#like imagine being able to make others feel whatever you want via music but the only music you actually like is the sound of your wife
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livewireprojects · 7 months ago
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Rise TMNT Mimi sketch ref
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Before I go on I want to mention I've never seen Rise of TMNT, I want to but I got stuff I need to work on & it's going to be a show I can't exactly put in the background. I've been reading/looking at fanwork here & there when I've had the chance so I semi know what's going on.
Mimi is a Donnie fankid, while I imagine him to be the mom you can just say he made her via cloning if you want. She looks a lot like Donnie not only due to being his kid but because I want to avoid ships but you can imagine whoever I guess. Outside of ships I guess you could say Raph has taken up the father role in a "brother helping his single parent sibling out" kind of way, this is kinda cause I like 2003 Raph & Donnie interacting(I say this cause I was raised on the 2003 series & it's the only one I've seen) & I really like how Raph has been portrayed in Rise in fics. I guess you could say Mimi's redish purple colored mask comes from the fact she's not only Donnie's kid but the bond she has with uncle Raph. She has a star theme(star charm attached to her head, starry headphones, star on her mask) due to Mikey sewing a star to the side of her mask because of a star mark she had on the side of her eye since she was born/hatched, occasionally Mikey helps her paint eyes & stars on her stuff. It'd be funny if I made her a twin(since Donnie is a disaster twin) but I don't really have ideas for other kids.(I use to have an OC meant to be a kid for Donnie but that was 2003 Donnie & even then he's an adopted mutant sea turtle child)
Mimi is an often fairly quiet person, while she talks it's usually around people she feels comfortable with like friends & family though sometimes she'll talk when needed. Her hobbies are listening to music, dancing, tinkering with stuff on occasion & people watching. Mimi has been learning to be an inventor/whatever Donnie is up to with the help of Donnie who is doing his best to help her. Donnie despite his confidences about many things when it comes to his daughter has always been worried, she's his first kid & though he's tried to prepare at some point she always makes he worry if he know what he's doing especially while learning to deal with her quiet & at times reserved nature. With time/practice & help from family he's been able to come to terms with his worries & get the hang of raising his little girl though in a closet somewhere he has stuff he's built for just in case for when she needs it in the future like her own battle shell. The ends of her mask are a bit long because she likes to mess with them like they're hair which comes from Donnie enjoying dressing her up & making the ends of her mask into hairdos when she was younger.
I originally had this split into 3 parts but I mentioned stuff for the kid section so I'll just describe how things go between the krang apocalypse future Casey Jr came from & what the future might be after preventing the Krang apocalypse from happening. In all honesty I have no idea when Donnie had her past when he was obviously an adult so I dunno what I'm doing but I feel she's around Casey Jr's age.
Casey Jr's time:
Mimi was kept close to Donnie's location at all times when she was younger, with the dangers the krang invasion brought he didn't want her out of his sight when she was old enough to start walking though with luck his family helps keep an eye on her when he's unable to due to his work. Raph seems to be the one she likes being around the most though she enjoys time with the others as well especially Mikey who has been teaching her different forms of dancing in his free time. It's unknown what happened to her around the time that Leo & Mikey sent Casey to the past, it's likely she died at some point, all that's known is that she outlived Donnie & worked/trained along side Casey Jr up until her unknown fate. She considered Casey her cousin due to him being trained by Leo along with how close they were. Donnie left a lot of things behind for her which have become very useful, while she knows how to tinker like Donnie she's nowhere close to being able to work on some of his later unfinished work which upsets her as she knows it could possibly help in their mission to stop the krang, she tries her best to figure thing out with the notes/journals left behind. Despite this she's been able to build/repair stuff that still comes in handy & has been repairing/upgrading her headphones which are a memory of better times & a comfort to her thanks to still being able to play music. When Leo tied Donnie & later Raph's masks to his sword Mimi took some parts of them to make a choker to wear as a memory of her mother & uncle.
Better future/new timeline:
With the krang apocalypse avoided Donnie was able to raise Mimi in a better time however not only is he a worried first time parent but some past events(especially what happened in the Rise movie) has made Donnie worried about if the future was safe for his daughter. Regardless he has his team/family to back him up plus a bunch of equipment he's hid somewhere for later.(Which includes a battle shell with star stickers she put on it as a baby, she now wears said battle shell now that she's old enough to fit it) Mimi trains with her family & goes out on missions, the training is being done at a more calmer pace since they don't need to hurry but they'll work on it as time goes on since she needs to be prepared(I dunno how to word this), in her free time she's hanging out with Raph & Donnie, learning to dance with Mikey, watching movies with her grandpa & or uncle Leo or just out dancing at some hangout she found. In the back of her mind she knows something bad should have happened but was stopped, it comes to mind occasionally but she knows that everything is ok now.
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This is the original sketch meant to be Mimi's sketch ref, I didn't really like how one design looked so I adjusted things & made a new one. Thought I'd show how the old one looked at the bottom of the post.
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snippychicke · 3 years ago
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Evening chicky! I hope your day is going well. 😄 I wanted to tell you how lovely Moonstone has been! You are doing a fantastic job and I am completely in love. I always look forward to new snippets and chapters. ��� Regarding the few prompts you have done, would you mind me asking what would an interaction between Khonshu and Hathor be like? Brother and sister talking, no avatars. I have a feeling Hathor would know about the Bonding the evening of the festival, like, right away. A kinda "Oh that little shit" moment. 😆 Thank you sweetie! Keep being amazing!
My day went as well as a slow friday can! And oh my goodness, my dear peep, thank you for the compliments! You made my day so much brighter with this!
I really wanted to just write the two being shits together/towards each other. I really do imagine Khonshu being the rebellious younger brother and Hathor being the older sister who acts like she is above such things when others are looking, but is totally supportive (And slightly jealous) of his acts.
Instead, I ended up writing this angst-ridden piece that only shows Hathor being the big sister and telling her bro to knock it off before he gets in serious trouble.
(And I stg, trying to make sense of Egyptian deity's relations to one another via wikia is a fucking pain in my ass. I swear I read somewhere they were related, but now I can't, but hell, I'm running with it and making it my own. They're all related in some form and fashion, but at the same time they're gods so our ideas of familial relations don't really apply because fucking metaphysics logic.)
And, in case someone out there is thinking because of that statement, I condone incest or whatever. No. I do not. At all. This is a work of fiction, not at all based on my own morals or whatever. It is meant to be enjoyed by mature individuals able to understand that what they read in this fic is not something to base their understanding of normal or healthy society/relationships/whatever around.
Anyways, my lovely, I'm sorry for the tirade. Here is your prompt. I apologize if it isn't quite what you wanted. (It's not what I wanted either, but here we are.)
Hathor was lounging, watching as the festival continued deep into the night, basking in the music and dancing, feeling the radiant magic of mortals falling in love and lust and indulging in the feelings created. It had been quite a long time since she walked the mortal streets, enjoying everything herself instead of through her avatar. 
It had been quite a time since she had blessed a union such as her brothers and his avatar. She had begun to wonder if she ever would again, and had long given up on Khonshu being one of them. 
Yet here they were. She could feel the moon god's emotions of love and joy entangled and enmeshed with the mortals, like an instrument whose notes were just slightly more clear and louder than the rest of the symphony. 
Except something made the notes tremble slightly, catching her attention. Hathor closed her eyes, focusing her power on the quivering distortion. She wouldn’t have caught it if she wasn’t so close to Khonshu himself, but…
Oh.
Oh no. 
She could sense his power twisting and separating, and pulled her attention sharply away as she opened her eyes, a hand covering her mouth. Heavens’ forbid, he was always defiant, but to this point? Bonding with his human avatar, now? In this day of age, when they had barely begun a relationship? Isis had courted Osiris for decades before asking their father, Atum-Ra, for permission. 
Yet here he was, forgoing such formalities. Granted, their father had withdrawn from this realm long ago, and would have never even entertained the idea before punishing Khonshu for even thinking about it. 
She would keep her mouth silent, and hope, for his sake as well as his avatar’s, that one bonding didn’t create a seed. 
----
“Hello Khonshu.”
Khonshu felt a shiver go down his spine as Hathor appeared beside him, dressed in her finery of her white wispy gown, her crown of the disk of the sun famed by heifer’s horns on her head. 
“Hathor,” he greeted warily, turning his attention back to the mortals below. It was a few years after the festival, and he had hoped that it would be several decades, centuries, before he saw his sister’s face again. IT wasn’t that he disliked her, but he still didn’t trust her, just as he distrusted the rest of the remaining Ennead. 
“So this is how you spend your days? Haunting rooftops as you watch over your little avatar?” 
“No,” he answered defensively. “I typically have much more matters to attend to, however today is… different.” 
“How so?” 
He shifted his weight slightly, pointed not looking towards her. “Why are you here?” he asked instead with a faint growl. “Don’t you have things to do as well?”
“Oh yes. Weddings to bless, little ones to protect. Isis and I have our hands full, especially with Taweret serving in the Duat.”
Khonshu gestured with his hand, to silently repeat his question. “But the thing is,” Hathor continued. “Our queen is happily attending to such things, so she won’t miss me taking a break to speak with you. So, why are we here today?” 
“Hathor,” he snarled in reply. “Just tell me what you want and then go away.” 
“The thing I want is for you not to end up imprisoned like many of our kin,” she stated, her soft tone changing into something steely. “And what I don’t want another mortal’s life to be ruined by the love of her god, as pure as his intentions may be.” 
That got Khonshu’s attention, making him look over to her as he stood to his full height, nearly a (relative) head taller than her. “I am not ruining her life!” He snapped. “Stay out of my business, sister.”  
“Once, I could understand,” she snapped back, her calm demour fading completely. “Twice, I thought would be the end of it. But yet you keep bonding with her! You should be thankful that no one else has noticed thus far! But I  have. You have created a seed with her spirit. Any more, brother, and it just may take root!” 
Khonshu was silent, his grip tightening on his staff. Hathor knew she struck a nerve, making her sigh. “I know you must love her to do such a thing, but think of her. Her future. She is a mortal of this modern age, do you think she will dedicate her entire life to you, to nurturing her seed? Will she forsake the realm of her ancestors to stay with you?” 
“Enough.” Khonshu softly interrupted. 
“Not until you admit that this has gone on long enough,” she stated firmly. “I will intercede on her behalf. Have you even talked with her about the implications? Of the consequences of your actions because you couldn’t stop yourself? Do you think this is right, bonding with her when she doesn’t know what it is you’re doing?” 
“I said enough!” he roared, the winds whipping dramatically around them, not that she was very impressed by his rather petulant display. “You’ve made your point!” 
“Have I?” She challenged, meeting his vacant glare with the fury of an enraged mother. “Do you finally realize what you’ve done? How obscene and dishonest you’ve been to the one you claim to love?” 
“I do love her!” He shot back. “I care more for her than anything else in this cosmos! And yes, I realize what I’ve done! But heavens, Hathor, do you know what it’s like? To have someone love and understand you so? Her soul reaches and begs for mine just as much as I yearn for her. I-I would have never pushed her to do anything she didn’t want. I would have never even touched her, had she not wanted it.” 
Hathor touched his beak, feeling the ache that his face couldn’t express. “If you truly love her, then you know that this cannot continue. For her sake as well as yours. I am sorry, little Khons. I wished that the fates would have allowed you to find such a partner before these times. If it were in the days of old, I would have happily sponsored and adopted her as kin. I would have given her my title of Mistress of Heaven, Lady of the Stars so she could be your queen.” 
“She has become my everything,” He whispered. “I’m sure I would break if I left her.” 
“You are a god, Khons. The god of the moon, of vengeance, and of healing amongst all your other titles. Become yourself once more, and allow her to live her own life, no longer bound to you. You will live, as will she. For as brief as their lives are.”
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greysfall · 3 years ago
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My 4444-word review of NEO TWEWY (with personal illustration + heavy spoilers)
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My overall critical score for the game is 7.5/10, while my personal enjoyment score is 8.5/10. This review is posted as I have 80% completed the game, got the secret ending and achieved the Angel psychic rank. I’ll first start with the main pros and cons as follows.
PROS:
-        Enjoyable as a whole, still upholding the first game’s spirit in world building and sharing the same backbone - which was mostly revealed in the Secret Reports, it’s impossible to grasp the story without reading them.
-        The new cast and new game is charming in their own way
-        The old cast’s return is one of the biggest highlights for sure, it was fun and impactful. Everyone stays true to themselves and also had their own stories wrapped up nicely.
-        Boss designs are cool, new pins are fun to use and collect
-        The connection between the old and new cast is well written and executed, including but are not limited to the tension between the old and new protagonist, the weird but fun interaction between the 2 Composers, the new friendships revealed and formed
-        Sho being in the main cast is something so uniquely TWEWY and uniquely Sho
-        Still good music
-        Still many fun side quests, some of them really uphold the same quirky spirit of the old game and some are surprisingly touching
-        Many new nice stores and yummy looking foods to explore
-        The map is really easy to memorize for me, it’s fun to travel around the “current” Shibuya to see all the differences compared to the past
-        The social network is crazy and interesting to read through
-        Has an anti-frustration system to help 100% complete the game more easily and earn money faster, so post-game is relatively managable.
-        Overall, I really feel the efforts the team poured into making this as their passion project, not just during the development process but for all the last 14 years. They showed the vision of what they wanted to make, at the same time giving something to both the old as well as new fans.
CONS:
-        The biggest problem with the game is scenario writing. The story is so heavily back-loaded. The director himself thought it would be better to balance out the tension flow by adding more at the beginning but gave in to the scenario writer in the end, probably due to time pressure. This results in an underwhelming execution of characterization and lots of wasted potentials for the first half of the game.  
-        I struggle to view it as a stand-alone game, since the backstory and the old cast both play such an important role in the core of the game. If someone plays this game without having played the OG, they can only enjoy it on surface value at best.
-        The new cast is nice but most of them aren’t quite as intriguing as the old cast, maybe it’s cuz they’re all too nice deep down that they lack a little bit of an edge, of that batshit craziness that everyone in the OG used to have? I think some characters (Fret, Nagi) ended up weaker in terms of characterization because the writer is too afraid of making them unlikeable – which kind of backlashed cuz they only became likable in the most expectable way to cater for a specific group of fans. I would have wished for the other team leaders to be more crazy too, had they not suffered 30+ loops of the Game…
-        The CAMERAWORK IS HELL.
-        Gameplay does get tedious at certain points with all the time travels.
-        Shiba is so badly written as a villain, some Shinjuku characters should be given more screentime cutting into Shiba’s– like Hishima or Kaie or even, Hazuki (though his limited presence also solidified his importance).
-        Some of the main character designs, for example Beat’s hairstyle and his food reactions are hilariously bad. What’s the point of covering up most of his unique facial features?
-        Some of the minor/side characters’ design are too cool for them to have such a small role (eg: Ayano, Eiru). Ryoji did get much screentime but is nowhere as fun as Makoto was.
-        Overall the scope of this game is made a little too big for the team to handle as perfectly as the last game that was very compact, it felt somewhat rushed in development too so the missing pieces are clearly there in the final picture
The entry fee versus paying for it all in the end
An important difference between the Neo game and the original Shibuya game was that the Shibuya rule asked for an entry fee that is the Player’s most important asset, stated as a chance the Composer gives them to reexamine themselves. Meanwhile, the Shinjuku rule neither encourages nor allows personal growth and ultimately aims to erase as many Players as possible. It’s a pity we were never introduced to the full Shinjuku rulebook, as it seems like the system there focuses more on building up power and a grand government to compare with the individuality-driven system of Shibuya.
When you have to compare the new game and the original game (OG), this is an important factor to consider. Also, the OG has a serious storyline running through and through, locked with a different partner/GM creating unique atmosphere for each week and you don’t get to see your old partners again until the end. NEO’s team system does not allow such deep insight and communication between the Players. All of your teammates are always there throughout, the dynamic does change with each new addition but it is not as prominent as a partner change.
Another important factor is how the OG was built from scratch for a new platform as “something no one has ever seen before”, while Neo recycled a lot of old unused ideas from the previous development (check out this interview for more details). The development team for NEO lacks 2 key members and had a change of writer so the final product is not as strongly bound together as the last game.
The new cast is definitely inspired by today’s teenagers (from the view of creators), compared to the old cast they’re more sociable and always seem to take whatever works for them despite feeling unstable inside. They are all innocent and genuinely nice kids, avoiding to hurt each other to a degree that they end up keeping some sort of distance. They’re also unable to communicate at deeper levels, always stagnant at this half-baked stage of equilibrium without any motivation to get to the core of things. That is the cost of entering the game without an entry fee, without even dying or having a reason to be there/to fight seriously. These kids were stolen from the RG into a Game that was decidedly the worst environment for them to change or develop, just wandering around cluelessly to find a way “out” until tragedies started to unfold one by one and they ended up being charged the total sum of the price for their actions – ultimately losing everything in the end.
That is, I believe, a story arc which can resonate more to the youth of today rather than of my generation. If the message of the old game was to “listen”, enjoy life to the fullest and accept to trust others, the message of the new game is to “speak up” from the inside, trying to understand yourself and take actions instead of just going with the flow and finally, to take responsibility for such actions.
If Neku was handpicked by the Composer for being the special one with an all-dense soul to ensure victory of the game then Rindo was just a normal kid chosen out of random by Kubo to be his back-up plan, who just happened to have a high enough imagination to awaken the incredible power from his pin. Rindo was then officially chosen by the Composer as Josh picked up and handed the pin to him again, this time not as Josh’s personal Proxy – but as the Proxy to represent the normal people of Shibuya and via whom he could gamble if humans can fight for their own fate.
The underworld heroine and the hero with little of his own
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Shoka is for me a refreshing and layered heroine. She’s the kind of character that took at least 3 trials of creators to form as a complete individual – that included Nomura who gave her the base design and Reaper background, Gen who gave a more cunning touch and the writers who made her English dialogues more punchy. Dishonesty equals “tsundere” is such a cliché, so the English writers tried really hard to avoid that trope in my opinion, while still letting her good intention come through.
She serves as the character who is informed of everything the players should have known, and there was almost nothing she could do about it. Almost. Until she met Rindo.
They were drawn to each other by sharing a state of “not having anything of their own”. They both started out with not being able to truly know themselves, Shoka even hated her RG life but also managed to mature from that stage before Rindo. She must have vibed with Shiki’s love and passion in the Gatto Nero threads, initiating her connection with Shibuya and understanding herself more. With Shoka as Swallow, they were able to open up to each other and offer mental support… but was still not getting to the centre of their problems because for all this time, Shoka could not tell Rindo the most important things about herself.
How did Shoka feel when she met Rindo at the UG? She probably didn’t want to hope that he would live the day until she witnessed the Twisters’ potentials. From the very beginning, they were both incredibly conscious of each other and also constantly frustrated that the person they happened to “notice” was such a condescending bitch/a clueless loser. The Shinjuku Reapers are overall quite drunk in power and uncompassionate to Players, Shoka included. She is also a master of dissociation, which results in her constant boredom, tone swings, haughtiness and subconsciously distancing herself from the friend – the boy she cares about – from false hope, as she judged from facts that it was a hopeless situation where nothing could ever be. Maybe she is naturally a bit of a chameleon just like her name suggests (Shoka 紫陽花 = hydrangea, the color-changing flower), so putting on an act and always dissociating herself from what’s important was easy, while hiding her contradiction was impossible. It was the ex-Reaper Beat who broke it out to her, that she should decide whether she really cared and wanted to do something for a change. He knew how it felt like to cross that line, and knew she wanted to too.  
Shoka is endeared by many of the Shinjuku Reapers and has shown independent acts of kindness (the Shinjuku ghost), proving that her kind and truthful side is as real as her harsh and dishonest side – which makes her a nice mirror to the previous heroine Shiki, who also embraced a dichotomy of self-complex and self-love within her character. In the end, she was the first of the new cast to ultimately accept all that is important to her and independently made the decision to help save Shibuya despite all costs.
She was jealous at Rindo’s interaction with Tsugumi and Kanon but remained silent cuz she wasn’t at a place to have any say about it. She also didn’t reveal about Swallow because that would only add an awkward irrelevance to their current situation, as she was too ready to face erasure at the end of the Game. She only wished to “play a game” with him, be it FanGo or the Reapers’ Game. The tension that the team could only feel at the end, she’s felt it the entire time. The song “DIVIDE” is applicable to not just one bond in the game, but it always makes me think of theirs. There is always a “divide” between her and Rindo throughout the course of their journey, as the living and the dead, as a Player and Reaper, as someone who has a place to return to and someone who doesn’t, someone who knows little but wields too much power and someone who knows a lot despite not being able to do much.
“If only I had the chance to connect with you on the other side
But time goes on, and without us realizing it
The battle is getting heated
Time goes on, and without us realiazing it
Divided again”
To be honest, maybe I didn’t grow any affection for the new main cast from Rindo’s perspective but from Shoka’s. Since I started to sympathize with Shoka, I started to see the boy in a more “real” way. The real Rindo, behind his peaceful façade with others, would lash out on Shoka for her unfairly harsh attitude while none of the others cared. He could also subtly feel that mantle of unspoken secrets from her, her own contradictions, the unresolved chemistry between themselves – and not knowing what to do with it rather than to feel angry with all the unfairness he could not process. (As a Libra too, he’s triggered the most by unfairness!)
It is actually a positive development as he’s at least “reacting” to something strongly now rather than to keep evading his problems. During my replay, I clearly saw the difficult situation Shoka was in, her remaining harshness after the Motoi incident was due to her internal struggle with a mission to save her own life, versus a chance to really be with the team. Her decision was to do both at the risk of losing favour from both sides. Rindo started to accept her layer by layer, as the person who resonated the most to her contradicting nature from the start and knew that via learning her resolve, he has learnt his too.
Later into the game, she even got too much of his attention. Maybe even without knowing she’s Swallow, he’s familiar with her thinking direction and Swallow had always been closer to him than any other friend. It was only after she had to betray her important ones twice that she could start being truly honest. The scene when she died a 2nd time left a strong impression in me, the little reveal let Rindo know that he is also losing Swallow as he’s losing Shoka – and that only death could drive the last secret out of her. Her final “Later, loser” echoed through Rindo as it was the final truth, with only him remaining to hear it: they had actually, already lost everything.
Rindo was the boy who never dared to face all that matters to him until he lost it all, fighting an unfair battle in the faith that they would somehow still win. Shoka was the girl who always knew what was dear to her, but never dared to think she could be together with them ever after and still threw her all into a battle she knew was losing. I think they stir each other on naturally to fill out their gaps, similar to what the Shibuya game partner systerm would have aimed for. The end reward was a little divine intervention to help close up the divide between them once and for all.  
During the game there was not enough space to process anything personal so at the ending when they officially became “friends”, it was an important affirmation of their bond. Some people complained it was friendzoning but it’s not, they just have arrived at the perfect place to start something more. “From now on, we will truly be together” – I read it as that kind of message.  
The heroine from a lost battle, with her story taken away
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After reading the secret reports and playing the game to be surprised of how small a role Tsugumi had in the main game despite being the “Hype-chan” thought to be a major character of the next TWEWY installment, many fans would feel sad at a missed opportunity to see the Shinjuku arc in full depiction.
It was shown clearly that, a Shinjuku arc was very carefully planned out and is a vital part of the whole story, yet it could not be made due to various circumstances behind the development scene. I would assume, that the team were not able to make a TWEWY game that ended on a despairing note, but it already happened in their mind, thus becoming a mental burden that forced them to break away from it and started the game anew with NEO. A significant part of NEO became the healing arc for the Shinjuku characters, especially for Tsugumi though I really wished more emphasis should have been placed on her rather than Shiba. We didn’t even get to see her brother – Shinjuku’s Conductor who had a vital role and instead was given the clueless Shiba, who had absolutely no idea what’s going on all the way until the last day in NEO. It’s as if Tsugumi has had her story stolen away from her, because her own battle ended with a saddening loss.
I think every time the game creators look at Tsugumi, they would feel that sadness too. Maybe to them, she is a bigger character than what is seen by the fans, as despite their failed effort to depict her story, she’s lived in their mind for all these years through periods of destruction, healing and rebuild.  Though it is a pity we could not get to experience the full scope of the Shinjuku story, the creators was clear about the place they wished for it to arrive at.    
Individuality, connection and the social network
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The team system adapted from Shinjuku rulebook does not allow much room for personal development, as the team dynamic is closer to a work relationship forced to bear results, than a spiritual bond to max out all corners of understanding as found in the partnership system. The old Shibuya system allowed only 1 winner and 1 week limit per game, while the new rule declares for a 1 winning team and only the team at last place will be erased – the other teams will enter another loop. Furthermore, whichever team to challenge the unwinnable Ruinbringers will face the risk of ending up dead last followed by erasure. As a result, the longest-standing teams are most likely not the strongest ever recorded, but the ones who have figured out a strategy to simply survive until something changes, enjoying their newly found social constructs while they are at it. Basically, it is a system to hypnotise players into the illusion that they are still “living”.
Therefore, we as players would not get to the core of each Player individually as fast and directly as we did in the last game. The Twisters were able to stand out not because they’re powerful, they only started to have a real chance after growing enough to each form a meaningful and personal connection to another teammate. It did not come as a team, nor did it intiate from the existing friendship between Rindo and Fret. In fact, I did not find much solidity or anything truly note-worthy about the main team and new characters within themselves until they started clashing with other team members, Reapers and new recruits from week 2 onwards. Rindo found his personal development with Shoka (via a clash with Motoi and pretty much a mini dating sim between them), then via the confrontation of his role with Neku; Fret found his with Kanon then Nagi, the team learned about the real Neku via Beat, Neku entered the UG via Coco’s wish to save Tsugumi… it was not the team but their personal links that empowered them to fight and solve each of their problems.
The other team leaders may have failed because they did not form such personal links, after 30+ hopeless loops Fuya’s team all fell apart to pursue their own interest even at the cost of erasure, Motoi quit his KOL façade to work like a dog for the Reapers (probably to save just his own ass not his team), while Kanon dropped her tricks to find changes via honest cooperation in acceptance of a fair loss. The despairing note in that is huge without making much of a scene because their failure didn’t happen at their best effort to “win”, but in their last attempt to find a way “out”. Even Shiba got his way “out” in the end thanked to his personal friendship with Hishima and Tsugumi.
