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Anthology of Short Stories and Poems II by Brian Clements
Delve into a captivating blend of literary pieces of poetry and love stories in Brian Clements’ book, “Anthology of Short Stories and Poems II.” This collection presents thrilling and emotionally engaging stories that showcase the author’s poetic style—a must-read for literature enthusiasts who love to explore various genres.
Get lost in this enthralling book. Grab a copy at www.blclements.com.
#Brian Clements#Anthology of Short Stories II#ReadersMagnet#poetry anthologies#poetry#love stories#must read#thrilling stories#literary pieces#short stories#love poems
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I can’t believe they’d managed to animate kusuriuri’s insane character design and then decided to make it even more insane. The most character ever
#mononoke 2024#mononoke kusuriuri#I love his new (old???) scene kid get up so much#it’s absolutely insane#I know what I drew is inaccurate I tried to piece it to together from screenshots#and sorry for posting thr process pics and then deleting them I realise I finished the painting an hour later#but anyway I seriously feel like I could write an essay about this guy#I wish I knew a lick about Japanese literary tropes#cuz there’s such insane romance to this series and the character of kusuriuri#and I don’t mean like romantic love#I mean like a courtly romance#and UUGGHHHHH A#ITS JUST FASCINATING
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finally figured out how to finish a certain ch4 scene that was kicking my ass thank u literary gods
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Claudia Durastanti, Strangers I Know / NBC’s Hannibal (2013-2015)
"Every crime of yours feels like one I am guilty of. Not just Abigail's murder, every murder stretching backward and forward in time. Freeing yourself from me and me freeing myself from you, they are the same. We're conjoined."
#pluto dont make every piece of media you consume about hannibal challenge failed#reading this book for my literary studies course#couldnt stop thinking abt these excerpts#pluto web weaves#nbc hannibal#hannibal lecter#hannibal#will graham#the wrath of the lamb#hannigram#hannibaledit#claudia durastanti#strangers i know
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you apologize for the words you said,not the wounds you cut or the scars that stayed
#my writing#spilled ink#writing#dark academia#reading#dark academia aesthetic#dark aesthetic#word word word#wordpress#literary quotes#literature#light academia#prose piece#prose#poetry#poem#toxic love#love quotes#love
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Oda plays a lot of horror tropes this arc, usually for comedy. The no reflection thing is more commonly associated with vampires, and while some stories will say that it's because old timey mirrors were backed with silver, others give the reason as vampires having no soul. Which is ironic, because all Brook has left is his soul
It's very similar with Brook having no shadow. Bram Stoker's vampires didn't cast shadows.
#opbackgrounds#one piece#ch443#encyclopedia Oda strikes again!#brook#literary references in *my* manga?#it's more likely than you think
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ROBIN HOBB’S REALM OF THE ELDERLINGS >> The Fool The Farseer Trilogy + The Liveship Traders Trilogy + The Tawny Man Trilogy + The Fitz and The Fool Trilogy
You know who I am. I have even given you my true name. As for what I am, you know that, too. You seek a false comfort when you demand that I define myself for you with words. Words do not contain or define any person. A heart can, if it is willing. But I fear yours is not. You know more of the whole of me than any person who breathes, yet you persist in insisting that all of that cannot be me. What would you have me cut off and leave behind? And why must I truncate myself in order to please you? I would never ask that of you.
#rote spoilers#realm of the elderlings#roteedit#bookedit#fantasyedit#the fool#the farseer trilogy#the liveship traders#the tawny man trilogy#the fitz and the fool trilogy#made by carolyn#the main reason i think there should be no actual rote adaptation is because it would be impossible to cast this character!#every gif here is from a different piece of media :)))))#i just hope it's cohesive to people other than myself because boy i tried!#like the whole point is that this character is passable as different people to pretty much everyone but fitz so#we're living with it :)))#anyway here's an ode to my genuine favorite literary character please give beloved a round of applause <3333
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THE DARK ERA - 黒の時代
(textless version below the cut)
#bungou stray dogs#bungo stray dogs#bsd#bsd fanart#bsd oda#bsd odasaku#osamu dazai and the dark era#a little dark era piece inspired by wanderer above the sea of fog by caspar david friedrich#i was intending to do a nice gentle illustration in honour of oda but it has ended up very dramatic as often happens asdffdgsd#and then i thought it would look quite cool as a book/movie cover so i added the text and made a nice mock-up!#i'm always keen to do artwork that has literary influence on the characters' birthdays so i might try to do another small little drawing#but i think i just wanted to represent how cool he is as a character! and how atmospheric and moving this arc is#i think it's the point which heightened my interest in the series - oda is so interesting and lovely#he is so fundamental to so much of the narrative too - it's quite fascinating#...also dazai is technically here but i won't tag him asdfgfdg#botanautical#tw blood
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thinking about mermaid sanji and sailor zoro,,,
the sky is cloudless, the sun’s glimmering off the calm water, the crew’s relaxing on the deck as they’re sailing through a clear patch of ocean; by all accounts, it’s a perfect day. luffy hasn’t gotten them into another shenanigan as of yet and zoro’s chilling up in the crow’s nest, half asleep and lethargic with the heat— and then he swears he hears laughter. and it isn’t coming from the ship.
