#like think about the part one episode ending when they find the southern raiders ship and katara bloodbends

[lovegrowsart]

this is definitely my bias speaking won't lie about that but tbh i do think the boiling rock could've been one episode (like genuinely was all the chit sang stuff necessary?? no) whereas southern raiders would've benefited hugely from being the two parter field trip 😶

[kataraslove]

katara isn't sutble at all in her interest in aang i think zutaras have their blinders on if they can't see how much she was into him. its why i find that fandom so frusterating i've never seen a pairing that was so obvious and yet they act like it was one sided.. when katara was all into him since ep 1 to wanting to run off with him when he got banished. if that dont scream girl is gonna fall in love with main character i dont know what does.

in order to understand katara’s feelings for aang, you need to understand katara’s character at a fundamental level. unfortunately, many, many people in the fandom do not and refuse to understand. for an example, a common misconception is that katara crushed on jet because he was the tall, good-looking “bad boy” archetype. while she did have an instant infatuation for jet because he was tall and good-looking, he was also brave, charming, and heroic and a natural leader to her - all components that katara’s described about aang throughout the series.

“You’ve been training for this since the day we met. I've seen your progress. You're smart, brave, and strong enough.” Katara in Nightmares and Daydreams.

the depths of katara’s love for aang can be seen in the ways that she speaks about him:

“Aang is the bravest person I know!” (The Storm)

“Please don’t go, Aang. The world can’t afford to lose you to the Fire Nation. Neither can I.” (The Winter Solstice Part 2)

in the ways that she’s fiercely protective over him:

in the ways that she’s physically affectionate with him:

in the ways that she gets immensely happy when he acknowledges her power or calls her heroic:

in the ways that she cries when they’re apart:

and in the ways that she cries when they’re reunited:

or when he tells her how much she means to him:

I mean, after they get through a really emotionally charged moment, or overcome danger or death, just look at the way she looks at him. look at the way she hugs him.

only in the atla fandom will someone look you straight in the eye and say that character A kissing character B (after the characters literally had an implied cave kiss) on the cheek before they’re separated isn’t meant to be romantic, but rather maternal.

and okay, I’ll give them the benefit of the doubt: it’s true that katara’s feelings were intended to be “ambiguous” up until the climax so that we don’t get any canon verbal confirmation that she was in love with aang. i am critical of that. but nothing in the narrative suggests that katara ever viewed aang as a brother or worse, as a son. katara herself does not admit to that when aang brings it up in the ember island players episode, even when she had time to state that she did view him as a brother or, at the very least, did not see him as a love interest.

if you believe that the ambiguity of katara’s feelings for aang is far too much for you to ship them, that’s fine by me. but at the same time I’ve seen people say that katara had feelings for haru just from one blush. or feelings for zuko from their conversation wherein they bonded over their mother’s deaths in crossroads of destiny. if the hug at the end of the southern raiders can be read as romantic by these same people, why not the many hugs, cheek kisses, face touches, and emotional reactions katara feels towards aang? i do have to believe that the reason why it’s so hard to view these as romantic for people is because aang does not look the part of the stereotypical romantic lead, ie he’s bald, younger than katara, and shorter than her.

[sokkastyles]

Hi,

Hope you are doing well.

I have another query regarding TSR. When Katara confronts Yon Rah and spare him at the end, I didn't notice Zuko's silence at that moment. Now, I am realizing that his silence in a way shows that he accepted and respected Katara's choice. He may not have liked it, but he understood that it was her choice, and that was that.

Looking at the way Aang responded at the end of the episode, I don't think he understood her choice at all. He simply assumed that she forgave Yon Rah, when she did not. It seems like he did not want to understand her choice at all.

On a separate note, do you feel that when it comes to Zuko's actions in the episode, it seems a bit weird that some people say that Zuko wanted Katara to murder Yon Rah in revenge, when not once did he bring that subject up in the episode whatsoever, and the one who brought that topic up was Aang?

I would like your thoughts on this.

The thing I find funny is that people try to make this about Zuko or Katara not respecting Aang's culture when throughout the episode, the one who is consistently unwilling to accept other people's perspectives is Aang. Aang is the one who insists it's about revenge. And I agree, Katara saying "maybe it is" is probably the point where that idea entered her mind.

I'm not saying that was never a possibility, because let's be real, they're not going there to make friends with the guy. But reducing it to revenge ignores the fact that these are people who need to be stopped. No one knew Yon Rah was retired. (I've also said before that Zuko and Katara should have at least disabled the Southern raiders' ship after learning Yon Rah wasn't there, because those men certainly were not innocent.) It's also about Katara reclaiming her legacy. Yon Rah thought he had murdered the last waterbender, remember? One thing that did give Katara closure was being able to affirm her survival and confront the man who could have been her murderer with it. This also ties into why learning waterbending combat was so important to Katara. The Southern raiders' mission was to wipe out waterbenders because the fire nation feared them as a threat to their war. Katara confronting the man who supposedly killed the last waterbender with all her power is an affirmation that that mission had failed. This is also why I have no time for people who insist that fighting is not a part of Katara's legacy and who she is.

And like you said, Zuko is silent when Katara makes her choice. He might have disagreed with her, or not. The only indication we get of his feelings is the look of hatred he throws Yon Rah behind Katara's back as they are leaving, but that could mean a lot of things. It could mean that Zuko has accepted that this man who he clearly despises has to live with the fact that the person he was sent to kill not only lived, but became more powerful than he could have imagined, and that he is pathetic in comparison. One could argue that this is a punishment worse than death. And that actually is probably enough for Zuko, because what he wanted was the confrontation. Remember when he tells the new captain to look Katara in the eyes and remember? I've said before that that mirrors Zuko confronting his father and demanding the truth, a confrontation which he also chose to walk away from without killing. What Zuko wants is for these men to be confronted with their crimes, and in neither case is that accomplished through killing.

And not only is Zuko silent during, but after the fact, he expresses no judgement on what Katara did, not even when she herself says she is uncertain. He tells Aang he was right, even though Aang again is the one to make assumptions and immediately says he's "proud" of Katara for "choosing forgiveness," which Katara immediately shoots down. Despite how much this episode wants to tell us that Aang is wise and understanding, it is Katara and Zuko who demonstrate understanding of the situation, Katara who makes the right decision in the end and is wise enough to be accepting of the ambiguity of her feelings, Zuko who is able to extend understanding to both sides when Aang and Katara continue to disagree. Zuko also never makes an attempt to define the situation. We do not see Zuko and Katara's initial conversation beyond Zuko telling Katara he knows where to find Yon Rah, which implies that Katara's decision to go after him is a foregone conclusion with no need of convincing by Zuko. Another thing we never see is what Zuko told the rest of the gaang after the fact, when Katara was not there. Aang tells Katara that Zuko told him what happened, and makes his own assumptions about what happened, assumptions which Katara says are wrong. But we never hear Zuko's interpretation of the facts, because it's not for him to define what happened. The episode is very careful to NOT have Zuko define or influence things. Which is why it's funny when people try to argue that he did. It also makes it more noticeable that Aang is the one who attempts to define things before listening to Katara, which is why he comes across negatively in this episode, and why it negatively affects an audience view of his relationship with Katara.

[animentality]

Not that anon, and you're sort of correct, though it definitely wasn't just one one ATLA writer wanting a Zutara endgame. It seemed more like it was several of them, to the point where it caused a split in the writers' room.

John O'Bryan said he pushed for the pairing and likes to think they are canon in an alternate dimension, Joshua Hamilton also says that he favored Zutara and he even alludes to there being an earlier plan of the series where Zutara became canon instead of Kataang, Elizabeth Welch's script for 'The Southern Raiders' flat out drops the word "Zutara" and compares the two to "Mr and Mrs Smith" in the notes, the published script for 'The Ember Island Players' actually makes Kataang look worse by having Aang act even more possessive of Katara and the Zutara ship tease is heightened by not having the two move away from each other when their characters are portrayed as lovers in the play. The final episode of the series, 'Sozin's Comet: Part 4', has the writer's note "Kataang wins!" in its script, which implies there must have been some type of competition up against Kataang.

Janet Varney, the voice actor of Korra who has personally talked to a lot of the ATLA writers, has stated “...even in the writer’s room, as this show [Avatar: The Last Airbender] was being written, writers were advocating for Zutara. Like, they were like ‘No! Come on!’. Like, there was like, the hardcore Zutara fans in the, you know, early aughts when the show was being written. Even if it was a show ostensibly written for kids, people were like ‘Come on! Let’s do this! It makes sense!’”

The wildest one was M. Night Shyamalan asking Bryke about how the series would end because Bryke were the executive producers for Shyamalan's 'The Last Airbender' movie, so they were legally obligated to inform Shyamalan about how Book 3 would conclude. But according to Shyamalan, "At that time they hadn't even decided where things were going to end, even like who Katara was going to end up with." This links up with Christopher Nance's comments (a pro-Kataang storyboard artist in the animation industry) who met Bryke at SDCC 2008 and told them "Thanks for the Kataang", but Bryke responded with "Well, it was a 50/50 chance".

You could be right that the introduction of Aang's attachment arc might have been a set-up for Zutara and it gets even more convincing when you look at how Ehasz has confirmed that the original plan was for Zuko to join at the end of Book 2. They might have decided against it when they had Zuko betray them instead and they had to drop Aang's attachment arc with no explanation. Nowadays Bryke pretend Zutara was never ever considered and that Kataang was endgame from the start (it wasn't, since they don't even end up together in the IP Bible). It's like a full-blown gaslighting of the fandom and it's worse than usual because it's also part of a brutal ship war, lol.

Dude ok, I gotta save this because I never knew any of this, and I find it fascinating.

that's nuts.

and the kataangers act like zutarans are nuts, but this kinda sounds like... we almost had something legendary...

listen.

I must state again.

I hate kataang more than I love Zutara... but Zutara could've been interesting for sure.

the fire/water, opposing nations, prince and pauper, enemies to lovers shit was right there.

aang and katara was meh, but Zutara... ooh.

ugh.

also I would've loved to know if a kid of theirs would be a fire bender or a water bender.

[jello-in-my-bello]

It’s time that we had a real conversation about Aang...

For the main character of a television series, Aang somehow almost always finds himself under-rated and dismissed in fans’ posts. You see all these posts and, when they do reference him, it’s usually accompanied by the phrases “immature” and “12-year-old boy.” I mean honestly, in some ATLA fans posts, it seems as if Aang’s name is almost synonymous with the word immaturity--and it’s been that way for years. I’ve always wondered why people discredited him. Was it because they saw his age and immediately ruled him out? Is it an excuse for Katara and Aang to have never happened? Was calling him the most immature character a way to bring up their favorite characters? Or did they simply get conditioned to think Aang was immature because everyone just... said he was? Well, I think Aang’s the most mature character (from start to finish) on the show, and Imma tell you why. 

I think that Book 1 Aang is the Aang that everyone has stuck in their head. We get introduced to Aang in a strange way: he’s a boy frozen in an iceberg, and the first thing he asks is to go penguin sledding. Then he boldly explores a fire navy ship after being told it might not be a great idea. This kid’s kinda stupid, we think. Why does he care about penguin sledding? Why does he explore something he is told not to? Then he stops at Kyoshi Island to ride the Unagi, then he stops at Omashu to ride the delivery service, and then he lets the gang stop at other locations—having mini adventures—without worrying about learning waterbending on any sort of timeline. Why does he choose to explore all these different places at first rather than master the four elements? Doesn’t he even care about being the Avatar? Ah... that’s right. He’s only 12. 

Except surmising his entire maturity (or lack thereof) to the fact that he stops for these adventures means that you are ignoring one glaring detail of the show: Airbender and nomad culture. Aang asking Katara to go penguin sledding instead of what year it was and taking his friends to all those random stops in B1 so that he can explore can not be chalked up to immaturity. Because then you are ignoring an entire culture. We don’t get to see a lot of airbenders, and I think that plays into the problem, but from what we do know, we learn that a critical part of their culture is that they travel. A lot. And experience different cultures. A lot. Think about all the different places he’s referenced going to 100 years ago in the series. Then think about all the friends he’s talked about having in these obscure places—and it always sounded like he visited them more than once. Traveling, experiencing different cities, and meeting new people was a part of him and a part of his culture. He wasn’t being a 12-year-old when he stopped to ride the Unagi or the delivery shoots in Omashu, he was being an air nomad

On a similar note, one of Aang’s most notable traits is saying, “Hey, check this out,” excitedly while doing some air bending trick that seems juvenile--like spinning marbles around or doing an air scooter.  People look at him doing this and his previously mentioned traits and go, “Oh, what a kid.” But here’s the thing: we can’t roll our eyes at his persistent need to show people marbles floating in the air or his air scooter. In the episode “Southern Air Temple,” we see Monk Gyatso—an extremely old, wise air bender—throwing cakes on other monks’ heads, and then we’re told throughout the series that Airbenders were known for their playful nature. Airbenders didn’t use their bending the same way other benders do. For example, Waterbenders might show off their skills by creating a giant wave and being like, “Look how cool!” (See: Katara, like every time she learns a new move.) We know Airbenders have some pretty powerful moves--we’ve seen the tornado Aang created, the air body imprint of Aang that slammed Zuko back--but they don’t show off those moves because they’re so combative and not so fun. They show off the good-natured side of air bending (ex: Gyasto’s staff surfing when he was a child).  So those marble/air scooter tricks can’t be watered down to 12-year-old immaturity. Because he’s not being a kid when he does those things, he’s being an Airbender. People also tend to look over the fact that he is a survivor of a genocide. You need to keep in mind that he is a living relic and the only example left of what his race was. So even later in the series when he continues to show people those tricks, he’s showing them not just for fun, but to keep his culture alive. And what do you think he’s going to show them: a tornado with random objects flying around in it or two marbles flying in his hands? Which is a better representation of Airbender culture?

Also, do not forget that Aang earned his arrows. Airbenders are not just regular benders; they are known for being especially enlightened. You don’t just need to be a master at airbending to get your arrows—you also need to be a master at their culture. Aang was an enlightened boi. Look at all the speeches that he gave as the series continued. He didn’t just magically become wise in the course of a few months because he had to fight the Firelord, he just tapped into what was always there and never showed. The maturity was always there, and the receipts are in the arrows. 

So, I’ve gone over why he’s not as immature as everyone thinks, but why do I think he’s the most mature on the show? It’s because his emotional maturity is freaking through the roof. He’s part of a genocide, his culture is mocked, the few things—his clothing and glider—that he had left from his home were completely destroyed, and he had to do something that severely went against what he believes in. And he almost never loses his shit. In fact, we only ever see him get actually upset (we’re not counting the Avatar state cause that’s a whole different thing) 3 times in the series: when he was telling Katara about how the monks wanted to take him away from Gyatso, the episode when Appa was stolen, and when he was explaining that no one understands the position he is in (in terms of killing Ozai). Think about how much we saw everyone else freak out over the course of the show? About even smaller things.

Katara and Zuko are generally accepted as the two most mature characters of the series. But why? Zuko is continuously snapping at everyone, and, yes, he matured. But he is not completely there yet. He still somewhat believes in revenge (See: Southern Raiders), and it’s only at the last episode of the series that he understands violence is not the answer. And Katara? She acts very mature towards everyone else, but when it comes to her own emotions? She’s a whole basket full of mess. (See: Southern Raiders, again. Or anytime she uses anger as her way to show she’s “passionate.”) A good way to showcase the difference between Aang and these two is realizing that all of them lost a parent from the war and analyzing at how they handled it. (For Zuko let’s focus on the idea that he never really had a father) Katara lost her mother, Zuko his father, and Aang his father, Gyatso. Throughout the series, losing their parent was a huge topic point for both Katara and Zuko so much so that it was as if they thought no one else had ever suffered. (Katara, we see you telling Sokka that he didn’t love your mom the same). Aang, however, acknowledges his pain, tells stories of Gyatso and uses him as an example of what he wants to live up to— eventually coming full circle at the end wearing Gyatso’s beads and an identical outfit. I can’t imagine a more mature way to handle what happened than that.

Basically, what I’m trying to say is, maturity isn’t based on how you have fun, it’s based on how you react to hard situations. And nobody, nobody reacted better in those situations than Aang. So if you watched Avatar and thought it was a story about a young boy maturing, then you misjudged. It wasn’t a story about an immature boy growing up. It was a story of an Airbender becoming an avatar. 

[seyaryminamoto]

I'm just thinking about what you've said in the past about Zuko's morals in The Southern Raiders and what bugs me the most is that Zuko could have easily been Yon Rha. Yon Rha's big sin, as far as Zuko knows when he makes his proposal (before Katara tells him the whole story), was raiding the Southern Water Tribe in a manner which lead to someone's death, and Zuko raided both Kyoshi Island and the Southern Water Tribe. Zuko would be an acceptable target for vengeance under his own standards.