Something has shifted in the mindset of the game creators in the last 14 years, as both games are about “connection vs individuality” but the last game focuses more on connection between just individuals and this one on the overall network that is formed out of those individual connections.
The introduction of Beat into the main cast was truly the bridge between old and new, they helped each other out in several turns before officially recruiting him. Beat is a character whom a lot of fans including myself have felt somewhat concerned about after Neku disappeared from the RG, so when the new kids welcomed Beat with warm and organic interaction and Beat seemed happy, I started to feel like I wanted to help them out too! I think the overall team chemistry is enjoyable enough for new players, but I could warm up to the new kids more from the pov of a returning character – whom I’m glad to be Beat, as the older brother figure who is genuinely kind, fun, serious and upbeat at the same time; who is needed and needs the kids in return.
The social network is a fun and refreshing feature. You can read all of the crazy tidbits about Shibuya and the links each character have formed with the town people, it’s also fun to visualize how the characters act off screen. Characters’ profiles provide extra insight into their background too, like how it reveals Tsugumi has been friend with Coco during her time in the RG. During the game when not all characters have showed up, you can sometimes guess which empty spot will belong to whom. For example there is a 1 character linking to Neky that is not linked to anyone else, so I could guess that was Joshua, and that another character linking only to Joshua was probably Hazuki, hinting that the 2 Composers are related before either of them even showed up.
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Hazuki only showed up for 5 minutes, but his presence is so vital and true to the game that I think he is the most memorable out of the new cast. The two Composers have such an intriguing bond, with their yin/yang or phoenix/dragon themes, opposite color design, the sempai/kouhai tone and the way they keep some sort of distance/work relationship as if it’s mandatory between Higher beings, yet at the same time they can talk so casually because they are truly equal – and different from one another. I have written a separate meta on them here.
Some people pointed out, that all Shinjuku characters’ names and themes are based off Hanafuda cards and the Phoenix in Hanafuda belongs to the Paulownia suit – which is Joshua’s name flower. This is so interesting because it feels like the creators somehow saw it as a sign to interweave the Shibuya and Shinjuku storylines together. Though it doesn’t come out much on the surface, it’s fascinating nonetheless considering both Josh and Haz had at some point interfered with the other town’s affairs.
“Shibuya tour with Haz” was such a special scene, as it happened between 2 characters who do not/no longer have a reason to care about Shibuya, on the subject of what is worth saving about Shibuya. Hazuki carried out the purification of Shinjuku and stepped in to restore Shibuya just as part of his job and unlike Hanekoma or Joshua who both possess profound understanding of humanity, he really didn’t know humans at all. Rindo’s irrational wish invoked in him a sense of curiosity, to try gambling on something irrationally and learning a bit of what his senior have experienced. With all the pieces put together, it provides an overview on Higher beings as a whole, and that Joshua and Hanekoma are really the odd ones out with Hazuki being somewhere in between them and the rest.        
The old friends
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It’s easy to have returning characters overshadow the new cast as they have already matured out of their personal story arc and stayed in our hearts for all this time. In the end, I have managed to enjoy both the old and new cast separately and altogether, and they will both find their own place in our memory of this game for the long term.
Sho is truly as crazy as ever, the game wouldn’t be the same if Sho is any less of what he is. Sometimes it doesn’t feel like Neky or Beat is younger than Nagi at all, with moments when it seems like Neky has aged 14 years instead of 3 years. His friendship with Coco surprised me pleasantly, and their interaction together with Beat was fun to watch. Rhyme’s found a new dream and her friendship with Kaie is precious too, especially considering that she can still talk to him online after the game ended. Josh and Neku’s interaction suggested that they have resolved the past and are on equal terms now, they even parted ways in good spirit and I don’t feel any worry about them like I did before.
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Neku and Shiki’s reunion scene was beautiful, theirs is such a special bond that it has grown and supported them even without being able to see each other. I am so happy to see them all again and that they stay true to who they are, albeit looking more grown up, cooler and happier than ever before.  
Overall, NEO can’t become a classic on par with the OG, but is definitely a good sequel and a good game in its own rights. I’m happy with whether or not there will be a 3rd game to complete the 3 monkeys theme, but if there will be – I hope the creators can really find the time to learn from the last 2 games and start over with a fresh mindset and strong core.  
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rocorambles · 4 years ago
Text
Let's Give It A Try
Pairing: Bokuto x Reader
Genre/Warnings: NSFW, Mafia AU, Sex Toys, Overstimulation, Use of Sir, Dirty Talk, Degradation
Summary: Dating a man like Bokuto Koutarou goes against every moral code you’ve learned growing up, but love has a funny way of going against the grain.
Bokuto exhales, sighing as he leans broad shoulders against the rough exterior of the building behind him, cigarette smoke floating in tendrils in front of him. He prides himself on the strength and health of his body, but when he gets in one of his moods after a particularly strenuous week, he can’t help but rely on the way the nicotine mellows out the stress of his job. Closing his eyes, he lets the muffled beat of the music inside the club reverberate through his chest, letting himself let go just a tiny bit. Foolish maybe, considering just how many people want him dead, but he allows himself a moment of lax judgement while on his turf, literally on the ground he owns, surrounded by his men both in and out of the club, under the watchful blue eyes of his right hand man.
Everything will be just fine.
And suddenly everything’s a little bit more than just fine as his curiosity peeks, sharp owl-like eyes scanning you as you come stumbling out of the club, taking deep ragged breaths, completely unaware of your surroundings as you greedily inhale the fresh night air.
He has to bite back the sharp grin that threatens to stretch across his face at your adorable jump and squeak when you finally straighten up and take inventory of who’s around you, quivering like a little mouse when you meet his intense golden gaze. There’s something different about you and he can tell with just a quick glance at you that this isn’t your usual joint, taking in your considerably conservative and casual outfit for the area’s most popular nightclub, the nervous ticks and almost bashful way you curl in on yourself, unused to the hungry look he continues to direct at you.
It takes some coaxing and he almost feels bad at how he swears he can hear your frightened and unsure heartbeat pounding your chest as he approaches you. But his talons are out, wide eyes too curious and intrigued by the prey that’s caught his attention to just let you go off on your merry way. He croons at how you stutter, tripping over your words in your nervousness, licking his own lips for a different reason when he sees your pink muscle dart out to wet your dry ones.
But he can feel his wings furl out to their full span, can feel himself prepare to lunge at you when he finds out that his sweet little mouse came all by herself, trying to get over your recent breakup by having some fun, maybe even finding someone to…
This time he does laugh when you embarrassedly trail off, ending your anxious ramblings, before pinning you down with a wild grin that makes your chest tighten.
“I can be that someone.”
There’s something about the man that leaves you on edge. You can’t deny the fact that he’s handsome, in a wild rugged way that reminds you of a predator. But there’s something...intense about him, something in his eyes, something in his presence, something in his aura that makes you shiver, keeping your suddenly heavy feet rooted to their spot. Not that you’d get very far if he was intent on doing you harm you ascertain as you stare at the muscular and toned figure in front of you.
Yet despite all that, you can’t help but believe that he really does mean you no harm. Maybe it’s what you want to believe. A last hope and faith that not all men are scum like your ex is. Desperate to believe that there are decent men out there, that you can find happiness and maybe even love one day. So going against every ounce of self-defense and common sense that’s been instilled in you all your life, you take this stranger’s hand and let him guide you away, finding comfort in his warm, calloused grip.
Even if you do end up dead after all this, you can’t help but think you’ve made the right decision, your problem more than solved as any thoughts of your ex (and anything else really) fly out your head as soon as you’re dragged into an alarmingly luxurious apartment. He really is more animal than man and you cry out as teeth harshly dig into your neck, possessively and hungrily marking every inch of you, lips greedily wrapping around perky nipples and sucking with a force that makes your eyes roll and your nails dig into his thick biceps. But that only seems to egg him on more and you vaguely wonder if you’re going to cum before he can even get to the main course, body already overwhelmed with arousal and desire as he touches you everywhere except where you need him most.
You’re positively dripping by the time he does make it between your legs, too high strung to even be embarrassed, letting out a high pitched whine instead when he teasingly blows on your sopping wet entrance, pressing your thighs apart, leaving you on full display. And you swear you black out purely from relief when a hot wet tongue finally licks a long line up your slit. So on edge already, it only takes a few flicks and lapping of your aroused clit to have you careening off that pleasurable cliff and you sob, body thrashing and convulsing as you ride out your orgasm while lips and tongue continue to work you over.
You blearily blink as you finally regain control of your body, expecting the man between your legs to take the hint as you try to sit up on your elbows. But you scream, instantly collapsing on the bed, hands fisting in the sheets besides you as two thick fingers suddenly slip inside of you, beginning a relentless pace right from the start, hot tongue still lapping and licking at your sensitive clit. It’s too much, too soon and you writhe, body trying to pry yourself away from the torturous pleasure, but also aching for another release as the coil in you is wound tight. Not that Bokuto leaves you much choice as he easily keeps you pinned down, your legs no match for the strength of his arms and upper body as he continues to feast on you, your pretty cries and screams music to his ears, your delicious juices intoxicating. And before you even realize it, you’re forced to your second peak, creaming and clamping down on the digits still stuffed inside of you, back arching, mouth opening in a silent scream.
Surely it’s over and you tell yourself that you’ll just close your eyes for a brief moment, a few seconds at most before paying him back with a blowjob, handjob, whatever he wants in return. Except your companion has very different plans on exactly how you’ll return the favor and your eyes shoot open, pathetic pleading noises spilling past your lips as you feel something hard and thick press against your entrance. But then he’s shoving inside of you, cock splitting your spent hole in two, and your mind blanks, unable to resist, unable to enjoy, only able to take and feel as it drags against your walls, going deeper and deeper.
And that’s how you pass out, one of the last clear memories you have before your mind fades to darkness, exhaustion and bliss rendering you useless as you’re ruthlessly fucked into and used by the man above you as he chases his own end, head empty except for mindless thoughts of cock, cock, cock.
There’s a few more one night flings after that and you try and convince yourself that it’s just that, nothing more, ignoring the pang in your heart when Bokuto sends you a sad face via text when he wakes up to an empty bed, ignoring the guilt resting heavy on your shoulders when you accidentally sleep in longer than you meant to and have to pry yourself from a pouting face and gentle grip on your wrist as gold eyes plead for you to stay.
But Bokuto Koutarou always gets what he wants and you find it harder to wriggle out from his strong arms as the sun’s rays filter through the windows, you find it harder to not sit down at his dining table and stay for a piping hot cup of coffee, you find it harder not to wake up and nuzzle closer to his body, cuddling and sweetly talking with him more than a casual relationship warrants.
And you find it impossible to not say yes when he asks you to officially go out with him one lazy morning as he cradles you in his arms.
Dating Bokuto is an adventure unlike any you’ve been on before and it’s so easy to be swept along in his enthusiasm and energy, giggling like children in one moment before you’re being pounced on in the next, gold eyes darkening in raw hunger and lust. Bokuto is an enigma that you wonder if you’ll ever truly understand, so easily shifting from a cheerful goofball to a dangerous predator and back again. But you don’t mind, finding the multi-faceted personality one of his strong suits...until it isn’t anymore.
You’d always had a feeling that Bokuto was hiding something from you, some things not quite adding up, the outgoing man strangely reticent about certain topics, especially regarding his work life and where his money comes from. But you had chalked it up to your sweet boyfriend being humble, not wanting to delve too much into his enormous wealth, because he must have enormous wealth from the penthouse apartment he lives in, the extravagant vacations he whisks you away on, the luxury gifts he bestows upon you without blinking an eye. And you’re correct, just not in the way you had imagined and you tearily and accusationally glare at him when you accidentally come across the hidden switch in the back of his closet, door opening and revealing crates and crates of a white powdery substance.
You want him to laugh it off like he always does, tell you some bullshit about it being for some prank he’s going to pull on Akaashi or Konoha, that it’s not what you think it is. But he doesn’t and the two of you just silently stare at each other, the pieces connecting all too clearly even without a word being said. And you leave, betrayal and hurt digging their claws into you as you leave behind a man who you thought you had known, who you had loved, but who you realize maybe you don’t really know at all.
It feels eerily familiar, a sense of deja vu flooding you when you take hesitant steps into another nightclub in the area, desperate for another distraction, another fling to fuck you free from thoughts of gold eyes and a muscular body. You tell yourself that there’s nothing similar about the solid build of the stranger you’re grinding up against, that the similarity in appearance is just coincidence as the two of you stumble to his apartment. But then lips and hands are all over you, too gentle, too soft, treating you like glass, words too cautious. Everything’s wrong, wrong, wrong and when he begins a slow careful pace, fucking you like he’s making love, so different from the way a certain man would have broken you down to pieces only to build you back up, you shove him off, uncaring of how rude you’re being.
That night when you return to your own bed, you sob in frustration, toys, dildos, vibrators scattered around you as you seek any relief you can get, looking for even the slightest mimicry of Bokuto’s touch, trying to remember what he sounds like, what he feels like. But memory and imagination can only get you so far, can never live up to the real thing, and you scream into your pillow as an unsatisfying orgasm ripples through you, the realization that Bokuto has ruined your body for anyone else, even yourself, sinking into you.
It’s absolute stupidity to be with someone just for great sex. Absolutely ridiculous. What decent human would go crawling back to their drug-dealing ex just for his good dick game? God knows what other shady underground shit Bokuto’s up to and you know it runs much deeper than a single room full of cocaine.
But maybe you’re not a decent human. Maybe that’s why you still can’t stop thinking of him despite how you try and hold out, despite the multiple flings, nights, and even entire weekends you spend with yourself in bed, spending far too much on sex toys, pussy and clit throbbing, fingers and hands aching from constantly bending to be inside yourself. Yet for all that, you’re never satisfied, every weak orgasm, every disappointing touch from another man only making your need for Bokuto even more pronounced, until you finally break. And a month later you call Bokuto, a scrambled frantic call over the phone with a dildo shoved deep inside you, a vibrator buzzing on your clit, tears streaming down your face when they do nothing to take away the yearning inside of you, begging and pleading for him to come and help you.
It’s humiliating how even just the sight of him skyrockets your arousal to levels you haven’t felt since the two of you dated and you whimper as he casually leans in your doorway, thick arms crossed across his chest, gold eyes raking over your sweating nude figure that’s writhing on top of rumpled bed sheets.
“This is a good look for a desperate slut like you. Couldn’t cum without me? No one, not even your little toys could make you feel good? Maybe I should just leave, just like how you left me. Leave you high and dry. Well I guess maybe not that dry.”
You pant, wide blown out eyes watching as he slowly approaches you, face heating when he bends down to peer at your dripping cunt, mockingly whistling at how you pretty hole is no different than a leaking faucet, inner thighs drenched in your arousal.
“Koutarou, please-”
You scream as fingers harshly twist at your nipples, eyes rolling to the back of your head as just that brutal touch is enough to bring you over the edge you had been hovering around for so long, body convulsing, a dopey grin making its way onto your lips when you finally feel the pleasure you’d been craving for so long.
“Fuck, you came from just that? Who the fuck said you could cum? Who the fuck said you could use my name? Sluts like you don’t deserve to say my name. You know what to address me as.”
You wail, pain melding with the pleasure as he shoves your vibrator away, alternating between pinching and slapping your already overstimulated clit as he enunciates every word he snarls at you, a feral grin stretching across his face at your barely coherent babbles of “sir” and “sorry”.
The constriction in his own pants is painful and he’s quick to strip waist down, slowly palming his aching erection. It takes everything in him to hold back, to not just shove balls deep inside of you in one strong thrust, your absence affecting him just as badly. But that’s not what this is about. This is about making a point, reminding you just how wrong you were for leaving him without a single word, rebuilding what the two of you once had. And as ravenous as he is, he takes his time, willing himself to slow down and rediscover every inch of you, painstakingly exploring your body once again, re-memorizing every sensitive part of you that elicits a little gasp, a tiny mewl.
And he doesn’t stop, pulling the dildo inside of you completely out, using his teeth, tongue, and finger to bring you to the edge over and over again, always backing away just when you’re about to fall off that pleasurable cliff once more, diving back in like a man starved just when you think you have a shaky grasp on your senses. Only when you’re full out sobbing broken cries of his title, a litany of “please, please, please” escaping you does he move on and he groans at how perfectly your legs wrap around his back, urging him inside you as his cock finally makes contact with your gushing cunt, your hands weakly pawing at him in a silent plea for more.
But again he stops, bringing a thumb to wipe away your tears as you begin to wail anew, frustration and denial tearing you to shreds, instinctively leaning into his touch as he gently strokes your cheekbone.
“Tell me who’s the only one who can make you feel good. Who’s the only one who can pleasure you?”
And as you scream his name, he finally slams inside of you, relentlessly pounding in and out of you, gold eyes hungrily taking in how wrecked you look, how broken you look, all because of him, only for him.
It doesn’t take long for both of you to tumble together over that edge, not when both of you are beyond pent up, absence making your hearts grow fonder and your bodies desperate for each other. And you can’t help the content warm surge inside of you when you feel hot thick liquid fill your insides, your body lax and useless in post-coital bliss, heart and mind eager for Bokuto to collapse beside you and pull you into his toned chest like he always does.
Except there is no familiar weight beside you and your head shakes side to side, drool trickling down your face when Bokuto’s softening cock is suddenly replaced by four fingers brutally thrusting in and out of you, curling just right along your still quivering walls.
“We still have a long way to go, little mouse. We have a lot of catching up to do.”
You don’t know how many times you’re forced over the edge after that, consciousness fading in and out as he assaults your cunt with his fingers, his tongue, his cock. You even vaguely remember waking up once to a dildo in your ass, Bokuto pounding into your cum-filled pussy, your body more stretched than it’s been in a long time. They all blur together, only tied together by the delirious pleasure that numbs everything else until you’re succumbing to darkness one last time as yet another body shaking orgasm rips through you.
It’s the scent of fresh coffee and bacon that awakens you and you blearily open your eyes, only to immediately wince as soon as you try to move, your body feeling like it had been rammed into by a truck (although you suppose that imagery isn’t too far off from what actually transpired). Sinking back into the plush pillow and mattress, you close your eyes, wondering what’s your next move. Force your aching body out of bed and confront the inevitable, already somewhat dreading having to face Bokuto now that your mind isn’t clouded with lust? Go back to sleep and pray that he’s gone when you wake up again, like a coward?
But Bokuto doesn’t leave you a choice and you shyly cover yourself with the blanket when he comes bounding into the room, a heaping plate of food and a cup of the delicious caffeinated beverage in his hands, heart fluttering when you see the warm and affectionate grin on his face as he approaches you, carefully placing everything on the nightstand before tenderly pecking your forehead and murmuring good morning.
You try to say something, anything, words getting stuck in your throat, but you’re shushed as the coffee mug is carefully placed in your hands, Bokuto’s soothing voice urging you to eat and recover first. And you gladly take the excuse, hunger and thirst from last night’s endurance marathon finally making itself known as you devour everything. But there’s only so long you can avoid the inevitable and with belly full and feeling more yourself, you listen as he gently grabs your hand, letting him entwine his fingers with yours as he tells you everything.
Who he is. What he does. Exactly how he’s affiliated with the Fukurodani Syndicate.
None of it is surprising, a lot of it what you had surmised and guessed yourself. But it doesn’t make it any easier to swallow knowing just how much he had kept from you, how much he had been planning on keeping from you for who knows how long. At least it’s all out in the open now though, no secrets left between the two of you, and there’s a pause as he continues to rub his thumb on the back of your hand.
“I won’t sugar coat who I am and what my life is. I don’t expect you to come running back with open arms. But if you’re willing to give it a try, I swear that there’ll never be any more secrets, that I’ll protect you, that I’ll love you. I’ll be the damn best boyfriend there ever is.”
You almost giggle at how childish the last sentence is, hope churning in your stomach when you see how genuine and passionate he is, fondness flowing through you when you recognize the man you had fallen in love with beyond the dirt on his hands. And you know it’s arguably foolish, goes against every moral code you’ve grown up with, but love never does seem to follow set equations and rules and you bring that hand to your lips, affectionately kissing your clasped fingers as you meet gold eyes.
“Let’s give it a try.”
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kiuda · 3 years ago
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the dreamon AU is always so interesting to me and to mix it with "other servers" learning about what is happening in the SMP is so good!! like imagine that other admin goes to the SMP and detects the presence of the dreamon via corrupted code or something and seen that the possessed is Dream out of everyone who is suffering from it. (If Phil is interrogated to why he didn't notice he explains that he entered to the SMP and had to kill his own son, the emotional pain to much think and then he just didn't notice since the presence was basically everywhere)
I love the Dreamon AU a lot!! I wouldn't want for it to be canon, but it is one of my fav AUs :D
Note: the dreamon is the bad guy in this AU! Just be aware of that before reading <3
I somehow made it into a MCC AU as well, because of course I did ^^' (MCC15 btw)
warnings: torture aftermath (description of c!Dream's condition), prison arc (before c!Techno was imprisoned), not c!Sam or c!Quackity friendly, broken bones, blood, mention of lack of nails
/rp /dsmp
He didn't know what day it was.
Every day was the same in the Vault. Lava. Obsidian. Potatoes. Pain. Pain. Blood. Lava. Water. Hurt. Sleep. Constant.
Nothing changed. Quackity visited. Sam yelled. The dreamon taunted. Over and over again.
He thought the prison would make the dreamon leave. He thought he would be free from it. That he would finally be able to tell someone, anyone, the truth.
Sam wouldn't listen to him. And the dreamon just laughed. Laughed with its raspy voice, gritting in Dream's brain. It hurt. Just like everything in Pandora.
How long has it been? He couldn't tell with no clock and no communicator.
Did anyone miss him? Why would they? He wasn't strong enough. He failed to protect them.
Was anyone from outside worried? Was anyone trying to contact him? Was the next MCC-
MCC.
He opened his eyes and tried standing up. He was still hurt from Quackity's last session - his arm limp by his side, probably broken. Blood all over him from various cuts. He lost all his nails. Again.
But it could have been worse. It could always be worse.
Could it?
'Shut up.' the dreamon was back from his... whatever he did when he wasn't pissing Dream off. Probably being a nuisance to someone else.
At least you have your fingers back. it laughed like it was a joke.
Dream ignored it. It couldn't do anything in here. It was too weak. It couldn't feast on him after all.
"Sam!" he yelled, trying to get the Warden's attention. "SAM!"
"What." the lava rose up slowly. Sam's stern face on the other side.
"What day is it?" he asked, leaning on the barrier. He couldn't keep himself up any longer.
"July 24th" Dream's blood froze.
No.
NononononononononNONONONO-
He had to warn them. They had to know-
"Sam! Sam, please! You have to warn everyone! Please!" the Warden looked at the almost-falling-over prisoner, unimpressed.
"Warn who? About what?"
"MCC! It's MCC day!" Sam froze as well. Shit. This was bad. If they didn't hurry-
Light.
The uneasy feeling of server travel.
And then the hard ground. Sounds. Lights. Yells.
Oh no
"What is going on here?!" Noxite. The music stopped suddenly.
Dream slowly opened his eyes. He was lying in the middle of the MCC hub. This was not good.
'You must be happy. Everything is going to hell again.' but the dreamon was silent. Whatever.
"Dream?" a quiet voice of Sapnap from beside him. He looked up, seeing his best friend. "What happened?"
"I..." Dream looked again and saw him. Quackity was there. Wearing the same jacket as Sapnap. A red one. Wait. He risked a glance at himself.
Red.
Red
Red like the blood. Like the shears. The pickaxe. The walls, the floor-
"Dream!" Noxite. Right. MCC. He had to focus.
"Ye-" Cough. Again. Try again. Everything has to be fine. "Yeah?"
"Why aren't your players ready?" Oh. That was his job, wasn't it? He was supposed to tell them when to be ready for the tournament. He was the admin.
"I...i..." What could he say? 'Sorry, I was imprisoned and my comms were taken away and the only person visiting me was my torturer?' He couldn't do that. They would investigate. They would close the server. His server.
"Nox." One of the other Noxcrew admins. EpicLandlord maybe? Dream wasn't sure. The world was beginning to spin. Was Sapnap still here? Where did he go?
"-do you mean a dreamon?! How?! Where from?!" They were yelling again.
Oh.
Oh
The firewall. It stopped the dreamon. Maybe even destroyed it if Dream was lucky.
"It was fried fortunately. But we have to put the games at pause." No! They couldn't!
"No!" He yelled suddenly, standing up shakily. There was a person helping him. Sapnap. "We can play!"
"Dream your arm is broken. And you almost let a dreamon onto my server. We need to talk about this." He had to convince Noxite to continue. They couldn't take the server away. He won't let them.
"Please. I'm fine!"
"You aren't fine Dream!" Sapnap yelled suddenly. "You were possessed?! Why didn't we know?!"
They didn't... they didn't know? They didn't just refuse to help him? They... cared?
"What...?" he whispered, the world spinning again.
'Blood loss.' was his final thought, before he finally collapsed to the sound of yells.
(In the end his server was fine. They let him keep it after checking for any remains of the dreamon. The server members were interrogated and sent to therapy. Some got community service. Pandora was destroyed.
And when asked if they wanted to leave, everyone stayed. They stayed. They started to heal.)
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amazingorangedangantrash · 3 years ago
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Excuse me Orange. I have seen the posts of Makoto interacting with class 77 and as much as I would love to hear about it I'm really curious about how a relationship with class 79 and Makoto would be. More specifically Makoto and Kokichi.
Yes this is because I can't get the fic "Rosemary" out of my head. In summary, Makoto loses his memories and becomes a counsellor at a school in Germany after meeting Rantaro and adopts Kokichi. Besties Rantaro and Makoto with the disaster child that is Kokichi.
Hello anon! Thank you ever so much for being so polite and patient with me :). This post has been a long time coming, and people have requested it ever since I made those class 77 headcanons. I put it off partly because I was worried I wouldn't do the V3 characterisation justice. I based a lot of this off the wiki info, so I highly encourage anyone to add their thoughts or counter if they think of something different!
