#its no longer *just* about creating tension in the scene

[thefirstlioveyou]

i will never be normal about this. you will never make me normal about it

[eureka-its-zico]

Residuals Pt.2

Ongoing Series

Synopsis: You and Robby spent seven long years together until the day it ended. You’ve done your best to create space; to become invisible. You can’t miss what you don’t see. Unfortunately, the universe (Gloria and the Board of Directors) seemed to have missed the memo.

Pairing: Michael ‘Robby’ Robinavitch x Reader

Genre: Established previous relationship, slight age gap (by about 15 years give or take), a little bit of tension mixed in with a little bit of hate yearning, cause she’s a saucy angsty fic ok

Warnings: Language, sexual themes (it's the patient)

A/N: So, this chapter is much beefier than the last. To anyone new here and my writing - I'm a long-winded bitch, so I apologize in advance 🤣. This chapter also uses slight dialogue from the show. There is a scene in this I took from my time working in the ER during the 2020/2021 pandemic. 100% this actually happened. It was traumatizing lol. Thank you, guys, so much for taking such an interest in this fic! For showing so much love and loving on this show along with me (and Dr. Robby lol) because it's fantastic and deserves all the fics and all the love! I truly am grateful and hope that you enjoy this chapter. Much Love, Jenn 🖤

Shout out to @viridian-dagger for looking this over for me. Thank you for putting up with me lol. I Love you. Also, thanks to @strangergraphics for the cute little divider.

Word count: 7524

Previous I Next

7:00 AM - 8:00 AM

You’d been staring at the screen for what accumulated into an eternity in the ED. The longer you kept staring, kept from just choosing one of the damn patients on the board, the bigger the risk grew that Dana would notice.

Or worse - Robby. 

If Dana took notice of you willfully choosing to stare off into premeditated space, you were willing to bet your firstborn she’d reprimand you first and tell Robby second. She'd shoo you away from her desk with a fervor usually saved for psych patients, as if you had cooties. With your current calculations on how this morning started, either option would be unpleasant. 

Whether any of you liked it or not, you were here, and that meant one glaringly - neon sign bright - reality. Robby was going to be your fucking boss for the next twenty-four hours. And not in a kinky way. At least, not the way either of you used to enjoy.  

From the moment the briefing ended, the disdain at your presence made it painfully clear that you were not welcome. Everyone dispersed in true manic speed to meet the batshit energy that constantly swirled inside the Pitt. It was the place that kept on giving even when you politely asked to be put in time out - because damn you needed just a moment to get your shit together. But the ER was in its own solar system, and it required everyone who walked inside to be ready for whatever was thrown their way. You didn’t get a say - weren’t allowed to say no or ‘hard pass’, on cases that came flowing in and what dictated an emergency. You were either ready or you weren’t. You either made it or you cracked.

There wasn’t any damn structure here. Just spontaneity with a dash of madness but, in that madness, greatness could be born. Adamson always said you never knew what kind of doctor you were - the depths of your compassion - until it was tested in the blood, sweat, and fire of the Pitt. 

You’d been tried, tested, and by the end knew exactly what kind of doctor you were. What kind of doctor you strived to be - like Adamson. Just like Robby. But it’d been two very long years since you’d been able to call this madhouse home. The ease of set-timed patients with a patient history readily at your fingertips had spoiled you. Every question that needed to be asked without actually asking was answered and waiting just for you to see. Pre-existing conditions or possible new ones with known side effects were readily available for you to view.

So, yeah, you were panicky - terrified - about heading out onto the floor with a thousand unknowns. It wasn’t helping that Perlah and Princess hadn’t greeted you with more than a sneer and an eye roll that’d impress your fifteen-year-old niece. Robby and his flock of med students bounded off to make rounds that lasted less than three minutes before rapids began flowing through the ambulance bay. With any luck, you’d have one solid minute to look over the board, dissect what room held the most viable case to close, and head there. 

Just jump right back in and pray you didn’t fall flat on your face. 

The numbing sensation that resonated earlier in your chest returned with a vengeance. It didn’t start gradually, but collided against your nerves; exploding like a colony of ants that bit and tore leaving behind flashes of panic. You tried to lead the sensation out through your hands with a subtle shake. If you allowed the anxiety to fester itself it would no doubt become housed to you the entire shift.

You were better than this. You interned in the Pitt. You chose to stay after you’d obtained a full-time position. Two years away from this damn madhouse shouldn’t have affected you this strongly but that wasn’t accounting for outside stimuli…

But looking up at the large TV monitor, new names being added to the FirstNet system with brightly colored labels, it made you want to scream. It made you feel hopeless.

Fuck. You were better than this. 

The background erupted with shouts from an incoming trauma. Two severe traumas from the sound of rushing feet and Robby’s directions. You didn’t hear most of what the paramedics relayed to Robby and the med students. You did, however, catch the word degloving as they rolled into trauma rooms one and two. You did not envy the med students.

You gave your hands one last shake as your eyes combed over the patient list one more time. You’d found a possible ingestion of a foreign object by a child in triage room eleven. Simple. Easy. You were already going over possible orders to give. An x-ray was to get a better picture if the obstruction was heading downward or if an endoscopy would be necessary for removal. What signs to look for as you assessed the child while making sure they were still alert and swallowing normally. You thought of how to introduce yourself when a familiar voice thrust you back into the present. 

“Forget how to read a patient board, Fullerton?”

Dana’s words were pure ice. The years of friendship and playful jokes appeared to be burned to a pile of ash. You didn’t need to look at her to know she wasn’t regarding you with a friendlier expression than Perlah had moments before. 

“No,” you sighed, your eyes finally dragged from the screen to her. “Just taking in the options.”

“This isn’t a buffet, in case you forgot. I know it runs easier and less dirty for you guys upstairs, but down here time is a precious commodity.”

“I am well aware of how simple consultations can turn serious, Dana.”

“Oh, you do,” she gasped in mock surprise. She’d removed her glasses from her nose and held them against her chest. “I guess that means you should stop wasting time and do your job. Don’t want your Press Ganey scores droppin’.”

“Not that I don’t love the pep talk, Dana. I’m just curious, are you going to be riding my ass this hard the whole shift?”

The question was out of your mouth before you could stop it. The ears of every available RN and technician who sat around Dana’s nursing station no doubt heard. The verbal back and forth so early in the morning was beginning to give you whiplash.

“I don’t know, sunshine is there a reason you think I shouldn’t? You know,” she began, her body involuntarily inching closer. Her shoulder leaned in closer so her barbed words could sink deep enough to wound. “What a surprise to learn that this whole time - the entire fucking two years you were gone - you’d simply been up-fucking-stairs.”

It was in those last few words you saw it. It was so quick you might’ve missed it if you weren’t dialed in. No matter what Dana, or anyone else, said to you today, it would never compare to the carnage you’d left behind with your silence. The pain of seeing the hurt you’d left behind, sharp and unforgiving, was like a lancet; slicing through the tough hide you’d prepared for the day. 

“Dana -” 

Shit, you did not need your voice to crack. You did not need to crack. 

Unluckily for you, she wasn’t in the mood to hear from you. A hand rushed up to brush off whatever weak attempt at placating her she knew you would try and send her way.

“I don’t want to hear it, kid. Months I was worried sick about you. Just to find out you chose to forget we even existed down here. A literal ghost walking back into our lives right when we’ve just about healed. You’re a real asshole, Fullerton.”

She lifted the glasses back to rest on the bridge of her nose. The coolness of her stare reminded you - if her final words didn’t - that you weren’t a welcome sight in the Pitt. Your presence threw off what little harmony they coveted, the family dynamics, and you knew she would fight to preserve it - to protect Robby -  and everyone else in the process.

Your tongue pressed against the side of your cheek. A weak balm to cool the warring wave of emotions that rapidly replaced the anxiety that moments ago threatened to shatter you into embarrassing little pieces. Now you only felt like shattering for an entirely different reason. 

Dana tore her gaze away from you and answered an incoming phone call. Whatever emotions she contended with were conveniently pushed down because she had a job to do. So did you. You found yourself wanting to say to hell with today; with Gloria and all her standards. You hadn’t agreed to be fucking public enemy number one. 

It didn’t matter how anyone else saw you. What mattered right now was the glaringly obvious pain you’d caused to someone who was the Pitt’s raining surrogate mother. Who’d checked in on you, and brought extra food from home because she miraculously knew you’d forgotten yours. A friend that invited you to her family’s Christmas Eve dinner your first year as an intern because you didn’t have family to celebrate with. The woman who’d held you when you’d lost your first patient and scolded you about smoking cigarettes even though she smoked herself. 

You wanted to be stubborn. To wait for her to get off that damn phone so you could try and explain, but really what could you say? It wasn’t just Robby you left. You’d chosen to abandon ship with all of them aboard a sinking ship. They never even knew they needed life jackets in the first place. 

The cool stare of the nursing staff made your back itch. You needed to get away and get back to why you were here. What you were damn good at doing. Clearing your throat, you made your way around the nurses' station. The stride of your steps was suspiciously close to turning into a jog. Although, you’d never admit that out loud.  The sooner you could get to the patient's room the more normal this day would be.

“Holy shit, Fullerton? Is that you?”

The chipper tone and the laughter behind it had warning bells going off in your head in a matter of minutes. You only knew one surgeon who took glee in other people’s discomfort. 

Yolanda Garcia, the resident pain in the ass at Pittsburgh Trauma Medical Center, beamed at you like the cat who was dangerously close to eating a new canary. You had a not-so-sneaking suspicion you were the canary in this scenario. 

“I don’t know, Garcia does it look like me? It’s too early for you to be hallucinating.”

“Does Robby know you’re here?”

Oh, she had to be eating this up. The sheer mayhem she knew this would cause - psychologically speaking - must have been making her toes curl. She was beaming, practically euphoric from the very thought.  Her feet were no doubt burning to run and tell him as if he didn’t already know. 

You tried to sidestep around her obnoxiously grinning form only for her to shadow your movement. 

“It’s great to see you haven’t lost that dream of auditioning for the Wicked Witch of the East, Yolanda.”

“Robby is going to flip when he hears about this.”

“Great. Why don’t you run along now and tell him,” you quipped while patting her arm. “I have patients to attend to.” 

“I bet you do.”

This time when you moved to sidestep her, Garcia didn’t make any move to follow. No doubt too busy riding her broom to be the harbinger of doom all over again for one specific unfortunate soul. 

“Are you aware that Fullerton is here? Just walking around the Pitt attending to patients?”

It shouldn’t have come as a shock that once Garcia saw you, she’d use you in any capacity to rile him up. Hell, Robby was willing to bet the minute she’d noticed you - whether walking or inside a patient room - Garcia would’ve encroached on your space. The two of you historically had one of the worst feuds Adamson said he’d seen between interns in years. It didn’t surprise him that even after you’d both secured your jobs within the hospital it never ended.

What did surprise him was how breezily she asked her questions. She hadn’t even taken five steps into trauma one before she fired each one off in his direction. His hands crossed his body to grip his shoulders. He needed something to steady himself and each finger that dug into the meat of his biceps was all he needed to help keep him centered. Keep his head in this room with this patient and not somewhere else.

“Yes, Dr. Garcia I am well aware she is here.”

He watched the exchange between Collins and Garcia and nodded his approval at Collin’s when she stood her ground and called for a popliteal block instead of morphine. 

“Where’s the next guy?”

“Next door. He’s a bit worse.”

This was something he could do. Something his mind could piece together and work around. Robby knew medicine. Saving lives wasn’t the hardest part of his day - it was having to try and make sense of his own that held that prize.

Garcia was in the middle of giving one last instruction of what she wanted before she fully followed him into the room. Dr. Mohan and a med student, Santos, were in the process of intubating Mr. Wallace. 

“How do you feel about that?”

Robby had been so laser-focused watching them place the tube that he hadn’t heard Dr. Garcia the first time. So, of course, she asked again. 

“Feel about what?”

He was under the impression they were focused on the patient. He should've known better when it came to Garcia. She was relentless until she got what she wanted.

“Come on, Robby, let’s not be coy. You expect me to believe you don’t have big feelings about her being down here? You guys were engaged - ”

A split second. That was all it took for him to become glaringly aware of the room. Of all the people in it, they no longer were singularly focused on the patient but split down the middle. While Garcia effortlessly watched over the med students and their progress, she equally watched him for any sign of a reaction. 

He needed to put an end to her question before she overshared information that first-day interns had no business knowing. Robby found himself itching under the watchful gazes of staff. Princess in particular he caught glancing up from where she was handing over instruments. 

“I don’t see how that information pertains to anything dealing with our patients, Dr. Garcia. How about we stay focused on the task at hand.”

Robby saw the smirk on her face. A dog with a bone. That’s what Garcia was going to be like all fucking day because she was just eating this up. 

He put himself back in motion - being the watchful attendee as Dr. Mohan successfully placed the intubation tube. 

“I’m in!”

“Good! Well done.”

Robby could do this. He could be a doctor. He could be the attendee overseeing and teaching others. He could do this. He could do this. He listened closely as Dr. King checked for the patient’s medical history - there was none. He listened to Yolanda give off medication to administer before shipping Mr. Wallace up to CT for a scan. Once Robby was sure everything was moving smoothly, he moved around the foot of the patient’s bed to stand next to Princess. 

“Do me a favor,” he asked gently, “Swap out with Jessie for me, would you?”

Their degloving patient screamed in a language no one knew but - Robby was hoping - Princess would know. He was following behind her when a familiar - and unwelcome voice - called out behind him. 

“Dr. Robinavitch. Do you have a moment?”

No. He would never have another fucking moment for Gloria. She effectively used up every last moment he had left to spare when she dragged you down here. Robby was barely holding on to what small pieces of sanity he had left. He didn’t need any more shit to deal with before 7:30 am. 

“Ugh, I’m a little busy right now, Gloria. One sec.”

He meant no fucking seconds but he still had to play nice, right. Robby was never good at playing politics. Adamson told him countless times it was the unseen added responsibility of an attending. The constant hounding from the administration staff and CEOs demanding doctors and nurses carried more than just keeping people alive. 

Gloria followed him through the rooms and stood at the side. Her presence was a constant reminder to him that she wasn’t going to leave empty-handed. 

Robby did all he could to monitor the med students’ and his residents as they made their assessments. When Princess notified him she couldn’t figure out the language, Robby took it as a small win to allow him to grab language services, giving him a few seconds to breathe. 

It was short-lived. 

By the time the officer walked in, Gloria had her fill of being on the back burner. She wouldn’t be ignored any longer and they both knew Robby was no longer needed. His residents’ had both patients stabilized and were finishing up preparing them to begin proper treatments. It left him the odd man out. It left him having to take a walk with Gloria. 

The walking and talking was about metrics - Press Ganey scores. The endless bitching about low numbers that couldn’t be fixed without proper staffing was affecting patient satisfaction. It was easy for Gloria to pin the poor numbers on Robby, Abbot, and the entire Pitt staff. Easier to claim they just weren’t already busting their ass hard enough instead of admitting they were short-staffed in every department. That their metrics and data issues of force-fed shitty scores could be solved simply by hiring more nurses - paying better wages. 

But everything Robby ever said - tried to tell Gloria until his vision reddened - fell on uncaring ears. 

After everything he tried to tell her again all she latched onto was when he used the word “Pitt” instead of the official term of an emergency department. Derogatory. That was what she called it. Incompatible with institutional images.

Robby wanted to scream. 

“You know what's incompatible with the institution's image? Me speaking to the media about people who code in our waiting rooms and people who get shitty care in our hallways waiting for an ICU bed for days.” 

“I’ve heard about doctors who tried that and found themselves out of work.” 

The thinly veiled threat wasn’t lost on him. The next words he would’ve liked to have said to Gloria in response, he was forced to cover up under a mirthless laugh. 

“I know today is difficult for you - “

Fuuuck no. No. He was not doing this, especially not with Gloria. No matter what was said after this, Robby could feel the cusp of a storm riding at the frayed edges of his psyche. Knew it was there with each passing millisecond as he waited for it to implode. 

“Everyday is difficult down here,” he bit in. 

“Boarding is a nationwide problem. Your predecessor, Adamson, sure as hell knew that. Or wasn’t that something he taught you?”

And there it fucking was. His eyes snapped shut as he tried to rain in the tidal wave that roared in his ears. The cautionary warnings of a catastrophe brewing beneath the surface only grew louder. 

It wasn’t even fucking 7:30 yet. 

“Fuuuuck. Wow. Really?”

“Yes. Really.”

Gloria would never back down. She was as strong and determined as anyone Robby ever met. Under different circumstances, he would’ve found her impressive, but this wasn’t any other circumstance than her riding his ass like she usually did. 

Robby shook his head again to try and clear the black dots from his vision. It was just a brief shake. His eyes skimmed across each full bed that held a waiting patient. The universe must have perfect timing with fucking with him today. In that brief look, Robby watched you appear from behind a patient curtain. A reassuring smile on your face as you spoke one final time to the family of three inside before you closed it shut behind you. 

You weren’t aware he’d seen you - that he was watching. It was a split second but live wires only needed one second to find a conduit to create sparks that burned down everything around it. He shook his head to try and clear it. His gaze landing back on Gloria with a new bone to pick. 

“Don’t you think you should’ve cleared it with me before you brought Dr. Fullerton down?”

Before his sentence finished, Robby could tell by Gloria’s response she found his question idiotic. 

“Oh, I’m sorry. I was unaware the board needed to clear every decision with you first, Dr. Robby. Also, weren’t you just complaining about the lack of staffing?”

“I was saying to hire more nurses - not to bring down a doctor from a whole other floor.”

“A doctor who has been with this hospital for close to a decade, trained by Adamson, and you, might I add. Look, I get it. You two have…history. Which is one of the main reasons we frown upon fraternization.”

“Please, spare me the HR talk, Gloria.”

“You need to put your big boy pants on, Dr. Robby. Fullerton is staying down here whether you like it or not. Don’t like it, can’t manage the crisis or who the hospital chooses to staff down in the ER, you can either step up or step aside.”

Gloria didn’t give him a chance to respond. She gave him one last condescending look, one Robby hoped he mirrored back to her, before turning on her heels and walking away. His eyes followed her for a few seconds, debating if he wanted to chase after her. Just hand over his badge and call it quits because the feeling of defeat weighed so damn heavy on his shoulders that he thought there might be a chance he’d never get back up. 

Instead, he turned to look at the nursing station where Dana was casually walking. He knew she heard the entire conversation. He just didn’t want to have to repeat what just occurred or discuss it in the slightest. 

He stuck his hands in the pockets of his hoodie and was ready to return into the fray because he could handle that. He could help patients. He could be the doctor they needed. Before he even moved a step Dana motioned for him to come towards the desk. 

The little devil on his shoulder warned him that he might end up regretting it. 

“You know, Robby, I’ve been thinking - “

“Why do I feel like this isn’t going to go well,” he sighed. 

Dana simply waved him off before she continued. 

“You aren’t being very realistic on the whole, ‘stay in the triage only’ demand. You want her to just waste her skills by only helping out in the front?”

“She won’t be wasting them,” he huffed. 

His hands reached out to grip the edge of the counter. He didn’t want to have this conversation. He did not want to have this conver -

“I think you’re just hoping that’s where she stays so you don’t have to see her.”

“One can dream, Dana.”

Robby did not trust - nor like - the coy look he received in response to his words. 

“Who am I to get in the way of a man’s dream?” She replied, her eyes examining him in a way he hated. No one could hide anything from Dana.  “Although, if I know you -“

“Dana -“ he warned. 

“ - I would be willing to bet -“

“Dana, I’m being serious -“

“ - that you want to see her.”

“Now why would I want that?”

“You’ve been scanning the halls every few seconds since we’ve been talking, Robby. I don’t think you’re admiring the wonderful view of bodily fluids and stale piss scent.”

“Alright I’ve had enough of your idea of what I’m assuming is a half-assed pep talk.”

“Just…be honest with yourself, Robby. You both got a lot of unresolved tension with a dash of a shit ton of issues. Probably be better to hash it out when you can, and in private, instead of exploding in front of interns or patients.”

Robby wanted to question if she was willing to do the same. Would Dana be able to have you come to the desk for patient transfer information, for updates, calls; and for everything and not be as affected as he was? Robby remembered he wasn’t the only one who’d lost you - felt lost without you. 

Robby wasn’t ready to confront you. Hell, he wasn’t ready to be alone with you and try to talk like civil adults. He wasn’t there yet and maybe he wouldn’t be. What he could be was an attending physician. He was great at that. 

He could do that.  Everything else would just have to wait. 

Upon further examination of the little penny swallower in 7 North, he showed no signs of abnormal drooling or trouble swallowing. Palpitating the stomach didn’t have any response of abdominal pain or tenderness. With a few more questions about possible fever or trouble breathing, you felt confident in informing the family an x-ray would be needed just to verify the penny was making safe travels down to be…expelled. Easier and less invasive to exit that way. 

You told them once you were notified the x-ray results were ready, you’d come to speak to them about the next steps. Hopefully, it meant they could be discharged in an hour or less. Which meant you had an hour to kill between waiting for the results. After reading the chief complaint on the board for 12 South, you thought it was a solid contender for a quickie. 