he’s up on his feet immediately and squinting against the glaring light, wondering for a second if he’s seeing a mirage or a trick of the heat shimmer, because they’re sailing by a large, flat rock.
a rock with merfolk on it.
zoro’s shimmying down the mast in record time, ropes lashing around him as his boots hit the deck and he tries not to look like he’s running to the taffrail to catch a better look. (look, he’s curious, alright? merfolk aren’t a total myth, but they aren’t a common sight either.)
(that, and he feels oddly like someone has cast out a fish hook and it’s lodged behind his sternum, tugging him forward and forward until his hands are pressed palm-flat to the railing and he’s leaning over the edge.)
he hears that laugh again, rich and bright, wide eyes snapping to the mer who made it. golden waves shimmer over a leanly muscled shoulder, curling around a sharp jaw to reveal the mer’s pale, slender throat as they tip an oyster back into their mouth. leaning back on his hands — zoro is rather sure he is a he now, as a deep, smooth voice fills his ears, though he’s had enough tongue-lashings from nami to know not to assume — and tossing his hair back affords zoro a glimpse of a beautiful smile and bright blue eyes, blue as the goddamn sky. or maybe the sea. or perhaps the bioluminescent algae that had speckled the walls of this one cave that he’d been to ages ago—
he’s getting sidetracked. some sound must escape him, because suddenly a gaze so keen he feels his skin prickle is on him and he gulps involuntarily. and then for some reason, he opens his mouth. “are you a siren?”
the man’s curly brows narrow in irritation. “are you dead yet?” he snarks, casting zoro a flat stare and sighing in annoyance when zoro just stares back blankly. “no, I’m not a damn siren. lucky for you, we happen to be their… less bloodthirsty cousins.”
“less bloodthirsty meaning…?”
he shares a bored, bemused look with the woman on her elbows beside him, a mer with the richest purple colouring zoro’s seen in his life and a one-shoulder top made of shiny black kelp. “meaning we wouldn’t drag you down to the depths and feast on your carcass, but keep running your mouth and I might just change my mind.”
the mer’s tail is folded elegantly to the side as he lounges, fan-like tail fin trailing in the water, turning his body so that he can look at zoro properly as he tips back another oyster like it’s his god-given right. a tiny voice at the back of zoro’s mind whispers that this isn’t a good idea, whatever this is. it goes ignored. flaxen hair flutters in a slight breeze, sticking to the man’s milky skin in darker spirals where the tips are wet, and zoro’s breath catches as he watches the mer smile with teeth that are just erring on the side of too sharp.
the words register all at once and zoro lurches back, away from the railing, away from golden curls and blue eyes and pale skin. “what did you do,” he grits, resisting the urge to press the heel of his hand into his chest where it suddenly aches.
the mer shrugs. “nothing.”
“bullshit.”
“what’s the matter, sailor? feeling charmed?” that laugh, again, and zoro feels his heart throb. he watches the other man cock his head, studying another oyster in his hand, tilting the shell back and forth as he sucks on his teeth. “we can’t thrall,” he says finally, posture slackening with a sigh and a pout that seems to say what a shame as he picks up a knife and spins it deftly, shucking the shell open with a neat flick of his wrist. “only sirens can do that. whatever you’re feeling, whatever it may be, hasn’t been borne of any influence of mine.”
the oyster goes down and somehow, that sentence makes zoro feel even worse. it’s like he’s had the air punched out of him; he’s rooted, eyes wide, breathing hard as the mer makes a noise of pleasant surprise and pulls a pearl from his mouth, shimmering between his elegant fingers under the sun.
(zoro doesn’t know it yet, but he’s doomed. he was doomed from the start.)
*
back under the ocean, sanji has a crisis. he doesn’t see humans. he doesn’t meet humans. he and robin had just gone up to enjoy the sunshine and then this— this— brute swings by, with his stupid green hair and his three earrings and his obscenely grimy used-to-be-white shirt— sanji is fuming and he doesn’t know why. swimming laps back and forth across his cave isn’t helping either.