(Also since pre-game personalities are basically non-existent outside of headcanons, this is based off their killing game personas)
Makoto is excited to greet another school year, and some underclassmen along with it! With all the... interesting characters (turned friends) he's encountered in both his own and the above year, he can only wonder what the new students will be like...
Kaede- out of all the protagonists, I'd say Kaede shares the most similarities with Makoto, moreso than his own sister. These two would definitely get along and make a great tag team- watch out Hope's Peak, because these two will have befriended you before you know it! Makoto definitely admires Kaede's straightforwardness and her optimistic nature. They act as great support for each other if tag teaming another person/persons, as Kaede is bolder then Makoto, whilst Makoto acts well as a medium. They're both extremely loyal, arguably to a fault. Both Kaede and Makoto have lied in a class trial to protective their friend (a detective each time too, lmao). Apparently she also lied for his sake in the demo, which is sweet. I feel like they'd connect well over their mutual optimism and kind hearts. I think Makoto would convince Kaede to step out of her comfort zone- socially, she's very bold, but she strays away from activities that could affect her piano playing (by hurting her fingers) and can waste away a lot of time in the practice room. She misses out on a lot of potentially fun activities that way. On an outing with some others, she accidentally cuts her finger, and whilst Makoto apologises and tells her she was right to be cautious, she waves him aside. Despite being unable to play the piano for a few days, she fills her time with other activities and it actually... doesn't bother her so much. As an 'ordinary person', Makoto helps a lot of talented students by opening their eyes to seeing that their identity doesn't revolve around their talents. In return, Kaede offers to teach Makoto whilst he spends time with her in the practice room. Whilst piano is her favourite, she knows how to play other instruments, and teaches Makoto the violin (maybe you think he'd play a different instrument but violins are my favourite so I'm going with that-). They even practice together, and whilst Kaede still practices nearly every day, she finds that it can actually be even more fun with company.
Shuichi- ah yes, yet another detective. Makoto was initially surprised that they'd accepted another Ultimate Detective, since there's normally only one ultimate at a time in the school (aside from Luck, which is decided each year with a raffle or draw or whatever). It's revealed that Shuichi is actually undergoing part of a new tutoring programme, in order to increase the number of people with talents especially useful to society. He's to be tutored by his upperclassman... *drumroll* Kyoko! Being close with Kyoko and with Kaede, Makoto sees a lot of Shuichi and befriends him too. He helps out with Shuichi's lack of confidence and feelings of inadequacy. Unlike Makoto, Shuichi has an obvious role model that he both aspires to and compares himself against. Unlike Kyoko, Shuichi is much more connected to and feels responsible for the people his detective work condemns. Whereas Kyoko is confident in her goal to obtain the truth, in totally neutrality, Shuichi is hesitant about it, unable to feel unbiased and take a neutral stand. Makoto convinces him this is a good thing, that feeling guilt is normal and is a sign of being a passionate and sympathetic soul. Shuichi doesn't have to be the kind of detective Kyoko is- sometimes that kind of compassionate and caring person is exactly the mindset people want. He also reassures Shuichi that as painful as the truth is, uncovering it means being able to eventually move on, and embrace hope. (He also tells Kyoko to maybe be a bit more... /welcoming/ in their lessons, and eventually Kyoko grows quite fond of her student, discovering a fondess for teaching she didn't know she had).
They're both very humble and polite, and whilst Makoto isn't reserved, he can be very passive. I think the two would appreciate having more of a calm relationship, typical of a 'normal' friendship that is often er- 'lacking' at Hope's Peak. With Kaede's help, Shuichi would open up to Makoto and others over time. I personally headcanon Shuichi to have an anxiety disorder and depressive bouts, so I think someone like Makoto would be a great support friend, for him to go to when he needs company and comfort, someone to listen and to understand, and vice versa to an extent. I like to imagine Makoto, Shuichi and Kaede often spend time together (with Hajime too protag gang ftw). Shuichi likes to study in the music room with them. He's already good at research, but the music actually helps him... enjoy it more. (Maybe he takes up an instrument too, to give him a hobby to focus on, hmm).
Kokichi- Kokichi Ouma. Kokichi Ouma... what do I even say? Trying to wrap my head around his character is like trying to clear the death road of despair in your first try. Still, I'll try my best!
I've seen a headcanon before (i dont remember by who, if you know lmk and I'll credit them) that Makoto via his unpredictable luck would be immune to Kokichi's pranks, and I think that'd set up a pretty good basis for their introduction. I think if Kokichi and Makoto had to describe the other in one word, it would be... "frustrating". At first glance, they're practically opposites- someone like Kokichi, who seems to breathe lies instead of air, and a person like Makoto, who's so honest and open it's almost stupid. Makoto doesn't like how Kokichi lies so much, even if it means people hating him. He almost seems to WANT people to hate him (I think he said once that honest people scare him more than strangers). Makoto has a tendency to break down even the most difficult characters (coughcoguuh class 78 coughcofuh), and that both scares but intrigues Kokichi. Makoto couldn't hate him if he tried (literally the only person he ever even /disliked/ was Junko. Not /hate/, but just /dislike/? Really???), and it frustrates Kokichi that Makoto is so willing to trust him and put faith in him. Makoto isn't blindly optimistic either, he genuinely believes in people, and I think Kokichi would feel envious towards being able to trust so... freely. Part of Kokichi's childish and carefee personality and his perchance for lies is the manifestation of his desire for freedom. If no-one knows what he's thinking, if no one can guess his moves, if no one can use emotions or weaknesses against him, and he can do whatever he wants, isn't that freedom? Except it isn't. By not letting his guard down and being honest with people, in a way, Kokichi's lies have left him trapped, unable to open up out of a fear of vulnerability. Whilst Kokichi would be initially suspicious of Makoto, maybe even distrustful of or uncomfortable around his personality, I think having such a grounded, honest individual whom he can /rely/ on would be... comforting. Kokichi would warm up to him, and see that with Makoto, what you see is what you get. He's above all else, a /genuine/ person, though certainly not an ordinary one, and Kokichi learns to respect and even admire that. Kokichi intentionally pushes people away to avoid expressing vulnerability, by being intentionally unlikeable, but even so I think he's lonely. Pushing away others isn't out of a true desire to be alone (it never is), but a defense mechanism. That tactic wouldn't work on Makoto, and so Makoto could become someone who Kokichi not only considers a friend, but who wholeheartedly returns the sentiment.
Makoto isn't sure what to think of Kokichi at first. He's heard so much about this terrifying new student, an overlord of a secret underground organisation with roots all over the globe... and yet the first time they meet Kokichi is trying to drop a bucket of custard on him. I don't think Makoto would like how Kokichi lies so much- especially about things like killing people or sending them away to never be seen again. It upsets him how Kokichi can joke about it, and how he seems to enjoy toying with people's feelings. When Makoto has a goal, he'll follow it through to the end, so when he's determined to break through Kokichi's walls... well, it's not easy at first. He's also willing to keep Kokichi company and give him attention and hear him out, which Kokichi admittedly likes. Whilst Makoto isn't a pushover, he's also not going to threaten Kokichi or retaliate with mean words, he genuinely listens and entertains Kokichi even though he knows Kokichi is messing with him, which is.. really nice, actually. Even if he tries he can't really shake Makoto that much (pls after all the other -weirdos- people he's met?). Like oh-? They have to duel to the death with yu-gi-oh cards? It's lucky Makoto brought his stack with him! Kokichi orders him to play tea party with him? He loved playing it with Komaru when she was younger and was sad when she stopped! Kokichi tricks him into eating a really gross weird food? How did you know that was a family favourite! Kokichi is fond of Makoto, and is desperate to keep Makoto's attention on him, whilst at the same time not wanting to reveal his true feelings, leading to plenty of complicated situations. Eventually they reach a breaking point (i love drama ok) and whilst Makoto doesn't lash out at him, exactly, he admits that maybe it's best he leaves Kokichi alone, believing that maybe Kokichi truly is content to be the way he is. It's this event that causes Kokichi to realise that Makoto really is someone he'd rather not hurt- that he doesn't just 'like' him but truly cares for him. From then on he tries to dial it down a bit, and Makoto comes to understand how Kokichi's lying and 'cruelty' stems from a place of insecurity and fear of trust. He promises to be a person Kokichi can trust, to show him that vulnerability doesn't have to mean gettint hurt. Whenever the two are around each other all kind of wacky hijinks are bound to ensure, really. Kokichi loves having someone around to not only give him attention, but want to as well, and Makoto enjoys how Kokichi is willing to spend time with and entertain him, pushing him and supporting him in ways that he didn't realise initially. They both find the other extremely interesting, and their encounters usually lead to significant changes in their relationship and mindsets.
I like to imagine they'd spend time playing games and fanboying together- Kokichi adores video games, and it always poses a challenge going against Makoto's luck, which is great for someone competitive as he is. Kokichi also seems a fan of the shounen genre, and 'basic' Makoto is the only other person in the school aside from Hifumi and Tsumugi to even watch anime so you know those two nerds geek out constantly. Kokichi likes to play other kinds of games with Makoto too- and they really like word games- especially two truths one lie. Makoto is... suprisingly good at it. He's pretty poetic, and his genuineness makes it hard to disbelieve him. Which makes it all the more fun when going against Kokichi!
Rantaro- how would these two describe each other in 5 words? "A breath of fresh air". They're both some of the "normal-est" in the school tbh. It's really great for both of them to have someone to do normal teen stuff with. They love going shopping together, hanging out at cafes and arcades. They actually meet when looking for a birthday present for their sister(s). They both reach for the same one before apologising and insisting the other have it. Rantaro insists Makoto take it, since, well, it's not like /his/ sister would get it anytime soon... confused, Makoto asks why and somehow Rantaro ends up confessing the whole thing about his sisters' disappearances, and how he always buys a present for each of their birthdays, waiting for the day when he can give them to them in person. (Pls why does this always end up with makoto counselling the students akdhsjsj-). Makoto could definitely sympathise, having a younger sister of his own. I think they'd bond over that "older brother" role they share, and Makoto would definitely help alleviate some of Rantaro's guilt. I like to imagine that Makoto, whilst being a 'typical teenage boy', also has a lot of feminine interests that he might be a bit insecure about. I love the idea of Rantaro encouraging him to embrace that (guy has like 12 sisters, he gave up feeling shy about makeup, nail polish, jewellery and dressing up in tiaras years ago). Rantaro is the first person to paint Makoto's nails and he loves it so much-!!! They go out for boba together and wear matching green nail polish pls its awesome. Rantaro also tells Makoto stories from when he was travelling and its also amazing- Makoto loves hearing all about it, and Rantaro is actually an incredible storyteller. Though Rantaro initially adventured to find his sister(s), he remembers why he loved travelling in the first place, and he's able to look back fondly on those memories that used to be clouded with the despair of his sisters' disappearance. They even go on vacation together to a tropical island at some point (maybe with friends). I'd like to say Makoto's luck might even lead to them finding one of the sisters, but maybe that's a bit too coincidental ahaha.
Miu- hmm. I think Makoto would be a little put off at first by her vulgarity and very openly sexual and crude behaviour. It's not that he dislikes her, he just isn't really sure... how to react around her? Her and Kaede don't get along, and Makoto often finds himself playing peacemaker when he stumbles upon their arguments. To his surprise, though, she seems to actually... like it when they fight? In fact- she seems to like it when people give her the time of day at all, really. Maybe she's just... lonely? And well, she can be a bit... um- /obnoxious/, but she can't be that bad! Making him go to see her weird (weird) inventions, that must be her way of reaching out and trying to spend time with him, right?
And then she starts calling him "Ma-crap-to", "Naegidiot", "Makusoto", and "Na-unchi"
nevermind she sucks
Makoto, with his saintly patience, would probably end up getting closer to her similar how Shuichi does in his FTEs. (I'll be honest there's not much difference I can think of akdjsjjssksj-)
Kaito- Kaito! Who doesn't love Kaito. It's no secret Kaito thinks himself the centre of the Universe (insert space joke here haha)- he's the protagonist of his own life, and luckily for him, Makoto fits quite nicely into the sidekick role. Both of them are passionate, with big hearts and strong spirits. Kaito is really good at seeing through people too- (idk how accurate this is but apparently in the wiki it says he sees that Nagito isn't interested in his talent or him as a person so much as him as a symbol). Whilst Makoto obviously has a lot of respect and admiration for all the talented students, I feel like it's a lot more... genuine? In a way that he can appreciate the person behind the talent, more than the talent itself. Kaito is someone who likes to inspire people and I think this would resonate with him. I think the two could seriously get along! They're both hopeless (haha) romantics and stupidly optimistic lmao. Kaito can be a little hotheaded at times, so I also like the idea that Makoto could calm him down, or at least reel him in a bit. He's stubborn when it comes to... um.. certain types of people (kokichi) so maybe Makoto could open his mind a bit.
Maki: MAKI ROLLLL. Ok I'm sure she'd probably have to hide her talent until it all came out at some point. I think Makoto is someone who's very against killing (even Junko he believed there was a better way for), so whilst he wouldn't agree with her talent, I think he wouldn't hold it against Maki, especially because he's very good at separating person from talent. Makoto is very understanding, and I think that like with Kaito, he would try to befriend her and open her up. He'd probably feel bad for her, not knowing what a "normal" life was like, so he'd try his best to do that. I think Maki in turn would appreciate that, and slowly get to know him like she did with Kaito and Shuichi. (She also likes complaining to him about Kaito lmao).
(he also takes her out for sushi so she can see for herself what a harumaki is LOL)
I'm sorry anon, this is as far as I could go aksnjjssj. When I feel up to it I'll try and make a part 2 to this, but I hope this is good for now?
(Also that fic sounds awesome and I'll definitely have to read it at some point)
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welcometowcwmondaynitro · 3 years ago
Text
WCW Monday Nitro 09/09/1996
Shit be exploding, so you know what time it is.
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Yes sir.
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Once again we are not given a location this week, which generally means the town is too small-time for the big shots at WCW to even consider giving a shout out to. My research tells me this broadcast comes from the Columbus Civic Centre in Columbus, Georgia.  
As always we are introduced to our first hour announce team, Schiavone and Zbyszko.
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Tony is looking quite smart this evening. Larry as expected has a horrific multcoloured abomination on underneath his jacket. It’s basically his gimmick a this point so whatever. 
They talk about how the balance of power has shifted to the nWo and Larry says Giant is “the biggest traitor since Benedict Arnold”, nice ancient reference there, Larry. We get a recap of last week’s awesome show-ending brawl. 
Once they’re done wrapping this up, Goldberg’s music plays. What? I check my file - yes, definitely 9th September 1996. Has Goldberg time travelled back to 1996 and changed history by debuting early?
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Well, either that is one hell of a disguise or no, actually Goldberg’s theme music was first used by this Japanese guy called Pat Tanaka. It’s really weird seeing this random fella walk out to Goldberg’s music. The crowd boo mildly - I guess just because he’s Japanese? I don’t remember there being any storyline reason to boo him, anyway. 
Pat’s opponent is... this.
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Looks like a mascot from a early/mid-90s video game brought to life. If this is Super Calo then I am curious as to what regular Calo is like. I am unsure as to what makes this version ‘Super’, but maybe we’ll find out in the upcoming match. Mike Tenay joins the announce crew because it is Calo’s debut and Tenay is the only one likely to know anything about him.
Pat Tanaka vs Super Calo
I was kind of hoping Tanaka would start the match with a spear and then jackhammer Calo into oblivion, but no such luck. 
As one would anticipate from a man dressed like a stereotypical kung-fu master in an 80s movie, Tanaka starts the match off with some kicks.
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Calo jumps around pointlessly and then gets kicked in the face. Bants.
Tenay tells us Calo’s name and look comes from the “top rap group” in Mexico. He does not name this group. Confusingly wikipedia claims Calo is named after a Mexican rock group with the same name, but his image is meant to convey a rapper. So, just... what? Also what rapper has ever looked like Super Calo? In Mexico is that how rappers dress? 
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Well anyway this odd fellow somersaults over the ropes onto Tanaka outside of the ring. 
The screen then cuts to this.
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 Then we’re back to the match. OK then. 
Tanaka hits Calo with a powerbomb, which leads to Tony talking about him being “so schooled in the martial arts”. Yes, because we all know that classic martial arts move the powerbomb. Often followed by a leg drop and a scorpion deathlock. 
The ending to this match is beyond ridiculous. 
First, Tanaka puts Calo onto the top turnbuckle.
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Neither man seems to know what is meant to happen next, so they awkwardly wrap their arms around each other.
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Tanaka then lifts Calo up like he’s going for an inverse piledriver and falls backwards.
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Apparently he knocks himself out, gets pinned, and loses.
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What an idiot.
Super Calo defeats Pat Tanaka via Pinfall.
Nothing too super about our friend Calo in this one I’m afraid. His victory came largely because Tanaka is a super dunce.
We got some lads in the front row who are big fans of the classic moustache.
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They seem quite pleased that Calo emerged victorious.
Just under seven minutes in and we throw back to Mean Gene in the locker room with Rick Steiner. This should be good.
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Shirts hanging out of the lockers behind them, as you do. 
Gene asks Rick Steiner about Nick Patrick’s questionable officiating - referring to the incident last week where Luger was disqualified in seconds for basically nothing. Rick says that he had Luger, and Gene saw it. Total bullshit as the match had barely started, and Gene does point that out. 
Luger walks into the frame as we see last week’s replay. Rick is continually going on about how he was going to win, sounding like a mentally challenged three year old. On the other hand this is a guy who also genuinely thinks he’s a dog, so... I should probably be impressed that he is able to form words and put them into a somewhat coherent structure.
Gene says that Steiner is “a little confused” in the understatement of the century, 
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Luger tells Rick that he’s “a great tag team wrestler” but he feels like he has the edge in a singles environment. Rick continues to fail to understand basic english and keeps repeating “I can beat you, ask Sting” and then starts calling for Sting.
Gene then ushers Rick away like an unruly child as Luger walks off as well. Gene says that Luger was alluding that Rick “doesn’t have it upstairs”, pointing to his head. Wow, what a dick. Luger didn’t say anything like that. All he implied was that he was a better singles wrestler than Rick. Not sure where Gene has gotten his interpretation from, but my guess is he just wants to stir the pot as usual.
Next it’s nWo announcement time.
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Just the usual t-shirt ad with Nash saying “all proceeds go towards the Ric Flair retirement fund”. Joke’s on him, that fund must have accrued some serious cash before it was finally paid out.
We’re back and...
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Somebody buy these poor kids some real nWo t-shirts. 
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Where did these people come from? Did they decide to stop by Nitro after a corporate dinner or something? 
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Are these pilots in the audience as well? Wtf? Why are all these people coming to the show dressed in their work clothes? Is this a common thing in the States?
Oh, hey, guess what - Glacier debuted. I would say “remember all that hype” but if you’ve been reading this sad collection of nostalgic drivel then you will indeed remember the many Glacier adverts that have been on every Nitro broadcast since May or so. We’re now in September and Glacier finally had his first match... on WCW Pro.
Seriously.
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WCW Pro is like... Sunday Night Heat or Velocity in WWE terms. It’s below WCW Saturday Night for fuck’s sake.  Tony calls it “one of the most eagerly anticipated debuts ever” - which is why he made his first appearance on WCW FUCKING PRO. Oh WCW, what are you like?
Larry says Glacier will be “a force to be reckoned with”, which, spoiler alert. turns out to be the opposite.
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  Oh good, these two walking charisma vacuums.
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And these two lumbering idiots. WCW, the best wrestling on the planet. How could WWF in 1996 find no way to entice people away from Pat Tanaka vs Super Calo and The AFC vs the Nasty Boys? Seriously. It isn’t that difficult. 
The AFC do their usual schtick of singing the Canadian national anthem badly and the crowd get angry because ‘Murica fuck yeah and whatever. The Nasty Boys say “fuck this” and attack the AFC after about 10 seconds of this bullshit, getting the match started.
The Amazing French Canadians Vs The Nasty Boys
You don’t care about this match. I don’t care about this match. Let’s just skip to the end.
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Knobbs whacks the eyepatch guy with the flag the AFC brought out. Saggs pins for the win. 
The Nasty Boys defeat The Amazing French Canadians via Pinfall.
Mean Gene comes scurrying out to interview the Nastys, for some reason.
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Saggs says everybody has been pointing the finger at the Nasty Boys, accusing them of being with the nWo (can’t imagine anybody really cares but OK, sure). Saggs says the Nasty’s are only worried about the tag titles which are in WCW, ergo they aren’t interested in joining the nWo. Does he not realise that faction affiliation is irrelevent as far as challenging for belts is concerned? I mean, Hogan is literally WCW Heavyweight champion at this point in time. 
Knobbs says that the Nasty’s don’t care about the nWo, they’re in WCW and they’re coming for Harlem Heat to take the tag team titles. Short and to the point, which is fine by me, even if the Nasty’s appear to be under the mistaken impression- that joining the nWo would invalidate them from challenging for the tag titles. 
We’re back from a commercial break to find Scott Norton and Sgt Craig Pittman in the ring.
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Sgt Craig Pittman Vs Scott Norton
The commentators bill this as a “hold versus hold” match and I’m not sure what this means, as I was under the impression every match is hold versus hold. But whatever. 
After some back and forth Pittman decides that it’s time to ram his head into Norton’s sternum. 
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It looks pretty painful and not especially effective, but Pittman enjoys it so much he does it again. 
They head to the outside of the ring. Norton gets whipped against the guardrail, the entirety of which moves upon impact, but then Norton regains control by slamming Pittman’s shoulder into the ring post. 
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Norton locks in the armbar but the Sarge will not give up. Long gets onto the ring apron to beg Pittman to give in, but he won’t. WCW, for reasons beyond my understanding, is very careful about protecting Sgt. Craig Pittman. He never gets pushed, as far as I remember, but this man WILL NOT QUIT.
Then... 
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Ice Train wanders out wearing this abomination. Seriously - what the fuck? It’s like a demin vest with a backpack built in. It’s something you would expect to see an eight-year old girl in the mid-90s wearing over the top of a t-shirt or something. What clothing brand figured that this design was suitable for huge, beefy dudes? I don’t know, but they clearly have a customer in Ice Train.
Train throws in the towel for Pittman.  
Scott Norton defeats Sgt. Craig Pittman via Forfeit. 
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He enters the ring and stares down at Norton, who is looking at Train’s vest top and moobs like “dafuq?”
The two former amigos have a staredown which doesn’t lead anywhere. 
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Pepboys Power Pin of the Week is a submission. Go figure.
We head to the locker room where Gene-o is with Ric Flair, Arn Anderson and Lex Luger.
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Three of these men are dressed appropriately. The other is Lex Luger.
Apparently Sting is supposed to be a part of this interview as well but is nowhere to be found. Luger assures Flair & Arn that Sting is in the building, but the Horsemen are having none of it and are concerned that Sting doesn’t have his head in the game. Flair starts going crazy and practically flings himself into an alternate dimension with his erratic movements.
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Like a jet propeller is being put directly in front of his face.
Anyway eventually these two sad sacks come lumbering in...
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Mongo looks like he’s about to explode, whilst Benoit as usual appears barely awake. Mongo yells about not being able to count on Luger and Sting. Luger reiterates that Sting is in the building somewhere, he’s just not around for the interview. The Horsemen do seem overly paranoid here - how hard would it be to track Sting down and talk to him if they are this pissed off? 
Arn says he’s called ahead to Winston, Salem (where Fall Brawl/War Games is being held) to pre-book himself a hospital room as he assumes he’s going to need one. Seems like a somewhat pessimistic thing to do, but is it even possible to pre-book hospital room? Arn is talking like he’s booked a hotel room for the night. Strange lad. He also suggests Hogan uses battery acid to burn out his eyes which... I mean, don’t give the guy ideas, Arn.  
Interview ends with everybody talking over each other and Flair wooing a lot - so, the same as most Horsemen interviews.
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People in the crowd are holding these signs which say “nWo - you haven’t seen bad... but it’s coming!” - indeed, Hogan Vs Piper is coming.
We get a recap of this thrilling DDP/Eddie/Chavo storyline which nobody cares about, but why this is recapped is beyond me as the next match has nothing to do with any of those three. 
Instead, out comes “the desparado” himself, Joe Gomez.
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Somebody throws a wad of paper at him as he enters. Obviously not a fan.
His opponent is Juventud Guerrera,  who Tony repeatedly refers to as Juventud Guerrero. 
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As Juvi enters he runs past these ladies, who appear both baffled and unimpressed with him.
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Cold.
Joe Gomez Vs Juventud Guerrera
The match starts off okay, but descends into disaster fairly quickly as Juvi starts trying various lucha things which poor Joe is clearly not comfortable with. First Juvi stands on the apron, jumps onto the ropes as Gomez slowly walks towards him and does this...
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It’s clear from this angle alone that there is no way in hell Juvi is going to reach Gomez. In fairness to WCW they switch camera angle just in time to make it look slightly less terrible, although I imagine it was more down to luck than skill. Nonetheless Gomez at least tries to sell the move, falling backwards theatrically.
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Weeee! Points for effort if not execution. 
This happens next, and thanks to Uproxx “Best and Worst of WCW Monday Nitro” series (check it out, it’s great) I have a GIF to put into pictures what I would struggle to put into words.
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Speaks for itself.
After this Juvi seems to want to go for a hurricanrana from the top turnbuckle but I‘m not sure if they botch this as well or it was the plan, but Juvi ends up backflipping away from the turnbuckle and then catching Gomez with a weak looking dropkick as he jumps towards Juvi.
Juvi just about manages to hit the finishing move...
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But even that looks a little bit dodgy. At least Joe just had to lay there for this one. Ref counts to three and mercifully this one is over. Not sure if Gomez or Juvi are to blame for this shitshow, but either way I advise never putting them together again.
Juventud Guerrera defeats Joe Gomez via Pinfall.
For some reason Mean Gene is on the ramp to interview Nick Patrick. Oh good, more of this storyline.