As it turned out, it was the worst idea you’d had that morning. 

When you pulled back the curtain and began the examination, what you’d found waiting for you under the dressing gown wasn’t on your bingo card. Actually, it should never be on anyone’s bingo card. Not ever. 

You’d tried to come up with any other option than needing to consult Robby. He didn’t want to see you throughout the day - ever. It was a sentiment you equally shared with him and one you happily would’ve avoided except…you need the advice. 

You need to present the case and get some solid, solid advice and, quite possibly, traumatize him in the process. You couldn’t be the only one subjected to seeing what you saw at freaking 7:37 in the morning. The only issue: you had no fucking clue where he was. 

In true Pitt fashion, doctors were bouncing from one room to another. Already you’d heard McKay call earlier about needing a crash cart. When you’d run out to assist, Mateo, a newer RN you’d yet to meet let you know they had it - if you were needed they’d call. 

You also knew that after 7:30, rigs would be bringing in elderly patients from the nursing homes. Another thing that would keep Robby busy and make it near impossible for you to try and consult with him. It was already going to be a battle just to keep him from turning and bolting in the other direction when he saw you. 

This limbo of time left you a few minutes to run to the break room and take a blissful sip of your more than likely room-temperature coffee. It didn’t matter: caffeine was caffeine and you would take it any way you could get it. You just had to make one last pit stop before you disappeared. 

You circled the nurses' station and found the exact nurse you were looking for sitting at one of the station’s computers. You had to hand it to Perlah, whether she saw you coming or sensed your presence like a disturbance in the force, she refused to glance up from the screen. Her eyes scan over something repeatedly as her fingers pound into the keyboard. 

“Perlah, have you seen Robby?”

She still wasn’t looking up.

“Nope,” she replied, popping her P heavily. 

“If you do see him, can you let him know I’m looking for him?”

“Nope.”

Your lips tucked into a grimace as your gaze peered over the edge of the computer. Perlah’s eyes didn’t lift once. 

“Okay. Great talk.”

“Mhmm.”

Yeah, today was off to a really fantastic start. 

There wasn’t any point hanging around the nurses' station for longer than was embarrassingly needed. You took the loss in stride, and by stride, it meant with a heavy sigh of defeat that had your feet dragging that defeatist attitude into the breakroom. Where you found one of Robby’s newest med students sitting at the break room’s table. 

If you felt defeated, you weren’t sure what the proper word for her would be. She looked like a reprimanded child instead of a doctor. Her small frame was tucked in tight, like a fetal position with her forehead almost completely collapsing onto the table. 

You weren’t able to catch any of their names earlier because you all but missed morning rounds. All you knew was she was one of Robby’s four interns and by far the youngest from the looks of it. 

You eyed her warily as you moved towards the side counter. You’d stashed your coffee on top of the microwave and, once in hand, immediately brought it to your lips for a long pull. 

Yep. It tasted as good as you thought it would. 

The girl brightened once she realized you’d entered. Her nerves had her eyes darting down and back up again seemingly unable, or just not comfortable enough, to keep them trained on you. 

“You’re one of Robby’s new med students today, right?” A timid smile rose and fell on her lips. You watched while she tried to make out if you were friend or foe. In an attempt to prove the former, you offered up a warm smile as you introduced yourself. 

“Victoria Javadi - MS3.”

“It’s a pleasure, Dr. Javadi. May I ask what you’re doing in the breakroom instead of out in the Pitt?”

Your question was meant to be that: a simple question. No ulterior motives were waiting in the wings especially not the lecture Adamson gave you your first year when he caught you napping in here. But your simple question extinguished what little bit of life had lit up in the young girls’ eyes. 

“I - I - my foot hit a gurney during Dr. Collin’s and Dr. Langdon’s demonstration on the degloving patient. It was nothing.” 

It wasn’t nothing. Whatever happened was everything to her and not in the best of ways. 

“That’s okay. It happens,” you shrugged. “I stuck myself with a needle once.”

“Really?” She asked, her voice timid and eyes unbelieving. 

“Oh, yeah. My second year of residency too. The patient became combative while I was trying to administer the medication. The needle got jammed in my clavicle.” 

You couldn’t believe it - it earned you a laugh. A nervous one, but it was still a laugh. You watched her as she brightened and dimmed; a constant flux of warring thoughts that you weren’t sure which side was winning. 

“Whatever happens out there, don't let it get you down. We never stop learning as human beings or as doctors. Everyone out there has made a mistake in some capacity. Hell,” you snorted as you pushed off from the kitchenette’s counter, “Michael got hit with a bedpan once.”

“Michael?”

God, you’d gotten too familiar. Your memory of that day makes you have a Freudian slip into the days you called him more by his first name instead of his nickname. 

“Oh, uhm, Dr. Robby. I’m going to head out but if you want, once you’re done here, you can come find me. I’d be more than happy to teach you.”

“Thank you, but I’m sure Dr. Robby is just having me take a break. It’ll be fine. I’ll be fine.” 

You were tempted to tell her to come find you anyway, just in case. In case it didn’t go how she thought when she did finally check back in with Robby. Whether she verbally agreed to the offer or not, you hoped she knew it was still there. This was a teaching hospital after all. 

Dana and Robby were walking back to the nurses' station. He’d just gotten one major surprise of finding out Javadi was Eileen Shamsi’s daughter and while he was all for surprises, that was one he'd like to have been prepared for. 

Just like Dana had warned him, via Perlah, that you were looking for him he saw you standing there waiting. For him. He’d had all of five seconds to come to terms with the fact you were both about to have your first direct conversation in over two years. After two long years of no contact, it was about work. 

He should’ve been happy it was just about work and not all the other bullshit that’d accumulated over those two years. He should’ve been fucking thrilled, but he wasn’t. Robby had so many questions - so many things he wanted to say. There was so much to say - to ask - and instead here he was preparing to discuss something easy. 

Robby and Dana split up at the middle entrance. She returned to man her station in the center of this circus, while he came up to stand beside you leaning against the nurses' station. Your fingers tapped on the counter while your chin rested in your other hand. 

“Something’s got you deep in thought.”

Robby knew the answer - knew it because outside of himself, outside of Jake, you were the only other person he knew inside out. Your fidgeting fingers, a tick he knew well, would tap out a Morse Code of a problem you were trying to solve. The faster the tapping, the closer Robby knew you were coming closer to asking for his opinion. You’d done this all the years you’d worked together and at home when you couldn’t decide if oregano was an okay substitution for Italian seasoning. 

“Cock rings.”

“Excuse me?”

Robby could feel his eyebrows skyrocketing towards the ceiling. He rocked forward and back on his feet while the fists he’d buried inside his hoodie pushed against the fabric. His body subconsciously leaned towards you because, well hell, he couldn’t believe those two words just left your mouth. 

He hated that his eyes caught the slight uptick in the corner of your mouth. The same corner where all your sarcastic ass smirks originated before they blackmailed their way to full-blown smiles. What Robby hated the most was how that small bit of familiarity took a sledgehammer to the carefully constructed walls he’d built. Fucking hated how his lips betrayed him by beginning to match the playfulness in your eyes. Loathed entirely how his heart did somersaults like he was a teenager again and the girl he’d crushed on just looked at him like he hung the stars. 

“Cock rings.” You said it like it wasn’t the lewdest thing he’d heard all day. Simple. Matter-of-fact. “What do you know about them?”

This was fucking absurd, was all he could think. 

“Uhm, why exactly is this your question?” 

“Jesus, Robby, I’m not asking if you’ve used them. My patient in 12 South - was brought in by his mother for supposed swelling and pain in the inguinal region. Upon examination, found he attached sixteen key rings as makeshift cock rings along the length of his penis.”

His brain was still in the process of trying to comprehend the scenario you’d just fed him. That was his excuse for his eloquent reply, “You’re fucking kidding me.” 

“I sincerely, with my full chest, wish I was. He’s traumatized. Mom’s traumatized. Shit, I’m traumatized, but I can’t figure out a safe alternative to removing the rings without causing damage.”

“What are you two discussing?” 

Dana seemed to arrive at the best and worst possible moment because Robby didn’t know how to answer that question. Apparently, you had no problem informing her it was - 

“Cock rings.”

Robby wondered if Dana’s stunned-to-silence expression was how he’d looked earlier.

“Well, shit, Fullerton this is the wrong department for that - “

“It’s my patient in 12 South. He decided to MacGyver himself some cock rings out of key rings.”

“What about MacGyver?” 

Langdon slid a tablet back on the charging station - gaze laser focused between you and him. One of Langdon’s brows rose in silent question that Robby could only answer with a shrug. 

“I’m sorry but who is MacGyver?” Dr. King asked, eyes shifting with expectation between the four of them for whoever would give up the answer. 

“MacGyver’s an old 80’s TV show where the detective guy gets himself out of sticky situations by using random stuff.”

“Random stuff?”

“Anything eye level,” you quipped. 

“Okay, anyways, Fullerton,” Langdon butted in, “What’s with your MacGyver patient.”

“Cock rings.”

Robby swore if he heard the words “cock” and “ring” come out of your mouth one more time he was going to fucking combust.

“Cock…rings?”

From how green Mel looked after stuttering out those words, Robby was sure he wasn’t alone in his earlier sentiment. 

“They say it’s meant to enhance stimulation by restricting blood flow to the penis. I’m pretty sure men buy them because it enlarges the penis making it thicker with the possibility they’ll last longer in bed. You can currently pick one up on Amazon.”

“Jesus,” Dana mumbled. 

“Really?” 

Mel took a giant step closer to the edge of the desk. Her earlier discomfort was removed by the idea of garnering new information. The warning signs were blaring loudly when you whipped your phone from your scrub's back pocket. 

“Oh, yeah and they come in different styles of materials - “  

“Oookay.” Robby heard more than enough. If he was being honest with himself, fuck he hated how it bothered him hearing you talk so casually about sex toys. Toys he knew, for a fact, the two of you never used because he never needed the extra help. He knew every inch of your skin; how you liked to be handled and touched. Could recall with crystal clarity the plains of your body, mapped out to memory by his hands, by his mouth, and the way your breath would hitch just before a moan slid past your lips. If any asshole was touching you now - he wasn’t fucking doing it right. Clearing his throat - and his fucking head because Jesus H. Christ - he rested his forearms on the counter as he leaned closer to you. “Can we please move past showing my med students unnecessary sex toys?” 

Robby was leaned down enough that the next time you looked at him it was direct. Direct and ready to challenge him every step of the way. A spark of some hidden remark you were burying back under your tongue brightened his favorite color of iris. 

“Squeamish, Michael?”

And there it was again. That fucking smirk. 

The use of his name falling so casually from your lips was a gut punch that stole the air from his lungs. He couldn’t stop the pinch of his eyes that narrowed in on you. 

Did you just lean closer?

“Not particularly, no. I am, however, making sure we aren’t having an unnecessary conversation that doesn’t pertain to the care and wellbeing of our patients.”

“Sex education is fundamental education. Dr. King asked a question and I was teaching. This form of teaching does pertain to my specific patient who used a similar style of material usually made for this particular toy and, because of lack of education, thought key rings would be a supplementary alternative rather than a safer one. In showing Dr. King the types of materials safely used, and how obtainable and discrete it is to get one, she could educate someone else if she finds herself in a similar situation. Also, it’s 2025, Dr. Robby - we don’t kink shame here. We educate on safe sex practices.”

“Here, here!”

Robby shot a look in Dana’s direction and caught the wisp of a smile before she turned away. 

“What a great speech just to cover up your kinks, Fullerton.”

Robby couldn’t tell if Langdon was trying to bait you on purpose just to rile you up or to get you to slip up. He got neither in return. 

“You found me out, Frank.”

“Alright, enough.” He needed to cut in before you both went back and forth in an endless loop of who could irritate who the most. It was just a little over half an hour into the shift. “Dr. Fullerton, is there anything else?”

“Ugh, yeah. You still haven’t given me your opinion.”

“Because you never asked a specific question,” he reminded you. 

He watched you consider his words; your lips rising into that small pucker. It was your tell that always let him know the debating was over and you were ready to listen to what he had to say. 

A part of him hated the familiarity that rested between the two of you. Fuck, you hadn’t changed. Not in any way Robby was able to notice. It was barbaric; and painfully unfair that every mannerism and every glance housed years’ worth of memories. The most painful part of being reminded was the remembrance of loss. 

Loving you had been as easy as breathing for him. Until it wasn’t. 

The communication the two of you held so easily for years was torn apart during the pandemic. There was too much happening and not enough support mentally when the PTSD started. When the sleeplessness and hopeless feeling began to press a weight down on his chest - his existential crisis bloomed red and bright. Robby didn’t know how to stop the bleeding. 

And then you…you’d…

“You’re right, I didn’t.” Your words cut through the fog in his mind, bringing him roaring back to the surface. “If you have a few moments, I would like to get your opinion on my patient and what you think will be best for this particular…situation.”

Robby pushed his arms off the counter. An arm swept out in the direction of the hallway south to indicate you could lead. 

“Alright. Let’s see what you got.”

You clapped your hands together before you took a step forward. You hadn’t expected him to agree and the giddiness at winning a battle - or not having to fight one? - intoxicated him. A ghost of a smile tilting the edges of his lips unwillingly up. 

The two of you’d made it about five feet before Myrna rolled herself from beside her latest haunt. 

“Hey Sugar Tits, where are you skipping off to?”

“Myrna, I’ve expressly told you, my name is Dr. Robby.”

“I’m not talking to you, Fruitcake.” 

“It’s me,” you whisper to him before returning your attention to Myrna. Never stopping. Always moving. “I can’t talk now, Myrna. I have a patient.”

“You always say you have a patient,” came her gruff reply.

It was the first hint her chipper demeanor was about to expire. 

“Yes, because this is the ER; where I work.”

“Fuck you.”

“Nice talking to you again too, Myrna.”

The walk to 12 South wasn’t quick enough. Every step and moment he spent walking beside you sent a flood of memories rushing to the surface. Robby didn’t know how to do this. He didn’t know how to pretend you hadn’t shared a life - that he hadn’t spent time loving you in every way he could. 

“Fruitcake, huh?”

Your words cut through his thoughts and, at first, he’d been grateful for the interruption. Grateful until Robby noticed the teasing gleam in your eyes. How he could spot the mischief that darkened your eyes and didn’t have enough time to prepare. 

“Don’t want to talk about it,” he grumbled.

He didn’t need to look to know you were side-eyeing him.

“It could be worse.”

“Oh, no I doubt that.”

“She could call you something less delicious.”

His hand was mid-reach to pull back the curtain. Your sentence pulled him short and forced him to look down at you like you’d just grown a second head. 

“You think fruitcake is delicious? Nobody thinks fruitcake is delicious.”

“True, but it’s arguably better to be called a shitty holiday dessert than, say, something like cocksucker,” you shrugged, moving yourself around him to push behind the curtain. 

He was supposed to be angry with you - and he was. He fucking was but…it was easy, almost too fucking easy, to forget the last few months that led up to what dissolved your relationship. It was easy to forget you’d both broken each other in different ways. Robby should’ve hated you, but he couldn’t, and, because of that, he was grateful you couldn’t hear the chuckle he tried to shake away before he followed in after you.

____________

As always thank you so much for your support and for reading! Comments and reblogs are always appreciated! Much Love,

[luna-azzurra]

Do you have any advice for writing a fight scene? No weapons or anything, and one is a werewolf?

Thanks! xxx

sure!!!!:)

The environment is a huge part of any fight. Where the battle takes place can affect the mood and pace of the fight. If it's a forest at night, the atmosphere might be thick with tension, the shadows playing tricks on the human’s mind. Every snap of a twig could be nerve-wracking. In contrast, if it’s an abandoned warehouse or alleyway, there could be crumbling debris or walls that the werewolf could crash through with ease. Consider how the space constrains or opens up possibilities. Does the human have room to run, or are they trapped, back against the wall?

One of the most important elements of this fight is the clear imbalance between the human and the werewolf. The werewolf, being a supernatural creature, should feel like a force of nature, faster, and stronger than anything a human can easily contend with. Its movements are instinctive and powerful, maybe even graceful in their brutality. The human, on the other hand, needs to rely on their wits, speed, and survival instincts. They know they can’t overpower the werewolf, so they’re constantly looking for ways to outmaneuver it, maybe trying to use their surroundings to gain some advantage, like ducking behind obstacles or luring the werewolf into a trap.

To make the fight feel visceral, focus on the physical sensations and the toll the fight takes on both characters. For the human, every punch or kick should feel like a gamble, maybe they manage to land a blow, but it’s like striking a wall of muscle. Each missed hit could leave them open to devastating retaliation. The werewolf, meanwhile, is likely much more durable. Its claws tear through the air with deadly precision, and each swipe could mean serious injury for the human. Describe the impact of each hit. Does the werewolf's claw barely miss, ripping through the fabric of the human's shirt, leaving them gasping with adrenaline? Or does the human manage to dodge just in time, but only because they’re running on sheer instinct? Let the reader feel the weight of the werewolf’s power, how the ground shakes when it charges or how its growl reverberates in the air, sending shivers down the human’s spine.

What is the human feeling during this fight? Fear, obviously, but maybe also determination, rage, or despair. Do they think this is the end, or are they fighting for someone or something they care about? Maybe they’re not just trying to survive, maybe they’re protecting someone or trying to escape with crucial information. On the other side, consider the werewolf’s emotional state. Is it in control, methodical and cruel, or has the beast taken over, making it savage and unpredictable? If the werewolf is toying with the human, letting them think they can escape only to pull them back in, that can create an agonizing tension. Or maybe the werewolf is in a blind rage, reckless and wild, which could give the human a small opening, perhaps the only one, to escape or gain the upper hand.

What does the fight feel like? The smell of the werewolf’s fur, matted with dirt and sweat, the metallic tang of blood in the air, the sound of claws scraping across concrete or bark. What does the human hear? The werewolf’s breathing, the snarl rumbling deep in its throat, the snap of bone as it crushes something in its jaws? Describe how the human’s body responds to fear—the pounding heart, the shaking hands, the burn in their muscles as they keep running or dodging. The fight should feel exhausting, both physically and mentally.

Fight scenes need to be fast-paced, but not rushed. Keep the sentences tight and impactful. Short, sharp sentences can reflect the speed and danger of the fight, while longer ones might slow the action down in moments of brief respite, like when the human is catching their breath or assessing their next move. You don’t want to bog the reader down with too much detail at once, but you also don’t want the fight to end too quickly. Build up the tension, let the human get close to being caught, cornered, or even injured, then find a way to narrowly escape, only for the danger to come back twice as strong.

Every punch, kick, dodge, or claw swipe should have consequences. If the human lands a blow, how does the werewolf react? Does it shrug it off, or does it get angry, its aggression intensifying? Similarly, when the werewolf lands a hit, don’t be afraid to let the human suffer. Maybe they get clawed across the arm, and now they’re bleeding, one arm practically useless. Injuries should affect how they fight going forward, slower, more desperate, limping, or gasping for air. Let the reader see the human struggling, on the verge of giving up, but somehow pushing through. End the fight with a definitive moment, a final, brutal blow, a clever escape, or a narrow victory. Maybe the werewolf’s strength falters for just a second, giving the human a chance to escape, or perhaps the human collapses in exhaustion, moments before what they think will be their end.

[leoneliterary]

MC: Does something terrifying

RO’s: This has awakened feelings previously unknown…

(Except Sarai, we already know she likes the scary type)

I hope there will be more dialogue options later on that are more… domineering? Assertive? I’m not sure what to call it but… the kind that reframe the power dynamics in the relationship without blocking the romantic route or making the RO hate you, especially with Aretas like… MC grew up on as a locust got everything taken from them grew up in a thieves guild and is now a stand in leader for said guild, I don’t see MC being meek with anybody including the king!

- You gently lifted the king’s chin with your finger to look at you, in his eyes you could see slight fear… or is it passion…

“I could tear down your kingdom from the inside out” you said slowly, one leader to another -

Sorry about the paragraph couldn’t think how to illustrate what I meant, love what you gave us so far <3

First of all, anon, you need to sit down and get to writing a story of your own. Once you finish, send me a link because oh my goodness! You created tension and atmosphere in just a few sentences that some take paragraphs to build up! You have an expectant reader over here!!

To answer your question, the last update left our character at a crucial turning point. You're no longer an outsider on the fringes of the court. Now, your character has ties to several of the most powerful people there, which means there isn't as much of a need to bow and scrape.

It won't be every option, because there is a time and place for everything and if your character gets thrown into the prison we don't have a story (Or do we...), but there will definitely be times when the MC can play with the power dynamic or flip it on its head completely. Doing it some ways in certain situations might make character's hate you, but for others it might add a different layer to a friendship or romance.

(In one of the first batch of scenes I wrote, there was something like what you gave an example of, for Aretas. It comes up in all the love interest's routes, but I think the role of identity and power is extremely prevalent with Aretas.)

[misswynters]

Lure in the Deep

Ewan Mitchel x reader

[SYNOPSIS: You both are actors starring in a movie where he plays a sailor and you play a siren.