"might you possibly have something to get off your mind?" robin asks lightly, the pages of her book drifting in the water.
sanji does an about-turn and holds in a screech with all his might, forcing himself to relax with an exhale. "i'm just fine, my dear. peachy keen."
"you're making grooves in the floor."
"i'm redecorating."
he rolls the pearl from earlier between his fingers, squeezing it tight until his hand aches. "are you a siren, he asks," he mutters mutinously, fins fluttering as he throws himself onto a seaweed bed with a scowl. "how could a human be so stupid? if we were sirens he'd have been a waterlogged ball of moss on the sea floor by that point— and that hair. he looks like— like—"
"algae?" robin supplies helpfully.
"algae! sentient plant life, that's what he is, a kelp bed. water lettuce. duckweed, even." oh, he's so mad. that marimo pisses him off. the whole lot of them had sailed away, good riddance, because sanji never wants to see any of them ever again. they probably all smelled horrid anyway.
*
the merman's been following them.
the crow's nest is zoro's territory for a reason; he's the crew's lookout, and he's damn good at his job. for the past few days he's been seeing flashes of a broad tail fin and twists of golden hair. (he very firmly tells himself that he's not just seeing what he wants to see, because one, he might have one remaining eye but his eyesight is still as sharp as he keeps his cutlass, thank you very much. and two, why the hell would he want to see that merman? he isn't about to win any awards for his own manners but that guy had been stuck up and prissy and just rude. he's only been allowed to tag along this far because he hasn't presented himself as an outright threat. zoro doesn't want to see him. nuh-uh.)
(zoro sees things in his dreams, too. ocean eyes and a sly smile. a pale torso, knife in hand and teeth too sharp. he reaches out to see if the other man's hair feels as soft as it looks and he always wakes before he finds out.)
rum doesn't help to loosen the tension that settles against his spine at night, like he's waiting for something. he doesn't know what. anticipation, maybe, would be a better word— but that has a slight positive connotation, and— no. this man might not be a siren, but zoro’s enough of a sailor to know that it sure as hell doesn’t mean he isn’t dangerous.
he can't afford to go off chasing pretty mermen when he has a crew to protect.
*
the ship docks for a few days at a barren island. sanji swims laps around the sandy coast and pretends that the thought of his the sailor being beyond his reach doesn't make an anxious itch ripple beneath his scales.
*
water splashes against the side of the boat, and zoro's at the railing in an instant whether he wants to be or not.
“hello, marimo.”
the merman treads water leisurely, golden hair swirling about his shoulders and gleaming in the faint lantern light. it's early enough after sunset that the stars aren't out yet and it's dark as hell. zoro squints.
a laugh echoes in his ears, light and melodious. already familiar. zoro tries to be mad about that. “a little more to your left, moron.”
“well, i can’t very well fuckin’ see, can i?” he scoffs, and bites back a gasp when the water starts glowing, what the fuck. his stupid heart stutters when he sees him, lit up with gentle blues and yellows from below, flickering with the push and pull of the tide and sweeps of that powerful tail. "hey."
"hello," the mer hums again, lashes long and wet enough that they catch the wavering light. "gonna tell me your name, sailor?"
zoro almost lets it slip. almost. but he bites his tongue as he feels a chill run up the back of his neck; sure enough, a glance over his shoulder confirms that nami is glaring at him. don't do anything stupid, her gaze says, and he turns away with a shudder. their navigator is a threat in her own right. "no."
"okay. marimo it is."
"you— that is insulting," he hisses, because it is. he is roronoa zoro. he came from nothing and made a life for himself out of it. he's one of the best swordsmen on the damn seas and he's part of the best crew he's ever known, and he's been reduced to, what? a floating ball of moss?
"it's accurate," the other man corrects with a smirk. "unless you tell me what else to call you."
zoro fumes, fingertips digging into the taffrail. he's sure his nails are gouging scratches in the wood. "no."
"marimo."
"shut up."
"mosshead."
"shut up!"
"algae-brained, kelp-haired, water cabbage-headed—"
"zoro!"
the mer finally stops, lashes fluttering as something passes over his face.
"my name," he ekes out, "is zoro." nami swears somewhere behind him.
the merman's lips part around the syllables of the word, before he draws in a breath and grins, smug. "okay, marimo."
"wh—?!" zoro throws his hands up in exasperation, scofffing. "you bastard!"
"i asked for your name. never said i would use it."
"you're a piece of shit, blondie."