Before they start the interview though, as Juventud walks past Gene and Patrick, Gene says “very good match there on the part of Juventud Guerrera”, then gives Juvi a disdainful look and mutters “guy just kind of... wanders around here”. LOL. Why is Gene throwing shade at poor Juvi? “Guy just wanders around here”, like he’s a lost child or something. I guess Gene is still salty about the interview with Juvi that went wrong a couple of weeks ago, but come on, that was hardly Juvi’s fault. Obvious Gene is still holding a grudge though. 
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I don’t think anybody really wants to hear from these two ballbags but here we are anyway. 
Gene is accusing Patrick of making too many controversial calls for it to just be coincidence, whilst Patrick is accusing Gene of being a shit-stirring cock cheese who needs to get a life. Neither are lying but nobody really cares either. What is funny is that Okerlund is very haughty and dismissive of Patrick - until Patrick threatens to take Gene to court - at which point Gene stutters “well I-I hope that doesn’t happen” before saying “thank you very much Nick Patrick, sir, thank you” to Patrick as he walks off. Pathetic. 
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Meanwhile Hogan, Hall, Nash and the Giant are outside in the pouring rain putting those nWo flyers with the “you haven’t seen bad... but it’s coming” slogan on random cars. This seems like a total waste of time as by the time the car owners get back to their vehicles the rain would probably have destroyed those flyers anyway.  Do these guys really have nothing better to do? Tony tells us the nWo are “literally” in the parking lot - as opposed to what, being there in spirit?
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Ted DiBiase is the smartest of the lot as he 1) has an umbrella and 2) isn’t wasting his time putting up useless flyers in the pouring rain. He’s talking to somebody in the car, and the announcers are shitting themselves as to who it might be, as they tend to do. For all they know DiBiase might just be talking to the driver. 
“HERE’S A STORY OF TWO BROTHERS, RICK AND SCOTT!”
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Just Rick tonight. He comes out doing that sad half-bark he does whenever something is troubling him. 
His opponent, of course, is Flexy Lexy.
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Rick Steiner Vs Lex Luger
These two are not exactly known as ‘ring generals’ so I am not expecting a classic here. Let’s see, though. Perhaps we will all be pleasantly surprised. 
After various arm drags, headlocks, shoulder blocks, and so on, this happens.
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Uh...
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Yeah. Rick is basically molesting Luger in the ring and keeps this up for a disturbing amount of time. I guess it’s meant to show his amateur wrestling background but it basically just looks like sexual assault. Rick’s hands are going to places they really should not. 
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Hour two begins with the usual fireworks. Bischoff, Heenan and Tenay come in on commentary for the rest of the show. 
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Rick hits Luger with a nice powerslam, and Randy Anderson cannot bear to watch the impact. The crowd bark their approval which, personally, I don’t think is helpful. Rick’s clinical lycanthropy is only going to get worse if people bark at him when he does something good. Or bark at him in general, really.
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More cuddling. Back away, Rick. Even Randy Anderson is telling him to cut it out at this point.
Luger takes control with a powerslam and signals for the rack. However, before he can attempt his finishing move...
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This dicksplash comes running out waving his arms around. Looks like he’s doing the sieg heil there but fairly sure it’s just the timing of the screenshot.
Anyhow, Patrick tells Luger to follow him out the back, yelling something about the nWo beating up Sting.
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Considering Patrick’s recent behaviour, Lex, it might not be wise to...
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OK. Never mind. Of course Luger goes running after Patrick, abandoning the match entirely and getting himself counted out. 
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Everyone looking towards the entrance way like “where’s he going?” 
Rick Steiner defeats Lex Luger via Countout.
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We get a shot of DiBiase talking to the mystery man in the limo. Sting’s voice is heard but it is blatantly piped in from some other promo. He says he’s “tired of the DTA stuff, don’t trust anybody”, so I guess he’s not a fan of Stone Cold Steve Austin. DiBiase pretends to talk to the pre-taped Sting voice until Lex shows up.
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A guy who is clearly not Sting gets out of the limo and starts beating up Luger whilst Bischoff screams “NO! NO!”
I have the advantage of hindsight and my monitor is probably bigger than most people’s TVs back in 1996... but still, it’s really obviously not Sting. Were people genuinely fooled by this? 
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The nWo along with “Sting” beat Luger down and leave him laying in a broken heap in the rain...
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It has not been a good night for Luger. First he got yelled at by the Horsemen, then he spent ten minutes getting inappropriately touched by Rick Steiner during their match, then he gets smacked around by the nWo and left on the ground in the pouring rain. Bad times for sure. Although if you’re stupid enough to follow Nick Patrick anywhere... 
Luger does manage to get back up but ends up just kind of wandering around in the rain looking confused whilst the nWo flee, leaving the limos parked outside the building.
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These bois are not impressed by what they have just seen. Tenay looks like a dad who is about to grab his belt and put a whippin’ on somebody. Bischoff is indignant. Heenan wears the expression of a man who was just forced to sit through every Raw from 2015. Pure torture. 
Bischoff says he has an update which is literally “we don’t know where [the nWo] are. I’m sorry. I don’t know”. Well thanks for that. Very helpful. 
We get a long recap of last week’s angle including more footage of the amazing all-out brawl that ended the show. Then we get another nWo advert for their t-shirt. 
A bunch of random jobbers are outside with Luger and Rick Steiner milling around the limo yelling out “DIBIASE!” - as if he’ll just pop up and be like “sup bois?” - pointless endeavour. Rick Steiner is the only one smart enough to bring an umbrella outside. Let that one sink in. Luger chucks a bunch of stuff out of one of the limos onto the floor which seems unnecessary. 
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Out comes pre-Flock Billy Kidman. The commentators could not care less, just droning on about Sting’s supposed “defection”. 
The other combatant in this contest is Cruiserweight champion Rey Mysterio Jr.
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Rey Mysterio Jr Vs Billy Kidman
The announcers spend the entire match in ‘sad voice’, like their dogs have all collectively died. It’s really annoying.
The match spills to the outside very quickly. Rey gets the advantage and rolls Kidman back in. He attempts to jump off the ropes from the apron, but Kidman knows what’s coming and meets Rey with a dropkick to the chest.
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Kidman slams Rey in the centre of the ring, runs over to the turnbuckle and leaps off.
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Just a two count though. Rey wins the match soon after this by flipping off the ropes onto Kidman.
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It looks weak but whatever. This wasn’t anything special.
Rey Mysterio defeats Billy Kidman via Pinfall.
We come back from a commercial and the Dungeon’s of Doom’s “music” is playing, and I put that in inverted commas because it isn’t really music, just a pseudo-creepy OTT villainous laugh accompanied by some kind of chant. Whatever. Normally any sign of the Dungeon is enough to make me want to hang my head in despair, however!
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If Meng is involved, it might be somewhat entertaining. Just to note those aren’t two random arms sprouting out of Meng’s shoulders – the Barbarian is behind him.
The announcers are still going on about how tragic Sting’s supposed betrayal is – and Bischoff apologises for “not giving Rey Mysterio the attention he deserves in his match”. I mean, kind of tough to take that apology seriously considering how often this has happened and will continue to happen until Nitro goes out of existence. It is the only time I can recall any commentator in WCW actually apologising for the routine ignoring of the cruiserweights in favour of talking about/complaining about the nWo, though.
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These two are the opponents. Yeah, Public Enemy, they definitely deserve that pyro. Sure. Look at them waving their hands in the air like they just don’t care.
By the way, the commentators are still going on about Sting. I wonder if we’ll get another apology for ignoring this match as well? Not that I’d necessarily blame them here.
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Some diehard wrestling fans here. I think we saw them previously – seemingly someone in production has taken a liking to these ladies. They look like they got lost on their way to a PTA meeting, but fuck it, might as well enjoy themselves now. Watch out for the dude behind you though, ladies. That smile worries me a little.
The Faces of Fear Vs Public Enemy
We go to a commercial break, and as soon as we come back Bischoff says “I hate to keep repeating this, but apparently Sting has joined forces with the nWo”. Bullshit, if you hated it that much you’d have shut up about it by now. I mean, jeez, we get it.
This contest is just a brawl, as you’d expect. Not exactly a match for the ages, but all of a sudden, randomly…
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This dude on the left appears and begins running/skipping around the ring.
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The fuck? It’s like Rockstar Spud’s demented uncle or something. 
He briefly chases Jimmy Hart, then just… vanishes? Oh, and by the way, the commentators make no mention of this. They do not acknowledge this at all. Why? Because they’re talking about everything except the match itself. Literally, I’m not kidding, it’s like this match is not happening. It’s like listening to a radio show or a podcast spliced together with unrelated WCW footage.
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Wait, what? What’s happening now? The match is ongoing and they just cut to the back. Judging from the faces of these lads you’d think someone died. It’s a sombre scene to say the least – but seriously, why even have the match in the ring? What’s the point? The commentators are acting like it isn’t happening and we cut to an interview as the match is happening. Bischoff doesn’t even note that we’ve cut away from a match in progress, he just says “take it away Gene”, like this is totally normal. Whatever, I guess. It’s not like I’m desperate to see the Faces of Fear versus Public Enemy, but what a bizarre way to structure… everything.
Gene asks Arn to explain what happened in the parking lot earlier. Seemed quite self-explanatory to me and the commentators have not stopped talking about it since it happened, so the viewers really don’t need any extra information.  
Arn says he doesn’t give a shit about Luger losing a friend, or that he’s lost a team mate, he’s just shocked. He brings up Sting’s loyalty to WCW.
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They actually move to a split-screen here – I guess someone in the production truck remembered there is actually a match going on. It wouldn’t be fair to deprive the dozens of Faces of Fear/Public Enemy fans the chance to see their favourite grapplers go at it.
Anyway, Arn says he has a sick feeling in his stomach, he’s shocked, and he’s out of words. He’s said quite a few already, though, so not really.
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Flair stands there with his arms folded, eyeing the audience like a disappointed father.
Luger says he doesn’t have any answers, and that his “best friend in the whole world” stabbed him in the back. He then says he knows where Sting lives and where he works out, and he’s going to go and find him “right now”. Sounds like Lex is planning to murk Sting. However, he should keep in mind this is a guy who only last week tried to murder somebody by chucking a rock through the window of a limo, then stole a police car. Come to think of it, I’m not sure why Sting isn’t in jail. Regardless, I wouldn’t be chasing after him without a good plan.
Flair screams that he’s “sick of it” and just generally yells about how they’re going to beat up the nWo at War Games (including Sting). Arn says “it’s a fight to the death – yours, not ours”. I suppose that was worth emphasising? Also Arn has a tendency to see these matches as ending in death, even though it never comes close to that.
We return to the Faces of Fear/Public Enemy match. By “we” I mean the audience – the commentators are still talking about War Games. I genuinely don’t think they have said anything about the match – oh, wait a minute, Bischoff does mention the match, finally. Although he says the teams are “literally fighting for their lives” which is not exactly accurate. What is up with these people thinking matches are going to end so tragically?
Anyway, the brawling continues for a while and eventually, somehow, Rocco Rock ends up lying on a table. Barbarian heads for the top turnbuckle.
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Guys, I don’t foresee this ending well. Seriously, what is the absolute best result of this? Rocco (who can clearly see Barbarian on the turnbuckle) for some reason lays there and lets Barbarian jump on him. It’ll be brutal for both. Or, Rocco moves and Barbarian crashes through the table. Either way Barbarian doesn’t win in this scenario.
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Uh oh. Jimmy Hart is absolutely useless at holding Rocco down, kicked away like an insect as Rocco sits up.
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That is a fucking sick bump. It’s funny because Barbarian barely takes any serious bumps at all, on Nitro at least, then he decides to say fuck it and leaps to the concrete through a table because YOLO I guess?
Well anyway he dead. Rocco brings a second table into the ring.
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Looks pretty old. Nick Patrick wags his finger in disapproval, but incredibly that isn’t enough to persuade Public Enemy to stop. They lay Meng on the table, then Rocco goes to the top turnbuckle for a moonsault…
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He almost misses the table entirely, only catching Meng with his legs. The table is weak enough that it breaks despite the soft contact.
You’d think that would be the spot that ends the match, but no. Meng gets up like nothing happened and starts brawling with Rocco again. Barbarian is also somehow revived and back in the ring fighting with Grunge. This is weird because the outside table spot with Barbarian getting wiped out, and then Meng getting put through the table by Rocco’s moonsault, felt like the end sequence of the match. Now it’s like we’re back at the start again. Keep in mind the match has been going for about 10 minutes now. That’s at least 7 minutes longer than is ideal for these teams, really.
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Whilst Rocco and Barbarian are hugging it out in the corner, Meng puts the Tongan Death Grip on Grunge and now this one is over.
No explanation as to what the fuck was going on with that random ginger guy running around the ring earlier by the way. Oh well. During the replay Heenan accidentally calls Meng “Haku” and then goes silent immediately. Oops.
The Faces of Fear defeat Public Enemy via Pinfall.
Suddenly Okerlund appears at ringside, accompanied by the Dungeon of Doom.
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Maxx, Jimmy Hart, Big Bubba, Gene, Kevin Sullivan, Hugh Morrus and Konnan. To quote Rufus from Final Fantasy 7 – “what a crew”.
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Sullivan is no longer painting his face with those stupid markings, but for some reason is now wearing a white headband. Does he think he’s the Karate Kid now?
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He also starts making this derp face - and this isn’t just a screen grab catching an awkward expression momentarily, he’s making this face on purpose.
For some reason we go to Jimmy Hart first, who tells the Giant “it’s the beginning of the end for you, you just don’t know it yet”. I’m sure he’s quaking in his boots.  
Big Bubba then rants about Glacier, talking about him saying he’s coming for “6 or 7 months” and asking if he’s not debuting because he’s afraid. Slight exaggeration on the 6 or 7 months from Bubba, but to be fair it does feel like those vignettes have been running for at least that long. Bubba actually doesn’t seem to be aware that Glacier debuted on WCW Pro, but it’s WCW Pro, so... understandable. Bubba calls the Dungeon of Doom “the masters of intimidation”…
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What he means is that Meng is the master of intimidation. The others aren’t exactly adding much to the equation. Maxx is standing off to the side looking distinctly unimpressed by the entire thing.
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With that said, bored does seem to be his default expression regardless of what is happening. I imagine he’d have the same expression even if Bubba was in the process of sprouting three heads whilst doing a kossack dance.
After calling Gene “homes”, Konnan calls Sullivan a “hardened veterano”. He then says Sullivan has seen and led gang wars from coast to coast.
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Yes, Kevin Sullivan wearing that silly white headband is exactly what I think of when I think of leaders of gang wars. Sullivan’s ‘wut?’ expression here says it all. I’m not sure you can call the Dungeon of Doom/Alliance to End Hulkamania Versus Hogan and Macho Man a “gang war”. I’m not sure two people can even constitute a gang. Also Sullivan may be worried Konnan is unintentionally (?) implicating him in genuine gang wars… which probably isn’t in the Taskmaster’s best interests.
Konnan challenges the nWo to come out and confront the Dungeon, who he calls “the toughest set”. Yeah, sure. The challenge is not accepted, because the nWo are for sure terrified of a “gang” featuring the likes of Maxx, Kevin Sullivan, Big Bubba and Hugh Morrus.
Sullivan says that Savage thinks he’ll owe the Dungeon “a debt” for carrying him out from the ring last week. I doubt it in all honesty – maybe if they’d actually done something to help him before he’d been beaten down and spraypainted. Carrying him out after the fact didn’t really help much.
Anyhow, Sullivan says Savage can repay this fictional debt by first beating John Tenta, because why not I guess, and then by getting rid of the Giant. That doesn’t really seem like a balanced deal. We carry you backstage after you’ve been beaten up, you make it even by beating John Tenta and the Giant. Hmmm.
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Time for some nWo propaganda.
Hogan tells us that they “aren’t here for a stinkin’ reason” – directly contradicting Nash and Hall, who had previously made it clear they’d come in specifically to take over WCW. He then randomly says “we’ve got our boss with us” and points to Ted DiBiase, who’s sitting in a chair behind them.
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Homely. DiBiase looks like he’s being held prisoner, but whatever. Hogan says DiBiase makes Ted Turner look like a “pauper”. Honestly I could try to recap this whole thing but it’s really just a bunch of random sound bytes ripping on WCW for the most part. They talk about wanting “their own tag team tournament” for some reason. They also want a segment (on Nitro, presumably) where they can “highlight” their talent. What they actually mean is a segment highlighting Hogan, as we’ll discover going forward. Scott Hall says “nWo 4 life” with the hand sign (might be the first instance of this?) and they all end the segment laughing like it was an amazing joke.
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I was a satellite dish owner back then – or rather, my parents were - but no WCW PPVs in the UK, sadly. We only got a butchered hour-long version of Nitro on TNT UK during 1996 & 1997. I didn’t find out that I’d been watching an edited version of the show until many years later. At least now I can sit back and relive the glory of the Faces of Fear Vs Public…. eh, maybe TNT UK were doing us a favour after all.
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Back with your bois at the announce desk. Tenay once again has that “stern dad” look, whilst Heenan seems to be whimsically remembering something from years gone by. Take a guess as to what Bischoff is talking about?
A)     The upcoming main event
B)     Meltzer being wrong about everything
C)     Blue Chew
D)     Sting’s betrayal
If you’ve been following along thus far, you’ll know the answer. The lad does genuinely hate big Dave though, and loves that Blue Chew. Come to think of it, what is the main event? I can’t even remember. Sting’s supposed betrayal has been hammered into my brain so many fucking times at this point I can barely conceive of any other event occurring at any wrestling show.
Chris Jericho’s music plays, but…
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It’s John Tenta? Still got that stupid haircut by the way. Seriously, fish man, you’ve made your point. Get that shaved.
But yeah, I’m confused here. I thought Jericho was coming out. But hold on, that’s Jericho’s second theme, “One Crazed Anarchist”, aka the Pearl Jam ripoff, not the one he’s using at this point in WCW, which I believe is the Journey ripoff. So John Tenta is in fact the OG “One Crazed Anarchist”. For the record, the theme suits Jericho far more than it suits the former Shark.
As he comes out Tenta says “Savage, you’re not putting me down”. You think so, John?
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What exactly has that guy in the hat been up to? That is not the look of an innocent person.
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Ohhh yeahhh, it’s the Macho Man. The commentators are pretending that the result of the match is in any doubt, which I suppose they have to do.
John “anti-fish” Tenta Vs “Macho Man” Randy Savage
Savage storms to the ring, but that turns out to be a bad idea as Tenta stomps on the Macho Man’s back as he slides in and then clobbers him with a forearm to the back.
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Bad strategy, Macho. Tenta’s moobs though… whoa.
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That’s an interesting choice of attire for a wrestling event, madam.
Tenta works over Savage in the corner for a bit. Savage then begins to make a comeback, before for some reason attempting to slam Tenta…
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Goes about as well as you’d expect. Macho really needs to work on his strategy.
Bischoff actually specifically says here that Heenan accidentally referred to Meng as “Haku” earlier and wants to make it clear Meng now works for WCW and not the WWF. I guess they were really taking this kind of thing seriously due to the lawsuits flying around at this point in history. Funny though, as you hear these kinds of slip-ups all the time. I mean, if TNA or AEW were sued for every time a commentator accidentally used a competitor’s ex-WWE name there would need to be a legal department created specifically just to deal with the fucking volume. At least Heenan didn’t call it “WWF Nitro”.
Tenta hits Macho with a decent looking drop kick – quite impressive considering his weight. Outside of the ring Savage hits Tenta with a steel chair…
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He isn’t disqualified because…? He whacks Tenta twice more with a chair. This is not a no-DQ match, but it is WCW, so fuck the rules unless we need them for storyline purposes, right?
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Flying elbow drop!
Macho goes up for a second, but then Teddy Long comes to ringside yelling “Macho!” – what could the so-called “godfather” want with Savage? Also where’s my man Ice Train at? Come to think of it, I just remembered what he was wearing earlier… best for him to stay backstage.
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Savage still hits the second elbow drop. Long is gesticulating wildly at Savage and yelling something about the nWo. Savage leaps over the top rope with nice agility.
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But before we go any further…
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Son, I am disappoint. I can’t even say “A for effort” because that is the lowest tier of effort.
Anyway, Savage follows Teddy to the outside of the arena where Teddy announces “YOU GONNA GO ONE-ON-ONE WITH THE UNDERTAKER PLAYA!”
Actually, they run towards a limo.              
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The limo drives off as soon as Savage approaches it. What was the point of that?
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Flair and Mongo randomly appear as the limo drives away.
There’s another limo there, but only a box of spraypaint inside it. There are a ton of WCW guys out there now – the Horsemen, the Dungeon, Public Enemy, Juvi, Super Calo, Savage… basically everyone who was on TV tonight. They start spraypainting “WCW” on the limo windows… or rather, they try to. Due to the fact it’s been raining and everywhere is wet it ends up just looking like a green smudge. As an aside, if that is in fact not an nWo limo, somebody is going to be in for a surprise.  
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For some reason the commentators are all standing up. Tenay is looking more evil every time he’s on camera. It’s like he wants to reach through the camera and strangle each and every viewer.
Seriously though, he is repeatedly making a “pissed-off dad” face.
“Dad, I borrowed your car…”
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“Um… and… I got a speeding ticket…”
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“And there’s a dent on the front as I kinda sorta knocked over the mailbox…”
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Grounded forever.
Anyway, once they all sit back down Heenan goes on a rant about the nWo which concludes with “if we don’t stop them now then they can’t be stopped”. If only you could glimpse into the future and nWo 2000, Bobby.
Oh, by the way, I guess John Tenta won the match against Savage by count out? It wasn’t announced or shown, but Savage jumped out of the ring and never returned, so…
John Tenta defeats “Macho Man” Randy Savage via Countout.
I guess Tenta was right, Savage didn’t put him down after all. Score one for the fish hating weirdo.
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Double A suddenly appears on set. Heenan gives Arn his headset. Can’t help but think it’d be better for Anderson to be in the ring with a mic, as the fans in the arena can’t hear any of this… but whatever.
Arn says that the world is “in shock” and “outraged”. The world is probably a bit of a stretch, but OK. Flair turns up as Arn is talking, as do Benoit and Mongo. Arn says that this all began ten years ago with the original Horsemen, and that they paved the way and showed the nWo how to do it. Technically true. Arn says the nWo want to be the Horsemen “when they grow up”.
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Tenay continuing to give that evil stare, even at Arn. Bischoff looks kind of sad.
As an aside, I may have mentioned it before, but I really like this shirt design:
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Bischoff begins talking about making mistakes, but Flair interrupts him. Flair screams so loudly that the headset seems to take some damage as the volume decreases slightly. Flair explains War Games – although if you don’t know what it is by this point then what have you been doing with your life? – and says Hogan won’t leave War Games alive. Spoiler alert: he does.
Bischoff then talks about how maybe bringing Hogan in to WCW was “a mistake” and that the Horsemen “haven’t been given their just due”. The same exact sentence could have been said in 2000 and been even more relevant.
WCW then ends the show with a replay of Luger getting beaten up by “Sting” and the nWo. I’m sure he appreciates that. A good thing they reminded us, as I think a whole ten seconds passed at the end there without mention of Sting’s betrayal and my memory had started to go hazy.
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crystalkleure · 3 years ago
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Haha hey remember that post I made awhile back, speculating on what a bad idea it might be to fuse dead things in the godless Frankenstein fossil machine
Meet White. He is a reanimated corpse. Two of them, actually. Or more like 1.5. [And I whipped up this half-assed partial reference sheet in one night instead of sleeping, so don’t look too hard at the chickenscratch lineart and visible guidelines, and kindly ignore the total lack of shading as well as any other messy jankiness.]
White is a product of me wondering not only about what happens if you NecroFuse a human with a Pokemon, but also what happens if you make it even worse and specifically fuse that human with a Pokemon capable of mega evolution. Because canon seems to imply that mega evolving is at best deeply uncomfortable -- and at worst outright agonizing -- for whatever creature is going through it.
Character Lore under the cut. Lots of text:
White is one of actually multiple undead guys who got mashed together with bits of dead Pokemon. They’re science experiments, so they've got the dex numbers of the Pokemon they're spliced with tattooed on the backs of their necks, and those numbers were treated as their names In The Evil Science Lab.
In his Original Life, White [and some of his buddies] got gored to death by some escaped Horrible Fucking Monsters that were accidentally [...and then not-so-accidentally] created via Two Pokemon At Once In A Fossil Resurrection Machine, because hey, it is SUPER easy to think you got Just One Thing's Bones from an excavation dig but then later you realize that Some Of Those Bones were from something TOTALLY different that just died in the same place. It happens. So, some Fossil Scientist People accidentally resurrected an Abomination, realized they fucked up pretty fast...and then started wondering if they REALLY fucked up or if this is Cool, Actually. And then the team of Science People split into two Morality Factions, with one half being like “This is unethical as shit, we need to make sure this doesn't happen again because it's not natural so who knows how this poor fucked up creature is suffering” and the other, cooler half being like “WE NEED TO DO THIS AGAIN RIGHT NOW BECAUSE SCIENCE. IMAGINE THE POSSIBILITIES HOLY SHIT.”
Cooler group splits off from the Horrified Group With Morals, and they promptly use their Science Knowledge to Construct More Machines and Make More Monsters. Doesn't take too long for them to realize, however, that Abomination Pokemon are stupidly hard to control, because not only are they suffering, their masters obviously don't care for their wellbeing, so Revolt Inevitably Occurs and they escape to wreak havoc upon the nearest congregation of townspeople. They promptly maul some people to death at a nearby local rock concert, scientists chase after them to clean up the mess, realize “Oh Shit, Manslaughter Charges Impending”, and then realize...
Science Guy 1: “...Hey, what happens if you put a dead person in the fossil machine?”
Science Guy 2: “Hey, people probably listen better than Pokemon. We can, like, TALK to people.”
Science Guy 3: “Lads, I got a stellar idea just now. And we got plenty of Dead Guys to start with right here! Great way to hide the bodies too, probably.”
This goes approximately as well as you would expect, and precisely as ethically. A smashing success!