[note | it’s a bit cheesy and short, but i just had to write something!, will probably fix later

Massive blue screens surrounded a large water tank, the waves created by hidden machinery that mimicked the gentle rise and fall of the ocean. The ship, a meticulously crafted replica of an old sailing vessel, bobbed in the artificial water, its sails catching the wind from strategically placed fans. It was a perfect illusion, transporting anyone who stepped onto the set to another world.

You stood just off to the side, dressed in a shimmering costume that clung to your form, reflecting the light like scales. Your role in the film was one that had drawn you in the moment you read the script—a siren, the embodiment of the sea's allure, cursed to sing men to their doom. The role required a delicate balance of ethereal beauty and an underlying darkness, a challenge you relished.

Across the set, Ewan Mitchell was getting into character. His transformation into the role of the sailor, a man hardened by years at sea yet still capable of wonder, was nothing short of remarkable. Ewan had an intensity about him that made every role he took on feel deeply personal, and this one was no exception. His sailor was a man haunted by the sea’s beauty and danger, drawn to it despite the peril it posed.

The scene you were about to shoot was a pivotal one, where your characters would meet for the first time—a moment of tension, temptation, and mystery. It was one of the most crucial parts of the film, the moment where the sailor’s fate would be sealed by the siren’s song.

The director, a meticulous man with a passion for detail, called for quiet on the set. The crew hushed, the sound of the waves and the creaking of the ship filling the silence. The cameras were ready, focused on the ship as it drifted through the water.

You took a deep breath, letting yourself sink into the character of the siren. You were no longer yourself—you were an ancient being, bound to the sea, cursed to live beneath its surface, and doomed to lure sailors to their doom with your voice. The script had described the siren as both haunting and irresistible, a creature of beauty and danger in equal measure.

“Action!” the director called.

The cameras began to roll, and the scene came to life. Ewan’s sailor stood at the bow of the ship, his hands gripping the railing as he stared out over the dark water. The wind whipped through his hair, and his eyes were distant, lost in thought. He was the perfect picture of a man who had seen too much yet still found himself entranced by the mysteries of the sea.

As per the script, you began to sing, your voice soft and melodic, carrying across the water like a whisper on the wind. The song was one of longing and loss, a siren’s call designed to draw the sailor in, to make him forget everything but the voice that beckoned him closer. Your character’s voice was meant to be her most powerful weapon, a lure that no mortal man could resist.

Ewan’s sailor stiffened as the sound reached his ears. His eyes searched the water, trying to locate the source of the song. The camera captured the moment perfectly—his confusion, his curiosity, and the growing pull of the siren’s voice. You could see the internal struggle playing out in his expression, a man torn between his instincts and the overwhelming urge to follow the sound.

Following the director's cues, you slowly emerged from the water, just enough for the sailor to catch a glimpse of your character. Your costume shimmered in the moonlight, your eyes meeting his with a gaze that was both inviting and foreboding.

Ewan’s performance was captivating. His character’s eyes widened slightly as they locked onto yours, a mix of fear and fascination crossing his face. The camera lingered on this moment—the siren and the sailor, their fates intertwined by the pull of the ocean and the curse that bound you.

The scene was supposed to be tense, filled with the unspoken promise of danger and the inevitability of the sailor’s doom. You could feel the energy between you and Ewan, a silent understanding that made the scene feel real, almost too real. It was as if the set had vanished, leaving only the two of you, the sea, and the siren’s song.

As you continued to sing, Ewan’s character slowly stepped closer to the edge of the ship, his movements almost trance-like. The script had called for him to be drawn in, compelled to move closer despite knowing the danger. Ewan’s portrayal was spot-on—his body language conveying both the struggle to resist and the growing compulsion to surrender.

The director had planned for this moment to be one of slow, deliberate tension, but there was an electricity in the air that neither of you could ignore. The scene was taking on a life of its own, evolving beyond the words on the page.

Suddenly, the director called for a cut, his voice breaking through the spell. The crew erupted into motion, the illusion shattered as people rushed to reset for the next take.

You and Ewan stayed in place, both of you still caught in the intensity of the moment. His eyes met yours, and for a brief second, you wondered if he had been as deeply affected by the scene as you had. There was something in his gaze—a lingering connection, perhaps, or just the residue of a powerful performance.

“That was… something,” Ewan said quietly, breaking the silence between you. His voice was still tinged with the emotion of the scene, a testament to how deeply he had immersed himself in the role.

You nodded, trying to shake off the lingering effects of the scene. “Yeah. It felt… different.”

He gave a small, almost shy smile. “You make it easy to get lost in the moment.”

The compliment caught you off guard, but you managed a smile in return. “Likewise. Your performance was incredible.

Ewan shrugged, his modesty a sharp contrast to the intensity he brought to his characters. “Just trying to keep up with you.”

Before you could respond, the director approached, a wide grin on his face. “That was fantastic, you two. Absolutely perfect. Let’s get one more take, just for safety, but I think we’ve got it.”

The crew reset the scene, and you took your place in the water once more, waiting for the cameras to roll. As the lights dimmed and the ship was once again bathed in moonlight, you felt that familiar pull, the transformation back into the siren who haunted the deep.

“Action!” the director called, and the scene began anew.

Once more, the song rose from your throat, the melody haunting and beautiful. Ewan’s sailor reacted just as before, his body drawn to the edge of the ship by the irresistible pull of the siren’s call. But this time, something was different—there was a depth to the connection between your characters that hadn’t been there in the previous take. It was subtle, but it was enough to change the tone of the scene, adding layers of emotion that made it even more compelling.

As the scene played out, you found yourself lost in the moment, the line between reality and fiction blurring once more. There was a raw intensity to Ewan’s performance that drew you in, making it feel as if you were truly the siren and he the doomed sailor.

When the director finally called “Cut!” you both stayed in character for a beat longer than necessary, the weight of the scene lingering in the air. It wasn’t until the crew began to move around you that you snapped out of it, the spell broken.

“That was… wow,” you said, your voice barely above a whisper.

Ewan nodded, his expression still distant, as if he hadn’t fully come back to reality yet. “Yeah. That felt… real.”

You smiled, the tension between you easing as you both returned to yourselves. “You really brought the character to life. It was incredible to watch.”

He returned the smile, this time with a hint of his usual charm. “I could say the same about you. I think we make a pretty good team.”

As the crew began to dismantle the set, you and Ewan lingered for a moment, the connection between you still humming in the air. It was a connection born from your characters, from the intensity of the scene you had just shared, but there was something else too—a spark that made you wonder if it was only acting or if there was something more.

“Maybe we’ll get to work together again,” Ewan said, his voice laced with a hint of hope.

“I’d like that,” you replied, your smile widening. “I’d like that a lot.”

And as the lights dimmed on the set of “Lure of the Deep”, you couldn’t help but think that maybe, just maybe, there was more to the story yet to be written.

taglist: @spn-obession @soulsbrne @beebeechaos @mymoonempress @demigoddessqueens

banner: @cafekitsune

[nabi-unveiled]

Nabi Notices (April 8, 2025)

My drafts tab is a veritable graveyard of potential posts at this point, including:

A half made fmv for When It Rains

A partially completed comparison discussing the importance of movement during transitions between Boy Next World, Heart Killers, and See Your Love

Posts about reflections and sense of time in Secret Relationships. That one is still moving forward, but it's slow going.

The rest of the BL challenges (and ideas for my own set of BL challenges)

The list could go on. My drafts are an accumulation of intentions. That's really to be expected though. My home is the same way. One day I'll get a picture in that frame on the wall in my bedroom. It's only been 10 years. I'll eventually get a plant in the pot on the windowsill too.

It just that without deadlines, my brain doesn't always cooperate. And it frequently decides to go on side quests.

All this to say, I'm still figuring out exactly how I want to approach certain shows, tasks, etc. for this blog. I always do best when I have systems in place. It helps counter the chaos of my brain.

Inspired by @watchthisqqq, I do think I will start creating master posts for shows that I write several meta/longer posts about. That'd certainly make it easier to find my own stuff and update my pinned meta master list in the future. Any other ideas/suggestions that might make things easier in the future are welcome.

The Things I Noticed This Week:

I watched a lot of great shows and episodes this week. It was really fun after the not-so-great previous week. In general, I'm watching a fair amount of the BL stuff that's currently airing. I also binged Secrets Happened on the Litchi Island. I'm playing catch up and liveblogging a first watch of Love for Love's Sake (no spoilers please; I'm only at ep 2). And I currently have When Life Gives You Tangerines in rotation as my laundry show.

Fabulous Fit

This week was apparently the week of noticing basics. I loved Muenfah's jeans and belt buckle at the shabu-shabu restaurant in Your Sky of Us. It was particularly noticeable since everyone else was in fairly standard black pants. A good pair of jeans goes a long way.

And Yeowoon's running outfit in Love for Love's Sake is sooo basic. But I love it.

I feel like the strings on the hood would be a problem when sprinting, but I really appreciate this style of workout gear.

Fascinating Find

Ok. By rights, Litchi Island should be the fantastic frame of the week. It's beautiful cinematography. But I'm trying to highlight a different show in each category, and the search for spicy/steamy scenes involving bookcases that was triggered by this screenshot was the most fun search I had all week. And maybe the biggest treasure hunt I had went on in a while.

I really appreciate @pinkkop, @notafanbut, and @my-rose-tinted-glasses trying to help me out. The list is still very short, but we're up to two (Litchi and Only Friends) with a "it's close enough" third (History 4). There's also plenty of heavy staring in libraries or bookstores 😂.

Fantastic Frame

This shot felt like a great way to close out Perfect 10 Liners. I loved the hearts on the social media post between each set of sweethearts and Wine being in the center with the finger heart. It's really the social media post that gets my fantastic frame.

Wine talking about how it was actually fun to be a part of this chaotic group was really a reminder to enjoy our journeys and the people in our life. For a show that I had largely written off during the first third (sorry Arc/Arm fans), I really came to enjoy it in its home stretch.

Fun Fluorish

The clear symbolism winner this week has to be the honey in Top Form. They incorporated references throughout the episode and set it up as a storytelling moment that went beyond just sex. I found myself rewatching the earlier parts of the apartment scene more frequently. The emotional tension was delightful when Akin was tormented thinking Jin was avoiding him. But I appreciated seeing something new in an NC scene.

Even if the music did distract me, and I kept envisioning a manic pianist completing his final performance. I don't mind that choice from an artistic standpoint, but any rewatches of this portion happened on mute so I could focus on the honey happenings.

Anyways, the rug is toast, but it was one heck of a first time as a couple. I'm sure some people were put off by the use of the honey, but ... that wasn't me. I try to keep my kinks in check when writing this blog, but I'll play. It did make me curious enough about the sensory aspect that I tested it out on my arm.

I know a lot of people worried about the stickiness. The bigger issue (for me) was that it got stiff very quickly. Maybe that's why they kept pouring it on. It's also possible their honey was just a lot warmer. 🍯

Favorite Fragment

I'm loving all of the astronomy references in Heesu in Class 2. I've spent the last four months crafting creative video scripts about astronomy topics with at least two to three months to go on that particular project. There have been some inaccuracies, but the show is doing far better than most in terms of incorporating scientific information. I particularly loved this line.

Because it's subjectively correct by many people's standards. Many resisted the reclassification just because it felt like a downgrade. But it's also subjectively incorrect. Many people consider dwarf planets to be more extraordinary, because we don't know a lot about them and there are only five currently recognized (although we hypothesize there are more). Whereas most of the planets got lumped together in my video scripts. Pluto got to have its own. And objectively - Pluto itself didn't change at all. We're really talking about perception and labels here. Not facts. And at it's core, that's a key theme of this show this week - perception. Perception of ourselves, perception of others, and perception of the possibilities.

My Queue for the Coming Week:

As always this list is prone to change, and there will be things I watch that are not on this list. It's just "most likely" I'll watch these.

Heesu in Class 2 (Ep 5-6)

Top Form (Ep 5)

Sweet Tooth, Good Dentist (Ep 3)

Love for Love's Sake (Ep 3)

When Life Gives You Tangerines (Ep 4)

[novlr]

My story has two time lines, 2010 and 2024 Should i make theses two alternate?

Some of the most effective stories I’ve read move seamlessly between different time periods, weaving together narratives that span years or even centuries. Dual timelines can be a powerful storytelling tool, adding depth and complexity to your narrative while allowing you to explore how the past influences the present.

However, managing multiple timelines requires careful planning and execution, and there isn’t a one-size-fits-all approach for how to do it. You know your plot better than anyone, so here are some guidelines that will hopefully help you choose which best works for the kind of story you want to tell.

Why use dual timelines?

Dual timelines can serve several important storytelling functions:

They reveal how past events shape present circumstances.

They build suspense by gradually unveiling historical mysteries.

They allow for rich character development across different periods by drawing parallels between them.

They provide opportunities to explore themes through different historical contexts.

They can create dramatic irony when readers know more than the characters.

They can foreshadow present events.

How to structure dual timelines

When it comes to structuring dual timelines, there is no single best approach. But what you do need is a solid foundation for both timelines, and to consider how frequently readers will cross between them. The structure you choose will depend on how closely your timelines are connected and how you want readers to experience the relationship between past and present.

Here are the main approaches writers typically use:

Alternating chapters

The most common approach is to alternate between timelines chapter by chapter. This creates a natural rhythm and helps readers track where they are in each narrative. It works particularly well when both timelines have equal weight in the story.

Longer sections

Some writers prefer to spend several chapters in one timeline before switching to the other. This approach can work well when one timeline needs more extended development or when you want to build more momentum before switching.

Scene by scene

For stories where the timelines are closely intertwined, you might switch between them more frequently, even within chapters. This requires careful handling to avoid confusing readers, but can create powerful connections between past and present events. And if you want to take this to an extreme, an example that tackles multiple timelines simultaneously is Ted Chiang’s Story of Your Life. I recommend it to every writer, because it’s a perfect example of how language and structure can be pushed to its limits in a way that can still be effective and engaging for readers.

Tips for writing dual timelines

Make each timeline distinct

Establish clear markers of time and place, like character and setting description unique to that timeline.

Create distinct character voices for each timeline. Language changes, even in a short space of time.

Use different sensory details to ground readers in each period.

Keep detailed notes about the chronology of events in both timelines to make your life easier as you’re drafting.

Keep readers oriented

Start each timeline shift with clear indicators of when and where we are.

Use chapter headers to identify the timeline.

Reference distinctive historical events or cultural touchstones, even if they are just specific to your characters.

Balance your timelines

Make sure both storylines are equally interesting.

Make each timeline feel necessary to the overall story.

Create meaningful connections between the dual timelines.

Maintain tension in both narratives by giving them their own arcs.

Connect your timelines

Establish clear thematic links between past and present events.

Use parallel events, situations, or themes to create a connection.

Show how actions in the past influence the present.

Make sure both timelines contribute to the story’s central conflict.

Common pitfalls to avoid

Losing momentum

Switching timelines can interrupt narrative flow. Make sure each switch serves the story and keeps your readers invested. End sections at natural turning points that make readers want to return to that timeline later.

Uneven development

One timeline often becomes more interesting than the other. Work to make both storylines equally fascinating and necessary to the overall narrative. If readers start skipping one timeline to get back to the other, you may need to strengthen the weaker narrative.

Confusing transitions

Readers should always know which timeline they’re in. Be consistent with your transition markers and make sure the first paragraph of each switch clearly establishes the timeline.

Weak connections

The timelines should feel meaningfully connected, not just parallel stories happening to different characters. Look for ways to make the connections between past and present feel essential to understanding the full story.

Questions to ask yourself:

When writing dual timelines, regularly check in with these questions:

Does each timeline serve a clear purpose in the overall story?

Are both narratives equally developed and involving?

Are the connections between timelines meaningful and clear?

Can readers easily track which timeline they’re in?

Does each timeline switch happen at a natural point in the story?

Are you maintaining tension in both narratives?

[insidekatmind]

THE BEST FRIENDS RULE PART 3-JOBE BELLINGHAM

Part.1, Part.2, Part.4,Part.5, Part.6,Part.7,Part.8,Part.9, Part.10, Final Part.

When Denise and Mark saw you, their eyes immediately lit up. As you approached them, they embraced you warmly, as if you were a part of the family forever. " Y/N, how long! Always a pleasure to see you," said Mark with an affectionate smile.

Denise hugged you, adding: "You are always so bright, she reminds me of your sister Elena, but with that extra touch that makes you unique," and smiled fondly.

Jobe, from a distance, was watching the scene, a smile he tried to hide but could not avoid. He was happy to see you so warmly welcomed by his family, but when he noticed that Elena was approaching him to continue a conversation, his smile disappeared immediately. He turned back to focus on her, but his gaze was often sideways, peeking at you from time to time, unconsciously drawn by your presence.

"Jobe, how are you?" asked Elena, starting to talk about homework and school projects. There was nothing wrong with it, but the subject did not sound exciting, and Y/N couldn’t help but snort, teasing them with a mischievous smile.

"Another afternoon of talking about homework, eh? Always so fascinating!" you exclaimed, as you looked at them with an air of disinterest. "Seriously, you guys should try to have a little more fun."

Elena looked up, but Jobe, who was used to her sarcastic comments, couldn’t help smiling slightly. But his attention didn’t focus much on what Y/N. Rather, his gaze was fixed on you, as if he were trying to decipher every little detail of your behavior. It seemed to him that every time he looked at you, his head became more confused.

Just at that moment, Jude walked down the stairs with his usual easy-going step. He politely greeted your parents with a polite smile and then nodded to Elena before approaching you. As soon as he came close, he embraced you with affection, trying to scrape your hair in a loving gesture that made you laugh. "Hello, little sister! How are you?" he said, looking at you with a smile.

You and Jude had a special connection. You were good together, with a bond that went beyond friendship. You respected each other very much, and often you had fun making fun of each other. There was never that kind of tension between you and Jobe, and you always felt comfortable with him.

Meanwhile, Jobe was watching from a distance, trying to hide his reaction when he saw you so confident with Jude. He was not jealous, but he could not help feeling a little bit afraid. His gaze turned to you once more, trying to avoid being noticed, but his heart beat faster. While Elena was talking to him, Jobe was caught between the desire to focus on the conversation and the desire to look at you longer, as if he wanted to find out more about you.

He could not help but think that perhaps, in the end, the rule he had established with Elena would never be so simple to follow.

---

While Jobe and Elena continued to talk, focusing on their school plans, you and Jude exchanged a look of complicity. Your eyes crossed, and a mischievous smile made its way over your lips. It was obvious that you had a plan, a joke that you could have played to disturb them, to break the seriousness of their boring conversation.

Jude, with a mocking smile, raised an eyebrow, as if to ask: *Are you ready? * You nod slowly, keeping your gaze fixed on Jobe and Elena. "Yes, let’s see how long their concentration will last," you whisper, the tone of voice a little lower and loaded with fun.

Without wasting time, Jude approached you, pretending to talk about something serious, but his body came closer to you with the intention of creating an excuse to distract the two.

At one point, while Jobe and Elena were still arguing, you leaned over to Jude and whispered, "What if we do something to disturb them a little?" You looked into your eyes, your cheeky smile that didn’t hide your intentions in the least.

Jude, visibly amused, came even closer, and without a word, made you a small gesture with his hand that seemed to be the beginning of the plan." Let’s add a little spice to the evening," he said, smiling maliciously.

Without warning the two of them, Jude took you by the arm and led you to a corner of the room where no one could see what was happening. Your plan was simple: you would start doing little jokes, something that would force them to focus on you instead of their boring task.

Meanwhile, Jobe barely noticed the change in atmosphere. His attention was still divided between Elena and trying to concentrate, but every time he saw you move mischievously with Jude, something inside him started getting more and more confused. His eyes tried to follow your movements, but he tried not to be too interested, almost as if he did not want to admit to himself that the situation was disturbing him more than he wanted.

Elena, on the other hand, did not seem to notice immediately what was happening, immersed in the discussion with Jobe, but a smile just hinted betrayed her awareness that something was going to happen. If there was anyone who knew your jokes well, that person was Elena.

Meanwhile, you and Jude kept on with your plan, exchanging smothered laughter as the two tried to concentrate. The tension in the room rose when Jobe finally realized that it would not be so easy to ignore you.

While you and Jude continued to play the joke, your eyes crossed with Jobe’s every time you and Jude approached Jobe and Elena. The plan was working perfectly. Every little provocative move on your part, every flirtatious gesture, seemed to drive Jobe crazy. He tried to hide the effect you had on him, but he couldn’t. You saw it perfectly: the breathless breath, the eyes that struggled to stay focused on Elena. Every time you got closer, it seemed like the world around him was disappearing.

Elena, however, did not miss it. Her eyes peered at Jobe every time he got lost in your provocative look. He couldn’t help but notice how, every time you came closer, he was out of breath. Elena’s eyes, usually filled with serenity, now reflected a slight frustration. I don’t approve, she thought. It was clear that his best friend was losing control, and every flirtatious look on your part just confused him more.

You, of course, did not hold back. Every time you approached him, you threw a provocative joke, a mischievous smile, just to test him. Your body was getting closer to him than it needed to be, and Jobe seemed unable to maintain his usual composed behavior.