"call me that again and i'll show you how hard i can bite," the mer sneers with all his teeth on show, blue eyes lit up furious, turning away as he prepares to dive and—
"wait!" zoro yells before he can stop himself, and he curses under his breath. ah, fuck it. already got one foot in it anyway. "what's your name?"
"...oh, darling," the mer sighs, half-amused and airy, his voice slipping away. "you're gonna have to work a little harder for that."
it feels like hours later when zoro steps back with a shaky sigh. the merman reminds him of a strong brandy he’d had what feels like lifetimes ago, burnt caramel and warm sugar and smoke with enough hidden bite to take you by surprise, to sink its teeth into you three shots down. enough to intoxicate if you weren’t careful.
he yelps when nami slaps him across the back of the head, faking a lunge at her with bared teeth even as he rubs a hand over his aching scalp with a huff. her nagging about being more careful barely registers. his hair's getting long; maybe he needs a trim.
(that little voice in the back of his head is wary. hesitant. but now it's asking what if.)
*
the ship docks again. this island is teeming with life, thriving, lush with rich green foliage and thick forestation— and beautiful women who all seem to find zoro the height of masculine appeal, apparently. sanji curls himself into a nook in the coral reef and lets his fins trail in the water, the corner of his mouth ticking up a little when a baby clownfish comes to nibble curiously at his fingertip. he's not sulking. he's not. that would be fucking embarrassing for so many reasons and he refuses to think about even one of them.
it's the first time that he starts to feel a little stupid. it had been all fun and games, in the beginning when he'd upped and left on a whim; curiosity and intrigue and the good old urge to stick his fingers in all the cracks this human had until sanji understood every part of him, laid out in the sand like the skeleton of a great sea beast.
but now he's so far away from home, aimlessly following a ship— no, not even a ship. following one person on a ship for no real reason at all.
the clownfish ducks beneath his hand, and sanji cups it carefully in his palm. "you're lucky you don't have to deal with romance yet," he tells it sagely before gently shooing it out of his hiding spot. the water above ripples. it's dark again; the crew must have returned to their boat for the night. sanji sighs and unfurls his tail.
it honestly seems like blind optimism at this point, but he really hopes he's not being played for a fool.
zoro's there when he surfaces, peering over the railing and backlit by the lanterns. sanji focuses and brings out his bioluminescence until the little cove they're in is filled with coloured light. "marimo."
"swirly brow," zoro greets in return.
sanji raises one said swirly eyebrow. "that's new."
"i've got more. blondie, of course. curly head. fishboy—"
"fishboy?!" he squawks, enraged. "fuck you!"
"you wish."
"more like the ladies did," sanji scoffs, and immediately wants to try drowning himself.
zoro frowns. "the hell you talking 'bout, curls?"
the burst of bitterness at the back of his throat is just enough to take him by surprise and loosen his tongue. "they were hanging off your arm like—" mm. nope. he's not gonna go there.
the swordsman's eyes widen like he's just realised something, and sanji does not like that at all. "you're jealous."
"no."
"you are!"
"fuck you," he spits, gills flaring. "i am not." he has no reason to be jealous. they are nothing. this— there is nothing between them.
zoro just grins. "catch."
a white thing drops downwards and sanji darts forward on instinct to let it fall into his cupped palms. "what, s'this supposed to be a present for me, marimo?"
"it's— yeah."
he opens his mouth to reply, before he realises what exactly it is he's holding.
the water lotus fills his hands, its soft white petals edged in pale pink, velvety against his fingertips. something catches in his throat and he dips beneath the water to submerge his gills, carefully holding the flower aloft. his heart squeezes.
the waves lap at the bridge of his nose, hiding half his face as he watches zoro rub at the back of his neck, uncharacteristically shy. zoro isn't shy. sanji knows this much. he is loud and unabashed and unashamed with everything, with how he lives, with how he talks, with how he loves his crew and everything they entail.
but he looks almost— he's blushing, just a little, red across the tips of his ears as his gaze darts away, looking very much like he's mad at himself. "nami said it means strength and resilience, or something." the breath he huffs is harsh as he scratches at his nape. "i don't know, it's stupid, curly, i just—"
"sanji."
"what?"
"sanji. my name."
sanji doesn't want to know what he looks like as he rises out of the water to cup the flower to his collar. dumb, probably. rightfully so, because all of this is a very dumb decision and it's probably going to end in shambles with his heart broken into pieces in the silt but zoro— he looks up, floating on his back, and zoro's already looking at him with something that could be wonder, if sanji dared to name it.
"where did you get this?" he murmurs, tail fin creating large ripples as he swims a circle, holding the lotus like it's fragile.