However, because they Fucking Died, the reanimated Newly-Monsterized dudes do not remember shit about who they were pre-resurrection. They're not technically even the same people, they’re more like clones. They've been remade. So, all they know now is Science Lab Life, and they have no initial attachment to eachother aside from "that other guy is also a Science Experiment Person just like me, so Same Hat @ Labrat Neighbour ig", in spite of several having been friends or even family prior to death. They also just...don’t know/remember things in general. They are fresh blank slates. And to a morally-bankrupt team of scientists, that’s perfect! They can train these guys to behave however they please!
...However, people might be People Instead Of Animals, meaning they can be Reasoned With And Manipulated And Coerced far better than animals due to their far better communication abilities with the Science People, but...there is Still A Problem in the sense that Holy Shit, A Person Can Only Take So Much. You can only treat someone as "Experiment [number]" for so long, blatantly putting no value on their life outside of The Value Of Scientific Research, in spite of literally basically needing to raise them like a normal child due to the Lack Of Memories issue. Eventually they're not gonna be able to take that anymore and they are gonna Fucking Leave, too. And they’re gonna be much harder to track down than the rampaging Pokemon were. Impossible, actually, once they’ve ripped out their tracking chips.
So then there's just these monster dudes, who don't actually know what they are because they weren't ever told anything more than necessary to get them to cooperate with Tests And Experiments, just Escaped Into Civilization and having NO idea how Anything works. Fun! Especially considering how, at first glance, these just look like Normal Dudes. Their monster bits either aren't apparent or just look like funky body modifications.
They've also got Science Things in them and they Don't Know What The Fuck Those Things Even Are. They've just got these little Devices in/on their chests, and they were never informed of the exact functions of them because there's no reason to explain to the experiment What Is Happening, just that the experiment needs to Hold Still and Cooperate and Now Do This, Now Do This, Now Do That, Good Job That's Enough For Today, etc.
Those devices contain both key stones and mega stones.
If you were a Mad Pokemon Scientist, you would most certainly be interested in the mega evolution phenomenon. What would YOU do if some of your Undead Fusion Experiments happened to be spliced with bits of Pokemon known to be capable of mega evolving? You’d kill two birds with one enigmatic set of stones, that’s what you’d do. Your Frankenstein Experiments can even TALK to you and tell you exactly what they are experiencing when you run tests on them! It’s perfect!
So, if a rock-bearing monster’s heart rate goes too high, part of the little device, which is a barrier between one type of rock and the other, opens up and Exposes One Rock To The Other Rock. Which exposes the monster to the Rock Energy Reaction. The greater the stress, the higher the dose. And I’m sure you can see the snowball effect that’s gonna create, at least the first time or two.
They were INTENDED to eventually be made to Physically Fight With Eachother to gauge the effects of The Rocks™️ when the Guys With The Rocks are under Stress and need to Do Some Self-Defense. The Science Squad was basically trying to suss out the Actual Purpose of mega evolution. Because mega evolution is weird -- it puts ENORMOUS stress on the body of whatever is undergoing it, so the hypothesis was that its true power is probably drawn out best via a perceived life-threatening situation, like it’s a type of hysterical strength, because what else would cause a need for that kind of ability. And aren’t ethics a bit overrated?
So, there’s our premise. White is just wandering around without any particular purpose outside of never ever going back to Science Hell, and he has no clue what the funny little doohickey buried in his chest does until it activates one day and absolutely fucks him up [...as well as everyone around him. Mega Absol radiate an Aura Of Sheer Terror that can literally scare people with weak hearts to death if they’re not careful.]
And now, some Miscellaneous Character Info:
The bit about Lots Of Death happening at a rock concert specifically was important. White was actually the vocalist of the band that was playing. He doesn’t remember that now, but he still loves music and has the same strong vocal cords. And THAT is important because White is partially an Absol now and Absol naturally learns Perish Song. These Fusion Monsters are absolutely capable of using Pokemon moves, though whether they’re aware of this is a different matter entirely. Imagine what happens when they end up tapping into those abilities accidentally.
That band was a relatively-unknown little local band. White was by no means anywhere near famous. Very few people even realized he was gone, and most of the ones who would have noticed also ended up Equally Unalive.
That black stuff between the belts on White’s arms is mesh. Like, stocking mesh. It gets Ripped The Fuck Apart when he goes Mega Mode and his arm fur gets Extra Spiky. Hence one stocking being a bit tattered in that reference pic. He frequently has to replace those things, they are fragile.
“How did White get his name if he doesn’t remember his original name and didn’t have a real name in the lab” I am glad you asked! Post-escape, he eventually encountered a situation where someone asked him what his name was, he bluntly told them “I don’t have one. I am #359.”, they said “Well That Is Not A Name, I need something proper to call you”, and he was just...Super Apathetic. So, the other person picked out the name “White” just based on the fact that White’s hair is white, and he just shrugged and rolled with it.
As you can see in my Incredibly Quick And Rough Sketches, the backs of White’s shirts are open to accommodate that huge amount of fur that bristles out into false wings when he goes Mega Mode. Because his Actual Normal Hair is relatively long and overlaps with that fur, it blends in with his Actual Normal Hair and doesn’t look too odd [when it’s down]. Probably mostly because nobody’s expecting it to be anything OTHER than Perfectly Normal Hair That Just Happens To Be Very Long.
White does not particularly like violence. White does not want to beat you up. He will, though, without a bit of hesitation, if there’s some logical reason he feels like it’s the most practical course of action. Being essentially raised by Cold, Emotionally-Sterile Scientists With No Care For The Wellbeing Other Living Beings uh, tends to affect a guy a little bit. White has a bit of an internal dilemma regarding “It would be efficient for me to just Harm This Other Person to defuse the current situation, because attempting nonviolence will be overall more risky somehow” vs. “Holy shit it feels bad when I hurt people. Why does it feel bad when I hurt people. Is it...SUPPOSED to feel bad when I hurt people?? No one ever felt bad for hurting me.” He Figures Out How Empathy Works Eventually. He is a good guy at heart. He is a Monotone Snarker, but not actually Cold or Malicious at all.
If an Absol can do it, White can probably do it. He has incredibly keen senses and a STRONG ability to Detect Impending Doom. He has exactly the amount of Supernatural Absol Powers you would expect. He is also stupidly physically strong, way more so than he appears to be.
White can’t punch people. Look at the fist he’s making in the pic, he’s doing it wrong. If you punch someone like that, you WILL break your own thumb. That’s not a Revving Up To Sock Someone pose, he’s just tense. He’s using his thumb as a buffer between his long-ass Sharp As Fuck claws and the flesh of his palm. If White tries to punch anybody, or just makes a proper fist at all, he will impale his own hand on his nails. Like, all the way through. He CAN slash straight through things like metal and bone with those claws, though.
White...is unsettling. Completely accidentally, and unknowingly. He just radiates an Aura Of Intimidation [...or Pressure], even when not in Mega Mode, that scales depending on his mood. Just being near him tends to put people and Pokemon on edge. Thus, he’s generally avoided.
The latter point is especially unfortunate, because White’s preferred method of Socializing and Bonding is to just kind of quietly hang out in the same room as whoever he is trying to Socialize and Bond with. He just wants to, like...chill out Near A Buddy and watch a movie and share a bag of chips or something. His social skills are predictably not good.
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bigskydreaming · 4 years ago
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I don’t often muse upon PJO, but when I do, its random as hell. 
Anyway, tonight’s thought (singular, also: derogatory, as in very possibly a mistake) is about exploring aspects of the Greek gods that are extrapolations of like, what they’d be like in the modern world instead of just in terms of their ancient myths.....and how that might widen the scope of their demigod children and their powers.
Like take Hephaestus for instance. God of the forge and fire, of invention and artifice......now widen the scope on those things through the lens of the modern age.....might he also be considered the god of modern science, not just in terms of things like engineering and technology, but also physics, chemistry? Or would those things fall more under Athena’s purview......unless you separated them into finer divisions. Like, you could consider Athena’s overview of knowledge and wisdom to make her the goddess of science and higher learning or whatever in general........OR you could separate it like.....Hephaestus is the god of natural or physical sciences like physics and chemistry, and Athena is the goddess of not just wisdom and tactics but things like psychology, computer sciences, etc.
Or OR get Dionysus up in there too, and make it like Hephaestus is the god of chemistry, of chemical reactions and the like, Athena is the goddess of physics, of the most full and complete understanding of the physical universe via things like the unified field theory and its comprising forces of electromagnetism, strong and weak nuclear force, etc, and then Dionysus the god of biology, hmmmm.....
Cuz imagine then, demigod children of Hephaestus, where instead of pyrokinesis, some get powers like transmuting elements.......oh man, the things you could do with that??? Not just lead into gold but they’d be terrors in battle because they could transmute the very air someone breathes into chlorine gas, blood into acid, flesh into stone. Or using that power defensively, making them able to keep guns from firing by dampening the chemical reaction that comes from igniting gunpowder, or just knocking someone out or putting them to sleep by just tanking their metabolic reactions. Mingling magic with modern know-how and creating their own version of truth serums by turning the water someone drinks into something akin to sodium pentathol when just brushing their fingers against someone’s glass, or rendering all drugs or toxins that might have been slipped into their drink null and void by transmuting them into harmless H20. 
(I know that Luke was mentioned briefly as being good at making potions aka alchemy due to being a son of Hermes, but frankly, transmutation as a mastery of the periodic table makes waaaaay more sense for Hephaestus’ kids, I’m just saying. And plus the Greeks didn’t so much consider Hermes an actual god of alchemy as they more just kinda viewed him as their god of all things miscellaneous and tended to lump anything they didn’t have particularly strong feelings about and/or a grasp of under his umbrella. Hermes was really just the patron god of being random as fuck and oh great gods of Olympus I have no idea what I want to do with my life, give me a sign. Hermes: poofs into existence on their shoulder and says SOUNDS LIKE YOU NEED TO GO BE GAY AND DO CRIME YOU HEARD IT HERE FIRST, DIVINE MANDATE, LETS GOOOOOOO).
Give children of Athena more practical applications for being heirs to her wisdom, knowledge and strategic acumen by also giving her dominion in the modern age over humanity’s quest to better understand the universe we live in and all its rules, the ins and outs of the laws that govern reality itself.......thus Annabeth and others’ potential acumen for magic being here not the end result of them stepping on Hecate and her kids’ toes, but rather more a function of making them the embodiment of ‘magic is just sufficiently advanced technology’ as they - via an innate and heightened understanding of the very nature of the physical universe - find holes in the fabric of space and time that let them slip from Point A to Point B as easily as crossing the street, play tricks with gravity and relativity and things that leave others baffled and amazed and them just shrugging and being like its all in the wrist, dude, and also, the fact that our mom just GETS reality in a way that everyone else will still be playing catch-up to a thousand years from now.
Children of Dionysus (yes I know he barely has any shhh we’re not paying attention to the series we’re just musing on demigod powers here) who combine the godhood of grapes and revelry with loud music and laughter......the way music can help with plant growth, because music is essentially just VIBRATIONS and vibrations stimulate activity in plant cells in a variety of ways.....and thus similar to Mr. D’s tricks with controlling vines and rapidly growing plants, AND his ability to affect the psyches of others, which is described as inflicting or curing madness and I’m like ehhhh do we have to describe it thus though.....put all that in a pot, shake it, not stir, and abrakadabra, alakazam, other psychic pokemon random Psyduck shout-out and voila! ALL of that could be afixed to and made the end product of godly and demigodly control and manipulation of vibrations, cuz Dionysus is literally the god of just vibing in all its infinite forms.....and thus its all just about how vibrations affect plant life on a cellular level, how they can affect brain chemistry in a variety of ways, triggering a lot of the more primal centers/functions of the brain, etc. You kids are driving me crazy, he’d yell at his demigod kids, and they’re like umm wow, like ACK CHOO UGHLY, father, welcome to the 21st century, all we’re really doing is directly stimulating the prefrontal cortex of your cerebellum with our banging rock music, and its making you angy, what about it?
And speaking of actually, if we and by we I mean me cuz I am and its wheee, are theorizing about Athena’s brood getting to be all magical wunderkind whizkids with their scientific acumen and divine cheat-sheets for the physical universe, maybe Aphrodite and her kids could snatch up those psychology and psychiatry job titles instead. Love, desire, also things like obsession, hyper-fixation......is Cabin Mighty Aphrodite really just pheromone central or are its campers more like magical dopamine and serotonin factories just pumping out good vibes all around them, being like come hang out, its free brain juice. Like, imagine kids of Aphrodite who just by their mere presence could help the legions of ADHD demigods focus better, concentrate easier, get shit done because the goddess of passion and her children like....have the gift of helping people to more productively pursue their passions in ALL forms, not just the physical desires they hold for others but the passions they hold for arts and crafts and sports and y’know, saving the world on magical coming-of-age quests when their milkshakes bring all the monsters to the yard. 
And then Ares not just as a god of war and conflict, but of entropy....the tendency of the universe to trend towards disorder, randomness, uncertainty....the kind of things that so often incite or enflame conflict......but applied at large not just to interpersonal dynamics but to the world itself. With his children possessing demigod abilities that disrupt or weaken bonds, both in the form of emotional ties between allies and commitments towards various ideals or courses of action, but also the ability to PHYSICALLY weaken bonds, resulting in an enemy’s weapon falling apart at a touch, or increasing the instability or volatility of an object so it blows up akin to how Gambit of the X-Men’s powers work and can turn even playing cards into a weapon, etc, etc.
And don’t even get me started on Hermes! No, seriously, don’t. Mostly because I haven’t thought that one through yet and I got nothing. I mean I got some things but they are nebulous and have yet to spring forth fully formed from my head like Athena from the fuckhead of Zeus, that absolute fuckhead of legend and yore. In my defense though, I haven’t like, eaten any primordial goddesses of thought and memory, so.......like, idk, I’m taking the longer route here I guess.
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greenninjagal-blog · 4 years ago
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Fool Me Thrice
Hey guys! My three day spoiler free band is up so now you guys get to see what I did immediately after that new video (FwSA) came out! 
Summary: The aftermath of FwSA but Virgil was actually Janus in disguise the whole time. (featuring: Janus breaking down to tears and Roman being really confused.)
Word Count: 4734
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Read on Ao3 || My General Writing Masterlist
“DON’T TELL ME TO RELAX!” Janus yells, but the incessant bubbling in his stomach causes the edges of his lips to quirk up anyway. It’s a ridiculous, intoxicating feeling, and it’s curling around his insides like a snake coiling around its prey. He wants to smile. He wants to jump. He wants to sing.
But Virgil doesn’t do any of those things unless under threat and pressure and Janus has to keep-- he’s still pretending-- Janus is impersonating Virgil.
He’s not doing a very good job of it, and he knows. Ever since that stranger at the food court, that stranger who might be gay, that stranger whose name is Nico Flores and happens to write songs-- Ever since Nico uttered those silly, little words, and Thomas’s Heart and Creativity had swamped the controls, the more….intellectual sides were finding it hard to….think.
Everything’s fuzzy and blurry and Janus keeps trying to hit back that buzzing between his ears that comes every time that Roman and Patton team up and get lost in their contagious excitement. Virgil, certainly, is probably docile by now, flooded with the warm feelings that make it hard to panic over anything for at least another hour because he’s too busy riding that high of the “honeymoon” phase of dating-- before he remembers that it's possible that Nico might be a Serial Killer who lures his victims into relationships before slicing their throats and hiding their bodies in the woods.
He doubts that Logan’s having fun either: he hadn’t even bothered to show up when they had first spotted Nico across the cafeteria, not even to throw out that suggestion of saying “I see from your stickers we have similar interests. Let us discuss the possibility of future copulation now.” Which, of course, spells all sorts of troubles that Janus is going to have to fix later.
Later which seems to be now, because Thomas is jittery from the excitement flowing off of Roman and Patton and he is going to text Joan all about it which requires none of Janus-Virgil’s help.
It’s a flawless escape. Janus smiles inwardly, at the gooey feeling of pride in his stomach. He did it! One whole video, completely undercover! 
It figures that Virgil would be the key. 
Of all of them...well, Janus has always known Virgil the best. Anxiety and Self Preservation have gone hand in hand since Thomas was in diapers still. Janus grew up watching the curve of Virgil’s tense shoulders, watching the flickering of his eyes watching the entry points of the room, watching Virgil’s smirk curl and his eyeshadow bloom and--
And Janus knows Virgil hates him right now, even underneath the gooey layer of good feelings Patton is pumping through all of the Thomasphere. Janus even thinks that if he pops in to check on the little ball of nerves, Virgil will come back to his senses and start a murderous rampage on his way to stop Janus from ever impersonating any of them ever again. Which is definitely what Thomas needs right now. 
Whatever. He can celebrate his victory privately.
Thomas is happy. That’s all that matters right now. The rest can wait until the good emotions in Thomas calm down and Janus can think clearly again: he’ll get out his fermented grape juice and pour it in a glass so he can feel fancy and then he’ll figure out how to deal with Logan, listen to Patton’s emotional-gushing-that-ends-in-overwhelmed-tears, entertain the Duke’s R rated fantasies with a polite smile, congratulate the Prince for his victory, and then after all that he’ll send Virgil a card via messenger dove to thank him for his...bravery.
And then he’ll go to sleep for two hours, and hopefully when he wakes back up Thomas will not be on fire.
That’s… that’s a reasonable hope, right? He’s not asking too much of the other idiot sides, right?
The buzz between his eyes sharpens for a second, as Thomas shakes his hands some more, with a grin that Janus would absolutely die for. It's almost regrettable because if anyone took a moment to look at him, to look at the way he looks at Thomas, they would see immediately what his weakness is: Janus is Self Preservation, Self Importance, Self, self, self. 
He’s weak for Thomas’s smile. The gut force that drives Virgil to do things is protection, so he tries to make Thomas recognize everything as a threat; for Roman its creation, so he tries to push Thomas to achieve all of his dreams. For Janus it's Thomas’s id wants, so he does whatever it takes to keep him happy.
A smile on Thomas’s face means that Janus is doing good, that he’s doing right by Thomas. Who cares if in the end he’s the villain of the story? Who cares about him when there’s Thomas?
Thomas thanks him again-- actually he thanks Virgil, but Janus' face flushes anyway. The feeling in his stomach washes over him, leaving his knees weak and his lips smiling. Is this what being giddy is? He suddenly understands, suddenly, why Patton subscribes to that whole “Thomas is morally and objectively the best” philosophy; It’s a nice feeling, even if it makes it hard for Janus to concentrate on keeping Virgil’s eyeshadow the right color.
Thomas rushes by him-- almost close enough to touch again and wow Janus’ hands were still tingling from that; He forgot that Virgil was always able to touch their host-- and runs up the stairs to go scream in a pillow and text Joan the brilliant news and Janus takes that as his cue.
Time to wrap it up and go. (to sleep. Oh god, he can hear his bed calling for him already.) 
But when he turns back to the last side in the room, Roman is pressing his knuckles to his lips and staring at the blinds in Thomas’s living room like he can set them on fire with his mind.
“Princey?” Janus asks, his own smile slipping. “What’s up?”
Roman snaps over to look at him-- to look at Virgil, whom he trusts and likes and appreciates and who is definitely not Janus at all. Despite that, the way that Roman is looking at him with furrowed eyebrows that would sing of a scowl if Patton had been doing his job just slightly not as well as he is currently, forces Janus to check to make sure he’s still wearing Virgil’s appearance.
“I can’t figure it out,” Roman says, looking like he just caught his best friends in the middle of decorating for his surprise birthday party. “Why?”
Janus squeezes his eyes closed trying to focus on what Roman was talking about. He knows that he missed at least one thing that was said in the hullabaloo all day, but he didn’t think it was something that Roman of all sides would be upset about. Why, what? Roman got the guy. What was so complicated about that?
Actually asking why is more on brand for Virgil.
For a ridiculous second Janus wonders if that was Virgil wearing Roman’s outfit and pretending to be him the way that Janus was pretending to be Virgil. But Janus is decently sure that Virgil can’t resist insulting Janus for more than five seconds at a time, and they’ve been side by side for hours now.
(And hadn’t that been nice? If Janus had just closed his eyes, he could have imagined the grateful smile Roman had given Virgil had been meant for him.) 
“I don’t know what you’re on about, Ro,” Janus shrugs. “But I’m gonna go. All these good emotions are like...disgusting.” He sticks out his tongue that way that he’s seen Virgil do every time that Thomas has to eat the carrots his mom put on his plate just to sell the act, but Roman’s jaw sets.
“Why did you do that?” Roman bursts out before Janus can get all the way out, “Why? Janus!”
Janus should have run then, should have pretended that Virgil hadn’t heard him at all and let the other sides argue with each other, but his name is so new and shiny and no one ever uses it. The words vibrate through the air like needles and the next thing he knows is that he’s pinned in place, frozen, and Roman is looking very not-happy anymore.
Ha, so he knew. Looks like Janus can’t get through a video without being outed.
“I know it's you, you slimy snake,” Roman says. “Will you stop wearing Virgil’s face already! I want an answer!”
Janus’s tongue flicks in his mouth, rolling over the back of his teeth as he tries to think of the best way to handle this when all of his thoughts have to process through the molasses that is the gooey happiness Thomas is feeling and his own exhaustion.
“I have no idea what you mean,” Janus says, as blase as he can make it.
Which is….maybe not his best idea. The buzzing in his head makes the rest of the room go blurry for a second, in and out of focus and it’s so very helpful. 
Roman’s face goes red, stuck somewhere between being angry and being insulted. He reaches out and Janus’ legs do that thing where they don’t work so when he throws his weight back, away, out of reach, his body goes plummeting to the foot of the stairs as well.
Roman yelps, leaning forward for a moment maybe with the intent to help him back up but Janus throws up a hand to stop him before he knows for sure. His eyelids are heavy, he realizes, and he’s tired and he really doesn’t want to have a fight with Roman right now.
“I had fun, Roman. Thank you for the... entertainment this evening.” He says, dropping the last of his stellar Virgil impression. He wonders how long he had Roman fooled, if he had him fooled at all for any point. Does he dare wonder how many of those smiles were given knowing that it was Deceit in disguise?
(He doesn’t and he resents the implication that he cares what the others think of him.)
“Congrats on wooing the boy or whatever.” Janus climbs back up to his feet and brushes imaginary dust off his tunic. Or it could be real. He’s not sure considering that he’s so tired he can’t see anything in front of him.
“You fiend!” Roman snarls, “What did you do to our Stormcloud?”
“Why don’t you go find out?”Janus suggests, with a half-assed flourish, even by his own standards, “Or better yet, don’t. In the meantime, I’ll be in my room.”
But Roman snags his arm and holds him up and Janus is acutely aware that sinking out with another side is troublesome and takes so, so much focus and energy. (And Romans touch is scalding. It’s burning. It’s white hot and Janus wasn’t aware he had been freezing before.)
“I’m tired of this game, Snakes and Ladders!” Roman says. “Tired of not knowing what you’re up to! Tired of not knowing what Thomas wants! Tired of getting backseat to self care and morality and-- and I’m Tired, Janus! Why do you keep doing this to me?!”
And hooooooo, does that strike something in Janus! The soft feelings in his chest burn right up in an anger he hadn’t even known he had been feeling. But it must have been there for a while because it boils right through him, leaving his chest smoldering and his mouth tasting like ashes.
“You think you’re tired?” He snaps, burns, blazes. There’s something in this throat, and it makes every word catch fire when it comes out of his mouth. And even Roman has enough sense to know that fire is dangerous and that he’s going to be cremated if he doesn’t step back.
“You think you’re tired,” Janus repeats, taking a step forward so that they’re nearly toe-to-toe and he can see the way that Roman’s Adam's apple bobs. “What about me, Roman? Don’t you think I’m tired? That I’m exhausted? That I know I’m going to have to sink back down and figure out what is wrong with Logan and listen to Patton and keep Remus busy and make sure that none of you morons overpower the others and drive Thomas directly into the ground? That I haven’t slept a full night since the whole start of these videos and moral dilemmas and whatever else? Every time I turn around Thomas is making another lie: to his friends, to his family, to himself! Don’t you think that I… that I…”
Roman is staring at him.
Janus’s head pounds. The room around him sways and he thinks that maybe...maybe the reason he can’t think straight right now doesn’t actually have anything to do with Patton’s elation keeping Thomas busy.
“Oh,” Janus says because he blinked and now he’s on the floor. 
He blinks again and Roman is right next to him, looking concerned-- how ridiculous. Roman being concerned for him. Ha.
“Janus…” Roman’s voice is low, which makes Janus aware suddenly that everything else had been so loud all this time. He grits his teeth when Roman waves a hand and magics up… what are those, tissues? Why would he--
Oh.
Janus is crying. He reaches a hand up tentatively rubbing away the tears, and has to swallow a laugh. Oh, he's crying. When was the last time he cried? When was the last time he cried in front of someone else? 
He's so, so tired. And that's the reason-- the only reason, mind you-- that when Roman scooches closer, a centimeter, an inch, a foot, and then rests his hand on Janus' shoulder, Janus doesn't push him off and immediately sink out to his room. It takes too much energy to lock a room, even his, from the others and Roman would surely follow after him and demand answers.
Roman’s touch is a shaky, changing warmth. Janus noticed it earlier when Roman had said the word “Bravery” and Janus hadn’t been able to form an actual response because he was so busy wondering if this was how all touch was supposed to feel. But now he thinks he can count every single atom that is touching him and the awareness hums in his veins in a way that shouldn’t be possible.
He sucks in an equally shaky breath and tries not to look like he’s leaning into the feeling. His stomach rolls around, twisting and churning to the point where it hurts. He might be able to blame this on a stomach bug. The other sides probably wouldn’t look farther than that. They don’t like him enough to look farther than that.
“Janus,” Roman says again, calling him by name and Janus wants to tell him to stop. He sounds like he cares and Janus knows it’s a lie. He thinks it’s a lie. He’s pretty sure it’s a lie.
It’s hard to tell right now, especially when his own inner desire is yearning for it not to be. He can’t trust himself when he’s like this. He always ends up doing something stupid.
Like sitting at the foot of Thomas’s stairs crying in front of Roman.
“Fuck,” Janus says, and laughs, like this was part of his grand master plan that definitely exists. He ignores the tissues Roman places at their knees and uses the back of his palms to get rid of those pesky, unprofessional tears. “My most humble apologies, my dear prince. Too much fun today I suppose--”
“Janus,” Roman cuts him off, and Janus wishes his sharp inhale was a little less noticeable. “Are you… Did….”
