#literally going to be me as a parent

[wolfienation]

absolutely hilarious to me that agatha calls rio a bad boy when in reality rio is actually the rule following jock with infinite patience and care who brings you flowers on a first date.

agatha on the other hand is the snarky girl who gets into arguements with her teacher about the smallest details in the lecture and is constantly getting detention for cursing someone out. she's top of all her classes tho.

[nightmareonpeachstreet]

I love this picture for a couple of reasons

for one:

"ladies, is it gay to stare lovingly at your wife?" -Dehya, every hour of every day

and two:

the fact that Kaveh was the one setting the self timer on the kamera but Alhaitham is in the outside position means Alhaitham was canonically saving Kaveh's seat for him. again, very gay behavior.

[poorly-drawn-mdzs]

Daddy, don't go.

[First] Prev <–-> Next

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[rafesbbyy]

Thinking about the fact that in s1ep6 when Barry burns Rafe's arm, poor baby probably had to bandage himself up all by himself. It just makes me so sad for no reason because Rafe's always alone and he literally has zero support system. And, his hands were shaking when he attempted to steal from his dad's office and when Ward catches him, he doesn't even look concerned or notice the burnt arm of his son??? Something about that just makes me so mad and sad like wtf. Rafe needs a big hug, man. I soo wanna be his stress reliever, his balm that calms him and more. I am literally not normal about this man. Like imagine someone burning ur arm on a fucking motorbike and having no one to turn to but yourself :(

[littlecrittereli]

Guardianship au,,,,,save me guardianship au,,,,,,,

If you don’t mind the questions, how’d the Tortuga gang react to Chris tagging along? I assume they understood Chris would be joining them early on into Martin being accepted, but I imagine the situation was more like. Martin snagging a new job on the Tortuga >> realizing he can’t take this job and leave his brother alone >> Chris says don’t worry just take me with you >> Martin nervously asking heyyyyyyyy is it cool if my little brother comes with?

Obviously everyone had to be cool with it eventually, but do you know what Aviva, Koki, and Jimmy had going through their heads when a mildly emo, 14yo Chris rolled in with a deeply anxiety-ridden Martin?

This is kinda the awkward phase of the team's relationship where they know Martin is struggling, but he's not willing to let them help just yet.

The second Chris finds out about the Tortuga it becomes his life-mission to convince Martin to let him go on the trip (it will not be difficult at all to convince him)

Martin is just hesitant because he wants to make sure he's not being selfish in his decision to join the team. Of course Chris wants to go too, but Martin is trying to think of his best interest.

Of course, he eventually realizes that the team genuinely cares about them and he's willing to let them help out with Chris, and then the found-family can commence!!!

[flwrkid14]

Tim Drake’s Unhinged Power Move (ft. Marriage, Ra’s al Ghul, and an Uncomfortable Batfamily)

No one really understood how it started. One moment, Tim Drake was Red Robin—tired, overworked, and fueled by caffeine. The next, he was dropping a bombshell in the middle of a routine debrief:

“Oh, by the way, I married Ra’s al Ghul.”

The room froze.

Dick’s dumbbell hit the floor. Jason choked on his beer. Damian’s sword slipped from his hand. Bruce, staring at Tim like he’d grown a second head, barely managed a strangled, “Tim. What did you do?”

Tim took a sip of his coffee, utterly unfazed. “It’s a power move.”

Jason, wheezing with laughter: “Oh my god. You married Ra’s out of spite? Replacement, I’ve never been prouder.”

Tim smirked. “Something like that.”

-----------

It wasn’t really spite.

Ra’s had been obsessed with him for years. The offers of succession, the constant attempts to lure him to the League—it was never-ending. Tim was tired. Tired of being hunted, tired of the games. So, one day, he called Ra’s’ bluff. If Ra’s wanted him so badly, he’d have to deal with all that came with it. Including Tim’s unrelenting need for control.

Ra’s agreed.

And just like that, Tim Drake became the most terrifying in-law the batfamily had ever seen.

-----------

Talia didn’t know what to think at first.

She’d seen it all before—people manipulated by Ra’s, twisted into tools for his will. But Tim? He didn’t play by those rules. He sat at Ra’s’ desk, sifting through League reports like they were Gotham case files. He didn’t bark orders; he made suggestions. And then, the soup happened.

Talia returned from a mission, bruised and exhausted. Tim, barely looking up from his paperwork, said, “Sit. You’re hurt.”

She scoffed. “I don’t need your pity.”

