#literary characters i love

[st-hedge]

I can’t believe they’d managed to animate kusuriuri’s insane character design and then decided to make it even more insane. The most character ever

[poorly-drawn-mdzs]

I ABSOLUTELY ADORE YOUR SQQ HE LOOKS SO FUCKINH DONE WITH LIFE

The recipe for SQQ is: calm on the outside, screaming on the inside.

[botanautical]

THE DARK ERA - 黒の時代

(textless version below the cut)

[volitioncheck]

nvm this is still on my brain. kim does not like to watch harry suffer… to say that kim takes satisfaction in harry’s pain is a huge misconstruing of his character.

the “getting thrashed like a schoolboy” line comes from a board game, lol. it’s a tease, not a cruelty. there’s never any line that implies that Kim enjoys seeing Harry taking actual morale damage.

he can be amused if you fail a check, but the check is always relatively inconsequential, and again, Harry isn’t taking damage in these.

Failing to pry the trash bin open:

Failing to shatter Ruby’s lorry window:

(also in both of these examples he only responds smugly if you choose for Harry to stubbornly dig in his heels. if Harry gets huffy, Kim teases. If Harry backs down right away Kim won’t rub it in, which feels significant to me! it reminds me of that recent post goin around about Kim meeting your energy!)

and here’s some reactions to failed checks where he does take damage.

Failing the jump to get your cloak:

Failing to break down Plaisance’s door:

he’s not laughing if Harry’s taking damage because he’s not a dick lol.

aaaaand here’s some other instances of morale/health damage and kim’s reactions.

alternate dialogue for failing the harbor jump:

after the call with precinct 41:

seeing bullet holes in the wall:

most significant examples to argue this point for me come when harry has done something to jeopardize the RCM’s image. which kim goes on and on about the importance of maintaining— and yet even here, he still extends worry and assurance.

telling Billie about her husband and handling it badly:

hardie authority check failure cock carousel:

aaaaand the car. this line is one of the most mask-off kim moments we get in the game in my opinion, honestly.

tying this back to the schoolboy line— that line doesn’t show up if you have a negative reputation with Kim. if you have <1 rep, it gets replaced with him calling it “about four hours of our lives that we'll never get back,” lol.

it’s affectionate ribbing!! twisting it into anything else is bizarre 2 me lmao!

anyways. kim is a foil to every other cop we meet in the game specifically because he doesn’t view harry as a punching bag or a lost cause. gottlieb does nothing but sling jabs and glib jokes about harry’s health. torson+mclaine and the others laugh at harry’s panic attack over the radio. in response to harry’s suicide-by-car attempt(!!!!) jean yells about RCM budget. all kim’s lines in response to harry’s check failures and health-damage are consistent, explicit textual contrast against the callousness of the rest of the RCM. twisting kim’s character here requires a bad faith interpretation of the whole game.

[drieddpetals]

(i feel like analyzing stuff again so here we go) kaz is smart because he knows people. he loves puzzles, loves locks, loves taking things apart to figure out how they work. he says in soc that you figure people out like you figure anything else out, by taking it apart. kaz is smart because he finds enough out about people to make assumptions.

he knows what people will do, and often times it leaves the ones being duped going "how did he do that? how did he know?" kaz never truely knows something will 100% happen, he's just assuming it will and is almost always right.

in the begining of soc, when the crows are breaking matthias out of hellgate, kaz assumes wrong, though. he knows that jesper has a reputation for being late, so he assumes that jesper will take to the task of releasing the animals like he will anything else he does, and be late doing it. he has, in some sense, taken jesper apart. he knows what jesper does, and he plans around this assumption, however ends up being wrong. nothing extremely consequential happens because of his assumption, but it proves that kaz will assume things with confidence.

a huge aspect to why kaz is so successful in his planning and overall schemes is because he knows how to make a good assumption. he has inej gathering him intel, which enables him to make such confident and correct guesses about how people will act.

one instance of kaz's assumptions being correct is the whole geels and 19 burstraat situation in the beginning of soc. when kaz threatens to burn down geels' lover's home, geels could have not cared, could have shot kaz right there, but he didn't. geels doesn't, and kaz continues very boldly facing him. why? because kaz knows how geels will act.

another instance is in ck when kaz kidnaps alys and uses her to get inej back. at this point, kaz knows how van eck will act. van eck has already duped kaz once, and i imagine after this one of the things kaz does to insure it never happens again is over analyzing and taking him apart. it works in this instance, because kaz has already seen how much van eck cares about a "worthy heir," and alys is literally holding that. kaz has taken van eck apart, and had figured him out enough to make a bold and correct act based on assumption.

all this to say, kaz thinks and thinks and thinks and is always thinking and picking everything apart, and that is the key to why he can get away with everything he does. and maybe one day his assumptions that make him so smart will fail him, and maybe one day they'll be fatally wrong.

[lucky-slice]

low key i think to deny Riko's trauma is to deny his narrative importance in the story.

like Riko's trauma related to his father parallels neil's. His concept of brotherhood adds complexity to Andrew and Aaron's relationship. He acts not just as an antagonist but as a foil to other character's relationship to trauma and violence.

to solely view riko through the lense of his actions is to miss the point. He is a character in a story, not a real breathing human being.

