#let me know if i need to add more warnings btw

[thehappiestgolucky]

hey girl are you the eternal cycle because the land, skies and seas yearn for you~

i don’t you’re ruining my life please stop

[catkin-morgs-kookaburralover]

...

[celestie0]

gojo satoru x reader | fake marriage au [18+]

in holy matriphony ch4. in a mother’s eyes

ᰔ pairing. fake marriage au - neighbor&realtor!gojo x nurse!reader (ft. choso x reader & suguru x reader)

ᰔ summary. gojo satoru is your extremely annoying next-door-neighbor who you're pretty sure is the most insufferable man you've ever met. given the fact that you exclusively work the night shift at a chaotic emergency dept, just got broken up with your boyfriend of seven years, and have been taking care of your sick mother ever since her multitude of diagnoses, yet somehow your neighbor is the main source of stress in your life should speak volumes. but when your mother's medical bills start to skyrocket to more than you can manage, and you learn that said neighbor of yours has the best private health insurance plan in the country, you ask him to enter a matrimonial agreement with you for the spousal benefits all in the name of saving a few hundred thousand dollars. but you'll have to see if suffering cohabitation w him is worth any amount of money.

ᰔ genre/tags. fluff, smut, angst, enemies to lovers (sort of), annoyances to lovers (that's more like it), small town romance, fake marriage, next door neighbors, lots of bickering, suburban shenanigans, slow burn, mutual pining, gojo likes to play house but you don't, hatred for the american healthcare system, gojo always forgets to mow the lawn, jealousy, an insane amount of profanity, mentions of cigarettes, depression/anxiety; btw gojo in this fic is in his mid 30s n reader is in her late 20s

ᰔ warnings. reader in this fic has a sick mother w alzheimer's & cancer so there is secondary medical angst!!

ᰔ chapter. 4/x

ᰔ words. 10k (omg a whole number...very sexy)

a/n. hellooo my ihm friends! hope you're all doing well. ahh i'm glad to finally be posting this chapter lolol. it's a littleee off tangent from what happens in ch3, but still has some important plot developments. it does dive into feelings of depression & anxiety, so just wanted to give a warning on that! but yea other than that i hope you enjoy and see you at the bottom!! :) also so sorry if there are errors i only had time to skim through it once :((

nav. ch1 :: ch2 :: ch3 :: ch4 :: ch5 (pending)

“Just go ahead and sign right here for me.”

You take the pen from the hospice nurse’s hand. It’s cheap black plastic with a pink fuzzy pom pom attached to the end of it with peeling glue. 

Your eyes briefly flit across the paragraphs detailed in printed ink until your gaze lands on the highlighted lines at the bottom of the page. Your signature. Spouse’s signature.

“We’ll need to have your husband come here to sign the paperwork as well, since he’ll have to add your mother on his list of dependents, but we can certainly get started on expediting this process for you since the insurance has already been pre-approved,” the nurse tells you as she accepts your signed paperwork and then neatly tucks it into one of the compartment holders. 

The afternoon goes by smoothly, with your mother surprisingly patient as she sits in the waiting room while you wait for the nurses to formally show you to her new room.

You thought that you could put off putting her in hospice for a little longer, because in all honesty, you weren’t prepared to let her go just yet. You weren’t prepared to not have her in the house anymore. But lately, she’s been putting herself in lots of danger, like attempting to take her own medications when she does not know the correct dosing, and forgetting things on the stove when she attempts to cook.

But the last straw was when you came home from a very brief run to the grocery store at night a couple days ago to see a handful of your neighbors out on the front lawn with your mother at their side. She had apparently gotten out of the house and walked down the neighborhood, then fallen on the sidewalk but was unable to get up. When your neighbors had found her, a miracle as they were just coming home from dinner and caught sight of her in the illumination of their headlights, they tried to help her get up but she couldn’t. She couldn’t even tell the firefighters that came by to help her what her name was, or what year it was, or where she lived.

It was when you realized you couldn’t even keep her safe anymore that you had to let go.

“Is that a wedding ring?” your mother asks, pointing a trembling finger to it as she lays tucked inside her new hospice bed, “are you married?”

You glance down at the ring Gojo gave you in the courthouse, almost surprised to find that you were still wearing it in good faith. “Yes, mom. I am.”

“Why am I here?” she asks you, “I don’t want to be here.”

You stiffen a little. Although you were mentally preparing yourself to answer these questions, the preparation didn’t make it any easier. “I know. I’m sorry. It’s just for a little short while, okay? The doctors want to run some tests on you.”

“Who are you married to?” she asks.

“To Satoru,” you tell her, “our neighbor.”

She lets out a small gasp. “The sweet boy who fixed our A/C?”

You roll your eyes. not sure why your mother has hyper fixated on that memory with Gojo when most days she’ll look at you like you’re a stranger. “Yes mom.”

“Oh, I like him,” she tells you with an affectionate nod. She hesitates slightly, wearisome of some other thought that flashes through her mind. “How long have you been married?”

You let out a small sigh. This is already a conversation you had with her a couple days ago, and it doesn’t feel good to lie to her. It was hard enough to do once, but to have to constantly lie to her over and over again over all the smallest things just so that she stays calm and safe and happy seems to drain you of all your energy and happiness you had left in your bones.

Little white lies, that’s what they are. Harmless ones. That’s what you tell yourself to absolve yourself of the guilt.

“I’ll come back soon, okay? I’ll tell you more about him some other day,” you say to her, speaking gently in the way an adult would speak to a child. The way she used to speak to you. You could never exactly pinpoint when those roles became reversed.

You finish discussing some more insurance matters with the front-desk nurse as she puts together a small folder of documents for you. While she works, you glance at the little counter shelf that includes a plethora of pamphlets on how to deal with the complicated feelings that arise from putting a loved one in hospice care, and dealing with the emotions of having a relative with advanced stage dementia. They are pretty brochures, lovingly creased at the folds as if looked through multiple times by people who walk in and out of this facility, but seemingly only few take them home. You slip one of each into your folder when the nurse hands it to you, manage the best smile possible, and then turn on your heel to head out the hospice doors.

The sun is setting outside as you take the walk back to your car, which was purposefully parked a half mile away to afford you the luxury of a melancholic stroll. Somehow, you feel like you’ve left a piece of yourself back at the hospice. A feeling you can’t quite shake from your bones.

Your feet stop walking somewhere along the sidewalk on their own, the street lights above you flickering brighter into life as the sky is now a dusty gray with only streaks of purple. There’s a liquor store you spot across a small parking lot to your right, and you’re guided towards it, but not without a sickening feeling in your chest.

When you open the door, the bell at the top jingles, and you glance to the right where you see a lanky young man playing some sort of shooter game on his phone by the cash register. You grab a bottle of vodka, a bottle of white wine, some packs of skittles, one of the mini pizza boxes at the hot food station, and then dump it all onto the counter.

The young man scans all your items without even so much as sparing you a glance, but does take a look at your ID, then says, “Total’s $68.65, cash or card?”

“Card.”

Just before you tap your card, something displayed behind the cashier counter catches your eye. Something familiar, something tempting, something you weigh in your head about twenty times within one millisecond all due to the cortisol coursing through your veins and you eventually say, “Uh, and could I get one of those, too?”

The cashier looks behind himself to what you’re pointing at before turning around. “Sure.”

The same jingle is heard on top of your head as you leave the store, now with a burning hot mini pizza box in your hand as well as a plastic bag that carries your candy and the two clinking bottles of alcohol.

“Oh!! omg, y/n,” you hear a feminine voice call out and you’re instantly wincing. The last thing you wanted was to be bothered right now. You just wanted to go home and get drunk and then pass out on the floor of your living room. But alas, the world is small.

You turn around to see Hana come running across the sidewalk lot towards you, and when she’s about a few feet away, she glances down at your hands and all the things you were carrying. You quickly shove your last-minute purchase into your jacket pocket with a shameful conscience, and try to hide the plastic bag of liquor behind your calves. There was no hiding the pizza box, but at least that was the least incriminating.

“Oh, Hana, wow! What a coincidence seeing you here,” you say to her, pressing your lips into a small smile.

“Yeah, I um,” she points over her shoulder towards the hospice that’s standing tall in the darkness of night, cells with windows illuminated with light. If you didn’t know any better, you would think it was a prison. “Remember I told you my friend’s mom is sick and she’s at this hospice?”

“Yeah,” you say.

“I was just visiting her mom with her,” she tells you.

“Aw,” you comment, “I see, I see.”

You adore Hana, you really do. She was there for you when the whole Yuna and Choso thing went down, picking your shifts up for a good week when you couldn’t stomach going into work when your ex-best friend’s stupid face was gloating in the halls over how she stole your boyfriend. Hana was there for you when you were a new hire and all the doctors were being bitchy about a “newbie in the ED”, but she stood up for you, even cussed the fuck out of one of attendings for the whole hall to hear when you were being disrespected by one of them. She’s someone you can beam about how hot the EMT and Firefighter men that stroll into the ED are, too. A priceless companion.

And even though you two have hung out after hours sometimes, it was still always a little awkward to see a coworker outside of work.

“What are you doing here?” she asks.

“I actually, um, was going to tell you at our shift tomorrow, but I just admitted my mom to the hospice too,” you say, “and…thanks a lot for telling me about it. I really appreciate it. It seems like a wonderful facility.”

Her eyes briefly widen with surprise before they soften once again. “Oh, that’s wonderful, love. I hope all goes well. And your little insurance scam worked! Good for you!”

“Shhh,” you hiss at her, looking around yourself with paranoia, “the feds are everywhere.”

She laughs, sweet in the air, before the sound settles and she looks at you with something reminiscent of well-intentioned concern. Her eyes flit to the plastic bag you were still holding behind your legs. “Hey…um, if…if you ever want some company when you come to visit your mom, just let me know. I hope you know you don’t have to do everything alone.”

You blink at her, sucking in a short breath to respond, but it only leaves you as a slight puff of air. There’s a silent gratitude that you give her, because it’s hard for you to express any feelings with words, but you’ve found that the people in your life who know you best can always read you without them. 

“Thank you, Hana,” you manage to say with a slight croak to your voice because you were fighting back tears.

She smiles at you. “Take care, okay? And see ya tomorroooowwwwww,” she coos at you, coming up to you to give you a small hug, a squeeze of your upper arm, and then she heads back towards the direction of the hospice.

You watch her walk away until you can’t see her anymore. And then you head towards your car.

When you arrive at your neighborhood, you park in front of Gojo’s house. You have a feeling that you won’t be able to bear the vast emptiness of your home now that your mother is elsewhere, and so you drag your feet up the stone stairs of his house with a heavy heart instead.

The spare key that he gave you weakly pushes into the keyhole with about as much force as your fingers can manage, and you realize they almost feel atrophied. 

The house is dark when you step inside, spare for the ambient street lights shining through cracked open blinds on the windows, and the curtains rustle gently from the draft of the AC, a chill that reaches you too by the time you make it to the staircase.

It doesn’t seem like Gojo’s home. A glance at the clock tells you it’s close to 8pm. You briefly consider texting him to ask where he’s at, why he’s out so late, when he’ll be home, and what’s for dinner, but you can’t even bring yourself to pull your phone out of your coat pocket.

Weak legs manage to take you upstairs and you’re about to pass through to your room when the slightly open door to the master bedroom taunts you, like a peephole into some other wordly dimension. Like the wardrobe in the chronicles of Narnia. A portal into your fake husband’s life.

With a palm pushing on the door, you slowly crack it open, and you know the anxious voices in your head are getting worse by the day when the creaking of the door hinges sounds like a lullaby to you. 

Was this an invasion of privacy? And did you really care if it was?

The room is big, with a king sized bed off to the left, sheets neatly made and duvet primly tucked under, like the way hotel beds are set up. You feel a slight flush of embarrassment when you remember you haven’t been making your bed in the mornings for the past couple days you’ve been living here so far, and you wonder if Gojo would judge you for something like that. If he’d think you were a messy or undisciplined person. If he would think less of you.

Truthfully, in a lot of ways, you still felt like a child. You barely weathered a lot of your formative adolescent years when dealing with your parents’ divorce, and you’ve had to put so much of your life on pause to take care of your mom ever since she got diagnosed. So here you were, in the body of a 29-year-old woman, yet still feeling so painfully juvenile. One that forgets to make her bed in the mornings, and on most nights can’t seem to stomach anything other than cereal for dinner. It was like you were still at a party that everyone else had left, except all it ever was is hell. Your life was such a stark contrast to the lives of other adults you’ve come across. The ones that wake up at six to go on runs, the ones that have paid off mortgages with five figures in their retirement accounts, oh god, the ones that meal prep, and the ones that, all things considered, have their lives together. The ones that don’t spend at least an hour of every day, in fetal position on their bed, sobbing until tears soak through the sheets of the pillow down to the feathers like bone, because you’re so overwhelmed with stress and preparing yourself for the grief of losing your mother which you know that, no matter how hard you try to save her from, will inevitably one day come. 

You used to cook dinner every night, make your bed every morning, and go to pilates on the weekends. Back when you were a little younger and healed and excited to live life. But now, you barely get by. Your priorities are with your mother. You can’t remember the last time you did anything nice for yourself, including something as simple as the luxury of getting to come home to a clean house because you hardly ever had time to clean it, not with all the doctor’s appointments you were driving your mother to, not with all the extra shifts you were picking up at the hospital to pay off your debt, not with all the times you felt too depressed to even get out of bed. 

But your mother is in hospice now, so you’ve made time, right? You’ve made the decision that everyone in your life has been begging you to finally do. So why do you still feel so empty inside?

By a quick survey of the room, you notice Gojo doesn’t really have many framed photos hung up on the walls or perched up on surfaces. None, actually. Only a contemporary painting above his bed frame and then a faded vintage horror movie poster plastered up near his desk. Not terribly odd, since in your experience most men don’t really do the whole “cluttering the house with millions of photos of their family” thing until they at least have a couple of kids and some purebred dog. The thought of Gojo someday setting up a little portrait photo at his desk with his wife’s—his eventual real forever wife’s, pretty face in it, posing with their two beautiful kids, makes an oddly melancholic feeling waft through you. You wonder if he would keep a two-by-two in his wallet, too.

Your feet move one in front of the other as your finger traces the surface wood of a dresser cabinet, something that looks a little vintage and oaky, in stark contrast to the modern minimalist vibe Gojo has set up in the rest of the room. A family heirloom, maybe? There’s no dust that coats your finger, which surprises you. If you were to run your finger across your dresser at home you’d have collected enough dust to snort down your windpipes like a recreational drug. But Gojo’s a real estate agent, making a living off of dressing houses up in perfect cosplay so that monetarily stable middle class families feel inclined to buy them. So you’re not exactly surprised he’s invested in keeping his own house in pristine condition too. 

There is a little bit of chaos, though. Like the shirt he has haphazardly hung over his chair at his office space over to the right. There’s a coffee mug sitting there too, porcelain and reflecting the moon light off, but upon peering inside you see that it’s half empty with stale coffee. He’s got pens sprawled across the desk, in a fashion that suggests he accidentally knocked them over in a rush, and slowly, like some grounding exercise, you place them one by one back into the paper mache pencil holder. It briefly occurs to you that he has a lot of paper mache containers of sorts around the house. You lift up the pencil cup, turning it in your hand until your eyes catch something written on it with glittery pink gel pen.

i luv u unkle toru! -yur BEST FREND 4EVUR juno!!! :D

A small smile makes it onto your face. The handwriting was messy, more like scratches than smooth lines, and nothing less than what you would expect of a child. You remember making paper mache and clay trinkets at preschool for your mom and dad when you were younger. And you’re sure if you were brave enough to open the box of memorabilia that sits in your attic some day, you’d see your own scratchy scribbled handwriting on them. An innocence that is long gone and buried, never again to be delicately placed on desks or counters for all the living.

The draft from the AC reaches you once again, brushing over your skin and causing a chill to shiver down your spine. It kicks at the curtains as well, causing them to ruffle up towards you, baring the dark outside world into the streets. And you notice in that momentary glance that there’s a roof just outside the window that overlooks the backyard. A roof? Spotted by a depressed woman going through a quarter life crisis? There was nothing more tempting than that. 

The window was easy to open, which only caused unease over the revelation of how easy it would be for someone to rob this house. You make a mental note to tell Gojo to get a ring camera or security system of some sort since he doesn’t seem to have one, but you can already picture him telling you something about how statistically low the crime rates are in this neighborhood compared to all the other neighborhoods, and then you’d tell him that it’s just for your peace of mind. But whether he’d compromise or not after that, you’re really not sure.

You take a seat on the roof, a little scared as you sit because of the slight slope, but it’s comfortable once you’re settled. You sit criss-cross-apple-sauce, staring out into the neighborhood of perfectly lined up suburban houses. You’ve got a better view into some neighbors' backyards, noticing that a couple of them had pools while some of them have big gardens. There's a cat resting up on a fence in the distance. A car drives by with headlights illuminating everything in its proximity briefly before zooming off. You glance up at the sky, and notice the full moon, but it’s too cloudy to see any stars. Or perhaps it was just the light pollution from the lamps making it difficult to see.

On instinct, your hand reaches inside your coat pocket for your phone, but your knuckles hit something else instead. A moment of brief confusion flickers through your head, but then you immediately recall the last-minute purchase you made at the gas station.

Your hand pulls out the object, and then you stare down at it. Squinting your eyes a little, because it’s a sight that feels familiar but also one you haven’t seen in so long: a pack of twenty Marlboro red cigarettes. 

You’ve tried a lot of things to manage your stress over the years. Excessively working out, eating a lot of sugar, going on six hour hikes to touch grass, flirting with random men at bars, fucking Choso until he was rendered speechless, multiple types of antidepressants, you almost tried smoking weed once with your roommate in college but you wimped out last second. But the habit that had gotten you through the years of 21 to 24 is held loosely in your hand right now. It’s been five years since you quit, but resolve was often a fickle thing. As the saying goes, once an addict, always an addict. 

There’s a brief moment of hesitation as you slowly peel the plastic off of the back, but then it all comes back to you like a reflex you’ll never forget up to where you slide a cigar up out and then pinch it between your two fingers. Forgetting to buy a lighter with the cigarettes is definitely something you would do, but because you remembered it was something that you would do, you remembered not to do it. The flick of the flame coming to life is ASMR you didn’t know you were painfully nostalgic for, and you balance the cigarette between your lips in that sort of movie-star way people used to obsess over back in the day. But just as you bring the lighter up to the end of the cigarette, and just before you can light it—

A hand shoots out in your periphery, grabbing your wrist and entirely stalling the movement.

You gasp, lips parting enough for the cigarette to fall from them and into your lap. The hand wrapped around your wrist is large and masculine, and you briefly consider screaming, but when you snap your neck to look at the perpetrator, you see Gojo crouched down next to you on this roof. You notice he’s wearing a black suit, a tie that was loosely secure hanging from his neck into the space between his spread thighs as he’s crouched, and whatever gel he had in his hair from earlier only barely remains as strands fall over his forehead haphazardly. He looks like he’s on the other end of a long work day. 

You blink at him, expression plastered with surprise, but his is only earnest. With breathtaking blue eyes that you realize he could easily use to surrender a person just by looking at them, like the way he’s looking at you right now. His lips are pressed together into a firm line, as if to suppress some emotion, but the slight crease to his brow makes you feel like you’re in trouble somehow. Like he was silently scolding you for something.

“I—” you stutter.

He lets go of your wrist and discreetly pulls the lighter out of your hand. And then his hand reaches for the pack of cigarettes you were balancing on your knee, but on some reflex that you don’t even think about, you try to snatch them away from him, and now you’re both tugging at the same pack of cigarettes.

“y/n,” he says, “let go.”

“No,” you say stubbornly.

He sighs and tugs a little harder. “Give them to me.”

“But—” you stammer, voice becoming softer to see if that’d work on him, “I’m…” Your grip on them tightens. “I’m stressed.”

He raises an eyebrow at you, then finally loses his patience and snatches them right out of your hand. He stands up from his crouched down position to toss the pack off to the side onto the roof somewhere. You’re surprised when he lets out a sigh and sits down next to you on the roof, as if he felt the obligation to. His legs stretch out in front of him, but still bent slightly at the knees, and he leans backwards with his body weight braced on his palms laid flat on wood paneling behind him. “There are better ways to relieve stress,” he tells you candidly. 

“Like what?” you ask, and just when he opens his mouth to speak, you clarify, “and don’t say sex.”

He shuts his mouth and his eyes flit up to the sky for a brief second. “Damn. I didn’t have a back-up answer.” 

You roll your eyes, releasing a deep breath, then draw your knees to your chest before resting your chin on top of them. 

“I didn’t know you smoke,” he says after a century-long minute. 

You wince a little, because you were half hoping he was going to just drop the subject all together. 

You bite your lip nervously and hug your knees to your chest tighter as if to hide yourself from him. “I don’t. Well, I haven’t. Um, not for a while.”

“Huh. I see,” he says.

Another silence passes, and as he shuffles next to you, the fabric of his suit brushes against the fabric of your coat, and you’ve become entirely too aware of the feeling.

“So,” he says, breaking the awkward silence, “your mom’s in hospice now?”

You nod, enthusiastic enough to where you won’t look like you’re entirely depressed about it.

“That’s good,” he says, “no issues with the insurance?”

You shake your head. “They need you to sign some papers by the end of the week though,” you tell him. “We’ll have to go in person.”

He nods slowly to affirm he’ll make time for it. “I really hope things get better for your mom,” he says, voice soft as he stares off into neighbors homes like you had been doing ten minutes ago. You see the cat that was resting on the fence get up, do a big stretch, and start walking along the length of the fence. Your eyes briefly glance at Gojo, and you notice his gaze is tracing the cat’s path. 