“It’s not pity. It’s soup.”

Talia stared. “Why?”

Tim shrugged. “You looked like you needed it.”

It became a routine. She’d return from missions, and Tim would be there. Not with judgment. Not with manipulation. Just quiet support. He listened. He offered advice. He treated her like a person, not a pawn.

Somehow, they started having regular bonding time. Shopping trips. Quiet conversations on the balcony. Tim became a person Talia could trust—a concept she hadn’t believed possible.

-----------

Damian was losing his mind.

“Drake!” he hissed, cornering Tim in the Batcave. “You’ve… corrupted my mother!”

Tim raised an eyebrow. “Corrupted? She’s thriving.”

“She smiles at you!”

“I’m very charming.”

Damian’s finger trembled as he pointed. “This makes you… my grandmother.”

Tim smirked. “Respect your elders, grandson.”

“I REFUSE!”

-----------

Bruce was spiraling.

“Tim, this is dangerous.”

“Relax,” Tim replied, sipping his coffee. “I’ve got it under control.”

“You married one of our greatest enemies!”

“Think of it as an undercover op,” Tim said, voice calm and unyielding. “I’m playing the long game.”

Jason, from the sidelines, grinned. “He’s playing 4D chess, and you’re still on checkers.”

-----------

The Real Chaos?

Tim didn’t marry Ra’s to make him happy. Hell no. If anything, it made Tim sick to his stomach knowing Ra’s was smug about it. But if putting up with Ra’s al Ghul meant protecting Talia, stabilizing the League, and giving Damian a family that didn’t break apart at the seams?

He’d endure.

Because Talia was healing. Damian’s mother was smiling. And Ra’s… well, Ra’s thought he’d won.

But the real winner? Tim Drake.

Gotham’s most unhinged vigilante had just become the League of Assassins’ terrifying step-parent. And honestly? It suited him.

-----------

Damian, whispering to Alfred: “I need… therapy.” Alfred: “We all do, Master Damian. We all do.”

[trappedinafantasy37]

"Minthara is so abusive to the player" *INCORRECT BUZZER NOISE*

Minthara would literally go to fucking hell for the opportunity to personally beat the absolute shit out of the person who actually did abuse you. She will throw hands with gods and devils just to avenge you.

And you will not be able to convince her not to.

[myoonmii]

I keep thinking about Merlin’s love for Arthur and how it’s so clearly portrayed in the show to the point that it practically drives the plot of the show. However when it comes to Arthur’s love for Merlin it’s more subtle and sometimes difficult to even grasp, and I started thinking why that was, aside from the obvious fact that Arthur has a lot of trouble expressing his emotions affection or otherwise. I think it also lies in the fact that Merlin knows Arthur intrinsically throughout the show; he is one of the closest people to Arthur, and sees him for who he really is. Arthur admits as much.

Sure, Arthur knows Merlin but the main part of the plot is that he really doesn't know Merlin. Merlin wants him to desperately understand him and “see me for who I am” but he can't yet. And I think this subconsciously creates a barrier in the way in which Arthur can care for Merlin, and how Merlin can let himself be seen by Arthur.

Which is why I think he was also so hurt when the magic reveal happens because more than the betrayal of Merlin having magic, it was the betrayal of Merlin not letting Arthur see him for who he really is and for hiding a main part of himself. Arthur says it himself “why did you never tell me” that’s what hurt him the most.

I think the most damning piece of evidence for this is the fact that while we see snippets of Arthur’s feelings for Merlin thought the show, the biggest signs are in the last episode after the magic reveal; in which he finally gets to understand Merlin, and this time REALLY know Merlin, and as the barriers of what held them back from understanding each other truly fall away, Arthur evidently “falls in love with Merlin all over again”. We see him actually express himself to Merlin.

This is another reason why I think if anyone was ever to create another season of Merlin after Arthur’s return, it’s physically impossible not to make it about Merlin and Arthur acknowledging their feelings for each other. Because there is no way forward without them acknowledging how deeply they care for each other, obviously anyone is free to argue what kind of love that is, but its impossible not to see the deep love there either way.

They always knew they loved each other, just maybe never realising how much and what that means, because its almost second nature to everything that they do.