Janus can feel how Roman’s thumb is rubbing his shoulder, slow circles like a loading screen while he tries to weave together a sentence that makes coherent sense.
“Why?” Roman decides. “Why are you...why did you help Thomas meet Nico? Why did you force him to do it naturally without any lies? I thought you liked when Thomas tells lies!”
Janus snorts, which is a bad decision because his nose is runny and, god, now there’s snot all over his face, which just makes the lump in the back of his throat grow larger. He snatches up the stupid tissues and tears open the pack.
“I don’t--” Janus wipes away the snot, and tosses the tissue into oblivion. “I don’t want Thomas to lie all the time. Do you think I’m crazy, Roman? I have to manage every lie Thomas tells himself! It’s… It’s… imagine if you had to make a new video script every single day.”
Janus can see Roman’s confused look. It's adorable really, like a puppy that just got told to “Stay.” He recognizes that Janus is saying something, that Janus is talking to him, but the full meaning of the words is lost on him.
“If it's so taxing, why do you do it, then?” He asks, like it's some sort of choice and not his job.
“Why do you make video scripts? Why do you help Thomas practice his lines? Why do you take him on daydreams when he’s bored?” 
“Because he asks me to,” Roman answers without a single hesitation. “Wait….”
Janus leans forward pressing his chin to his knees. His eyes close for a moment, two, three while Roman struggles to understand what Janus isn’t blatantly saying.
“Imagine if Thomas asked you to make a new video script every single day. Do you think you could say no to that?”
Roman makes a wounded noise from deep in the bottom of his soul. It resonates in the air between them, like an elephant neither of them wants to admit is there. Janus breathes in deeply, and wards off the fresh round of lovely wonderful tears that come from his lovely wonderful headache.
“I’m sorry about the court case, Roman,” Janus says. The words feel dangerous, like throwing knives and Roman flinches back, leaving the spot on Janus’s shoulder painfully freezing. “I wanted-- I wanted Thomas to do what he loved. I wanted him to stop lying about wanting to go to the callback and I thought that if I just made it so that only you could make the decision it would be easier! I’m sorry, I’m sorry. I’m sorry.”
Janus breathes in, but somehow it seems that all the oxygen in the room had dissipated without their knowledge. He gasps a few times, trying to get a steady rhythm back but the white noise in his head and the itch behind his eyes keep throwing him off. 
There’s laughter-- it takes him a moment to realize it's his own. Which is just great, just fantastic, just what he needed. He finally got the sordid apology out and now he’s laughing. 
But Roman is looking at him not with a scowl, but with some other emotion Janus can’t quite name through his blurry vision. For a second he thinks it might be fear-- which is even more funny than the idea that Virgil had been pretending to be Roman this whole time. In the safety of Thomas’s apartment, when Thomas had just gotten the boy of his dreams, when Janus was on the ground out of secret agendas to hide, what is there for Roman to fear?
“I just--” Janus gasps one more time, ignoring the sharp pain in his chest. “Thomas deserves a win. You deserve a win. That's why I wanted to help with Nico.” He feels like his head is going to pop right off. Maybe if he asks nicely Roman will get out his sword and do it free of charge and relatively painlessly.
“So I...ha, so I spent all day playing dress up,” Janus hates the wobble in his voice. “And now I’m a day behind on managing all my work and now Patton’s going to want to talk about what happened today, and someone needs to listen to Remus and Logan is obviously not doing too well so I have to check on him-- and Virgil too even though Virgil will probably throw something at me but I have to….And then Thomas is going to need me and I have…. I have to…”
“You really… you really do all that?” Roman says in a small voice that doesn’t suit him at all. “All by yourself?”
“Well, it’s not like there’s anyone else to help, Roman.” Janus says before he can stop himself.
“I’ll help you!”
Janus freezes. Because, well.
He’s heard those words before, hasn’t he? Not all that too long ago. When the divide between dark and light was more defined and Thomas hadn’t started posting videos with them in it and Janus wasn’t afraid of the purple door in the middle of the hall.
He knows how this conversation goes all too well.
But Janus apparently can’t learn any new tricks because he still says, “No, I can do this myself.”
(“You’ll kill yourself from stress, Jan!” Virgil had yelled. “Then where will we be?”
“I have everything under control, Virgil! I don’t need any help! Just drop it, okay?”
“Thomas and the Light sides are running you ragged and you want me to pretend like it isn’t hurting you? Are you crazy? They need to stop lying so much!” 
“No! I can handle this!”
“Janus!”
“Virgil!”
“I can’t let you keep doing this,” Virgil had said, “If you won’t do something I will.”
“Don’t you dare!”
But he had. And now he was a light side, an accepted side, everyone’s favorite side. And he was slowly convincing Thomas to stop lying by turning Janus into something to be feared and avoided. How quaint. How trademark.)
Roman is staring at him. Janus can feel the weight of his eyes on him, and somehow that's worse than his hand on Janus’ shoulder. It’s heavier. It’s harder to just shrug off. It means something more.
Because Roman isn’t talking. And Janus isn’t hiding.
And if the words weren’t so hard to say, he thinks that maybe Virgil was right, and he should apologize.
“Huh,” Roman says after the silence threatens to swallow them both. He clears his throat and mercifully looks away, staring at that painting over Thomas’s couch. “I didn’t think you were stupid.”
Janus hisses at him, at the idea of him. But Roman flicks his fingers.
“Oh come on, Ouroboros,” Roman says. “You handle all of Thomas’s lies, and then you’re out there looking after each of us sides as well? I think after 31 videos we can all agree that one side being entire in control of Thomas is a bad thing! So why are you still trying to do everything?”
Janus has a very good answer. The best answer. 
But Roman’s elbow reaches out and nudges him and all his thoughts scatter into the air. Maybe that was intentional, but Janus can’t find the energy in himself to really be angry about it. 
“I…” Janus says, “I just want Thomas to be happy.”
“So do the rest of us too, Snakecrates!-- Get it? Like Socrates?-- Not gonna lie, your way to make him happy is truly… the foulest of methods, but at the end of the day we’re all a part of him.” Roman says. “Maybe instead of trying to puppet master this you could...try working with us? Like showing up as yourself instead of using Virgil’s or Logan’s face again?”
Janus snorts again. The backs of his eyelids shoot bright red stars across his vision. “As if. None of you would listen if I did things that way.”
Roman nudges him again. “It's just a suggestion, Slitherous Snape.”
“How many of those do you have?”
“Nicknames?” Roman pauses, and Janus guesses that he’s counting on his hand. “Dunno. A lot. I never get to use them because you show up in someone else’s clothes and I don’t realize it’s you. All the more reason you should listen to me and just show up as your usual self!”
Janus must have made a noise, but his brain is too preoccupied with the fact that the carpet in Thomas’s apartment is actually really comfy and if he buries his head in his knees the room is actually dark. His headache is a dull repetitive thob, like a drum beat that if he doesn’t focus too much on becomes a noise he can fall asleep to.
“I thought you hated me.” He admits, in a quiet tone and only partially hopes that it was too low for Roman to hear.
“Fool me once,” Roman says in a soft tone, humming like it's a melody. “Shame on you. Fool me twice, shame on me. Fool me thrice…”
He sighs deeply.
“And I think that means we need to actually think about talking out things like adults.” Roman nudges him again, and then places his arm around Janus’s shoulders. “But not right now, when you’re half dead from exhaustion. Let’s get you to your room, Jan.”
There’s a cold feeling around both of them, washing over Janus’s muscles like a flood, as they sink down. His eyes open briefly just in time to make out his own room surroundings before Roman drops him on his bed.
Oh, it’s really comfortable. Has his body always sunk into his mattress like this?
“Get some sleep, Deceit,” Roman says.
“Wait... Logan…” Janus definitely does not whine.
“I’ll handle the nerd.” 
There are so many reasons why that’s a bad idea-- Janus knows there are a bunch of reasons because he wrote them down on flashcards to study in between grieving Virgil leaving the dark sides and managing the lies Thomas tells day to day and the ones he had going on forever and the ones that sides told each other and--.
But before he can say any of that, Roman sifts a gentle hand through his hair and Janus loses the ability to think again.
(Janus really doesn’t remember when Roman gained that power.)
He curls up almost unintentionally on his bed, and Roman makes a noise that could have been a laugh, if Janus cared enough to check.
“Sweet dreams,” Roman says softly.
“W…wait!” Janus gathers the last bit of his energy, the residue from the gooey feelings Thomas was harboring, and surges after Roman before he can leave all the way. “How did you... know it was me? And not…”
“Virgil?” Roman offered. “You kept messing with the eyeshadow, Janus. He has that angsty charcoal color on twenty-four-seven. You kept changing it to purple. I mean I liked it, but that’s not his style.”
Janus frowns. “No….he has the purple when he’s happy. I know he has the purple… He only started wearing the black...when he was trying to freak out Thomas.” He sighs and settles back into his pillow. “It glows...when he’s happy…”
Janus has plenty of memories about that, too. They were some of his favorites: Virgil on Christmas morning when the prospect of presents was more scary than the idea of all Thomas’s relatives coming over, Virgil on late nights watching cryptid history shows with Remus and talking about marrying Mothman when Thomas got older, Virgil right after he first appeared to Thomas, glowing in all senses of the word because their host knew who he was. 
Janus remembers being a little upset when Virgil covered it up, because it was another lie then: Virgil was hiding part of who he was and the three of them had always agreed on no lies between them. 
Besides Virgil had always looked younger with the purple, looked more happy, looked more approachable. He looked like he was excited to see Janus and not like he would rip out his throat if they ended up in a room alone together. 
Virgil was purple long before he had been black, and Janus thinks he might have been in love with him even before that too.
Who had he been talking to, again?
Janus gets the distinct feeling something is wrong, but his pillows are comfy, and his mattress is soft and he’s been running on fumes for far too long. He’s fast asleep before he realizes that Roman is still in his room, frowning, and wondering if that meant Virgil had never actually been happy around the Light Sides at all. 
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frankiefellinlove · 3 years ago
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THE STEVIE FILES PROUDLY PRESENTS - THE AMAZING ROCK & ROLL ODYSSEY OF STEVEN VAN ZANDT
From The Source to Soulfire via Springsteen and Sam & Dave
Recorded, transcribed, edited, written, produced, mixed and mastered by MIKE SAUNDERS
SIDE TWO (1975-1983)
Track 6: Miami Steve, The Asbury Jukes, Tenth Avenue and Hammersmith
In early 1975, Steven returned to New Jersey from Florida, inappropriately dressed for the winter weather. “I came back with the flowered shirts and the Sam Snead hat and continued wearing them in the snow.” For the next seven years, he was known as Miami Steve. He joined Southside in the Blackberry Booze Band and within weeks they’d altered and expanded its line-up (adding keyboard player Kevin Kavanaugh from Middletown and bass player Alan Berger from The Dovells’ backing band), transformed its musical direction, changed its name to Southside Johnny and the Asbury Jukes (referencing their mutual hero Little Walter’s band and first single release) and established a successful three-nights-a-week, five-sets-a-night residency at the Stone Pony in Asbury Park.
“Just before that, me, Southside, Bruce and Garry went to see Sam & Dave. A life-changing moment. So me and Southside basically decided we were gonna be the white Sam & Dave, with rock guitar. So the horns came in and although we didn’t know it, we would change the entire concept of what a bar band sounded like and the respect a bar band would get by making it creative, soul meets rock. ‘Bar band’ was an insult. ‘You’re a bar band,’ which means you can’t make it in the real music world. After the Jukes, they started using ‘bar band’ in reviews and they meant it as a compliment, with Graham Parker and Elvis Costello and Mink DeVille. We changed the way people thought about these things.”
The Miami Horns were a vital component of the new band. Steven composed the horn arrangements, but although he’s always possessed a natural ability to imagine horn parts, he doesn’t read or write music (“never have”) and has always required a little help from his friends to transcribe them. “I have people write ‘em down, to this day. I like that actually. You have to do a lotta things yourself so any excuse I find to collaborate I do it. I find other people will bring something to the party usually. That’s why [I’ve] used Eddie Manion for I don’t know how many years. He knows how I like to voice things. Once I think of something and create the parts, I get bored if I have to voice every part, exactly right. If I hear a voicing I don’t like, I will change it, but I get bored by the mechanics of everything.”
While the Jukes were building their reputation and growing their audience, Bruce invited Steven to hang out at the Born To Run sessions in New York, where he was working on “Tenth Avenue Freeze-Out.” David Sanborn and The Brecker Brothers had been hired to play the horn parts, but Steven created a spontaneous new arrangement. He’s told this anecdote countless times, but I ask him to repeat it because it provides perfect examples of his innate musical talents in action (“I can hear the parts, who knows why?”), the nature of his friendship with Bruce (“I still am the only human being not afraid of him”), and his no-bullshit attitude (“I didn’t know anything about diplomacy”).
“So he says, ‘Whaddya think?’ I said, ‘It sucks, that’s what I think!’ I didn’t know how uptight everybody was. I didn’t give a fuck either. The managers and producers were all afraid of him already. He asked me a question, I’m gonna be honest. I’m trying to help my friend here, not make points with some fucking record company guy. Moment of silence. ‘He just said it sucks, which means we all suck.’ Bruce [says] ‘Alright then, go in and fucking fix it.’ So I did. I went in and sang the [new] parts. I didn’t know they were the most famous [session] guys in New York. It wasn’t insulting them, the chart was ridiculous. That was my thing, just from the Jukes being around maybe six months.”
“I wasn’t really feeling the pressure that Bruce was at the time. I didn’t realise his life depended on this album. His first two records hadn’t done very well. They wanted to drop him. I don’t know how aware I was of any of that. He invited me into the session and I’m laying on the floor. All I can think is, we’ve been hoping to get into recording our whole lives, I’m listening to this and it sounds fucking terrible. Not just the horn charts, everything. It was the worst period of recording in history. Virtually every record from the 50s and 60s sounded great, virtually every record from the early 70s sounded terrible. Because engineers took over, started close miking, padding the walls. Separation, separation, separation, all the things that make rock ‘n’ roll suck. The idea was, you isolate everything and make it sound exciting in the mix. Which they managed to do, miraculously, with the Born To Run album. Because it was pieced together in a bizarre way. Bruce made that record 100% out of willpower, he willed that into existence!”
Soon after making his instinctive artistic contribution (and singing backing vocals on “Thunder Road”), Steven was invited to join the E Street Band. It was a chance to complete the circle, play with his old friend again and settle any unfinished business from three summers earlier, when he’d been sent packing at the Greetings sessions. He made his live debut on the opening night of the Born To Run tour, which ran until New Year’s Eve. His input and influence over the next decade, onstage and off, would prove invaluable. (Bruce even began playing The Dovells’ “You Can’t Sit Down” as an occasional encore). In the fall, the tour took everyone to Europe for the first time, where the culture shock was off the charts. “There was no hamburgers, no peanut butter. The only place you could get a hamburger in the whole of Europe was the newly-opened first Hard Rock Café. There was a line around the block even then.”
Culinary deficiencies aside, Bruce also had to endure the overblown hype surrounding his first UK gigs at London’s Hammersmith Odeon, where Columbia had displayed the legend “Finally London Is Ready For Bruce Springsteen” on every available surface prior to his arrival. “[It was] completely obnoxious,” says Steven. “[Bruce] spent half the time ripping down posters. It was an embarrassing time for him, between that and Time and Newsweek. He didn’t like that stuff. You wanna be in charge of your life, that’s why we get into rock ‘n’ roll. Suddenly it was slipping out of his control. We made the mistake of playing a place with seats. It just made the show that much harder. But by the end, we got ‘em outta the seats. We went to Amsterdam, Stockholm, and back to London. The second one was a bit easier.” The experience had a prolonged effect on Bruce. “He was uptight in those days and would remain so through Darkness into The River, until he asked me to produce the record and we found a way to have some fun.”
Track 7: Epic Records, Steve Popovich and The Stone Pony
Back on the shore, Southside Johnny and the Asbury Jukes continued the Stone Pony residency throughout 1975, gradually consolidating their line-up. For the next three years, between Springsteen commitments, Steven worked as their producer, arranger, manager, part-time guitarist and principal songwriter. In early 1976, after circulating a demo tape, they signed a recording deal with Epic, with assistance from Steve Popovich, the label’s Vice-President of A&R. “I Don’t Want To Go Home,” the song that Steven had kept in his back pocket since his days on the oldies circuit, became the title track of their debut album and their first single. Ben E King’s loss was Southside’s gain.
“I produced [the song] in a way which was appropriate for the Jukes. They didn’t have a big background vocal thing going on,” explains Steven. “I was very conscious of being able to try and do most of it live, although I put strings on it, on my very first production! There was no synthesiser in those days that could play strings. That’s why I re-cut it [on Soulfire] the original way I pictured it, with the singer and background vocals answering. That idea of writing for someone else is extremely important, critical and essential. It changes the way you write completely, from when you think of writing for yourself, which is extraordinarily complicated and confusing. It’s not easy, but easier, to write for someone else. There’s their identity in your mind at least. I’m writing them a song. That’s a wonderful exercise for songwriters.” I Don’t Want To Go Home was released in the summer of 1976 (“I’ve never received one penny of royalties, but whatever!”). The Jukes later began their first national tour and made their European debut in 1977.
Recommended by Bruce, Steve Popovich was one of a kind. “The last of the real music guys in the business. The only other person I can compare him to would be Lance Freed on the publishing side, who’s unique. He’s actually into music and songwriting and the things you’re supposed to be into when you have a job description like that. And Frank Barsalona, the only agent who really did his job and would set the standard for everybody to follow. Those three guys, really quite historic. [It was] Popovich’s idea to launch the record with a broadcast from the Stone Pony. Never been done before. Popovich loved the local scene idea and he largely made it happen. It never would have been recognised nationally, I don’t think, if it hadn’t been for Popovich, who had the vision to say it’s cool if you’re not from New York. Rather than being embarrassed if you’re not from New York, LA or Nashville, it’s actually cool.”
Track 8: Production Credits and Political Awakening
Steven developed his talents as a producer and songwriter with the Jukes in the late 70s, following I Don’t Want To Go Home with This Time It’s For Real and Hearts Of Stone. Successive releases featured greater quantities of his original material, which included “I Played The Fool,” “This Time Baby’s Gone For Good,” “Take It Inside” and “Some Things Just Don’t Change,” apparently written for another of his heroes, David Ruffin of The Temptations. During this period, he also produced the “Say Goodbye To Hollywood” single for Ronnie Spector and the E Street Band and provided production assistance on Darkness On The Edge Of Town. His relationship with the Jukes ended when they left Epic for Mercury in 1979 and he went on to co-produce The River and two comeback albums for Gary US Bonds, Dedication and On The Line. It was an impressive fast-track apprenticeship. Steven had no production experience when he began. He acquired the skills and learned from his mistakes in the studio. “That’s why all three Jukes albums are different,” he says. “By the time we did The River, I knew what I wanted to do. I got it all down by then. That’s how I tend to do things. I can picture what I want. Jump in, do it, let’s see what happens.”
Steven also kept his promise to himself to bring his musical heroes out of obscurity, initially as guests on the first two Jukes albums. “I did what I could, but I wanted to do so much more,” he admits. “First time I get in a studio, got Lee Dorsey out from under a car, where he’s a mechanic. Got Ronnie Spector out of retirement. Second album, we reunited The Coasters, Drifters and Five Satins. Me and Bruce worked with Gary Bonds. We got Ben E King and Chuck Jackson on that record. Those artists had a talent level noticeably above everybody that followed. I wish I’d been insistent on doing more of them. In those [early] days, you actually had to have talent to make records. You had to be able to sing a song, beginning to end, perfectly in tune, perfectly the right melody, and if you fuck up one word, you gotta do the whole thing again. Couldn’t do enough for those people, they were so much fun to produce.”
In addition to his studio accomplishments, Steven played more than 300 shows with Bruce and the E Street Band between 1976 and 1981, primarily on the Darkness On The Edge Of Town and River tours. The majority took place in North America, but the River tour included a European leg that took the band away from home and out of their comfort zone for nine weeks. Much longer than their previous visit in 1975, it was their first significant experience of foreign countries, languages, cultures and political perspectives. They received rave reviews wherever they played, but Steven gradually became aware that not all Europeans viewed the United States in a favourable light.
One particular encounter was pivotal in dramatically reshaping Steven’s worldview. “A kid asked me, ‘Why are you putting missiles in my country?’ I said, ‘I’m not, I’m a guitar player.’ I realised, for the first time in my life, at the age of 30 I’m embarrassed to say, that I’m an American. What the fuck does that mean? I managed to grow up in the middle of civil rights, the Vietnam War, demonstrations about every fucking thing and had no interest in any of it. Amazing when you think about it. Redefining tunnel vision. Suddenly, the tunnel is gone. We’re now successful. Who would have ever figured that would happen, right? Now it’s like, uh-oh, what did I miss, the last 20 years?”
Track 9: Men Without Women, Motown and Mixing In Mono
This revelation accelerated Steven’s growing political awareness, one of two important developments in 1981 that would change the course of his life forever. The second came when he returned from Europe and was approached by EMI America about making a solo album. Having spent six years producing and writing for others, he welcomed the opportunity to have his own creative outlet, which soon expanded into a separate career. In the fall, he enlisted musicians from the E Street Band and the Asbury Jukes to record most of the material for his debut album, Men Without Women, using his established rock-meets-soul sonic blueprint. Including “Lyin’ In A Bed Of Fire,” “Princess Of Little Italy,” “Angel Eyes” and “Until The Good Is Gone,” it remains an undisputed career highlight for Van Zandt devotees, but Steven feels that an outside producer might have helped him make a more commercial record.
“Conventional wisdom is you never should produce yourself and I have to say that’s correct. The only exception I can think of in the history of the business was Prince, who was an extraordinary genius, but other than him, I don’t know anybody who successfully produces themselves.” Describing himself as “extremely schizophrenic, I’m twelve different people, never mind two,” Steven explains how his inner producer failed to control the whims of his inner artist. “Without knowing it, the artist takes over. I was into this extreme naturalism, no logical reason why. I did the whole album live in one day. Came back the second day, did it again, beginning to end. Couple overdubs, that was it. There’s one guitar. The horns aren’t doubled. Nothing’s doubled. Bruce did all the harmony on that record but we couldn’t use his name. We [did] a similar thing with Born In The USA, where we just recorded live in the studio.”
“I made Bob Clearmountain mix ‘Forever’ in mono, to try and achieve the perfect Motown record. It’s never gonna be exact and it shouldn’t be exact, why should it be, but I wanted to capture a Smokey Robinson Motown record. The only way I could do that in my mind was to make it completely mono. He was so good in those days. I mean Bob’s still the best, but in those days he was beyond the best. He was something else when it came down to that Neve board that wasn’t automated, and he’s feelin’ those faders. I made him do something he’d never done before, which requires a whole different way of thinking. You’re now thinking depth-wise and vertically, not horizontally.”
“That’s where my head was at. Can I achieve the emotional communication that my heroes had provided me? My heroes being Motown in general, 10 acts there. Or my heroes at Chess, another 10 acts. Sam Phillips did ‘Rocket 88’ for Ike Turner (Jackie Brenston) and ‘How Many More Years’ for Howlin’ Wolf, three years before Elvis Presley. Unbelievable genius. [I’m] trying to achieve that level of quality in my own world, in my own little bubble, which has these ridiculously high standards. I’m absorbing the 50s and 60s and then trying to integrate them in my head and reproduce them in my own way, not the least bit interested in what’s going on in the 70s or 80s certainly, because it was shit to me, comparatively. An interesting moment here and there. Punk was certainly interesting. But mostly it’s all coming from what I call the renaissance period, ‘51 to ‘71, where it all was created. And that’s true to this day. That’s all I was interested in and that was enough for 10 lifetimes. I didn’t need another bit of input after 1972.”
Track 10: Little Steven, Little Richard and Bob Dylan
In 1982, after recording with Bruce and Gary US Bonds, Steven completed his album, formed the Disciples of Soul (which included Dino Danelli from The Rascals on drums, Jean Beauvoir on bass and Eddie Manion, Mark Pender, Stan Harrison and La Bamba on horns) and played a debut concert at New York’s Peppermint Lounge. Released in October, a month after Nebraska, Men Without Women preceded his first national tour and was credited to his new professional name of Little Steven, which would be used for all future solo activities. “I just wanted separation [from] being the sideman,” he explains. “Each of my personalities required a different name, in order to keep it straight in people’s heads and my own head.” The name referenced his early heroes Little Walter, Little Anthony and Little Richard. In his role as an ordained minister, the latter officiated at Steven’s wedding to Maureen Santoro in New York on New Year’s Eve. Percy Sledge sang “When A Man Loves A Woman” as they walked down the aisle and the reception included performances from Gary US Bonds, Little Milton, The Chambers Brothers and the wedding band from The Godfather. “Little Anthony was doing a cruise at the time or he would have been there.”
“All I can think is, we’ve been hoping to get into recording our whole lives, I’m listening to this and it sounds fucking terrible. Not just the horn charts, everything. It was the worst period of recording in history. Virtually every record from the 50s and 60s sounded great, virtually every record from the early 70s sounded terrible. Because engineers took over, started close miking, padding the walls. Separation, separation, separation, all the things that make rock ‘n’ roll suck. The idea was, you isolate everything and make it sound exciting in the mix. Which they managed to do, miraculously, with the Born To Run album. Because it was pieced together in a bizarre way. Bruce made that record 100% out of willpower, he willed that into existence!”
Steven toured internationally in 1983, then dropped the horns, adopted a more contemporary rock sound and made his second album, Voice Of America. It was an explicitly political record that featured “Solidarity,” “I Am A Patriot,” “Out Of The Darkness,” “Los Desaparecidos” and “Undefeated.” Triggered by his River tour experiences in Europe, this radical transformation was completed with a long period of self-education. “I read every book about post World War Two [US] foreign policy. [It was] shocking how often we were on the wrong side. All of these bad things were happening behind the scenes and nobody was talking about them. No political consciousness whatsoever in the country. I decided I have an obligation to say something about this stuff that we’re all paying for with our taxes.”