“My—” you start, hesitant all of a sudden by the vulnerability you already feel swelling within you, most definitely due to sitting with someone on a rooftop late at night, but you decide that you’ll be nice to him for once, “…my mom seems to remember you a lot. More than she remembers me.” You let out a small humoring laugh, as if that fact doesn’t completely destroy you. “She was blabbering to me again for the seventh time about how you apparently fixed our AC.” You try to bite your tongue, but can’t help it when you say, “although I’m pretty sure you just pressed a bunch of buttons until it started working again.”

“Yup. That’s exactly what I did.”

You roll your eyes and sigh.

Another awkward silence.

“Can I ask you a question?” you say.

“Sure.” His voice sounds deeper, like he’s sleepy. 

“Why did you agree to marry me? That’s not something people just do out of nowhere.”

He glances over at you, and you flicker your eyes to him. “Why? Having regrets?” he teases, with a slight nudge of his elbow to your side. 

“Just answer me.”

He lifts his palms up from behind him and leans forward, placing his hands on his knees instead. “I don’t know. If something I could do would help someone out that much, I wasn’t going to say no.”

You hum quietly, still confused by his intentions. But you’re too jaded to question them.

“It costs nothing to be nice,” he adds. 

You run soothing circles over your thigh through the fabric of your jeans. For some reason, your mind wanders to Choso. Thinking of all the years you wasted staying with him even though you knew his affections were long gone, just because you didn’t want to break his heart. Only to realize that you never had that privilege in the first place. 

“I think,” you say, your voice barely above a whisper as you draw your knees closer to your chest, “that sometimes it does.”

A gust of autumn wind breezes by, ruffling the trees that the two of you are at eye-level with at the moment. You're pretty sure you’ve completely lost Gojo’s interest at this point, where he’s finally too tired to deal with your oddly cryptic attitudes and overall generally displeasing vibe, assuming this based solely on his prolonged silence beside you. You’re ready for him to get up and abandon you here on this roof, left to ponder every single thing you’ve done wrong in your life. It was any second now.

“Sometimes,” he instead speaks up, and it’s so surprising to you that you jolt a little bit, “you can do everything right, and people will still find a way to fuck you over. But I don’t think that’s any reason to stop being nice to others.”

You glance over at him, your eyes widening slightly, but he just continues to peer off straight into the night. His blinks are slow, lingering on being closed for a moment before he opens them again, and you’re mesmerized by the sight. The skin under his eyes is slightly dark from exhaustion, heavy with character that makes you aware that he’s just a person too. And for what feels like the tenth time this week, you realize that he’s—…handsome. And for what feels like the tenth time this week, your heart flutters in your chest.

He scoffs suddenly and dusts his hands off. “I sound like a fucking youth pastor.” He lets out an exhale before suddenly standing up onto his feet before you can think more on it. He looks off into the night again and lets out another exhale that sounds more like a sigh this time. “God, it’s getting a lot colder these days. Might have to start running the heater.”

You blink up at him with no commentary to add. 

He looks down at you. His face is relaxed, but you can tell those eyes are distracted. A shimmering blue ocean in its own world while he attempts to stay present in this one. 

He holds his hand out to you, and you stare at it blankly like you’ve got no clue what he intends for you to do with it. But you finally take the hint and curl your hand around his palm so that he can pull you up onto your feet too.

You stumble a little, falling forward from the sudden blood flow to your brain, but he holds you steady by the strong grip of his hands on your elbows. He’s close to you, close enough to where you can smell the faint lingering scent of his cologne. Something different than that expensive one he wore to the courthouse, but it’s comforting somehow. A fragrance that’s more him. And you feel nervous as you look up at him underneath pale moonlight. 

He lets go of your elbows. You feel cold from the loss of his touch. But his right hand moves to gently hold your left hand in his palm, holding it curled as his thumb barely grazes the stone you wear on your ring finger; the one he gave you.

The way his thumb prods at the silver band is like he’s inspecting its quality, as if it has to pass some test to be worthy of sitting on your finger. Or maybe just any finger, if you were to quell the delusion. You’re not sure if he’s satisfied with his inspection.

“Where did you get it—” you blurt out.

His gaze flickers up to your face briefly before he’s back to examining the ring. “It was my mom’s.”

Your mouth gapes slightly in shock, heart dropping a little in your chest, and all of a sudden you feel guilty. Guilty that he put his mother’s ring on your finger for something that was fake, something that was essentially a business deal, something exchanged to you out of fraud when it was a precious family heirloom that should be exchanged with love. And maybe he didn’t care about it much, some people don’t care about the sentiments of objects. But your mind thinks of the oaky vintage dresser in his room, so out of place in the aesthetic of its surroundings, a decision you can only imagine him of all people, mr. “everything in this house has to look like an IKEA catalog”, would do if the dresser held some importance to him that was more than meets the eye. And so you’re compelled to think that maybe this ring did, too. 

“Why would you give me this?! You could’ve just gotten a cheap fake diamond ring from a pawn shop and called it a day,” you ask him, suddenly feeling burdened by it.

“Well I wasn’t exactly given much time to think of other options.”

“But—” you start, only to realize you have no counter arguments for that.

He lets out a huh noise, like the sound someone makes when they’re pleasantly surprised by something, as he looks down at your hand that he still held in his. “It’s kinda crazy that it fits you perfectly. I wasn’t sure.”

Your mind wanders to when he slipped the ring onto your finger in the courtroom, followed by the kiss. Soft, sweet, the lingering warm sensation of his palm on your cheek as he cupped your face, the same way those heartthrob actors do in all those romance movies and kdramas that you watch on Friday nights while snuggled up in a blanket, wondering when anyone will ever kiss you like that. You remember the ghost sensation of his hand hovering over the small of your back, fingers lightly grazing the nape of your neck, his frame blocking out everything around you as he kissed you, just to pull away and for the two of you to then pretend like it never happened, as if it wasn’t one of the sweetest kisses you’ve ever known.

You slowly pull your hand out of his, the moment feeling too tender for your liking, and you clear your throat before flitting your eyes up to his. 

“Rule #1,” you remind him with a soft whisper, “no touching.”

You purse your lips, watching his round eyes blink once, then twice, before he shoves his hands in his suit pockets. He rocks back and forth on his heels for a few seconds, nodding slowly in submission, and then he turns on them to head back to the house. You’re standing a little stunned from the abrupt ending to this trance of a moment on the roof, and you’re also a little surprised with how your chest is heaving a little bit with fast breaths, but you eventually snap out of it to follow him inside too. 

You two make it back inside the house, with little words exchanged. You pretend to not notice the way Gojo tilts his head at his desk, like he’s confused about why it looks tidier than when he left it. You’re prepared to feign innocence or ignorance, but he doesn’t press you about it. 

“Y’know,” he says from behind you, his chest briefly brushing against the back of your head as he pushes the bedroom door in front of you open so that you can head out into the loft, “those oversized 1800s-esque nightgowns you’ve been wearing around the house kinda make you look like a less-hot version of Ebenezer Scrooge.”

“Go fuck yourself.”

•┈┈┈••✦☽✦••┈┈┈•

“Sign right here for me, sir.”

You watch as the nurse slides the papers across the high-raised counter of the hospice nursing desk towards Gojo, his eyebrows narrowing as his eyes skim the words on the paper and land at the highlighted lines where he’s been intended to sign. You feel nervous for some reason, as if he’d suddenly find something disagreeable and refuse to sign, then take you to the courthouse first thing to finalize a divorce and send you off to prison while claiming he was blackmailed into the whole marriage in the first place.

Instead, he pulls a pen from the chest pocket of his suit jacket, clicking the end of it and scribbling his signature onto the paper with some jet black ink that looks like it takes a second to dry. How pretentious of him. The pink pom-pom pen was right there.

The nurse behind the counter continues to chat with him about something, blah blah dependents, blah blah tax claims, blah blah you’ll receive an itemized bill in the mail. You’re trying your best to eavesdrop in on the conversation, but most of your senses are being occupied by examining all your surroundings. When you dropped your mother off at the hospice, your feelings were at the forefront of conscience, but now that you’ve had a couple days to come down from that overwhelming emotional high, you’re here to scope out the quality of this place you’ve just dumped your mom at.

The facility is clean and sleek, with a color theme of red and an ocean blue across the signs, the furniture, even with the paperwork they hand out. All the workers had color-coded scrubs based on their occupation or specialty, and none of them had stains on the fabric. You take a glance down at the modest leather pumps you were wearing past the creases of the long skirt, and notice that the floor was shimmering off their reflection in a perfect polish. It wasn’t bad, this place.

“Thanks, you too,” you hear Gojo say to the nurse behind the counter. He has a professional smile on his face, but still kind and genuine, which makes the woman at the computer something bashful and unable to make eye contact. He folds something that looks like a receipt into his chest pocket before tucking his pen back in there too and then turns to face you. You make a mental note to pay him back for whatever he just paid for, at least once you move some money around. 

Your eyebrows lift, feeling a little dazed as you blink at him blankly.

“Alright,” he says, shoving his hands in his pockets, the sound of his shoes on the polished hospital floors satisfactorily tapping in your ears as he took a couple steps towards you, “where’s your mom’s room?”

“Huh?”

“What’s her room number?” he asks you.

“Y-You wanna go see her??”

“Of course I want to,” he says, “she’s my mother-in-law.”

You roll your eyes and pet the fabric of your skirt to smooth the wrinkles out. “You’re getting a little too invested in this role of fake husband.”

“I get to annoy you all day and ride the adrenaline rush of committing a federal crime,” he says, “of fucking course I’d get invested.”

You sigh, tossing some of your hair to behind your shoulder before glancing up at the signs, squinting slightly to locate the ward where your mother’s room is, before you hear an extremely high-pitched and somewhat catty feminine voice call out from behind you. You glance at Gojo’s face as he peers off to whoever’s behind you, and you see him visibly stiffen a little.

“Is that Dayton county’s sexiest realtooorrr???” the voice purrs, and you turn on your heel to see a blonde bombshell of a woman clacking her kitten heels down the glistening floors of the hospice, with another brunette bombshell just a few paces behind her. Bombshell #2 sighs something like “it issss” before they walk right up to your fake husband and take turns at giving him a playful squeeze of his bicep. You have to physically stop your jaw from dropping at the sight. 

“Wow! Ladies, so–...so great to see you two,” he says out of polite obligation, and you immediately clock the fact that he doesn’t address them by name.

Bombshell #1 turns to look at you, all of her hair moving as one solid entity with the motion from all the hair spray that’s probably holding it up, and she points at you with a long slender finger that narrows into a french-tip. “Oh who’s this?? Another one of your clients??”

“Oh, no, she’s my–”

“I’m his wife,” you interrupt him, irritated for some reason. 

Both the women chirp something out like oh! before their faces twist with confusion. 

“I didn’t know you were married,” Bombshell #2 says in a thick New Jersey accent.

Gojo lifts his left hand up, the silver band on his hand glimmering under fluorescent hospice lighting. “Very happily,” he says, as if someone was holding a gun to his head.

Bombshell #1 crosses her arms, and you try not to stare at how nice her boobs look in the low scoop-neck jaguar print top she was wearing. You were no better than a man. And now you’re pissed off at the idea of Gojo glancing down too, but a flick of your gaze up to his face tells you he’s safe. For now. 

“You weren’t married when I asked you if you were a month ago,” Bombshell #1 sneers at him. It’s true, the math wouldn’t make sense, but in his defense, this marriage was a fraud.

“Or when you took me out for dinner last week after I bought my house,” Bombshell #2 snarls with an undertone of hurt. 

Gojo clears his throat beside you before pointing at Bombshell #2. “How is that, by the way?” he asks in an attempt to change the subject, “the half acre down on Maple Ave, right? You, uh, enjoying the pool?”

The woman let out an offended scoff and–were her eyes sheening with tears?? She puts her hands on her hips. “No. Mine is the three bedroom house with the cedar gazebo on 14th street.”

Her friend next to her rolls her eyes and smacks her gum between her cheek. “I’m the one that bought the half acre down on Maple Ave, jerk. Ugh!” She grabs her friend’s arm with a high-pitched hmph noise leaving her throat, and you can hear the other one sniffling subtly as she wobbles on her heels with her friend’s pull of her arm. 

Right before leaving the two of you alone, Bombshell #1 turns to you and says, “I hope you find someone who treats you better,” and then they storm off together down the hallway, their perfectly blow-dried hair bouncing in sync with each stomp.

You blink at the sight, a little flabbergasted from the interaction, and then flit your faze up to Gojo. You see him awkwardly scratching at the back of his head with a grimace on his stupidly handsome face. 

“That’s what you get for being a manwhore,” you tell him.

“I’m not a manwhor–”

“You went on a date with another woman while you were maaaaarrrieeeddd?!” you coo as you let out a fake gasp and slap your cheeks with your hands, “despicable, really.”

He lets out some disgruntled noise, the source coming from deep within his throat. “No. We weren’t fake-married yet,” he vindicates himself, “and it wasn’t a date. I just bought her dinner as a congrats for buying a house. Not a big deal. I do it for all my clients.”

“Satoru. You do realize you’re leading these women on, right? I mean, I’ve seen the way you talk to them. Even if you think you’re just being friendly, please know that your definition of friendly is most people’s definition of flirting.”

“That’s ridiculous.”

“It’s true.”

He raises an eyebrow as he glances down at you. “Alright, how come this flirting in disguise of friendliness hasn’t worked on you then?”

You scoff in disbelief before crossing your arms. Maybe you did deserve a better fake husband. “You’re never friendly with me. You’re always rude to me.”

“What? I’m not always rude to you.”

“Well, you’re certainly much more rude to me than you are to other women,” you say, tapping the tip of your shoe with irritation.

“Can we not do this right now? We’re in the middle of a hospice.” 

“God, you’re such a cop-out,” you mumble as you forcefully push past him towards the hallway that’ll lead you to your mother. You can hear that Gojo’s on your tail, following you down one of the more dimly lit hallways, and you can tell he needs to stall the strides of his Daddy Longlegs to not overtake your pace.

“What the fuck is a cop-out?” he asks you from behind.

“Look it up on urban dictionary, Grandpa. Unless you don’t know what the Internet is, either,” you spat. 

You waltz right up to your mother’s room just in time to see a nurse making her way out with a clipboard in her hands. She glances over to you when she sees you approaching in her periphery.

“Hi! How can I help you?” she asks.

“Is it alright if we visit my mother?” you ask her.

“Oh! Sure, let me just clean her bed pan really quick.”

Your brow furrows. “B-Bedpan?? Why is she using a bedpan??”

The nurse stops in her movements. “Well, yesterday and today, that’s just what she has decided to use.”

You immediately become hostile. “That’s not right. She never needed to use one at home. Why is she suddenly using one here? Is that not a clear sign of deterioration? The restrooms must not be kept well enough here if she doesn’t want to use them.”

The nurse becomes something meek, her eyes widening as her mouth gapes slightly. “Ma’am,” she squeaks out, “we see this commonly with patients as they begin to adjust to hospice life. We’ll urge her to use the restroom, but as of right now, we need to prioritize what she finds most comfortable.”

Your expression softens, your shoulders relaxing from their tense position, and you duck your head a little with guilt. “Right…I’m sorry.”

The nurse presses her lips together with a well-meaning smile before shuffling into the room and closing the door behind her. You sigh and lean your back against the wall next to the number plate, cheeks flushing slightly from the confrontation. You have no idea how loud your voice was or who heard you. But you try to convince yourself that you’re just stressed and trying to look out for your mother, although the guilt still sits.

You glance up to see Gojo staring at you with slightly wide eyes, his hands shoved into his pockets, and he tilts his head to study your expression.

“What?” you snap at him.

“Are you doing okay?”

“Just fine, thanks.”

“Are you sure?”

“Satoru,” you cut his questioning off by raising a palm into the air, “just—…just stop.”

His brow furrows together slightly, but before he can show any further concern, the nurse exits the room and holds the door open for the two of you. 

“All set!” she chirps, and Gojo moves to hold the door open in her stead, and then the nurse bolts down to disappear somewhere down the hallway.

You hear Gojo let out a small huff of a scoff as he stares down in the direction the nurse ran off in. “Glad to know I’m not the only one that’s scared of you.”

You roll your eyes and walk into the room through the open door.

Your mother lays in her bed, looking out the window with her hands resting on top of layers of white linen sheets, her skin looking slightly paler than usual. You approach her bedside slowly and she finally turns her head to look at you.

“Hi mom,” you gently greet her, sitting down on the stool beside her bed, “how are you doing?”

Her eyes dart across the features of your face, and you briefly glance towards the wall to the right where you see Gojo standing from a slight distance.

“Oh, hi dear,” she says with a smile, and relief washes over you.

You match her smile with your own. “Mom, I brought someone here to see you.” You glance over at Gojo, who starts to close distance now as he approaches the foot of the bed, “this is Satoru, my husband.”

Your mother’s eyes widen, “Oh! I know him,” she scoldingly swats a hand at you, like you’ve embarrassed her somehow by assuming that she doesn’t know who he is, “he’s my neighbor!”

You sigh, “yes mom, the one that fixed the A/C?” You attempt to finish her sentence for her.

She looks confused for a moment, but slightly nods as if to avoid any further confusion for herself. “But—…but, why…” she trails off and then looks at you, “I’m sorry, are you my nurse?”

Your shoulders drop slightly. “No, mom, it’s me. Your daughter. Do you remember?”

Her face scrunches before it entirely relaxes to keep some image of composure despite the haze you know she feels in her head. “Oh…yes, yes…my little girl. I remember you, of course!”

Your eyes become layered with a slight sheen of tears, “I’m glad.”

“Where’s your father?” she asks, “he said he’d bring me some…oh dear, what—…he said he’d bring me tea. I’ve been waiting.”

“Mom, dad is—” you pause for a moment to think on your feet. You could either tell the truth, or a little white lie. You never know what to do. And either one comes with either guilt or sorrow. “Well, he’ll be here soon, I just wanted to come see you.”

“Oh okay…” she trails off, her eyes squinting at you once more with that same look of confusion on it, but then they drift towards Gojo. “Oh you’re a very handsome young man! You look just like my neighbor.”

Your eyes flicker up to Gojo, and he walks up to your side by your mom’s bed. “Yes, Mrs. l/n, I am your neighbor.”

“With the lemon tree!”

“The avocado tree,” you correct her with a small sigh. “And he’s my husband mom. And also our neighbor.”

“Oh I see I see…” she says, looking up at him, and in a moment that shocks you, she holds her hand up for him to take.

There’s a slight moment of surprise on his face too, but he accepts her frail hand in his, and you glance over to your mom to see her look at him with some look of peace on her face.

“Oh, sit down here, won’t you?” she tells him, and you both blink at her in a moment of hesitation.

He pulls a stool up to the side of the bed right next to you and takes a seat down onto it. Your mother holds his hand with both of hers now, soothing her palm over the back of it before she taps on it lightly.

“Oh, my little girl is very sweet. She would bring me flowers from the garden when she was,” she glances at you, confused once more, “well I remember her when she was so little but she looks…a little older now. Ah, but she would bring me such pretty flowers.”

Your heart aches in your chest. You never knew what version of you your mother would remember. Some days, you’re still supposed to be an angsty teenager that shuts doors in her face, some days you were just as you are right now, and other days, you were just her little girl. And it confused her, the image of not seeing you in the way that she remembers. In the only way she knew how.

“You’ll take good care of my sweet girl, won’t you?” she asks him.

And it knocks the wind out of you.

It drops your heart to the center of the earth.

The thought that, after so many moments where she doesn’t remember you, she still knows that you’re someone she wants to keep safe.

Your mouth gapes slightly, tears welling in your eyes and you try your best to blink them away, but you see Gojo’s hand slip out from being held by your mother’s hands, to instead use both of his to hold hers. Your eyes snap to his face, and you see that same earnest expression you’ve been growing used to seeing these days. 

“Yes,” he responds, eye contact level with hers, “I will.”

A small puff of air leaves your lips, a single tear streaming down your cheek and you quickly swipe your trembling fingers to remove any evidence of it before you huff out a shaky, “excuse me.” And then you’re standing up off the stool, and in a few hurried steps across the room as more tears continue to stream down your face, you make it to the door to push out into the suffocating air of the hallway.

It’s hard to breathe, huffs and puffs barely leaving your lips as you struggle to pull air into your lungs while you storm down the hallway at a fast pace, your heels clicking underneath you in a way that only sets you off further. Suddenly, all the sounds around you make you sick to your stomach, a wave of nausea washing over you, and your nose burns with the intensity of the tears that continue to stream down your face. A few hospice staff look at you with concerned expressions, and you eventually reach a heavy-duty door that leads you out into a secluded staircase hallway where the dim lighting serves to relax at least some of your senses, but you still feel like you’re about to pass out.

Even in the haze of your emotions, there’s this glimmer of a memory that comes to mind. One from when you were younger and you were pushed on the playground at school. You cried and cried and cried in your mother’s arms, but even then, you didn’t want her to baby you. You would say to her, I’m a big girl now! in that same way a child knows nothing of what it truly means to brave the world. 

That little girl had no idea that one day, there would be moments where she wouldn’t be remembered as her mother’s little girl anymore. 

No matter how old you grow, you will always be my little girl, your mother’s voice echoes to you, the feeling of her squeezing you in her arms as she holds your sobbing little form in hers casting a ghost sensation across your skin.

In a mother’s eyes, you’ll always be her baby.

And that’s why it hurts.

Because it’s all fake.

It’s phony.

It’s not real.

This arrangement you have with Gojo.

And if your mother were to die tomorrow, there would be no one to take care of her little girl anymore.

Not in the way she believes there will be.

Of all the white lies, this one pierces you straight through your heart in a way that leaves you gasping for air.