[lunar-eclipseee]

when the crackship actually gets me cooking

[angelpuns]

Everything is very horrible today in an autistic meltdown kinda way so either I'll pop off and draw a lot or lay face down in bed doing nothing for several hours we'll just have to see

[scootersscooter]

The fact that most of you don't know that Disney Junior's Elena of Avalor is about Elena restoring her kingdom from the clutches of colonization and reconnecting her kingdom with others, nature, and it's own indigenous roots all while dealing with her own baggage after being trapped in an amulet for 41 years, trying to find herself, prove herself, and restore her kingdom to it's former greatness, and have instead chalked it up to "the Spanish princess show" and "bad Hispanic representation" actually keeps me awake at night

[arthursfuckinghat]

The whole conversation between Arthur and Dutch on the way to Lagras in Country Persuits really is just the "I give you food and a roof over your head, you have no right to question me" argument you have with your parents

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[pastelnightgale]

I think Dev should have his memories of the finale not necessarily because of the fairies but because of the frankly horrifying nature of his realizations regarding his dad.

[burst-of-iridescent]

not to beat the "sokka's misogyny" disk horse even further into the ground, but while i agree with the take that sokka being sexist logically doesn't make sense, i would go further to say that the water tribes themselves being sexist is both illogical and thematically contradictory.

the flaws of each nation in atla have always been linked to their element, and specifically what those elements represent. fire is the element of power; power, left unchecked, leads to imperialism and authoritarianism. earth is the element of substance and stability; stability, prioritized too highly, creates and justifies the rigid class system and rampant corruption of ba sing se. air is the element of freedom; freedom, taken too far, becomes irresponsibility and abandonment.

meanwhile, water is the element of change... therefore the water tribes cling to antiquated ideas about gender roles instead of adapting with the times (especially when the times involve a fucking war going on).

not only is this unrealistic, it also breaks the thematic pattern of the nations' flaws being virtues taken to extremes, and how this dovetails into the show's overall message about the importance of balance. if we're keeping with the pattern of virtue and vice being two sides of the same coin, then the flaw of the water tribes has to be related to change. and here is where some of the (badly executed) ideas in the comics and legend of korra could have come into play: change, left uncontrolled, can lead to progress... but at the cost of tradition and spirituality.

(imagine a nwt cut off from the world and forced to rely solely on itself, ingenuity and creativity flourishing out of sheer, desperate need. imagine a nwt where waterbending is nothing more than a tool, used to build and defend and maintain a fortress always at risk, its spiritual origins slowly lost to time. imagine a nwt more military than community, whose architecture and technology far exceed anything the world has ever seen, who look down upon their less advanced sister tribe, and see no need for the avatar - after all, where was he when they had no one but themselves for the last 100 years?

when warned that the fire nation is coming, they show no fear; they have held strong on their own for the last century, bolstered by their weapons and wits, and will continue to do so. you need the spirits, aang implores, and is met with derision, for there is no place for spirits in a society always chasing more, greater, better. the spirits have not helped us before, avatar. why would they now? we are all we need.

when the moon spirit falls, unprotected and forgotten in an abandoned, rundown spirit oasis - so do they.)

not only would this fit better thematically, it would also ensure that the nwt's flaw plays a role in its own downfall. where the fire nation's warmongering resulted in the poverty and suffering of its own people, and the earth kingdom's corruption led - at least in part - to the fall of ba sing se, the misogyny of the water tribes is never shown to negatively impact them in any way. the north isn't defeated by the fire nation because they relegated half the population to healing. the south doesn't suffer raids or lose their waterbenders because they (supposedly) didn't let women fight. this lack of narrative punishment means that - outside of a few girlboss moments for katara - the sexism of the nwt isn't significant to the overall story whatsoever.

furthermore, while the ba sing se arc last almosts half a season, and the fire nation's actions drive the entire show, this supposed systemic oppression of women shows up for one episode in the first season before disappearing entirely. pakku is reminded of his lost love, magically turns into a feminist, and somehow the entire tribe follows suit? no one else protests, not even the other students or the chief?

and yet, though there are still no female waterbenders other than katara, or agency for kanna in her relationship, or any indication that women stopped being forcibly betrothed - the entire issue is simply swept under the rug and never brought up ever again in the show. i understand this was a children's cartoon made in 2005, and that even having female characters openly speak about and challenge misogyny was a radical feat for the time and genre, but the reality of patriarchy is that it's structural, sustained and immensely difficult to resist - if the show was going to depict that resistance, it should have done so with greater depth and nuance, as it did for many of the other difficult topics it tackled.

ultimately, handwaving misogyny away like it never existed is far more disrespectful to katara's character, her fight against injustice, and the girls who saw themselves in her, than simply toning it down or removing it could ever be.