“Being conscious of the fact that everybody needs their own identity, I figured who the hell needs another love song from a fucking sideman? I’ll be the political guy. Nobody else is doing it. There were people demonstrating of course. Jackson Browne, John Hall, Bonnie Raitt, Graham Nash, those guys. The Grateful Dead were doing a benefit every week, but rarely did it end up in the work. In general, people weren’t putting much politics into the lyrics of their songs.” For artists with commercial aspirations, he concedes, that’s a smart move. “Jefferson Airplane being an exception with ‘Volunteers.’ Big exception, Crosby, Stills, Nash and Young, with Neil Young’s ‘Ohio.’”
Steven contends that Bob Dylan’s “Subterranean Homesick Blues” introduced the idea of political consciousness in rock ‘n’ roll. “His first electric song. It’s not given enough credit. The first sentence from Bob Dylan’s electric period, ‘Johnny’s in the basement mixing up the medicine, I’m on the pavement thinking about the government.’ What? You’re doing what? You’re thinking about the government? Excuse me? Who does that? Whoever did that before, in a song, no less? There in that one sentence, Bob Dylan communicated what his entire career was gonna be about, which was having fun with language, with inference, symbolism, metaphor and nonsense lyrics that rhymed. ‘Johnny’s in the basement mixing up the medicine,’ what does that mean? It means whatever you want it to mean, right? Then ‘I’m on the pavement thinking about the government.’ Holy shit! You mean we’re supposed to figure out the government? That, to me, is the most important sentence in all the history of rock ‘n’ roll, right there.”
All photos below by Mike Saunders
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reality-exodus · 3 years ago
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Episode 7 1/2 pt.2
"For Duskwood?" The driver asked through the speakers and I shot up looking around "Yes... wait a moment please." I spoke up as the loud sound of the speaker woke me up from the abstracted oblivion I had sank into during the route of the bus. The bus stopped, it didn't go to Duskwood it left me in the outskirts. I took a deep breath and disembarked the vehicle. It was high time I met my, for so long, pen friends. It had been a week since Richy's early passing, I haven't been able to talk to anyone but Jake, who was filling in the group for my progress via Lilly. I didn't talk again about this subject to anyone.
I got out of the bus and my gaze fell on the magnificent forest of Duskwood. It indeed looked scary... and dark. I hadn't realized that I was staring at it insistingly until I heard a horn and shot my head to that direction to notice two familiar faces with beard. I smiled at the vision of them expecting me on the road and started walking towards where the car was. Dan got out of the car and he raised his arms up as I was approaching with my suitcase.
"M/C" He sighed and pulled me in a hug, I let out a soft chuckle and hugged him back rubbing his back. He was taller than me, nothing compared to how he was as when we first talked to each other.
"Hello Dan" I let out a sigh of relief as we both tightened the hug for some moments. "How are you?" I asked him as we broke the hug and looked at each other. Things were sort of awkward, it was normal and it didn't bother me.
"We are doing the best we can... Hopefully you will upbeat Jessy a bit. But we will have time for that" Dan sighed and picked up my suitcase and I got in the backseat.
"Hello" I greeted Thomas as he turned and looked at me from the rearview mirror.
"Hey there..." I sighed and smiled awkwardly as Dan shut the door of the car, getting in.
"So how was your trip?" Dan asked me as I put on the utility belt. You never know what happens.
"Tiring... dull." I exhaled once again taking out my phone as I felt it vibrate and blushed a bit as I saw Jake's contact popping up on my screen. "It's Jake ..." I sighed and looked at them.
The boys looked at each other and sighed. "I really do want to talk to him..." Dan huffed looking at me with the corner of his eye. In the past he told me times galore to not trust the hacker... But well who knew I fell in love with him.
I took a deep breath and slid my finger upon the screen. "Hey..." I smiled blushed looking at the camera. "Hello M/C. Are you alright?" Jake was heard, he still had the voice altering application.
"Yeah... I am with Dan and Thomas actually. They just picked me up from the bus... They are here actually." I spoke to him and there was some silence.
"Hey Hacker!" Dan exclaimed loudly to be heard.
"Daniel, Thomas" Jake was heard.
"How are you doin?" Dan asked at the same tone.
"I am good. Still working on Hannah with M/C..." Jake spoke up.
"Good... Now if you'll excuse us we are busy." Dan said rudely.
"Dan!" I exclaimed annoyed frowning at him.
"Do not worry M/C. Text me when you are available..." Jake said and finished the call before I could even say goodbye.
"Good one Dan" Thomas huffed as his expressionless face was fixed on the road.
"Yea Dan, way to go" I deadpanned as I took out my headphones in order to listen to some music.
"Don't let his ass drag you down. Here connect your phone to the car." Thomas offered trying to repair the atmosphere Dan ruined.
"Oh Thanks... I appreciate" I smiled a bit to Thomas' intention and connected my phone to his car radio and put on my music. "You are probably the rap sort of guys or Metal or Rock. Billie Eillish and Bishop Briggs won't be your type of music..." I commented.
"Well You are not worse than Jessy... she listens to Justin Bieber." Dan laughed as 'Good girls go to hell' started being heard.
The way was long and Thomas said we were going on Phil's place where both me and Jessy would stay. I had fallen asleep on the backseat. I was extremely tired from my trip and the boys closed the music to keep me sleeping as Dan said I was even snoring.
"M/C" Thomas extended his hand and shook me as I ended up laying across the seat. "Wake up, we are here." He said smoothly and I blinked my eyes open sitting up. I fixed my dress and got out of the car as we moved in the block of flats with Thomas who was helping me with my bags. Dan did not do well with Phil so Thomas would show and help me upstairs.
I knocked the door as Thomas was leaving, he waved at me as Jessy opened the door. I took a deep breath at the footsteps I heard and the door opened soon and I faced a redhead girl, she was pale, and her hazel eyes were red and swollen from the grieve and the tears. I knew it was Jessy, I could recognize her despite the blues that worn upon her petite figure. She was shorter than me but with elegant curves. She was more beautiful in real.
"Excuse you my brother is not here." Jessy spoke with a huff, her shaking voice sounded angry.
"Thank god then..."I replied "I wouldn't be that fond of his arrogance right now." I added with a sigh.
"Oh my gosh M/C" she exclaimed and hugged and I responded rubbing her back. I expected the hug and I really liked it too."Its so good to finally meet you Jess" I sighed as I placed my chin on her shoulder as she is shorter than me.
"Me too." She sniffed. "You must be tired come on in" Jessy dragged in my suitcase and closed the door behind us.
"Indeed I am, I even fell asleep at the car on our way here..." I sighed. "I am going to make something for you to eat, you change and pick a movie and I'll get the pizza, no mushrooms extra tomato sauce." Jessy said and I smiled brightly at her as I moved to the bathroom and put on my pajamas and crushed back at the couch we were sitting before. "I am ready with a film." I spoke as I set up the TV with my laptop. "What movie?" Jess was heard. "V for Vendetta" I said with a smile as I texted good night to Jake. "You can't be serious?" Jessy let out a small laugh as she poked her head to look at me. "No really that's the movie we are watching." I nodded gazing at her innocently. "Is this some sort of type you have?" she asked as she sat next to me placing the pizza and the wine on the coffee table and covered both of us with the blanket. "Is this a Jake reference?" I asked and blushed as I took the glass of red wine. "You are really smart aren't you?" she giggled and I sighed in relief as she seemed to be forgetting reality, with Richy.
I've been thinking about all day long. What he said, he heard a scream calling his name specifically, and then he recognized Hannah's voice. And then the his wide eyes staring right at me as his last breath was abandoning him. I haven't told anyone, not even Jake. The only thing I want is to find Hannah in one piece. I don't have anyone to worry or miss me... Atleast not someone who knows me. And things with Jake are really blurry but he simply denies to say anything or give me a hope...
I fell asleep on Jessy's lap during the film and I felt her stroking my hair, cover me better with the blanket and then leaving. I didn't pay much attention I was too tired for it so I let sleep take the best of me.
-
I shot my eyes open at the sound of cricking that came from the main entrance. I didn't move an inch from my position in fear... The man without a face? The governmental pursuers of Jake? I sincerely do not know which is worse. I surveyed the dark living room at Phil's place, seeking for something, an object, that I could defend myself with. I caught a glimpse of the wine bottle me and Jessy drank earlier. I extended my hand and grasped it as I fell off the couch and crawled to the hall standing by as a figure with a long coat stepped in and looked around.
I lost no time and brought with force the bottle to his head as he let out a gasp and turned around. It was too dark for me to see any features upon his face I made a move to punch him in my effort to prevent him from doing what ever he was to do to me and Jess. He grabbed my wrist and turn me around stretching my hand to my back and pinning me to the wall as he leaned his face to my face and
"My sister usually has less violent friends M/C" I heard him whisper as he breathed down my neck and stroked my waist.
"Phil Hawkins" I breath out in relief and let loose.
"In flesh" He chuckled and let go of me still holding my hand. "And you are M/C..." He spoke in realization and switched the light on and looked at me.
"Are you alright?" I asked feeling embarrassed as I was trying to calm down.
"I am but you will have to pay me back for the hospitality and my destroyed hair." Phil had a smirk upon his lips as his eyes were upon me.
"Oh of course" I nodded recovering from the embarrassment from before. "What can I do for you?" I asked politely.
"Oh many things. But how about I take you out for a drink. You can see me on duty too." Phil smiled softly.
"Sure I could ask the rest to come too." I smiled politely making an effort to avoid him.
"I was hoping for something more private but whatever makes you feel better." Phil spoke and stroked my waist discreetly and I pulled myself to drink some water.
"Um I should go and sleep, Jessy will wake me up in a few hours for... for the funeral." I stuttered and sat down "Good night Phil." I spoke and covered myself with Jessy's pink blanket.
"I would be better with you cutie but Good night" Phil waved and winked at me vanishing in the corridor.
I laid back down and closing my eyes praying that sleep will come after this scare. But it didn't so I reach for my phone
'Jake? Are you awake?'
'M/C everything alright?'
'Yes, I mean, I was sleeping Phil walked in his house and I got scared and attacked him... I am still edgy'
'I assure you are safe. Are you alright now?'
'Yea I shooed Phil to sleep and laid back down. Can you imagine I slipped away only with a cocktail date at aurora's with everyone 😊'
'Well I knew you were smart. Did he tried anything cute?'
I choked on my water as I saw the screen, I liked that he didn't bother being elegant and discreet with the question 'No I put him back in his place.' I said as the smile wouldn't leave my lips any time soon.
'You should sleep, the funeral is in three hours' He texted
'You are right, Sweet dreams Jake' I texted and placed my phone to the coffee table and heard it buzz with his reply, I didn't see it now. I wanted to see it in the morning.
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idmakeitbehave · 4 years ago
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This I Know {Spencer x Reader}
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Chapter Four
masterlist
series table of contents
summary: a little backstory, a little panic- all in a day’s work
word count: 1.6k
July 2004
“Remind me why the hell we decided to do this in the middle of the summer? I swear it has got to be the hottest day of the year,” you grunted, sweat dripping down your back as you weaved through the hurdles.
“Crime waits for no one,” Mia huffed as she ran alongside you. “Besides, we need to beat Gomez and his squad. Show those boys who’s boss.” 
“I already beat him in hand to hand, what more could he want?”
“I think he needs a little more ass-kicking, take him down a peg,” she said.
A whistle sounded across the yard. “Ladies! Less chit-chat, more laps.”
You exchanged a look with Mia before dashing off to the track, her not far behind you. 
You were halfway through your tactical training at the Academy, and while it was the most difficult thing you had ever done, you had never been more motivated. After finishing your second degree, this one in Behavioral Psychology, you had been trying to plan your next move when you had seen them. There was a killer on the loose a town away from you, one with a penchant for young college students and ritualistic staging. You had been following the murders via the news, simultaneously worried for your own safety and fascinated by the case. A press conference caught your eye where you learned that the BAU was in town- the Behavioral Analysis Unit. You had heard of them of course, who in your field hadn’t? But it wasn’t until you attended a seminar a few months later by the man you had seen on the news, Jason Gideon, that you knew. This was what you were meant to do. You made it your life’s mission to get on that unit, whatever it took. 
Mia was one of the first classmates you met at the Academy, and the two of you had become friends almost instantly. You were paired up for one of the first drills, and you had both reveled in the fact of being the only all-female team to make it through. Your shared drive- that and your love for baking, musicals, and all things ghost related- had bonded you from that moment on. You couldn’t imagine life without her. 
You made it back to the dorm with Mia after a grueling day of defensive drills and scenarios, both drained. Flopping onto the floor beside you, she let out an exhale. “What. the. hell.”
You smirked at the way she had her arm dramatically across her forehead, her legs sticking up on the side of her bed. The feeling was completely mutual.
She propped herself up on her elbow, wiping her hair out of her face. “Aren’t you exhausted?”
“Obviously, Mee.” 
“You don’t look exhausted. You look… psychotic,” she said.
You let out a laugh, rolling your eyes. “If you’re trying to profile me, I think you might be way off.” 
“Hey now,” Mia snickered, kicking you lightly in the shin. “You’re the one who wants to be a profiler. I just want to be on the good old goon squad, busting down doors and shit. I don’t need to know anything about that psychosis crap. But either way you look psychotic.”
You looked down at your sweaty outfit, covered with grass, mud, and other various stains from the day. There was a tear in your pants from when you had tackled the mock-unsub and single-handedly taken him down during a drill, much to Gomez’s dismay. You could feel your hair matted with mud from the takedown, and you saw yourself through Mia’s eyes. The bright smile on your face definitely didn’t match just how beat up and worn out you looked, but you couldn’t seem to keep it off your face. 
“I’m just happy, Mee. This is exactly where I’m supposed to be. Exactly what I’m supposed to be doing.” 
“You’re gonna do great things, buttercup.” Mia lifted a fist out to you, dramatically sighing with the effort. 
You bumped it with yours, that same grin still on your face. “We both are.”
—————
Present Day
You pressed yourself into the corner of your room, arms wrapped tightly around your legs. You could feel a panic attack coming on- your breath was coming out ragged and your vision was blurring. The events of the past few days had finally caught up to you. The compartmentalization that you so often used when things went wrong was failing you. This was just too much, more wild than you had ever had to deal with before.
What was real? Did you even know anymore? More to the point- would you ever know? The possibility that you might never remember threatened to suffocate you.
Spencer came back into the room, taking one look at you and dropping to the floor beside you. “Hey, hey, look at me.”
You started to shake, your chest heaving as you sobbed. “I can’t breathe, Spence. I-I can’t breathe. It hurts.” Hot tears ran down your face and you felt a warm hand on your cheek. 
Spencer whispered your name at first before repeating it more forcefully, turning your face towards him. “Look at me.” 
You were looking right at Spencer, but it was hard to make out his features, your vision still swimming. “It hurts,” you whispered, still gasping for air.
“You’re having a panic attack,” Spencer murmured. “You’re safe, you’re here in our apartment. You’re with me.” He meant well, of course he did, and you were sure that he had used the same words to ground you before, but given the current circumstances, it did little to help you. 
“I-I don’t know you,” you cried, the thought just serving to panic you more. “I don’t know anything.” 
A look of anguish flashed through his eyes, but he concealed it quickly- too quickly for it to be anything but forced, practiced even. “Can you breathe with me? Take a deep breath.” He counted to five, breathing in deeply and motioning for you to do the same. 
You took a shaky breath, your hand gripping the one that Spencer held on your face. You were squeezing it so hard that you were sure he must be in pain, but he made no move to remove his hand from your grasp. He repeated the breaths in and out, and you mirrored him as you tried to control your breathing. 
Spencer wiped the tears from your face as you hiccuped, choking back a sob. “What do you need?”
“I need space,” you gasped, “I need Mee.” 
Spencer nodded, handing you your phone from the bedside table. “Take another breath, angel. Call her. I’ll be right outside.” 
You grabbed your phone from him and nodded your thanks, your breaths slowly becoming steady. He pressed a kiss to your forehead before heading towards the bedroom door. You smiled weakly as he closed the door before dialing a number you had known by heart for the last six years.
“Oh buttercup, I’m so glad to hear from you.” The familiar voice on the other end was so immediately comforting, you heaved a sigh of relief, your arms finally relaxing around your legs.
“Mee,” you cried. “Mee, thank god.” 
“Spencer told me what happened, I was so worried about you. I’m sorry I haven’t called, I wanted to give you your space until you were ready. How are you doing?” 
“You know Spencer?” 
You hadn’t even considered the possibility, these two worlds colliding. They felt like entirely different universes. This somehow made it seem more real. If Mia knew Spencer, it was real. You desperately wanted it to be real. You needed it to be.
Mia let out a sad laugh. “Of course. You haven’t stopped talking about that boy since the day you met him. I had to meet him to give my approval, obviously.”
“Oh Mee, it’s so good to hear your voice. I can’t believe this is happening. What the hell is happening?!” You paused, considering the distance of the past two years. “We’re still friends, right? We still talk? I will never forgive myself if we’re not still friends.”
She scoffed. “Hey now, you couldn’t get rid of me if you tried. I’m still in the LA field office though, so we don’t see each other very often. But we talk on the phone at least every week. And we visit when we can- I met Spencer one of my first trips out there, right after you started dating.” 
“God. I wish- I wish I remembered anything.”
What had it been like- two of your favorite people meeting? You liked to imagine that it was wonderful, that Mia and Spencer had gotten along straight away. What if you never knew?
“I know, it’s gotta be a lot. I can’t even begin to imagine. But hey- Spencer said you were being your usual badass self when it happened. Not that that surprises me in the least.”
“He said that?”
“Not in so many words, but we all know you’re a badass. Always have been.”
It only took a few minutes of talking with Mia for you to be able to calm down completely. The two of you talked for the better part of an hour, laughing over tales of the Academy and your time together. Mia told you a little bit about what had been happening the last two years, but you were grateful that she kept bringing it back to a time you remembered- a time you knew. The comfort of talking to someone you knew, someone you actually, truly knew, was like no other. You could have cried from the sheer relief of it. 
There was a pause before you spoke again. “Mee? Am I happy? Here, with Spencer? In this life?”
The laugh on the other end was joyous. “Of course, buttercup. I don’t think I’ve ever seen you happier- even that time you kicked Gomez’s ass.” 
 “There is nothing I would not do for those who are really my friends. I have no notion of loving people by halves, it is not my nature.”-Jane Austen
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Taglist: @rexorangecouny​ @illuxions-x​ @cal-ifornication​ :)
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sandu-zidian · 4 years ago
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Blabbing about this Musician!au I started last summer that has now also turned into a marching band!au because I got sad and nostalgic because despite how shitty it could be, marching band defined my high school life and social life and I couldn’t had asked for anything else.
I also don’t have every single prequel character (because this au is surrounding the prequel characters) in Star Wars smacked into here, and I gave up halfway through a couple of months ago in terms of brainstorming. Anyways, this is hella long so check everything out under the line if you’d like! don’t want to spam everyone with something that’s like, 4 pages long
Now, you might be asking. What instruments are these characters playing, or what are they doing in marching band? well, boy oh boy do I have some lore for you.
Anakin Skywalker: alright lets start of with the “Chosen One”. Now, I gotta say. He’s got some intense brass vibes, specifically high brass. But I don’t know. He didn’t really mesh well. And given his natural talent with the Force in canon, I thought that Anakin would be a sort of prodigy. And we all know the two instruments associated with that: the piano and violin. He’s more of a piano dude, so here we go! piano prodigy Anakin Skywalker. He also gives mad drumline vibes, and I can see him as either the lead snare, setting the tempo, or the main quad player. He’s brash, slightly obnoxious, but damn is he fucking good at what he does.
Obi-Wan Kenobi: I literally started this AU on the idea that Obi-Wan would play the cello. One of the defining quotes for him is that fucking “infinite sadness” quote. And we all know that cellos play some of the saddest pieces out there. (see: Elgar cello concerto) However, I can’t see him as a marching band dude. He doesn’t really give off color guard vibes (since that’s where most non-band people go to) so I have him as the resident student helper who everyone tolerates because he brings ice cream after band camp.
Ahsoka Tano: Ahsoka is a flute player. As a flute player, I have intimate knowledge on this. She’s like the chill flute player who’s competitive enough to keep her position as principal, but is also chill enough to not have a big ego that butts heads with everyone. She also gives mad color guard vibes. Also speaking about that from personal experience (am I lowkey projecting my own experiences on her? you didn’t hear that from me). She seems like the type to love swing flags and sabre, and is 100% captain by senior year.
I have Anakin, Obi-Wan, and Ahsoka as siblings in this AU because I say so. Qui-Gon is around here somewhere as the resident hippie dad who lowkey smokes pot and will support his children while giving a big ‘fuck you’ to Dooku. 
Yoda’s also in here somewhere, and I love the idea that he’s an old Chinese/Asian man who refuses to speak english and will only do so with the most backwards grammar so his grandchild (Qui-Gon) and great-grandchildren (the trio) are forced to speak Mandarin/Cantonese to him (pick your poison). He just spends his days cutting up fruit and also might pull out his erhu if everyone asks nice enough. (I want to say he was a Peking Opera musician, but immigrated during Mao’s reign after he lost opportunities during the cultural revolution)
So, I know that it doesn’t make sense for a family to have 3 sets of twins and one triplet set, but fuck that I do what I want.
Cody Fett: okay so, Cody 100% plays the french horn. I don’t know, he just, he does. He’s got that air of sophistication because he can play the hardest brass instrument, but at the same time, he’s incredibly good at it and is matter-of-fact about it. He also would be the mello section leader (I was playing with the idea of drum major, but for now, leaving him as a section leader for now). He’s a bit uptight to be a low brass player, but cool enough to still be associated with the general brass group.
Rex Fett: I got Rex and Cody as the eldest Fett twins. Rex feels like a string player, so I have him on violin. I can see him be very hardworking and practicing diligently to the point where he easily sweeps through to concertmaster in high school and the local youth orchestra. He also gives of mad drum major vibes. I can see him copying music, handing out drill charts, and hauling the met around. Also, just think about Rex doing a fancy ass salute at competitions. Yes.
Next round of twins lets gooo
Jesse Fett: You could say Jesse has brass vibes. I see him as a reed person though. In concert band, he’s on clarinet. I used to think clarinets were as stuck up as us flutes but no they’re literally balls of chaotic energy ready to be unleashed. Just imagine Jesse blaming everything on his reed. I see him as the guy who switches to saxophone for marching band, though. He’s got the energy of the clarinet and the saxophone harnessed. Also, wouldn’t be surprised if he knows how to play the sousa.
Kix Fett: Y’know, when I originally made this AU, I had Kix as a musician as well. I’m gonna scratch that. He’s going to medical school, or at least, he’s planning to. He’s on the pre-med track and is dying in organic chemistry and wishes there weren’t so many pre-requisites. However, in high school, he definitely played the oboe. Of course Kix chose one of the hardest instruments to play. Also, just imagine him trying to make his own reeds. I don’t see him as a guy who���s in marching band. He’ll come to competitions and maybe football games if he’s bullied into it. Kix is the guy who’s classes are all AP and he’s dying inside.
Next round of twins yeet:
Fives Fett: shit, I forgot I gave them all real names. If I remember correctly, Fives is Frank. Anyways, trumpet vibes. Need I say more? He’s on the trumpet in marching band as well and he’s the dude who’s obsessed with DCI and always tries to play as high as he possibly can and absolutely demolishes his chops. I would say he’s section leader as well. He also hangs with the drumline at the back of the bus and always plays meme songs on blast and sends weird pictures to people’s phone via open airdrop.
Echo Fett: I think his birth name is Ethan??? I’m spitting thoughts not checking my old documents. Anyways. Echo feels like a string person. Specifically, low strings. So, he plays the bass. Upright bass. Whatever. You get what I mean. He sleeps in the case after school and hates hauling it everywhere. He was in marching band as a mello player (the easiest brass instrument to pick up for the activity so) but he was in a car crash that left him paralyzed from the hip down, and had to quit to recover. He never stopped playing, and found ways to adjust. (I do not know how exactly this would work, since I’m able bodied and also don’t play the bass, but I know he’d at least have a stool to sit on in order to lean his body on. let me know if you have other ideas i’d love to hear them!)
Finally, we got the triplets:
Dogma Fett: Dogma plays the bassoon. He’s a low reed kinda guy and between the bari sax, bass clarinet, and bassoon, he fits the last one the best. He and Kix moan over making reeds and he’s on the quieter side. He just vibes and plays all the low notes and has fun whenever he’s got some moving part. I see Dogma as someone who is only casually into marching band. He uses Jesse’s old student clarinet as his instrument and he’s always on time, knows his sets, and his technique is on point. He always finds himself roped into his brothers’ shenanigans though.
Tup Fett: Tup plays the harp. I like to think he met Shaak Ti (we’ll get to her in a bit) when he was young, and she was playing with an orchestra. He met her backstage and she offered to give him lessons. Tup’s not really a part of high school orchestra but sometimes he’ll be brought in. He’s more involved with solo work and the youth orchestra more than anything. Tup’s another on where I don’t think he’d be into marching band. Though I can see him being in winter guard as the dude who just shows up and is lowkey rip and therefore is a hunk on the rifle. His technique’s good but they’ve never been able to saddle him into fall guard.
Hardcase Fett: (i’ve given up on remembering the birth names so i’m just gonna not) Hardcase is 100% low brass vibes. He can’t be anything but a low brass. I see him as a tuba player. He’s chill, laid back, but also reliable for being the foundation of the band sound. He plays the sousaphone in marching band and always blasts either Seven Nation Army or some other popular show tune right after rehearsals. Hardcase also can play the bari sax and no one knows when he learned how to. 
OKAY we’re done with the Fett’s! Jango and Boba are in here somewhere but honestly I don’t have enough brainpower to come up with what their roles are. Jango’s gonna be a good dad though. Maybe he was a musician and that’s why most of his kids are going into music. Or maybe he’s just a supportive father. Boba’s the youngest though, that’s for sure. And he’s a little shit. Don’t know if he plays an instrument (probably) or what it might be.