Amidst your whirlwind of thoughts, you hear the door push open harshly, and when you glance over, you see Gojo standing in this dimly lit hallway as he turns his head quickly to the left and sees you standing there.

“Hey,” he says, catching his breath as he lightly jogs up to you, “hey, hey, hey,” he repeats with more concern now when he sees the state you’re in, and he seamlessly pulls you into a hug, your cheek pressing against his chest that feels warm even through the fabric of his suit jacket and shirt, and that familiar scent of him completely engulfs you.

You sob quietly, wiping your snot on his tie and your tears on the felt fabric beside it, your hands balled into tiny fists at your chest, squeezed between the two of you. You feel him tuck your head under his chin and his arms wrap around you tighter. You don’t even realize it at first, but suddenly, it has become easier to breathe.

Then, you wail, and you cry, and you sob, because you don’t have the words to even explain how you feel, about not just this, but with everything, a buildup of everything that has been suffocating you in your life that just comes crashing down on you all at once.

“I know,” he says, his palm resting on the back of your head as he holds your face to his chest, his voice soothing in your ears while you sob until there’s nothing left to cry. “I know.”

You two stay like this for another minute or so as you come down from the cries, your remnant sniffling echoing in the hallway while you wipe more of your snot on his jacket. You make the first move to pull your face away from his chest, but he still keeps his arms wrapped around you when you look up at him.

With your gaze darting across his face, you take in the blue in his eyes. Eyes that are looking at you so softly it’s suddenly hard to breathe once more. And when those eyes flit to your lips, your mouth parts slightly as you two breathe in unison.

It’s possible that you could have dreamed the moment you saw him lean down slightly towards you, his eyes still set on your lips, but it didn’t matter because you’re pushing him away with strong fists before you can even register the thought in your head.

He lets go of you entirely, his eyes wide once more, and you glance down at your feet. 

A tender moment, just like on the roof, broken just because you can’t handle that—…that way, that intense way that he looks at you. New rule, no looking at me longingly like you want to kiss me. I won’t allow it.

“I want to go home,” you whisper, still examining your shoes. And you suddenly feel embarrassed that he had to see you this way. He’s supposed to be scared and intimidated by you, not holding you in his arms while you cry. 

He’s silent for a moment, but you can tell he’s searching for things to say. “You don’t want to say bye to your mom before we go?”

You swipe your palm against the wetness on your cheek. “No. I just want to go home.”

“y/n,” he tried to convince you.

You finally look up at him. “Please.”

He breathes in a few breaths as he studies the features of your face in a way that makes you feel so seen that it’s frightening. But he slowly nods, then says,

“Okay.”

.

.

.

.

.

[end of chapter 4]

a/n. hi friendsss i hope you enjoyed :'') yea like i said at the a/n in the beginning, this chapter is a slight off-tangent from last chapter, but ch5 will continue with a lot of the stuffs that were brought up in ch3. but yea i wanted to explore the whole process of emotions reader would go through putting her mom in hospice, since it kinda felt like a big thing, hence why it got its own chapter. aaa i hope to see you in the next one!! much love from me :''0

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[cheeseceli]

When you have plushies

Pairing: Ot8!skz × Gn!reader (individually)

Genre: fluff, reactions

Request: so if skz had a partner who sleeps / collects plushies??? maybe also add a little where the reader is a tad bit embarrassed of it?

Warnings: none

A/n: if you saw this when I posted it for the first time no you didn't!

Bang Chan

Y'KNOW THAT LAUGH OF HIS

The one that's so adorable and it looks like a giggle while his eyes are like crescent moons

THAT ONE

It's the one he gives you while he tries to understand that somehow he is dating the most adorable human being in the whole world

He literally has no problem if you want to sleep with them, will reassure you when it comes to that

"Do you think I can take one of your plushies with me for the tour? It'd make me feel closer to you"

Lee Know

Of course he will tease you

That's like one of the things that are included in his boyfriend package: relentless teasing

He will stop immediately if he sees that you aren't feeling it though

Will take a picture of you cuddling your favourite teddy bear and set it as his phone's wallpaper

AND will buy you some plushies and put them in his dorm

So you can feel more comfortable even when you're away from your own collection

Will never admit but he cuddles with it when he misses you

"Dori was sleeping with the plushie I bought for you. I'm going to send you a pic"

Changbin

Now that he knows, there is nothing stopping him from buying you thousands of plushies

Your collection will double in less than a month if you let him (please let him)

Might even buy some matching ones so you guys can share something in common

But he'll feel a little betrayed if you don't cuddle him to sleep and instead hug the teddy bear

"Why are you cuddling a plushie when you have me right here?? Like, c'mon now!!"

Hyunjin

You know those things where you can make a teddy bear from scratch and then gift it to someone?

He would do that for you😭

Would probably gift you a personalised plushie in your first valentine's

But overall he finds it adorable

Laughs endearingly every time he sees you sleeping while cuddling one

But will not lose the opportunity to replace the plushie and hug you throughout the night

"Would you rather have a dog or a bear as a plushie? No specific reason"

Han

Wants to give names to some of them lmao

And finds you 200% cuter because of it

Like, he knew you were adorable but you always surpass his expectations somehow

And if you get embarrassed abou it he finds you even cuter

But will make sure you don't have a reason to be embarrassed

He will throw himself in the pile of plushies, feeling like he's in heaven and making sure you knows he likes this side of you as well

"This one looks just like you! Oh my God, it's literally you"

Felix

HE LOVES IT

And he would be so casual about it as well??

Like, you'd be kinda scared of his reaction but then he's just the kindest about this

Wants to know about their names and stories you might have about them

The kind of guy who'd stitch one of them if they need to get repaired (I love him btw)

Tries to win plushies for you in those claw machines

"Which one do you want? I'll win it for you"

Seungmin

Is kinda intimidated at first lmao

Like I can see him just standing still while an army of plushies stare at his soul 😭

After the initial shock though I think he'd find it cute

Especially if there is a plushie who kinda looks like him/his skzoo

If that's the case he'll just tease you (while finding it so endearing)

"You should name this one 'Minnie'"

"I'm not naming every single one of my plushies after you"

"Why not?"

I.N

I think he wouldn't react at first, but mostly because he doesn't know what to do

Will you get sad if he teases you? Will you get embarrassed if he says it's cute?

He ends up not saying anything lol

Acts like he sees a huge collection of plushies every day

Might give you some plushies as gifts after finding out

"I just bought a very cute teddy bear in Japan. I'm giving it to you once I come back home."

Dividers by @cafekitsune

Reblogs and feedback are always appreciated!

[pearlymel]

reader touching herself while thinking about sunday? u decide what happens after

Summary: What happens when your boyfriend catches you having a little bit of fun without him? One, he'll teach you how to do it properly, and two, you'll reward him in return.

Warnings: NSFW, smut, afab! reader, early-relationship, fingering, slight nipple play, ōral (m! receiving), cūm swallowing.

Notes: wrote this with one hand btw

Dinner. Wine. Slow music.

It was the perfect date after you both have recently agreed to get together, who could ever resist someone as charming as him? The ever gentleman man, always taking his time with you, and his hand placements whenever he holds you or kisses you? The absolute cherry on top.

What about his scent? Aeons, his scent was stuck on your head the entire night ever since he embraced you, the way his wings would flutter everytime you got too close, especially when you whisper sweet nothings into his ear and how his ears would visibly get red.

The mental image of his flustered like that doesn't even make you realise that it got you slipping your panties off, your fingers messily toying with your clit in fast circles, a whine eliciting straight from your throat and onto the pillow when you inch one finger inside, but it's not enough—you need more, you need more of his scent, more of the way his gloved fingers trailed smoothly up your skin.

"Oh, fuck..." Your body shudders at the sinful thought, your lips quivering, you don't know if you want to stop or to keep going, was it bad that you want to sit on his pretty face now?

You thought he would take his time in the bathroom. Poor you, you couldn't even wait until he finished, he just had to come back and witness you in this pathetic state.

Sunday gripped the doorframe tightly, his nails digging into the wood as his eyes were glued to your fingers, to the way your chest rose and fell. He couldn't help but feel the heat pooling in his groin, the sight of you struggling to reach orgasm has him dizzy.

The minute you feel a set of arms envelope around you, you gasp and freeze, you were so caught red handed that it was embarrassing.

“I'm sor—” but he doesn't let you finish before he's shushing you, your back pressed against his chest, one hand around your breast and the other caressing your thigh up smoothly until he was able to hike your dress higher to expose more of you, more of what he's missing out.

“couldn’t wait till i was finished?” he whispered, clicking his tongue before taking your thigh and prying your legs open, “spread them apart for me.” Your legs are immediately open for him, his voice angelic, a contrast to the way he pulls his glove off his hand using his teeth, leaving it discarded on the bed.

Your lips parted when his fingers start to slowly gather your slick, trailing over your folds, feeling your slit, teasing and playing with you before slipping one finger inside.

He groans at the wetness that greeted him, his finger thrusting in and out of you, slowly at first, taking his time finding a pace while his other hand rolled your hardened nipple that peeked out of your dress, pinching it then soothing it with a gentle roll with his thumb, the stimulation only making your body arch against him as you try rocking your hips to match his measured pace.

You squirm when he abruptly adds another finger, filling you, stretching you, and you whine out in pleasure when Sunday curled his fingers, pressing against your spongy spot repeatedly, his thumb soon joins in and rubs your clit in circular motions.

It's like his fingers were making out with your pussy.

The room was soon filled with the sound of your ragged breaths, your moans, the loud squelches and wet slap of his fingers altogether. He could feel your cunt clenching down around him, the signs of your impending orgasm.

When his fingers starts ramming inside you to help you reach your release, you cry out with your head thrown back against his shoulder, which makes his free hand leave your nipple to wrap it gently around your neck, keeping you in place.

He could see you bite your lip, your eyes clenched shut, your body writhing beneath him. “You deserve to cum, angel. It's been a long day.” Sunday murmurs next to your neck, and another press on your swollen nub is what makes you whimper loudly, eyes rolling back as you grab onto him.

He smiles when he sees the haze in your eyes, your body relaxing in his arms after being satisfied from the release you've been aching to have.

When you slowly come back to your senses, and now you are suddenly all too aware of how hard he was the whole time, and you could feel it rubbing right below your ass.

“Sunday—”

“do you need to rest now?”

“No.” as you clear your throat, you turn around and are met with his captivating gaze. Your hand instinctively reaches closer, drawn to his wings. Slowly, your fingers brush against the feathers, and his wings immediately flutter in response, there's the response you will always be excited to see.

With tenderness, your lips press a gentle kiss against the feathers, and you feel the slight shudder that runs through him, your other hand meanwhile runs down to unzip his pants swiftly, to free his cock out of the tight confinements.

“You don’t have to—” and you're the one shushing him this time by pressing your lips against his for a chaste kiss.

“I want to please you.” You tell him in a low tone, another peck making it's way to his lips once again, “please?”

The minute he nods, you press his chest back down and he leans back on his elbows before you inch your face lower to lift his shirt slightly just enough to reveal his v-line, just for you to teasingly pepper his skin with soft kisses only for him to make his wings flutter in response.

Your hands work on taking his pants off, and he lifts his hips to help you slide them off with ease. Sunday's eyes never left yours, even when you were eye-level with his throbbing cock, the head already flushed and glistening with pre-cum.

his hand wraps around the base of his shaft, guiding it towards your awaiting lips, “open,” he commands gently, and he lets out a hiss when you start by flattening your tongue at the tip, licking the salty pre-cum off before wrapping your lips around him, the sensation only made his coke twitch in anticipation, his hips instinctively rocking forward.

Your mouth was warm, soft, heavenly.

“H-hah, don't tease me,” Sunday’s lips parted at the feeling of your tongue repeatedly circling around his tip then massaging at the pulsing vein on the underside of his cock. 

You then start bobbing your head up and down, making him whimper above you as he shuts his eyes tightly.

It was a mistake to even re open his eyes, his eyes locked on your mouth, your cheeks hollowing out as sucked like it was the sweetest treat ever. He could feel the tension building in his body, his orgasm near, and he reached down, his fingers tangling in your hair.

Your throat constricted around his cock, and he tries keeping his moans low every time you start gagging and choking.

“W-waitwait—” Sunday was gone the minute your hands started fondling with his balls, and he thrusts abruptly into your mouth until warm, white ropes of cum erupted from the tip of his cock, harsh gasps leaving his throat, followed by his trembling wings as his hips continued thrusting sloppily until you pulled out after swallowing every drop. His tip glistening with the residue of your saliva, and your lips with his seed.

You both are now shyly looking away from eachother, soft breaths and silence coming from both of you.

You're the first one to move, wrapping your arms around his waist and collapsing right on top of him. Sunday welcomes you in, his own arms finding their way around you before kissing the top of your head.

"I want to sit on your face next time." You murmur your fantasy to him out loud, and his eyes widened before his wings made the move to cover his flushed face, making you laugh at his adorableness.

[heizlut]

Okay, this thing has been in my mind lately... But could you do Semi-Dragon Zhongli and Full legacy Childe with afab!reader? Like dude with their size?? I would die of it and love it at the same time (your writing is so good btw i really love it ngl)

rip to reader because there’s no way she’s getting out of this without being pregnant 💀 also wanted to add little something and make zhongli have two cocks since he IS part dragon during this hehe

Beasts Within

cw: size difference, rough sex, monster cock obvs, forked tongue (zhongli), monster tongue (childe), two cocks (zhongli), anal/vaginal fucking at the same time, throat fucking, honestly rip reader

tags: sub!afab reader, semi dragon!zhongli, foul legacy!childe, dom!chars, mostly proofread, they/them pronouns for reader

nsfw under the cut

m!list here

⁎⁺˳✧༚🐋 ⋆ᨒ 𓐬⁎⁺˳✧༚🐋 ⋆ᨒ 𓐬⁎⁺

You got yourself in quite the situation here. After challenging your boyfriends stating you could handle the both of them at the same time in their inhuman forms, you found yourself sprawled out naked on your large bed.

Childe looms over you in his foul legacy form, eager at the idea presented to him. Zhongli stands with his arms crossed, giving you a stern look, “This is ridiculous. I do not want you to be harmed. You know how different we are when we are not fully human…”

You pout at him, “Come onnn… Don’t ruin the fun. I’ll be just fine.” Childe looks to Zhongli, taking on the same pouty tone you had, “You know you wanna fuck them in your other form. Just do it!” Zhongli huffs, dropping his arms, “Do not say that I did not warn you…” And with that, two curved horns adorn his head, his amber eyes and markings glow, and his fingers become pointed at the tips.

You were obsessed with seeing your men in these forms. Yes, of course you loved them when they looked their usual selves, but something about their otherworldly forms made you ache for them. Zhongli’s narrowed gaze makes you shiver, “There’s no going back from this.”

Childe was the first to make a move as he leaned over you, “Give me a kiss.” You knew the drill, you opened your mouth as his slimy tongue made an appearance. It always felt strange as it licked at your lips, tangling with your own tongue, then forcing it’s way down your throat. You gag from the feeling and tears prick your eyes, but he doesn’t remove his tongue from your throat.

Zhongli moves towards you, taking in the way you looked as you did your best with Childe’s “kissing”. His lips form a smirk as he positions his mouth in front of your soaking pussy. His eyes flit to yours and without a word, his forked tongue licks a stripe through your folds and to your clit.

You buck your hips, wanting more but without the ability to say so. Both men chuckle at this, but Childe is the one who speaks up, “Aww does the needy slut wanna say something?” Your eyebrows scrunch together, unable to make a retort with his long tongue still exploring your mouth. Zhongli spreads your folds carefully with his thumbs, watching as your home clenches around nothing, “It appears you’re in need of more stimulation. I can fix that…”

His forked tongue gathers your arousal and begins to relentlessly flick at your clit. He leans closer, sucking your clit into his mouth and gently nibbling. You whimper and sputter around Childe’s tongue and Childe is kind enough to retreat it. He grasps your jaw in his own pointed fingers, making you look down at Zhongli, “Look closely at what he’s doing to you…” You couldn’t look away even if you wanted to. The way Zhongli’s forked tongue moved so skilfully made your legs shake.

Childe huffs, annoyed at the lack of attention when he was the one who made you look at Zhongli. His grip tightens on you and tilts your head up harshly to look at him, “It’s not fair you’re getting all the pleasure here… Get my cock out.” He releases his grip and allows you do what he demanded all while you were letting out delicious moans from Zhongli’s ministrations.

Once Childe’s cock was freed, you ran your thumb over the slit, gathering pre cum on your fingertip. A groan comes from deep in his chest, the sound deeper than usual in this form. He laced his fingers through your hair, “Suck it. I wanna feel good too.” You fought back from telling him how whiny he was being, knowing that provoking him in this state would not be the brightest idea.

The slutty moan that came from Childe’s mouth pleased you, as you wrapped your mouth around his cock, swirling your tongue around the tip and teasing the slit. The vibrations Zhongli’s dark chuckle went straight to your clit, making you moan around Childe’s length. Zhongli pulls away from your dripping cunt and looks to Childe, “I hate to interrupt but our dear here would be better on her hands and knees, wouldn’t you agree?”

If Childe could glare at him through his mask, he would. He pulls your head away from his cock, grumbling the whole time. You do your best not to laugh as you adjust your position to your hands and knees on the bed. Your amused thoughts were quickly interrupted by Zhongli’s hand making contact with your ass and you gasp. “I do hope you are ready for this…”, his voice deep and laced with a threat.

Before you can ask what he meant, Childe grips your hair yet again, pushing the tip of his dick against your lips, “Get back to it. I’m hardly finished yet.” You obediently open your mouth and he’s quick to shove his dick back down your throat. Distracted by this, you startle when you feel not one, but two cocks behind you. So that’s what Zhongli meant….

Your eyes roll back when you feel Zhongli slip inside your pussy first, but you nearly choke on Childe’s length when you feel Zhongli’s second cock prod at the tight rim of muscle as well. The noises of concern you made around Childe’s thick member didn’t do anything to stop Zhongli from slowly pushing into your ass. Zhongli’s fingertips dig into your hips as he buried himself to the bases of both cocks.

His head tilts back and his eyes squeeze shut, the feeling of being in both holes at once was unreal, “I apologize, but you did ask for this…” Zhongli pulls back then thrusts hard into both just as Childe forces himself deeper down your throat. Both men grunting and groaning in pleasure while you were filled up in every hole. Drool drips down your chin and onto the bed as your mind goes completely blank.

Both men thrust in tandem, causing you to cum uncontrollably on one of Zhongli’s cocks, while your tight asshole squeezed his other cock so tight he was sure it would fall off. He lands another smack to your ass as he growls, “Loosen up or I will not be able to continue.” You do your best to try to relax your body, but it doesn’t help that Childe was throat fucking you now. His large cock slipping down your throat as it tightened around his length involuntarily, “Swallowing my cock like a good little whore. Keep it up and I’ll reward you with my cum.”

You try so hard to keep up with Childe’s forceful pace as Zhongli decides he can move again. It didn’t take long for them to get back into the same rhythm they held before; each cock in and out and the same time. Zhongli’s glowing eyes shoot to Childe in a look that told him he was about to cum. Childe gives a single nod and with a final thrust from both men, loud growls and moans fill the room. Childe’s cum spills down your throat and Zhongli’s shoots into both holes. Never have you been filled to the point of feeling this ridiculously full.

All three cocks begin to soften and slip from your body to which you effectively collapse face first on the bed. Cum leaked from your pussy and ass, a sight that made both of them want to go again. Childe almost suggested it, but when he tilted his head to see your face, you had passed out from exhaustion, making him chuckle as he transformed back into his human form. Zhongli raised a brow, transforming as well, “Are they sleeping?” Childe nods and Zhongli sighs, “Go retrieve the wash cloths, please. Let’s clean them up.”

Hours later, you awoke sandwiched between the two of them. You sigh to yourself with a content smile and snuggle even further into the bed.

⁎⁺˳✧༚🐋 ⋆ᨒ 𓐬⁎⁺˳✧༚🐋 ⋆ᨒ 𓐬⁎⁺

a/n: i loved writing this and i hope you enjoy this anon!!

taglist: @stygianoir

[magknightidv]

You've gotta hear me out on Ithaqua getting a little too possessive towards his survivor partner during a match ! Love your works btw <3

Mmmmmm Possessive Ithaqua 😍

Warnings: You'll never guess this one but Possessive behaviours

Pairing: Possessive! Ithaqua x Gn! Reader

--------

- He isn't sure what caused it. Maybe it's his own instincts telling him he needs to protect you, or maybe the manor is affecting him somehow..

- Your Team is quite possible the worst concotion of players to have paired with you. The Prospector, the cowboy and the "prisoner". He's semi-alright with Luca, he doesn't really do much harm. Its more a case of him being annoying to deal with on a good day.

- However Kevin and Norton strike Ithaqua the wrong way.

- He immediately finds Norton but instead turns his attention to finding you, just to make sure you stay away from them.

- He finds you. Quite easily actually. He comes across you helping Luca to decode who quickly runs off in favour of saving himself. Smart man, Ithaqua has to applaud him for using that mildly malfunctioning brain of his. He does have to break the connection, if only to delay your guaranteed escape.

- He lets you finish the cipher and simply stands around impatiently huffing and puffing to the side like a bratty child not getting enough attention. And that's accurate to a certain degree.

- once the cipher is done he tells you to go into a locker so he can pick you up and take you with him. You think nothing of it as this is fairly normal behaviour he likes to carry you around you've noticed. His little giggle when he picks you up just melted your heart.

- However. Unlike the usual routine, Ithaqua takes you to the nearest corner of the map and places you there before trapping you within his arms. His cloak making the two of you practically disappear, well.. you know as much as one can with the terror radius thing..

