#jk I’m gay as fuck

[somethingexcessivelyphallic]

Literally me the last time I went to church and ended up getting lit on fire 🙄

oh i can’t fucking believe this. the gods—they smote me. just smited me out of the blue. i’ve been smit. they gave me absolutely no warning before smating me. smoted my guts all over the place. with thunderbolts and everything. absolutely smurted me

[wilderbas]

guys it’s finally happened. 14 years of evasion didn’t save me in the end and alas, here we are, drawing the cursed nectar that is drarry.

have some femme bastards failing to get along in 8th year muggle studies class.

[saffitaffi]

So I just read all 914 pages of Fool’s Fate in one day. I don’t think I’ve ever read that much in one day ever. These books are so good holy snickerdoodles I love the politics and the amazing worldbuilding (robin writes matriarchies and different societal structures SO GOOD) and the realistic characters and Fitz’s unreliable narration and also the gay ass ‘friendship’ between him and the fool (fitz ‘no homo but also my bond with you is deeper than my love for anyone else including my other half bonded wolf and my wife and also sex’ farseer)

So uh. Yeah. Excuse me while I go cry in the corner. Again.

[hanzajesthanza]

dandelion is indeed the worst but if he’s not present in the next book i would legitimately be sorrowful as the whole thing will become a slog . you basically cannot have the “short stories” era-of-the-timeline iteration of geralt without dandelion, it would be like eating unbuttered bread.

though it’s not like season of storms did them dirty, i wasn’t disappointed with it (… with regards to them), but since it’s literally been over 20 years since the saga was finished i’m trying to prepare for any potential reality

[demonbarbers]

the 2023 revival obc kinda ruined me. you give me sopping wet kendall roy girldad little meow meow sweeney todd, you give me deliriously horny achingly human physical comedy queen lovett, you give me aging child star mischievous but heartbreakingly sweet toby, you give me a johanna who is finally not just a princess track or ~crazy~ and who’s trauma is deeply physically felt and is so deeply her father’s daughter, you give mee a sweeney and jo who are finally acknowledged as mirrors of each other and you give me literal hand in unloveable hand… and i’m just supposed to move on

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

[muckyschmuck]

i REALLY LOVE the way T makes me feel but i might have to hop off for a bit as a social experiment

[polyamorouspunk]

I hope I'm like you when I grow up

[faun-the-fae]

So apprently J.K.Bitchings is a straight up Holocaust denier. Like I already new she was antisemitism because of

goblins and also a significant amount of the plot being weird Holocaust fanfic, but goddamn. Anyways I suggest in light of this revelation we tack on Harry being a little Jewy lad on top of being trans and gay

[twinknote]

uh oh i just realized that i’m actually going to be So overwhelmed next month… between kinktober and new ofmd and stressful life stuff i’m like Oh. that is a lot of things

[stakeswandsandcoffee]

People who get up at 5 am

[chipsundae]

I am mentally not well why am I fixating on a man WHY IS IT JOHNATHAN BYERS WHAT

[foxdreamer]

Listen my tiktok for you page recommended me a drarry fic and I literally have never been in hp fandom really in my life and here I am years too late sucked into a million word fixit that’s 80 times better than the original

[gaywizardsinthe70s-iloveyou]

Yeah tags from other account

i have a few things to say on the hp reboot:

don't watch it, stop supporting J.K. Rowling, if only directly

go watch A Very Potter Musical instead. it's on youtube, it was made by a bunch of college kids, it is SO MUCH BETTER thank actual harry potter and is not antisemitic, terf-y, or homophobic.

seriously y'all, AVPM is nonprofit and i doubt jk even know about it. stop giving this bitch your money, she doesn't deserve it.

in my opinion it is okay to enjoy harry potter as long as you are not financially fuelling JK, that's why i used to buy all my hp things on etsy and read things on ao3.

thank you for coming to my ted talk

[furiosophie]

“Ghost?” Soap asks as he pulls open the door, knife still in hand, baby still wailing. “What are ye doin’ here?”