:'D very fair point of view, Anon. I've always focused on another angle with this particular problem, namely the fact that Zuko's traumatic Agni Kai happens because he was trying to defend soldiers from being used as bait, slain in battle as though their lives were meaningless... and then he's offering Katara his assistance with killing a soldier if that's the only way to become her friend. There's such a profound incompatibility between both ideas, such a massive rift in reasoning, that I can't help but wonder if Ozai, intentionally or not, actually taught Zuko through their Agni Kai that the lives of their people aren't worth anything after all.

In general, that episode's plot is just... very questionable. I understand these kids are jaded, they've seen pleeenty of ugly stuff and even done some ugly stuff themselves, but the core of the problem with Zuko, back in the day, was that his violent pursuit of the Avatar caused lots of trouble and nobody liked him because he was being a selfish ass who wanted to fulfill the Fire Lord's orders at all costs :'D so... as blind as Katara may be over anything to do with Kya, it baffles me that neither Sokka nor Aang would step up to tell Zuko that this sort of ridiculous reasoning, impulsive behavior and willingness to resort to violence is EXACTLY what made him an asshole during the months he chased them, and that changing sides without changing those violent impulses doesn't amount to jackshit. I'd honestly prefer it if Katara were the one to tell him as much, because then she'd have the bonus of telling Zuko: "That's funny, because this sort of BS is precisely why I can't trust you!" and Zuko would be at an even bigger loss than before :'D but of course, when emotions are involved, Katara loses sight of reality and common sense, it's true...

Looking at it the way you do, just imagine if Yon Rha had told Katara "Oh. Sorry. Nice to see you again!" the way Zuko does with Suki :'D I'm pretty sure she would've actually killed the guy without even hesitating.

It's not to say that Zuko has objectively murdered anyone with the particular cruelty Yon Rha killed Kya: as far as we know, he didn't. We do know, however, that he's imprisoned people in nightmarish conditions (something even his sister cannot be said to have done), as he does in LOK, conditions bad enough that one of those prisoners (who, arguably, wasn't in the worst of conditions) said he'd rather die than return to that imprisonment. So, however "deserved" the Red Lotus's imprisonment might have been, dehydrating a waterbender and freezing a firebender for well over a decade sounds like one hell of an act of cruelty, which says he's perfectly capable of cruelty, all the same as Yon Rha was, and Zuko can't even say he's following someone's orders: he's the one who chooses to do this, plain and simple. So cruelty is NOT beyond Zuko. He can be harsh and nasty whenever it suits him. Despite what he'd have the audience believe, he isn't truly the poster child of peace and kindness :')

As you've said, Zuko caused lots of damage with his careless actions back in Book 1, actions that could have certainly cost lives if this show had been written to be grittier and darker than it was.

As a careless, casual example, here's the typical, boring old trope of "there's a kid in danger and the hero swoops in to save them!" (and there's poor Sokka on the background too ;_;). That ship just comes into shore, breaks all the ice it cares to, and it could have cost at least the two lives of those in the scene here (and who knows how many more that we aren't seeing). Is this not the same as attacking someone deliberately, with killer intent? Sure, it's not, but the ultimate outcome would be the same: someone's died, and it's your fault. And if you're a good person, you would feel bad about it. In fact, you might not even be able to think of yourself as a good person if anyone's death can be pinned on you.

Again, we don't know for sure that his actions cost any lives, but that they could have speaks for itself. That he was once part of the Fire Nation killer machine, that he was a tool to his father (even if not one he particularly cared for), should have made him all the more willing to understand that soldiers are as brainwashed as he was. No, this isn't to defend Yon Rha by any means, he was indeed a piece of shit... but Zuko doesn't even wait to meet him to confirm this. He's ready to help Katara kill a guy who, for all he knows, could have spent his whole life repenting for his actions (yes, we know that's not the case, but if the show had wanted to give us more nuance in the Fire Nation army, it could have been). Zuko doesn't even hesitate, and he even eggs on Katara until she finally decides she's not going to do it -- then he proceeds to badger Aang non-stop about how he MUST kill Ozai, funny how that goes. Which allows the interpretation that Zuko didn't learn anything at all from the Southern Raiders adventure.

In the end, if Zuko's actions cost any lives whatsoever (like, I don't know, maybe lives of the people whose food he stole in the Earth Kingdom (: what, me still being salty about this in the year of 2021? Noooo waaaaay...), you're quite right to say that it'd be fine, as far as his own philosophies are concerned, for Zuko to be executed by the injured party. It'd only be fair, right? Yet I guess that's the beauty of Zuko being Zuko: fairness isn't part of it. Justice? I don't think he's actually familiar with the concept. His sister made lots of mistakes, same as he did, but has he attempted to help her find her way, same as he was helped? Has he given her another chance? The answer is nope. Chit Sang is a convicted murderer who claims he didn't do the crime he was put in jail for: Zuko doesn't even bother asking any questions about who he is, or trying to get to the bottom of this problem. He's fine with getting the guy out of prison without first confirming whether his story checks out or not. Even back in The Blue Spirit, when he was "under" Ozai's thumb, and Ozai's priorities should have been his own, he decides that it's more important for him to capture Aang himself, and somehow the show spins that situation into "hey, Zuko's not that bad :>" when... everyone knows he's not setting him free out of any selflessness on his part, in fact, it's the entire opposite.

So yeah, more sketchy Zuko things that remain unresolved, unaddressed and go ignored all the time. Again, things that don't make much sense with the character he's supposed to be. And as usual, it's stuff we're supposed to shrug off or make a thousand excuses for in order to always find a way to see Zuko as a perfectly good person, when, as I've said before, being good takes efforts Zuko often didn't bother making, not before his "change of heart", not afterwards either.

[my-bated-breath]

Wants vs Need - A Comparison Between Kataang, Taang, and Zutara

A common source of conflict and theme developments within stories stems from the idea of Want vs Need, which effectively describes the difference in substance between ships like Kata/ang and ships like Zutara and Taang.

As so many meta have analyzed before, Kata/ang, as a relationship, places the emotional burden on Katara. More specifically, it forces her to be responsible for Aang’s happiness and well-being when he barely acknowledges Katara’s inner conflicts or desires. Even more than that, Katara is the embodiment of everything Aang believes he wants (compassion, kindness, peace) when refuses to see the more human parts of Katara (anger, grief, force), all of which I dissect in “On Ideals and Idealization.” Thus, rather than embracing the nuance in the divide between past and present, between war and peace, between justice and revenge, Aang stubbornly clings onto his perception of the Air Nomads’ beliefs - beliefs that he only shallowly understands.

The show itself even sets up a Want vs Need conflict for Aang in “The Guru” when he has to choose to let go of his selfish attachment of Katara to master the Avatar State, which can be interpreted to represent his need to let go of his blinding biases so that he can see the world’s truths and understand his responsibility to it (expanded upon in this ask).

It’s true that in the episodes “The Desert” and “The Serpent’s Pass” Katara and Aang find themselves in a state of conflict, but it is resolved in a way that only shallowly emulates a Want vs Need story. In both, Katara’s compassion serves as an anchor for Aang when his anger and grief threatens to overwhelm him, allowing him to remain hopeful even while Appa, his last living tether to the Air Nomads, is missing. These two episodes encapsulate Aang’s struggle as an Air Nomad as it shows him struggling to come to terms with the Air Nomad’s disappearance (symbolized by Appa’s disappearance) by recognizing the potential for a cultural revival (symbolized by Hope’s birth). However, Aang’s identity as an airbender in a world that has forgotten the Air Nomads is never fully realized, and so the effects of this conflict resolution never manifest in his character - Aang at the end of the series finale is not much wiser than Aang at “The Desert”/”The Serpent’s Pass,” so Katara’s role is reduced from the catalyst in extending Aang’s worldviews to someone who calms him down during a wrathful relapse of his usually sunshine-smiley self.

As for Katara herself? Her relationship with Aang pigeonholes her into one facet of her character - her kind and loving side - which is regressive rather than progressive in her series-wide character arc. In her confrontation against the Northern Water Tribe’s sexist norms, against Hama and the legacy of bloodbending, and against her mother’s killer and the implications of Fire Nation imperialism, Aang’s personal beliefs do not influence Katara’s in any constructive way. The most Aang ever provides to Katara as himself is a vehicle to achieve her goals, as his Avatar status allows her to travel the world with him. And so Katara fosters her agency and autonomy, expands her role in the world, and validates the importance of her feelings - all for what? For the last ten minutes of the finale to turn a light switch on her feelings for Aang and have them kiss without even a conversation beforehand.

Kata/aang is all about want. But Taang and Zutara are all about need.

Character conflict is not always necessary to write a compelling romance, and focusing solely on generating conflict often leads to the badly written melodrama and misunderstandings that often plague the romance genre today. So rather than focus on creating interest based on drama, the most captivating fictional relationships I’ve seen show how characters support each other’s needs over their wants.

The initial conflict between Toph and Aang delves into the essence of their characters and forces them to grow out of a stagnant viewpoint. From Toph’s introduction in “The Blind Bandit,” Aang and Toph clash because Aang wants Toph as an earthbending teacher while Toph doesn’t want to upset the delicate balance of her double life. But in his persistence, Aang has broken both the illusion of the unshakable Earth Rumbler and the fragile noblewoman to uncover the true Toph that exists in the space between her two identities. Unsurprisingly, Toph’s determination in upholding her current life is reflective of the element she bends and the downfalls of an earthbender’s philosophy - determination can become rigid and stagnant. So though she claims she doesn’t want Aang interfering in her life, underneath all her stubbornness lies a need for freedom, and fittingly enough, it is Aang who recognizes this and grants it to her. Aang is much more than a vehicle in this case - he’s the one who changes Toph’s mind.

More obviously, in the episode “Hard Work,” Aang and Toph reach an impasse again as Aang struggles both with learning earthbending and with working with his earthbending master. It’s quite telling that Katara’s suggestion - to be gentle and encouraging with Aang - is regressive to Aang’s progress while portraying Katara’s personality rather one dimensionally. In other words, she gives into Aang’s wants. What he needs, however, is as Toph says: to face his problems head on. So she forces Aang to solve his problems not the way he wants to solve it - with evasion and clever-thinking - but the way he needs to solve it - only then is he able to master earthbending.

While Toph and Aang have a significant impact on each other within the second season, Zuko and Katara’s complementary stories span the entire series. As I’ve said (too many times) before, Zuko and Katara are pivotal to each other’s character arcs while remaining autonomous from one another. Although Iroh’s influence on Zuko’s redemption cannot be emphasized enough, Katara’s offer to heal Zuko in the Crystal Catacombs holds the most symbolic weight in the series, especially because it is an offer extended by a formerly irreconcilable enemy. Beyond his desire to please his father and beyond his former attempts to capture Aang, through common ground Katara is able to recognize the need for Zuko to move on and a chance for him to redeem himself. Katara plants a seed of doubt in his mind, as well as elicits a small spark of hope within him. Then, after changing sides, Zuko wants to belong with the Gaang, but Katara affirms that he first needs to accept the responsibility of his legacy and to prove that he will make amends.

As for Katara, Zuko represents the possibility of peace between the Fire Nation and the Water Tribes, which is first realized in the Crystal Catacombs. Then, in the Southern Raiders, Katara wants to hold onto her resentment against Zuko and the Fire Nation, but what Zuko recognizes is that she needs to find closure over her mother’s death.

What is truly incredible is that their importance to each other does not diminish with their conflict - outside his uncle’s tent the night before Sozin’s Comet, it is Katara who recognizes what Zuko needs to hear (that he has earned his forgiveness) before he can chase after what he wants (to reunite with Iroh). Zuko and Katara clearly have an impact on each other’s character arcs, and by recognizing each other’s needs under a facade of wants, they demonstrate bone-deep compatibility and understanding.

So, once again - Kata/ang’s conflicts are destructive, but Taang and Zutara’s conflicts are constructive. Kata/ang never challenge each other, but Taang and Zutara do. Kata/aang is all about want, but Taang and Zutara are all about need.

[nothing-more-than-hot-leaf-juice]

What would an Azula redemption arc look like?

First things first: I hear this thing a lot about how “Azula deserved a redemption arc” and while I don't think Azula was irredeemable, that’s not to say that she should have been redeemed nor was she in the right place to be redeemed during the series. Post-series, I think Azula could have gotten better, but I don’t think “redemption arc” is the right phrase for it. 

Second, I hear a lot about how Zuko should have been the one to go on a “life-changing field” trip for her redemption arc and I don’t think it’s that simple, nor do I think Zuko would be the right person to help her become a better person. The fact of the matter is that even though they are siblings, they spent a good part of the series trying to kill each other. Azula shot lightning at Zuko in the first episode of season 2, they both almost killed each other in The Boiling Rock and The Southern Raiders, and Azula tried to kill Katara during their Agni Kai. They are siblings and I do think they care about each other deep down, but the fact of the matter is that their relationship was hostile and damaged. Repeated murder attempts aren’t a thing either of them is going to get over quickly and they aren’t the type of thing that’s going to make it possible for Zuko of all people to be the one to help Azula heal. There’s also the fact that he’s a teenage boy dealing with his own damage from his abuse and just because they had the same abuser doesn’t mean he’s going to be the right person to help her heal. 

An Azula redemption arc would in no way be the same as a Zuko redemption arc, but let’s first examine why his redemption arc worked in the first place: 

I’ve written more about Zuko’s redemption arc and why it works here. But in terms of him making amends, the big reason why his redemption arc worked was because it stemmed from him choosing Iroh over Ozai. It was his recognition that the unconditional love and support Iroh had shown him was right and the cruelty and conditional acceptance Ozai had shown him was wrong. And further, it was his realization that he was right all along in terms of being compassionate and his father was wrong when it came to the war. He recognized that all the war was needless suffering because he had seen the real human cost in season 2. And through that journey, he saw that the people of the Earth Kingdom didn't deserve the destruction the Fire Nation was bringing on them and realized they had been wrong the whole time. And his betrayal of Iroh was the catalyst for his redemption arc because Iroh realized that already and spent season 2 trying to get Zuko to embrace compassion and peace. He spends a lot of time after he joins the gaang wondering “what would Uncle do?” and tries his hardest to do the things that will make his Uncle proud. Even though Iroh showed him unconditional love upon their reunion, Zuko still put the work in to do right by Iroh in order to make up for his betrayal.

“He’s the one who’s been a real father to me.... It was cruel and it was wrong!” 

Another thing that needs to be made clear: Zuko’s redemption arc worked because he spent time making amends with the people he hurt, but not just because he wanted to make amends, but because he genuinely related to and wanted to help them with their struggles. He was able to make amends with Aang, Sokka, and Katara by relating to their dilemmas and doing everything in his power to help them through their own emotional struggles he also struggled with. He helped Aang overcome a fear of firebending because he too struggled with finding a way to see his element beyond destruction and harm. He helped Sokka “regain his honor” by helping him at the Boiling Rock because he knew what it was like to fail at something and have a person he cared about bear the consequences of his actions (Sokka with Hakoda and Zuko with Iroh). And he helped Katara find the person who killed her mother because he understood what it was to have the Fire Nation take away his mother. Zuko understood their pain in these specific cases and leaned his hand not only to show them that he had changed, but because he had changed. It was because he genuinely understood and wanted them to overcome their problems. He wanted Aang to find his inner fire, he wanted Sokka to regain his honor, and he wanted Katara to be able to find closure because those were all things he wanted for himself. His acceptance into the gaang wasn’t ‘do X thing and then that made up for how he hurt them’ or ‘said he had changed and felt bad and that was enough’-- it was the combination of his genuine remorse, his ability to relate to them, and the actions that stemmed from that. 

“You can do it, you’re a talented kid.” 

“You need to regain your honor? Believe me I get it.” 

“I know who killed your mother and I’m going to help you find him.” 

So the main takeaway: Zuko had the capacity to be good all along but needed the right influence and before he made amends with the people he hurt. He needed to heal a little bit himself, confront the fact that he was hurt too, and change on his own before confronting the gaang. 

So for Azula to have a redemption arc, she would need to do the same. She would need to address the people she had hurt and Zuko was one of the people she hurt the most. That’s why Zuko wouldn’t be the person to guide her on the path to redemption. She’s the one that needs to do the work to make amends with him (this isn’t to say that Zuko hadn’t hurt her in fights before, but she was the instigator of most of their fighting). But before she’s able to do that she would need to do some work on herself. 

The thing that’s going to make it difficult for Azula to get ‘redeemed’ is that Zuko had a war to change sides on. There was a tangible conflict for him to help the ‘right’ side with. Post-war Azula doesn’t have that. She doesn’t have a Firelord to help Aang defeat or a war to help end. 