"It seems you are turning red, Jobe," you said with a cheeky smile, hands on your hips. " Don’t you like it when I talk to you this way?"

Jobe tried to hold back, but his voice trembled slightly as he replied. " It’s not that I don’t like it, it’s just... it’s hard to stay focused when you’re... when you’re like this." He tried to walk away, but could not hold back a little nervous smile that betrayed his awkward situation.

Meanwhile, Elena approached him with a smile that could not mask her irritation. "Jobe, stop staring at her. He is only playing with you," she said in a soft tone, but her gaze betrayed a veiled reproach. Jobe turned quickly to her, trying to get away from her inner confusion. " I’m not doing anything strange, Elena," she muttered, but her face was red, and there was nothing to hide the truth.

"Jobe, I know how you act when she provokes you. It’s not funny," Elena replied, her words firm but not too hard. He knew he was trying to keep a distance, but he couldn’t ignore the way you hit him. " You know I don’t approve, and I’m warning you. Don’t play the game of Y/N."

You, enjoying the situation, did not back away. You got closer to Jobe, feeling the tension grow. "But what, Elena? Don’t you like a little fun?" I said, making it sound even more provocative. Jobe could not hold back a deep sigh, uncertain whether to laugh or blush.

Jude, meanwhile, kept on laughing quietly behind you. " You’re doing a great job, Y/N," he said, looking at you with a funny grimace. " Jobe is always so shy, but I see you as a secret weapon." It was clear that Jude also found it funny to see his brother so upset, while Elena seemed more worried than ever.

Jobe, caught between confusion and the desire not to seem too involved, could not do anything but look at you, knowing that he was going to make a move that Elena would probably not approve. His breath became heavier, but he was also trapped in the tension that was growing between you. And there was no way to escape it.

---

The tense moment between Jobe, Elena and you was abruptly interrupted by the warm voice of Denise, Jobe’s mother. "Boys, it’s time to eat!" called from the kitchen, with a smile that tried to defuse the heavy atmosphere that had been created.

Everyone turned to her, and although the tension was not completely gone, the call to food seemed to bring some relief. You, with a mischievous smile still on your face, looked at Elena for a moment, catching her irritated look. You knew he didn’t approve of the way you were playing with Jobe, but you couldn’t help having fun. You sunflower towards Jobe, whose face was still slightly reddened, a small smile escaped from your lips as you prepared to divert attention away from him.

Then, with a sure gesture, you put your hand on Jude’s shoulder, whose smiling and friendly expression contrasted sharply with the obvious confusion on Jobe’s face. Jude held your arm lightly, holding you in a loving gesture that left no room for misunderstanding. His smile was sincere, without the slightest hint of that tension that was pervading the air among others.

"Come, let’s go to the kitchen before your mother starts screaming," said Jude, guiding you to the kitchen door with the air of someone who is always in control. Despite his relaxed posture, there was a friendly energy between you, as if he had known you forever and there was nothing that could interrupt that harmony.

Behind you, Jobe tried to calm down, but he couldn’t take his eyes off your figure that was moving away. Elena, who had watched everything carefully, said nothing, but her gaze remained fixed on Jobe, as if she was trying to decipher his thoughts. She didn’t seem particularly convinced by the situation, but the arrival in the kitchen and the possibility of eating seemed to be the best remedy to calm the waters.

Reaching the kitchen, the scene became quieter. Denise was setting the table with a warm and familiar temper, while Elena’s mother joined her in preparing the last dishes. The voices mixed with the noise of cutlery, creating a familiar and welcoming atmosphere. But, despite the warmth of the house, the atmosphere between you and Jobe still seemed tense, even though it had never been so obvious.

The mischievous smile you had left on your face did not abandon you, and you knew that the game you had started was not over.

[yoonia]

🖋️ I just finished Blooming Wallflowers and felt so sad that it ended so soon! Can we have a snippet of what happens after? are they going to continue seeing each other? will OC's daughter get to be closer to Mista Joonie? 🥺🥺 I want to see them hang out again in a less stressful time (because poor OC always stressing!). it would be cute to have Joon helping her out with the girls again. he can finally have a taste of OC's homecooked meal and she gets to make him dinner for once. that'll be sweet. I just love the concept of home date night 🥺

💌 for my love letter, I just want to say happy belated birthday 🥳 I've been following you for a long time. even if I'm no longer around much on Tumblr, I still come back from time to time and wonder what you'll be sharing this time. It's always exciting to find out that you post something new. your stories always feel so comforting, even when they are the most heart-wrenching angst ever! Your blog and your presence have always felt so positive too. just like how you are creating this lovely event 🥺 I think that's the reason why I still stick around no matter how much negativity has grown on Tumblr, because I know there's at least one writer here who still spreads positivity and exudes a comforting aura just by being here (and that's you!)

I love how you touch on real life issues and how you present them in your stories. even in the short ones, we get to feel the character growing through your fic and it feels really fulfilling to experience it 💜

For Blooming Wallflowers, I loved how you wrote the characters. even the daughters. often fanfics aren't so accurate when it comes to writing children (how they speak, behave, etc) yet you always make these characters feel so real, and I love that 💜🥺

Thank you for sharing your talent with us. I hope you have a wonderful birthday 🎂

Thank you so much for reading Blooming Wallflowers! I'm glad you enjoyed the story and are loving the characters. Your idea made me think of cute moments between Joon, OC, and the girls, but as always, my mind think otherwise the moment I began writing the ficlet haha. Anyway, enjoy your moodboard and this "little" snippet, love!

— title: Dinner with Mista Joonie | pairings: Namjoon x female reader| genre: firefighter!Namjoon, single mom!reader, mature, friends with benefits!au | word count: 1,150 words — summary | Namjoon comes to join you and the girls for dinner.  — ratings & warnings | +18 / M for mature; allusion of a one-night stand, memories of hooking up, sexual tension, implied smut scene: public sex, kitchen sex, morning after sex, food play, implied oral sex. 

— original: Blooming Wallflowers by @yoonia — fic drop date: Oct 28th, 2024 — song companion: sleepless

“You should’ve let me help.” 

His deep voice draws a smile to your face, yet you make no move to turn around. Not even when you can feel him approaching you from behind. 

“You’re doing enough to help already,” you answer him as you rinse the last of the dinner plates under the running water. A large hand takes the plates out of your hand right as you are about to slip them into the dishwasher, taking over your work. 

“I don’t see how I’m helping,” Namjoon says as he continues setting the dishwasher to do its work so you can get to rest. 

You wipe your hands dry using the kitchen towel before handing it to him. “For one, you took my distractions away from me,” you answer with a whisper, nodding towards the living room where your girls are busy flipping between their assortments of storybooks. “What did you tell them so you could escape?” 

Namjoon grins. “Hana asked me to read them a story before leaving. I told them to pick a book each that I could read for them.” 

Shaking your head, you let out a soft chuckle. “You shouldn’t fall for their puppy eyes. You were only invited to join dinner, not to babysit the girls.” 

“It’s well deserved. They’ve been so proud about helping their Mom prepare the delightful dinner tonight,” Namjoon says, shrugging. He moves to rest his hips against the kitchen counter and crosses his arms over his chest, drawing your eyes towards his toned muscles, his t-shirt straining over them, and a flutter rising in your chest. “Thank you for inviting me, by the way.” 

The damn flutter goes wild when he says this with a smile. A dimple appears. Your skin grows warm. “It was a pleasure. I’m just honouring a promise I made to you.” 

It truly was. Ever since the night at the supermarket, you have wanted to cook for him. Imagining him eating TV dinner after working to save people’s lives—or pets, maybe?—makes you feel bad.

But seeing him tonight at dinner was a whole other matter.

You had expected it to be awkward. A single man sitting with a single mother and her two kids shouldn’t have seemed so normal. And yet, he blended in so nicely at the table. He even didn’t blink an eye every time any of the girls left vying for his attention. From bragging about their roles in helping you set up dinner, to showing off their artwork from today’s class. Even Suzy came out of her shell and chatted with Namjoon, asking him about his job and if firefighters really do get called to take kittens down from trees. 

“Well, I’m honouring the meal I received tonight. Step one is pleasing the princesses over there with good storytelling.” 

Shaking your head, you turn back to the kitchen sink to wipe down the mess. “I swear you’re too good at this.” 

Namjoon comes to you with a deep chuckle, surprising you when he wraps his arms around you from behind. 

“What are you doing?” you hiss at him while looking over his shoulder, afraid that your girls would catch their special guest hugging their mother. 

“They’re still busy, don’t worry,” he whispers to your ear, deep voice vibrating from his throat, and those harmless flutters travel down south, settling right between your legs. 

“Since you said that I’ve done good—” he whispers, his lips brushing at your skin. “Does that mean you’ll finally agree to go on a date with me? I told you, I’m okay if we’re out on a weekday. I’m not always on night shift, and might be working on the weekend anyway.” 

You swallow down your words and the tightness in your chest. You promised yourself that the night you spent with him on your bed would be the only time. With so many things going on in your life, this would be the wrong time for you to start anything. Not even with the first hot guy who managed to catch your eye. 

But Namjoon has been insistent. Exchanging numbers had given him the chance to text and call regularly, from catching up with your day, to flirting, and often ends with him asking for a date, or a quick hook-up, a quick repeat of your first night. Yet you have been resilient so far in refusing him.

Some part of you have been expecting that he would eventually give up and move on. Another part of you has always known that you will regret everything if you ever let it happen. While the rest keeps reminding you that he doesn’t deserve to be pulled into your mess, even if you really, really like him. 

Feigning your disinterest seems to be futile. But then again, immediately continuing your hookup the next morning after you first brought him to your bed during the morning after breakfast might have sent a different message. Because having him finally have a taste of you on the kitchen counter that morning, with him lathering maple syrup on your bare breasts to lick off of your skin instead of pouring them on his pancake, was not the right way to show each other that there was no passion between you once the alcohol wore off. 

But, maybe, just maybe, you have always known what that would do to a man who is so persistent in his chase like Namjoon does. 

“Will this Wednesday be good?” you find yourself asking once the fight leaves your body. “I’ll be off work early and it’s my Mom’s day to bring the girls to her shop.” 

It’s too easy to give in, after all. And you are surprised to find how quickly the weight is lifted from your shoulders once you stop denying your feelings. 

You can feel his smile on your skin as he presses a kiss on the side of your neck. A promise. It draws a shudder through your body when you are reminded of what those lips on your skin did to you last time. “That’s my day off. So it’s perfect.” 

You open your mouth, ready to turn to face him, when Hana’s voice calls out, 

“Mista Joonie!” she yells from the living room, and both of you are quick to separate, right as your little girl comes barrelling into the kitchen with her books. “I found my book!” 

Chuckling softly, Namjoon steals a quick peck on your cheek before stepping away. “Duty calls,” he says with a wink, and off he goes to follow Hana back to the living room. 

You watch their receding back as they leave you in the kitchen, smiling to yourself as you watch Namjoon listening with rapt attention as your youngest blabber on about her favourite book and how her sister had chosen something just as good for them to read together.  

Thank you for your sweet words. your message really means the world to me. And thank you for following me and staying with me for so long. I wouldn't still be here if not for readers like yourself who has been here with me.

Here's my little gift for you 💜

𝖙𝖜𝖎𝖑𝖎��𝖍𝖙 𝖋𝖆𝖑𝖑 𝖘𝖊𝖗𝖊𝖓𝖆𝖉𝖊: dia’s birthday bash 2024 ⇝ closed!

[canmom]

How do you live?

I (finally!) saw Miyazaki's new film 君たちはどう生きるか (How Do You Live?/The Boy and the Heron)! It's been out in the States for a while, and in Japan considerably longer, but it took a while to make its way over here.

I remember at the time it came out, people were having fun riffing on the incredibly cryptic marketing campaign, which consisted only of this rather abstract poster...

In the spirit of this, I resolutely avoided watching any trailers or knowing anything at all about the plot of the film. I picked up a thing or two here and there - I knew to expect some amazing Shinya Ohira animation for example, and you couldn't really avoid seeing the bird with teeth! - but overall, I had no idea.

There's plenty of great writing about this film in English already, such as kvin's fantastic sakugablog piece which discusses the physicality of Ghibli's animation, its weight and springiness, as a throughline. The stuff that kvin talks about really stood out to me as I watched this film. You can likewise read detailed interviews with Toshiyuki Inoue (fantastic interview for sakubutas) and Akihiko Yamashita on fufuro.

First up, the credits of this film are pretty much a who's who of the greatest jp animators of the last 30 years, and they've had some 7 years to cook it, so naturally this film looks fucking amazing. This is absolutely the kind of film that only Miyazaki could direct - its design language feels so familiar and yet it's iterating in all kinds of visually imaginative directions that show that yeah, the old bastard's still got it.

And like, god, man. This film's animation is really something special. Its real-world scenes in particular are full of shots that require an unbelievably strong sense of space, of both subtle and broad acting, the classic Ghibli attention to detail on mechanical objects and everyday tasks. It's full of bouncing and squishing and squeezing and oozing things. It loves to draw crowds and swarms of people and animals. It's the kind of film where any given shot would be the absolute star-of-the-show sakuga moment in just about any other anime film. If you wanted a complete statement of the Ghibli school of animation, it would be hard to do better.

And yet, for all that Miyazaki's known for his tight control over animation and heavy corrections to animators, in this film he had to step back from that kind of role and hand over the sousakkan reins to Takeshi Honda, who steps up admirably - as kvin writes above, bringing in more realist elements to the bouncy Miyazaki style to create a really effective unity that grounds all the big fantastical elements of the film and fills the first act with tension.

Alongside all that excellent key animation, the film's colour and photography departments evidently understand that well-chosen colours and good highlight shapes beat all the digital gradients and overlays you can imagine - the drawings get plenty of form from the strength of the animation, and the flat shading really pops. The backgrounds are as delicious as ever, skyscapes and vegetation and opulent interiors with the just-slightly desaturated and harmonious colours that just kind of remind you that oh yeah, it is still possible to do it this way.

Basically it's a Ghibli film lol. You know how it is.

But what of the story...? What's all this technical magic in service of?

The film's story has something of the feel of a serial story, perhaps reflecting Miyazaki's (in)famous process of working out the film gradually as he draws the storyboards. Certain ideas, like the parakeet empire, arrive in the film rather suddenly and then become fairly central to the plot. There's a clear emotional throughline, but this is not a film that is in a hurry to explain itself more than it absolutely has to. It wants to keep its magical elements numinous and mysterious. I would say, though, it's generally more satisfying in this approach than some of Miyazaki's other later films like Howl's Moving Castle, and resolves a lot more clearly.

So what is it like, About? Well, Miyazaki has been pretty open about channeling a lot of his personal relationships into the film, and a lot of it seems to reflect more or less obliquely on him. It's what they call a 'personal film'. The protagonist's position as the son of an aeroplane factory owner during WWII is straight-up from life. What about the old sorcerer, haphazardly stacking blocks to keep a world alive, and looking for someone to succeed him? The reading's kinda obvious, even if Miya himself says this guy is based on his memory of Takahata. Well, he can be both...

To say more I'm gonna have to delve into the spoiler zone. See you below the cut.

OK so! Let's try and get some thoughts in order.

first, a plot summary type of thing

Our first act introduces us to Mahito at roughly the moment his mother Hisako dies in a hospital fire. This is midway through the war, which is present mostly in the background - now and then we see soldiers marching around, and of course Mahito's dad runs a factory producing warplane parts, not entirely unlike Miyazaki's own father although seemingly a bit higher up the ladder.

We jump forward a little and Mahito's father remarries - to his deceased wife's sister, no less, and she's already pregnant. This is Natsuko, who does her best to play the role of mother, but Mahito still has big traumas and he is understandably not entirely on board with the idea of welcoming a mum 2 who looks almost exactly like mum 1. He moves with Natsuko into a huge old house complex, a mix of older Japanese architecture with a more recent Western wing where the family currently sleeps - and staffed by a small army of colourful old ladies who are eager for any canned meat or cigarettes they can get their hands on.

Also there's this freaky heron that keeps bothering Mahito. It seems to have something to do with a mysterious tower which turns out to have been built by his great-uncle. Mahito visits the tower, but can't make his way inside. Natsuko tells him not to go into the tower.

Mahito goes to school, but naturally they don't much take to the new rich kid on the block, and so after being attacked by his classmates on his way home he injures himself with a rock. (His dumbass dad is like, who did this to you son, I'll fuck 'em up.) For the rest of the movie, he has half his head shaved to accomodate a bandage, which is the sort of attention to detail this movie loves.

The heron has started growing teeth and talking to Mahito, telling him to come to the tower. Mahito is convinced it's a trap, and after a maybe-dream sequence in which Natsuko shoots an arrow to drive off the heron, he steals cigarettes from Natsuko in order to get one of the servants to sharpen his knife, and then constructs a bow and arrow out of bamboo - using a couple of the heron's feathers. Constructing the bow and arrow is shown in immense, loving detail.

In the process, he witnesses Natsuko walk into the forest, and also stumbles on a book: How Do You Live? by Genzaburō Yoshino, which contains a handwritten message from his mother. He looks at this book briefly... and this is about the extent of the connection of the film to the book, beyond thematic parallels.

The maids notice that Natsuko is missing. Mahito tells one of the maids, Kiriko, that he saw her go into the forest, and they follow, finding an old road that gives another approach to the tower. They're greated by the heron man, who is increasingly emerging from the heron's beak to reveal a big warty nose. He's some kind of like... heron selkie or something, a gnome in a heron skin. There's some wonderfully grotesque animation around this guy.

Heron dude taunts Mahito with an illusion of his mother Hisako. Mahito threatens him with the bow - the heron guy is like, do your worst, not realising it's a maaagic arrow. The arrow chases him around the room and pierces his beak, fucking up his magic. At this point, the tower master shows up and orders the heron to guide Mahito. Heron guy sends everyone through the floor into a fantastical world...

Mahito arrives in front of a huge, sinister tomb. He approaches the gate, and a swarm of pelicans walk up behind, crawling all over him and pressing him through the gate. This causes a storm to start brewing, since opening the gate seems to piss off the stones or something...

A fisher woman resembling a much younger Kiriko runs up and chases the pelicans away. She takes Mahito under her wing, explaining that this world is inhabited mostly by dead people, but there are also these little round guys called the wareware, who gain the ability to fly when they eat a fish's guts.

Kiriko, uniquely in this world, has the ability to kill, so she catches fish to sell to the other inhabitants and feed to the wareware; she and Mahito butcher a huge fish. Mahito fairly quickly figures out that she is somehow the same Kiriko that entered with him. She has tiny charms representing the other maids, which serve an apotropaic function.

That night, staying on Kiriko's huge derelict ship of a home, they watch the wareware rise into the sky to be born as humans in Mahito's world. They're attacked by the pelicans, but a fire-wielding magic user called Hisa (hmmmmmmmmmm) drives the pelicans away. Mahito shouts at her not to harm the wareware, but Kiriko assures him that more of the wareware will survive thanks to Hisa's intervention.

Later, a singed and dying pelican explains the pelicans' predicament to Mahito in a scene that calls to mind the animals in Mononoke-hime. The pelicans are foreigners in this world, they don't have anything to eat, so they take it as their role to eat the wareware. The heron man arrives on the scene too, offering to help Mahito find Natsuko as Mahito - coming in to his own as a protagonist more - buries the pelican. Mahito distrusts him but eventually Kiriko persuades them to give working together a try.

Mahito and the heron set out. As they pass through a forest, the heron reveals that thanks to Mahito's arrow, he can't fly and do heron shit anymore - and by magic law, only Mahito can fix the hole. Mahito applies his new woodworking skills to fashion a bung for the hole. The heron tries to stage a top 10 anime betrayal, but then the bung needs more work, so Mahito fixes it, and from that point on, the heron joins the party and he and Mahito are fast friends.

(You might wonder why I just call him 'the heron' and not by a name. He never gets named! He's just the heron man.)

Mahito and the heron arrive at the house of a blacksmith who's supposed to help them find Natsuko, only to find it guarded by big buff parakeet men. The parakeets are splendidly goofy round guys - they remind me of the heedra in Nausicaa. The heron draws the parakeets away, and Mahito enters the house, only to find, uh oh! More parakeets. The parakeets prepare to eat Mahito, who is not carrying a child and therefore fair game unlike Natsuko, but Hisa shows up and burns them with fire magic. She looks just like a young version of Mahito's mum! Funny that. Hisa helps Mahito escape into her house through the fire, and then takes him to infiltrate the parakeets' empire.

In the human world, the maids explain the backstory of the tower to Mahito's dad. It's a weird meteorite that came from space, it turns out, and Mahito's great-uncle built the tower on top of it before eventually disappearing inside. Mahito's dad overprepares in an elaborate getup complete with katana, and goes to try to rescue everyone.

Hisa leads Mahito to a corridor full of doors which open into all the different worlds, including his own world. Mahito briefly glimpses his dad coming to try and rescue him - the two see each other briefly, but the parakeets catch wind of the whole thing and attack, and so Mahito and Hisa have to flee back into the magical world. We see that the parakeet guys turn into regular parakeets when they come into the human world. Mahito's dad becomes convinced he turned into a parakeet.