"there was a pond full of them on the island. thought you'd like it."
"you don't know what i like." it comes out breathy. his hair melts against his shoulders as he tries to push himself closer, closer, across the space between them, like a fool. "you don't even know me."
and yet, he startles back when zoro jumps the railing, splashing feet-first into the water boots and all and shaking his head like a dog when he resurfaces. sanji shrieks and shields the lotus with his body, everything else momentarily forgotten as he whacks zoro with his tail just hard enough to send the sailor back underwater with a sputtered laugh. "you fucking brute!"
"i want to."
"that made no sense—"
"i don't know you, but i want to." zoro treads closer, and sanji's light ripples off his skin. his eyes are grey. warm granite and the inside of an oyster shell. "will you let me?"
sanji wants. there is nothing between them, but he wants there to be. he wants so hard it hurts. it feels like he's holding his heart in his hands and not a flower. it's the only way to explain how he's suddenly aching, hollow, in the face of something that isn't even a goddamn confession but feels too much like one. there is a flower in his hands and he wants.
“why?”
“dunno.” he gets a shrug, blunt and earnest as ever even as zoro’s mouth twists up at the edge. “maybe i’m charmed.”
he swallows hard, his mouth dry, and he doesn't want to say it but he has to. "if this is some sick thing about me being a mer—"
"wh—? no!" zoro blurts, and he looks so fucking horrified at that moment that it settles something in sanji's stomach instantly. "god, fuck, no. no. it's not like that. i swear on my life."
there are reasons why merfolk don't interact with humans. sanji grew up with the stories. he's seen the skeletons on the sea floor, mangled with the hunting tools of man, incomplete remains of his kin tossed away to their deaths, unable to swim or save themselves— still a better fate than the ones who never returned. the ocean is gentle after the burn of her salt; her waves are familiar, and her children are raised in their push and pull. captivity, at the hands of men for whatever reason, is never so kind.
he inhales sharply as callused hands cup his.
"i'm sorry," zoro says softly, rushed and maybe a little desperate, throat bobbing as his eyes dart across sanji's face. "i'm sorry. i didn't think of that at all."
"good," he finds himself replying as he looks down. "that means it didn't cross your mind."
a muscle ticks in zoro's jaw. "that's fucking sick, curls."
"i know." sanji's tone is matter-of-fact. "but it's what we have to deal with, sometimes." he deflates with a soft huff at the expression on the other man's face, looking away. "if you start saying shit like i'll protect you or whatever, i'm gonna smack you. i can handle myself."
zoro sighs through his nose, slowly, and his hands tighten around sanji's. "i know you can. i've watched you hunt. doesn't mean i can't be mad about it."
his eyebrows go up. "you saw me hunting?"
"mhm," the swordsman hums. "you're strong. fast. resourceful, too."
sanji preens. he knows he is, knows he’s one of, if not the best, but hearing it from zoro is another thing entirely.
"...also, my captain's been begging me to get you to fish for us because we're all crap at it."
that startles a laugh out of him, and he smiles so wide so quick that his cheeks ache. "that can be negotiated."
up this close, it's easy to see that zoro's hair is shorter than it was before, shorn short at the back and blunt enough that it just had to be freshly cut. the possibility of it being for him does something funny to his chest. the dark green strands are spiky, sticking up everywhere now that they're wet, and sanji wants so badly to touch.
he looks down at the flower in their hands, and he doesn't.
"this can't survive in saltwater," he murmurs instead, carefully putting his lotus into zoro's scarred palms. "take care of it for me."
he watches zoro trudge back to shore, one hand with the flower held above his head. he yells, "it better still be alive the next time i come check, marimo!" and he doesn't bother waiting for an answer. he knows zoro heard him.
sanji's gonna play this slow. he's gonna play this smart. and if zoro fucks up, well— he’s on friendly terms with a particular shiver of great whites.
*
zoro does not, in fact, fuck up. but now he’s constantly being given shit about his pretty merman boyfriend and as much as he pretends he hates it, he really doesn’t. luffy takes one look and declares that sanji’s crew now, zoro, you can’t hog him! dinners are now seafood more often then not, mussels and clams and all sorts of fish, even lobster when sanji finds out it’s nami’s birthday, and franky engineers some sort of transportable bathtub to get him on board.
(sanji brings robin around and franky falls all over himself making transportable bathtub 2.0, but that’s not the point.)
*
“bioluminescence, right? am i saying that right?” zoro asks, spinning this way and that as he tries to get a good look at sanji’s glowing tail under the water, eyes wide.