But another thing that’s going to make it hard for her is that her actions were objectively more harmful than Zuko’s were. Zuko spent season 1 trying to capture Aang, but there were multiple instances where he chose to put others before his search: he chose not to leave the Southern Water Tribe alone, when Iroh was captured he chose to save him from the earthbenders rather than go after Aang, and during the Storm he chose to keep his ship safe rather than go after Aang. He never intended to hurt Aang, even though his actions were harmful. The worst things Zuko did were as follows: burning Kyoshi village, capturing Aang in the North Pole, betraying Iroh in Ba Sing Se, and sending the assassin after Aang. But in all these cases, there was either someone else with worse intentions or he did tangible things to make up for them or the actual consequences weren’t that bad in the end. Kyoshi village was fine, Aang escaped his capture, he committed treason for Iroh, and he risked his life to stop Combustion Man. 

So what exactly does Azula need to redeem herself from?

1. Repeatedly trying to kill Zuko 

2. Almost killing Aang in Ba Sing Se 

3. Sending Mai and Ty Lee to prison 

4. Conquering Ba Sing Se/wrecking havoc on the Earth Kingdom in general 

5. Hitting Iroh with fire (The Chase) and sending him to prison 

But again, she doesn’t have the outlet of war to tangibly show that she’s changed sides. And for most of these actions, it’s other people that dealt with the consequences. Katara healed Aang and Zuko after Azula shot them. Zuko helped Iroh after Azula shot him and Iroh busted himself out of prison. Mai and Ty Lee were released without her help. The Order of the White Lotus freed Ba Sing Se. She doesn’t have a clear way to make amends for the damage she caused. 

So she’s not going to be able to make personal amends with the gaang. Mostly because there’s no reason for her to do so. Zuko was able to because they needed a firebending teacher for Aang and their goals were aligned. Azula doesn’t have that. That’s one of those things that’s just not going to happen because neither party has a reason to want to make amends.

I don’t think she’s going to be able to reconcile with Mai and Ty Lee after what she did to them. She was going to hurt the people they cared about and at the first instance of disloyalty, their childhood friend threw them in prison. At the Boiling Rock, Mai betrayed her because she was going to kill Zuko and Ty Lee betrayed her because she was going to hurt Mai. Neither one put Azula in danger, but she still tossed them aside when all they wanted to do was keep the people they loved safe. They move on from her after the series and find new people to surround themselves with. They were entirely justified in deciding to cut Azula out of their lives after how she treated them. 

And in terms of Zuko, again, they spent a good part of the series trying to kill each other and I’ve written about the complexity of their relationship and Azula in general here, here, here, and here. But the point is that they spent most of their lives pitted against each other by Ozai and they have some serious resentment and hostility towards each other. This isn’t their fault, but it’s undeniable and that hostility is something that’s going to make it impossible for Zuko to be the right person to help Azula heal. He shouldn’t have to if we’re being honest because of how outwardly violent she was to him. But more on that later. 

So because of these things, I think Azula’s redemption arc would have to parallel Iroh’s. 

It’s talked about a little bit, but Iroh was at one point militaristic and destructive. When he was kidnapped in season 1, the earthbenders called him a war criminal. In the flashback of Zuko Alone, we saw him laugh about “burning [Ba Sing Se] to the ground”. In between Ozai’s coronation and Zuko’s banishment, Iroh let go of his need for military victory and learned to focus on spirituality and peace. This is when he joins the White Lotus and starts to see the faults in Fire Nation propaganda, especially after he lost his son in the process. But what I think is important to remember about Iroh is that he faced the dragons long before his son died. In The Firebending Masters, Zuko says that Iroh allegedly killed the last dragon “long before [he] was born” and they deemed him worthy anyway, despite the fact that he still went on to use his bending abilities to conquer the Earth Kingdom. This means that the dragons were able to see deep inside of him and that gave him a greater appreciation for firebending not as a weapon, but as an extension of the self. So if Iroh had that chance when he was younger, before he decided to live peacefully and help others, Azula might have that chance too. 

And Azula is a prodigy at firebending, but the reason Zuko and Iroh are better than she is is that they recognize firebending as energy and life. They use it to keep them warm and they incorporate other bending techniques into it. We only see Azula use firebending as a weapon, never as a tool. She considers firebending something she has to conquer rather than something that’s a part of her. And she thinks this way because that’s what she was taught her whole life, but like Zuko, she needs to understand her element beyond its ability for destruction in order to accept that she herself has the capacity to be something more than a destructor. Azula determined her self worth and the worth of others by their strength and abilities. In order for her to move past this mentality, she would need to go to the dragons. 

And this might be the place where Iroh can step in for her. I’ve written about the dynamic of Azula and Iroh’s relationship (or lackthereof) here. But during the series, Iroh’s priority was to protect Zuko and Azula just happened to be one of the people he had to protect Zuko from (see The Avatar State, The Chase, and The Guru.) If Azula were to face the dragons, she might want to kill them in order to prove herself as worthy since that was the mentality of the Fire Nation, but if Iroh were to connect with Azula in any way it would be though firebending. It would be in guiding her to the dragons and showing her the true meaning of the element. 

Second, and again like Zuko, she would need to recognize how she was hurt by her parents. There’s that scene in The Beach where she mentions how she was hurt by how her mother treated her, but doesn’t actually talk about it. It would be beneficial for her to verbalize how her self image was warped by how Ursa viewed her. Azula seems to realize that how Ursa favored Zuko over her wasn’t right, but she doesn’t understand that the way Ozai treated her was wrong either. She relished the praise her father granted her and didn’t recognize how he used her for her abilities and didn’t value her as his daughter. So a big part of her learning to become better would be recognizing that the way Ozai treated her was wrong and that she has value beyond her ability to carry out his orders. Azula needed to have her own “it was cruel and it was wrong” moment now that Ozai’s in prison and she’s not beholden to him. And it would take her time to come to that conclusion, but she could get there eventually. Through all of this, Azula really just needs her mental health addresses over anything else. 

And for her to truly be “redeemed” (for lack of a better word) she would need to do two things: she would need to prove to Zuko that she was remorseful for how she hurt him and she would need to prove to the world that she wasn’t seeking destruction anymore. Let’s parallel to Iroh’s redemption arc again. Iroh changed in small ways by helping those around him, mainly Zuko, but his redemption from his years as a general for the Fire Nation and his actions in that regard came in his freeing of Ba Sing Se in the finale. That was his moment of redemption. Azula, being the conquerer of Ba Sing Se, would need to have a moment where she proves to the world that she’s going to work for the greater good over personal glory or her father’s orders. There would need to be an opportunity for her to use her abilities to save people, most likely from Ozai’s supporters. 

And in order for her to reconcile with Zuko, she would first need to be genuinely remorseful for how she hurt him and would need to recognize how Ozai hurt him. For most of the series she relishes in his suffering and if she’s going to truly be redeemed, she would need to first, be genuinely remorseful for how her brother was hurt and second, take steps to show him how she doesn’t want to hurt him anymore. In the finale, we see just how fractured their relationship is as she shoots him with lightning and Katara heals him. In season 3, Zuko learns to heal by letting go of the family that hurt him and finds a family that’s going to look out for him and protect him. If Azula is going to prove to Zuko that she’s changed, she would need to act as his protector. Maybe from an assassin or something along those lines, but she would need to put all her efforts into showing him how she’s changed, similar to how he risked his life in stopping Combustion Man to prove to the gaang how he changed. 

And it’s very possible that they’ll never have a good relationship, but if what we’re looking for is an ‘Azula redemption arc,’ that’s what needs to happen. And Zuko isn’t required to forgive her or have her in his life. The fact of the matter is that Azula hurt him and the people he cared about repeatedly. And just because they were hurt by the same person doesn’t mean she didn’t hurt him too. They very well may never have a ‘good’ relationship, but that doesn’t mean Azula wouldn’t be able to get better on her own. 

I think if anything, Azula might be able to immerse herself in firebending. That’s something she understands and that she’s good at. But in order for her to find peace within herself, to move past the mentality Ozai and Ursa instilled in her, and to become a better person, she would need to follow a spiritual path. She would need to go the route of Iroh. Azula doesn’t need to be any kind of military leader or fighter. What she needed was to recognize herself as something other than a weapon, because as long as she valued herself for her combat and military abilities, she was going to seek destruction. In order for her to heal, she needs to recognize that her ability as a prodigy doesn’t mean she was meant for power or destruction, but rather it’s a gift. Azula is an incredible bender, but she didn’t appreciate herself or the true meaning of the element. And if she’s going to move beyond ruthlessness and callousness, she needs to learn the beauty in her element. 

In conclusion, an Azula “redemption arc” is easier said than done. Azula’s motivations are sympathetic and it’s obvious that she’s a victim of abuse and manipulation, but she did hurt people in major ways. She hurt people in ways she wasn’t able to make up for and that’s why if she were to become better, she would need to learn to let go of this image of herself as a force for destruction and recognize the beauty of firebending. She might never fully reconcile with Zuko and it’s improbable that she would develop meaningful relationships with Mai and Ty Lee, but the fact of the matter was that Azula was 14 and her actions stemmed from her abuse. Her path to becoming a better person wouldn’t focus on the people she hurt, because they had moved on and cut her from their lives, but rather it would focus on her individual path to growing past the propaganda of her nation and the emotional abuse under her parents. 

Azula’s “redemption arc” would not be rooted in interpersonal relationships, but rather would entirely focus on interpersonal growth. 

[whattheheehaw]

Hi! I’m sorry you’re getting shitty anons about this and you’re probably sick of it so I apologise for asking this but I’m genuinely curious what made you start actively disliking zutara? Like, considering how much excellent and insightful content/meta you yourself used to make/write? I get that interests change over time and you’re totally valid!! the anons sending you hate over it are really dumb, but if you’d be ok with sharing, I’d be really interested in hearing why you’ve done almost a complete 180 on the ship? Was is just burnout/end of a hyper-obsession? Or was it some of us in the rest of the fandom that turned you off? Or was it even something about the ship/characters themselves that you changed your mind about? xx

In short, it was a combination of burnout, dissatisfaction with fandom, and disappointment in myself that caused my disinterest for Zvtara.

I got asks similar to this one a couple of times before, but I never gave a comprehensive answer, mainly because I didn't know how to articulate my reasons why I don't like it anymore. But now that I've been out of ZK fandom for a month and have had some time to reflect, I think I can give a much more thorough response. Beware, this is long and I heavily critique the Zvtara fandom, so if you're a ZK shipper, keep reading at your own risk.

My first minor annoyance with Zvtara is that the fandom has a tendency to idolize certain fics and creators. And while there’s certainly nothing inherently wrong about that, I feel like the Zvtara fandom does it to such an extent that it influences the type of content that content creators make in order to get recognition. And to illustrate my point, I’m going to talk about one of the most famous Zvtara fics of all time: Once Around The Sun by eleventy7.

Don’t get me wrong, I love OATS. I think it’s a great fanfic and I think the author devoted a lot of time and effort to make it such an excellent fic. The plot, the development of the characters and their relationships to one other, and the messages about family and love were all brilliantly written. I mean, there is a reason why it’s regarded as the “Zvtara Bible”. This one fanfic had such a profound impact upon the ZK fandom, and I think the biggest impact that came from it is the dramatic influx of post-war Zvtara AU fanfiction. 

Because so many people kept reading OATS and recommending it to others, I think there was an overall interest in ZK fics that take place in a post-war setting. And I think that all of the high praise towards OATS made more fic writers start to write post-war fanfics because of this demand for post-war AU.* I normally wouldn't complain about it because more content is more content, but in my opinion, 99% of ZK post-war fics are the same fic but in different fonts.

Like, there's at least 3 of these elements in every ZK post-war fanfic:

Ambassador Katara

An assassination attempt (usually on Zuko's life)

A healing scene between Zuko and Katara (usually Katara heals Zuko)

Aang and/or Mai is pushed to the side or vilified to some extent in order to make ZK happen

A private journey between Zuko and Katara to facilitate #6

S L O W B U R N (that's not really slowburn and more like "I love you and I very much want to be vocal about my feelings but #7 is in this fic" but the love story takes up like 30 chapters so I guess it's a slowburn?)

Zuko's advisers don't want him to get married to Katara because ✨racism✨

Ursa is found

Azula is in the fic because a) she's going to get a healing arc ft. Zuko and Katara and thereby helps them get together or b) she's the villain and thereby helps them get together

ZK wedding happens in the FN

After reading multiple post-war fics back to back, I could tell that the format was pretty much the same across the board, which isn't very interesting for me to read. My only other fic options in the Zvtara tag on AO3 are canon divergence fics which almost always take place during The Crossroads of Destiny or after The Southern Raiders. And to some extent, those stories are pretty much the same too. There's nothing really new or creative going on in the ZK fandom fic-wise, and because of that, my interest in ZK fandom started to dwindle.

My second issue with Zvtara is that it's a very old ship from a very old show. Because there's been 10+ years since the end of A:TLA, every nuanced point about shipping and the show itself have been talked to death.** There's just nothing new to say. It's the same arguments being rehashed over and over again in the tag because there's no other interpretation one can come up with.

For example, there's so many people who talk about why Zvtara as depicted in The Southern Raiders is not toxic and that's great and all, but I (and most likely many others) have read those same points about five times already. And for some reason, each time this happens, people act like someone just discovered the lost city of Atlantis when they bring up their new-but-not-new argument in defense of Zvtara. Honestly, I'm ashamed to say that I'm not exempt from being part of the group of people that reiterate old arguments. I've done it with one of my posts about The Southern Raiders and I've done it again with my Zutara/Omashu parallels post.

There's no new content to really dissect and analyze (especially considering Zuko and Katara are rarely in the same panel in any of the post-war comics), and because of this, people are just restating points that someone else made several years ago.*** And even if someone did have a different interpretation of an episode, their ideas would most likely be shut down because for the past several years, the same interpretation has been recycled through the fandom repeatedly and people are resistant to new perspectives.

This brings me to the third thing that I dislike about Zvtara: the insistence that there can only be one way to interpret The Southern Raiders. For the longest time, I've read take after take that said if Katara decided to kill Yon Rha, it would be ok because that's her grief to deal with and if she thinks that's the best way to mete out justice, then good for her. And again, I'm ashamed to say that I perpetuated that idea in a few of my own posts. I have always thought that "Katara killing Yon Rha is ok" is just a bad take in general, but I didn't want to vocalize that opinion when so many people—so many of the nice mutuals that I made—all shared that same opinion. Taking down a popular opinion of your own ship is completely different from taking down a popular opinion of a ship that you dislike. The Zvtara fandom is the first fandom that I was actually active in and I wanted to fit in so badly with everyone else that I just parroted whatever other people said, even if I didn't agree with those sentiments.

This leads me to my final reason why I don't want to be a part of ZK fandom anymore. I think I established myself as a "meta" person pretty early on and because of that, I constantly felt pressured to come up with new takes on the ship. And when people started flooding my ask box with stuff like "Can you write a meta about your thoughts on the idea that 'Zuko only took Katara on that field trip in TSR because he wanted her to forgive him'?" and "What are your thoughts about antis saying Zuko and Katara are toxic because of TSR?", I realized that I don't need to come up with new takes. People just want me to paraphrase something that 10 other people said about the same exact topic, because if I said what I actually thought about the subject (i.e. there is some truth in what antis say about TSR and it's not as much of a "Zvtara episode" that most people make it out to be), I'd probably get ZK shippers in the replies telling me that I'm wrong because x, y, and z or "you shouldn't tag this as Zvtara".

And that was pretty much how my love for ZK turned into disinterest. I was and still am disappointed that I didn't stick to my personal opinions. For as much as I talk about herd mentality on Twitter, I certainly don't practice what I preach. In all honesty, the only reason why I held on so long to ZK fandom was because I had so many nice mutuals there and we all shared this collective distaste for antis. I think I started to become more anti-Zvkka and anti-Kataang than pro-Zvtara, which isn't what I wanted to do when I made this Tumblr blog.

The thing that made me joke about becoming anti-Zvtara was the fact that some ZK shippers just like to send shitty anons to people whom they've reblogged countless different metas from. Sending shitty anons to people in the first place is wrong, but sending them to people who tagged their posts correctly and did nothing wrong is just disgusting.

*I'm not a fic writer and can't speak for fic writers, but it definitely feels like a lot of ZK fic authors are pushing themselves to write the next OATS, and by doing so, they are proliferating the tag with post-war fics that have very similar aspects to OATS.

**I think that as more people point out the same nuanced points about Zvtara, it diminishes the actual significance of those points. Like, it's hard to explain but the more people talk about the subtleties of the ship, the more those parts become glaringly obvious and I become numb to their actual impact on the characters and the show.

