the background of the case by literally holding his hands up and telling the judge to punish him in his faux patois. He jails him for 28 days. His accent drops. "You can't lock me up, don't you know who I am?!"

The idiot's father arrives and hands his son his arse. It's beautiful. He tells Bob that his son has gotten in with a bad crowd and requests that he be held at the station because he's waiving the diplomatic immunity and he wants him to be taken to court. His mother wants a gentleman for a son, not an aristocratic yob." Bob beams at Malcolm. "... Charge room."

Mr Cooper returns to speak to Ken this time. "They haven't turned up at the other end. "... "What exactly are you talking about sir?" "I need to talk to someone a lot older than you!"

Eric, the cafe bouncer, bumps into Tom Penny who outs him as being on the Robbery Squad. "That's where I know you from!" Frank finally realises. He's been moonlighting for a few extra pounds. Frank says he wants everything that he knows about the cafe.

Tom goes to speak to Mr Cooper and tells him "I've done everything you've asked me to and he still hasn't turned up at the other end." "... Who hasn't?" Tom asks patiently. Cooper explains that the movers haven't arrived where they're supposed to - just around the corner from the station. He's moving to Grasmere Road, not Grasmere in the Lake District as he'd had everyone else thinking.

The not-diplomatically-immune-anymore idiot is still complaining that his father only wants the police to do his dirty work and he calls them all slaves jumping to the big man's shout. He then suddenly doubles over. He shouts that the police have clearly poisoned him. Bob laughs and asks Malcolm if he's slipped something in their food. Upstairs, Frank's visitor, Eric asks if the 'posh lot are alright?'. Somehow I don't think it was Malcolm... 🤣🤣 Posh idiot is placed into an ambulance.

Tosh calls home and tells his wife that he has been injured and makes out that's why he wasn't home. "It's not bad... it's not good, but it's very painful...." he arranges to meet her in half an hour for lunch.

Malcolm and Yorkie take Mr Cooper round to where he's supposed to be moving to. He asks if they'll catch them. "It's hard to say, Mr Cooper." Yorkie says diplomatically. "In other words, don't hold my breath!"

Mrs Cooper moans at her husband for slacking and not using a professional moving team to save £70. Yorkie suggests it's not his fault but Mrs Cooper insists it is because he'd have rushed to spend £70 on stamps if he got a chance!

Eric tells Bob and Frank that the owner of the cafe doses the punters that he doesn't like with a dye that's put in the red wine. In large doses, it really affects stomachs.

Yorkie and Malcolm find the moving van. It had to pull over because the engine and exhaust had failed. They move round to check the back of the van and the woman gets jittery and tries to stop them. It's empty. "I see. That type of removal is it?" Malcom turns, confronting them.

Burnside visits the owner of the cafe and lets him know that he's onto what he does with the dye and the wine. He won't prosecute if he tells him what's going on with the fake car parts.

One Day In The Life Of Television is a documentary that goes behind the scenes of this episode. Click here and skip to 41.32 for clips that show behind the scenes, a couple of bits that were cut and also a short interview with Robert Hudson and Chris Ellison.

[ardenrosegarden]

Women in Paleontology on Film + Paleontological Subdisciplines

Laura Dern as Dr. Ellie Sattler, Jurassic Park (1993) Julianne Moore as Dr. Sarah Harding, The Lost World: Jurassic Park (1997) Mary Elizabeth Winstead as Dr. Kate Lloyd, The Thing (2011) Kate Winslet as Mary Anning, Ammonite (2020) Ine Marie Wilmann as Dr. Nora Tidemann, Troll (2022) Alex Oliver as Alex Haynes, Unconformity (2022)

[01sentencereviews]

2023

Anatomy of a Fall (Justine Triet)

Are You There God? It’s Me, Margaret. (Kelly Fremon Craig)

Beau Is Afraid (Ari Aster)

The Curse, "Land of Enchantment" [S01.E01] (Nathan Fielder)