“What am I doing here?” Ghost throws back at him, brows creased and eyes downright murderous, the kind of look that back at base would mean Soap is about to run laps until he pukes. “You just disappeared for a bloody week, Johnny! Didn’t even tell Price where you were going, aren’t answering your fuckin’ phone, what the hell do you think I’m doing here?”

“Right,” Soap says because yes right, he has a vague memory of Ghost texting him, but he also doesn't really have a clue where his phone is right now and he definitely wasn’t aware it’s been a week until he just mentioned it. For a moment Ghost looks like he’s going to take him by the shoulders and shake, and then his eyes land on Joey, and he frowns harder as if he only just noticed that Soap is holding a screaming child.

“You knock someone up, Johnny?” he asks and it sounds oddly offended but mostly like he’s taking the piss, so Soap is about to tell him to fuck off when there’s a loud crash from the bathroom, followed immediately by a high shriek. He whips around, trips over one of Cass’ tiny toddler-sized shoes, and nearly impales himself on the damn knife if it wasn’t for Ghost grabbing him by the arm to hold him steady.

“Give me the baby,” Ghost says like he says give me that gun when they’re hunched over in the dirt, bullets flying past their heads, so Soap does.

to you i can admit (that i'm too soft for all of it)

[read on ao3]

ship: john "soap" mactavish/simon "ghost" riley

words: 19 220, completed

tags: mw iii fix-it, set between danger close and trojan horse, kid fic, angst with a happy ending, hurt/comfort, domestic fluff, getting together, ghost fell first, soap fell harder, ghost is just some guy (tm), jk this still has 09 ghost backstory, fellas is it gay if the superior officer you've been lowkey flirting with for four years drops everything to help u raise ur sisters kids, this is both a hallmark movie and me processing grief so godspeed, canon- typical violence, mentions of past childhood abuse, not beta read we die like- qunshot

[mrspark7777777]

The translation though

https://x.com/cFCKBtshEFcVgx0/status/1821583637718192150

does it make sense? I can’t grasp it, because it almost feels backwards. But really the gist is they weren’t free to meet up at the same time, a bit like what you said before about distractions. I almost felt that last year there was some self imposed ban on seeking each other, especially going to he others promotions, which is why when JK is free he didn’t go to music bank to see JM like Yoongi or on a show with him, or like Hobi to see the mv filmed, like they did it on purpose? I’m probably not making sense, but as in to lay low as best they could with impending enlistment, not that they weren’t seeing each other but not overtly or maybe not enough quality time?

Thanks for the ask my lovely. I've addressed some of this here but sure, let's talk about this too. Just like OP said;

Its been established JK had a hard time during FACE era. His boyfriend was MIA, he didn't see him much, it took a toll. A toll Jimin was very aware of. My friends and I were just talking about this and we agreed AYS could be a result of Jimin's guilt. Him wanting to make it up to JK. I also believe what happened with JK during that time was the reason why they applied to enlist together.

Jimin loves to joke and make fun and he loves to make us happy but he loves to make JK happy even more. Say what you will about him but he priorities JK's needs and always has. This travel show, we will enjoy the hell out of it and have a great time, but Jikook needed this. They needed this escape and if they could only get away but portraying it as work, then thats exactly what they were going to do.

So yes anon, you're correct. The operative word here is enough. They talked of course, but not enough. They spend time together of course, just not enough. They were busy, they needed to behave while waiting to see if they would be approved for the buddy system, and so they didn't get to enjoy eo as much as they would have loved to.

It's as simple as that

During 3D era JK said Jimin kept coming up to him and singing "pweuriri" clearly that means they were spending time together. In a live he talked about Jimin rearranging his lights at his home. Then just recently Jimin told RM him and JK drink alot and talk about music. I mean, these are just 3 examples and they sure as hell didn't happen via osmosis.

They saw eo, they talked, of course they fucking did. Think hickeygate. When it doubt, think hickeygate. They couldn't outright tell us what happened and therefore manipulated the truth or rather didn't give us the whole story. That has and will always be an ongoing theme with Jikook: a gay couple in the closet. Go back to that scene and watch JK during this conversation. At some point he does this thing where he's like scratching his neck but you can tell there is no itch. That to me was a sign that there was more to the story.

So just think hickeygate and go from there. There is more to Jikook than meets the eye...