***At this point, if someone wanted to make a new argument about Zvtara, I think they would have to look very closely at every little detail in every single one of their scenes together to find a crumb of new meta material. And speaking from experience, it's not very fun trying to make a mountain out of a molehill. Whenever I post a "meta" like that, I feel like I'm reaching to make a point that doesn't exist.

[the-golden-ghost]

Top 10 avatar episodes? (ATLA or LOK)

I've never seen LOK so... A:TLA it is!

The Siege of the North: (technically this is a two-part episode but shh) anyway WHAT CAN I SAY ABOUT THE SIEGE OF THE NORTH?! Siege of the North is flawless. Amazing Showstopping Impeccable. The scene where ash starts raining from the sky, changing the tone of the scene from peace to tension? The glimpse of the rows upon rows of Fire Nation ships and the sinking dread it brings? The waterbenders in action? The part where Arnook is going “some of these faces will disappear from our tribe for good” and it flashes to Han, Yue, and Pakku, all of whom did indeed leave but for different reasons? The part where Zhao traps the Moon Spirit and the WHOLE WORLD goes red? And then gray after he kills it!??! And the only color left in the world is the glow from the fire and YUE’S EYES!? Koh? Iroh’s confirmation that Zuko is son in all but technicality? Yue’s sacrifice? There is just SO much good stuff in this episode and I’m not even listing all of it I’m just listing what I can remember. Peak season finale 10/10. Outstanding.

The Tales of Ba Sing Se: Okay it’s pretty obvious why I like this one and the answer is “because it owns, duh” but beyond that it’s just a nice episode. It’s not big, and intense, but there’s plenty of Big Intense Episodes. This one’s just everyone going about their lives and we get a lot of quiet reminders that while these are the Saviors of the World they’re also just people (and a lemur) with their own problems and desires and wants. It’s just kind of nice to have a slice of life episode that doesn’t... feel like just an odd shoehorned plot (like some of the season 1 filler episodes I could name...) but actually feels like it’s about the characters.

The Deserter: GOD this episode is so pretty. I’m talking about the lighting and art design. Seriously go watch one of the other earlier episodes of s1 and then watch this. The soft filtered lighting with a subtle gold/orange tint to it, hinting at the element we’re covering in this episode? Gorgeous. The foreshadowing is also glorious. Magnificent, even. When I rewatched the show a few months ago I was catching little subtleties that went over my head as a kid. It works beautifully as a self-contained piece and also in tandem with its sister episode, the Firebending Masters. It’s also got the ONLY Zhao vs Aang battle in the entire season. I could go on about it more but I won’t, it’s just a SOLID episode and I think it’s underrated.

The Southern Raiders: Okay I know everyone likes this episode for the part where Katara makes the rain stop and that’s also why I like it. That was one of the most memorable moments of the whole SERIES for me. Beyond that there’s the flashback to Kya’s death which... we’ve known about it. We’ve known about it for the whole series. It’s affected Katara and Sokka deeply and we see it through their actions, but we’ve never really known what happened. Here, we do. And we get to see it from three perspectives, three times over. And then there’s Aang’s and Katara’s conflicting ideas of justice and vengeance and whether violence is ever necessary or justified. It’s just... a good episode.

Sokka’s Master: The Only Sokka Episode (but really why did it take until season 3 to give him one!? He deserves better) Anyway Piandao is the best teacher character in the series bar none so there’s that. For another thing we actually get to see Sokka at his best and realize just how necessary he really is. He sort of gets written off (even IN the show) as pure comic relief or just the One Nonbender Who Hangs Out With All The Cool Guys but here we have a Justice For Sokka episode that goes ‘you know what? Nah’ and points out that he’s a strategic genius who carries the team from behind. AND that he can be a badass, too.

The Runaway: First of all the episode opening with the END of the events was kind of a fun gimmick. I mean it’s not hard to see where it’s going but it was different. Secondly it’s about time we got a Toph episode that isn’t just about her not getting along with her teammates or about being blind. For example, in this one she becomes a career criminal. It’s what she deserves. Also the stuff about them all missing their parents and driving home the fact that this is a group of lost children is surprisingly heartfelt. (I’m not describing it well but I love this episode)

The Blue Spirit: This episode gives us some of our first inklings of Zuko As Good Guy and boy does it deliver. The thing that gets me about this one is the tension of the situation. I remember being a kid and seeing Aang trapped and alone and being like “oh shit” because for the first time, he doesn’t have his friends. Except he had a ~friend all along~. Also the herbalist is an icon.

The Avatar and the Fire Lord: We Love a Flashback Episode and we especially love one that comes with the caveat that “friendships can last more than one lifetime”. We also love to be sappy. We also love to make fun of Roku for not realizing that he was in love with Sozin.

The King of Omashu: Bumi is The Character Of All Time and I think I appreciate him more than any other minor character on the show so jot that down. This episode is so goofy and so much fun but it feels organic and light because we’re still early and we haven’t hit the point yet where the goofy episodes are annoying and out of place (looking at YOU, Nightmares and Daydreams...) also when I was a kid I totally missed the idea that Bumi was testing Aang not to see if he was smart n’ talented but to actually find out if he’d learned any of the other 3 bending episodes. “Don’t you have any surprises for me?” And Bumi’s earthbending having airbending elements that are specific to his bending... because he’s one of the only earthbenders alive who knew and trained with airbenders... I die. I feel similarly to Jeong Jeong’s firebending taking after waterbenders because he’s envied them and giving him a unique style of his own... I LOVE when the show gives minor characters these little details that make them stand out okay I ADORE it

The Blind Bandit: Okay this one’s just a fun episode and the character designs slap. The Final Battle (tm) also slaps. Toph’s bending style? The dinner scene? The reference to Dwayne Johnson? It’s all good and the animation for Earth Rumble XI was off the charts.

[gloster]

FAVORITE FANFICS OF 2020

HAPPY NEW YEAR!!!!

I know I speak for all when I say....I cannot wait to toss 2020 out the door the way Uncle Phil constantly did with Jazz. One of the things that got me through this rough year, besides family & friends & BTS, were fanfics.

It’s that time of year again where I make a list of all the fanfics that I absolutely adored. Some are by veteran favs of mine, others are new to me who just knocked it out of the park. If you’re interested in past lists, here is 2019′s list and 2018′s. If y’all are interested in doing your own fanfic favs of the year, please do so and tag me. Always on the hunt for new favs. 

So without furhter ado, my fav fanfics of 2020:

1). Another Word for Forever series by stardropdream (sheith)

Summary: Shiro knows better than to expect love in an arranged marriage. This is all for the sake of universal peace, after all, and solidifying a Terran-Galran alliance. At the very least, Shiro can hope to make a friend out of this. Becoming friends would be much easier, though, if he and his husband could actually communicate. 

With a language barrier and a mountain of cultural differences between them, getting to know Keith proves to be a challenge. Luckily, Shiro's always worked well with challenges.

2020 shockingly became the year of sheith. I ended up rewatching the show w/my bestie @littlenightdragon​. Diving more deeply into it w/my other bestie @kila09​. She and I spent the better half of this year devouring so many fanfics of them in various AUs. I came across new fanfic authors, and stardropdream is among them. 

If I could describe this series & stardropdream, I’ll take a cue from Lady Gaga: “ talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever been done before, unafraid to reference or not reference, put it in a blender, shit on it, vomit on it, eat it, give birth to it”

This series was just PERFECTION. I’ve gotten into arranged-marriage AUs and this has been one of the best I’ve read. It was just perfection. The language barrier definitely added an extra charm to it, in which Shiro finds his own ways to get to know his husband better: both creative and funny ways. So many cute moments, so many funny moments with Hunk being the translating middle man between them, and the smut. THE SMUT. THE SMUT. THE SMUT. Just *chef’s kiss* Incredible. It was just so so sweet, and such a comfort read. I reread this series 5 times already and hope Robin (the writer) does more stories in this AU.

Please read this series. You’re not gonna regret it. It will MELT your heart. 

Honorable Mentions:

If I Called You Mine

Sail Across the Sky Just to Get to You

Finding Shelter (The Alien Baby Remix)

Say You Do(n’t)

2). The Golden Hour by @goldentruth813​ (sheith)

Summary:  After a space mission failure, Shiro loses his arm and his career. Two years later he's settled into a quiet and simple new life on his farm, but when a beautiful alien crashes in his field, he discovers the answers to his questions—and possibly the keys to his future—will come from the stars.

I’m sure no one, least of all Janel the writer herself, is surprised to see this author featured on this list. For now the 3rd year in a row. WOOOW  👏🏿👏🏿👏🏿 She is the reason I got into shieth, and she just continues to put out amazing conent with them. This story by far has been the best she’s done this year-possibly one of the best ever. 

We have Shiro trying to have a simple life at the farm with his dog and animals. A curious BOM Keith who shakes things up with his boldness/innocence-and questions bound to test blood pressure, especially Shiro’s. Loads of cute moments, loads of funny moments, and also loads of oreos. 

If summary and my thoughts don’t sell you, only one thing will: reading it for yourself.

Honorable mentions:

Two Hearts in Bloom

Mountain Men

Home is in Your Heart

3). Spun like Gold by Neyasochi (sheith)

Summary: Though Shiro is currently operating his fledgling bakery business out of a decrepit food truck he got for cheap in a repossession sale, he dreams of something more: a cozy bakery and cafe on a tree-lined street somewhere, filled with the smell of fresh coffee and sugar glaze instead of diesel. A little money could go a long way to helping him get off the ground-- and luckily, Keith has money to burn.

Or: Keith takes care of Shiro’s financial woes, in exchange for a little sugar.

OMG, OMG, OMG was this story so sweet. Neyasochi already sold me with the baking/baker Shiro trope, but went a step further throwing in sugar-daddy Keith who knows his way around his manic family and cars, but when it comes to asking a cute guy out? What better way to make an impression than becoming his best paying customer?  

Honorable mentions:

oh, devour me

Healing Touch

on your hand of gold 

4). The Destiny You Sold by @tryslora​ (drarry)

Summary: In which Draco knits, Harry makes wands, and things get very tangled up between them.

If there’s one thing I love about fanfics is how they introduce you to tropes you never would consider before. Draco and knitting was a combo I didn’t realize how much I needed until now. And I love the fact knitting played a big part of the accidental bonding. Also loved the fact everyone in their friend group shipped them like crazy. Highly, highly recommend 

5) What’s My Age Again? by @lazywonderlvnd​ (drarry)

Summary: Harry Potter has had enough of pleasing the public, and his reckless tendencies are finally getting out of hand.

The Quidditch World Cup is only a week away; as Captain of the English National Team, Hermione has assured him that his immaturity won’t be tolerated by the Ministry.

And then Malfoy shows up.

(Inspired by the blink-182 song of the same name.)

It’s no secret that I’m such a fangirl of @lazywonderlvnd​. Any drarry story I read, I always love. Last year, I ADORED The Changing Lights, which was one of my favorites last year, and her updating/finishing the story was a massive highlight for me. I thank ya for that. 

This story was honestly refreshing. I’ve grown so used to Harry being responsible, always doing what’s right, that seeing a story where Harry pretty much has his middle finger in the air to “good reputation”, “being responsible,” because as he brought up: “I’m 25. I’ve been fighting all my life. I’ve earned my life to have fun.”

Okay, granted, it wasn’t quite like that but it was along those lines. And I agree. After all he went through, Harry deserves to have fun. He deserves to be reckless and make stupid decisions.

Also, it was such a blast reading a story where Harry is the brat & Draco has to keep him in line. LOVED.

Honorable mentions: 

Inside Your Mind

Aletheia

6). Chocolate and Pastry by agentmoppet, anemonen (drarry)

Summary:  When Pansy bets Draco that there is no chance he and Harry could carry out a genuine romantic relationship, he and Harry form a plan. But as their fake relationship progresses, Draco sees a side of Harry he never expected. Harry is struggling with something, pushing it far down inside him where he doesn't have to acknowledge its existence. Draco starts to worry, and then he starts to care, and then... horribly... he starts to fall in love.

Do not let the title fool you like it did me. Title alone, I was thinking it was going to be a fun, fluffy story involving baking, maybe chocolate crafting. However....it was not that at all. It was more. A lot deeper. A lot more angsty. It explored mental health, PTSD and the dangers of loved ones ignoring the signs, and contained an important message:

You can’t love someone out of their illness/disease/ addiction. Which is true and this story showed that. 

7). i’m still here by owedbetter (zutara)

Summary: "You see me."

And somehow, that makes all the difference.

If there’s one of the few good things 2020 has brought, it was Netflix bringing back ATLA to their library. Which in turn ignited my love for zutara & had me drag @kila09​ into that ship. 

This story was just incredible. The way it was written, it really felt like it could have been canon. Deleted scenes that a certain creator didn’t want us to see. The way Zuko and Katara came together, starting from their peaceful friendship after the Southern Raiders episode up, becoming closer along the way. 

I dare y’all to read this and not think OMG...is this secret canon bonus material? I definitely plan to read more by owedbetter. 

8). all the what ifs i never said by rosegardenlake (sheith)

Summary:  Keith is nine when he first notices Shiro. Shiro is gentle and quiet, always keeping to himself. Keith is rough and loud, running wherever his feet will take him, screaming on the top of his lungs into the wind. But despite that, they're a constant throughout each other's lives...if only that could be enough. As they grow, Keith just wants them both to be happy, but instead, he's falling apart.

Rosegardenlake is another sheith writer who I adored last year & adore this year as well. This was a story that I read during the beginning of quarantine-life and when I tell you the number of times Keith’s emotions of loneliness got to me, it’s a big number. 

Keith’s struggle with life after high school, after peaking in school, and his mental health reminded me too much of where I was at 2018, which wasn’t a good year for me at all, especially mentally. So that was triggering but it was also helpful since I saw how far I came. And it was beautiful seeing how far Keith came. 

Also the relationship between Shiro and Keith was just beautiful. It’s very funny how Keith was Shiro’s protector growing up and Shiro became Keith’s later on in life. There’s a chance your heart may be heavy, but will also be so swelled up with feelings these two bring it. 

Honorable mentions:

Where the Light Doesn’t Reach 

9). When Night Comes by Oh_Hey_Tae (BTS; poly ot7)

Summary: Jungkook’s tipsy, but he’s not buzzed enough to miss that he doesn’t recognize any of the four dozen people here. And seeing as his friends aren’t ones to ditch and there’s no way they’d play a prank this mean on him, Jungkook reaches the conclusion that he just walked into a stranger’s very expensive home, uninvited, and started eating their food and petting their well-dressed dog.

(Or: Jungkook shows up to the wrong Halloween party and meets the most powerful family in Seoul.)

I can easily say Oh_Hey_Tae easily one of my favorite BTS fanfic favs. Always come through with the stories, and this one was just amazing. We have Jungkook stumbling into a Halloween story, and soon enters into a intense, insane relationship with all six guys, who are already in a relationship with each other. Oh, and supernatural creatures at that. 

You do see certain relationships are stronger, deeper. For example, a lot of moments between Jin and Jungkook. Vmin has their own story and moments. But it was just so amazing. 

Fair warning. Halfway through, things get darker and Oh_My_Tae really loves playing readers diirty with the angst, but it’s so good. 

10). peace-weaver by magisterpavus (sheith)

Summary: You will be the peace-weaver, his mother told him, smiling though her dark eyes welled with unshed grief. The one who brings two bitter enemies together and ends the bloodshed and death between us, once and for all.

But men will always crave war. The Galra, most of all.

Yet another arranged-marriage AU that I loved. This particular one is well-loved in the sheith fandom. I can definitely say it’s considered one of the classic fanfics that’s been read or shared at one point or another. 

The story itself reminded me a lot of Macbeth, involving murder and dark forces at bay. The dynamics between Shiro and Keith reminded me of Drogo and Daenerys from GOT, one of my fav couples there, which only made it all the more better for me. 