Gush (Fox Maxy) @ New Directors/New Films 2023

How to Blow Up a Pipeline (Daniel Goldhaber)

I Thought the World of You (Kurt Walker) @ Persistent Visions Program 1: Always and Only Place, MoMI

Killers of the Flower Moon (Martin Scorsese) [+ its teaser trailer]

Knock at the Cabin (M. Night Shyamalan)

May December (Todd Haynes) @ Opening Night, NYFF61

Mission: Impossible – Dead Reckoning Part One (Christopher McQuarrie) in IMAX

My Own Private Final Destination (Alexandra McVicker & Zach Donovan) @ KGB Red Room (09/13/2023)

Oppenhemier (Christopher Nolan) in IMAX 70MM

Our Home Out West (Drew Tobia)

The Outwaters (Robbie Banfitch) [+ Card Zero & File VL-624 (Robbie Banfitch)]

Passages (Ira Sachs)

Priscilla (Sofia Coppola)

Renaissance World Tour (Beyoncé) @ SoFi Stadium, Inglewood, CA (09/01/2023)

Saint Omer (Alice Diop)

Stop Making Sense - IMAX (Jonathan Demme)

Succession, “With Open Eyes” (Mark Mylod & Jesse Armstrong)

Sunset Boulevard (Jamie Lloyd), West End Production (10/17/2023)

The Swan (Wes Anderson) [+ Asteroid City (Wes Anderson)]

Vanderpump Rules, “#Scandoval” [S10.E15]

The Zone of Interest (Jonathan Glazer)

+++

Birth/Rebirth (Laura Moss)

Creed III (Michael B. Jordan)

The Boy and the Heron (Hayao Miyazaki)

the crash sequences in Ferrari (Michael Mann)

The Holdovers (Alexander Payne)

John Wick: Chapter 4 (Chad Stahelski)

The Killer (David Fincher)

Master Gardener (Paul Schrader)

Monster (Hirokazu Kore-eda)

PARADISE LOST (Richard Hines) @ Daniel Cooney Fine Art

Poor Things (Yorgos Lanthimos)

Reality (Tina Satter)

Rotting in the Sun (Sebastián Silva)

Smoking Causes Coughing (Quentin Dupieux)

SPRING/BREAK Art Show 2023

Suzume (Makoto Shinkai)

Teen Art Salon - A Protospective @ MoMA PS1

Thanksgiving (Eli Roth)

To Catch a Killer (Damián Szifron)

“Very Delta #65 "Are You A Forever Eye-Con Like Me?” (w/ Raja)”

the 3D sequences in A Woman Escapes (Blake Williams, Sofia Bohdanowicz, & Burak Çevik)

-----------------------

Performances, 2023:

Dave Bautista - Knock at the Cabin

Robert De Niro - Killers of the Flower Moon

Cole Escola - Our Home Out West

Mia Goth - Infinity Pool

Elle Graham - Are You There God? It’s Me, Margaret.

Sandra Huller - Anatomy of a Fall & The Zone of Interest

Soya Kurokawa - Monster

Guslagie Malanda - Saint Omer

Rachel McAdams - Are You There God? It’s Me, Margaret.

Julianne Moore - May December 

Natalie Portman - May December

Addison Rae - Thanksgiving 

Judy Reyes - Birth/Rebirth

Margot Robbie - Barbie 

Franz Rogowski - Passages

Mark Ruffalo - Poor Things

Kamiki Ryunosuke - Godzilla Minus One

Dominic Sessa - The Holdovers

Nicole Scherzinger - Sunset Boulevard 

Cailee Spaeny - Priscilla 

Emma Stone - The Curse

Alyssa Sutherland - Evil Dead Rise

Sigourney Weaver - Master Gardner

Sophie Wilde – Talk to Me

Teo Yoo - Past Lives

[cinemaocd]