- His eyes are animalistic and his jaw clenched, but he makes no move to act on whatever violent act is forming in his head. Just pulls you to him as though he is trying to mesh with you.

- of course, he was mostly..., kind of, calm.

-Until the two idiots turned up. And by that I mean Norton and Kevin.

-Kevin lassoed you from Ithaqua's grasp, that alone made him screeched out in rage, but just to add some extra sourness to the situation, a magnet gets thrown towards him. Forcing him back into the wall.

- You struggle your way out of Kevins hold and push him away right as Ithaqua dashes at him. Norton quickly runs off to possibly hide in case he needs to really save, or possibly help Luca to continue saving.

- "IDIOTS, BOTH OF YOU!" You yell out to nobody in particular as Kevin had already run off. Ithaqua stays still for a moment, left eye twitching.

- He turns quickly. "Stay." He commands as though you are a dog awaiting your next trick. You're going to stay near, obviously, just maybe that Cipher off to the left will somehow get finished off...

- He dashes away in the direction Kevin left.

- As you're decoding, the prospector returns around the corner.

"Hey."

"Fuck off. That was stupid and you know it."

"Yeaaah.. but got the reaction I wanted. He's a tad bit, whats the word, protective? No. Possessive. Thats the one! Like he owns you."

"If he ever got asked if he owned me he definitely would answer like that.. It's a bit much at times, maybe next time to come running up to try and save when he's clearly not going to chair me. Luckily he seems to have lost Kevin."

The last Cipher gets completed by you and Norton but just before you can run to the exit, Norton says something that irks you.

"Geez, I didn't ask for your life story.. no need to keep going on..."

Yoou dont even initially intend to do it but you're hand reaches out to slam his head against the nearest wall to temporarily stun him.

"Not so fun now is it.."

In the distance a pissed off roar can be heard from Ithaqua, who you can assume just missed hitting the now escaped Kevin and Luca.

"Now, we're gonna surrender." You tell the prospector sternly

"Why would I do tha-"

You grab his ear and stare at him, "Consider it your apology to Itha. Believe me Kevin's going to deal with far worse."

Quiet grumbles are all that are heard from the disgruntled ex-miner.

----

Hope you enjoyed :) I partially forgot what I was writing halfway through but I loved writing this ♡

[starscream-is-my-wife]

Complilation of Ratchet and Optimus in the marvel comics

I know alot of people don't like how emotional Optimus is in the marvel comics (especially with Ratchet vs the rest of the autobots at the end) but just the things they do for each other here... they love each other so much it's taking over my brain

I love the earlier issues of them bickering

Spoiler warning for the marvel comics btw

Poor guy, his bf couldn't even stay alive for the first 10 issues

The size difference is insanee + Ratchet appreciation :)

Optimus faking his death to make the autobots less reliant on him so he went on a death mission and planted a fake corpse, Ratchet held a funeral for him

Optimus of course came back, but then litterally 2 issues later HE DIED FOR REAL. Poor Ratchet worked on him for 238 hours straight and diddnt go to the funeral

After he died the autobots needed a new leader, and Grimlock took over (nobody likes this)

Optimus did come back though

Although shortly after Optimus gets lured away from the ark leaving Ratchet vulnerable for capture

I love when Optimus becomes irrational when it comes to Ratchet, he just wants to protect his medic 😭

I should make a separate post talking about Megatron and Ratchet but Ratchet died killing Megatron and Optimus was so distraught he QUITS the war and retires on the moon

Kinda hypocritical of Optimus "Dies the most of any transformer" Prime but its Ratchets first death so its probably gonna hit the hardest

Optimus did come back and put Nightbeat on the job of looking for Ratchet in case he was alive

Only to find out that Ratchet got fused with Megatron in the most messed up situation I've seen in transformers canon, I've never seen optimus look so horrified

Alot of this chapter is Optimus fighting the choice to either do the thing best for the autobots or save Ratchet, in an unpopular decision he chose to save Ratchet

OK tumblr won't let me add any more photos but after they split Ratchet ends up in Megatrons hands again and he keeps him near his throne, Ratchet can't move to run away but he can still talk. Megatron asks him why hasn't Optimus come to rescue him and Ratchet holds faith that Optimus will defeat him some day. He does eventually gets rescued by the twins and Optimus.

That's all of the times I can recall where the two interact or mention the other, I think I got most of it at least, I just want them to be happy 😭

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[thatoneoverlyhornybitch]

Just a drabble of you giving Re2r! Leon head<3

Re2r! Leon s. Kennedy x Fem! Reader

Warnings: dom reader, sub leon, oral (m recieving), throat fucking

A/n: I'm so sorry I'm having rookie leon brain rot rn and it won't stop + I'm so sorry I forgot to post this literally right after my last leon fic literally 2 years ago bruh😪 not gonna edit or add more then there already was btw, I have another fic I'm working on but I found this and needed to get it out of my drafts lol

You press a soft kiss to the light pink tip, sticky precum stuck to your lips as you glide them down the side of the thick cock. You push your tongue out, giving small kitten licks to the sides as you make your way to his leaking tip once more.

He whines out softly at the feeling of you tonguing at his tip. You set your eyes on his pretty flushed face, his teeth buried into his bottom lip as he watches your every movement with furrowed brows. You abruptly suck the whole tip into your mouth, flicking your tongue over it while you apply light suction. You slide the hard cock further into your mouth, sucking harder.

"A-ahh!" Soon enough he was balls deep in your throat, balls slapping your chin as you bobbed your head up and down at a much faster pace. You could tell he wanted to put his hands into your hair, but didn't want to hurt you. With a giggle around his cock, you reached for his hands and threaded them with your own before placing them in your hair. He gives you a concerned look, glancing from his hands to your eyes.

You let off his cock with a pop, instantly missing the feeling of him being down your throat he let out an involuntary whine. "Be a good boy and fuck my throat, 'kay?" You grinned, pressing another kiss to his tip. His eyes widened, and the flush on his face grew fiercer but he nodded shoving his tip past your lips.

"If that's what you want...." He muttered as he began thrusting weakly, he was still holding back as he didn't want to hurt you. You rolled your eyes, before you grasped his hands and roughly pushed them further. He got the idea and began to go at the pace you'd wanted, you moaned around his cock as he filled your throat. Tears pricked your eyes, but you were in heaven. You swore you could get off just with this, biut your thoughts are cut off as he abruptly halts as his seed starts shooting down your throat.

"W-was that okay?" He asked shyly almost, avoiding eye contact.

"That was perfect baby, wanna do it again but this time let me know when you're close, yeah?"

[86espresso]

where do we go now? | qh43

-> 1.7k

sum: you’re the best in my life and I lost you

warnings: HAPPY ENDING in the second part don’t run away, not as heartwrenching as the song I promise, breaking up, angst, feeling like a pile of emotionless trash ❤️, she/her for reader, use of y/n. you’re Quinn’s age and your favorite flowers are marigolds btw.

a/n: I love this song, it hurts so bad <3

You flop on the couch, looking disheveled and tired. Junior year really brings out the worst in everyone. Quinn, who was sat at its end, immediately threw aside his phone and put his sole attention on you.

“Hi, Goldie. How was school?”

“Horrible. I’ll kill mys-” 

“Okay, okay I won’t let you finish that,” he muses. “I worry about you sometimes.”

“You don’t need to, Q. I’ve got it under control. Swear on Jack’s life.”

“I can’t decide if that’s reliable.”

“Hey!”

The younger boy was the one who gave you the nickname after your favorite flowers, and as annoying as he can be, he never fails to make you smile.

“Alright, boys. No need to throw hands. Quinn, could you wake me up in twenty minutes? Carla’s coming over for tutoring.” You add sleepily as you lay your head on Quinn’s lap, and he immediately threads his fingers through your hair, giving you a gentle scalp massage and acknowledging that he heard you. You really could get used to this everyday, til junior (closest thing to hell on earth) year ends.

The tutoring session with Carla goes by fast since its always fun with her sharp personality. She always has the right words at the top of her tongue. Which is why it was concerning to see her quiet after the session was over. 

“What’s up, Car?” 

“I don’t know,” she sighs, running a hand through her short hair, “You- well, it’s weird since I don’t seem like the type to talk about these things-”

“Spit it out, Carla,” You deadpan. 

“You’re, like, in love with Quinn, right?”

It catches you off guard and you check the door of your designated room in the Hughes’ house to be safe before answering, “Yeah?” 

“Do you ever plan on telling him?” 

You can’t help the way all of your insides turned to mush, “I did, actually. A couple of days ago.”  

You flushed as you remembered that night. 

You and Quinn had just sat down to study for the same stupid French exam you both needed to take. It was exhausting but studying with your favorite person made it so much better. 

“You know, you’re, like, my best friend.” 

You pause, but continue a moment later because you knew that Quinn could sit in silence for hours with everyone except you. 

“Yep.” 

“Okay.”

You laugh through your nose, he might be the most endearing person ever. 

“I love you.”

Now. 

You would’ve lied if you said you didn’t feel your stomach lurching in a good way. 

“I love you, too? Quinn, what’s-?” 

“It’s like.” He shuts his textbook. “You’re the one person who knows me inside out and you’re, like, always there for me. And I-“ he huffs, running a hand through his hair as if he couldn’t find the right words, slightly distracting you with his bicep. 

“I don’t know what I would do without someone as constant as you in my life, y’know?”

Quinn was definitely more empathetic than his brothers, but the sentiment was almost too much for you to handle. 

So, the sudden bravery and burst of emotion in you decided that you will not start crying and instead throw your notebook to the side and straddle his lap. And cup his face. 

As soon as you realized what you did, mortification took over all of your senses and before you could clamber off of Quinn’s lap, he puts his hands firmly on your hips to lock you in place. 

“Goldie,” he murmurs your sweet nickname as if in a trance. 

“Can I-?” 

“Please.”

His voice was borderline desperate when your lips collided in a firm, dizzying kiss. It started to escalate when the kisses went from soft to feverish and his hands were all over your body and tangled in your hair, French textbooks long forgotten. 

“I love you so much more, baby,” You managed to say between pants and stolen kisses here and there while you and Quinn stayed intertwined. That’s when he shoved your face into his chest so you wouldn’t see the blush on his face. 

You two eventually broke apart because it really was super late and even with the adrenaline, you weren’t sure if you could stay awake any longer. 

So, you and Quinn made your ways to your separate rooms, grinning like complete idiots but not without sharing a goodnight embrace. 

“Shut the actual fuck up.” Carla snaps you out of your trance, jaw hitting the floor. “Honestly, I never thought you would ever grow the balls to do that.” You could never stop smiling around Carla. 

“Well, I did grow the balls and you weren’t finished with what you were going to say.”

She looked uncomfortable again. You spared her the misery and said it for her instead. 

“Jack.”

“Oh god.” 

She buried her head in her hands. 

“I can’t have a crush. That’s literally so embarrassing, golds.”

“It’s absolutely not embarrassing, Car. It’s okay to like someone if they’re worth it, y’know?”

“I don’t like him.”

Sure she didn’t, but you ended it at that.

One thing you learnt from being the oldest child with neglectful parents was to lock up your own feelings and put them away in some dusty top shelf while you attend to others.

And now it was almost the end of senior year. 

The Hughes’ knew you since you walked into their life at 11 years old. They all, especially Quinn, understood you better than anyone else. 

They started noticing small changes. 

How you stopped spending special time with Luke where you both did his homework and helped with girl problems. How you stopped organizing pranks with Jack and his friends and having witty banters. How you’d started to shy away from Quinn’s touch and become nervous-uncomfortable around him rather than nervous-giddy.

Every time he would praise you, you would think of the lower than average score you got on the test earlier. Every time you two were out for lunch, you would remember how you started falling off in your favorite sport, and your hunger would go away. You felt sick to your stomach about every little thing you did. 

Quinn isn’t that much of an idiot though. He knew you needed space so he avoided prodding too much. 

“Hey, goldie”

You let out a soft hum, acknowledging that you heard Luke before he takes a seat next to you, a spot where you were usually found overlooking the vast lake. Luke would always be a little brother to you, even now that he’s 15 and understands so much more than he did when he was 7. 

“You’re sad,” he noted. The corner of your lips twitched.

“Not anymore, Lu, and you don’t need to worry about me,” you gave him a glance before shifting the conversation to him and asking about school and hockey. He took the bait, bless his heart, and talked while you gave the occasional hum and raise of your eyebrows. He knew not to be offended; you weren’t exactly… you anymore.

“You know.” He breaks the few minutes of silence. “If there’s something that’s really bothering you, you should tell us. Or at least Quinn. He’s worried.”

You were wrong. The little boy you grew up with wasn’t stupid enough to take the bait.

For the first time in days, tears sprang to your eyes. You look up at the sky that was getting darker with time, just like you.

“it’s just- everything, I feel so useless and sad and I’m always snappy, and.” You take a deep breath. “Quinn’s moving. He has his whole life planned out. And, so do you and Jack. What the hell am I supposed to do? Michigan is so far away from Vancouver, I don’t even know my majors yet I just-” You stop, because the boy who you were almost four years older to didn’t deserve to hear your worthless problems.

Regardless, he pulls you into a tight hug without intentions of letting go.

“Y/N.” You momentarily freeze at the lack of your nickname. “All of us can’t really imagine a life without you. Those stupid things don’t decide your worth. You mean so much to us, goldie.”

You knew his words held meaning, but you couldn’t bring yourself to believe them.

The next day, you were found at the same spot. Not by Luke this time, but by a softer, deeper voice that used to be sugar to your ears. Still is, but clouded with the mess of emotions in your head. Or lack thereof.

“Hey, baby.” The pet name actually did something to your stomach this time. You don’t deserve to be called baby by him.

“Hi,” You whispered back. You look up at him as he he sits next to you, mustering a small smile because its the least he deserves. He seems to light up at the slight display of emotion, and leans in to kiss your forehead.

You don’t deserve to be taken care of so gently.

You don’t deserve any of it.

His touch was so comforting but it felt like poison. You lean into it and pull away because this may be the last time you ever talk to him.

“We need to break up, Quinn.”

He’d spoken softer words to you at first but it escalated. He couldn’t be blamed for fighting back, because the girl he knew, the girl he laid his heart out for, wasn’t there anymore all of a sudden. His eyes were teary and yours were dull and dry. 

“Quinn, I’m leaving and you need to stay away from me.”

“No.”

“You look so hopeful, trying to convince me that we- we were made for each other and we’re supposed to last forever and that I have it figured out as well as you do. We are so different, Quinn. It was never going to work out.”

“Just-” he ran a frustrated hand through his hair. “If it’s the space that you need, you know where I am.” His voice had grown soft, but you had already turned your back. 

The rest of it was a haze; packing the few clothes you brought with you to Michigan, leaving without telling anyone. Except Jack, who saw you packing through the doorway and got sad, knowing exactly what’s going to happen.

You went to your aunt’s home after that, which was in a small town that was annoyingly close to Vancouver. It was serene and quiet and Carla had committed to college there. 

If it’s the space that you need, you know where I am.

/

so part two yes no idk

love u all 💗

[koqabear]

Lamb To The Slaughter

♫: Gods & Monsters, Lana Del Rey

"An act of kindness goes a long way, your parents told you once; their words stuck with you all your life, your pure heart never failing to follow their philosophy— though, it seems your naive self was left unaware of just how far an act of kindness can go."

wolf hybrid!beomgyu x lamb hybrid!fem!reader x herding dog hybrid!soobin

Genre: smut, hybrid au, angst, porn with the world's smallest amount of plot

Word count: 15.8k

Warnings: barely edited oops, heavy predator/prey themes, injuries/blood, use of scents, scent glands and scenting, mentions of kidnapping and murder, psychological abuse i guess… this fic doesn’t let you forget that they’re hybrids btw, (showcases animal-like behaviors and habits), soogyu are stronger than the mc, obsessiveness, manipulation

Smut Warnings: DUBCON. threesome, mean dom!gyu, soft dom!soobin, sub!mc,inexperienced!mc, pet names (pretty, doll, good girl, etc.) manhandling, marking, subspace, possessiveness, choking kinda, dry humping, praise, praise kink, humiliation, dacryphilia, fingering, exhibitionism/voyeurism, degrading, orgasm control, dumbification, finger sucking, cum eating(?), spanking, begging, mind breaking, unprotected sex, jerking off ig, jealousy, hair pulling, rough sex, corruption kink maybe, multiple orgasms, overstimulation, double vaginal penetration… brief mentions of breeding, creampies, knotting, claiming, mc blacks out. (lmk if i should add anything.)

Notes: look at these stupidly long paragraphs of warnings oh im gonna kms. this story almost had me plucking my hairs out one by one, i’ve never been so stressed out by a pwp before. it was originally an ot5 au and was supposed to come out during october but… yk. shit happens. (i saw a post that changed the entire trajectory of this fic)

[This story contains dark content. Please read the warnings carefully; I am not responsible for the content you choose to consume.]

The forest at the edge of the village is something that should’ve been closed off long ago— but there’s no resources, no men to work on the border, no money— so the townspeople have resorted to old myths and tales to ward off wandering children and defenseless women instead.

There’s a killer in the forest— fairies will lead you down the wrong path and trap you in the woods forever; there’s a hidden pond so deep that if you fall in, you’ll sink forever. Typical tales that are told around the bonfire, where people cower and whisper from the thrill of the stories. Yet with each varied warning, one thing stays the same.  

There are wolves in the forest.

Large and strong and invincible, with a terrifying bloodlust and noses so keen they could spot you the moment you cross the barrier; tearing you to shreds, eating you alive and forcing you to feel the pain all throughout it. The wolves are always hungry, insatiable, and lurking about for its next prey— anyone who would enter the woods willingly would be deemed suicidal. 

You’ve never been one to believe such tales; how could you, when you’ve grown alongside the forest?

There are wolves in the forest, that much you’re sure of— but the fantastical tales and myths are nothing but a farce, crafted from the fear of the unknown and the dark, entangled landscape that lies past the backyard of your small cottage; belonging to your deceased parents, now left to fend on your own and care for the gardens and lush plants your mother had carefully cultivated since you were a child. 

She taught you everything you needed to know about the forest; which paths to take, which areas led to steep cliffs or poison ivy, and where to find herbs and plants that would aid to the medicinal business your family ran— you were fascinated by the craft, even as a young child, learning with eager eyes and an even more eager mind as you stored all the information in your small, worn down journal; the pink material of the cover faded and torn at the corners, filled to the brim yet still useful to you as you took it with you on every trip.  

Tonight, you pull on a warm coat dress; it’s thick and durable, a cute piece gifted on your birthday by the baker’s son, the border collie family always making sure to look after you since the day you were left on your own. The shawl sewed into the coat hangs over your shoulders like a small cape, adding in extra warmth as you look out the window and onto the cold scenery; the leaves have begun to abandon the trees, and if you hadn’t memorized the forest layout like the back of your hand, the covered paths might’ve concerned you— but you’re confident as always, grabbing your wicker basket and perching it on the crook of your elbow, glancing down to make sure your journal is already inside— and with one last mental check to make sure you have everything you need, you slip on your boots and make your way outside. 

“Soobin,” you say in surprise, swinging the door open, getting scared at the sight of someone already waiting for you outside— the said man only smiles at the sound of his name, laughing fondly at the way you press a gentle hand against your startled heart; his ears perk up at the sight of you and his black hair is slightly disheveled, though you guess it’s probably from his habit of running a hand through it whenever he’s restless— he holds a basket of his own, and your eyes fall onto it with a curiosity you don’t bother to hide.

“Hello pretty,” he smiles softly, the nickname never failing to make a heat flush up the back of your neck— you really hope he doesn’t notice your flushed expression, his eyes narrowing with fondness as he brings his basket up, opening it to show you the contents, “I made an extra batch of bread, and I thought you’d like some. Business will get busy for us both soon, and I’d hate for you to get hungry because you don’t have time to eat.”

He’s sweet and caring, and it never fails to leave your knees weak— he looks at you with nothing short of affection, raising a brow in curiosity and glancing down at your already occupied arm— his brows furrow, biting his lip in thought as he finally pieces everything together. 

“Are you going to the woods?” he asks softly, reaching past you and into the doorway, placing the basket of bread on the table next to the door— his hands are immediately coming up to your shoulders, smoothing out the soft material of the coat with narrowed eyes— and they’re filled with worry again, ears angling down and tail swaying slowly from side to side, searching your face that can’t seem to lie to him, “It’s dangerous to go at this hour, you shouldn’t.”

“It’ll only be dangerous if you continue to stall me,” you tease, shrugging his hands off and wrapping your own around his elbow, tugging him until you’re both stepping out of your home; he allows you to, and you’re locking it up with ease, even as he continues to tell you not to, to go another day, another time— you huff, shaking your head and frowning at the way he begins to offer to come with you; his instincts must be kicking in again, eyes filled with a calculated look he only sports when looking out for your safety— and with you being nothing but a fragile little lamb in his eyes, this look was something you’ve become very familiar with. 

“No, you mustn’t come with— it’s dangerous, and I’m the only one who knows my way around the woods,” you scold him, and even though he stares at you with that intimidating, stern look, murmuring about something about his keen senses, you stand your ground, “I’m too one-track-minded to guide someone else through these woods— I’d hate for you to get hurt because of me.”

He sighs— and you know you’ve gotten him good by the way he remains silent, stalling his leave as he tries continuing to reason with you— but you keep refusing in return, cooing softly that you’ll be okay, that you’ll be quick. 

“I’ll wait for you,” he finally says, refusing to back down even as you express your worry; after a moment of bickering, you finally give in. Your eyes widen in surprise as he gently pulls you in for a hug, engulfed entirely in his embrace as he rests his chin on your shoulder, inhaling your scent with a content sigh— warm, comforting and pure, like jasmine with the hint of a pure, soft vanilla, his nose subconsciously poking at your gland in search for more— and you shiver at the feeling, engulfed in his calming scent, a sage and rich pine, allowing yourself to melt in his arms and hold you tighter, ignoring the way your heart begins to race the longer your remain there. 