I do credit the author for the creative approach they took with quintessence and Shiro’s role/persona as the Champion

Honorable mentions:

The Boy in the Window 

Sheith Demon/Priest AU

A Matter of Scale

Directive 

Honorable mentions that I seriously wanted to add to the list but this post is already lengthy. All amazing, all greats reads by various writers y’all should check out:

Hold Me Tight, or Don’t by snowfallen (yoonmin with a Mr. & Mrs. Smith AU featuring assassins and hitmen, secret identities, fake marriage, and a lot of smut)

The Prince and Pirate by Maniacani, @nerdherderette​ (drarry with a splash of royalty and pirates. Perfect if you’re needing to fill in any Pirates of the Caribbean or Black Sails cravings)

First Kisses are the Best Ones by SashaDistan (sheith in a 50 First Dates Fusion heartfelt/heart-gutting story)

freely, as men strive for right by @bixgirl1​ (drarry w/Harry explaining the many ways why Draco’s the love of his life. we love to see it)

The Sacrificed by SasuNarufan13 (sasunaru w/ dark fairytale elements similar to Little Red Riding Hood & Beauty and the beast + feat. mpreg)

Chasing Treacle Tart (and Draco Malfoy) by xErised (drarry feat. lunch lady Draco + scheming Harry + loads of fun w/sweets & more)

Red Desert by @beatitudinembty​ (taekook in a unique sci-fi AU; hard to explain but so worth a read

one way ticket to another life by starboykeith (sheith Hades x Persephone background)

Even So by lewilder (zutara; arranged marriage+ language barrier +soft strangers to lovers)

Well, lovely people, there you have it. My top 10 favorite fanfics of the year. I do notice a certain ship shows up a lot on this list, but I wasn’t kidding when I said they took over this year. Still, I tried to mix the list up with other fav ships/fandoms of mine. To the writers who created these incredible stories. I applaud you. I thank you for creating and sharing these wonderful stories. Anyone interested in doing the tag, please do. 

HAPPY NEW YEAR, GUYS

[imreallyhereforkataang]

On The Southern Raiders

Several months ago, a fellow ATLA-consumer asked me the following in reference to TSR:

I came across a post (on tumblr, what a surprise!) the other day saying that Aang never seemed to care about Katara’s feelings revolving around her mom. […] Do you think people genuinely interpreted Aang’s actions like that? Simply by watching? Or are they purposely misconstruing it?

I responded with the vast majority of what follows. It was a while afterwards that I rejoined the fandom for long enough to see the massive spectrum of takes on The Southern Raiders that continues to be put out on the daily.

There seems to be this recurring idea that Aang’s actions in TSR demonstrate that, not only did Aang “never care about Katara’s pain” regarding her mother, but also that he was “forcing his morals on her,” etc. On the topic of whether people honestly believe this to be in Aang’s character or see him this way deliberately, I think sometimes they jump to the conclusion that Aang didn’t care because it stems from a misconstrued interpretation of Aang and Katara as individuals and their dynamic as presented in the show, which may extend to the belief that Aang doesn’t give back what Katara gives to him. In general, I can see how someone might form that impression, but they’re missing some key contextual pieces.

Just a quick disclaimer: This is (obviously) a look into TSR and dives into Katara and Aang, both as individuals and together. I try to make this fairly objective while relaying my own opinions, but this will subsequently hold pro-Kataang rhetoric, platonic or no. Additionally, because this is TSR we’re talking about, I do allude to elements here that mold into what I see as ‘specific common misconceptions about Z*tara’s romantic compatibility based off this one particular episode.’ Why are these relevant? Because there is a clear trend where the people trying to put Aang down or even demonize him for this episode are often pro-canon!Z*tara advocates. To be clear, I don’t have an issue with people who ship them for fun outside of canon, so if you like romantic Z*tara but also appreciate Aang, any perceived digs are not directed towards you! But I think some of these things are worth mentioning here in the interest of examining TSR and Aang-bashing.

(Also fair warning that this is nearing 7k words.)

So, with that out of the way:

I briefly mentioned how people can misinterpret Katara and Aang’s back-and-forths in terms of emotional support, and I feel like that starts with Katara.

Katara is a naturally caring person and earnestly reaches outward to empathize with people. She’s extremely perceptive when someone is hurting (the only one to look concerned when Aang showed gripes about killing Ozai in The Phoenix King) and is often seen as the nurturing character who will coax others to talk about their inner struggles (she does this with Toph in The Runaway and Zuko in The Old Masters, for instance).

Time and time again, when Aang has struggled on his Avatar journey, Katara has been the one to get him to open up and articulate his turmoil, ultimately supporting him or convincing him that there is still hope for better days. She’s been there for him at all times, from The Storm to The Avatar State to Bitter Work to The Serpent’s Pass to The Awakening and beyond, exercising patience and care. It’s a role she undertakes, and as Aang is our main character and undergoing, arguably (I guess? But to me inarguably), the most of everyone in the gaang, it makes sense that Katara, given her empathetic nature and their strong bond, will often be the one expressing true concern for Aang.

So we know that when Aang struggles, which we understandably see a lot of, Katara is his rock. But what about giving back when Katara struggles?

When it comes to Katara’s share of turmoil, the death of her mother and how it continues to impact her is one of her greatest sources of pain. Honestly, it might be one of the only times we actually watch her struggle on her own, as Katara tends to be a powerful self-advocate (see: The Waterbending Master). The thing is, even though Katara has mentioned losing her mother several times throughout the series, and of course she always sounds regretful when it’s brought up, she tends to keep the rawness of her associated sorrow bottled up. Almost every time Katara mentions the death of her mother, it’s been, in very Katara-like fashion, to express understanding towards others. With the exception of @Zuko in the crystal catacombs and TSR, she only brings up her own grief to empathize (@Aang in The Southern Air Temple to prepare him for the genocide and show understanding when he grieves, @Haru in Imprisoned when Haru talks about connecting with his father, @Jet in Jet when he talks about losing his own parents to the Fire Nation, and @Hama in The Puppetmaster when talking about losing members of the Southern Water Tribe). Really, The Crossroads of Destiny and TSR are the only times Katara actually brings up her own pain for the sake of bringing up her own pain, and it’s not often that we see her physically break down over it like we do in the former.

Katara isn’t the sort of person to bring up her turmoil simply for her own needs, or because she realizes it’s weighing on her heavily in that moment. It’s a sore spot that’s changed her behavior (as Sokka explains in The Runaway), making her grow up faster, and that she’s continued to carry for years and years. And yet, again, before The Southern Raiders, we never watched her actively cry over her mother except for when she was alone in The Swamp and with Zuko in The Crossroads of Destiny (and also perhaps when she was alone in The Runaway).

Thus, The Southern Raiders is an interesting episode because it’s where those feelings Katara has been harboring are fully brought to the surface and, in extent, it’s the episode where we see Katara at her lowest point. All of that pain is made fresh and present, the murder no longer feeling like something that happened long ago with, as she believed, no available ends to tie (“Now that I know he’s out there, now that I know we can find him, I feel like I have no choice”), and it causes her to lose sight of herself. That’s not only starkly reflected in her decision to bloodbend, but also in how she doubts that anyone understands her pain.

Katara undermines Sokka’s hurt at the same loss she’s experienced and forgets all the struggle that Aang has had to endure from the start. Not only does he know how it feels to lose a parental figure (Gyatso) to the Fire Nation and not have been able to help (“My people needed me and I wasn’t there to help”; “I’m not the helpless little girl I was when they came”), but he also knows how it feels to lose an entire culture (something only Katara and Hama have similar experience with). And Katara knows this – she’s the one he’s expressed the most of his grief to, and yet here she forgets that. So we can already see how this opportunity Zuko has given Katara, the chance to find her mother’s killer and the anticipation that she feels from it, is bringing out a darker side of her that, unlike the Katara we know and that she wants to be, does not empathize or pause to understand. She’s so engrossed in her own pain, for the first time in so long, that she can’t see beyond it.

In consequence to this episode being about Katara’s emotional journey, I think The Southern Raiders is the most opportune time to observe who will give Katara what she has always displayed towards others. When a character undergoes the level of hurt Katara expresses here, it’s usually she who reaches out to that person, but now it’s her turn to be emotionally compromised. Now we get to see who steps up to the plate.

A lot of people conclude that this person is Zuko. That he’s the one who will reach out to her and connect with her emotionally to help her deal with that pain. I do agree that Zuko played a vital role in Katara’s emotional journey here – he was the catalyst for it. He had an established motivation to get off her bad side and onto her good side, a possible solution alluded to him, and knowledge that comes with hailing from the Fire Nation to go forth with his idea. And he does, and he’s physically there to help Katara through its execution.

However, Zuko making the effort to give Katara this opportunity does not reflect a lack of effort on Aang’s part. Firstly, because, as explained, Aang didn’t see how raw this pain still was to Katara. At this point, Zuko had been on the receiving end of two beratements where Katara angrily mentioned her mother’s death. Aang was not, nor did he witness these incidents. Aang understood the significance of her necklace (Bato of the Water Tribe) and looked concerned for her when she mentioned her vision (The Swamp), but Katara never seemed to express to Aang just how raw her mother’s death still felt, just as Sokka never did. She mentions it in The Southern Air Temple, but their topic of discussion was the Fire Nation killing the airbenders, and Aang was trying to fend off the idea that they might have committed genocide against his people. Considering context, there’s no reason to fault Aang for any of the things he did on this issue, or a lack thereof.

Just as Katara and Sokka thought, Aang probably believed it was a concluded topic in terms of active response. It was something that happened years ago, Aang was in an iceberg at the time, and neither Katara nor Sokka nor Aang thought it was something to go back on and revisit. When Katara yelled at Zuko, she never suggested looking for the killer. And again with that quote, “Now that I know he’s out there,” I don’t think hunting for the man was on anyone’s mind. As a viewer, it was never on my mind, either.

What Zuko had that the rest of Team Avatar did not was direction and knowledge on how they could potentially track down this specific Fire Nation military official. Even Sokka, who could remember the emblem of the Southern Raiders and underwent the same loss Katara did, not only seemed to have no intention of tracking his mother’s murderer, but also took Aang’s side when Zuko and Katara explained what they were planning to do.

Which supports the next point – regarding how Aang responded to the idea once it was out there.

Quick tangent, but it’s a scene like this that shows how Aang’s feelings for Katara have matured. The way he reacts to Katara in The Southern Raiders conveys how he knows she’s not perfect, he knows she can make mistakes, and even if, to some, he comes off as trying to hinder her on this sensitive topic, he overtly wants what’s best for her.

Aang recognizes the change in Katara’s demeanor when she approaches him about borrowing Appa. He seems to notice that something is off about her energy, probably to this extent for the first time, just as for the audience, and his instinct is not to step out of her way and “stay on her good side,” but to try and assess the situation before he lets her go in the condition she’s in. Katara is undeniably not thinking clearly during this scene, nor for much of the episode’s proceedings, given her tone, expressions, words, and intent. She’s undergoing, just as Aang says, “unbelievable pain and rage” (callback to The Avatar State; “for the people who love you, watching you be in that much rage and pain is really scary”). Aang understands where Katara is coming from, and he offers her his two cents, but he doesn’t “force” them on her, either.

Watching how Aang’s expression changes between looking at Zuko and Katara, he appears intent and almost stern towards the former. But for Katara, he’s first treading the waters, then concerned and earnest. Aang doesn’t shame Katara for her dark rhetoric or tell her what she should or shouldn’t do, but tries to help her regain some control of her emotions (“Katara, you sound like Jet” – he knows this side of Katara isn’t truly her, or who she wants to be, and this comment might serve to give her insight as to how she sounds) and then offers Katara a choice. Aang makes light of an option that she’s overlooked upon having this opportunity, and he tries to explain why the road she’s going down, the way she’s choosing to handle the situation, is self-destructive. All in all, he’s looking out for her. In his own way, he’s doing for Katara what Katara would have done for him.

I think it’s made fairly clear that, had Katara killed Yon Rha, (who, while, yes, is vile and got away with murder, was also defenseless against Katara by the time she caught up with him), she would’ve regretted her decision. The frightening thing is that I don’t believe she would have accepted that regret from herself, either. It would always remain a blemish in her energy (mind you, not because murder will inherently do this to everyone in ATLA, but it would to Katara specifically given her nature), something that would make her forever carry a bit of that darkness we so rarely see from her, much heavier and more permanent than withholding forgiveness, instead of following “Let your anger out, and then let it go.”

Here’s the thing people seem to forget about TSR: Canon shows us that Aang’s method for handling the situation is beneficial to Katara. It’s true that Zuko was the catalyst for this journey and he was there to help Katara see it through, but it isn’t true to say that Aang didn’t do her a favor by reaching out and being honest with her before they left. Remember the ultimate note on this side story: “You were right about what Katara needed. Violence wasn’t the answer.” The narrative teaches us that Aang was correct on this front – maybe not for everyone, but he wasn’t trying to nudge everyone. He was trying to nudge Katara.

I recently acquired the official DVD commentary for The Southern Raiders. I’ve transcribed relevant points on the end of this post if you’d like to read them in full, but Bryan and Andrea Romano (voice director) talk about how “even though Aang is sort of not in this story very much, to me his presence is in all of these scenes ‘cause you know he’s like, the little angel on her shoulder”; “I agree with you, he is with her through this entire journey she goes through.”

The fact that what Aang said resonated with Katara when it mattered – Katara, who becomes stubborn when she feels strongly about something, who doesn’t let anyone stop her when she disagrees with them, who is going through the most raw, emotional turbulence we have seen her in throughout the show –, the fact that Katara ultimately agreed with Aang’s words, that his words were the aid she needed in realizing there was a decision in either killing Yon Rha or sparing him, hugely states that Aang was there for Katara. Aang helped her see she had a choice for her own sake when her mind was clouded by pain and rage. You don’t need supplementary commentary to see that – Katara was seriously considering revenge, Zuko was leaning towards punishing Yon Rha but, for the most part, staying out of the decision (though based on the two back-and-forths he had with Aang before they left and his reaction to Katara walking away from bloodbending the wrong man, he didn’t realize how detrimental to Katara killing Yon Rha would be – his intention when giving Katara this opportunity was ultimately to gain some ground with her, and while he shares a sense of her pain, he doesn’t foresee what the nature of this journey will do to impact Katara specifically, which I get since he hardly knows her), and so it was ultimately Aang who helped Katara find her path even when he wasn’t there with her physically.

People can argue that Aang was forcing his morals on Katara, but he wasn’t. He was offering valid wisdom, yet pressing enough to hope that she’d actually listen and maybe react, as she did, rather than Aang simply standing back. It would’ve been easy for Aang to do nothing (like he said) and not risk coming off as unconcerned about her feelings, like he did to some viewers, because we know how Aang feels about Katara and that he doesn’t want to create rifts between them. But he risked stirring them, in her volatile state, in order to get his point across, if it meant that in consequence there would be a better chance Katara wouldn’t make the mistake that he knows would haunt her after this foreign mood of hers has passed. Aang isn’t about to let her go without trying to help her, even when she seems to not want help. It’s not in Katara’s nature to seek emotional support, and the audience has never seen her like this, but Aang recognizes that she needs the nudge (which, had her mind been clearer, she’d apparently agree with over her idea of revenge) and gives it openly and hopefully, even when she isn’t in a receptive state (or so it seemed). Again, Aang’s “morals” in this case of murder turned out to be, as he suspected, compatible with Katara’s as well as Sokka’s, so clearly he did a good thing there.

I think some people believe that Aang “forces his morals” on Katara because they’re under the impression that Aang’s concern is the general idea that she will kill somebody, the persons involved being irrelevant. That he’s acting selfishly and, in the interest of aligning with his own ideals, doesn’t want the girl he loves to be “corrupted.” This sort of mindset that “he’s against killing, so he won’t let Katara have this” leads to the conclusion that he’s not giving her the free reign to make her own choice.

However, this idea is debunked again and again in the episode. Aang says, clear as day, “I wasn’t planning to [try and stop you]. This is a journey you need to take. You need to face this man. But when you do, please don’t choose revenge” as Katara turns away from him to go, and Aang stands back and watches with concern. He’s not being “forceful” – he’s being honest, like Katara’s been for him, and even supportive. If Aang really wanted to ensure that Katara followed his own morals, if he were actually not giving her free reign, he would’ve either disallowed Katara and Zuko from taking Appa or gone along with them. Aang could’ve justified joining the mission – it is his bison and that would split up the gaang evenly. He could’ve forced himself on this journey and used the time before meeting Yon Rha to monitor Katara like a chaperone, believing he’s just trying to help and making sure she doesn’t get hurt.

And yet he doesn’t. He lets Katara do this, and his parting words continue to be what he hopes she’ll choose. But his final action, letting her set off with Appa and leaving him behind, means that he’s leaving the decision up to her.

I feel like people completely forget some segments of the episode. Like how Sokka says “I think Aang might be right” and doesn’t go on the journey that he has as much reason to embark on as Katara does. Or how Katara literally says right before departing, “Thanks for understanding, Aang.”

Aang’s stance on Katara getting revenge goes beyond Aang just being against killing – he’s not voicing his opinion out of defense of Yon Rha or because he doesn’t want to love someone who went against his morals. He’s doing it because he knows what Katara’s going through and he doesn’t want her to have to face the consequences of letting the pain get the better of her. He’s trying to help her from going down a dark road, not for himself, but for her, because he knows her and knows this is something she would regret.