Now lets get into some other characters! There’s a lot. And I wasn’t even halfway done with the characters I wanted to include. What the hell was I on last summer?
Padmé Amidala: Padmé is a flute player who quit after freshman year of high school and started taking music production and music theory classes. She loved it so much that she decided that composing was her jam. Now, she’s highly successful and often works with well known pianist, Anakin Skywalker, on piano concertos. Also, she may or may not be dating said pianists but you didn’t hear that from me.
Satine Kryze: twosetters don’t shit on me but Satine feels like she’d play the viola. She and Obi-Obi-Wan definitely dated in high school but after a year broke up on mutual terms and are just good friends now. A lot of people feel like she’d have been a better political science/international studies major than a music major but she’s good so no one complains (until she gets into a fighting match with someone and wins smugly)
Bo-Katan Kryze: shes Satine’s younger sister and is a mad athlete. She doesn’t play any instruments but she’s deeply active and is on scholarship for college, on the pre-med track with Kix. She’s very scary and most people are too intimidated by her to approach.
Plo Koon: I originally had him as an asian man, but I can see Native American as well. He plays the euphonium and he’s just a sweet man. He helps out a lot with private lessons at local high schools and is often brought in to help with low brass during marching band.
Wolffe Koon: Wolffe and Gregor (get to him in a bit) were both adopted by Plo when their parents died when they were very young. Plo was their godfather and he took them in like they were his own. They’re cousins to the Fett brothers (though don’t ask me how I have no idea). Wolffe is an engineer and works close to home.
Gregor Koon: Gregor is Wolffe’s younger brother and had a short stint of musical interest in middle school but quit after he entered high school. Gregor was in a serious car crash during college that left him amnesiac for a year before some of his memories returned. He now owns a restaurant and sticks close to home. Wolffe often comes around to check up on him because his brain injury still impacts his current life in small physical and emotional dips
Kit Fisto: Kit gives off mad trombone vibes and it’s mostly because he seems incredibly laid back. He’s one of those brass players who’s just a nice guy and while jokes around, never got pulled into jokes as a student.
Shaak Ti: like I said above, Shaak Ti is most definitely a harpist. She has that ethereal quality I think is common in harpists. She’s a tall Indian woman and she loves her job! She’s a private lesson teacher and instructor at the conservatory on top of her job in the orchestra since she’s not called in often to play. She loves all her students and gives good hugs.
Mace Windu: Mace is the director of the Jedi Symphony, the orchestra which almost everyone is involved with. He is a bass player and he likes his more classical pieces over contemporary music. He’s good friends with Yoda and sometimes the old troll has to wack some sense into Windu and have him take on newer pieces. Windu 100% gives off unhinged director vibes because mistakes and lazy musicians definitely don’t end after high school/college is over.
Quinlan Vos: this lil shithead definitely is the obnoxious, slightly arrogant, but kind of deserving of that, percussionist. He loves his snare drum and is also in the drumline. He’s the same age as Obi-Wan and the two are close friends. Quinlan is definitely slightly unhinged and is always at the back of the bus causing havoc after competitions. He’s the guy that I (OP) hate but also can’t help but respect cuz yeah he’s annoying but at least he’s good.
Aayla Secura: Aayla is Quinn’s half-sister, and plays the French horn. Again, like Cody, she’s got this air of professionalism that I associate with French horn players and like, we gotta represent the girls in brass somehow. She just fits it really nicely.
I feel like now is the time to list who’s still in conservatory and who isn’t: Obi-Wan, Anakin, Rex, Cody, Jesse, Quinlan, Padmé, and Satine are all recent graduates. Ahsoka, Aayla, Fives, Echo, Tup, Dogma, and Hardcase are still in conservatory (at varying years of course). Kix and Bo are entering med school/frantically applying and banging their heads cuz MCATs. Wolffe and Gregor are older and have been in the field for quite some time now. Plo, Kit, Shaak, and Mace are all faculty/seasoned professionals.
Somehow, I was gonna bring in The Skiratas (with proper research cuz I know very little about them), Dooku, Ventress, the Oppress siblings, rest of Domino Squad, Cut Lawquene, the other CCs, and more. I designated a page out of my sketchbook for this and my oh my the flow chart was hella confusing. How I thought I was gonna handle that in the summer before my first year of college, I have no idea. Maybe I’ll brainstorm more in the future but for now, this is all I have :]]]
Also excuse some of my slightly unhinged language I started writing this a few days ago while slightly unfocused and tired and stressed so my language is a product of that
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yanderepuck · 4 years ago
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School AU???
I’m fully determined to get Leonardo’s Vampire Academy card.  I got Arthur’s and I don’t want him
And so me and @blackjacks-babybbc my bestie tbh start talking about them in like sorta a boarding school.  School AUs are my all time favorite, so get ready for some bullshit
Starting off, Arthur, Theo, and Leonardo are the fuck bois of the school.  Plain and simple.
Mozart, Sebas, and Comte are a lil more classy, aka just because it breaths doesn’t mean they wanna fuck it
Isaac and Vinc are precious beans.  They’re the guys you have a crush on bc they’re too damn cute and something about them not being fully masculine makes you drawn to them
Dazai is always getting into trouble.  He’s a smart kid but simply doesn’t want to be there
Napoleon and Jean are all about sports
Will hates every class but English/literature, occasionally he enjoys history he’s not sure if he hates gym or math more
Leonardo, Comte, and Isaac are in the top of the class, but yet you never see Leonardo in class??
Leonardo and Isaac do so much extra research on their own time they ended up correcting the teacher occasionally, some of the other students hate them bc of that.
Vinc is always doodling in his notebook and has passing grades, nothing spectacular, but if you’re ever looking for him look in the art room, he’s trying to get better with the pottery wheel
Arthur showing up to class??? Unheard of. But you always see him doing school work or reading a book.  Pretty sure he just lives in the library and not in a dorm.
Mozart is like a goddamn prodigy with music.  He much rather practice than hang out with anyone, but Arthur makes him come to parties.
Sebas and Jean are pretty well rounded with their grades A’s and B’s.
If I had to say who I think would be about parties/drinking/drugs I’d say Arthur, Theo, Dazai, Leonardo.  
Comte, Napoleon, and Will would go to parties, and somehow Mozart gets pulled along, and he’s like “fine, but I’m going to complain the whole time”
Now for juicy bits
Comte and Leonardo have a thing for each other but keep it under the radar, not wanting the other guys to know
Leonardo will pull Comte under a staircase and start making out with him between classes.  Leonardo is needier than Comte and can’t always wait until later in the day at the dorms to be with him.
Leonardo also has a thing for Theo, but assuming Theo is straight he doesn’t do anything about it until they start drinking at a party.
Turns out Theo and Arthur fool around a lot.  Going to each other’s rooms occasionally.
Imagine Theo dropping by Arthurs room, kissing him as soon as he’s in his room and Arthurs like “I really have to finish this essay, its due tomorrow.” but Theo’s not leaving.  He says he can wait til he’s finished, but that doesn’t happen.  Arthur would go back to writing and next thing he knows Theo’s giving him a blowjob and he can’t concentrate.
Napoleon will flirt with anyone, but he normally doesn’t realize he’s flirting, he just . . . does it.  One of the guys will be like “Napoleon, I’m not gay, but you need to stop” and he’s like oops.
Arthur’s flirts get sexual fast.  Him and Theo aren’t exclusive unlike Comte and Leonardo so the both of them end up being with girls too
Threesome
Mozart doesn’t want to be touched let alone be in any sort of relationship, same goes with Isaac
Napoleon is too much of a flirt to make a commitment at the moment, but also doesn’t want flings
Vinc isn’t even thinking about relationships, but quite a few girls have a crush on him, he’s a little oblivious about it though.
Will is open for a relationship.  He rather have something long term rather than having flings, so he’s currently up for grabs.
 Comte going to a party with them and ends up drinking and smoking to show that he isn’t some stuck up rich kid that most think he is.  Leonardo would pull him to the side and be like “Hey, wtf are you doing?”  Comte is like “It’s fine, don’t worry” meanwhile Leonardo is like “One of us has to be responsible” and we all know it’s not gonna be Leonardo.  Could totally see the two of them just getting totally wasted.
Imagine Will convincing Vinc to come to one of the parties, meanwhile Theo could never get him to come so he’s like wtf.
Girls would be all over Vinc tbh.  Arthur might get a little jealous. 
Vinc doesn't kiss and tell tho, so for all they know he's never been with a girl, but we'll leave that to your imagination.
NOW. THERE THREE EXCHANGE STUDENTS. THAT ARE ALSO FUCKBOIS. But they are the bad boy type
And what girl doesn't swoon over an accent.
Yes they all have accents but that's not the point
Vlad with his Romanian accent?? Ugh amazing.
The current Fuck Boi Trio doesn't like the new Bad Boi Trio
Faust would end up being in the top of the class as well, him and Isaac get along
Charles is also a woman charmer like Arthur.
Imagine Arthur wanting to get down a dirty, but Theo is off with some girl or whatever, and so he goes looking for Charles.  He’s barely spoken to him, so he doesn’t even know if he’s into guys.  But he soon finds out that Charles is one hell of a sub.
Vlad is also a rich kid like Comte. But he's the bad boy type, not the teachers pet type
Vlad gets a little too close to Comte and Leonardo doesn't like it.
Comte and Leonardo are in a relationship, so it's not like Comte is gonna do something with Vlad, but Leonardo is possessive.
I’d like to imagine Leonardo would pull Comte into a janitors closet because he’s just way too horny in the moment and he’s very needy.  Normally Comte would tell him that they should just go back to the dorms, but Leonardo got him too much into the mood to do that, so to the janitors closet it is.  Keep in mind no one knows they’re together.  And after a few minutes the door opens and its Arthur and Theo who were also about to use the closet and Theo goes “Looks like it’s already occupied”  Comte would end up throwing something at them and shutting the door.  He’d be really flustered after that
Faust and Leonardo would slightly get along. They'd be the two to get into a heated debate in class.
Charles would get connected to Will pretty quickly.
Charles skips class by going to the auditorium and hiding out in the balcony, and Will ends up being there too.
Jean is pretty popular we’ll say.  Not sure what sport he’d exactly be playing, but he’s a star player.  Soccer/football maybe???
Him and Napoleon would be center forwards.
Lowkey could see Napoleon as the goalie too.  HATE being goalie.  I’m mainly left defense 
They are like jocks . . . but not the asshole jock.
Jeans grades are kinda good enough to stay on the team I feel.  Maybe trying to get a scholarship via sport
Turns out Vinc has a girlfriend that no one knew of.  Theo didn’t even know.  They found out at a party when they kissed and Dazai went “HOLD UP”
Speaking of Dazai
He’s almost never in class, and his grades show it.  But you always find him in an odd spot reading some classics.  He got really into the British Romantics at one point, then moved to American literature.
You can almost always find Will, Dazai, and Arthur in the library.
Arthur will make a comment about a book to Dazai and Will overhears and jumps in, going against Arthur’s comment.  The three of them hella analyze books wither its for a project or not.  They end up getting into an argument with Dazai in the middle doing commentary like “oo, he’s got a point” “Ha!  He’s got you there”.  Depending on the book they are able to actually quote it without reading it
The library isn’t a quite place when the three of them are in there
 Will and Charles end up in the balcony a lot together and Will is normally up there reading, which got Charles into reading more because he would ask Will what he was reading, and what it was about and sometimes Will would answer and sometimes he would say “Why don’t you read it to find out?” and so he did.
What does Vlad do around the school?  No one really knows.  He ends up pissing a lot of people off, and has nearly gotten into a fight or two with Leonardo until Comte got in the middle.
In my high school we had a debate team, but they had to get rid of it due to one REALLY heated debate, which was about wither or not cereal is a soup.  I’d like to think of the writing trio arguing about it.  Arthur says its soup, Will says it isn’t, Dazai is like “look, I eat my cereal dry but i know what you mean”.  Then the entire school is talking about it.
Team soup: Arthur, Theo, Dazai, Napoleon
Team not soup: Will, Mozart, Comte, Sebas, Isaac
Team I know what you’re getting at but doesn’t think it’s soup: Vinc, Charles, Vlad, Jean
Team I don’t care: Leonardo, Faust
Masterlist
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nutty1005 · 4 years ago
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Xiao Zhan – Beijing Beijing
Translator’s Note: This article comes from PEOPLE Magazine 2020 2nd Issue.
In between “seems beautiful” and “very beautiful”, there can be one or many different views. For example, the phrase “famous after a battle” (TN: Xiao Zhan’s “Zhan” sounds like battle in Chinese), we could analyze the keywords in many ways.
Xiao Zhan, born 1991. Could you imagine how you and I would be when we were 28? Xiao Zhan is like this –
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Fan View
“His looks are totally my type” “As warm and gentle as jade, a gentleman who is peerless” “A precious boy with the soul as crystalline as prismatic glass”
“Famous after a battle”, is the most effective “wartime story”. Using this analogy in the entertainment business, there are many who had been battling for quite a while. Xiao Zhan is like this as well…
Audience View
The summer of 2019, the antihero Wei Wuxian (portrayed by Xiao Zhan), came from “The Untamed” into the living rooms of countless viewers, and straight into their hearts;
Platform View
As the Beijing TV Spring Night Spokesperson, as a celebrity with more than 20 million fans on Weibo, as Tencent’s “Most Popular Artist of 2019” and “Drama Actor of the Year”, as iQiyi’s “Breakthrough Popularity Actor of the Year”…
When we change our point of view, will the world become more interesting?
With regards to his looks, Xiao Zhan said he is “ordinary”, and only scored himself a 6.
With regards to his age, Xiao Zhan said his mother’s method of urging him to start a family has went from straight-to-the-point to indirect and tactful.
With regards to “famous after one battle”, is it really as straightforward as standing out from the big data and being ahead of everyone else? Xiao Zhan, who is 1.83m, reduced his weight from 70kg to 58kg for his outstanding portrayal of Wei Wuxian – is this really the result of a day’s work? Does anyone remember the hardworking youth, with a caption “Designer from Chongqing”, from the 2015 idol search variety show “X-Fire”? Does anyone remember that in 2016, after debuting as the lead singer for X9, Xiao Zhan admitted that there were instances of zero income, zero entertainment and zero social activities?
No matter whether it was “very beautiful” or it “seemed beautiful”, would it be free of worries?
Xiao Zhan looked down and smiled, slightly bashful, his expression serene, “Sweet worries.”
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He actually loves Beijing so much
On 28 Feb 2019, I (a reporter) entered a dressing room in Beijing TV. The narrow and long dressing room had been split in the middle into two narrower sections. Near the corner, after the staff has dispersed, I finally set my eyes on Xiao Zhan, who sat obediently on a chair while styling his hair.
The stylist stood on the right of Xiao Zhan; to the left of Xiao Zhan was a giant suitcase. After we tried to push the suitcase aside, I managed to stand in the gap. In such a tight space, I could only put the phone in front of Xiao Zhan, on top of the opened makeup case, for voice recording. After some more effort from everyone, there was finally space for the phone.
He was covered in a white hairdresser cape, his long legs enveloped by a pair of black pants – his thick black hair was being kept in order, his handsome side profile, relaxed and natural attitude, polite words, and after some close observation, no piercings on his ears.
How did this unguarded Xiao Zhan look like?
There was no need for exquisite words, just simple and pure wonderfulness.
If it remained unimaginable, it would not be too complex to imagine the warm smiles of the good looking youths on the streets of Beijing. All of these people could have been born in Beijing or traveled to Beijing from their hometowns.
“Chongqinger” Xiao Zhan said, “Beijing, in fact, besides my hometown Chongqing, is my longest lived in city. If we use 2020 to calculate, it would have been 5 years. Beijing, is a striving city, and like any other youths, Beijing means dreams and endeavors to us – this is a city of ambition. Hence, as Beijing TV’s Spring Night spokesperson, I feel that this special meaning, I’m very happy and very excited.”
Indeed, during the release conference in the afternoon, when being asked about how he felt spending his “Year of the Rat” Spring Night with Beijing TV, and expressing that by singing, Xiao Zhan, who was nicknamed “The Little Chinese Music Archive”, thought about it seriously and suddenly sang, “I’m beautiful, beautiful, beautiful……”
Haha, this quick wit and humor was almost as cute as “The Chipmunks”.
Spring Night is a big event, and it required absolute secrecy. We secretly asked Xiao Zhan about Beijing TV Spring Night from his personal point of view. Xiao Zhan continued to be witty, “I feel it’ll be exciting, at least I’ll be performing with a… senior that I really like.” When asked who it would be, Xiao Zhan smiled, “Let’s keep it a mystery, and we welcome everyone to watch Beijing TV Spring Night!”
This “Chongqinger”, who still could not confirm if he could return to his hometown for Chinese New Year, would sometimes show his inner thoughts – “If I could go back I definitely would”, but yet his words lingered on Beijing TV Spring Night.
Xiao Zhan, he actually loves Beijing so much.
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He actually likes Zhou Xun so much
Who are the actors that Xiao Zhan admires the most? If he were to pick two, it would be Zhou Xun and Tony Leung.
Xiao Zhan said, “I really like Zhou Xun, her views, her experiences, are all mesmerizing to me. She has many performances that give me the urge to rush into the screen to rescue her. Her performances are very vivacious, it feels like you’re beside her experiencing her performances with her, my attention is all on her, she just has great charisma.”
Xiao Zhan emphasized that he liked Zhou Xun all along, and as we stood and studied his side profile, his face, we suddenly remembered a classic scene from “Palace of Desire”, where the young Princess Taiping removed Xue Shao’s mask.
That year, Zhou Xun was 26, Winston Chao was 40, but it did not prevent her from portraying a young girl’s infatuation. This drama was almost 20 years old, and the female audiences at that time would exclaim that Winston Chao was “as warm and gentle as jade, a gentleman who is peerless”. If this seemed familiar, this phrase was also used by many of Xiao Zhan’s fans to describe him.
Time, in the long river of ages, cycles endlessly Memories, in our past and present lives, crosses endlessly
– Lyrics from “Yu Nian”
This is the lyrics from Xiao Zhan’s song “Yu Nian”, which is the ending song for “Joy of Life”. Who knew that time cycles? Who knew that memories crosses paths?
As of now, Xiao Zhan is similar in age to Zhou Xun’s age then. If we could time travel and Xiao Zhan were to act as Xue Shao, could we guess the ending?
And since we are at this point, we could add another statement – “Traffic” / “Celebrity” / “Actor” – what difference do they make in the face of time? If there are no answers, why not listen to Xiao Zhan’s “Yu Nian”.
Time will tell, it is just that we are too impatient – regardless of our need for speed, we still ought to seek the truth.
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He actually admires Vincent van Gogh so much
Xiao Zhan, like many of us, went through the tough period of studying overnight for university entry examinations. He became a student of Chongqing Business and Technology University, majoring in Design. However, this did not prevent Xiao Zhan from becoming a “Top 10 Inter-school Singer”, he self mockingly called himself a “literary enthusiast”, but in fact became one of the stars in many girls’ eyes – someone who was good looking, tall, stylish and could sing and take photographs. Immediately after he graduated, he became a designer, but he would still be brought up by his ex-teachers, one of whom recommended him to participate in “X-Fire”.
When reviewing “X-Fire”, you would realize that Xiao Zhan had a round face, an obedient expression and mild temperament – in fact, you would think that he did not pose much of a threat. But as one by one, the youths started getting eliminated, as their teams were getting regrouped, as they were getting more and more difficult tasks, it seemed as though Xiao Zhan was being sculpted on the spot – his face became more chiselled, he started slimming down, his eyes started having the steady gaze of ambition… Talent search variety shows are, in fact, cruel and all the participants were getting re-sculpted and remodeled – whatever that was removed was not the meant to be in the final product.
So what did Xiao Zhan keep in his heart? These were all the passwords to his past – drawing, design and art. Like anyone who learnt design, they all had an artist that they favored, and they were all different. Xiao Zhan’s answer – Vincent van Gogh.
Xiao Zhan said, “I was asked previously – if I could have a conversation with a past personality, who would it be? I would just choose Vincent van Gogh, because I want to listen to what he had experienced then, how he lived then, such that he was able to create such a beautiful world and paintings. Such as “Starry Night” or “Self Portrait”, I feel that he was able to step away from himself, into very amazing angles, and then create them.”
Those who learned design would usually be able to draw quite well, and usually beyond the levels of self taught hobbyists. Hence, these would also become part of his self cultivation.
Xiao Zhan confirmed this, “Yes, I think starting from aesthetic views to detailed observation, I feel that there were definitely influences.”
On whether Xiao Zhan still went to art exhibitions, the question seemed like a luxury to him – his eyes widened, he straightened himself, and he started smiling widely, “There is very little time now for art exhibitions, I would see them via friends who went and posted in their social media, or those art-related media accounts.”
There could be no burden I could sway my head I could stay my steps I could surrender to you
– Lyrics from “Two Tigers”
This is the promotion song from movie “Two Tigers” sung by Xiao Zhan. There was once in a variety show that he was requested to use his facial muscles to move a cookie on the side of his face into his mouth, while singing. Before the game started, Xiao Zhan pointed at the camera and laughed, “I really do have an idol’s image burden! I really do have an idol’s image burden!” However, after the game started, you see no sign of his “burden”, just 100% into moving his facial muscles, working hard to get to the cookie.
What is an idol’s image burden? Is there art in an idol’s image burden? There are no answers, but we can look for it in Xiao Zhan’s “Two Tigers”.
Art often gave the answers to philosophy. For example, an idol’s image burden could be thrown away, hence it is definitely not art; Art follows the heartbeat, follows life, just like the Vincent van Gogh, a man whose life bloomed and withered like the summer flowers, in the hearts of people like Xiao Zhan.
This phrase “A designer who can’t sing isn’t a good actor” seemed nonsensical, but if you think about it, it seemed to suit Xiao Zhan a lot.
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He actually yearns the audiences’ recognition so much
It seemed like Xiao Zhan did gain fame after a single battle, but it was not just one battle – there were more raging battles before then.
The dancing spirit, wearing bright red and green clothes, in “Monster Hunt 2” – the camera panned past him without a HD shot; The minor role of a special agent in “The Rookies” – with some onscreen time less than a minute… And there were more, such as “Star Academy”, “Oh! My Emperor”, “Battle Through the Heaven”, “Shuttle Love Millennium”… Never heard of them? Eh, well this proved a problem – how could there be so many people who became “famous after a battle”?
What next? Xiao Zhan happily shared, “If everything goes well, there would be three roles coming to meet everyone, two period, one modern.”
Alright, the modern role would be Doctor Gu of “Oath of Love”. In fact, there were already naughty fans yelling that they were going to register for Doctor Gu’s hospital. Two period roles from “Douluo Continent” and “The Wolf”. Which do Xiao Zhan like the most? Xiao Zhan was unable to answer, “I feel like I like them all. Three different roles, three different pace!”
So, for the audiences who are already familiar with the two roles from “Joy of Life” and “The Untamed”, which are the ones that are closest to Xiao Zhan himself?
Xiao Zhan shook his head, “They weren’t quite similar to me.”
With regards to his roles, his works, let us get to some quick Q&A.
Q: After experiencing the life of the role, would that some what affect yourself? A: I feel that there are some influences to my usual personality.
Q: Would it make you mature faster? A: I feel that it makes my life richer, it means that I have experienced multiple different lives.
Q: What is your long term goal as an actor? A: If we are talking about long term goal, it is definitely being able to act in a drama that I love, and then gain audiences’ recognition for that. I feel that this is my ultimate term goal.
Q: Which role do you like? How do you live with your roles? A: I feel that there isn’t the most loved, I’m just someone who enjoys the moment. For example, when I’m in the current role, I will invest myself entirely into that role, and then I will cherish him and love him. But when I have to go to my next battle, I will put him down and let him go. And then, I will invest all of my passion for the next one.
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He actually likes to smile so much
Observing Xiao Zhan up close and personal – his head narrow, his face small and firm, the folded long legs were especially straight and long. Xiao Zhan, is really thin.
When asked if he was at his thinnest, Xiao Zhan smiled, “No, I was the lightest during ‘The Untamed’, it was shot with ‘Joy of Life’, that was the period. I feel like I’ve regained more than what I’ve lost.”
Wei Wuxian in “The Untamed” liked to smile, all the time, everywhere; Yan Bingyun in “Joy of Life” was cold, all the time, as cold as ice. These two roles shot at the same time, just the emotions were already poles apart – the effort in switching in between them definitely exhausted a lot of brain cells.
When asked if he remembered his longest working day ever since his debut, Xiao Zhan looked down and smiled, then exclaimed at the same time with me, “A few days!”
Whether he could mentally sustain the current pace was not the main point – whether he could physically sustain was hotly debated. On this, Xiao Zhan replied especially fast, “I could adjust to it, really! I personally preferred a busier schedule, the feeling of being busy, makes me feel more fulfilling, and more sense of security.”
“Sense of security” – Xiao Zhan used this phrase, how did he understand it?
For example, Xiao Zhan said that there were instances of him in bad temper, and then he was asked if he would flip tables. Xiao Zhan was slightly taken aback, and answered with a smile, “I can see that you’ve never done design, a designer is a contractor working for his clients, if the clients have opinions, you need to communicate properly and slowly convince them…”
Everyone has a different understanding and adaptation when it comes to “bad temper”, a lot of it came from experience and self control of emotions – similarly, our understanding and adaptation of “sense of security” would be different as well, because everyone’s sense of responsibility and experiences would be different. For a youth to openly bring up “sense of security” and fight for that, we could only choose to give him our blessings. Because, in the blur of the mind, we could almost see ourselves in him.
Before I could give him my well wishes, Xiao Zhan gave the readers and audiences an especially down-to-earth and warm blessing, “I feel that more well wishes are repeated too often. I will simply wish everyone a smooth path ahead, and then peace and safety would be nice!”
Finally, we would emphasize one point – Xiao Zhan really likes to smile!
Moreover, Xiao Zhan’s smiles are varied – there is gentle, healing, mischievous, surprising, confident, hearty, shy, embarrassed… and every one of these smiles could be extended into a language of its own.
There is this saying about a child who likes to smile…
His luck will never be lacking.
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