“Come back to me safe.”

Soobin is just as solemn and loyal as he was the day he declared that he would always protect you— and it makes your heart race a bit faster, a dopey smile stuck on your face as you wave him goodbye— you sigh pathetically the moment you’re finally in the woods.

The leaves crunch under your feet and birds chirp in the distance; it’s comforting to you, humming softly to yourself as you walk the paths you need to take without much of a thought, gathering herbs and plants as you slowly check them off your list; everything goes as smoothly as it always does, your mind in awe as you witness the sun beginning to set. 

You should get going soon; it was never ideal to be in the woods after dark, no matter how familiar you were with the landscape. The thought makes your steps quicken and your eyes sweep over the land in acute concentration, looking for the last plant on your list— you’re freezing entirely when you hear a shift against the leaves. 

You’re still; was it a false alarm, or a harmless rabbit passing by? You’re not entirely sure, wicker basket heavy in your hand as the other presses firmly against your heart; trying to settle your heart rate, breathing deeply as you look for any signs of movement, any signs of life around you. 

Just when you think the coast is clear, you hear it again; rustling against the leaves, harsh and erratic as something else greets your ears— sharp pants and sounds of struggle, a pained yelp resounding into the vast space and sending you into action before you can think twice. 

You round the thick oak tree ahead of you, searching for the source of the sound— and stumble back in surprise, an involuntary gasp escaping you as sharp eyes and equally sharp teeth point your way— a man lays before you, injured and weak.

Except, he’s not just a man; that much is made clear to you the moment your eyes sweep over his frame once more, taking in the ears that press flat on his head and his fangs that remain bared at you, the injured man—wolf hybrid— growling lowly at you and shuffling back to curl against the thick tree that once covered him; your hands shake as you hold onto your basket a little tighter, wide eyes sweeping over his figure and inevitably landing on the source of all this commotion; a twisted ankle, rendering the man before you immobile. 

You must run— you must, and it’s all your instincts seem to yell at you, your muscles becoming rigid with tension, white ears pressing flat against the top of your head and fluffy tail quivering with fear— but you have yet to, something about the look in the wolf’s eyes making you ignore your instincts, just for a second; behind the dangerous fangs that glint beneath the remaining light and his eyes that are narrowed threateningly, you can still see the pain he’s found himself in.

Something inside you clicks— your weak heart twists and your hands grip your basket a bit tighter, a voice in your mind telling you that you can’t just leave him like this; you can do something to help. Next thing you know, you’re taking cautious, slow steps toward him, hands held out to show that you’re nothing close to a threat— though you’re sure that the smell of fear that rolls off you in waves is enough of an indicator— and your soft voice is whispering out your intentions, continuing your approach even as he bares his teeth at you in warning. 

“I want to help you,” you say softly, finally at his feet as you place your basket gently next to him; and he growls at you once more, though you don’t find yourself to be afraid— if he were dangerous, he would’ve attacked long ago. It’s the only thought that repeats itself in your mind like a prayer, pretending as though your hands don’t tremble as you reach into your basket, as you grab the herbs you were just stocking up on and the bandages you carry for emergencies. 

He lets out a particularly harsh growl that makes you jump; it makes you hesitate to touch his skin, bruised and broken and bloody, eyes jumping to meet his— and though the action was meant to be confident, nothing can hide the fear that taints your eyes, the way your frame shrinks slightly when you’ve found that he has no issues holding eye contact— and after a standstill moment, you finally continue, ripping a piece of the bandage and attempting to clean the wound as best as you can. 

You’re a bit clumsy at first; unable to look away from the man, his strikingly dark red hair that's matted to his head from a thin layer of sweat, dirtied clothes and face that’s twisted in a mean glare— but eventually, it softens, the deep heaving of his chest calming as he watches the way you tend to him with deft hands, not seeming to care if he’s soiling your pretty coat as you tug him closer to you. 

The bandages are tight on his ankle and you’ve placed herbs within to help soothe the swelling— all tricks you’ve learned from your mother, from the times when you would run about carelessly and twist your ankle in some hidden hole, only calming your cries to see her work her magic on you.

Reassuring words don’t do much in the grand scheme of things, but you still whisper them sweetly to the injured man before you, dry bandage cleaning along the rest of his calf as you tell him to rest, to try and not overexert himself. And though you don’t know if he can understand you, though you’re unsure of where he came from— because as far as you know, wolves have been banished from your village for decades— you still find yourself caring for him. It’s something he can pick up on in your eyes, gentle and reflecting the last of the sun’s golden rays that leak through the woods. 

It’s quiet; it’s peaceful. Warm fingers lingering on his skin much longer than you intended, a curiosity leaking through your wide eyes as you take in his figure, the tall dark ears that stand on his head, the tail that lays on his side, thumping rhythmically— and you think you’ve finally found the courage to ask who are you? Lips parting to speak, you’re cut off by the sound of rustling, a new overwhelming scent overtaking your senses; something is approaching. 

The man before you doesn’t seem to be worried; it’s you that’s whipping around to the source of the sound, shrinking pathetically once you spot something emerging from the dark, thick mass of trees behind you; eyes, multiple pairs, glowing and angry as they stare at you like you’re their next meal— you’re not sure how many pairs there might be, but you’re stumbling to your feet quickly, eyes widening as you realize that the sun has set long, long ago.

You almost slip on the leaves beneath you; one last glance at the man behind you shows that his hands were out as though to catch you, expression twisted with what you’re surprised to see is… concern. But as a rough growling begins to surround the two of you, a sharp pang of fear courses through your body, the gravity of your situation finally sinking in as your eyes sweep around the area in one last, terrified glance.

They’re targeting you.

Before you can think twice, you’re turning on your heel and running— though nothing follows behind, you still let adrenaline take its course, shallow breaths and teary eyes guiding you back to your home; you don’t realize how crazed you must’ve looked until you’re finally reaching your front door, a worried Soobin immediately interrupting your flee and scooping you into his arms, whirling around to shield you away from the forest.

“Are you alright? Are you hurt? Dear, what happened?” he’s breathing out the concerned questions against the crown of your head, arms wrapped tightly around your middle and the only thing keeping you up as your knees buckle with fear; his gaze sweeps down to the state of your cute coat, the once pristine and pink material now dirty and bloodied; his hands hold onto it with a newfound panic, lifting the coat and attempting to find the source— it isn’t until you’ve let out a few pathetic sniffles that you can finally reassure him the blood is not yours.

“Is everything okay? Did something happen to you? Oh, I should’ve—” Soobin has pulled away to cup your face in his hands, wiping away the tears that escape your sweet eyes like a fountain; thumbs caressing your tear-streaked skin lovingly, brows knitted together as his concern pours off him in waves— and you shake your head softly, attempting to dissuade the guilt he must’ve felt for leaving you on your own. 

“It’s fine, I’m not hurt,” you croak out, grabbing onto his waist for support as you finally regain the strength in your legs, “I just— had some encounters with a wolf— but I’m safe, they didn’t hurt me, I’m just a bit shaken, is all.”

“A wolf?” Soobin asks, much more concerned by your words as he pulls away to inspect you once more; his hands run gingerly over your shoulders, running along them until they’ve stopped at your neck, eyes honing in on the spot for a moment before he sighs in relief. His gaze is hardening once more, cupping your face and looking at your sternly as he speaks. “Where were they? Did they follow you? Did you interact with them?”

“No, no— it’s alright, I’m alright, I promise,” you breathe out, hoping that Soobin doesn’t notice the way you shrink under his gaze, the way your body warms up at his touch— but he’s much too concerned about your safety to pick up on it, dismissing every cue of your body as nothing but fear, instincts heightened as he looks behind you and back at the forest you just came from. He watches the woods carefully, eyes narrowed and ears perked in concentration— but nothing happens, and he’s left to reluctantly believe your words, even if he wants nothing more than to run into the woods himself and make sure there’s no threat to you. 

After a moment of observing the forest, Soobin is turning back to you, and his gaze immediately softens at the sight. The brave front you put up isn’t fooling him, and it’s quite obvious that you’re still shaken from your encounter, delicate ears still pressed close to your head, eyes wide and scent muddled with distress— like rotten flowers, earthy and pungent— and with all the adrenaline ebbing away from your system, you’ve found that your legs have become pure jelly once more; Soobin is quick to catch on to the way you tremble and hold on to him tightly. 

“Oh, my doll,” Soobin sighs softly, fishing for your keys in your coat pockets and unlocking the door for you, leading you inside with a careful hand— as though you were made of porcelain, still shaken and anxious as he leads you to sit down, “it’s alright, you’re safe now— I’ll keep you safe.”

Soobin insists on taking care of you long after you tell him you feel better; he’s keen to protect you through and through, keeping his distance yet still doting on you as he makes you tea, helps you out of your coat, and even offers to wash it for you— the sight replaces the heavy fear in your stomach with butterflies. 

When he bids you goodbye, his eyes are soft, his movements slightly reluctant— but he must, it’s unlawful for him to stay the night with you; an unclaimed little prey like you, spending the night with Soobin, even if he was nothing short of perfect and kind, was enough to have the town gossiping like a storm. The very thought has your cheeks hot and your tongue stumbling on words, telling Soobin to get home safe with a shy, sweet voice— and he brushes his thumb against your cheekbones, smiling fondly before he leans in to press a kiss to your forehead; he lingers there, and you think you might just melt against him before he finally bids you goodbye. 

Your heart still races long after he’s gone; you suppose all this makes up for the fact that you forgot your basket in the woods, mourning the fact that you’ll have to go back to get it tomorrow— but for now, you’re content with giggling softly at the memory of Soobin’s lips against your skin, completely unaware of the eyes that watch you twirl around your kitchen happily.

 ≪ ⋆⋅☆⋅⋆≫  

When you wake up, you find something peculiar at your doorstep; your wicker basket is placed before your feet, pristine as it was when you first took it out. 

Your brows furrow, looking around the area and wondering how it got here— your mind is going back to the wolf you tended to, eyes slowly sweeping over the dense forest, ears twitching in attention, listening for even the slightest rustle of leaves, wondering if he’s still lingering— but the world around you is still, and it seems to be only you here. You bend down to pick the basket up carefully. 

Everything is intact— your herbs, your bandages, your worn down pink journal— and the closer you bring it to your face in order to inspect it, the better you’re able to catch something peculiar; a scent, your nose twitching in curiosity and your eyes narrowing. The unknown scent only grows stronger the closer you get to the handkerchief you used to line the inside, and only then are you able to get a good sense of it— light and heady, like an amber and smoky smell filling your nose, finding yourself oddly enticed by the scent. 

You’re far too wrapped up in attempting to decipher the complicated notes of this new scent to notice someone approaching; your senses have gotten so used to Soobin’s presence you no longer find yourself alert around him, only perking up at the approaching sound of leaves crunching and the familiar, sage filling your senses— tucking the basket behind your back, you send him a meek smile, cheeks heating up as you silently hope he didn’t see you curiously nosing at your basket. 

“Hey, pretty thing,” Soobin rumbles out lowly, smiling fondly at the way you practically preen at the name; you’re terrible at hiding your expression, the way your ears twitch at his words not helping your attempts to seem nonchalant before him. 

“Hi Soobin,” you smile, fingers restlessly playing with the wicker basket behind your back as you tilt your head curiously, “what’re you doing here today?”

“I needed to check on you,” he says immediately, a soft oh leaving your lips at that, “I couldn’t sleep well knowing I just… left you here on your own. I needed to make sure you were safe.”

“Soobin, it’s fine, really,” you reassure him softly, fluffy tail wiggling behind you at the fact that he confessed how worried he was about you, his dedication to keep you safe, “Nothing happened— as long as I’m in my home, I’m safe.”

Soobin wants to argue against that, you can tell. But you don’t give him a chance to, inviting him in with a tug at his arm, smiling at the way he immediately relents; you tell him about your plans for today over a cup of tea, that you have to make a few deliveries to some homes across the village— Soobin practically jumps to offer to come with. 

“You– won’t you be busy?” you ask shyly, staring down at your teacup and stirring your spoon in  a feeble way to distract yourself. 

“No, I’m not needed at the bakery today,” Soobin immediately reassures you, reaching over the table to place a delicate hand over your own— and you stiffen, a heat rushing through your body at the sudden contact; the smell of sage wafts over to you as his thumb rubs soothingly over your skin, your mind mulling over his offer as you bite at your lip in thought. 

He’s eager to hear you say yes; his tail wags slowly behind him, ears perked up and eyes honed in on your every expression— and after a moment, you finally nod meekly. 

“It’s only a house or two, but the walk is… it’s far,” you say, standing at the doorway and reaching over for your basket, placing the bottles and jars filled with homemade remedies inside carefully— but before you can continue your explanations and tuck your basket snuggly into the crook of your arm, Soobin is taking it from you, his brows knitted together as he stares down at the item in confusion. 

“I thought you lost this,” he says quietly, rotating the item in his hands, taking in its pristine condition with a frown— his ears are perking up and his tail is straightening, head whipping over to you with wide, concerned eyes. “Did you go into the woods to retrieve it?”

“No!” you say, oddly defensive as you shake your head adamantly, “It just— it was at my doorstep this morning, I think someone might have found it—”

“The wolf,” Soobin sneers, his tone much darker than it was mere moments ago— it makes your ears flatten against your head and your figure shrink, his scent turning earthy and thick and rendering you docious and pliant— his eyes are darting from the basket and back to you, only to go back to the basket in order to examine it closely; the moment Soobin brings it closer to his face, you’re able to see the very moment where that same, smoky scent enters his senses— his pupils dilate, and his nose twitches. 

The same scent as before. Soobin recognized it as the same scent that you were drenched in the moment you found him, shaken and face aghast— your coat and skin reeked of nothing but that scent, wanting nothing more than to take you inside and replace it with his own— but the most he could do in the moment was hold you close and hope that it would wash off. 

The owner of this scent must have brought you the basket back; Soobin’s head races to find meaning, to find reason, adrenaline coursing through his body that yells at him to take action; this must be a threat—you’ve been followed, they know where you live.

“It isn’t safe for you to stay there anymore,” Soobin proceeded to tell you, only confessing how he felt once you were far, far away from your home— from the woods. And you could only shake your head at that, the reassurances an automatic response in your head at this point. 

But Soobin wasn’t going to go down without a fight this time; knowing that the wolf was out there somewhere, that he knew where you lived and even went as far as to visit your home— it made Soobin tense with anger. 

“That wolf was at your doorstep without you knowing,” Soobin continued to reason, all throughout your walk back, “you don’t know who they are— what their intentions are.” 

It was only then that you decided to mull through his offer to stay, or for you to stay with his family— images of a bloodthirsty wolf at your doorstep filled your mind, and you couldn’t help but feel like your nine year old self again, sitting at a fireplace and telling each other scary stories about the forest only a few feet away from you— your young self would always be left shaken and paranoid, asking your parents if you could sleep in their bed. 

Maybe you’ve become too used to being independent; you’ve survived this long on your own— most lamb hybrids you knew couldn’t walk around at night without having a trusted predator around to protect them, just in case— yet you were so used to depending only on yourself that you seem to have forgotten how truly vulnerable your species is; Soobin made sure to remind you with a stern look and crossed arms. 

“I don’t see why you’re insisting so much, binnie— I promise nothing happens here, this place is dead,” you tell him as you make dinner for the two of you, the sun now long gone and the man still stuck to your side, leaning against the counter beside you and watching you cook dutifully— his eyes drift over to the window behind him, looking over his shoulder and at the dark, gloomy forest that obscures his view; his eyes can’t help but narrow and pick apart each shape he sees, nose keen and eager to sense any changes, any hint of that smoky smell— but he sees nothing, and he’s turning back around to catch the way you send him a slightly incredulous look. 

“I understand why you might feel this way— you’ve been on your own for longer than you can remember, after all,” Soobin says softly, taking in the way your eyes remain downcast and you shy away from his gaze. Hesitantly, he shifts to stand behind you, a gentle hand placing itself on your bicep before his head lowers to rest on your shoulder; his forehead rests against you, able to smell the restless, flowery notes of your scent— despite the strong front you put up, Soobin’s keen senses are still able to pick up on the tenseness of your body, the way you keep glancing out the window and into the forest unsurely. 

“You have to allow yourself to be helped— there’s nothing wrong with that, doll,” he coaxes softly, ears atop his head twitching at the sound of the shaky sigh you let out— the stove is turned off, and the food is done— but you don’t seem to care about that much. 

Carefully, Soobin nudges at your jaw with his head; allowing your neck to tilt slowly, to expose it to him as his nose runs along your skin delicately, until it’s pressed against your scent gland, inhaling slowly and taking in the intense mix of smells and emotions within you— and he presses his lips softly against it, a gentle kiss that turns your scent sweet and fresh like a blooming flower; your heart pounds against your chest for a second, then proceeds to relax against Soobin’s hold the moment his scent invades your senses. 

“I’m here to protect you.” 

His words stick to you for the rest of the night— as does he, his presence reassuring enough to make you forget of why he was here in the first place— enough to allow you to miss the glowing eyes that peek from the edge of the forest as you get a glass of water in the middle of the night, taking in your drowsy figure and eyes that are heavy with sleep; unaware of the pair of eyes that take you in hungrily, the tongue that runs along a sharp set of teeth, nose twitching to get another gust of your sweet, clean scent, the muddled vanilla that makes his mouth water. 

With Soobin lying in the guest bedroom, you’re almost able to forget that there are wolves in the forest. That there is one that has now set his sights on the cute little lamb that tended to him with wide eyes and an innocent heart. 

 ≪ ⋆⋅☆⋅⋆≫  

It’s early in the morning when you bid Soobin goodbye; your cheeks are flushed and you’re barely able to look him in the eye, despite not having done anything more than talk the whole night. He finds your shyness nothing short of endearing, placing one last affectionate kiss on top of your head before he tells you to call him if you ever need anything— to never be afraid to ask for help. You nodded to his words with a soft smile. 

Watching him leave had left a bit of an empty feeling in your heart; you couldn’t seem to help but watch him leave pathetically, standing at your doorway even after he had long gone; his scent still drifted around in your senses, the warm and sturdy scent helping you remain calm as you finally went back inside— closing the door behind you, you were pleasantly surprised to see that your home still smelled strongly of him. 

You had over ten different orders you needed to work on; you were able to busy yourself with making medicine throughout the rest of the day, boiling herbs and making remedies for colds and illnesses and burns. It was a tedious and slow process, and as you finally began to reach the end of your list, you couldn’t help but frown. 

You ran out of two different herbs needed for these next three orders; without them, you wouldn’t be able to make the medications at all. 

Glancing out the window, you gulped; it wouldn’t be another thirty minutes before the sun set, but after your encounter a few days ago— paired with Soobin’s warning and harsh reality check— you were much more hesitant to go into the woods on your own. 

You could call Soobin— ask him if he’d like to accompany you, stay put until you finally had proper protection. You mulled over the idea for a moment, your traitorous mind whisperering encouraging words in order to see him again; it’s just for protection, you told yourself, walking over to your landline phone before you began to dial his number, tangling the long cord around your fingers absentmindedly as you did; you tried to dismiss the nervous pounding of your heart, the way you bit at your lips in anticipation of hearing his voice again.

“Hello?” you’re gulping slightly at the sound— part of you wasn’t expecting him to actually answer. Clearing your throat softly, you muster up the courage to do what you’ve been hesitant to for so long. 

“Hi Soobin,” you start softly, listening to the small hum of acknowledgement from the other side, “I— I’m sorry to bother, but I just wanted to ask; I have to make another trip to the forest— it’s urgent— and I… well, I was wondering if you’d be able to accompany me. For protection.” 

The shyness and hesitance in your voice is horribly apparent; it makes you face burn and your hands grow clammy, feeling as though there’s a lump in your throat as you wait for him to respond— it feels like eternity, but in reality, it’s merely seconds—- and you’re practically slumping against the wall in relief when he gives you a soft of course I can in response.

“Wait for me inside until I get there,” he says, and you nod, letting out a sound of affirmation as well, “I’ll be quick.” 

Soobin hangs up promptly after; you’re left to scurry around your home in preparation of your trip, changing out of your sullied work clothes and into something more comfortable— inevitably, the same coat from before finds itself wrapped around your form, and as you wait by the doorway with your wicker basket in hand, you realize with a smile that the item is practically drowned in Soobin’s scent— the item is wrapped around you tighter and your nose is burrowed deeply into the soft plush-like material, your senses spinning with the warm, earthy smells that belong to the man. 

The sun is setting— but he’ll be here soon, a fact only proved by the sound of footsteps your keen ears manage to pick up on; you’re practically racing to make it to your front door, only to pause at the sound of something else— more footsteps. 

Instinct brings your body to the floor and away from all windows; your back is pressed up against your door, ear pressed tightly against the wood as you remain alert, subconsciously holding your breath in fear of getting spotted in any way— but whoever is currently surrounding your home knows you’re here, judging by the way they take careful, calculated steps closer to your door— you will your heart to remain calm, to not alert them that you currently lean on the very item separating the two of you, but the fear that courses through your veins is simply too strong. 

Your mind is racing a mile a minute; you try to calculate who it could be, why they’re here— and you’re thinking back to Soobin’s warnings the night before, eyes widening as you scold yourself for being such a naive idiot— because as you pick up of the soft sounds of sniffing and low growls, you realize that you’ve managed to lead a pack of wolves right to your home. 