So when Katara tells him later that she didn’t forgive Yon Rha, Aang doesn’t push her or ask questions. He’s glad – and proud – that she didn’t do something that would’ve permanently hurt her, and beyond that, she could dissent from his morals as she liked. When Aang saw Katara after her trip, the first thing he did was run to her purely to ask if she was okay, not to discover whether she killed; he already knew from Zuko.

Bottom line is that Aang cared about her feelings. Particularly the feelings of the Katara she normally is, the Katara she means to be, the Katara who doesn’t bloodbend or unempathize, the Katara who’s hurting and whose pain is getting the better of her. Aang saw what was happening and did what he could to help, nudging her on the path she needed when her vision was clouded (sounds like Katara helping Aang when he’s in the Avatar State. Again, The Southern Raiders provides an instance of Aang giving back to Katara what she’s given to him, like with The Desert/The Serpent’s Pass, his pain from which Aang pointed out in “How do you think I felt about the sandbenders when they stole Appa?”).

Overall, people might honestly interpret Aang as being unsympathetic this episode, and I can see how from a superficial standpoint. But by doing so, they’re missing the significance of Aang’s choice to reach out and the importance it played in helping Katara conserve her own image of herself. She bloodbends someone – not even confirming that it’s the right person, first – in a rush of pain and rage after practically swearing it off less than ten episodes ago, so she clearly loses some semblance of herself during this episode, and it’s Aang who makes the most effort to help her find balance without getting in the way of her search. Ultimately, Aang’s role in TSR demonstrates how well he understands her personally, as well as his ability to step back and let her make her own decisions while still offering a viewpoint that her pain prevents her from seeing.

—-

Okay, big breath. Halfway through. I’d like to talk in more depth about how Aang understands Katara’s position.

I was thinking once again about Aang saying, “I do understand. You’re feeling unbelievable pain and rage. How do you think I felt about the sandbenders when they stole Appa? How do you think I felt about the Fire Nation when I found out what happened to my people?” As presented to us, those two incidents had several things in common.

Aang went into the Avatar State due to intense emotion, as opposed to a life/death situation, and caused mass destruction that risked placing harm on others. And both of these times, Katara was the one to pull him out of that state. An important thing to note is that there’s one other moment very similar, but not identical, to these, which took place in The Avatar State. Just like in The Southern Air Temple and The Desert, Aang entered the Avatar State due to intense emotion, out of anguish when losing Katara. But the difference here was the amount of destruction caused. When Aang lost control of himself, he went through with hurting the people in his vicinity, and when he came out of that state, he hated to see what he’d done. Aang told Katara that he hoped she’d never have to see him like that again, and he hoped it for himself, too (but, of course, she did see him like that again in The Desert).

What I’m trying to show here is that Katara losing herself to her “pain and rage” in The Southern Raiders parallels Aang losing himself to his “rage and pain” in The Avatar State, not just in The Southern Air Temple and The Desert, as he directly references. But why am I so adamant about The Avatar State as opposed to those other two episodes?

Because we saw the lasting effect that The Avatar State had on Aang. There are many analyses out there that explain how Aang has had to struggle with control over his vast power, oftentimes depicting it as something he’s afraid of. For so long, Aang fears the Avatar State, what he’s capable of while in it, and how he can’t regulate his actions when it occurs. This conflict comes up time and time again, and a huge part of his character arc is involved with that struggle.

But again, for the significance of The Avatar State episode specifically, I was thinking about chakras in The Guru. From his Earth Chakra, we see that Aang continues to fear himself in the Avatar State, and from his Water Chakra, we see that one of his two greatest sources of guilt is that he lost control of himself in The Avatar State due to his rage and pain, lamenting that he “hurt all of those people” (the other being that he ran away, which, as mentioned before, is tied with his guilt at not being there to help and isn’t unlike the anguish Katara must feel now at not having been able to help her mother, get her father’s help fast enough, etc.). Pathik tells him that, in order to open his Water Chakra, to absolve the guilt and let the pleasure flow, “you need to forgive yourself.”

So here we have this idea that forgiveness is the key step to opening a person’s Water Chakra. Water, symbolizing pleasure and healing. “It’s easy to do nothing, but it’s hard to forgive.” “Forgiveness is the first step you have to take to begin healing.” These things Aang says in The Southern Raiders reflect what Pathik taught him about the Water Chakra.

Forgiving oneself is (obviously) different from forgiving your mother’s killer, but with this insight it’s clear that Aang personally understands how it feels to let your pain and rage get the better of you, and how it hurts deeply to face the consequences of your actions once the moment has passed. He recognizes that Katara is in a state not unlike the one he’s in when he loses control (“I do understand”) and he doesn’t want that for her. He wants Katara to be able to regain control of her actions and navigate out of her clouded vision so that she can make the choice that’s right for her. Aang is trying to help Katara see the pieces she’s missing, like how Katara does for Aang when he’s in the Avatar State.

Forgiveness is a necessary step in order to heal, and maybe it wasn’t a choice Katara ultimately made, but that was a decision Aang accepted. She didn’t kill Yon Rha, she didn’t have to now struggle with guilt or having to admit to that guilt, and she didn’t have to be faced with the strenuous task of forgiving herself for something she definitely would not have wanted to admit needed forgiving for. She saved herself from the pain that could have resulted from her own actions, because Aang helped her see she had a choice. When it mattered, when she was about to deliver the final blow, Aang’s words helped her pull out of that emotion-induced near-equivalent of an “Avatar State.”

To me it’s really fascinating to see the connections between these incidents – The Southern Raiders plus the three episodes where Aang enters the Avatar State out of emotion/rage (almost four if you count The Storm, but he manages to contain it when Katara calls out). The way these arcs parallel each other (“I went through the same thing when I lost my mom”; “How do you think I felt about the Fire Nation?”; “Watching you be in that much rage and pain is really scary…I can’t watch you do this to yourself”; “As you watch your enemy go down, you’re being poisoned yourself”) and ultimately culminate in acts of mercy. It’s incredible how Aang and Katara are able to reach each other when they’re in their emotional states, and know what the other needs and who they are when they lose themselves.

In addition, I also think Andrea’s point about how Aang “teaches” Katara is further reflective of the impact Aang has on the people around him. I’ve seen many circulating posts about how Aang hailing from the time before the war and being raised by the Air Nomads allows him to bring a unique, positive influence to those around him who, in contrast, grew up in war-time and were most likely (Bumi is an exception) never alive in the time of the Air Nomads. However, along with the lightheartedness and fun (see: The Avatar Returns and The Headband), this also includes the specific wisdom and peacekeeping ways of the airbenders that became lost in the war, and that Aang symbolically ends the war with: An act of mercy, thus showcasing the survival and triumph of the Air Nomads as well as the Avatar. In TSR, Aang shares this wisdom with Katara – that the choice exists, and there is strength in not choosing revenge and electing forgiveness if she so resonated with it.

[Click here]    

—-

Back to the original question –

It may be possible that if someone were to overlook some characterizations and watch The Southern Raiders episodically, as opposed to as part of a whole arc, then they might genuinely form the impression that Aang is in the wrong here. I think I myself might’ve been a bit surprised by his approach when I was younger (though Katara’s attitude was also very surprising and even unsettling), but that was also at an age where I didn’t really understand the severity of the situation and just how much Katara was drifting from herself, or what killing Yon Rha could do to her, or, simply, in that volatile state, what she needed to hear.

I’ll be honest (drawing from personal experience, not sure if others relate) – I think as a child, one may not see the episode as intended because, unlike many other episodes, the takeaway lessons in The Southern Raiders are either expressed through words or an instance of not doing something (the instant where Katara doesn’t kill Yon Rha, since not doing something is less stark to a child than doing something). It’s a gray story in terms of right/wrong, and when you’re young, I can see why those lessons are misinterpreted because the viewer gets so caught up in the adrenaline rush of the action in this episode, the stealth, the bloodbending, the frightening amount of anger in Katara. It consumes most of the viewing experience, and within all that, the ultimate big lesson that “Violence wasn’t the answer” might get missed because violence or violent intent constituted almost all of the runtime. I see people who don’t remember this episode as a commentary on vengeance/forgiveness/the middle ground, but as “the one where Katara and Zuko got super badass."

Getting older, The Southern Raiders is such a gruesome episode. I now see the crucial, ‘quieter’ points that I overlooked as a child. Things like Sokka siding with Aang, Katara thanking Aang for his understanding, Zuko ultimately agreeing with Aang’s assessment of what Katara needed. Sad thing is that some people don’t appear to see this episode the way it was intended in time. TSR requests a perceptive mind from its audience, and some people don’t seem open to that.

I feel that this episode is often treated as shedding light on canon romantic Z*tara for similar reasons as to why people might miss the lessons – Zuko and Katara look cool and badass, on their way to kill a man. It’s exciting to see them working together, the nature of the mission is intriguing, but understanding subtext means acknowledging the tragic underlining of the episode, that it’s painful, that it’s Katara’s journey. It’s disappointing to me when some people chalk up Zuko and Katara’s relationship to being “badass” and “sexy” as a result of The Southern Raiders. It feels out-of-context, caught up in the “coolness” of this episode and misinterpreting physical synchrony as emotional, especially since their dynamic changes anyhow after Katara forgives him.

The episode presents very clearly that Zuko wasn’t right in his assumption about what Katara needed. Again, not necessarily his fault, although his comments about "Air Temple preschool,” “Guru Goody-Goody,” and forgiveness being “the same as doing nothing” display his skepticism of going the peaceful route (though this is curious to me given how often he showed mercy towards Zhao). He honestly didn’t realize the implications this journey would have on Katara, but by the end of the episode, I think it’s safe to say Zuko learned that Aang knew what he was talking about. Aang, whose whole nation and father figure were killed, and yet was able to forgive. Who could see how Katara was responding to the information Zuko gave her.

That’s not to discount Zuko’s role here. Maybe Katara did need closure, and Aang did say “This is a journey you need to take” (although, I do wonder, as Aang asked originally, what it ultimately accomplished. I get that Katara felt like she needed to take the opportunity once Zuko handed it to her, “Now that I know we can find him,” but if Zuko had never brought it up, would things be different? I hope it accomplished something in regards to Katara’s turmoil – perhaps she was able to forgive herself in that she could finally confront the man who did this, when all those years ago she came back with help “too late” – but at least she forgave Zuko in consequence), but this journey was so emotionally turbulent for Katara, heavy to the point where she wasn’t even herself anymore (as said in The Avatar State, “I saw you get so upset that you weren’t even you”).

Therefore, I personally find that simplifying TSR into “Katara and Zuko being cool” to the point where people glorify the way Katara acts in this episode insulting to her character, simply because I don’t enjoy watching deep pain morph Katara into becoming something she dislikes (see: Bloodbending and how it’s often glamorized in fandom). To me, it’s not as if she’s honing something akin to her inner strength. Katara is an extremely powerful character, which is shown time and time again, and her power comes from her physical capabilities as well as her inner strength. “Hope is something you give yourself. That is the meaning of inner strength.” Bam, Katara right there. “I don’t know if it’s because I’m too weak to do it or if it’s because I’m strong enough not to.” As is a theme in this show, there is a strength in restraint.

In her right mind, Katara would be horrified by her actions in The Southern Raiders, or at least what her ultimate intention was, and if people more closely understood Katara as she is, then I feel like they’d agree. As Aang did.

—-

Do I think there are people out there who deliberately reimagine TSR as ‘the episode where Aang was a “self-righteous prick” to Katara’? Yes, absolutely. As for motivation, I can’t really think of any reason for trying to make Aang look bad besides trying to make him look bad in comparison to another character (i.e. Zuko here), or maybe people have their own personal reasons for disagreeing with Aang’s sentiment while forgetting that Katara ultimately does not (in regards to the killing). Or maybe people just dislike main characters who manage to uphold their morals and it goes in-hand with those who think Aang should’ve killed Ozai.

—-

Honestly, there’s a lot more that can be said on the topic in regards to what Katara learned about herself in TSR, as such might be reflected in her active choice to spare Azula in Avatar Aang (which Bryan notes in his commentary: “Katara also finding a peaceful means” in reference to Aang), but frankly I’m kind of exhausted so I’m gonna leave this half-baked copy-and-paste from something I wrote earlier this month:

I feel like the only people Katara has harbored legitimately murderous thoughts towards have been Yon Rha (her mother’s killer) and Zuko and Azula (Aang’s killers, indirectly and directly), indicated by that unique energy she’s carried around those three that we don’t see a lot from her, where her voice becomes lower and the weight of her words more threatening (also the fact that she issued clear death threats to the first two).  

For the final Agni Kai, Zuko planned on ending Azula. He goaded her into using lightning and intended to redirect it at her (he didn’t want to, of course, as Bryke noted, but that was the decision). So it’s striking to me when Katara, despite having a very opportune chance to end Azula and knowing Zuko wouldn’t have judged her for it since he was about to do the same, makes the active choice to keep her alive. Katara could have unfrozen herself and gotten to Zuko immediately, but instead she took the time to restrain Azula and allow her to live. And I do believe that a part of the decision was made clearer to her after the events of TSR. Katara realized, subconsciously or no, what she isn’t, and that she’d try to preserve Azula if she could despite how much she might hate her for what she did last season.

—-

DVD Commentary for The Southern Raiders

[…]

Andrea Romano: This is where she does bloodbending, right? So scary!

Bryan Konietzko: It’s this dark skill that she reluctantly learned in episode 3x08. And there’s another important lesson – it’s like, once you have power over someone, are you strong enough not to use it? Or, use restraint in life?

Dante Basco: […] The thought of bloodbending is an idea that – it’s just crazy! Like, the average television or Nickelodeon show […] is not thinking about bloodbending. But yet it’s a very possible situation in this world, and I think that’s what makes it so exciting for people who watch the show.

Michael Dante DiMartino: Yeah and it’s not a skill that they take very – or certainly that Katara takes – lightly. It’s a very serious proposition to do that on somebody.

AR: And it’s not treated lightly. Here she is, she’s so close to being out of control. And that’s what adds so much to the drama of it, is, we think, she could really lose it here and really do something that she regrets for the rest of her life. But she manages to hold herself.

[…]

BK: We see that she’s unbalanced emotionally, and so that’s what’s coming out.

AR: […] But we can only hope she’ll make the right choice. (Imploringly) Use your powers for good!

BK: I love that, even though Aang is sort of not in this story very much, to me his presence is in all of these scenes ‘cause you know he’s like, the little angel on her shoulder-

AR: Absolutely, yeah.

BK: -y'know, that she’s ignoring at this time. And so, to me it really is a story about Aang because it’s like, it’s just about him trying to have influence over her actions from afar – just, by not telling her what she has to do, but just by gently suggesting what she try to achieve with this journey.

AR: It really is a juxtaposition there, where the young Aang sort of tells her, like a parent, go ahead, go out and do what you have to do, but please, I hope that you choose forgiveness rather than revenge. And here he is the young one, and she is the older one who should be, sort of, teaching him and in fact they switch and he teaches her. So I agree with you, he is with her through this entire journey she goes through.

BK: I think it’s also interesting that, if you look on paper, Aang has lost a lot more than Katara has, and he sort of gently reminds her of this. He’s like, 'Hey, my whole culture was wiped out. Everyone I’ve ever known was wiped out.’ And uh, but as we all know in real life, you can’t really quantify suffering. It’s really a personal thing and everybody…everybody’s situation, when your own world kinda crumbles, it seems like the whole world’s falling apart. You can’t really equate these things. And so, we just see Katara lost in a very human moment in this episode.

AR: I love that scene. So dramatic. You just go 'Oh no – don’t do it! Don’t do it!’

[…]

—-

DVD Commentary for Avatar Aang

[…]

Bryke: It’s sort of like a multi-stage thing. He releases his emotions, these raw feelings of anger and wrath, and then learns to control them and rise above them. […] We obviously wanted a cool moment of Aang in the Avatar State, and it was kinda finding that right story beat for him. And in this case it was him being the totally wrathful, vengeful version of the Avatar […] But it’s really not Aang. It’s really this energy that has kinda taken over him. He’s not in control at this point. […]

So, can kind of recognize this Kung Fu move he’s doing. It’s what he was having nightmares about in 2x01, as he feared being this sort of wrathful, y'know, Hand of the Avatar. That was that same kind of […] chopping motion in those 2x01 nightmare scenes. […]

I feel like that’s his defining moment. That’s why we call this episode Avatar Aang. […] He’s finally learned to control the energy. […] He’s controlling it, he’s not letting it control him. […]

[bleuspirit]

A take on some “analyses” about Zuko and Katara’s relationship

Ever since A:TLA aired, I have always been (and still am!) a Zutara shipper. I was already around deviantart back in 2008 and so for many years I’ve seen countless arguments and counter-arguments about this ship and almost all of them were in comparison with Kataang (w/c is understandable). Admittedly, I used to agree with the anti-Kataang sentiments back then, but over time (and with age and experience! Ahaha), I learned to appreciate the different ships in ATLA better — even Kataang. It’s just personally, I enjoyed the canon development of Zuko and Katara’s relationship more. I find it more fleshed out I guess — probably because they’re literally the “textbook definition” of relationship development (enemies to best friends kind of thing). But anyway, I’d like to point out that what made me do this is because a lot of the arguments surrounding Zutara and Kataang seem to disregard the canon development of each individual characters, and are specially enclosed in a spicy worded “analysis”. What actually made me see the other ships in a better light are those posts which nicely point out their strengths rather than banking on the weaknesses of the other ships. And since I ship Zutara, I’ll only be talking about their relationship here.