“mhm.” the mer lifts his tail fin out of the water, pulling himself closer so zoro can hold both of them up seeing as the pool they’re in is shallow enough to stand in. zoro’s hands twitch around nervously until sanji reaches out and grabs his wrist, pressing his palm flat to wet scales, and his chest aches at the look on zoro’s face.
the cave they’re in is small enough for every little sound to echo. sanji’s tail drips rhythmically, punctuated by the staggered breath zoro sucks in as he hauls sanji closer with an arm low over his stomach. careful fingers trace over the glowing patterns on his tail, fading upwards into his torso, and zoro slides a palm flat against sanji’s spine to lift him up as he presses their foreheads together.
“beautiful,” he breathes, reverent. the reflections from the water dance off his wet skin, and his eyes are mother-of-pearl.
sanji wants to touch, and so he does. he winds his fingers into zoro’s hair and pulls him down and kisses him, tastes salt and rum and the promise of blood when his teeth catch and zoro doesn’t shy from the bite. for the first time in a long time he is safe enough to let himself drift; his tail drapes itself over zoro’s side like a elaborate feather fan, and he giggles at the mental comparison.
he feels zoro smile at his laughter. feels calluses and gentle hands as zoro carries him back out to sea. tastes love when zoro pulls him in for one last kiss before saying goodbye for the night.
*
it starts with more flowers. then jewellery, intricate metalwork that would be hard to come by under the sea, fishnet cords and crystal pendants and pretty trinket rings, then daggers, silver hairpins with edges sharp enough to slice bone and a particularly beautiful watered-steel knife in a sheath of butter-soft leather. sanji cannot help but feel like he’s being courted, which makes no sense, because zoro knows nothing about merfolk courting traditions.
and then they talk as zoro braids shells into his hair the way perona taught him to (“you didn’t tell me you had a sister?!” “she just never came up!” “what do you mean she just never came up, marimo, what the fuck! this is important?!”) and sanji finds out zoro talked to robin about it, the sneaky bastard.
a tail doesn’t stop him from tackling zoro to the sand to kiss the crap out of him, braids unfinished and hair wound through zoro’s fingers. his heart feels fit to burst when zoro turns to ensure he takes the brunt of the fall because they both know how much sanji hates getting sand stuck in his scales.
*
the first time sanji gets hurt, zoro goes rather frantic.
it’s barely a scratch, just a slice near the base of his tail courtesy of a rock he hadn’t been able to avoid while hunting, but zoro bodily hauls him back to the ship between bouts of very concerned yelling and yanks off the black bandana always on his arm, scrubs it clean in hot water for good measure before wrapping up his wound, all while making sure no parts of sanji were drying out in the tub.
“marimo, i am fine,” sanji stresses for the twentieth time, shifting up to cup zoro’s face and sighing in resignation as zoro just shakes his head again.
“i don’t care,” the swordsman announces, throwing his hands up like deal with it. “i don’t care. no more hunting until this is completely healed.”
“it is a scratch. a scratch.”
“i don’t give a shit. you’re staying with me for the next few days.”
sanji groans and grumbles and bitches about it, and when zoro bickers right back it just riles him up even more.
(he stays put. he lets zoro scoop him into his lap with unnecessary care. he leans into the kisses zoro presses to his temple and he feels like crying because he is grateful. always.)
*
slavers attack the ship. sanji may not be a siren, but that does not mean he isn’t dangerous. he has his tail, and his knives, and his love for his crew. this is his crew.
he drags those slavers into the ocean and drowns them one by one.
*
now, sanji’s friend ivankov is a literal sea witch— so when they toss sanji an amulet and a wink on his birthday, sanji already knows it’s gonna be good.
the amulet gives him fucking legs.
only while he wears it, of course, but when he stumbles out of the surf like a newborn fawn zoro nearly chokes in shock. they spend the day falling over each other laughing as sanji tries to walk. he eats shit more times than he can counts and gets enough sand in his mouth for a lifetime.
later, there is a blanket beneath them and the moon above them and the endless ocean, shimmering under the light as zoro gathers his hair out of his face and kisses him so softly it hurts.
“beautiful,” zoro breathes. he preaches it like the truth. swears it like a promise.
their hands fit, calluses against calluses as zoro thumbs over the tiny patch of scales on sanji’s wrist, iridescent yellow-blue. their fingers lace in a motion they’ve done hundreds of times and still it never feels different than the first.
sanji lays back, and all he sees are stars.