It all happens too quickly; you’re running from the door at the sudden spike of scents, like a dirty smoke that approaches your door in the blink of an eye— the wood practically flies off its hinges with the way it’s broken into, a scream involuntarily leaving you as you grab the nearest thing to you as a weapon— the fire pit poker is thin and old in your hands, but that’s the last thing on your mind as you back away slowly, taking in the wolves that make their way into your home with sheer terror. 

One, two, three— it’s only three of them, but it’s enough to have your limbs trembling and your ears pressed flat against your head; tall, broad figures, disheveled in appearance and looking at you with eyes dilated, filled with nothing but a carnal hunger that makes your stomach twist into knots. 

It’s a standstill. They watch you with coy smiles and blown out eyes, watching as you press yourself against the wall, wondering if you can make it to the back exit of your home if you try enough— but they’re perceptive to even the most miniscule movement, every twitch of your muscle garnering a step closer from any one of them; you remain still, and so do they. It’s silent, save for the ragged heavings of your chest and the low grumbles that resonate from theirs— they have yet to make a move, locking eyes with the tallest and watching as his lips quirk into a smile.

You feel nauseous. They’re toying with you.

They could easily take you— kill you— in a split second; the second you try to run, they’ll be hot on your heels, outmatched three to one and left at their mercy entirely. And judging by the way they practically salivate at the smell of fear that radiates from you, you don’t think your fate with them will end well.

You gulp. They watch you, keen eyes taking in the way your throat bobs, the tears that fill your eyes— the way your legs look as though they’ll give out on you any moment now, the flimsy poker in your hands nothing but a joke as you point it at them in warning— as though it would do anything, they muse. 

One of them, with a head of ginger hair and eyes sharp as a knife, begins to approach; you tense, bringing the poker forward more, inhaling sharply and taking a step back— but that only garners a sharp growl from another, with pitch black hair and a gaze so threatening it renders you pliant; hesitantly, you meet the eyes of the man who stands before you, narrowed eyes taking you in with amusement. 

He reaches towards you— again you tense, flinching at the movement and weakly yelling at the wolf to stay back—! But it can only come out as a breathless whisper, your entire being rendered useless, instincts doing nothing but telling you that this is it; accept your fate, it tells you, weakening your muscles and sending off waves of fear so thick the room reeks of death and rot; your figure shrinks the moment he grabs your poker, ignoring your clearly empty warning as he lowers it forcefully, fighting easily against any strength you had left. 

“Don’t be afraid,” he smiles, baring his teeth that only makes your blood run cold— sharp canines, strong and in great condition to bite and chew even the toughest of meats— “We’ll take good care of you.”

A sharp growling impedes the man before you from closing in on you, from taking away what little space was left between you— the sound is loud and furious, making the three wolves before you turn immediately in search of the source; including you, the foreign sound making your knees buckle and the poker fall from your hands as you paralyze with fear. 

Standing in the doorway is a figure you remember quite well— the sight of him makes your eyes widen and you heart flicker a dim light of hope, watching the way he sends the three wolves before you a pointed glare, enough to make the two nearest to him avert their eyes the moment his gaze lands on them. 

“Beomgyu,” the wolf near you sneers, “what the hell are you doing?”

He doesn’t bother answering the question; his eyes land on you, on your figure that visibly trembles with fear, nostrils flaring at the scent that radiates from you and fogs the room— and he growls. 

“Get out.” 

It’s a simple command given by the man— Beomgyu—  to the others, eyes filled with an unbridled rage that makes the others flinch; they’re confused, glancing to where you remain frozen before they’re turning back at the man, as though waiting for him to back down on his words— instead, he bares his teeth, jaw clenched and eyes narrowed with rage, and repeats himself. 

“I said, get. Out.”

Silence; you can hear your heartbeat thundering in your ears as you watch the two wolves glance at the man with the bright head of ginger hair— as though looking to him for their next move. The two remain in a standstill, refusing to look away from the other, as though silently communicating. And after what feels like eternity, the wolf near you scoffs, lips upturned in annoyance as he finally looks away— he turns back to you, eyes scanning your shaken figure, and he smiles the moment your eyes meet.

“Don’t expect any mercy from him.”

You’re sure you might be on the verge of fainting as you watch them all exit, one by one; tails practically tucked between their legs, only wolf to make a fuss being the orange-haired one from before; you watch the two of them bare their teeth and make comments you can’t quite pick up on, pressing yourself firmly against the wall and jumping the moment they snap warningly at each other— a threat to bite, the sight of their sharp fangs enough to have you retreating slowly to the exit of your backyard. 

The second his back is turned from you, watching the wolves retreat to the forest, is the second you make an attempt to escape— hurried steps leading you to the kitchen, walking backwards in order to keep an eye on him— your shaking hands remain pressed against the wall in an attempt to keep yourself upright, keen eyesight taking in any small movement from him, body alight with adrenaline as you wait for the moment you can book it. 

His ears, a dark auburn just like his hair, twitch; his head snaps over to where you stand, dilated eyes meeting yours in milliseconds. 

You’re turning around to make a run for it— the floorboards creak behind you from the very sound of Beomgyu running after you, a yelp leaving you involuntarily; your feet are falling harshly on the cool tile of your kitchen, but before you can so much as outstretch your hand and reach for the doorknob of the back exit, strong hands are wrapping around your middle and spinning you around, away from your last taste of freedom. 

“Please!” you cry out aimlessly, a pained groan falling from your lips as your back collides with the wood of your counter; you’re pinned into the very corner, tears pricking at your eyes and weak hands pressing against the strong chest of the wolf before you— your eyes remain glued to the floor, soft tail trembling with abandon and ears willing hopelessly to hide your face. 

“You’re running? After I just saved you?” is all you get in response, his voice gruff and genuine as he remains unfazed at the weak pushes against his chest; his arms cage you in, body impossibly close to yours as he looms over you, watching the way you cower and make yourself shrink with wide, interested eyes. “Why do you run from me, my flower?” 

The pet name makes your stomach lurch; a soft sob escapes you, eyes closing in defeat as your mind makes peace with your demise— your shoulders shake with every attempt of yours to breathe properly, every inhale only flooding your senses and clogging your mind with the scent of the wolf above you, like a thick smoke that burns your lungs and leaves your thoughts impaired.

Beomgyu is all but salivating at the sight of you; your soft, fragile body, the tremble of your limbs, your pure and fluffy ears that are pressed flat atop your head, hands subconsciously gripping onto his shirt in a feeble attempt to keep yourself upright— your heartbeat overwhelms him, quick and panicked just like your scent; it makes his brows pinch together and a confused pout form on his lips, the familiar, delicate flower no longer radiating from your figure.

“Are you scared of me?” he murmurs, ears twitching in curiosity as you remain silent; he leans down, willing to get close even after you continue to shrink away in response, curling into yourself and keeping your chin tucked in dutifully; his hand flies to your waist in attempts to prevent you from shifting away any further, rough claws digging in through your dress and making you jolt in surprise— a shaky breath leaves your lips, the wolf that continues to inch closer to you, cocking his head in fascination. His eyes all but burn through your skin. 

“Don’t be afraid,” he whispers, lips brushing against your temple as he speaks; you remain frozen, stiff, feeling the way he continues to wander down, nosing at you softly in search for a sign of that sweet, intoxicating smell you once gave off. 

“You’re safe with me— remember?”

Your voice remains stuck inside you— all you can muster is another shaky breath as you feel his lips brush against your jaw, wandering along until he’s at your ear— then he trails down, forcing your head to tilt as his nose runs a soft line along the column; a weak whimper falls from your parted lips the moment he presses down against your pulse point, feeling him inhale slowly before he presses a soft kiss against your sensitive neck— like an automatic reaction, warmth blooms from the spot, spreading through your body, your heart telling you to calm down— but you refuse, and though Beomgyu is able to smell the sweet vanilla and the flowers that blooms from his action, it all dies into one muddled mess that leaves him to huff frustratedly. 

His hands have begun to wander— large and warm, sharp claws scratching at your garments and running up your sides before he hugs you tight, pressing your figure flush against his— and as have his lips, pressing soft kisses against your scent gland repeatedly, in search of the scent that he was only granted a mere glimpse of— soft, careful kisses at first, listening to the way you whimper and cry against him, trembling hands balling up his shirt in your fists— only to feel himself grow more desperate, out of control, his lips parted and harsh as he presses his kisses against one of the weakest points in your body. 

Beomgyu’s nose is sharp, is able to pick up on even the slightest changes within your scent— so when he picks up on the warm, subtle twinge of vanilla that peeks through everything else, he’s unable to find himself exhibiting restraint. Warm and wet, you feel his tongue press against your skin, the sharp, accidental scratch of his fangs following after— and you gasp, eyes wide open and staring at the ceiling above you as your mind finally processes what his intentions truly are, feeling your instincts take over soon after— the moment of clarity passes, and your vision fogs; your body melts against Beomgyu’s.

You’ve been sandwiched between the counter and Beomgyu’s body; even more so now that Beomgyu’s felt you submit to him, head lolling to the side and displaying your most fragile part to him, a smell of vanilla, warm and sweet like a pastry, filling his lugs soon after— you’re presenting yourself to him, eyes glassy and lips parted as you simply let out a shaky exhale. 

Your legs are parted with every attempt Beomgyu makes to get closer to you, feeling him stand in between them as he continues to cage you in, continues to kiss and lick along your exposed skin, huffing and sighing in satisfaction with every soft keen you let out in response, your mind and soul still convinced that your time has come to an end. 

From a distance, Soobin senses it; he sees the dim lights of your cottage, the door that is left ajar, crooked on its hinges— most of all, he’s able to pick up on the intoxicating sweetness that escapes from the cottage, the innocent jasmine that’s intertwined with the scent that travels with the wind— and his ears stand straight, keen senses straining to hear the soft sob that leaves your delicate lips— his body reacts before he can, and he runs straight to you. 

The sharp call of your name is all Soobin can get out before he stumbles to a stop at the kitchen doorway— his eyes remain wide and focused on the sight before him, body on edge and tail stiff as he grits his teeth in rage. 

Your doe eyes meet his instantly— they’re shining and incoherent, and Soobin wonders if you’re even conscious of where you are, of the way you whine out his name in the most fragile tone he’s ever heard. The rest of you is covered— you’ve been pressed tightly against the kitchen counter, back arching backwards due to the sheer pressure of the body that weighs you down; ragged clothing covers your own, the pink coat obscured by a white flowing, dirtied white button up, falling off the owner’s shoulder and pooling at his elbow— Soobin’s eyes follow the line of movement, taking in his arms disappear behind your waist, forcing your lower halves to be glued together, your dress bunched up at your thighs from the crude way they’ve been forced open. 

“Soobin,” you whine again, taking his attention as he watches a hand of yours appear from where they were caged in, outstretching shakily toward him before it falls limp, hanging over the arm that pulls you closer against him. 

Dark, long hair covers the face that is buried in your neck— ears of the same color adorn the top, twitching with interest at the sound before they stand forward— roughly, the head emerges from its hiding place, eyes blown open with nothing short of hunger; the wolf before Soobin bares his teeth and growls, hugging you tighter against him, stepping back and shielding you away from the dog’s view. 

Soobin doesn’t hesitate to mimic the other’s threats— he means every bit of it and more, face alight with rage and body poised in an aggressive stance— and though your face has been tucked into the wolf’s chest, though the arms that wrap around your body attempt to prevent you from being seen at all, Soobin is still able to catch glimpse of your tail that quivers with fear, of your figure that shakes pathetically from instinct. 

Loud, angry growls and spiked scents fill your senses and leaves you docile; Soobin’s sharp, strong pine mixes with Beomgyu’s thick, intoxicating smoke, painting the scene of a burning forest as they continue to warn the other, narrowed gazes and sharp canines creating yet another standstill. 

Beomgyu’s eyes catch onto Soobin’s restlessness with ease— and before he’s able to make a move, Beomgyu is manipulating your body once more, spinning you around and pressing your back firmly against him, feeling the way you follow his every command without a second thought— and when you present yourself to him for a second time from pure instinct, Beomgyu grins; his eyes lock with Soobin’s and his head cranes down, dangerously close to your scent gland that continues to release its tempting smell.

“Stay.” is all Beomgyu growls out, eyeing the way Soobin freezes immediately, wide eyes watching the way Beomgyu’s mouth opens, tongue lolling out lazily before it’s running slowly against your shoulder, gliding along until it stops dutifully against the joint of your neck, pressing down to feel your pulse— Soobin flinches, undoubtedly wanting to lunge forward, but is stopped again by the wicked smile Beomgyu sends him, sharp canines meticulously on display. 

You’re all left frozen— Beomgyu’s arm that has been thrown around your waist toys with the hem of your cute coat, the other that presses against your heart feeling the quick pounding against his palm— and he laughs, inching his hand up slowly until it’s around your neck, his index and thumb exuding little effort to keep your head upright, watching your eyes slowly meet Soobin’s.

“Any sudden moves,” Beomgyu begins again, eyes flickering down to your neck, watching the quick rise and fall of your chest with fascination, feeling the way your throat constricts with every swallow against his palm— and he smiles, looking back at Soobin and allowing his tongue to run over the top row of his teeth leisurely, “and she’s mine to claim.”

Silence; Soobin takes a moment to weigh his options, to inspect the scenery before him— the wolf means it, Soobin is quick to realize, seeing the way he all but drools over your exposed neck and faint figure— and he meets your eyes again, attempting to decipher what you may be thinking, only to realize that you’re not composed at all; you’ve been stripped down to nothing but your basic survival instincts, and yet it seems as though your brain has told you that it’s best to give up any fight you have left inside you.

Soobin feels his jaw ache from the way his teeth grit together angrily— and with a soft huff, he becomes the first to look away from Beomgyu entirely, turning his head in defeat and forcing his body to back down. 

“Good dog,” Beomgyu coos mockingly, grinning unabashedly at the sight of Soobin’s face twisting up in anger; he turns to you, placing a slow, lingering kiss on your cheek before he murmurs softly into your ear. “My flower, don’t you want to show him how perfect you are for me?” 

Beomgyu doesn’t expect a response from you; the way you whine and shift restlessly against him is enough, having already felt him rutting against you the moment he had you caged against the counter— and he continues to do so, even now, the hand on your throat forcing you to tilt your head, allowing him access to suck and bite on the clean canvas of your skin; your eyes flutter shut, and you’re left to rely on his strength to hold you upright, body rocking gently with every thrust that is delivered from the wolf behind you. 

“So sweet for me,” Beomgyu groans, his hands letting go of their respective places before they begin getting busy; your legs feel shaky and you’re left to watch as he undoes the ties of your coat, slipping it off before he reaches to bunch your thin skirt at your waist— you gasp softly, face heating up at the feeling of being so exposed, hands flying to pull down your skirt on instinct— but you’re granted no such reprieve, stilling immediately as a growl leaves Beomgyu’s lips at your action.

Soobin’s head is snapping back at the two of you at the sound of the threat— his eyes widen and he inhales sharply, a clear mistake that only makes Beomgyu grin— your scent, thick and progressively needier, clouds Soobin’s mind, clouds his judgment, unable to do anything more than stare at the way Beomgyu has you in his arms, canines still glittering under the soft lights of your home as a constant warning. 

“You smell it too,” Beomgyu speaks, his words less of a question and more of a fact— Soobin’s eyes dilate and his nostrils flare that moment Beomgyu’s lithe fingers begin to wander around the hem of your panties, feeling your thighs press together and your hands grip at his forearm shyly; from Soobin’s distance, he’s able to pick up on the tears that hang on your waterline, the way your lip quivers from the humiliation of being exposed so crudely. 

“Innocent thing…” Beomgyu murmurs, dipping down to swipe the pad of his middle finger across your slit, listening to the yelp that escapes your lips, feeling your body buckle against him— and sure enough, a spike of your scent follows after, like an addicting toxin that only fuels the desire of the two canines before you, “So tempting. So good.” 

You’re crying softly at the way he continues to tease you, overwhelmed by the foreign sensation, mouth parting in shock as his hand sneaks past the waistband of your panties; you feel as though shocks of electricity flow through you the moment he brushes against your clit, teasingly at first, only to begin circling it steadily soon after— and you can only moan and whine for more, unknowingly bucking your hips forward in search for something else that can satisfy you. 

When your eyes meet Soobin’s, you can only feel a hot wave of shame flow through you— his expression is unreadable; is he embarrassed of you? Disgusted, ashamed that you have already given in to the simplest threats? You’re not remotely near as strong as he is, you defend yourself mentally, you’re sure that it was either this or— or…

“You filthy mutt,” Beomgyu spits out beside you, laughing softly at the way Soobin has yet to take his eyes off you, eyes narrowed meanly and brows tugged together, an expression that could be easily read as rage— but Beomgyu knows better, watching as the said man jumps at the sudden sound of the other’s voice, gaze hardening the moment they lock eyes; Beomgyu huffs out another mocking laugh. 

“You like this, don’t you?” Beomgyu asks, as though he were sharing a secret— behind you, you feel his hips buck against you, able to feel the hardness of his cock as he uses his free hand to press just below your navel, forcing you back on him— and you gasp, his ministrations against your clit never ceasing as he continues to fuck against you slowly, groaning breathlessly at the feeling of your warm body against him; Beomgyu’s eyes never leave Soobin’s, however, pupils filled with nothing but a mocking joy as he continues breathlessly.

“You want her.”

Another wave of arousal floods though you at his words, filling the room and reaching the two men before you with ease; you’re able to see and feel the way their chests rise slowly, the way they take in your essence before letting out pleased sighs, their own strong, heady scents filling your senses as you simply flutter your eyes shut and whine with need.

“No need to deny it,” Beomgyu grins, leaning his head against yours fondly, middle finger abandoning your clit to tease your entrance, your mouth falling open and hips twitching in surprise at the feeling— the man behind you simply watches with amusement, watches the way you meet Soobin’s gaze shyly, body heated up with embarrassment as you can only let out pathetic cries and breathless gasps with every new stimulation— and Beomgyu’s finger enters you slowly, meticulously, angling himself just right; your vision is fogging at the stretch, hands gripping onto the strong forearm that helps keep your upright as you merely beg for more. 

“I’m sure she’d love to give you a show,” he continues, palm pressing against your clit, other hand guiding your hips to roll steadily against his hand— he chuckles softly at the way you’re pliant for him, following his every command without a second thought, “filthy, greedy thing.” 

Though Beomgyu directs those comments at you with a voice of acid-like hatred, the way he stares at you is anything but; his eyes are just as keen as the rest of him, willing to not miss a single reaction you make for him, from the way your voice breaks with need to the way your fingers twitch helplessly against his skin— his body buzzes with a desperate energy, his cock pulsing and begging to be inside you the longer he feels you rock helplessly against him— lucky for him, you seem to be getting just as desperate. 

“Get your filthy hands off her,” Soobin seethes, though he’s unable to make a move to get you away— a single twitch of his tail enough to garner a harsh sneer from Beomgyu, teeth snapping together in warning— the idea of having you claimed, taken, and possibly killed by the monstrosity that holds you hostage is enough to keep Soobin complacent for now, undoubtedly waiting for the moment the wolf no longer has easy access to such a vital part of you to make his move.

Beomgyu doesn’t heed the other’s comment— if anything, he laughs, prodding a second finger at your entrance, forcing the other to listen to the way you perk up and cry in panic, poor inexperienced body not used to the stretch, to the curve of his fingers as he presses against your soaking, tightening walls, calloused skin making you shiver as he forces you to grind against him, to fuck yourself on his fingers. 

“Hmm? Don’t touch her?” Beomgyu asks, curious fingers stretching you open slowly, grinning at the way you throw your head back against his shoulder and whine, a hand slapping over the arm that currently fucks your slowly, pressing against it in feeble attempts of getting more, “What, does it upset you that you won’t be getting to her first?” 

With a particularly calculated thrust of Beomgyu’s fingers, you’re jolting up and letting out a broken moan; he proceeds to continue to abuse the weak spot within you cruelly, watching with an amused gaze as you continue to fall apart against him like clockwork. You’re getting wound up quite quickly, not used to the intense feeling of pleasure being provided to you— and Beomgyu takes in the sight eagerly, smiling in amusement before he’s stopping abruptly, watching your head hang and your chest heave from the sudden loss of stimulation. 

“Does it anger you?” his fingers slide out from your cunt slowly; you twitch at the feeling of emptiness, barely processing the way his hand slowly snakes its way back up, grabbing at your neck and forcing you to look forward again— his fingers, covered in your arousal, prod at your mouth, and in your dumbed state, you can only follow his commands and part your lips dutifully; your tongue circles around his digits and your lips close around them, flushed face painting a lewd scene that only makes Soobin tense; beside you, Beomgyu smiles wickedly. 

“Knowing that you’re about to watch her get fucked open— get knotted good— by a wolf?” 

Soobin thinks he might be seeing red at this point; his hands remain by his side, closed into a tight fist that has his nails threatening to break through his skin— but that’s the least of his worries, especially with the way your ears twitch and your body perks up at the wolf’s words— both of the men are able to pick up on your reaction with ease, one clearly much happier than the other at the sight. 

“You know, if you behave, I might give you a turn.” Beomgyu looks over at you, chuckling softly before he removes his fingers from your mouth, only to grab at your face and turn it roughly to look at him; his fingers dig into your cheeks and his forehead presses against yours, taking one glance at your hazy expression before he’s cooing softly. “I’m sure you’d love that, wouldn’t you?”

All you can do is muster a broken whine in response. 