Mahito and Hisa make their way to the delivery room where Natsuko is resting, waiting to give birth. On their way, lightning starts emerging from the stone - Hisa explains that the stone is sentient and pissed with them. Mahito insists on approaching Natsuko despite this being a huge taboo. They have a heart to heart - Natsuko's mask breaks and she tells Mahito she hates him, while he finally starts calling her mother, as he's assaulted by paper charms that tear at him violently. They part, with Hisa burning the charms to free Mahito, but it's too much and they both pass out.

Mahito dreams of meeting the sorcerer, who stacks irregularly shaped wooden blocks, and explains that stacking the blocks is necessary to maintain the world, buying a few days at a time. The sorcerer reveals the huge flying rock that is the source of his power; he also shows Mahito some blocks, but Mahito somehow divines that these blocks are 'stone for building tombs' and stained with malice. The sorcerer approvingly says this is a good sign for Mahito's ability to succeed him.

While they were asleep, the parakeets have captured Hisa and Mahito. One of them is preparing to eat Mahito, but the heron arrives just in time to save him. They Metal Gear Solid their way through the kingdom while the Parakeet King - a big swaggering guy very like the colonel in Castle in the Sky - goes to press a claim on the wizard, using Hisa and Mahitos' taboo act of entering the delivery room as a bargaining chip. There's some very funny scenes where the parakeets cheer for their king.

Mahito pursues the parakeet king, but the king destroys the staircase behind him, and talks to the sorcerer. The sorcerer is inclined to wave away the transgression, because he wants to let Mahito succeed him, but the parakeet king seems to be bringing him around. I kind of forget how this part went, but the parakeet king goes away from the sorcerer for a bit while Hisa is freed from her prison thing.

Mahito climbs back up with the heron man's help, arriving in the sorcerer's little subplane. The parakeet king quietly follows him, after telling his aides to inform his subjects he was a good king. Mahito approaches the sorcerer, who reveals he has found a new set of blocks, unstained by malice, and again invites Mahito to succeed him. Mahito says that his self-injury is proof of his malice, making him unfit for the job.

At this point, the parakeet king intervenes. Angry at all this sorcerous malarky, he desperately attempts to stack the stones himself, but when they don't stack, he flies into a rage and slices them with his sword. This naturally causes the world to start collapsing, and everyone runs to the doors to escape into the human world.

Mahito has by this point figured out that Hisa is his mum, and he asks if she really wants to go back to their world, knowing that she will very definitely die in a fire not much later. But she is naturally on board with this. Young!Kiriko goes with her, suggesting that she and Hisako entered the magical world at the same time. Meanwhile, Mahito returns to his own time, with Natsuko and the heron. All the various parakeets and pelicans come out through this door too. Old!Kiriko is restored from her apatropaic charm.

As everyone celebrates their safe return (and the appearance of a fuckton of birds), the heron tells Mahito that he ought to forget what happened in the magic world. We skip forward again, with Mahito - now with a baby sibling - setting off to Tokyo. Roll credits!

now let's comment on it

This is not a film that necessarily prioritises an internal logic playing out - new elements enter unexpectedly even quite late in the film. The sorcerer's motivation is murky until late on; the parakeets become major antagonists despite entering only halfway through the film.

There is a certain temptation, knowing how autobiographical this film is, to take it is a roman à clef. Mahito is of course a young Miyazaki; the old sorcerer's concern about finding a successor might be about Miyazaki wondering who should take over Ghibli or if it should just be allowed to die. Under this schema, the parakeets might be Ghibli's legion of fans, or the merchandising empire that prints their designs on every possible product. kvin's article develops this kind of reading, finding some angles I wouldn't have even considered, such as how the idea of weight communicated by the animation factors in to such an allegaroy. It's also something suggested in Miyazaki's own comments about the film, where the sorcerer is Takahata, the heron man is producer Toshio Suzuki...

It definitely helps to know a bit about Miyazaki's background when approaching this film. However, I think it would be reductive to go too far with this kind of reading, and take everything as an allegory for something in Miyazaki's life. The film still has to stand on its own feet!

'Coming of age' is the spin put on it by some outlets, like the BBC. And this is accurate to an extent. The arc of this film is similar to Spirited Away: Mahito starts out sullen and traumatised, but like Chihiro he transitions over the course of his journey in the magical world into the kind of determined Miyazaki protagonist we're used to. On this coming of age angle... well, also like with Chihiro, I don't find the Mahito of the first part of the film especially unsympathetic, his alienation is extremely natural given his situation. Mahito's dad kinda sucks! Living in wartime Japan also really kinda sucks, even if you're the son of a rich dude. But definitely over the course of the film Mahito has a change of heart towards Natsuko, and forms friendships that motivate him to try to protect them. His character arc definitely sees him become 'more prosocial'.

However, there's another angle that's pretty important - the idea of the weight of 'malice', the cursed existences of the pelicans and the like, and the fantasy of building a utopian world that is free of these things. This returns to a theme of Nausicaa, the manga in particular, where Nausicaa discovers that the world she knows - the toxic forest in particular - is actually an elaborate artificial system for cleansing the world of pollutants, that the clean world on the other side will be uninhabitable to her and her people, and that the architects of this system wait in stasis to replace them in this utopian future world. Nausicaa destroys them, commiting instead to an uncertain future.

In Mononoke-hime likewise, we encounter the lepers and former sex workers of Irontown clinging on to the 'cursed' world. Their extractivist project proves incredibly destructive, but the film still regards them sympathetically, and the resolution sees them perhaps finding a new way to live - and San, the feral girl, reconciling herself to the idea of humans.

Here, although the parakeet king forces the decision, Mahito has already declared that he doesn't believe he's fit to oversee a utopia, but instead that his place is in the awful, violent human world.

The film, and the book it's vaguely based on, are titled How do you live? In Japanese, that's a plural 'you' (君たち). There's a lot of ways you could read it, depending on who you take as 'you' - a child asking an adult how to live, or equally a future question of how will you live. This is a lot more explicit in the novel - which I have not read, but here is a summary courtesy of wiki:

Junichi Honda is a fifteen-year-old junior high school student, known by his nickname Koperu, after the astronomer Nicholas Copernicus. He is athletic and academically gifted, and popular at school. Koperu's father, a bank executive, passed away when he was young and he lives with his mother. His uncle (on his mother's side) lives nearby and visits frequently. Koperu and his uncle are very close. Koperu shares about his life and his uncle gives him support and advice. His uncle also documents and comments on these interactions in a diary, with the intent to eventually give the diary to Koperu. The diary writing, which is interspersed with the narrative, provides insight into the ethical and emotional trials that Koperu shared with his uncle. The diary entries, which cover themes such as "view of things", "structure of society", "relation", etc. are in the style of a note written to Koperu.[8]

Thinking like Copernicus that our Earth is a celestial body moving within the vastness of space, or thinking that our Earth is fixed at the center of the universe, are two ways of thinking that, in reality, are not only related to astronomy. Even when we think about things like the world around us or our own lives, the truth is that we are still revolving around them after all.

In the end, Koperu writes a decision on his future way of living as a reply to his uncle, and the novel ends with the narrator asking the question "how do you live?" to the reader.

The author of the novel was a socialist, who had been imprisoned by the nationalist government, and wrote the book intending to impart lessons on ethics. The version of his book published after the war was heavily edited to strip the book of political content. But it's also, perhaps paradoxically, a book that centres on very wealthy characters, aimed narrowly at educated boys, though it became a widely read classic.

Studio Ghibli's films, from both Miyazaki and Takahata, have a habit of being framed as imparting something to the younger generation - something the pair seem to have seen as a mission all the way back in the days of Panda Kopanda. For example, while Grave of the Fireflies is seen as the classic tragic war movie, for Takahata it was also aimed at criticising what he saw as the careless, consumerist generation of the 80s; the stubborn arrogance of the protagonist supposed to reflect on this. It's an attitude that also emerges in their comments about Chihiro. And, indeed, one of the first things we heard about How Do You Live? was that it was aimed towards Miyazaki's grandson - and more broadly towards that generation.

So what does this film have to say to the younger generations? Let's have a look at it from Mahito's POV.

For Mahito, the adults in his life are all pretty complicated. His father is enthusiastic and well-meaning but incredibly oblivious to what his son is going through (we might recall some of what Miyazaki wrote about his father in Starting Point, describing him as basically a grifter). Natsuko is masking pretty hard, trying to play the role of Good New Mum and connect to her newly acquired son, but there's an intrinsic distance. It is understandable that Mahito would want to reject them.

Mahito is... not entirely a passive character, he goes to some efforts to for example fashion the bow and arrow and repair the heron man's beak, but mostly he is pulled around by the plot into a strange world he doesn't understand. At first, his instinct is to retreat, even to the point of self-injury. Once he arrives in the magical world, he has acquired something of a purpose (finding Natsuko), but he gets pushed into near-disaster situations (the pelicans piling up to push him through the gate at the tomb) or stumbles into circumstances where something is expected of him (hey kid, gut this fish!). Gradually though his exposure to this world pulls him out of his shell. He runs into conflicts and injustices that seem intractable - the wareware and the pelicans - and has little power to intervene except to bury the bodies.

Eventually, he gets to carry out his main objective - finding Natsuko - but despite finally deciding to accept Natsuko as his new mother, he finds himself rejected, not just by her but also by the earth. Perhaps feeling responsible for getting her into trouble, his new objective becomes rescuing freshly-damsel'd Hisa. But now new adults want things of him - his great-uncle has decided he'd make a fine successor. Mahito has to make a decision here about what relationships he wants to commit to, what sort of life he wants to build - and he chooses the world he found so alienating at the outset of the film, the one which hurt him by taking his mother, not to the secondary-world fantasy.

It could be a 'this world is all we have' sort of statement, perhaps. But also the last act of the film feels like it gets a bit caught up in Castle in the Sky-style adventure-story beats.

I do feel like some aspects of the film ended up a little underbaked - which is an odd thing to say because it's not a short film and there is so much in it already. But Hisa for example - she's got badass powers and all, but I feel we barely get a chance to get a sense of what motivates her. Why did she enter the fantasy world? She acts at first like she doesn't know Mahito is her future son, but rapidly becomes incredibly devoted to him (in a way that reads a little romancey lmao). So much of her screen time is dedicated to having her convey the secrets of the world that it's hard to get a bead on her as a person.

Likewise, Natsuko - why did she enter this world to have her baby in this special ritual delivery chamber? She clearly knows more than most of the characters, but she gets kind of sidelined after Mahito confronts her, with wizard shit becoming more central. The animation does such a fantastic job of selling her feelings in the first part of the film that it feels like a shame that she drifts away at the end.

The progression of the film feels rather like a dream, where everything is arranged by symbolic significance to Mahito. It makes sense... on a magical level, where the secondary world is shaped primarily by parallels in the real one. So the tiny apatropaic statues of the old ladies protect him because they represent the role the real old ladies have in his life. Hisa has fire magic because Hisako died in a fire. Once Mahito has come to his personal resolutions about returning to the world, the magical one is no longer needed, and it collapses.

This is not such an uncommon role for magic in a story. In Miyazaki's own works, we have Totoro and Spirited Away, where a magical world provides direction or relief to a child's real struggles. Or take for example Okiura's film A Letter To Momo, in which the three yōkai recognise taking care of the grieving Momo as their explicit purpose as spirits. This magical world comes to Mahito to help him come to terms with losing his mother, and reorient himself towards living in a painful world.

Meanwhile, the sorcerer, whether he be Miyazaki or Takahata, is quite a distant figure. He may maintain the magical world by stacking his blocks, may be the authority which factions within it must plead to, but he also rules from afar in a vast empty palace full of long halls and open air spaces. His main company seems to be a big fucking rock, with which he made a 'contract'. He's generally handling it a bit better than, say, Ushiromiya Kinzo - he receives the parakeet king with good humour - but he's a pretty flawed god of his little world. So much of this world seems to pre-exist him, it's not something he constructed. Still, when he shows up, you pretty much have to do what he says.

If this is about Miyazaki's relation to Takahata, it seems like quite a sad portrayal. But 'unapproachable patriarch' does sorta describe their role in the studio from what I understand (c.f. Oshii's infamous article comparing them to the Kremlin).

When it comes to the question of who should succeed Miyazaki, we should probably consider the matter of Yoshifumi Kondō, who was being set up as the next big Ghibli director until his untimely death - which allegedly Takahata was willing to accept the blame for. The mythology built up around Miyazaki and Takahata is double-edged.

Here are some rather startling comments from Toshiyuki Inoue's interview. Inoue is one of the most impressive animators who ever lived in my book, the other star of the realist line besides Okiura. Just have a look at his booru page: iconic scenes from GitS, Akira, Millenium Actress; even in more recent films, he pretty much carried Maquia, and steals the show with his scenes in Miss Hokusai.

And yet even he was intimidated to be working alongside Miyazaki when he first came on board for Kiki's Delivery Service, fresh off Akira:

I believe you’ve always been a fan of Miyazaki’s, why were you scared to work with him? Toshiyuki Inoue: I had heard quite a few scary stories. A lot of acquaintances had worked on Nausicaä, Laputa and Totoro before that, so I knew how scary he could be when he got angry – I had heard stories of people being fired mid-production, things like that. How was it actually? Toshiyuki Inoue: Not as scary as I had imagined. He’d only rarely scream in the studio. But he did get angry. I’d sometimes be called to some separate room and lectured alongside Kōji Morimoto and Masaaki Endō. It felt like being in school all over again.

'Only rarely'. Honestly. Inoue describes how difficult it was for him to adapt his logical, analytical style to Ghibli's stretchy, bouncy characters - and how Miyazaki would disparage him if he, for example, drew a ship inaccurately.

For Inoue, coming back to How Do You Live was something like a 'return match'. He talks about how an older Miyazaki was no longer able to strictly correct the animation, and in general age was limiting him, but he still feels that Miyazaki is fundamentally superior:

Toshiyuki Inoue: I’ve always wished for a return match or a way to redeem myself. But even if I say that, I know I can’t even pretend to rival Miyazaki. I just can’t win. He’s extremely smart and learned, and on top of that, as an animator he always transcends common sense: he’s so talented that I know very well there’s nothing I can do against it. The more I learn about him, the more I realize I’ll never be on that level.

Miyazaki's genius is undeniable, but man... it's not a good mindset to cultivate if you want to find a successor lmao. If even Inoue doesn't feel he can measure up, who the hell could?

Mind you, it does rather seem that Miyazaki had mellowed out by the point of How Do You Live?. Here's Yamashita:

Akihiko Yamashita: As I said, the core of an animator’s job is to follow what the director asks, so whenever I had trouble with that, I’d go see Miyazaki to show him my roughs. He’d advise me on the things that were missing and reassure me about those that were good. He really helped me to gain more confidence in myself.

Reading these interviews underlines pretty hard that we shouldn't get too caught up in the mythology of Miyazaki the mighty auteur. While the story may be all on Miyazaki, and most of the character designs (with the notable exception of Natsuko)... so much of the details of the animation, the stuff that really makes this film land, is primarily shaped by everyone else - Honda in particular, but also the individual key animators who interpreted his scenes. I really need to get my hands on a copy of that Industrial History of Studio Ghibli book to get a less Miyazaki-centric perspective on the studio's history.

I do not feel, having come out of this film, any closer to knowing the answer to that eternally pressing question of how do you live - I guess I'm still working out my answer to that one, and I will be until I die. And maybe that's rather the point. I think this film still carries some of the flaws of Miyazaki's later films - despite having so many iconic scenes, it doesn't quite seem to know where it's going. But I am so glad to have seen this in the theatre (I saw it at the Prince Charles theatre in Soho with friends, the theatre was completely packed!), and glad Miyazaki managed to get this one out before he goes. Whatever happens to Ghibli without its sorcerer, it's been a hell of a thing to witness.

[corpse-carnival]

Months ago I said I should create some monster/entity fucker content. This is that. There's no fucking (yet?) but still nsfw. 18+. Enjoy. Or don't. That's your prerogative. Note: I left this one gender-neutral for now.

Reading the latest book in a series you enjoy, you turn the page, looking at the intricate art that adds to the entrancing scene. Your eyes roam over the characters' forms as they found themselves in a rather interesting... predicament. You typically struggle with imagining it fully, but this is amazing. The way their clothes and robes hang down, the pattern on display, their expression at how things have turned.

You wonder how some peoples bodies bend like that or how people could be so close and not feel a little excited by it. Especially with the amount of tension these two characters have.

Your imagination starts to drift as you stare at the art when eventually a cold breath hits your neck and the back of your left ear, snapping you out of it.

You put turn the page away from the art and look in the direction of the offending breath.

"You're back."

A door and wall are all that face you. You turn back around and sink into your chair, feeling a bit flustered.

"You could have made a little more sound."

There's a brief pause before you hear tapping on your door then on your book. You were so deeply pulled into your thoughts, you hadn't heard them return.

"Oh.." You drifted off.

The book was tapped again and then the tip of the page was gently tugged back. You move your arm on top to try and persuade it to stop. Then you feel something press against the palm of your closed fist. The feeling spreading up and out, opening up your hand to place, what seems to be, it's own hand in yours before gently pulling your hand away and turning the page back to the art.

You look away, embarrassed. You know it's silly to be. After all, you've been in a relationship with this entity for a long time now. You've read all types of things together, even done some. Just thinking about it makes you feel hot.

The feeling against your hand tightens for a moment before letting go. You wondered what it thought about as it saw the art and your reaction. You wouldn't have to wonder for much longer as suddenly you feel a chilling sensation bloom across your stomach. Your stomach flexes in response before relaxing.

"H..hey." Your breath catches as it moves under your shirt. One arm moves up and over your chest while the other wraps tightly around your waist. It seems unsatisfied that you're still sitting, as it tries to pull you to stand. "okay okay okay." You wave your hand to get it to stop. It keeps its touch on you but not as tight so you are able to move and step away from your desk. Once you had though, a cold tingle spreads all through your back and you feel as though you're pressed tightly against them. You can feel yourself blushing and close your eyes to process the sensations. It runs its hand over your chest, massaging and grouping away, The touch being rewarded with soft breathy sounds. It's other hand running over your stomach, gripping over the skin repeatedly. It feels like it wants you so desperately and you love it. "B..baby~" You breathe out as you already feel yourself losing it. They never told you their name, they refused to. So you've settled with pet names and it works just fine for you both.

You feel yourself start to try and grind against them. You don't feel anything yet but you know it would come eventually, that or they would tease you and disappear before making it up to you so sweetly. You arched yourself into their touch for more and the breath hits your ear again. You almost feel like you could hear them. Hear their breath, hear their desperation and how much they want you.

You let out a whine before feeling two more cool sensations wrap around your legs and upper thighs, pulling your legs apart more. Your brain comes to a halt and your breath stops. It realizes your discovery and grips in response. It's hand is rubbing your chest and another is on your stomach. Now two more are gripping your thighs. You feel anxious but its quickly overridden by excitement over this new development. "Fuuck~♥" Your head falls back as you let out another soft moan and it chuckles against your ear.

End of part 1? Would you like to continue?

[joshym]

Le Morte d'Arthur: Chapter 3

Pairing: Jake Kiszka x f!Reader, Sam Kiszka x f!Reader (STAY WITH ME)

Summary: It all began with a passion for literature. What was once a dream to walk the halls of the University of Michigan is now a reality.

You thought you were prepared for everything.

A new town, a new school, a new way of life,

but what you were not prepared for…

was meeting the enigma that is Jake Kiszka.

Word Count: 24.6k+ (i am so sorry)

Warnings: (for this chapter) please proceed with caution if you find any of the following to be triggering: MDNI 18+ ONLY struggles with body dysmorphia/eating, heavy emotions/ talks of an absent parent, *extremely* sick & terminally-ill parent, mentions of sexually explicit scene on film being shot, anxiety/stress, stressing about college grades, worries/anxiety about failing, test anxiety, over-indulgence of alcohol (drunkenness lol), spook/haunted houses, people in scary clown makeup, mentions of jumps scares, *consensual* relations where people put their mouths in *certain places*(not full smut. yet.), ambulances, someone being wheeled out on a gurney (with a lifeless-looking body), JEALOUSLY. lots of jealousy.

a/n: i apologize for this chapter taking me literal years, lol. this one is a bit heavy & was a little hard to write at certain points. but, it's been my brainchild for over a month now & i had to be sure it was perfect before i posted it. i hope you enjoy & as always, please don't hesitate to let me know what you think. 🤍

also, huge thank you to @jakeyt for being the best editor & my right hand in helping create this. i seriously couldn't have done it without you. love you SO much. you're the best sister i could ever ask for.

Le Morte d'Arthur Masterlist

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

The midterm pressure is now properly underway. With tests nearly everyday this week, a rigid filming schedule, work, and taking care of your mom, you’re on the edge of being worn completely thin. 

Not to mention, you’re awfully distracted these days. 

Filming has continued as normal. And you finally tackled that scene with Sam just weeks ago, and it went perfectly. Josh had a vision— to show the first fully intimate moment between the secret lovers. The first time their bodies become entangled in their heated passion. The ‘most significant image of the film in its entirety,’ as Josh had put it. 