#did yall catch that metaphor of the lotus being sanji's heart#and him literally handing it to zoro and saying “take care of it for me”#BECAUSE I DIDN'T#I ONLY REGISTERED IT AT THE END WHEN I WAS THINKING BACK TO IT#accidental literary device slay#LEMME KNOW IF YALL WANT HCS OR ANYTHING LIKE THAT bcs there is Lore this just got too long for it#one piece#zosan#roronoa zoro#black leg sanji#zoro x sanji#one piece zosan#one piece sanji#sanji#one piece zoro#zoro#ino writes#zosan au
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#spilled poetry#spilled ink#prose#poets on tumblr#poetry#original poetry#creative writing#prose poetry#original poem#poets#poem#writers and poets#prose and poetry#writeblr#writing prompt#writers on tumblr#writing#writerscommunity#poetic#dark aesthetic#dark academia#aesthetic#aestethic#steven universe#“on the run” in SU inspired this piece#spilled writing#spilled words#spilled thoughts#literature#literary quotes
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'Ophelia' Wip
#this is based off of a new short story I'm working on#i don't have a title for it just yet#web weaving#web weave#typography#spilled ink#spilled words#spilled thoughts#poetry#prose#writerscommunity#writers on tumblr#writers of tumblr#dark academia#creative writing#ophelia#hamlet#william shakespeare#original poetry#typography art#literature#literary quotes#honestly - reading a meeting between queen Guinevere and Lancelot inspired this piece
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making of a feathered thing
#sk8 the infinity#kyan reki#hasegawa langa#renga#tagging ship like a power word kill here#hi. linked there is a fic I wrote in uhhh. three hours? something like that#literally have no idea how to explain it to you at all. feel free to read if u wanna. mostly its like damn I keep puttings pictures into thi#s literary piece.#gonna cool down soon. oh boy is it hot here. probably why I wrote that#that took place in like november but the vibe is. summer. or something like that I really need to sleep#new ink arrived! its kinda watery! line still feathering! not into this!#I'll try to see if thats more my paper. dont enjoy that#but yeah Ive just been testing the ink and stuff out with these#doing these like. less than an hour each. no brain just go#man I wanna fly a kite... theres an open plot of land right next to me. I should try doing that#go out and hang out with so many bugs and fly a kite#gods. I need to sleep. idk not much to say here I simply think reki is a growing boy and he'll become great and awesome#thats all folks! have a good night. well good day. its 5am#sleep well! run so fast
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I never tried to look, so I don't know if anyone else ever mentioned this, but ASL's "Brotherhood cups" (兄弟盃) is reminiscent of the "Peach Garden Oath" from the Romance of the Three Kingdoms novel (the fiction, not the actual history).
The vibes of it is even stronger in the side story sensei made, where there's a scene of the ASL trio having the sake as grown ups under some kind of flowering trees. From what I can see those trees are sakura, but peach blossoms and sakura look very similar.
(you can read the side story here BTW)
In the Three Kingdoms, three men gathered in a garden of peach trees, offered some offerings, and then made this oath of brotherhood:
When saying the names Liu Bei, Guan Yu and Zhang Fei, although the surnames are different, yet we have come together as brothers. From this day forward, we shall join forces for a common purpose: to save the troubled and to aid the endangered. We shall avenge the nation above, and pacify the citizenry below. We seek not to be born on the same day, in the same month and in the same year. We merely hope to die on the same day, in the same month and in the same year. May the Gods of Heaven and Earth attest to what is in our hearts. If we should ever do anything to betray our friendship, may heaven and the people of the earth both strike us dead.
Kyoudai Sakazuki in general is something that the yakuza do, but the feeling of brotherhood oath that ASL swore is more similar to the Three Kingdoms one, especially because there's literally 3 of them.
In the actual text of the Three Kingdoms novel, there's no mention of wine being drunk while the oath was made, but it's a pretty common depiction in adaptations that they do drink some kind of wine (see the pictures above).
I think this is just a one time reference too, and not anything theory-worthy, but who knows.
#one piece#analysis#monkey d luffy#monkey d. luffy#sabo#portgas d ace#portgas d. ace#literary reference
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Little Women (1994)
Gillian Armstrong's Extremely 90s, Very Verdant adaptation of Louisa May Alcott's timeless, proto-feminist novel is pretty close to the platonic ideal of a classic literary adaptation: perfectly cast, beautifully shot, and warm and inviting (and romantic!) in all the best ways.
Director: Gillian Armstrong
Cinematographer: Geoffrey Simpson
Production Designer: Jan Roelfs
Costume Designer: Colleen Atwood
Starring: Winona Ryder, Gabriel Byrne, Trini Alvarado, Samantha Mathis, Kirsten Dunst, Claire Danes, Christian Bale, Eric Stoltz, Mary Wickes, and Susan Sarandon.