Beomgyu is letting go of your face with a soft chuckle; slowly, you muster the courage to look forward once more, inevitably meeting Soobin’s gaze as a result— his expression is unreadable, and it makes your knees feel weak— your mind races to try and decipher what he may be thinking about, left unaware of the way Beomgyu has let go of your dress, letting the skirt fall slowly over your front as he busies himself in lifting it from the back instead, allowing himself access and grazing your skin curiously; it is only then that you’re coming back to your senses, heart rate picking up with a panic and body bristling the moment you feel the wolf’s hands wandering across the swell of your ass, muttering soft praise that doesn’t quite reach you— a firm hand grabs at your waist, keeping you in place the moment you tried to shift away from him shyly, tried to cover yourself with a weak protests that only garnered yet another growl; with wide eyes, you looked to Soobin, unaware of the helplessness that coated your glassy pupils. 

“Soobin,” you cry yet again, blood growing cold at the way he simply seems to stand and watch; his gaze seems to have wandered, seems to have been following Beomgyu’s every action, adam’s apple bobbing at the sudden sound of impact that filled the room, the sound of your yelp followed by the sight of your pathetic hands attempting to swat Beomgyu away, easily overpowered the moment the wolf gathers your wrists in his tight hold and scolds you to stay still, his claws digging threateningly into the soft skin— and again, your head whips back around to look at Soobin, ignoring the keen stance of his ears and the slow, interested sway of his tail as you simply call out to him again, “Soobin, please…”

You’re not sure what you’re begging for any more. All you know now is the feeling of Beomgyu’s broad chest pressed against yours, the muddy feeling of your brain as smoke fills your lungs, allowing your head to loll back against his shoulder, allowing your hips to begin to grind back against the hard bulge that has begun to tease you, shivering softly at the way Beomgyu’s head remains buried in your shoulder, pulling you back against him firmly— you barely register the way your voice whines in protest the moment you feel his lips pull away from your delicate skin, abandoning the gentle kisses and sucks to sneer triumphantly, his low voice a half-hearted replica of yours as he proceeds to parrot your words softly. 

“Soobin…” Beomgyu sing-songs, reaching his free hand down to tug at the waistband of your panties, soaked through with arousal that leaves your inner thighs shining pathetically; the said man is snapped out of his trance immediately, enticed gaze hardening the second his eyes find Beomgyu, chin perched on your shoulder leisurely as he continues to tug your panties down, feeling the way they slip down your hips ever-so slowly, “Soobin, come here.”

When Soobin refuses, Beomgyu scoffs— though, he doesn’t seem to be surprised in the slightest. 

“Come on Soobin,” Beomgyu repeats again, softly this time, eyes half-lidded as his mouth dips down to kiss your skin; right at your scent gland, tongue darting out before his eyes dart up to lock eyes with Soobin— you can feel goosebumps form on your skin as Beomgyu laughs breathily, mouth still open as he proceeds to nip at the spot gently; not enough to break skin, not enough to leave a mark, but enough to make you squeal and jolt in surprise. Soobin flinches. 

“Come.”

It takes a pleading look from your tear-brimmed eyes for him to move. A slow, hesitant step first, pausing momentarily to gauge Beomgyu’s reaction— the said man quirks a brow in amusement, a silent encouragement to continue— and Soobin finally finds himself looming over the two of you, eyes dark and narrowed as he watches you reach out for him with a trembling hand— curling his shirt into your fists, leaning forward and resting your forehead against his chest, body unintentionally arched forward and left in the perfect position for the man behind you— Beomgyu simply coos softly at the action, a false sense of endearment that makes Soobin’s teeth grit with rage; when their eyes meet, the wolf simply smiles. 

“Kiss her,” Beomgyu says, the words almost inaudible from how softly they were uttered— but then he’s grabbing at your head and forcing you to look back up, ignoring the sound of protest you make and holding you up by your jaw as he tilts your head to look at Soobin, fingers squeezing your cheeks and forcing them into a soft pout, “Go on. She’s dying for you to touch her.”

Beomgyu speaks as though he were the one in control of your body and mind— and perhaps he is, you find yourself thinking, teary eyes unable to communicate anything more than want as you feel your panties slowly dragging down your thighs, the wolf behind you hissing softly at the sight of the string of arousal that sticks to the fabric, your slick cunt tightening around nothing in response— Beomgyu’s fingers find themselves teasing your entrance again, three this time, dipping in and out of your cunt, stretching you yet leaving you craving for more.

“I…” Soobin breathes out, reaching out slowly for your face; Beomgyu’s rough hand retreats, and it’s replaced by Soobin’s large, gentle ones that cup your face and stroke your cheekbones, watching the way your eyes flutter up to look at him, tears clinging to your lashes like crystals; his eyes follow the path one makes as it falls, thumb wiping it away softly as he finds himself leaning closer, watches the way your lids fall and leave your eyes hazy and obedient.

This is it, Soobin realizes, eyes flickering back to where Beomgyu continues to tease you, much too lost in the sight of your cunt trying desperately to suck in his nimble fingers to pay much attention to the two of you, this is his chance— he can save you. 

You seem to catch onto Soobin’s calculative gaze quite quickly this time— and your heart flutters with a slight hope, your chest falling in quick, shallow breaths as your hands tighten against the fabric of his shirt— his eyes flicker back to yours from the action, taking in the way they hold that innocent light of yours he’s always adored— and his heart breaks. 

“I’m sorry,” he whispers. 

There’s nothing you can say to that; his lips are on yours before you can so much as let out another breath. They’re soft, hesitant, as though you could shatter if he touched you wrong. His hands shake slightly as he holds your face close to his, feels the way your mouth remains frozen for a second, only reciprocating once you’ve felt the soft pass of his tongue against you— and your overwhelmed mind blanks entirely. For the final time tonight, you submit. 

The kiss is slow, it’s deepening out of your control, and it’s everything you imagined many moons ago, when you first began to feel a spark of desire for the man before you— when you swooned and flustered at the comfort you found in him, the warm feeling that always settled in your chest when he was next to you, knowing you could always go to him for protection. 

So as you feel his hold on you become firmer, feel the way he sighs against your mouth with no intentions to let you go soon, you wonder what it is you feel now— trapped between the two canines, lungs burning and and mouth left open as you allow Soobin to venture inside, not allowed any reprieve from the man who keeps you close, a soft groan leaving your lips as your sensitive ears pick up on foreign, slick sounds behind you, hisses and sighs of pleasure from another— because the feeling that pools in your stomach isn’t remotely reminiscent of the gentle, delicate warmth you always felt around Soobin; it’s hotter, angrier, greedier— it begs to be satiated and throws away the last good sense of judgment you had within you. 

“Soobin— oh god, Soobin—” you hiccup suddenly, finally able to escape from the said man’s mouth that seems to chase endlessly after yours; even now, you still can’t help but cry for him, your body unprepared for the sudden feeling of a cockhead swiping at your slit, the wet noises that arise from the sheer arousal that continues to leak out of you. You cry and you beg with hot shame burning at your skin, unsure of whether you plead for mercy or for more— your body arches and your hips seek for more, cunt throbbing at the feeling of Beomgyu’s tip pressing at your entrance, his rough hands rubbing circles along your ass absentmindedly, but your heart twists and makes a thick lump build in your throat, wishing nothing more than to be experiencing this all differently, in the comfort of your room and in the secure, warm embrace of the man in front of you— you wish for something more intimate, something as gentle as the love you felt. 

But all Soobin does is watch. He strokes your hair with a slow hand and cups your cheek fondly, presses a lingering kiss to your forehead before wandering down to press another at the tip of your nose— and he soaks up the pitiful sounds that make your voice break, feeling your hands attempt to steady themselves against him as Beomgyu begins to enter you; slowly, salivating at the way he feels your walls stretch around him, struggling to adjust to merely the tip— he stares down at your dripping pussy with a parted mouth, letting out a slow breath at the sight of your legs that threaten to buckle and your fluffy tail that goes wild with every inch he eases in— and he finds himself having to take deep breaths to not take you as he wants then and there.

“It’s okay. I know, I know— I’m right here, I’m right here with you,” Soobin murmurs against your skin, placing slow kisses along your jaw, allowing you to duck into the crook of his neck for solace— and he smooths your hair as he feels you nuzzle into him, eyes hooking onto the sight over your shoulder of Beomgyu entering you, the feeling of his hips flush against your ass bringing about another shuddered sigh from your lips, nails digging into Soobin’s chest as you attempt to overcome the new sensations. 

“I got you, don’t worry my doll,” Soobin utters, a hand going to place itself on top of your own, intertwining his fingers with yours before he begins to weigh it down, to guide it down his chest— he lets out a shaky sigh, feeling you cry and squirm against him, “It’s okay… just relax and you’ll feel good, okay?” 

“Don’t you wanna feel good?” Soobin coos against your temple, eyes fluttering shut as he feels you nod against his shoulder, feels the way your hand has successfully breached past his underwear, pants already undone and still guided by his much larger hand as he brings you to palm him slowly, wrapping your shaky fingers around his length; you’re hesitant, unsure of your actions as you allow Soobin to show you what to do— though, you don’t think your brain has truly processed what he’s doing with you yet, preoccupied instead by the thick smoke along with another smell that leaves you feeling lightheaded, along with the feeling of hands groping and smoothing over your skin as a heavy cock continues to twitch inside you. 

Beomgyu isn’t quite fond by your sudden shift of attention; his lips remain upturned in distaste, watching intently as Soobin continues to use you however he likes, your face that remains hidden in his neck directly able to smell the calming, dizzying scent Soobin exudes, placating you and dumbing you down to nothing but a fuckdoll for him— his eyes trail down to where he has you jerking him off slowly, Soobin’s lips pressing kisses to the top of your head as he continues to murmur soft praises that have you melting against him— an unfamiliar, hot streak of rage courses through Beomgyu’s system at the sight. 

“So ungrateful,” Beomgyu scolds suddenly, reaching forward to grab a fistful of your hair and bring you back— he’s forceful, uncaring of the way you protest, an arm that’s wrapped around your stomach pressing you flush against him as he forces the two of you to move— and you’re left bent over the counter, face pressed against the wood and wrists secured behind your back as Beomgyu bunches the skirt of your dress at your hips and bottoms out inside you once again; you hiss at the feeling, looking to the side to see that Soobin is unfazed by the action— if anything, his eyes cloud with lust at the scene before him, taking in the way you’re stuffed full and arched prettily with a gulp. 

“Why won’t you pay attention to me?” Beomgyu asks breathlessly, looking down at your pliant figure with blown out eyes, tail whipping side to side in anger as he catches the way your gaze still seeks out Soobin’s, eyes unknowingly pleading for reassurance— and he growls, low and heavy in his throat, catching the attention of both of you successfully— but he only cares to have your eyes on him, fully engrossed in the way your mouth falls open and your eyes roll back the moment he ruts into you with rough, slow thrusts. 

“Look at me,” Beomgyu groans, pulling out slowly as he speaks, all the way out until the tip of his cock is the only thing catching at your entrance. You’re squirming, trying to move your hips back against him, but the brutal hold Beomgyu has on you keeps you in place; ears pressed flat against your head, you look over your shoulder, back at the wolf who continues to fuck his tip into you with subtle thrusts, sneering at your glassy eyes that continue to look at him with a jarring innocence. 

“That’s right,” he breathes, sinking into you oh so slowly, filling you up and laughing cruelly at the way your hands scramble to hold onto something for stability, for a simple comfort Beomgyu denies, “Eyes on me.” 

Beomgyu fucks you to prove a point; he fucks you so your eyes roll back and your mouth spills moans and whines dumbly, cock filling you to the brim and stretching you out in a way you never knew was possible— the sounds are lewd and has your skin burning, slick, wet sounds of skin against skin filling up the room and mixing along with your cries of pleasure. Beomgyu doesn’t seem to be doing any better than you, transfixed entirely on the sight of your cunt sucking him in eagerly, dripping with slick that makes his cock shine and falls to the floor in a mess, of your ass that ripples with every smack of his hips against you— this is all so new to you, he can tell, your body buzzing with an insatiable need that turns you into nothing more than a cock-hungry whore, your tail wiggling desperately with every harsh thrust of his, as though hypnotizing him to keep going.

The sight of you— a drooling, crying, moaning mess— is the polar opposite of your sweet, naive self, your trusting self that got you into this situation in the first place— and it makes Soobin’s cock twitch with raw lust, the spectacle of you becoming ruined so easily something he never thought he’d witness; such a pure thing, Soobin always felt as though you needed to be treated like glass— but Beomgyu is more than willing to prove that’s not the case with you, growling pure filth at you as he continues to fuck you into the counter, watching the way he hovers over you, practically caging you in with his body, as though wishing for the two of you to become one. And just like before, Soobin watches. He stands to the side and listens to every sweet mewl of yours attentively— after all, he’ll get his hands on you soon enough.

“Tight little cunt— fuckin’ takes me so well,” Beomgyu murmurs into your ear, panting and groaning at the way you tighten around him, “such a good girl for me— shit, you like that? Like it when I talk nice to you?”

Beomgyu is quick to catch onto every little reaction of yours, including the way you tighten hopelessly around him every time he sings soft praises into your ears; it makes you want to hide your face in shame and deny his questions, but you barely get a chance to speak with the way he fucks you— fat cock stretching you out, leaving you speechless as he continues to pound into you firmly, sloppy mouth nipping and marking all over your neck; feeling him on your shoulders and back, canines brutishly ripping at your clothes to get more access to your innocent skin, feeling the way your walls squeeze with every scratch of his sharp teeth against you, eager to get his lips onto any part of you he can. 

“Fuck, fuckfuckfuck, you’re— shit– you’re squeezing me so tight, can barely fuck you,” he rambles off, hand letting go of your wrists so he can grab your hips and pull you back onto him— you’re wailing at the feeling, hands failing to stabilize you as you hold onto the counter, eyes screwed shut as you babble at Beomgyu to slow down— but of course, he doesn’t listen, too caught up in the feeling of you to pay any attention, “Oh, are you close, sweet thing? I can feel you— can feel you getting closer.”

“Do you wanna cum?” He asks you in that same, sweet voice laced with faux pity, smiling unabashedly at the way you immediately nod in response, giving in to his brutal pace, “tell me how bad you want it then.” 

“Please… please let me…” you trail off, unable to communicate properly with the way Beomgyu continues to fuck you, not granting you any mercy as he watches you struggle, “need– need t’cum, want it, feels so good.” 

Beomgyu laughs, the sound labored and breathy from the way you clench around him throughout it; he finds himself glancing over to where Soobin continues to watch, the sight of him focused entirely on your figure making him sneer— his eyes are hypnotized by you and his ears twitch at every weak word that spills from your mouth, lips parted as he all but drools for you— the drastic contrast in character has Beomgyu’s lips twitching in amusement, wondering just where that overprotective bodyguard of yours has gone.

“Yeah? Am I making you feel good?” he mocks, watching as your bowed head nods instantly; he huffs, glancing back at Soobin before he coos softly at you, “Who’s making you feel so nice? Tell me, pretty thing.”

The sudden mention of the pet name is enough to set you off unexpectedly; your mind goes blank entirely, save for a single thought that continues to roll of your tongue like a mantra: 

“Beomgyu,” you cry, sobs wracking at your body from the intense feeling, your voice interrupted with loud, uncontrollable moans, “You— it’s you– Beomgyu— please, please— too much…!”

Beomgyu continues to fuck you until your legs tremble and your body weight is placed entirely on the counter, hips held up entirely by the strength of the man behind you as he finally heeds your pleas; he slows until he’s bottomed out inside you, feeling the way your walls continue to pulse as you whimper quietly at the sensitivity— such a touchy thing, Beomgyu muses to himself, looking down at your messy cunt and feeling the way his cock twitches, still in need to fill you up properly.

“Can’t take anymore?” Beomgyu asks apathetically— and though you weakly let out a sound of affirmation, you can tell he doesn’t really care to hear your answer; not with the way he strokes at your skin in fascination, wandering hand pulling at the base of your tail and watching you squeal in surprise, body arching in an attempt to get away— you all but slump into a pool of overstimulation once he finally lets you go, foggy mind barely able to pick up the way he tsks. 

“Don’t lie— you can, I’m sure you can,” Beomgyu tuts, watching with amusement as you pout and petulantly shake your head, “you’re a good girl, you can take whatever we give you.” 

You don’t seem to process the meaning of his words to a full extent— you’re too far gone to do so, body turned weak as you continue to try and stabilize yourself, chest heaving with every breath you take. But it doesn’t matter if you’ve caught on to what’s happening around you, your every movement taken care of by the two men that cage you in— your shudder at the feeling of Beomgyu pulling out of you, the slick sound drowned out by the crude praises Beomgyu growls; two, strong hands are pulling you up next, proceeding to maneuver you so you sit on the counter— Soobin stands between your legs, looking at you with eyes filled with want and an undeniable pity; he takes in your worn, marked and messy figure intently, watching as his eyes linger on the rips of your dress and the marks all around your shoulders. His hands go up to the area, and your eyes flutter shut, body craving to be covered, to be coddled and tidied. 

“Such a perfect doll for me,” Soobin sighs out, beginning to tug down at what’s left of the material, watching the way you shudder and open your eyes with a slight shock— a whine bubble up at the back of your throat, but you can’t really find the strength to protest the way you’re slowly left undressed before the two pairs of hungry eyes before you, no longer able to find the energy to feel embarrassment from being left bare— Soobin’s voice is as gentle as his movements, feeling him lift your hips so he can slide the dress off you properly; it wasn’t very hard to do anyway, the fabric practically hanging together by a single thread, “It’s alright… I’ve got you.” 

When Soobin wraps your legs around his waist and hoists you off the counter, you can only wrap your arms around his shoulders and lean your forehead on his shoulder, seeking for more of the scent that calms you down and leaves you mindless; your grip tightens the moment you feel the head of his cock poking at your entrance, painfully hard as he sighs out shakily at the feeling of your sensitive walls fluttering at the feeling— he’s stretching you out slowly, filling you up, and all you can do is bury your head into his neck and try to calm your breathing, taking in the thick sage that fills your senses.

Soobin stays buried deep inside you for a moment, cursing at the tight embrace of your heat around him; you allow yourself to relax— it doesn’t last long though, body jolting with shocks as you feel another head poking at your already stuffed cunt. 

“Wait— wait– I can’t— too full, it won’t fit…!” you cry out, looking at Soobin in a panic; a broad chest pressed firmly against your back, familiar lips pressing a chaste kiss to your shoulder— Soobin’s eyes are dark as he takes you in, ears forward and twitching at your pleas; softly, he shakes his head in reassurance.

“You can,” is all Soobin murmurs, watching your face twist as Beomgyu begins to push into you— little by little, stretching you past your limits, resting his chin on your shoulder and shutting his eyes at the sensitive feeling— tears stream down your cheeks freely, soft hiccups escaping you as Beomgyu’s hips press flush against you from behind; Soobin reaches up to caress your head, to pet gently at your ears, and smiles. “See? You’re doing so well. You can take it.”

You shake your head to refute his claims— but it’s not as though that would change the way they’ve begun to slowly pull out, setting their individual paces that inevitably work together, leaving you full no matter what— and it has your head falling back, mouth falling open dumbly as they begin to fuck you; slowly at first, gently, only because your poor cunt has yet to adjust to the size of them. But once they feel the way you leak onto them, the way your cunt begins to clench as their tips ram into places that have your eyes rolling to the back of your head, they begin to find the confidence to use you how they want. 

Eventually, you’re nothing but putty in their arms; weakly grabbing onto anything you can for support, one finding a firm grip onto Soobin’s shoulder as the other ventured to tangle itself in Beomgyu’s hair— the said man continues to keep his head buried in your neck, lips having a mind of their own as he continues to nose at your scent gland; the action of him nuzzling against it, of him scenting you, is enough to have you a whining mess, fingers tugging at his hair desperately; it only serves to have him fuck into you harder, hips snapping ruthlessly against yours and rough groans escaping him from the pleasure. 

“Fuck, such a good cunt, so tight— ah,” Soobin groans, watching as your eyes flutter open to look at him, teary and catching the moonlight that shines down through the window; he cups your cheek, stroking at your cheekbone fondly as he speaks, “so pretty… you’re so pretty, all I’ve ever wanted— god, you’re perfect.”

The look of adoration Soobin gives you isn’t lost on you entirely— but there’s something else that rears its head within his gaze, hungry and desperate, threatening to swallow you whole— and you realize that, for the first time ever, Soobin seems to be staring at you as though you were nothing but prey; something for him to claim and own. 

But it seems as though he’s not the only one who possesses those particular feelings— Beomgyu’s pace seems to be growing erratic behind you, knocking you forward against Soobin’s chest and leaving you to wail at the feeling of his cock ruthlessly pounding into you, uncaring of the rhythm the other has set in place; he mumbles gruff words against your neck, but it’s all muffled and interrupted by huffed out moans he lets out in between— but your poor cunt seems to catch onto what he might be saying quite clearly. 

“C-close, oh shit, ‘m so close,” Beomgyu says, finally perking up from his place in the crook of your neck to speak directly into your ear, placing sloppy kisses at your jaw as he does, “Ah, d’you feel that? Yeah? Want me to cum inside you?”

You know what his question really entails— you know what your answer should be. But your body simply trembles and your brain short circuits at the thought, traitorous to the last bits of reasoning within you as you dumbly nod at his request; he lets out a moan at the sight. 

“Yeah, you do, don’t you? Want my knot, wanna be bred— ffffuck, I’ll give it to you, I’ll knot you, make you mine,” his every movement has become erratic; Soobin finds it hard to continue fucking you, undeniably sensitive to the harsh pace the other has set— but Beomgyu doesn’t care, leaning in close to your ear to whisper his next words. 

“I’ll claim you,” he breathes out, enjoying the way your little tail thrashes against him at the sound, panic filling your tone for a second before you melt into the idea, too fucked out to be able to refuse anymore— if anything, you tighten like a vice around the two, bringing out sensitive sounds from the two; Beomgyu continues to ramble into your ear, much bolder now that he’s taken control of the situation. 