Movies I watched in March 2024

Under the Cherry Moon (1986)** I'm Not There (2007)*** Jingle All the Way (1996)* Three Graves to Cairo (1943)** Hitchcock (2012) ** Silent Partner (1978)** Possession (2002)** Oppenheimer (2023)** Oscar Wilde (1960)** Turning Point: The Cold War and the Bomb (2024)** Anselm (2023)*** 24 Hour Party People (2002)** Two of Us (1999)*** Remains of the Day (1993)*** Doubt (2008)*** Dune (1984)*** Dune Part II (2024)***

Under the Cherry Moon (1986)** Absolute bobbins of a script is still beautiful to look at, very gay and of course mainly a vehicle for Prince's music. Under the Cherry Moon was the follow up to Purple Rain. It was a box office flop, a critical failure that earned Razzie nominations, but is a worth another look. Prince and Jerome Beton are sex workers with a rich female clientele on the French Riviera, the kind of career that only exists in movies. Kristin Scott Thomas makes her film debut as the debutante who comes between the friends and threatens to part them. Prince's death scene, harkens back to Camille with Prince playing Garbo. Like Garbo, Prince was happy to exploit his own androgyny and like Garbo, he was doomed to only explore that in a way that could be squeezed into heteronormative films.

I'm not There: (2007)*** A fascinating look at Bob Dylan, dividing him into six personae played by six different actors. Haynes uses different film styles, the Cate Blanchett mid Sixties Dylan of Bringing it All Back Home and Blonde on Blonde is matched in style with the black and white cinematography of D.A. Pennebaker's Don't Look Back. It also has elements of the Italian Surrealists like Felinni or Antonioni with a scoch of A Hard Day's Night. The soundtrack is particularly good, avoiding for the most part, the licensing pitfalls that plagued Haynes' Bowie biopic, Velvet Goldmine. Some of the most effective moments of I'm Not There, pair landscape shots with Dylan's music. Given the catalogue and the array of talent, Haynes has gathered, one perhaps expects a bit more , but then that has always been Dylan's nature, he's mysterious and aloof, leaving us wanting more.

Jingle All the Way (1996)* We watched this Christmas movie in March because we recently learned that part of it was filmed at my son's elementary school. It had Jake Lloyd somehow being more annoying than he was in the Phantom Menace as a bonus. Phil Hartman got dragged into this unfunny mess as well.

Three Graves to Cairo (1943)** Tense war time drama about a British officer who gets trapped behind the lines and ends up hiding out in a hotel working as a waiter for Field Marshall Rommel. Billy Wilder ratchets up the tension, his script giving all the best lines to Rommel, played by Erich Von Stroheim who really owns the film though Anne Baxter and Franchot Tone nominally "star."

Hitchcock (2012)** Hichcock's struggle to make Pyscho dramatized with fantasies where he hangs out with Ed Gein, while Alma Hitchcock gets involved in a Hitchcockian romance with a hack writer. Scarlett Johannson plays an almost deliberately obtuse Janet Leigh and James Darcy captures pre-Psycho Tony Perkins. It's a bit silly but I'll never turn down Helen Mirren and Anthony Hopkins in anything. This has a slight, arch feel to it, like many of Hitchcock's pictures, but lurking underneath are the ordinary hates and passions of a man who fears being left behind, at the height of his career. For his long-suffering wife's part, she too feels she's being replaced by the young actresses that Hitchcock is obsessed with at the moment. The conclusion is sweet enough for the Hayes office: husband and wife rediscover the magic of their working relationship, which was always the rock upon which their relationship was built.

The Silent Partner (1978)** With Elliott Gould, Christopher Plummer and Susannah York in the cast, this should have been better. Decent heist plot that devolves into slasher film . Christopher Plummer takes on the dubious mantels of playing a villain in a piss-poor American action film and a cross-dressing murderer.

Possession (2002)** A rather thin adaptation of a great novel, A.S. Byatt's story of two modern academics who disover a previous hidden romance between two Victorian poets. The film lacks the poetry of the novel, which I think is necessary for the story to have its full impact, but the film is full of plenty of jabs at academia as well as burning passions. Gweneth Paltrow and Aaron Ecklund play the young couple, while Jeremy Northam and Jennifer Ehle play the poet/lovers. Tom Hollander has a small but memorable part as does Toby Stephens.