You’d been scared. 

But after the kiss you shared with Sam, the one that moved far beyond the legendary characters you were portraying, the scene was performed to utter perfection. It was seamless; it felt completely natural. 

Something ignited within once you put the costume on; something you’ve never felt before. A new kind of assured confidence in your body that has never once exuded from you. Your body that you’ve hated since your first cognitive memory, the body that you’ve opted to shield with oversized clothes to hide yourself beneath their stitched fabrics. 

But, something happened.

After draping the thin lace over your frame, you were no longer you. You became a queen with a body worthy of being desired. 

Josh and Malachi knew just what they were doing when they chose that (extremely erotic) dress. 

For once, instead of being ashamed of your skin, you were fucking proud of it. You looked goddamn good.

And by the way Jake had been frozen solid in the door frame with his eyes locked on your exposed figure, you’d say he thought so, too. 

You’d half expected him to drop to his knees right then and there, to fully submit and hand himself over to your will. And he probably would have, had it not been for Nat physically throwing him out of the way. (Had you not been so utterly turned on in the moment, you probably would have busted out laughing at the sight.)

The scene was filmed the very next day (with tattoo makeup, of course) and you used that exact heated tension within you to perform your very best. 

When Sam saw you in the gown, his reaction was much the same as Jake’s. He was entirely transfixed by you; his eyes never diverting from your body. Not even once. 

You had belatedly decided to forgo nipple pasties, much to Natalia's surprise. There was something about the way you felt, with your breasts still hidden, but your buds peaking through the thin fabric. In a weird sense, it made you feel even more in control of your body. 

And the way Jake looked at them…

You couldn’t get his lust blown eyes out of your mind. He was, inadvertently, the reason why you felt so self assured during that scene, why you were able to give Sam such a heated performance… even if only a little. You had to credit his reaction for the help it had given you. It had been what your brain kept going back to time and again, anytime you swept the lace over your body. It was him who had helped you to have this overwhelming, new confidence when wearing the revealing piece.

(And you’d never admit it to anyone, but every time you put the costume on, you only ever thought of Jake. Not even his initial reaction—just him. When you felt sexy, he came to mind. And the thought of him alone helped your nipples to be prettily peaked for every intimate scene Josh would shoot.)

But Sam. Sam is the one who actually uses his words to reassure any unsureness you may have every single day. 

Sam is the good one. The sweet one. The brother who never fails to put a smile on your face.

“Y/n…holy fuck.” He had said as you met him on set the first day you’d worn it.

And fuck, he’d looked damn good himself. No shirt, tight satin pants of the purest white. His hair was fixed to look disheveled and tangled, framing his features and giving him a look of pure sex ridden lust. 

As heavy as the kissing scene had been, this one was levels heavier. 

According to the script, you were meant to be laid out on a bed of red satin. You, sprawled out before him, and he on his feet at the foot of the bed, admiring the vision that is the ever lasciviousness Queen Guiniverre. (The vision of you.) 

And admire you he absolutely did. 

With the same look his brother gave you the night before, sending flutters to your heart and a pulse to your core. You envisioned Jake, but you saw Sam. 

These two have entirely consumed your every thought. Sam has been in communication with you nearly every day, even outside of filming.

He conned you into giving him your number (not that it took much convincing) and he texts you, even calls you, multiple times a day. 

Just innocent small talk, usually. Something little will make him think of you and he’ll send a quick message to tell you what it was. Sometimes he’ll send a joke or two that will force a laugh out of you, along with an eye roll. However there have been a few times that he’s taken it upon himself to make sure you know just how much fun he’s having with you on this film, that he knows his body sometimes speaks his infatuation with you louder than his words ever could. 

And complain you will not. He’s a fucking dream, the sweestest man you’ve ever encountered. And so outlandishly beautiful. 

It would be strange for you to not develop feelings for him, especially given just how close and personal the two of you have become during filming. 

But,

Jake. 

He wrapped you into all of this. He showed you a side of him that you’ve yet to see since. You couldn’t deny him, although you had every reason to. 

It’s like he only wanted you to keep his promise to his twin of helping him find someone to play opposite of him (Sam, mostly, of which he clearly didn’t realize) and he only did so because you’re partners in this blessed project. Not because of who you are. 

He buttered you up, to convince you to say yes, and that was the end of it. 

Then, he went right back to his asshole ways. 

That’s why for the life of you, you can’t fathom the idea that you’ve developed much stronger feelings for him than for Sam. (Who is, obviously, the far better candidate.)

And Sam is the one who gives you the attention you deserve.

But fuck. 

The way Jake stared at you in that costume. And the way he didn’t take his fierce eyes off of you during the filming of your scene in that gown.

His jaw clenching with every kiss shared between you and Sam, his fists bunching up with each touch that connected your bodies. You heard deep, drawn signs coming from him when Sam caressed you. Furious sighs from flared nostrils. 

He ended up storming out mid scene, slamming the door so loud you all nearly jumped out of your skin. Thanks to that, you had to redo certain parts of the scene. Sam had made a joke about how he “wasn’t upset” to have to do it more than once. (And you weren’t, either.)

But not having Jake in the room made it slightly more difficult to put yourself back in the mood. His presence alone, the deep breaths filling his lungs, his stare casted on you each time you glanced his way— that was plenty of inspiration to perform your sexiest. 

But without him there, all you could do was picture him in your mind. Which you did with no problem. But it just wasn’t the same without his body in the same room as yours.

Before you left that night, you heard yet another fight commence between the twins.

“You should’ve told me it would be like this,” Jake fumed.

“I abso-fucking-lutely did, Jake. You just don’t listen worth a single shit.” 

Jake slammed his fist on the kitchen counter, “I helped you write the goddamn script and those scenes were not in there. You know that for a fucking fact.”

“Okay— so I took a little creative liberty and added a few things. I am, after all, the director for god's sake. I think I’ve earned the right. But you knew the plot, Jake. Don’t act like you didn’t,” Josh spouted. 

You’d gone to walk out the door before more was said. You felt guilty for listening, them both under the impression that you’d left. 

But you’d heard something more that kept you from fully shutting the front door on your way out. 

Sam was apparently in on this argument, too. And you’d overheard some rather interesting things regarding you— some things you haven’t been able to let go of since. 

“Just admit it, Jakey boy. You thought you would be the one enjoying all these scenes with y/n. That’s why you asked her to join the cast, isn’t it? You’re just pissed that I get to share these moments with her and not you.” 

Hearing those words come out of Sam's mouth was something you were not prepared for in the slightest.

You needed to just close the door and leave, to stop listening in on this conversation that you were most definitely not meant to hear.

But after hearing that, you just couldn’t bring yourself to take a single step. You had to hear Jake’s response. 

“That’s true isn’t it, Jake.” Josh agreed. “That’s why you’re all out of sorts with this whole thing.”

“First of all,” Jake raised his voice with yet another loud crack against the granite countertop, (His fist must’ve fucking hurt like hell that night) “I only asked her because I had to. We were assigned this ridiculous project together and I was not about to work on something alone with her.”

…that was a fucking blow to the heart.

“Secondly, Sam, I don’t give a fuck one about your special little scenes with her. What I’m pissed about is that you’ve made this entire plot about fucking, Josh. That is not the only goddamn thing that happens in the original texts.”

He did make a solid point there. But from everything he’d told you about the plot before you agreed, (which wasn’t much, if you’re being honest) that was the whole point of the film. At least to show their adulterous human desire, that their love for one another wasn’t a strong enough force that others couldn’t break their way through.

“Jesus, Josh.” You heard footsteps coming closer to where you were hidden, so you quickly made your way out the door to conceal yourself. Before fully closing it, you heard Jake say, “I don’t want to be part of a fucking x-rated film. That isn’t what I signed up for. And you’ve basically taken everything I’ve helped you with and thrown it in the trash. Why did you even ask me to help if you didn’t want to use me for anything other than your precious fucking Arthur that you’re ruining with these worthless rags you call costumes?” 

You quietly padded your way to the car as you heard Jake coming closer to the door. You felt you had heard enough, and you weren’t sure if you could mentally handle hearing much more. 

As you drove home that night, your car squeaking and rattling its way through the middle of Detroit, the sound of Jake’s words in your mind were far louder than that of your beat down Firebird. 

“I only asked her because I had to…I was not about to work on something alone with her.”

You couldn’t control the stray tears that fell down your cheeks. You’d always known that was the only reason he asked you, but hearing him say it…was something else entirely. 

At that point, you’d decided that you’re not doing this for Jake anymore. Not even for the sake of your class. 

You know it’ll get a good grade. That’s no longer a worry of yours. 

No; You’re doing it for the friends you’ve made in the process of this goddamn thing that you would regret doing if it weren’t for them. 

They way Jake’s family has treated you, especially in comparison to how he has treated you…you’re only sticking it out for them. Fuck Jake and his shit attitude that he’s given you since the first moment he met you. 

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

You dramatically set your cold brew on the plastic table, throw your bag on the sticky floor and plant your ass so hard in the metal chair you’re sure it’ll be purple in a few hours. 

Elbows resting on the table, you let your head fall in your hands as you let out a long sigh.

“That good, huh?” Nat questions.

You peak at her through your fingers, taking in her almost apologetic smile. “I’ve not scored anything above seventy percent on a single midterm. And I still have one more to go.” 

True to her character, she pulls your hand away from your face. She’s told you before that she likes to see your full face when she talks to you— just another reason, that even in the short time you’ve known her, she’s been the best friend you’ve ever had. 

“And what is wrong with that, might I ask? Seventy percent is a C. And last I checked, that’s a passing grade,” she says with her slim fingers still held tight to your wrist.

You move your other hand away from your face as it falls limp into your lap. “I didn’t move over fourteen hours away to go to the school I’ve dreamt about since I was a child to make C’s, Nat. I want to excel. I want to make the dean's list. I want to leave my mark. I won’t be doing any of that with anything less than all A’s on my transcripts.”

She just smiles at you and softly shakes her head, a few perfect ringlets falling from her silken scarf.

“You will make your mark with or without a perfect 4.0, y/n. Your life is more valuable than a silly cumulative number that isn’t reflective of the person that you are.” She lays your hand down on the table with a soft pat against the back of it, her long acrylics leaving the gentlest, comforting scratches. “You have to stop being so hard on yourself, babe.” 

She’s absolutely right, and you know it. In the grand scheme, grades don’t matter as long as you’ve passed. But dammit– that’s just not enough for you. You can’t, you won’t accept anything lower than an A. 

You have to prove it to everyone who said you’d never make it. Everyone from your tiny hometown, everyone in this city who expects you to fail.

Everyone. Even your father who left you and your mom when things were at their outright worst. The man who cared more about his own well-being than that of you and your disabled, ill mom. You have to defy the standard, beat the odds. You refuse to become merely a product of your shitty situation. 

You have to show him. Show him that you’re worth more than he thought you were. That you can do just fine taking care of your mom and yourself. Without him. 

“It does matter, Nat. If I don’t do well now, I’ll never get accepted into a grad school and if that doesn’t happen, all of my hard work has been for nothing. I’ve proved fucking nothing.”

The sternness in your voice causes her to withdraw her hand from yours and sit herself all the way back in her chair, arms crossed in a state of defiance. “Who the hell do you need to prove yourself to? Why do you care so much about what other people think when I’m sitting right here trying to convince you that you don’t need to do that?” Her voice matches your tone perfectly, with seriousness and irritation present in her inflection. (Perhaps a bit more than you had anticipated. She’s passionate, you can’t deny that for a second.)

You pause for a moment, taking in the vast realization that you’ve never gotten that personal with Natalia on your behalf. She knows of your struggles with your body, and she’s done everything in her power to make you see yourself the way she sees you ever since you opened up to her.

She knows where you live as she’s had to pick you up and drop you off a few times for filming, so you’re sure she realizes that you live in a complex for low income, disabled tenants. She knows you leave and come back periodically if filming runs a little late, unbeknownst to her that it’s to take care of your ailing mom. But not once has she ever pried with a wandering mind. She’s been waiting for you to tell her. 

Talking about these things is just something you’re not keen on doing. It presents an awful lot about you that you wish you could’ve left in Oklahoma. 

It’s just hard. 

And it’s hard to know who you can and can’t trust, who will take advantage of you and who won’t.

But as far as Natalia goes, you’re certain you could tell her just about anything and she’d be the last person to use it against you. But that doesn’t make it any easier to say everything out loud. 

Suddenly, she stands up from her chair, the sound of the metal legs against the tile floor sending a shiver throughout your body. “W-where are you going?”

“Come on,” she responds, swigging down what’s left of her coffee. “We’re going to my car.” 

Instead of arguing, you stand up with her and gather up your things, following her as she takes quick strides towards the glass doors. 

“Why are we going to your car, again?” you ask.

“So you can tell me what you’re not telling me.” 

At first, you’re a bit confused as to why she’d prefer to go to her car to talk. But as you open her passenger door, you remember that car talks are always the best place for deep, emotional conversations to happen. That’s exactly what she wants from you, and as soon as you take residence on the black leather of her Escalade, you feel the unrelenting urge to spill it all. 

She slams the car door before adjusting body so she’s facing you. She rests her elbow on the center console, placing her face in the palm of her hand as she scans you with her chocolate eyes, waiting for you to speak. 

“It’s just…” you sigh deeply from your chest before you begin telling her everything. “I’m the sole provider now. My mom isn’t much longer for this earth,” The sting in your heart upon hearing yourself say those words feels like an electric shock to your system. Speaking them feels like pure bile leaving your mouth. But it’s true. And not saying it doesn’t make it not true. “So it’s up to me to take care of her. She doesn’t have anyone else.” 

Nat’s eyes soften at your vulnerability. Where they were once inquisitive, they’re now full of warmth and realization.

“I can’t fail her by failing myself. My education is just as important to her as it is to me. She didn’t even question it when I told her I wanted to come here for school. She showed me nothing but support, even coming with me when it was most definitely too dangerous for her to make the move. She did it anyway— she wanted to do it. She wants to see my education through as much as I do, and I’ll be goddamned if she doesn’t.”

“Is that why you go home so often? Why you can’t always stay very late for things?” she asks with a timid, sweet voice that calms your spirit a bit.

“I have to take care of her. Make her dinner, sort out her medications, make sure her oxygen tank is well tended. I’m terrified to be away from her, Nat. But she insists that I still live my life. I feel like I’d be doing her a disservice if I wasn’t, you know? But my biggest fear is that I’ll come home and she’ll be gone…and I wasn’t there to save her.” 

“Shit, y/n,” she says, hardly above a whisper. “I hate that there’s so much pressure on you, girl. What about a live-in nurse? Or home health? Is that something you could do?”

“Her insurance won’t cover a live-in, unfortunately. And there’s no way in hell we could ever afford one on my paychecks alone. Her disability plan claims she doesn’t need home health, and that is something I just don’t understand,” you respond. 

“Do you have any other family that could step in and help? What about your dad, where is he?”

You haven’t spoken of your dad since he left. You’ve hardly given him a single thought, even. The move was another way of purging him from your life completely— leaving the home you had once shared with him, getting rid of all of the stained memories once and for all. 

You know that deep down there are plenty of happy memories of him somewhere, buried, in your psyche. But after the way he just up and left you and your mom as soon as her diagnosis was confirmed, the way he left in the middle of the night with no warning and leaving you to manage it all yourself, it’s hard to muster up a single pleasant feeling towards him. 

“I wouldn’t care to know, if  I’m honest.” You chuckle rather cynically,  “The very moment he found out my mom could no longer serve his needs, that he would have to actually take care of someone for once in his goddamn life, he fucking ditched. Left over a year ago, haven’t seen nor heard from him since.”

Your life changed forever when you woke up that morning to his stuff cleaned out of the house, his oil stained spot in the driveway missing his pickup truck, and nothing but a handwritten note on the fridge that said ‘I’m so sorry, baby girl -Daddy.’

From that very moment, you became your moms entire world. Her one and only ‘person.’ It was no longer your life you were living for. She needed someone to take care of her, and the person that vowed to do that in ‘sickness and in health’ left. Just fucking left.

“He is who I have to prove myself to. That fucking asshole needs to know just how well I’ve done— how well we’ve both done without him. I don’t need him to take care of her, to get myself through school and graduate with fucking honors, and then go on to get my masters. I can do it all without him.”

Heavy tears begin to well in your tear ducts, tears that have been begging to be shed since the day he left. But you haven’t allowed yourself to cry over it. You swore to yourself that you’d be strong for your mom. 

“Y/n I–I’m so sorry. I shouldn't have asked.” She most definitely picked up on the sudden onset of your emotions. As much as you try to hold it back, you just can’t any longer. Your flushed cheeks become soaked with your tears. You're sad, but more than anything, you’re angry. Angry for you, angry for you mom. You haven’t allowed yourself to properly feel any of it. From finding out your moms terminal diagnosis, to your dad abandoning you the very next day. You haven’t done a bit of healing since. 

But something about her presence makes you feel like it’s okay to show your emotions, to at last let them come to the surface for the first time since everything has happened. 

You try to tell her it’s okay, that you actually really needed this. But the words are incoherent behind your sobs. 

She takes note and doesn’t say anything more. She reaches her arms out towards you and you lean forward, falling into her embrace. 

She rests her head on yours, her own tears falling onto your hair. Her empathy is something you treasure most in your friendship. 

She always knows the right thing to say, and she always knows when words aren’t necessary. Right now is most definitely one of those times. 

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

“I can help whoever’s next!” You shout to the small line of students filling the lobby, each one hugging a pile of books flush to their chests as they patiently await you and Natalia, stationed at the other computer behind the desk, to lend them their study tools.

Work has been especially hectic this week as everyone is cramming in their last minute studies. Each computer designated for student use has been occupied nearly everyday this week, but even with the prominence and accessibility of the internet these days, there have been plenty of students checking out real hard backed, leather bound books as well.

As an avid reader yourself, it brings a spark of joy to your heart to see so many people still reading physical forms of literature.

You’ve loved seeing the mass array of books that have come through the counter this evening, ranging from the iconic literary classics all the way to the Fundamentals of Trigonometry.

Next in line is one you recognize from your beloved (sometimes) class on the mysterious King Arthur. 

Toney Carmichael. The six foot something, brawny, platinum blonde wide receiver for the Michigan Wolverines. And one of the most academically scattered people you’ve ever encountered. 

You’ve made up your mind that the only reason he’s taking classes is to play football. He couldn’t care less about the school aspect of it all. 

He makes the most outlandish, blatantly incorrect comments during class each week. You question how he managed to weave himself into such a high level English course. 

Your first thought: rigged. Absolutely rigged. Someone pulled some tight strings for him to be able to continue his education so he can keep his precious football schedule. 

From what you’ve heard, he’s quite good. One of the best on the team.

Not that you would know (or give the slightest shit) about a single thing to do with that area of the university. 

You’re far too ‘liberal arts’ brained to understand the intense lore behind competitive sporting. 

You fight off the urge to roll your eyes as he quickly pads his way to the edge of the counter, plopping a mass amount of books before you, one even falling behind the counter and onto your keyboard. 

“Hey, Toney,” you say, with little to no enthusiasm.

You begin scanning the ISBN tags on his books, noting that they are a cumulative of the required semester readings for your shared course, all of them pertinent to the first half of the class.

You snicker to yourself, realizing that he’s waited until the very last opportunity to read these novels before the midterm test, which is tomorrow.

This class is very reading intensive; you can’t fathom waiting until the last moment to tackle all of these incredibly difficult reads.

Nine books in, you’re finally down to the last two to scan into his account. With a limit of twelve books that can be checked out at once, he’s cutting it awfully close.

Sir Gawain and the Green Knight are next, scanned in and bagged with the rest.

At last, the final novel.

It's so torn up and ragged that you can’t even make out the title on the tattered cover. 

You scan the faded tag placed on the spine; Le Morte d’Arthur. 

Not just that, but the exact one Jake had returned months ago.  The one you wouldn’t loan back to him because you had a far better version that you let him borrow in lieu. (That he also hasn’t given back yet, you suddenly remember.) You recognize it as such now, though you didn’t realize it at first. But the computer also conveniently notifies you of the last six students who had possession of the book. 

You twinge a little upon seeing the name Jacob T. Kiszka in bolded arial font on the desktop screen.

But, no matter. It isn’t Jake in front of you right now, it’s Toney Carmichael. Star football player. (Sadly.)

You finish the last few steps, placing Mr. Carmichael’s receipt with the date of return stamped on the top in his bag. 

“Here you are, Toney. Good luck on the midterm tomorrow!” you say, bidding him adieu while handing him his stuff. 

“Shit, that’s tomorrow? I thought it was Friday!”

Idiot.

“Nope, it’s tomorrow. Better get to reading,” you tell him. He flings his plastic bag of books over his shoulder and nearly sprints out of the building. Again, you ask yourself, how the hell did he manage to get enrolled in his course?

You turn your attention back to the led screen, fully intending to clear the display in preparation for the next student. You’re met with the harsh realization that a certain name is still grievously present. 