“You want it— oh fuck, yeah, you’ll make such a pretty mate, all for me,” he growls, his words slipping to the other’s ears and alerting him, his eyes widening yet his pace not stopping, “all mine— mine, mine mine— o-oh, shit—!”

It all happens so fast. The swelling of a knot inside you, stretching you out to the point where you find yourself sobbing, pawing at whatever you can and begging for them to slow down, to be gentle— hot cum fills you, your cunt only able to handle so much as Soobin’s cock is pushed out, just enough so his own knot doesn’t catch, his orgasm triggering immediately after— it’s so much, yet it’s not enough, your whole being pulsing with desire for the final thing to push you to the edge— and it comes in the form of sharp canines digging deep into your neck. 

The right side of your neck stings— then, your left. Two sets of teeth have found their home within your skin, the last of your freedom stripped away as your orgasm swallows you whole— you tremble and you twitch within their hold, cunt filled and leaking with their cum, unable to do anything more than lie within their embrace and take what they give you. 

Your eyes feel heavy; you will yourself to stay awake, but your vision becomes spotted within moments— for the first time in a while, your mind is able to find peace.

 ≪ ⋆⋅☆⋅⋆≫  

When you finally wake, you find yourself surrounded by warmth; with heavy blankets over your figure, you’re able to recognize the place as your room. You attempt to look around, but are immediately met with a searing pain— the night’s events flood through your mind all at once, and suddenly, you’re able to sense the presence of two others next to you; their arms wrap around you and they remain glued to your side, one embrace much more familiar than the other. 

Through your line of sight, you’re able to spot the moon that peaks through your window, hovering just above the dark, looming canopy of the forest. You stare and you stare, unsure of what to make of everything— of what you’re feeling, of the bodies that shift beside you, pulling you closer to them, as though it could never be enough. 

Your eyes sting, and after a second, you find yourself mourning. Mourning for your loss of freedom, for the overwhelming amount of sensations you were put through, and for this complex, dangerous situation you’ve been thrust into. 

You were warned of the forest; you were warned that nothing good came from venturing within. 

But even then, nothing could have saved you from the creatures that roamed beyond.

[alastor-x-reader-stories]

How about headcanons for luci x reader and alastor x reader where they neglect reader and they have to fix it? I just need some fluffy diabetical sweet hurt-comfort xD if you could please 🙏 ☺️

WAP-BAP-BOOM ALAKAZAM here's a thing. I hope you don't mind I make it pre-relationship because I love me some pining

Lucifer x Reader, Alastor x Reader

Summary: Your friend has been avoiding you lately. You spiral and wonder what you did wrong.

Warnings: Anxiety go brrrrrr. Alastor is a low-key stalker, but not in a creepy way? more like a.... 'i adore you from afar' way. Luci disassociates hardcore. Reader does too.

ALASTOR

Alastor started drifting away when he realized he enjoyed having you around

He couldn't find a twisted justification for it and he just couldn't handle it

He didn't want your soul, he had no real use for you, and yet he wanted you with him

So he pushed you away without much thought.

With no explanation to you, btw

Deer boy mcgee wouldn't be (intentionally) rude or hostile towards you, but certainly more aloof.

Conversations turned into curt greetings and goodbyes

Times spent lounging around in the same room turned into a little wave here and there

Attentive listening to your venting shifted to a 'Well that's not good. Tootaloo!' before he left

The guy didn't even ramble about HIS stuff with you anymore

It hurt.

You didn't know why he was suddenly so distant with you. But surely you did something WRONG, right?

You always do something wrong

So you just had to fix it. But you needed to find out what 'it' was

When you passed by him in the hallway one day, he gave his increasingly-common wave before waltzing right by you-

"Wait, Alastor?"

He glanced at you, tilting his head at an unnatural angle. His smile was too tight.

"Did I....Did I do something wrong?"

His eye twitched.

Absolutely not, he'd think. You could do no wrong in his eyes (though his ethics were slightly askew so that might not mean much)

But you looked absolutely distraught

You were trying to cover it up - you always do - but he could tell.

He watches you a lot

"Of course not, my dear!"

"...why are you avoiding me, then?"

...

Shit.

He didn't have a lie ready and his usual quick wit appears to have failed him

Looking at your eyes. Your lovely, currently tearing up eyes-

No no no no no

He turned his attention to you fully, gently cupping the side of your face in one hand.

"Oh, my dear, no need for the waterworks. You did nothing wrong, I assure you."

"Don't lie to me, please. just- just what did I do? I'll fix it..."

He'd typically murder someone for making you feel like this. However, he was the one making you feel like this so that complicated things.

He leaned down, gently kissing away the forming tears at the corner of your eye.

"Simply...sorting some things out, dearest. You did nothing wrong. I just... Need some space."

Why were you staring at him like that?

Did he say something cruel?

Why was your face such a bright red-

OH.

OH

OH

"Well, i best be off! Let's meet for tea later, yes?"

You numbly agreed and he quickly said another farewell before shadow-travelling to who-knows-where

You gently touched the cheek had had been so gently holding earlier, a small, giddy smile on your lips

"Something to sort out, huh?"

Well. You couldn't wait until he finished that up.

LUCIFER

Lucifer had no intentions of being distant

Unfortunately...that just...kind of happens

Maybe that's why Lillith got sick of him

When you're older than all of humanity, time doesn't quite flow the same for him as it does for you.

Add his tendency to detach himself from everything and that gets even more complicated.

But he was doing so well for a while!

He'd leave his room often, he'd talk to Charlie and the other hotel-people, he'd like. Leave the building sometimes.

Maybe it was because he was doing so well that it seemed to you like he suddenly stopped caring.

Or maybe he was sick of you?

You could be pretty annoying sometimes...

You ramble and hyper-fixate and suck at emoting...

OH SHIT yeah he was...probably sick of you

Several days of being mopey later and Charlie ended up talking with you. When you told her what gives, she pretty much confirmed what you feared.

"AGH! He ALWAYS does this!"

"Hun, take a deep breath. Maybe something happened?" Vaggie said, putting a hand on her girlfriend's shoulder.

Charlie's words already had you spiraling.

He ALWAYS did this?

Was...Lucifer just like that?

Your Luci was like that?

Luckily Nifty happened by at that moment, sweeping up the floor with manic glee.

Her big ol' eye watched the scene and she casually stated

"His majesty hasn't moved for like, four days. I know, I dusted him. He's just staring at the wall like this."

Nifty made her eye go comically larger, mouth pressed into a firm frown. Then her usual expression popped back up and she went back to scrubbing everything.

"....oh." You murmured as Charlie was panicking and screaming how her father was dead.

Vaggie managed to calm her down enough for you to explain what disassociating was.

You had a good amount of experience with it

Charlie proceeded to put her face in her hands and feel horrible.

You went to comfort her, but Vaggie stopped you and motioned to the stairs with a tilt of her head.

Oh....Okay, she got the Charlie and you got the Luci

You scuttled away to Lucifer's room

Lo' and behold, the Nifty was correct.

Kind of.

He wasn't exactly sitting there staring at a wall, but he was hunched over his workdesk with his head in his arms.

You put a hand on his back, between his shoulder blades.

"You okay, Luci?"

It took him a moment to respond, but he did. Looking up at you with rather dull eyes.

Which suddenly turned comically large as he sprang up and flailed about, squishing your face between his hands.

His expression went from numb to panic to absolute rage in a span of a couple seconds and it was giving you whiplash.

"Who made you cry?" He growled..

Who...Oh

Oh yeah you were crying earlier

It was so horribly ironic you laughed, tears spilling down your cheeks. Luci blinked one eye at a time.

Adorable

You explained why you cried- that you thought he was sick of you.

He offered to punch himself in the face.

That made you laugh again and you hugged him without thinking, clinging onto the silly gnome-looking man like you'd be erased if you let go

He returned the gesture in kind.

Lucifer clung onto you, pressing his forehead between your neck and shoulder, laughing in shakey, watery breaths

"What are we even laughing about!?" You cackled, tears still rolling

"No idea but I needed it." Lucifer chuckled. He nuzzled your neck, his breath steadying.

"Thank you, starling." he really needed it.

[shiny-kaibernyte]

I immediately gave you a follow since you wrote Drayton content. Toothpaste man!!!

Anyways, I love drama. I like the idea of Drayton pining after the reader while also making Kieran jealous 😭😭 could you write something like that??

Please take care of yourself btw! You write wonderful content!

We love our toothpaste man! And I'm so glad you like my stuff. This is so sweet of you and such an amazing request as well I would love to do this for you! I really do hope you like this 💜💜

Side note: I got a shiny Popplio when I read your request so I named it Cloudy as a little nod to you whenever I play.

Pokémon Scarlett and Violet Indigo Disk DLC Spoilers ahead!

A rivalry between the Dragon Elite four members and the Champion of the BB League turns into much more than just a race for Pokémon battles. When Drayton just wants to take you out on a date, Kieran's jealousy comes out to play, only pushing Drayton's goal to win your heart more.

SPOILER WARNING AHEAD (Indigo Disk Main Story and a little bit of The Teal Mask)

------------------------------------------------------------------------------

A Dragon’s Heart | Drayton x Reader

“Awe, come on~ just one date!” Drayton innocently pleaded, leaning against the wall with his arms crossed. His eyes staring down at you whilst you scribbled down notes from your previous shiny hunt. 

You shook your head with a cheeky smile on your face, as you continued to scribble, “And my response will remain the same Drayton, a cafeteria chat is not a date! Maybe I'll say yes when you think of something creative, hm?”

“I’m creative! The cafeteria is just easy, it's not too noisy since everyone eats out in the terrarium! Plus free food!” He joked, attempting to make it sound appealing, even though he knows it's not good. Unfortunately, his brain can’t think of anything good enough, at least for him. Everything he’s thought of, he doesn’t think is good enough for you. And he’s thought of a lot. “I can help you out with your shiny notes, you know~ maybe even join you on a hunt!”

“Drayton, you don’t know the first thing about shiny hunting, let alone actually joining me on one.” You sighed jokingly, looking up at him as you closed your notebook, “If I remember correctly, didn’t you fail a shiny Pokémon?”

His face turned slightly red, embarrassment washing over him for a moment as he grumbled to himself, “Hey I thought the Axew was sick… It’s not my fault I didn't know the Axew was going to run from me!”

“You threw a berry at its head!” You exclaimed, lightly chuckling when you saw his embarrassed face. “And you call yourself the Dragon expert” 

His embarrassment turned into laughter as he thought about how stupid that was, the pair of you laughing together with bright smiles on your faces.

Your laughter didn’t go unnoticed however, from across the room, Kieran's eyes glared into Drayton. The sound of you laughing along with him only fuels Kieran's desire to be the best. But the jealousy was too strong for him to focus with the two of you laughing. “If you two are finished chirping like Starly’s over there, Drayton, you have a battle in five minutes. I suggest you get going.”

“Relax Kieran, I got plenty of time bud! Besides, it's unlikely they will be on time, it takes a while to prepare for a battle against one of us. So my opponent can take as long as he needs to!” Drayton argued with a hint of playfulness in his voice as Kieran gritted his teeth. A small smile crept on your face when you heard Drayton’s response, that was something you always admired about him. His patients was contagious, never rushing anyone into anything, always trying to make someone smile. Sure he has his moments of cockiness but that just adds to his character, every Dragon has a bite after all.

“Spoken like a true Elite, Drayton!” You chimed, standing up from the sofa. Drayton’s face turned a light pink, his heart lightly thumping. Surprised at himself that something so simple made him blush. His dragon heart only making more room for you.

Kieran's heart pounded in rage at your words, annoyed over the fact you were saying those words to Colgate and not him. Eventually, he puts on his no fudges given face and turns towards you both fully. “If you want to remain as the top Elite four members, Drayton, I'd get to your battle. I still have the power to remove you from this club.”

“Alright Alright! I’m going!” Drayton sighs, raising his hands in defeat. Kieran shook his head displeased as Drayton stretched his arms up, a sigh leaving his mouth before turning back to you. “So about that date… How about instead, as a warm-up, you come watch my battle as my special guest? That way, it’s not our official first date and I still get to spend time with you.”

You raise an eyebrow at him, trying to see where he’s going with this and what extra little plan he has going on inside that head of his. Until he raises a hand up for you to take, a genuine smile on his face as he patiently waits for your decision. With a bright smile, you take his hand, “I think that is a fair deal.”

“Have fun moping, Kieran!” Drayton yells as he gently pulls you along with him towards the door. Kieran had steam coming off his body as he watched the pair of you leave, and not just from Drayton’s response. A smirk appeared on Drayton’s face when he saw the jealousy in Kieran’s eyes. 

Soon his focus returned to the matter at hand, and he smiled at you, pushing and holding the door open for you as he guided you through it, “After you sweetheart~”

[spencer0o7]

pretty girls that do sports

tashi x fem!artist!reader

summary : after tashi's injury that ended her tennis career she meets y/n who changes how she views her life.

warnings : slight mention of homophobia

word count : 1.2k

notes : I’ve been wanting to write challengers fanfiction for ages now and unfortunately there aren’t lots of Tashi fics out there so I had to make one! I imagined y/n as black but they can be any race :)

btw english isn’t my first language

You first met after Tashi’s injury. After having no choice but to quit tennis professionally she started putting more time into studying.

One day when she was walking around campus to find her new tutor she got lost in a completely different building. She stumbled upon an isolated classroom, the light from it seeping out from the doorway. Her curiosity got the best of her so she stuck her head in to see what was in it.

There she saw you sitting in front of an easel sketching onto a canvas. The afternoon sun from the windows was illuminating your face. You were intensely focused on your work but looked incredibly at peace alone in the remote classroom. Something about your attention and focus on your work drew her to you.

Tashi had been so caught up in admiring you and your dedication she had missed when you finally looked up from your canvas to her.

You stared at her for a moment. Your brows slightly furrowed with confusion for why this pretty girl would be standing here in this small isolated classroom you occupy. “Looking for something?” You ask breaking the silence.

For the first time, Tashi doesn’t know what to say. Like her words got stuck in her throat. Leaving her mind absolutely blank. “I- no I’m just looking around campus,” She eventually stutters out.

She steps further into the room putting her hand on the open doorframe. The smell of paint permeated the room.

“Ah,” you exclaim. “Well, Mrs Donovan lets me use her classroom during off hours.” You turn in your chair slightly to face her better. “You’re free to join.” You add having a sense that the girl might’ve been in need of some peace and quiet.

Tashi smiled at that before introducing herself to you. Her name sounded familiar to you.

It was then it hit you that she’s the star tennis player who got injured. Her future of becoming a professional athlete disappearing with it. Maybe that’s why she was roaming around here in search of something. You grin back at her seeing her beautiful smile appear. “I’m Y/N.”

She moved into the classroom to stand next to you. “What are you making?” This was unlike herself, going after someone especially someone she doesn’t even know. But it was like she didn’t have complete control of her body, she was completely enamored by you and wanted to know more.

You turn back to the easel. “I’m not sure really, I thought of painting the view outside but it’s not really coming together.”

“Well I’m not much of an artist but I think to paint you need some color on your canvas?” Tashi teased looking at the blank canvas staring back at you.

A laugh escapes your mouth. “I don’t know I just- I just can’t seem to find it in me.” You sigh letting your arms rest limply on your thighs. You shrug while looking back at her, “I’ll probably just scrap it anyway. I need some new inspiration.”

“What kind of inspiration do you use usually then?” Tashi puts her hands on her waist with a curious look on her face. Her meeting with her tutor was long forgotten.

“Hmh,” You cock your head slightly in thought, “Views, music, nature, pretty girls that do sports, y’know…”

Tashi’s heartbeat picks up but she calmly masks her growing infatuation with a grin. “Oh really?”

You’ve never really been shy about your romantic feelings for girls. If there’s someone you like you’ll try testing the waters to see how they feel. But you can’t really say that’s always worked out well for you. Tashi though, she’s different.

It’s like the moment you saw her standing at the door of the classroom you knew she was special.

I mean you’d seen her before around Stanford. In fact, it was hard not to, with her whole fan club (and people way too obviously trying to get into her pants) surrounding her at almost any time.

But here, with you, it wasn’t like that. It’s almost as if without tennis looming over her at any time you could finally see her as herself. You wonder if she thought about her former tennis career in the same way.

Your tongue brushes over your bottom lip. “Sure,” You bashfully admit. Tashi chuckles at that. “Well.. if that description includes me I’d love to help you find your inspiration.” She suggests in a playful tone of voice.

You smirk at her, already knowing you’re about to create something beautiful.

Tashi’s been up for a few minutes now. Her stomach rumbles which makes her realize how hungry she is. She turns over in the bed to look at your sleeping body. “Y/N,” she whispers. You stir slightly in your sleep. “Wanna go get breakfast?”

You finally open your eyes. You look at her sleepily, with a smile creeping up on your face. She loves waking up alongside you, comfortably squished together in your tiny twin bed. You move over to lie on her arm

You wine softly, “I don’t wanna move. I’m so comfy.”

“While laying on me?”

“You’re my new pillow.”

“You have a silk pillowcase.” She laughs as she toys with one of your stray hair strands. These moments before the day has started mean a lot to her.

“Really? You’re gonna make me get food on my own?” She asks in a sickly sweet voice. You stare up at her. “Can we get bagels?”

“Bagels, muffins, croissants.. whatever you want.” She lists off. “Alright, I’m up,” You instantly sit up which makes her giggle. You crawl out of the bed searching for clothes to wear in your closet. You pick up a sweater quickly slipping it on. She stares at you from the bed. “C’mon baby let’s go.”

“I haven’t even gotten ready,” Tashi groans as she gets out of bed. “You don’t need to get ready, you’re beautiful in any state.”

You look at her with a big grin. Tashi just stares at you unconvinced. “You’re cute,” She chuckles. You turn around to grab one of your hoodies and hand it to her. She changes into the hoodie as you put on your socks and shoes.

“M’gonna use the bathroom real quick,” Tashi calls out from behind you. “Kay,” you yell back. You grab your little mirror on your desk to make sure your hair looks good before leaving. You busy yourself with it for a few minutes.

“You look great, you always do,” You suddenly hear from Tashi behind you. Tashi puts her hands on your shoulder “Did you know you’re exactly my type.”

She pulls the mirror from your hand, throwing it on your unmade bed. She puts her lips on your neck softly kissing you. “What’s your type then?” You ask with a grin.

“Oh y’know, pretty girls that paint,” Tashi answers, her voice vibrating onto your skin.

Seeing Tashi so distracted, you giggled, “I thought you were hungry?”

“Oh yeah,” She wraps her arms around your waist, resting her head on your shoulder. “But this is good too.”

“It’ll be even better eating a stack of pancakes,” You spin around to see her. You take your hands in hers. Tashi grins at you. Seeing her smile makes you so happy you kiss her cheek.

You let go for a moment so Tashi can slip her shoes on and you grab your keys. She walks up to you and slips her hand back in yours.

You smile opening the door, letting her go out first. “I think this breakfast is gonna be great.” You step outside into the hallway. Tashi grins at you as you walk hand in hand.

[stovetoast]

pillow tpot headcanons (long ramble expanding on the ocd part under the cut)

ok so first warning: i am not a psychiatrist. this isnt a super educated essay on ocd, just me projecting my lived experience onto an object show character. this is just an observation. if i get something wrong feel free to correct me, ill add it here. (its also worth noting i am self diagnosed. not "quick google search" self dx though, ive gone over it with a therapist and everything)

and that leads into the second warning: this ramble will get a tad bit personal sorryyyy

and finally the third warning: i put she/it on the ref but im just using she/her for simplicity (+ i forgot LOL(

anyway so yeah i think that pillow has ocd and is basically the embodiment of "letting intrusive thoughts win" except like. actually. this headcanon didnt stem from the killing or the strange impulses though, i think she has it because of her fixation on good and bad luck in tpot 10.

for me it manifests in a few different ways. my main one is counting—i have good luck numbers and bad luck numbers. i need to take a specific number of snacks every time i have a bowl of them. i have to shake medicine bottles a certain amount of times before taking them. i am always counting the "syllables" of whatever im doing, and it always has to land on a multiple/factor of my lucky number. and if i break any of this, i (generally, if i cant convince myself its fine or if i dont notice) have to count to my lucky number otherwise something bad will happen. hell, i added more flags to this ref because the number of them was my unlucky number.

i have a few other things that affect it that are completely unrelated to counting, though. like a particularly bad one is that i straight up cant wear certain articles or clothing anymore because theyre bad luck. or my ungodly long night routine (which is probably more of an autism thing tbh. but certain parts of it are absolutely influenced by the ocd, like having to say goodnight to my dog).

that ^^ is what i saw in pillow. she was distraught that her team lost in 9, because not only did she think she was doing the challenge right, but killing people (bringing death) was good luck for her.

i think her killing people was a compulsion, and her whole thing in 10 was her scrambling to find a new one after that stopped working.

and before anyone tries to be all like "oh thats fucked up why would they portray ocd like that," one: i dont think this was on purpose this was just an observation, two: i mean..... fuck dude if i lived in a world where revival was incredibly accessible and one of my compulsions were to kill people, id do the same thing. death is fairly normal in bfdi, to the point everyone literally has a kill count on the fandom wiki (hers is 13 as of tpot 11 btw, a commonly unlucky number ironically enough. if she gets eliminated in 12 with an unlucky kill count thatd be so funny). once they get past the pain, its. really just an inconvenience to them.

when it comes to ocd, you. HAVE to do these things. its not a choice until you can get some outside help with it, and oftentimes its an inconvenience to those around you. i dont think its right for her to be going around killing her team, but when i get past the fact that is literally what made her my favorite, i get where shes coming from. shes trying to help in a way she "knows" will work.

or maybe shes just silly idk