Oppenheimer (2023)** My least favorite half of Barbenheimer still damn good and the physics nerd in me reveled in seeing my dead physicist boyfriends on screen. There are better films about Oppenheimer's life (BBC did a mini series starring Sam Waterston and it's on youtube) but something about the dreamy quality of Nolan's film captures that quantum mystery kinda vibe and put it in a blockbuster package. Cool.

Oscar Wilde (1960)** Preceded the landmark film Crisis by one year, without the world shaking honesty that film managed, around the topic of homosexuality and the law. Both films hinged on blackmail of a gay man but Oscar Wilde is careful to skirt around explicit mentions of sexuality, using tricks like showing the dictionary definition of "sodomy" briefly on camera. More was needed and more was achieved a year later. Ralph Richardson contributes to the courtroom scenes admirably and Morley is a terrific Wilde, who would rather make point for style than save himself from prison.

Turning Point: The Cold War and the Bomb (2024)** Fascinating background to our current situation, most of which is terrifying and now I'm worrying about the bomb again. I took off a star for the sheer number neo-con/Reaganite talking heads in this...

Anselm (2023)*** Wim Wenders stirring mostly visual documentary about Anselm Kiefer, a German artist who has explored his childhood memories of post war Germany in a frank and intimidatingly in your face way, on a massive scale combining sculpture, painting and physical spaces, many of which he has engineered himself. As a middle aged person who feels estranged and terrified to look more deeply into her own childhood, Anselm was something to sit with for two hours.

24 Hour Party People (2002)** Steve Coogan plays Tony Wilson, the Manchester TV personality and club owner who helped launch the careers of Joy Division, New Order and The Happy Mondays. Coogan has a tendency to make all his characters Alan Partridge and this is no exception, but it kind of works? It did more to get me to listen to Joy Division that numerous goth roommates ever could...

Two of Us (1999)*** I can't stop watching this made for VH-1 fanfiction of a movie starring Jared Harris and Aidan Quinn as John Lennon and Paul McCartney, dramatizing a probably apocryphal tale that John and Paul met up in NYC in the 70s when Paul was playing Madison Square Garden. Pure fluff and nonsense. I need it like air.

Remains of the Day (1993)*** Revisiting this old favorite and finding that it's kind of pacey and funny for a Merchant Ivory pic. The movie that made me love Tony Hopkins as an actor, his Stevens is really such a fascinating, ostensibly tragic character and yet there is a weird kind of triumph to living one's life so completely to a schedule and a code, and yet never being to eliminate desire and feeling.

Doubt (2008)*** This is the second Philip Seymour Hoffman movie I've watched in the last few months that has left me utterly haunted. Like The Master, Hoffman creates a villain who charms the audience at the same time you know that he's probably done unforgivable things and is only at the start of a long career of doing unforgivable things. Meryl Streep gives a heavy handed performance (Streep never met a colloquial accent that she didn't wear like a Groucho Marx nose) that certainly gets the point across that unpleasant people usually aren't the bad guys you want them to be. Amy Adams plays a naive young nun who, like the audience, is left wondering what to believe.

Dune (1984)*** Unapologetic Lynch Dune lover here. I love the cheesy acting, the wild tonal shifts, and the attempts to put this sprawling multibook epic in the Star Wars shaped box that the studio wanted him to use. My favorite scene has become Lynch's cameo, he seems so happy just pretending to be a spice miner, in his little spice mining suit in his little unconvincing space ship. I love him and this whole stupid mess. Sorry Frank Herbert.

Dune Part II (2024)*** My prediction is that Villeneuve's probable trilogy will--like so many franchises--peak in the second film. The first part was a slow-moving visual feast, that only hinted at the potential of this cast. Things actually start moving in the plot and Chalamet's Paul does his best to cope. Unlike MacLachlan's avuncular Atreides, who takes being a Messiah as just being another Tuesday of being the Universe's Most Gifted Child, he actually seems conflicted. Zendaya continues to utterly dominate every time she's on screen. Can Channi be the focus of the movie? Please?