It serves as a reminder of the very night he asked you to do this confounded film for his brother. Where the very seed of his kindness was planted, only to never be watered and die in the soil with his shit personality. (That somehow still hasn’t turned you off entirely. What the fuck, y/n.)

You see a student walking up out of your peripheral, and before you can tell them you’ll help them in just a moment so you can finish ridding your computer of Jake’s name, they slyly place a venti cold brew next to your hand situated on the mouse. 

You pause your task to snap your head up to see who in the hell brought you your go-to drink.

What’s the perfect distraction from Jake? His charming and equally stunning younger brother.

And god, stunning doesn’t even begin to describe the vision before you.

This is the first time you’ve ever seen his hair pulled back, tied in a loose messy bun sitting at the nape of his neck with a few strayed pieces framing his cheekbones. 

He’s wearing the most lovely blue button up embellished with cream colored flowers, left partially unbuttoned on the top to frame a dainty silver charm hanging from a matching chain, complete with a black and white canvas belt bag draped across his midsection. 

Fuck, the way that these colors accentuate his flawless complextion is rather elating. Your heart jumps a few extra beats when he makes eye contact with you.

“Sammy! What are you doing?” you inquire with an embarrassingly huge smile plastered to your face.

He flashes a smile that matches yours, the corners of his mustache curling with his sweet grin, his round eyes crinkling above his cheekbones.

“Figured you could use this,” he says while nudging the cold brew a bit closer to you. “Oat milk and extra vanilla, right?”

You pick up the drink and take a long swig of the cold coffee, sighing in relief at the feeling of the caffeine entering your worn down system. 

“I most definitely needed this. How did you know this is my favorite?” you ask him, taking another sip.

He looks to Natalia who’s standing near you behind the counter and throws her a sly wink. “A little bird told me.”

You turn your head to look her in the eye, while she quickly looks away and pretends to busy herself with something useless.

“Natalia Dolores! Are you the little bird?” you say with a shocked tone, a massive smile threatening to make an appearance as she attempts to make herself look as inconspicuous as possible.

“Woah, she middle named you, Nat. This is serious,” Sammy jokes, his lips tucked in a patronizing grin and his eyebrows hiked.

“Don’t look at me, girl! He’s the one that asked!” She wags her finger towards Sam, her other hand planted firm on her popped out hip. 

It’s staggering how the smallest act of genuine kindness, something as simple as surprising someone with their favorite coffee, carries a meaning far beyond the gesture itself.

Also, it just so happens that coffee is one of the direct lines to your heart. 

You snicker at her response as you shift your attention back to Sammy, catching the twinkle in his drowsy, honey eyes as they set their gentle gaze on you.

You can see so much behind them, so much that he isn’t afraid to hide from you. His unfeigned honesty is captured perfectly beyond his feather lashes.

But the only thought pounding from the screaming voice in your head…why couldn’t it have been Jake instead?

You quickly force yourself to shove that thought down immediately. It’s quite simple; Sammy gives a shit, Jake doesn’t. It’s time to put an end to your sad, unreciprocated little crush on Jake. His disinterest is unequivocally clear, he’s even said so himself. (Even though he had no idea you were listening in.) So why bother with your silly infatuation any longer when there’s someone far better giving you the attention you deserve?

“Thank you, Sammy,” you tell him, the feelings for his insolent brother waning as you catch the genuinity behind Sam’s smile. “You’re truly my knight in shining armor.”

“You’re quite welcome, your majesty,” he counters with a regal bow of his head. 

You smile at him as you take another sip of your gifted liquid gold, humming at the bitter sweetness as it falls down your throat. Perfection in a cup.

“You know,” Sam resumes, shifting his body to get a good look of the old building in which he resides. “I’ve never actually stepped foot in this library. Not even once. It’s quite beautiful.”

Nat, still standing behind you, huffs a rather obnoxious laugh that makes you jump a bit. “That’s because you’re never on campus, Sam. It’s a wonder to me that you manage to pass all of your classes.”

“Geniuses rarely have to try,” he retaliates, placing his elbow on the counter in front of him, resting his head condescendingly in his opened palm. “Which one of you ladies wants to give me the grand tour?”

“That’s a big fat hell no for me. Y/n, show the man around. I’ll take care of the front desk,” Nat says, logging herself back into her computer on the opposite end of yours. “But make it snappy. And don’t forget we’re closing early tonight! I want him out of here by 5:15 and not a second later.” she says with a cunning grin. 

You grab your coffee and walk around the other side of the counter, giggling as you get a look at Sam’s full outfit. He paired his rose patterned shirt with gray drawstring pants, covered in contrasting white stripes. 

 Sam matches your giggle, asking “What’s so funny?”

“Sammy,” you say through your almost uncontrollable chuckles, “you look like the fabric section of a craft store.”

Another boisterous laugh echoes from behind you, as Natalia chimes in with her agreement. 

Sam looks down at this outfit with knitted brows, smirking to himself while drawing a deep breath to say, “Well, jokes on you both. I happen to love the fabric section at craft stores.”

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

“And this is my absolute favorite spot; the British Literature section.” You tug on Sammys arm to pull him closer as he smiles at your unbridled passion. “You’ll find all your British classics here. The Once and Future King, The Mists of Avalon, The Canterburry Tales,” You list them off as you read the titles off the exposed spines, stopping once you get to one you’re sure he’ll be intrigued by. “And, of course, The Adventures of Sir Lancelot The Great.” You pull the book from the shelf and flip through the first few pages, quickly noting the intense worn smell emitting from the bound paper. It’s clear that this book has been sitting here for quite some time. “God, I just love this smell. I could make a candle out of it.”

Sam gently takes it from your hands and takes a whiff himself, making a face that tells you he’s not as entranced by it as you are. “That’s an… interesting scent. Kind of smells like Jake’s musty room when we were growing up. Makes sense, with all of his old books he used to keep in there.”

No. Please don’t say that. 

“I know absolutely nothing about our beloved Sir Lancelot,” he continues, glancing at the words printed on the first page. “Well, other than what we see in the Monty Python masterpiece.” 

As much as you’d hate to admit it, The Holy Grail is, in fact, a masterpiece. You’re pretty sure you could quote the whole thing word for word.

“And,” he proceeds, “that he likes to bone the king's beautiful wife.” 

His eyes flick up from the book to meet yours. You can’t help the flush of pink that encompasses your cheeks upon his brash statement. (Or the heartbeat that is pounding at your very core.)

“I guess you could say that’s a pretty significant trait of his character,” you say, your soft tone cracking a little. 

He smiles at you as you smile back, quickly casting your eyes downward to avoid the prolonged contact that’s only intensifying the blood rushing to your face. 

You hear his feet shuffle a little closer to yours. That heartbeat you were feeling a second ago has now tripled. He gently takes your chin between his index finger and thumb, lifting it ever so softly so you have no choice but to look in his eyes. “Guiniverre could only wish to be as beautiful as you.” 

You move your glare to his lips, so soft and pink. You’ve lost count over how many times you’ve kissed them the past few months. How many times you’ve wished the camera wasn’t there during those moments. 

His gravity is pulling you closer to him, urging you to crash your lips with his in a kiss that would put everything you’ve ever done on camera to shame. 

But just as you’re about to…

“Sam? Y/n? Where the hell did you go?”

Natalia. Like clockwork. Here to ruin a special moment just as she did with Jake all those weeks ago when he saw you in the black lace gown for the first time. When she removed him from your sight. 

You curse under your breath, reluctantly stepping away from Sam as she stomps up the old wooden stairs and finds you both.

“You guys! I told you 5:15 and it’s…” she pauses to pull her phone from the back pocket of light wash mom jeans. “5:21! Sam, you need to leave. We have to close.” 

Sam hands you the book and you place it back in its designated spot.

“I can’t wait to hear more about his story,” he says as he walks away. 

“What? Whose story?” you ask absentmindedly. Your mind has become so jumbled with everything that transpired in the last few minutes, you’ve completely forgotten what you two had been talking about beforehand.

“Our good old Sir Lancelot. It’ll help me perfect his character on the screen, you know, like you said.” He throws you a little quick wink as he makes his way down the stairs, leaving you alone with Natalia. 

“Do I want to know what you two were doing up here?” she asks, her eyes opened wide and her hands settled on both of her hips.

You look back to the book you’d just put away, running your finger along the spine, stopping on the engraved Lancelot in gold lettering. “Just as he said,” you tell her. “We were talking about his character for the film.”

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

An air of confidence fills your lungs as you walk into Movack’s class. Finally your last midterm of the semester, and while the others haven’t gone as well as you’d hoped, you feel good about this one. 

This is the class you’ve felt the most prepared for. And admittedly, this is the one you’ve studied for the least. But, you feel you can get away with that. 

If there’s anything you’re sure of yourself in, it’s your knowledge of this lore. You’ve studied it on an academic and scholarly level for more than half of your life. Needless to say, you’re pretty well versed in it all. 

The only issue with this class: Jake.

He’s proven to be a bit distracting during quizzes, resulting in you receiving less than satisfactory grades. But you’ll be damned if you allow that any further. 

He’s disrupted things long enough since you’ve started classes, it’s time to forget about him once and for all and focus on what truly matters. 

He’s already seated in his spot, books opened flat on his desk as he does a little last minute reading before the exam begins. 

You don’t even look his way as you sit in your chair. You simply pretend he isn’t there, a method you’re planning to use for the entirety of his test. (And the rest of this semester, if you’re lucky.)

You sure as hell don’t smell his cologne, vanilla mixed with a musky sandalwood, that has bewitched you since the very day you met him. Nope.

And you certainly don’t care that he’s wearing a white button up that gorgeously flatters the leftover tan he still has from the summer. Or that he’s not wearing his John Lennon sunglasses that you’ve hated (sort of) for months now, allowing for you to see his sparkling, whiskey colored eyes underneath the shadow of his brown leather wide brimmed hat. 

No, you don’t care at all about these things. Your heart isn’t racing erratically at feeling his body heat radiate on you in the cold classroom from just how close your seats are.

Fuck. You can only tell yourself that for so goddamn long. And no matter how much you try to fill your head with other thoughts, when he’s sitting right next to you, drawing deep breaths as he’s focused on his reading, he’s the only one you can conjure up. 

Of course he would choose today to look the best he’s ever fucking looked. 

You hold your breath as you hear the clinking of his necklaces each time he moves to open and close his books, the ridiculous amount of silver charms he wears being one of your favorite things about him. 

He seems a bit flustered, sighing and anxiously rubbing his chin (a nervous habit, according to Josh) with each page he turns. 

Surely he’s not nervous for the exam…right? 

“The exam will begin in one minute. Please place any books you have under your chairs and silence all cell phones. The link to the exam has been sent to your school email through LockDown Browser. Please be sure all other tabs are closed as the system will not allow you to open the test otherwise,” Dr. Movack announces.

You tuck your bag beneath your chair and open your laptop, scrolling through your emails until you find the one from Dr. Movack for the test.

“Good luck,” Jake says in a monotone voice, still so alluring and sexy despite lack of tone.

He’s shocked you almost completely still as you sit there staring at the homescreen for the test. You don’t say anything just yet, giving yourself a moment to register that he actually spoke real words to you. Words that didn’t sound angry or annoyed for once. Something kind of sincere, even.

“Uh- yeah, you too,” you stumble in response. 

“The test will begin now,” says your professor. 

You try to read the first question, however your mind is turning it into a jumbled mess of incoherent words. You read it over a second time, slower to really focus on what it’s asking. 

But it’s no fucking use. 

Jake is clicking away at his keyboard, typing his answer with hardly a second thought it seems. You hear his silver bracelet (that you find rather appealing) hitting the side of his laptop and causing a hitch in your breath. 

The sound of his heavy breathing as he types should annoy you, but of course, it’s only affecting you further in your distraction. 

No. You need to focus.

You shake your head a little to snap yourself out of it, realizing it’s taken you more than two minutes to just read and comprehend the first question of the test. 

You're wasting time. You promised yourself you wouldn’t let this happen. 

In yet another attempt to reread the question, it finally proves worthy as your brain can make sense of it this time. 

Rank and briefly describe the Three Estates of medieval society. Then, describe their individual significance and contribution.

You rub your temple and your eyelids to relieve the tension before you begin writing out your answer, going as fast as you can as you’ve already wasted more than an appropriate amount of time on the very first question. 

As you type out your response, you can’t help but notice that Jake hasn’t stopped typing since this whole thing began. Curiosity has you wondering what question he’s on, since he’s clearly flying through this thing with absolutely no problem. 

You glance up at Dr. Movack to see him seated at his desk, eyes cast downward at his own computer. You then look around the room a bit, each student fully attentive to their own test. 

Turning your head to Jake, you sneak a look at his computer to see what question he’s on. 

Number five. Already. And you’re still stuck on the first one. Pathetic. 

As you turn your attention back to your screen, you hear someone clearing their throat rather loudly. But it’s not coming from just anyone, it’s coming from Dr. Movack. 

“Ms. Y/n.” His deep voice startles you, your body jolting a bit at the aggressive tone bouncing off the walls. He’s now standing at his podium, looking directly at you while every student follows in his suit with nosey eyes cast on you. “This is your first and final warning. Keep your eyes on your screen and off Mr. Kiszka’s, or you will leave my classroom and take a zero for the exam.” 

Great. He thinks you’re trying to fucking cheat. And so does everyone else in this goddamn class. 

You’re not cheating. Didn’t even think about cheating. But how the fuck do you even begin to defend yourself?

“Sir, I-I wasn’t-“ You trip and stutter your words, trying desperately to make yourself look any better than you do right now. But you quickly realize just how terrible it truly looks as you scan the room to see forty nine sets of eyes glaring at you, judging you. And yes, even Jake’s.

He abruptly cuts you off before you can somehow explain yourself. Although there’s really no good way to explain it. “I didn’t ask for a response. Cheating is strictly not tolerated here and you should find yourself awfully lucky that I’m letting you off with a warning.”

Lucky. That word isn’t even a part of your vocabulary these days.

You nod your head in understanding, shamefully setting your attention back to your laptop. But the words are even harder to read now, as you’re trying to comprehend them between welling tears sitting in your ducts. 

The humiliation is settling in as you’re trying to finish your exam, but it all feels in vain now. 

Everyone in here, including Jake, thinks you were cheating. On Jake’s test, no less. 

So much for your fucking method of pretending he isn’t there. In no way did you manage to be even remotely successful in that pursuit. 

And not only did you fail yourself in that aspect, but now the whole class, including Jake, knows it was his screen you were peering at.

Humiliated doesn’t even crack the surface. 

You can’t win in this class, nor can you win with fucking Jake. 

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

Walking out of class feels like the ultimate walk of shame. Worse than a walk of shame. Like utter defeat— an ignominy.

The most painful part is this is now the third time you’ve been the center of attention in the class— for the worst reasons. 

And to add even more salt to the wound, you only received a sixty eight percent on the test. A fucking D. In the subject you’ve considered to be your best since you can remember. 

And it’s not for a lack of knowledge. It’s because of the string of shit luck and continuous distractions that seem to follow you as of late. 

The uncontrolled tears are soaking your cheeks as you speed walk down the halls of Angell Hall, considering never coming back as you run down the concrete steps outside. 

You heard footsteps following closely behind you, but you couldn’t be bothered to turn around to see who it was. In fact, you were hoping that whoever it was would just fucking give up and stop following you. You thought that if you ignored them long enough, they’d just give up. 

But, no. They followed you all the way out the door, and now you hear them continue down the fucking steps after you. Relentless. 

You stop on the last step, having every intention of turning around and giving whoever the fuck is behind you what for.

But just as you’re about to, you hear, “Y/n. Will you please talk to me?”

Of fucking course.

With the sleeves of your U of M hoodie, you wipe away the streaks of tears sitting on your face, looking at the black marks staining the cuffs from your running mascara. You don’t want him to know you’ve been crying, but the state of your makeup is most likely a dead giveaway and there’s not much you can do about it right now. 

You snap around to see him standing at the front door of the building, hands tucked loosely in the pockets of his blue patchwork pants.

“What, Jake? What is there to talk about?” you say, your voice quivering from the tightness in your throat.

He walks down to the step you’re standing on, and you catch his eyes widen at your confrontational tone before he takes his sunglasses from his breast pocket and places them on his face, tucking a few hairs behind his ear.

“Well, first,” he says, using his index finger to push his glasses up the bridge of his nose the rest of the way. “Movack can be rather gruff at times, so just turn a blind eye to him. But second, I just want to know why you were looking at my test. You’re smart as fuck with this stuff, I can’t fathom why you would need to read my answers.”

You’re struggling to think of an answer. You want to explain yourself, to defend yourself. But where do you even begin?

Do you tell him that you were so fucking distracted by him that you couldn’t focus, inevitably causing you to take far too long to answer even the simplest questions, and that you just wanted to see how far along on the test he was to compare to your sudden ineptitude?

No. Not a goddamn chance. While the whole thing looks terrible, you find the true reason behind it all to be much worse than the cheating allegations. 

“I wasn’t reading your answers, Jake.” Your voice is still restricted from the lump in your throat that just won’t go away. But you shove it down as much as you can. The only thing that would make this entire thing worse is to cry about it in front of him. “It wasn’t anything more than my eyes needing a break from my own screen for a tenth of a  second. Movack already has it out for me, so I’m sure he was eyeing me the whole time, waiting for the perfect moment to strike.”

He chuckles softly to himself, and you can’t help but watch the way his adam’s apple bobs up and down. And his pretty smile that illuminates his entire face, his cheekbones sitting high atop his glowing features… it sends an electric shock to your heart. You don’t get to see him smile nearly enough, and you wish so much that you did.

“You’re probably right about that one,” he agrees. “I swear Movack picks and chooses students each semester to single out. And you made it easy on him with those first few days in class.” 

There’s his sweet smile again, prompting goosebumps to rise on your skin and forcing out a smile of your own. 

You can’t tell if he’s being genuine or not; being the utter enigma that he is makes him incredibly difficult to read. 

And after hearing him angrily spit out his true feelings for you a few weeks ago, your brain won’t let you forget his harsh words. Of course, he doesn’t know that you heard. And you’ll continue to act as if you don’t know.

But, knowing what he said makes you wonder if anytime he’s being “sincere,” it’s just a facade. 

Still yet, you’re appreciative of the fact that he’s not outright accusing you. Almost coming to your defense, even. Not only that, but he sort of complimented your knowledge and academic abilities. 

At this point, you’ll take whatever you can get from him. 

“If you have any tips on how to survive his class the last half of the semester, I’m all ears,” you tell him, nervously twirling a strand of your hair  between your fingers. This is the closest you feel you’ve ever gotten to a ‘normal’ conversation with him. 

“At this point,” He places his hand on your shoulder, gripping it tight. You don’t even notice the breath you sucked in at his touch, feeling like you’ve suddenly forgotten how to blow it back out. “you’ll have to go above and  beyond to put yourself in his good graces.” 

He wraps up his advice with a soft squeeze of your shoulder before he steps down onto the sidewalk.  

“Above and beyond?” you repeat, matching his tone with an added sarcasm. “Got it. No problem.”

Although it would be a lot easier if you weren’t there to distract me. 

“You can do it,” he says as he’s beginning to walk away, adjusting his leather satchel over his shoulder. “Remember how you put me in my place on the first day?” he recalls through a laugh. “Yeah, just keep doing that.”

You dramatically cringe at the memory of your first day of classes, not really in the mood to ponder that mess just yet.

But he is right. That’s the only memory you have of Movack actually being somewhat kind to you.

“Yeah, you’re right. I shouldn’t have any problem doing that,” you say with a devious smile.

“That’s only if I let you do it,” he remarks with a smirk as he’s already halfway down the sidewalk. “See you tomorrow.” 

Your tummy immediately fills with butterflies as you watch him saunter away. You weren’t sure how to feel about him being a decent human being… you just know you wanted more of it. More of the Jake you’d come to fantasize about from time to time in your cluttered mind. 

Like the one who throws one more small (devastatingly handsome) smile over his shoulder at you, still standing in the same place where he’d left you, before he turns the next corner.

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

Filming has just ended for the night. Jake filmed one scene and left just as you arrived for your shots, so it’s just been you, Josh, Sam and Malachi for the better half of the evening.. Things tend to go much more smoothly with this crew; you quite enjoy nights like these. 

You’re seated on their fluffy beige couch in the living room next to Sam, Josh and Malachi perched on the opposite end. With filming ending a bit earlier than usual, (given that Jake wasn’t here to cause any delay with his constant arguing) you’ve got a little time to sit around and enjoy a movie with everyone. 

Josh did ask everyone what they wanted to watch, however it’s clear he never intended to let anyone's preference determine what would actually be viewed. 

Once he turned on the television, he’d already had A Clockwork Orange queued up on the roku— it appears it was predestined for that to be tonight's film of choice. Not that you’re complaining, though. You do rather enjoy the madness that is this classic Kubrick film.

You’re no more than thirty seconds in the beginning of the movie when Josh says, “You know, Kubrick never really wanted to make this film. He thought the book was a yawn fest when it was presented to him. Just didn’t find much interest in it.” 

Sam and Malachi basically ignore him, merely nodding their heads while their eyes stay fixed on the blue lit screen. 