[twilight-good-yall-dumb]

Can I just say that I was, and still am, a little heartbroken over the POV shift in The Prisoner's Throne? Like, don't get me wrong, I love hoof boy as much as the next guy, but I was SO in love with Wren's POV. Still, months after finishing the duology, I feel unsatisfied. There was something about Oak's POV that lacked for me. For some, it was golden because they got more Jurdan content (based on the overwhelming amount of discourse surrounding Jurdan in TPT rather than Oak and Wren, the protagonists, but I digress). For me though, it was a bit disappointing. It also just felt impersonal compared to Wren's (the shift to 3rd person didn't help with this). I fell in love with The Stolen Heir as soon as I began it, and Wren quickly became my favorite protagonist I'd read from the Holly Black faerie world. I loved her backstory, I loved her perspective, I loved her reserved yet determined personality. I LOVED WREN. I wanted more of HER story, and in TPT, I was left feeling robbed of it. She felt so absent in her own sequel, which I understand helped contribute to the plot in a way, but still. I missed Wren. The way she was written in TSH was so elevated; it was such a fascinating read for me.

Idk. I just still feel a little bit let down by it, which I'm so heartbroken about because I was fully expecting it to be a five star read for me. I wonder if I had a different perspective than most having read tfota AND modern faerie tales before the duology? Because for me, Wren's character, the worldbuilding, and the quest elements of TSH were so much fun and provided so much interesting context for Holly's universe! And I think I was also not so desperate for Jurdan content as other readers may have been. I wonder if TPT took the direction it did because of pressure Holly felt not to disappoint loyal Jurdan fans? And don't get me wrong, I am a loyal Jurdan fan, but I'm also a loyal Holly Black faerie fan in general, and I was excited to get to know this new, interesting character. And then she was taken away from me. Or at least it felt that way :/

Does literally anybody else understand this? Or was everybody else too distracted by Cardan and Jude for all of TPT lmao

[5mary5]

Mc breaking the fart barrier in their relationship with the brothers👐

Imagine mc one day being like- sick and just farting all day everyday for a couple of days and the brothers are either suprised disgusted or dying of laughter nit to mention the rest of the datebles and the side characters

[mania-sama]

okay i don’t have the means of explaining it right now, but i entirely, 100%, agree and am elated by the decisions gege has made in chapter 261 regarding gojo.

and i really do mean it. there is something so pitiful, so perversive, so human, yet so vulturous in the entire situation; to drain yourself of your blood and life to keep the needy satiated, yet when you are dead, they eat your liver and gnaw on your bones

[fictionadventurer]

But does your man buy an entire hawking establishment just because he saw a painting of a hawking party where one of the women kind of resembled you?

[old-skyguy]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete foil to what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[bubblesxo]

I’m sorry but the flat way that the fandom tackles the Enji Todoroki problem is so blegh. Yes, how he treated them (especially Shouto—we don’t 100% know if Touya’s training was the same, especially because he actually liked his training) was wrong, the way he treated his wife was wrong, the way he ignored his other kids is wrong. HOWEVER, him cutting Touya off from training was NOT 100% wrong. Should he have treated it more delicately? Yes. Should he have been more considerate to his kid? Yes. Should he have gotten him some kind of therapy to help him cope with his obvious mental issues? Also yes. But cutting him off from training when he gets hurt doing so and it’s unavoidable is NOT wrong. He was trying to prevent exactly what happened in the end. Maybe he could have revisited it a few years later when training isn’t all Touya is and looked into support items, idk, but Enji’s approach was the right decision in the wrong way.

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[motivationisdead]

Interesting that the first case we see Xie Lian solve is basically about how love and devotion can go wrong.

Xuan Ji loves and worships Pei Ming to the point of obsession but it’s a selfish love. She doesn’t really care about how Pei Ming feels or what he wants—only about forcing her own feelings onto him. Even to the point of hurting herself in order to try and force Pei Ming to stay with her.

It’s a great contrast to how Hua Cheng handles his own love and devotion to Xie Lian. Hua Cheng’s love is one without expectations or demands. He’s never needed Xie Lian to return his feelings or even know of them because to him respecting Xie Lian’s autonomy and choices has always been more important.

Where Xuan Ji’s love is selfish Hua Cheng’s is selfless.

[fromtheseventhhell]

Saying this an Elia Martell fan from what little we know of her, but I'm really sick of how fandom sees her as nothing but a perpetual victim and/or hater of Lyanna and Rhaegar. Where's fandom content of her being kind to baby Tyrion or headcanons of her plotting with Rhaegar against Aerys? Makes me wish GRRM would write more Fire and Blood books to flesh her out more outside of the "pretty victim" fanon Sansa stans want her to be.

It's actually so frustrating cause there are great conversations + theorizing that could be going on surrounding her character because we know we're going to be learning more about her in the future, but a lot of her "fans" are just stuck on using her as a prop. And honestly? That's because the more we learn about her, the more she moves away from being fandom's favorite passive self-insert character. If George has her doing anything it breaks their idea of her being the perfect victim which is what they love about her. They don't even like her character organically, they just like that it gives them a justification to hate Rhaegar and/or Lyanna. I'm personally neutral-positive about Elia, but I am very interested in learning more about her character. George has kept that portion of the story intentionally vague for a reason and I can't wait to see why.

[mythblossoms]

it is such a mysterious place, the land of tears