[citizenscreen]

Lloyd Haynes (September 19, 1934 – December 31, 1986)

[the-final-sentence]

Top Final Sentences of 2022

 I was everything I needed.           Xoài Phạm, from “The Greatest Pleasure”

He helped me find what I truly craved and identify what had been there all along: an unwavering sense of self.         Jennifer Chowdhury, from “In Pursuit of Brown-on-Brown Love”

Such an old, old memory, why should it make me cry?         Lloyd Schwartz, from “The Two Horses (A Memory)”

“I love you,” he whispered again, against the top of her head.         Mary Balogh, from Thief of Dreams

And he paused, in the space between inhalation and exhalation, and invited magic in.          Freya Marske, from A Marvellous Light        

“Nothing I didn’t already know, deep down.”         Dante Medema, from The Truth Project

It was a fine cry - loud and long - but it had no bottom and it had no top, just circles and circles of sorrow.         Toni Morrison, from Sula

For just a little while more, I think, let me hide here.         Jonathan Robbins Leon, from “The Same Kind of Monster”

In search of, an approximation:            desire of, love of.         Iliana Rocha, from “Elegy Falling Forward & Down“

I still crave the comfort of a hand in mine, the warmth of being claimed in the daylight.         Laura Bogart, from “A New Kind of Heroine”

And it is you, it is you she is holding like an open book, well-loved, in her hands.         Eve Alexandra, from “Heroine”

We survived to whisper our names to each other even if we could not yet confess them to anyone else.         Anna-Marie McLemore, from “Roja”

And this is the story of how I am caught.         Margaret Owen, from Little Thieves

I’m trying to hold on to this rope, and I’m trying to let go.         Melissa Faliveno, from “Tied, Tethered, Unfettered, Free”

Imagine you don’t fit anywhere, not even in your own head.         Bassey Ikpi, from “What It Feels Like”

I look to the sky and feel her ghost.         Colton Haynes, from Miss Memory Lane

It would be nice if we could talk about how we went online, driven by some sort of longing, and why we stayed there, pushing that want outward, over and over, until it couldn’t be ignored.         Kaitlyn Tiffany, from Everything I Need I Get from You

Care tasks exist for one reason only… to make your body and space functional enough for you to easily experience the joy this world has to offer.         K.C. Davis, from How to Keep House While Drowning

I had become one of the people on the street who knew where he was going.         Andrew Rannells, from Too Much Is Not Enough

Until everything was sea and sky, and the falling was flying, and he realised he was laughing too.         Alexis Hall, from A Lady for a Duke

Under the wrack and wreck of what had come before, the sky was new, and I reached for it with a yearning eager hand.         Nghi Vo, from The Chosen and the Beautiful

My beating heart is still yours, the letter said, and I’ll be waiting for you.         Dana Schwartz, from Anatomy

It won’t last for long, but it’s beautiful for now.         Linda Oatman High, from December

She holds my hand as I leave them all behind.         Erica Waters, from “Stay”

And then I fall back into my sheets, still warm and crumpled, and close my eyes.         Alice Oseman, from “Hands Against Our Hearts”

[projazznet]

Charles Lloyd – Discovery!

Discovery! is the debut album by jazz saxophonist Charles Lloyd released on the Columbia label featuring performances by Lloyd with Don Friedman, Eddie Khan, Roy Haynes, Richard Davis and J.C. Moses. The Allmusic review by Scott Yanow awarded the album 4 stars and states “Lloyd’s Coltrane-inspired sound was already in place, and his flute playing was becoming distinctive. The music is essentially melodic but advanced hard bop, a strong start to an important career”.

[kaatsound]

Amazing silver photograph of founding members of The Skatalites, LLOYD KNIBB, JEROME “JAH JERRY” HAYNES and LESTER STERLING, backstage at the Crystal Palace, London, July 7, 1984.