(Long post ahead)

One of the main arguments against Zutara is that Katara wouldn’t want to be the Fire Lady and be the mother symbol of the nation who literally killed her mom. This will be my starting point.

There are already a lot of Katara-centered metas out there which discussed her character development. One of the recurring points in them is that as much as Katara held so much anger against the Fire Nation, The Puppet Master and The Painted Lady proved that she doesn’t take it out on the innocent citizens of the country. Hence, we can safely argue that Katara was mainly angry at those who held power. Unfortunately, it seems like a lot of people still overlook this aspect of Katara’s character — even if it’s what makes her more nuanced. This is the Katara that we love. She’s fierce, compassionate, and fiercely compassionate.

Now, in The Southern Raiders, Zuko himself realized this. Katara told him back in Crossroads of Destiny that “It’s just for so long now, whenever I think of the face of the enemy, it was your face.” Katara knew Zuko was the Prince of Fire Nation. She knew that his forefathers started this war. She saw how persistent he was in (her words) “capturing the world’s last hope for peace”. To her, he was THAT “power” that she hated. That blurry image of the Fire Nation that she hated now had a face (of course, there was Yon Rha but Zuko was the prince). “But what do you know? You’re the Fire Lord’s son.” 

And Zuko realizes this. “I think she’s connected her anger about that (her mother’s death), to her anger at me.” And as we’ve seen in The Southern Raiders, Zuko genuinely tried to atone for every hurt that he has caused her. He sought out for her forgiveness, for her to see that he’s a friend that she could rely on. And he did atone himself!

Unfortunately again, most anti-Zutara sentiments seem to brush off Zuko’s entire character arc. Zuko undeniably has one of the best arcs in the history of television entertainment, and he is hands down one of the most beloved fictional characters of all time. But then in trying to deconstruct his plausible romantic relationship with Katara, I often read “but he was a bad person!” or “he’s a bad influence for Katara!”. And honestly, it pains me to read those. We were given one of the greatest scenes in A:TLA where Zuko himself denounced the “Fire Nation Legacy” against the Fire Lord himself. A lot of good commentaries about the show expressly said how glorious that confrontation with Ozai was especially when he called him out on his abuse and their propaganda. “What a great lie that was!” As known to us fans, that was already the turning point of Zuko’s character. From there, he broke free from being part of that line of power.

The conclusion of the The Southern Raiders has shown us that Katara no longer viewed Zuko as the enemy; that he was a good Fire Nation guy. And in fact, she has fully accepted that Zuko represented change in the Fire Nation; that he’s not going to be like his father or grandfather. She forgives him and trusts him completely at the end of the episode. That is why by The Old Masters, Katara readily accompanies Zuko to face Azula because she knows that by defeating his sister, Zuko will be the Fire Lord who will bring a new era of peace to the world. She has to help put Zuko to the throne, and Katara knew damn well that she’s capable to go toe-to-toe with Azula. And we could always view this without the romantic undertones.

It’s actually amazing how the Last Agni Kai parallels the Crossroads of Destiny because if Katara still had reservations about Zuko’s intentions, then she wouldn’t be so down to fight in the Fire Nation capital alone with those two surrounded by comet-powered soldiers. It’s so satisfying to see Zuko and Katara’s canon relationship journey (like as friends) come to full circle in that episode.

And with that, I don’t think Katara will hate the idea of being Fire Lady just because of her previous hatred towards the Fire Nation. Putting on my Zutara glasses now (ahaha), as the Fire Lady, Katara will most likely push for education reform debunking the previous propaganda set by Sozin’s era. As shippers, we can only explore as to what kind of Fire Lady Katara would want to be; and I can even see her and Zuko making some changes regarding traditional marriages. Who knows? Only fanfics can tell haha.

We can probably argue that there might be other reasons why Katara wouldn’t want to be Fire Lady (or like a traditional Fire Lady), but surely it’s not because she hates Fire Nation citizens or that because Zuko did them wrong before. I just wish we won’t overlook their character developments often. Yes, Zuko deserved the anger Katara held against him before, but he had already atoned himself to her. We all know that by the end of the series, they would literally and canonically die for each other — with or without romantic feelings.

Additionally, another thing that I adore about Zuko and Katara’s relationship is that they have a strong emotional bond. Of course, it is already granted that Zuko shares strong emotional bonds with the rest of the gaang as well, and I’m not here to point out that he has the best bond with Katara, because in canon, he’s great with everyone. We’ve seen him have a heart-to-heart talk with every member of the gaang. And now for a shipper, I think this is a great foundation for a healthy relationship!

Zuko grew up suppressing a lot of things and he needs to be in an environment where he can freely express himself, especially that he has a tendency to have self-destructive thoughts. And I’m really glad that he got to have that safe space with the gaang. Zuko could openly air out his frustrations and worries to them, and the gaang understands where he is coming from and helps him sort his issues out — including Katara (see: The Old Masters, conversation outside Iroh’s tent). As for Katara, we can safely infer that Zuko is a good listener and makes good responses. (”Your mother was a brave woman.”) If Zutara did become endgame, it wouldn’t have been a stretch since the series have already showed us that his relationship with each member of the gang is healthy. 

The entire show is complex and it was written extremely well that it reflects a lot of things in our world — including relationship dynamics. Meaning, nothing’s really perfect.

Finally, to end this, I’d like to remind everyone that there’s no point in trying to engage in a messy fanwar. Just enjoy your ships in peace and if you don’t agree with one, then don’t go around asks insulting people about their ships. There’s more to life than that. ✨

[sokkastyles]

Zuko and Katara and Motherless Children

There’s a lot of discussion about how the loss of their mothers is something that brings Zuko and Katara together, and another interesting aspect of this commonality between them is that in between this scene and “The Southern Raiders,” in which Zuko helps Katara confront her mother’s killer, Zuko finds out from his father that his mother is still alive.

And this is something that differentiates Katara and Zuko’s trauma over their mother, and an important part of Zuko’s understanding that the fire nation was the oppressor in the war. Because just like how Zuko didn’t really know about the horrors of the war, Zuko didn’t know what happened to his mother. It’s another dark cloud in a childhood full of dark clouds that he spends the beginning of the series actively denying. In “Zuko Alone” it is implied, but not stated, that she is dead, and Zuko’s fever dream in which the blue dragon threateningly tells him to “sleep, like mother” right before devouring him and his shocked reaction to his father’s confession that she is still alive tell us that Zuko also thought she was dead, although he may not have consciously thought that until he voices it during his confrontation with Ozai.

I think that during his imprisonment with Katara under Ba Sing Se is when Zuko starts to consciously have this realization that his mother is probably dead and that his father is responsible, as before he was incapable of placing blame on his father, the primary person from whom he seeks approval. He connects Katara’s comment that “the fire nation took my mother away from me” with his own experience, implying both that she might be dead, like Katara’s mother, and that she was “taken away” by the fire nation. This scene is important because it’s one of the first times that Zuko is verbally acknowledging both what his nation has done to others and what it’s done to him, personally. He doesn’t react with his previous defensiveness (”you have no idea what you’re talking about”) and he doesn’t make excuses for his nation or himself, but rather he apologizes to this girl who is his enemy, who he has chased and fought against for two seasons, and that’s what helps Katara to empathize with him, too. Katara sees Zuko as a human being for the first time, and Zuko also sees her as a human being, after previously dismissing her and her tribe as nothing more than peasants who were beneath notice, all while they were being systematically terrorized by his people.

Then when she confronts him again with the death of her mother in “The Southern Raiders,” blaming him for his betrayal at Ba Sing Se, he accepts his guilt and tries to make it right, but he’s not just trying to fix things between him and Katara personally or compensate for what his nation has done to her. He also is, I think, on some level, trying to do something for that little boy who also lost his mother to the fire nation. This is part of why he connects so personally with Katara’s need to confront this man. Zuko did confront the person responsible for taking his mother from him, but instead of getting closure he got more questions. Zuko learns from his confrontation with Ozai that his mother is alive. Then, later, Katara mocks his asking for forgiveness by tasking him with the impossible mission of bringing her mother back to life. Katara’s mother isn’t coming back but Zuko can help her confront the person responsible. Zuko can’t take direct revenge on his father (as that is for the avatar to do) but he can help Katara get hers. His own mother might be out there somewhere and he doesn’t know where, but he does know where to find Yon Rha.

“Your mother was a brave woman.”

Even though Zuko has now renounced his ties to his nation’s imperialistic ideology, he once again could have taken an opportunity to defend the actions of the soldiers tasked with raiding Katara’s village when Katara tells him this story. Zuko now knows that things aren’t black and white, he could have rationalized what had happened, said that those soldiers probably thought they were doing good, as he previously told the gaang that he thought that he was good before. At this point, Zuko hasn’t gotten Katara’s forgiveness, so it would have been easy for him to make a connection between the fire nation soldiers and himself, to try to make Katara see that he was misguided. But he doesn’t do that. He listens to her story and he tells her that her mother was brave.

“Your mother did vicious, treasonous things that night. She knew the consequences and accepted them.”

These are women from opposing nations, both of whom gave up their lives to save their children - even if it meant leaving behind another child as well. I think this is why Zuko seems to take it pretty personally when he and Katara confront the captain of the Southern Raiders. He pushes the guy to admit he remembers Katara, and then gets angry and accuses him of lying when he says he doesn’t, then attacks him. This is almost the reverse of Ozai manipulating Zuko by dangling the truth about his mother in front of him long enough to attack him. So I definitely think Zuko is projecting here. He does the same with Yon Rha, and even though he accepts Katara’s choice to spare him, it’s not before shooting one last look of utter contempt at the guy:

What’s kind of interesting about this is that Zuko could have been Yon Rha in another life. If Zuko had not been banished he might have been a soldier, he might have even achieved a high rank in the fire nation military, given his status. Zuko at the beginning of the series also takes his ship to the Southern Water Tribe with the intent of capturing a bender. But in the end, both Zuko and Katara are just children who lost their mothers to the same vicious machine. There’s a lot of discussion of this episode that centers around whether Zuko and Katara should have gone on this journey and whether they would have crossed some kind of moral event horizon if they had gotten revenge on Yon Rha. I’m of the opinion that the guy would have deserved it, even moreso if he had still been actively committing war crimes in the name of the fire nation, as Zuko had initially thought. In fact, if that had been the case, I would argue that it would have been a moral duty for them to stop him. But that also doesn’t mean that it isn’t meaningful that Katara chooses to end a cycle of violence that began before either she or Zuko were born, and that Zuko, who once was a tool in that same machine, is there to help her. The wonderful thing about this episode isn’t just that Zuko helps Katara heal, she also helps Zuko in a similar way, and in the end they’re both children of war who will inherit the world that their parents made and fought for.

[kikiscastleinthesky]

THE SOKKASM ZUTARA

I’ve seen a lot of tumblr blogs that ship zutara and I decided that is time for me to open mine too. So, yes, I’m a zutara shipper. And for the time being, my posts are going to be dedicated principally to analyze the ships in ATLA. 

Disclaimer alert:  I’m not forcing anyone to ship zutara. And I won’t accept hate because I (and many others) may have a different opinion, If you are one of those persons I invite you to leave, don’t waste my time and yours, because I’m not even going to reply. Everyone has the right to ship whatever they like and want, without been mocked, harrassed and humiliated. 

Well... now that everything is settled: 3...2...1 go!

I’m starting with this small analysis, because every zutara shipper has been attacked on why zutara and zutara is horrible yada yada but, this ocassion I’m gonna use all the attacks we get and defend it. 

I. Zutara is way the worst toxic relationship:

You call Zuko the abuser, the toxic and the bad tempered? Then you     didn’t get a clue of his redemption arc.

You call zutara toxic for:

a)     giving your mother’s closure and final acceptance into the group?

b)     saving each other’s life?

c)     being the “leading co-parenting” of the group?

d)     support you when you’re about to beg for his uncle forgiveness?

II. The cave scene didn’t mean anything, and just think about it, they would never ever get along well:•      

  Of course, I misunderstood Zuko confessing his own grief, probably he just hates her.

When Katara opens to her mother sorrow like she never did with anyone was like no big deal.

 That part when she offers to heal his scar with SACRED water was totally illogical.

And being the first person who he let touch his scar really said to me that they were absolutely toxic.

 Yes, he betrayed her initial trust. And it hurt, but guess who betrayed worst? The man who for three years was his father. But nope, Iroh, should never forgive Zuko, for what he did. (Right? Katara was betrayed and she should bever have interest in him, so Iroh would never forgive his abuser, right?)

III. Zutara is about getting in love with your abuser:

The abuser love? When did Zuko abused Katara? When did he forced to do something she didn’t want? Did he ever physically abused her or sexually assaulted her? Even if he tied her to a tree, he never humiliated her, he never hurt her or overpass against her. Or are you trying to make up his whole plot to eliminate all his attacks towards team avatar only rest in the female character? (Have you forgot how he betrayed his uncle? Or even himself?)

IV. Zutara is an age gap, it would be underage thing. “You don’t like Aang because he is a child and still pair Zuko, being a minor.” You want to hypersexualize two kids (Aang and Katara) into having sexual interest.

Katara would have been dating an underage guy too. She would have been 18 and Aang 16. I know! Age gap only matter when the man’s older. Both Katara and Zuko had gone through puberty, and both were in adolescence, both shared the same maturity level. Yes dude, there a huge difference in being a CHILD and being a TEENAGER, yes, still minor, But with puberty hit already.

Actually, I still believe even being 11-12 you can get like a… spark… a hint. Even if its not a relationship whatsoever, and not having sexual interest of any kind. If you really want to see what closest we get to a “real” attraction and potential between kiddos that age, you get S1Mike and Eleven (stranger things) / you get Chihiro and Haku (Spirited away) / you get Pazu and Sheeta. (The castle in the sky) –Wooo, that really changes things right?

But yet there are people that believe shipping zutara is “pedophile” I thought in seriously not replying to this stupidities but, here I am, dismantling their theories.

So, this is real life. An adult person trying to sleep with a prepubescent kid. So… there is no support on this. Because a ship is about two fictional characters in a fictional story.

What about fictional pedophilia? Well, we can change that: Fictional pedophilia is a psychosexual disorder when you ship an adult fictional character (+18) to have a sexual interest in a fictional prepubescent child (-12) and / or attempt to engage both characters in sexual acts.

So step one… are either Zuko or Katara either an adult or prepubescent child? As you can see in the image at the right, both have gone through puberty. Step two, are you trying to a couple of minors to get sexually involved? No, this is a love story, not porn. And before you yell at me for the porn zutara comics/fics on the web, I guess you should see the porn Kataang /fics comics on the web too.

But I don’t hate any ship. So, technically, neither Kataang, nor Sukka, nor Yukka, nor Jetara, nor Maiko is pedophilia.

Ok, yeah yeah its not pedo, but is statutory rape, so yet it’s illegal.

Oh yes, if we state that 18 is the age where you are considered an adult (at least in my country) both are minors, your term is partially correct. But guess what would be statutory rape too?

Sukka (15) and Maiko (16-17), both implied to have sex relationships and canon during the series.

The episode "The Southern Raiders" became (in)famous among the fandom for what is a truly epic instance of this trope. Zuko bumps into a very flustered Suki on the way to Sokka's tent, and she hurriedly excuses herself. He walks into Sokka's tent to ask him a question and finds him pants-less and surrounded by flowers and candles. He even greets Zuko with a suggestive "Well helloooo..." before he realizes who itis. After a short talk, he rushes Zuko out and sticks his head out to call for Suki. And if there was any doubt, Sokka is shown the next morning fiddling with a flower necklace for no apparent reason... except to indicate that maybe Suki had been “deflowered”.

And yet, if Kataang had sex, it would be statutory sex at some point too: 16 and 18 -Conclusions: Statutory sex takes all ships equally.