#little women#1994#gillian armstrong#winona ryder#gabriel byrne#kirsten dunst#claire danes#christian bale#eric stoltz#susan sarandon#mary wickes#trini alvarado#samantha mathis#colleen atwood#90s icons#90s films#90s movies#literary adaptation#period piece#louisa may alcott#christmas movies#holiday film#90s cinema#coming of age
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This is a personal post.
🙄
#random personal stuff#the woman who made herself Overlord of All Creative Writing at our school#who pounces upon students for using 'be' verbs and participles because it's 'passive voice' (?) and thus anathema#who left me feeling like I should scrap my story the one time I went to her writing group#who passed over good quality writing for our literary journal but included her own piece and some very substandard work by her own students#who positions herself as The Master of writing because she's published some books and Knows What Publishers Want#...she sent an email today using 'has come and went'#sorry - I am petty - but...wow
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I'll bite and talk about something that doesn't get enough spotlight in general, which are Demetri's and Eli's family life. So obviously several fic authors have their own twists and flavors to this, but if I may sell you something for a sec.
So far into the series, what we've got are these facts:
Demetri's Mom is the only family member to be mentioned in the show.
Eli's parents were mentioned a couple of times.
That should be enough context to deduce two things:
Demetri could be an only child to a single mother, and;
Eli's parents involve themselves in the stuff that he does — including karate, who knows — though they tend to be tone deaf with his actual needs.
There's strong evidence to why the boys act the way they act (brain functions notwithstanding, but this isn't the post for that), which is why I think these deductions make sense. How their hypothetical upbringing is part and parcel to how characters behave in this series. Of course societal influence comes in second because obviously you've got a show that encourages learning karate as defense against bullies, but this show is also about generational chains and traumas! So why wouldn't their home life inform the way it informs the LaRusso's, Lawrence's, and Nichols'? But I digress.
In the span of the entire series, I've held onto this headcanon that Demetri's neuroticism and ability to anticipate his actions carefully stem from a household that needs these systems in place, much more for someone who likes to be on top of things. Since he's just a student, the only authoritative figure who can make executive decisions... is his mom. Add to the fact that she may be a working mom, so when Demetri tells Daniel about certain restrictions in learning karate, what could have made her decide to just write a letter instead vs. taking the time out to go with his son herself? I know I know it's narrative writing but like do you seeeee where I'm at here
Eli's family life is by far gave us early indications of his dynamic with his mother — but not so a father — in earlier seasons. It's possible that his mom is a stay-at-home one, but if I were to push the bounds of this box even further, I'd even speculate that she's retired early if it meant that Eli's dad is the one making most of the living. Like of course they'd get mad at Hawk for getting a tattoo at his age, I think any parent would! But the way he tells Aisha to exclude him from her stories tells us that there's not a lot that his parents know about the life he lives as Hawk. At this point we all know the kind of effort it takes to successfully carry it out because he has to go home every night. It's either he a) puts in a lot of effort into concealing this identity once he gets home, or b) his parents are rarely ever home, which again, feeds into another assumption that maybe Mrs. Moskowitz works certain hours.
All we know is they're never around a whole lot for these boys, which is sad! and also again, very Indicative of their classification as awkward nerds pre- and early karate. When I read along certain fics that consider and include how the rest of their characters besides the found families they've formed, it gives much more depth and potency to writing them, their flaws, and how they think.
For all we know, Mrs. Alexopoulos could be a lesbian making fun of her son for not slinging pussy like she does being rizzless unlike her, but don't let me explain that when we have @demetriandelibinaryboyfriends!
#binary boyfriends#demetri alexopoulos#eli moskowitz#cobra kai#this isn't so much an analysis as it is an obvious statement to include/consider when writing them with their home lives as factors#sure the writing in the show isn't top caliber#but to /some/ credit they've managed to give us literally bits and pieces of it before letting the boys set sail in a sea of violent waters#so let's just make do!#i need more character studies that deal with their folks. mentions of how their home life is. their dynamics.#bunny_bones_studio if you somehow happen to have a tumblr now and are reading this#this one also goes out to you because your fic about demetri's letters is so well-written (Just Wanted To Let You Know)#also highly recommend @baldwinboy5ive's fic Persistence of Vision#because the mention of either of their parents there is so well-utilized as a literary device for one Very Heartwarming segment to the fic#and again: different authors interpret this differently but i'm a bit tired of seeing similar patterns in establishing their home lives#when there's a lot we can make do with what we have and then spitball from there#i'm in the process of digging and spelunking through the archive these days! all the other great stuff is hidden in those pages!!!!
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