V. Poor Aang he would be devastated.

Kid, he’s 12, in the comics he’s 13-14. Or what? Haven’t you guys had a broken heart ever? Your high school sweetie? Or Aang’s so frail to not be able to find love? To close himself for a better opportunity? Seeking your own happiness in not selfish. What is selfish is seeking your own happiness at the other expenses.

And even that, we all know what would Aang do if Katara starts a relationship with Zuko. (Even if it wasn’t Zuko, I highly doubt he would like Katara dating someone else) He would go on avatar rampage. That is NOT healthy, that is NOT romantic. That is extremely possessive and selfish to do. It’s psychotic. Because Aang cares more about himself than Katara’s feelings, even if she would be happier without him.

VI. Zutara is all about sex interest.

Well once more you mistake chemistry with sexual needs. Wanting me to sleep with my husband means I only use him for sex relief? If I find myself sexually attracted to anyone probably means I just want to sleep with that person and nothing else.

VII. A hug is all zutarians have to acknowledge zutara:

We have a complete extended analysis in all the small details, but we like to use that forgiveness hug because in that hug you have more potential that all the kataang scenes all together. We have thousands of complete analyses, pages dedicated exclusively zutara. 

VIII. Katara “fell in love with Aang” and it’s not one sided.

Uh... Nope, just because two persons are good friends it doesn’t mean they are a good couple. Yes, the way the both of them interact is absolutely beautiful, But not romantically.

Do we see Katara’s view on romantically being drawn towards Aang? Yes, we see it, and yes, unfortunately, is one sided.

How Kataangers complete this:

·       The fortune-teller: I didn’t see like “Wow omg the avatar is going to be my future husband!” But… was like “uh… really?… well, I guess it’s him” Zutarians and Aunt Wu are the base for many backs up theories. ;) Aang is not the only powerful bender you know? And actually, that episode is way trying too hard to demonstrate the crush Meng has for Aang and Aang has to Katara. How is even healthy to accept that sometimes persons don’t like you back and it’s not the end of the world.

·       The cave scene: I forgot that Katara is telling him to be her boyfriend and they will live happily ever after. And really, it all gets us to a real Oma and Shu theory. Not to mention that they were “forced” to kiss because their kids innocence believed if they kissed, they wouldn’t die, and that Aang messed up things as well. But if you see it beneath, if she was truly interested, she would have told Aang: “wow omg we kissed, ok. let’s give him a clue…” nothing, she goes back in treating him same as always.

·       The headband dance: Well that’s a fair point yes. Actually, I felt something different…unfortunately Katara later had to tell him not to kiss her.

IX. Zutara is because you projected on Katara and had a crush on Zuko, because Katara and Zuko were your favourite characters and because is the bad boy style romance.

My crush was Jet <3, and zutara was the most logical endgame for girls. Ask any girl, ANY 14 yo who would like to date: A high school, nice and handsome guy or a 7th grader that had potential to be her best friend. (See the logic) 

And nope is not like “Insert fav characters of the opposite sex to ship them” You need to see real development.

I don’t know why they stereotype Zuko as the “bad boy” – relationship archetype. Zuko is never seen to be the classic fuck boy who treats girls like shit and suddenly there comes a lady to change him. Maybe he is a “bad boy” (confused though) in S1 and S2, but his redemption arc is literally the answer of why he is not “bad boy” anymore.

If Katara was truly and really romantically interested then she wouldn’t have friendzoned Aang. Once? Nope 4 times. And also… are we forgetting kind of imagery…

Friendzoned  

 When Aang fixes her a small necklace with the fishing  thread.

 When he kissed her at the invasion. She didn’t  reciprocate it. (I’m not even mentioning the mommy proud speech)

 When he wanted to talk about the kiss in the western  air temple (Comic love is a battlefield)

 When he kissed her at the play and she had to told  him to back off.

 Strange imagery

 She was June Pippinpaddleopsokopolis (Aang’s  granddaughter)

When Aang got shot, she held his body in her arms in  the exact way Mary held Jesus in Pieta’s sculpture.

 She was Sapphire Fire. (Aang’s pregnant mother)

After they got married, in the book legacy, she said  she enjoyed most seeing Aang becoming a man. (Honestly ladies if I got a BF  the least I want is seeing how the kid transforms into a man)

I’m looking forward to watch you grow into manhood  as I did to your father (Katara’s letter to Tenzin)

 I’m really  trying to deny Oedipus complex here.

Still hard for me to track Katara’s love interest for little Aang since all we see is more a relationship mom/sister or Harry/Hermione. I have heard rumours that Bryke wanted to give the ship “mystery” and “expectation” but I think they really messed up, I didn’t see expectation or mystery, I saw a child insisting to a girl that didn’t reciprocate. It wasn’t even like she didn’t have much of a chance, because her love interests:

Was killed by Long Feng

Gave him a hideous mustache and disappeared him after Azula’s attack in the western air temple.

Forced to be attached to a toxic relationship.

Apart that all those points I’ve mentioned, Kataang is not a relationship for me. Staying in a formal relationship with the first person they met of the opposite sex at 14 -12 (guys not even Disney does that, jeez not even studio Ghibli) and not having any chance to experience any other relationship. Never experiencing a broken heart, or someone better. I think that it gives the wrong idea, telling guys that no matter how long they are placed in friendzone, eventually the girl will fall for them. They just have to keep insisting.

You could say, but what a hypocrite! Snow White was 14 years old when she went to live with that prince! Many princesses are 16! And not to mention that many men were the first they met! Like Aurora, Rapunzel, and Cinderella. Well, you are right at one point. But ... the interaction of these characters changes radically, mainly because they never "give cute kisses" to their future husbands, nor do they treat them like their brothers or their children and ... the men were never friendzoned, except for Naveen at the beginning. You see the real attraction of teenage girls with an older boy. And I'm not saying that they should never be friends or support each other. Mulan and Chang were allies, friends, they supported each other, they saved their lives. But at no time was there the kind of interaction Katara and Aang had.

If Kataang was to be endgame, we would see Katara’s reaction to Jet, totally different, THAT kind of reaction was what I was waiting. (That kind of reaction is what every princess do, at least one time)

The same chemistry we saw in Yukka / Sukka. Honestly, I saw more chemistry between Haru and Katara.

Or at least give us some character development like: Aang, I know my feelings where not as you wanted but now I decided I want to be with you because (list everything here except he being the avatar), I really like you, perhaps we can give it a shot. Or like several things that could clue us that she is interested (come on people, two persons can kiss/hug/ have sex and that doesn’t imply they will be together in a formal relationship) But all we got was: Oh, right, he’s the avatar... suddenly I fell for him and I’m gonna kiss him fully in the mouth and that’s how I’ll tell him and that all my confusion has magically disappeared.

X. I’ve never saw that kind of spark between them. Again, it was “Just a hug”

Yes! That’s initially the whole point of it, a friendship hug, the truth of why we don’t need silly blushes. Because that forgiveness hug shows their initial relationship, they are friends! All their love needs to come first from a truthful friendship, by the contrary of calling the “immediate falling” like Aang did for Katara, it shows us that friendship love can evolve into something more beautiful, and that’s why we like the ship, because all zutara shippers know Zuko and Katara wouldn’t fall in love like that all of the sudden, they have to create the romantic relationship, and that’s what we portray in the fics.

What makes Zutara exceptional is that he, sees her, he hears her, he listens what she had to do, at anytime he forced her to do something she didn’t. And before a “teenager adolescence ship” he sees her as a human, with feelings with own ideals and goals.

And there is a complete and extremely well based analysis in: The crossroads of destiny + The southern raiders + The lighting saving.

XI. The comics show us how toxic they really where.

Their interaction in the comics was something I like to call: destroying a character. Not only Katara, who turned to be that awesome badass to the submissive girlfriend. From how I see it in the series to the comics there’s all I have to say: That’s not my girl.

XII. How Katara could be queen of a country that almost aniquilates her tribe and killed her mother? It would be a betrayal.

I think this argument is out. Not valid. Is like saying a Jew can’t date a German because of the holocaust. (German doesn’t mean nazi, just as Zuko, who was from the Fire Nation and didn’t order Katara’s mother assassination, and not every citizen of the fire nation means a ruthless killer). Is like saying that a Japanese can’t date a us citizen because of the bombs in WW2. And even if we see it “political”, is like… an aphrodescendant can’t rule a country that is racist, then Mr. Obama would have never reached the presidency.

Two persons can unify them, because they can demonstrate that being from different country that initally has not good terms can reach peace. The union between those countries represents the power of maturity, of overcoming adversities and the power of forgiveness. *Our lands now connected by love* And I want her to be queen, I want her to rule, I want her in charge, I want her in power. Imagine all the potential she could have (politics, business, negotiations, rebuilding, restoration, education, public health!! ***faints***) Not only for the fire Nation but for the whole world! Imagine that once Zuko abdicated they left to the south pole and she opened a fighting school and a healing school of her own (like master Pakku, but now her students are given a medical license that acknowledges them as professional healers) And this is just an idea. Like these ideas are hundreds. It would have been the perfect feminist role model!

XIII. Since the beginning, Katara was always interested in Aang and she always supported him and was for him when he needed her. That’s proof they were meant to each other.

If a girl expresses faith in your abilities, she loves you, she hugs you, and she supports you clearly she’s completely into you. Because obviously female best friends don’t exist.

[zuzuslastbraincell]

☕ Aang.

He's a character I don't see you talk about much, so I'm curious about you thoughts on him, his character arc, what you like or dislike about him, etc.

The short answer: Love Aang. He’s great! Feel like a lot of the dislike of his character (while fading, at least in the circles I’m in) is misplaced. People who think Aang didn’t make the right end game decisions don’t understand his character / miss the point, IMO. That said, dislike some of the character decisions especially r.e. Katara/Aang.

The longer answer: I really love Aang and I feel like the hate he receives from various parts of the fandom is very unwarranted, though I wonder if it stems from watching the show as a child his age and finding his playfulness unrelatable - like as a kid I might have found it exasperating but as an adult I find it very refreshing and it is so obvious to me that Aang is A Child, it informs how he behaves and his decisions massively, and I wonder if the dislike comes from the lack of perspective and being unable to view Aang as a kid, being kids themselves when these haters watched the show?

That said, all kinds of people do dismiss Aang as immature and it frustrates me to no end, because being cynical =/= maturity, a willingness to make difficult decisions that betray deeply held beliefs =/= maturity, and Aang’s decision to stick to his beliefs should always be viewed in tandem with the context that he is a victim of genocide, that genocide includes the destruction of a culture’s common beliefs and practices too, and whether those beliefs live or die in the future starts and ends with him.

Additionally, I feel like Aang does possess a lot of emotional maturity for his age, even if he has bouts of being immature (like, normal, honestly). Like he processes his anger in a way that is largely healthy, actually? I think that’s a thing most people don’t understand, they don’t see that as part of Aang, when really Aang processes his emotions like someone who’s had very clear healthy models for it. He does feel anger, and grief. When Aang tells Katara in the southern raiders episode vengeance isn’t the way, that’s something that he’s fought hard internally to believe in, that’s something that he’s learned.

Tying into that, I think an overlooked aspect of Aang’s development is how in season 1 Aang spent a lot of time looking for Fire Nation citizens who were good / who could be good, because the idea that the Fire Nation is fundamentally evil contradicts his world view (”the monks taught us all life was sacred”), but I think that was probably a perspective he clung onto as well as a way of dealing with his grief. Like, I feel like Aang has fought hard to reaffirm his beliefs in a world that seems determined to “prove him wrong”, surrounded with characters who largely don’t share or understand them & see it as naivety because they lack perspective and have only known war / understand the brutality of the opponent they’re facing on a personal level. I think we don’t see a lot of this explicitly, it’s largely subtext and often an internal debate -- Aang doesn’t have many people to soundboard these kind of thoughts off, there’s no one who is an air nomad or of a similar kind of upbringing around.

Tbh I feel that Aang is best in season 1, largely because his developments in later seasons also incorporate his feelings about Katara as part of his general development, and if I’m just completely honest with you all, I mean no disrespect to Katara/Aang folks you’re cool in my books but I’m just not sold by it at all. For example, because Aang’s journey mastering the avatar state involves him reckoning with his earthly attachments and the idea of letting go, and that conflict revolves around his feelings for Katara, and because I am not particularly sold by Aang and Katara, that impacts on how I view that whole arc. I love a good friends to lovers arc where the depth of those feelings extends to both friendship and romance but I feel like the way ATLA writes romantic arcs often involves a character suddenly looking at another with heart eyes and very little actual bonding to justify that sudden change, very few *journeys* or *arcs* that culminate in feelings (unrelated, but this is my theory as to why Zuko is shipped with almost everyone, because he literally has several life-changing journeys with other characters at the tail end of S3), and it’s fairly unconvincing / pretty flat to me? Especially since we do not get anywhere near as much an insight into Katara’s feelings in that regard? I get that romance isn’t always a grand arc or whatever but given that it’s tied to a lot of Aang’s S2 development, I think it ought to have more prominence.

If I’m honest, I also feel like Aang’s development regarding Katara and the Avatar State was incomplete, and that made a lot of his S3 development frustrating because in other aspects I think he came into his own and matured - usually in subtle ways, like his attitude in the Southern Raiders, but also we see him from being understandably upset about having to hide his identity, to incorporate aspects of Fire Nation dress into his final late S3 look - but in that aspect, his arc felt incomplete to me? This might be a poor reading of it, but to expand on how I see it, in S2, Aang is incapable of letting go of Katara until literally the most critical moment, when he has to -- at which point, he is struck down by chance. In S3, the concept of entering into the Avatar State being a matter of difficulty is literally not mentioned, so we can presume he’s come to terms with letting go of Katara - which directly contradicts the pushy behaviour he shows in Ember Island Players, the way he ignores her boundaries? And then that’s literally never addressed, Aang never apologises, Katara and Aang never have an important conversation resolving the conflict there, and in the end Aang gets the girl? It’s frustrating.

Like, the way I see it, “letting go” of Katara shouldn’t mean putting no importance on her - I actually like the idea of Aang not being willing to leave his friends behind, his compassion and care is important in this aspect. Rather, if I were in the writer’s chair, I would have it that “letting go” means a willingness to face rejection. Aang lets go of a romantic prospect of Katara - and acknowledges she can and might reject him, and that’s always a possibility, but opens his heart to her anyway out of trust (and when they get together, it’s not because he’s proven himself worthy, but because Katara wants to be with him). I think that would have been such a monumentally *powerful* message, especially in a late 00s cartoon, prior to the likes of Adventure Time and Gravity Falls quite explicitly deconstructing the idea of the male protagonist always getting with their crush (I feel like a vital context new viewers miss r.e. Katara/Aang is that the male protagonist would always always get with the girl in cartoons, it always happened, to the extent that female characters existed as much as love interests as characters in their own rights). I honestly don’t think it would even require that much in terms of change! I might show that in S3 Aang still has difficulty with the Avatar state at times - he can go into it at will, but not always - and that’s because he’s in the process of letting Katara as a crush go. I’d still keep the kiss in Day of Black Sun - tbh, I have no issues there, he thought he’d never see her again quite possibly, he’s impulsive, it makes sense - but I’d maybe highlight a slight awkwardness afterwards. I might even keep the awful Ember Island Players conflict - but crucially, I think Aang would have to learn from this. I think when Aang might realise he’s still struggling with the Avatar state as late as Sozin’s Comet episode 1, panic, realise he needs to internalise that belief more, and I think he’d leave Katara a note - including an apology for his actions before, for pushing her when she wasn’t ready, but explaining also, that he needs to go on a journey by himself to figure this out. Rest of Sozin’s comet goes ahead as normal, more or less. I’d end with Katara, maybe at the tea shop afterwards, talking to Aang and asking him why he went off by himself, explaining that she & the gaang would be there for him, he didn’t have to go on a journey alone. Aang would explain that he didn’t expect they’d understand, they’re not monks, and Katara explaining that maybe they wouldn’t, but he could *try*, that’s a risk you sometimes take (but concedes they could have been more understanding). And I think over that conversation it hits Aang it’s not about being alone. Everything’s connected. It’s about not clinging on. it’s about being willing to lose. It’s about trust. I think by the end, they agree to try and communicate better, and Aang then asks Katara out - mirroring “Do you want to go penguin sledding with me?”, similar kind of activity. He almost tries to over-explain and say ‘listen it doesn’t have to go anywhere’ but Katara just smiles and says yeah. And they leave to go on their first real date.

Anyway that’s how I *would* have handled it and that is what I think could be an interesting and compelling arc that wouldn’t take much adjustment to add. Aang is afraid of losing Katara, and realising that he can and might lose her is important.

.... that’s way more than I intended to write but yeah. I feel like a lot of Aang’s development ties in with his feelings for Katara and that’s where I take issue.