Still yet, he continues. “It was only when he imagined Alex being played by Malcom McDowell that he decided it’d be worth a shot. Can you believe McDowell didn’t even know who Kubrick was? He’d seen 2001: A Space Odyssey, obviously, but didn’t know Kubrick by name. It’s mind blowing, truly.”

Now that is a fact you most certainly did not know. And being the massive Kubrick fan you are, you’re surprised you didn’t know that. 

“Wait, really?” you ask with genuine curiosity to discover more that he might know. 

Sam places a hand on your knee and squeezes ever so gently. “Don’t encourage him, y/n. Or he’ll never stop,” he says with a half grin. 

From where you’re seated, you can see Josh’s face perfectly. And even with nothing but the bright screen illuminating him, you see him roll his eyes and toss his hand in Sam’s direction. 

“Yes, really! Isn’t that wild?” Josh proceeds despite Sam’s interjection. “I bet you also didn’t know that his nod to Gene Kelly was improvised.”

“It was?” you respond with a bit more shock in your tone than you had wanted. You can’t help it; this stuff fascinates you. 

“Indeed my dear, it was. Kubrick directed him to do anything that would serve as a major contrast to the violent and sinister nature of the scene, told him to dance around or something. So, that’s exactly what he did. Took one of the most convivial moments in cinematic history and turned it into an example of Hollywood’s gift of euphoria, using it  against the very corporation it came from.” 

“How on earth do you know all of this, Josh?” you question.

“Because he spends all of his time studying this useless stuff,” Malachi jokes. He pulls Josh in by the shoulders and hugs him tight to his chest while they both bust up in a fit of laughter.

“Watch the hair, please!” Josh says, his voice muffled by Malachi's shirt.

You’ve truly come to admire their relationship over the short time you’ve known them. The love they have for one another and the love they each give to everyone around them, so selflessly and without condition— they are just wonderful, beautiful people.

You still can’t help but question how Jake carries the same DNA in his body as Josh, because they are so vastly different from each other. 

The movie continues while Josh throws in a few more tidbits, piquing your interest and subsequently annoying Sam. (That’s almost more entertaining than the movie.)

Sam seems to be a little antsy. Antsy over something else other than his older brother talking away about mindless things. 

You’ve noticed him glancing your way periodically out of your peripheral, and he keeps taking a breath as if he wants to say something but stops before he gets a word out. 

You can’t take it any longer. “You okay, Sammy?” you ask in a hushed voice, trying not to disturb Josh and Malachi. 

“Y- yeah, I’m okay,” he whispers. But you know better. Something is plaguing him, and you will get to the bottom of it. 

“Are you sure?” you ask, a little bit of inflection on the last word.

He nods his head and hums in confirmation, setting his eyes back on the sci-fi film while you shrug him off and do the same.

As many times as you’ve seen this movie, you still can’t help but cringe during the infamous torture scene. 

You verbally express your disgust over the torture being inflicted on Alex, holding your hands over your face and barely peeking through the space between your fingers. 

The guys all snicker at your squeamish recoil, opting to watch you versus the movie as your reaction is probably more riveting than the horrid images on the screen. 

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

The early evening has now cast a full, lunar glow as time has drawn on with the movie now running its ending credits. 

Josh and Malachi have long since fallen asleep, cuddled up in an impressive knot together. 

You peel yourself up off the soft cushion and stretch your stiffened limbs as Sam remains tucked deep between the pillows, still awake as he scrolls mindlessly on his phone as you suddenly remember you haven’t checked yours since filming came to an end hours ago.

You reach in your bag to fish it out, only to find that the battery is now completely dead. 

“Shit,” you mumble more to yourself than anything else. 

Your mind is instantly filled with the worst case scenario. Is your mother okay? What might have happened in the time between your phone dying and now? If she was in trouble, there is no way you would’ve known. 

“You okay?” Sam hushes from his cocoon in the couch, lifting up a bit as you give him a sideways glance. 

You had just tried to turn your phone on, to no avail. Only being met with the red battery telling you that you’re shit out of luck. Deciding to play it off, you do your best to not overthink it as you toss your phone back in your bag. 

You feel your heart plummet with the phone the slightest bit. “Y-yeah,” you stutter, keeping your tone quiet for the sleeping lovers. You throw a thumb towards the door, connecting your eyes with his again. His expression is so concerned, his eyes mimic that of a baby calf. “I’ve just gotta go. Just a grade I’ve been dying to check and my phone is dead,” you lie through your teeth, starting to head to the door.

But just as you get to the door, his hand is over yours on the handle. Your heart rate admittedly speeds up at the proximity. Cute, sweet guy who you’ve been sitting closely with all night? Touching your hand? 

You turn your head back and upwards to get a look at where he is standing behind you. 

“Let me walk you out,” he offers, his tone kind but leaving no room for argument. “I don’t like the idea of you being out there at night by yourself.”

Little does he know where I fucking live. This place is nothing. 

But, again, you play it off. Company on the way to the car wouldn’t be bad.

“Okay,” you grin. And he’s so close, you can’t help but blush as you open the door under his hand, still covering yours. 

Once you get out to your car, you’ve built up a little bit of nervous energy from Sammy following you out. You would be lying if you said you didn’t have a bit of a crush, and having him so near was doing funny things to your heart. 

You turn to the driver’s side door and go to put your key in the lock. 

“Thanks for walking me out, Sam,” you look over your shoulder, trying your best to look as cute as possible in front of your beat up, jank-ass car. “I really loved hanging out with you tonight,” then you turn back to open the door. “Have a good night, Sa—.”

“Wait—,” you hear him say, his voice anxious. You follow the tone of his voice, and turn to face him front on. You can’t help the grin that flutters to your features as you wait for him to finish. “I’ve—I’ve actually been wanting to ask you something. I just wasn’t sure how to do it, but— fuck it. Do you want to go out this weekend? With all of us, I mean. Well, with me, but everyone else will be there too.” he utters, stumbling all over himself as he does so. “Josh wants to have a party here with all of the cast and crew to celebrate being halfway done with the film, and then we’ll all go out afterwards. Well, just my brothers and I. Of course Malachi will come. And you, I hope.” He’s spitting this all out so quickly, it’s like whiplash trying to keep up with everything he’s saying. 

He seems…nervous? That is quite shocking to you given how close you two have been for filming. He seems to never have an issue in those circumstances. He’s incredibly confident and sure of himself while he kisses you like no one has ever kissed you before. All for the sake of a silly college project. 

You smile at him and grab his hand before you respond, attempting to reassure him and make him feel more comfortable. “I’d love to, Sammy.” 

You can visibly see the anxiety wash away from his body as he relaxes a bit, loosening  his stiffened posture. “Great! How do you feel about haunted houses?”

“Haunted houses?” you question. “Like, spook houses?”

Your Oklahoma is showing, y/n.

Sam chuckles, “I forget you’re from down yonder,” he jokes with the worst fake southern accent you’re sure ever heard. “Yeah, like those. We go every year to them, kind of an annual ritual for my brothers and I. I’d really, really love it if you joined us this year. It’s a blast. That's what we’re planning on doing after the party. There’s a new one we’re wanting to try out for size.”

You’ve been so caught up in the chaos of everything consuming your life at the moment that you’d completely forgotten that Halloween is this weekend. Time has utterly flown by since your move. It still feels as though you’ve just begun classes at the U of M only days ago, when in fact, it’s been months since the semester started. 

“God, I haven’t gone to a spook hou– sorry, haunted house, in years.” you tell him. 

His face scrunches up in a tenderhearted grin at your correction. 

“It’s a date, then!” he exclaims with an enthusiasm that swarms your belly with tiny butterflies. 

He opens your car door a little wider as you climb yourself in the driver's seat. “It’s a date,” you repeat through a full toothed smile. He matches your grin as he gently shuts your door, bidding you a farewell with a sweet salute. 

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

Each outfit you put on just doesn’t flatter you in the slightest. Every shirt is either too tight or too low cut, each pair of jeans has a weird gap in the crotch, your leggings only look good with a baggy sweater. And even though that’s your go-to comfort outfit, that is not the vibe you're going for tonight. 

No; you have to look damn good tonight. You want to look good for Sam, for him to see you in something cute that’s not just a film costume. (But there’s also the incessant part of you that desperately wants to impress Jake, too. And your usual attire just won’t do the trick.)

You dig through to the deepest crevices of your closet in hopes to find something that looks good, but also makes you feel confident in your body. 

The only thing you do feel confident in these days is your seductive wardrobe for the film. But, for obvious reasons, you can’t wear those to the party or the spook house. That is not the kind of attention you’re attempting to draw this evening. 

You stumble upon a black velvet skirt, short with a small slit on the left thigh. You’ve never worn it. You bought it years ago for a reason that you can’t seem to remember at the moment. But it’s managed to withstand the multiple closet purges you’ve done over the years, so part of you has clearly always thought it would come in handy at some point. 

Holding it up to your hips, you figure it’ll probably still fit. (Fingers and toes crossed that it does.)

It’s supposed to be a bit chilly out tonight, so you rummage through the second drawer in your dresser for the pair of  black tights you have tucked away at the very bottom under all of your other undergarments. 

You sit on your bed as you pull the tights over your calf, up to your thigh before repeating the same thing on the other leg, standing up to awkwardly pull them the rest of the way up over your hips and ass, covering the cute black boy shorts you chose to wear underneath that match your black t-shirt material bra. These particular tights have some serious tummy control— something you’re quite grateful for. 

Now, for the brutal moment of truth. Will the skirt fit?

You certainly hope so. Trying on anything can be incredibly difficult for you. You live in fear that nothing will fit you. Too big or too small, it doesn’t matter. Dealing with the size of your body in any aspect is paralyzing and far too triggering. So, doing this right now is a massive step for you. But, if it fits, it’ll be worth it. 

You undo the zipper on the back and step into the skirt on one foot at a time, sucking your stomach in fiercely as you zip it back up at your waist and clasp the small hook and eye at the top. 

As you let out the breath you’d been holding, you’re delightfully shocked to find that the skirt fits. Not too tight, not too loose— it’s perfect. A wonderful surprise that you truthfully weren’t expecting.

You walk over to your small vanity to take a look in the mirror sitting on top of the white wooden table. You bend down a bit to get a better look at the skirt, and holy hell. 

Your ass looks fantastic. And the little slit sitting on your left thigh is tastefully sexy as hell. The tights were a great choice as they make your legs look smooth and complement the black velvet beautifully. 

Now, to find the right top. 

Giant sweaters are your comfort, but you’re feeling like trying something a little different tonight. 

You have a dark gray, long sleeved mock neck that’s been hidden away almost as long as your skirt has. The fit of it has always given you wild amounts of anxiety. It’s tight. Like, skin tight. Yet, it’s remained part of your wardrobe for a long ass time. So, why not give it a try? You’re feeling a little more brave at the moment, and it might surprise you just as the skirt did. 

Shifting through the hangers holding your shirts, you finally find it. Still brand new with the tags. You can’t remember why you bought this, either. Perhaps past you was looking out for future you to have something hot to wear on this very night? Who the hell knows. 

You rip the tags off of it, figuring it’s probably much too late to return it now. You stretch out the mock neck a bit before pulling it on over your head, smoothing it over your breasts and down your stomach, tucking the length into your skirt and tights. 

You adjust the arms a bit, feeling a tinge of apprehension at just how snugly the material is clinging to your biceps. A body part of yours that you’re not so keen on accentuating. 

But as you take a look in the mirror, you’re shocked yet again— over just how good this looks on you, too. The tight-fitting fabric is actually doing you a lot of favors, particularly in the region of your breasts. 

The shirt isn’t cut in a way that would show any cleavage, but the way it fits around them emphasizes their shape, making them look rather perky as they sit perfectly upon your chest. 

The whole outfit is flattering you in ways you’ve never explored. The anxiety about trying something so far outside of your comfort is still ever present, but as of late, you’ve convinced yourself that it’s okay to do that every once in a while. 

You’re tired of being trapped in the prison cell that is your self conscious brain. It’s time to break free, and the confidence that filming has brought to you feels like the very key to unlocking the bars that keep your thoughts in confinement. And so does this moment as you’re seeing yourself in yet another new light. It makes you feel utterly silly for feeling as shitty as you always have. 

You glance at your phone to check the time, and you still have over an hour until you have to be at their apartment. You’re thankfully making good time, so you have plenty to dedicate to your hair and makeup to perfect it. 

You decide to throw a few loose curls in your hair, letting the waves fall around your face to frame it. Keeping your makeup a bit on the light side, you choose to go with a small, subtle black wing and black mascara to accent your eyes. You decide on a daring red lip, but not just any red lip– the same shade of red you’ve been wearing while you’re portraying the highly coveted Guiniverre. You grin as you swipe the scarlet color across your lips, thinking back to all the times it’s become smeared on yours and Sammy’s. The giggles that you two have broken out in over the mess you’ve created on his face. 

Digging through your jewelry box, you find some silver and gold chains you like to pair together. You place them meticulously around your neck, making sure they’re stacked to perfection. Then a pair of big hoop earrings that show beautifully through the loose curls around your face.

But just as you’re closing the lid to the floral painted ceramic box, something catches your eye. 

A little golden charm in the shape of a heart with your initial engraved on it. Your fifteenth birthday gift from your dad. You used to wear it every single day, up until the very day he walked out of your life for good. 

You threw it away that day. Tossed in the garbage the second you realized what he had done. 

While you’re not entirely sure how it made its way to Michigan with you, you’re willing to bet your mom dug through the trashcan to salvage it for you, hiding it in your box for you to discover later on. 

As much as you’ve struggled to contrive a single memory of your dad that doesn’t involve him leaving, looking at the necklace has your mind venturing back to the moment he gave it to you. Wrapped up so elegantly in a red velvet bag, with a letter from him that told you the story behind your name, how he chose it special after his grandmother that helped raise him when his parents gave him up. (Seems a little ironic.) 

You suddenly begin to panic. Where did that letter end up? Did you throw it away, too? God, you really hope you didn’t. But it seems like something you definitely may have done in the midst of your unforgiving anger with him.

But you loved that story. You used to make him tell you about your name all the time, and having it written down in his handwriting was something you held rather close to your heart until he up and left.

You start scrambling, pulling your tangled jewelry out in handfuls to see if it’s buried in there, but it’s no use. It’s not here, and you truly feel in your heart that it’s somewhere in the landfills of Cherry Tree, Oklahoma. Disintegrated to near nothing. 

It breaks your heart to think of it in that state. But maybe it’s for the better. Maybe that’s the universe trying to tell you that it was meant to stay back in Oklahoma with the life you no longer have with him. 

One thing is for sure, there’s no use in shedding tears over it. It’s in the past, and that’s probably the best place for it. 

You check your phone once more, realizing that you have to leave in no less than twenty minutes if you want to be there on time. 

You begin rushing around, looking for your black thigh length leather jacket (faux, of course) that you know will match your outfit perfectly. 

You find it buried under a few other coats on the shelf of your closet. You swiftly grab it and start heading out of the door of your bedroom, realizing that you’re still clutching the heart necklace in your right hand’s grip.

Mindlessly, you slowly place it around your neck, lining it up with your others so it sits in just the right place. You hold tight to the engraved charm, swiping your thumb over the initial a few times, just as you always did for comfort  in the years that it was worn.

The comforting feeling is still there, strangely. Everything has changed since you last wore this, yet somehow it all feels the same. 

The memories start to flood back like a tsunami, but you don’t have time for them right now. You don’t want to overwhelm yourself with it all. Wearing the necklace is just one step towards forgiveness, and that’s all you have the mental capacity for at the moment.

Throwing your jacket on your shoulders, you walk down the hallway to the living room to search for your purse and keys. 

Your mom is seated on the couch, watching her favorite television show and cleaning up the plate of food you made her. She starts to get up to take her dishes to the kitchen, but you stop her before she can stand all the way.

“Let me get that, mom.” You take them from her,  rinsing them off in the kitchen sink before placing them in the dishwasher. “Are you sure you’ll be okay with me gone for so long?” 

Tonight will be the longest you’ll be gone from her since you made the move, and the worry sitting on your heart is almost too heavy for you to truly feel okay with leaving her tonight. 

Your biggest fear is playing over and over in your head like a damaged record. But when you told her about tonight, she wouldn’t accept anything less than you going and having a great time. 

“You look beautiful, sweetie. Does my poor heart some good to see you like this,” she says as you saunter your way back into the living room to meet her warm, smiling face. “And I told you, honey. I will be fine. Don’t you dare fret about me tonight.”

Triple checking that all of her nighttime medications are out and within her reach, you also take a moment to check that her oxygen tank is full and that her mask is nearby should she need it.

“Y/n.” She takes your hand away from the tank and pulls it close to her. “I am just fine. Now get on out of here and enjoy yourself, sweet pea.”

She pats the back of your hand with her other, something she’s done since you were a child. 

“Okay, mom,” you utter through a deep sigh. “But please promise you’ll call me if you need me for anything, okay?”

She nods her head in agreement, sending you a warm smile yet again as she lets go of you and softly nudges you in the direction of the front door.

“Love you, mom,” you tell her as you step through the threshold. 

“Love you more, y/n.”

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

You nervously pull your car in the lot of their complex. It’s been clanking around more than usual tonight and there’s an odd smell emitting from the engine. You’re counting your lucky stars that you’ve made it here in one piece. You’re hoping that having it sit and rest for a while is just what it needs. 

Your dad was always your right hand in fixing any issue that arose with your old piece of junk. Without him, you don’t even know where to begin. What shops to take it to, who will overcharge you and who won’t. Car mechanics are a foreign concept to you.

He even promised you a new one by the end of your junior year. It’s a pretty safe bet that that won’t be happening. 

Josh answers the door before your fist even collides with it. “Y/n, my sweet dove! I’m so happy to see you!” he exclaims, clearly more than a few drinks in as he holds one tightly in his hand.

He practically pulls you into their home, wrapping you in a Josh-famous hug while nearly spilling his glass filled to the brim with some stout, honey colored liquid. The same one that you smelled on his breath as soon as he opened his mouth.

“Joshua!” you huff, laughing at his loose state. “The night has barely begun and you’re already drunk?”

“Ah, yes! The night is still young, and there’s plenty more trouble to get into!” 

Your hand covers the sound of the giggle that erupts from you. “It sounds like you’ve gotten into enough already, Josh,” you say through your fingers.

His drink meets your empty hand in a clumsy ‘cheers,’ a few drops of his drink landing on your skin before he lifts his glass to take a big swig.

“The queen is here, everyone!” he shouts while stumbling through the crowded living room. You cringe at the sudden influx of eyes staring at you from Josh (loudly) announcing your arrival. 

You flash an uncomfortable smile, waving stiffly at everyone while you take your jacket off and hang it on the coat-stand in the corner of the foyer. 

“The queen, the queen!” Sammy roars from the kitchen, setting his glass down on the granite before swiftly padding  his way across the living space to meet you. He instantly envelopes you in a warm, soft hug, digging his chin in your shoulder. His coarse facial hair tickles your neck as you playfully squirm away from his embrace.

He takes a step back, amorous eyes flicking up and down your form. “You look intoxicatingly lovely tonight,” he whispers, taking your hand as he gives the tops of your knuckles a quick peck. 

Although he’s not quite as inebriated as his older brother, you can tell he’s had at least a few. Enough to sustain a pretty decent buzz. So, you don’t think his actions are completely due to the alcohol. Perhaps a bit, though. 

“Come with me,” Sam says while he drags you by the same hand his lips just met. “Your lack of beverage is deeply concerning.”

As he leads you to the kitchen, your eye is caught by Jake standing by the array of finger foods intricately splayed out on huge charcuterie boards. 

And fuck, does he look sexy as hell. 

His dark beige collared jacket over his loose, worn white t-shirt is something brand new to you, and his denim button up tied around his waist above his black skinny jeans shouldn’t be nearly as inviting as it is. 

You instantly notice the slightly cropped nature of his top, revealing just enough skin. Even the slightest vision of his lower stomach has your head spinning. 

But then you realize… he’s not alone.

And she’s pretty. Really fucking pretty. 

Her sun bleached hair falls just below her impossibly tiny waist. Her green eyes are complemented beautifully by her mulberry sweater, the deep neckline emphasizing her perfect breasts.  

He’s smiling, laughing, and she’s laughing right along with him, making doe eyes as he talks to her. She’s holding some bright pink concoction, of which she’s taking the daintiest sips, never breaking contact with his eyes.

You’ve never seen him so outgoing, so talkative. And it’s all thanks to her.

Sam notices your stare in their direction, and switches directions so you’re now heading towards them. 

“I don’t think you two have properly met!” Sam interjects. “Y/n, this is Stacy. She’s playing the woman that steals your man.” 

He laughs ridiculously loud at his own joke, obviously not understanding where your mind is at all. (How could he possibly know? But, still. Poor taste, Sam.)

She is Stacy. Of course she is. 

You’d heard about Stacy, but you hadn’t met her yet. All you knew was that she was the one cast as Camille, Arthur’s very own secret lover who will later turn out to be as evil as Morgan le Fey herself.

Nat has mentioned her briefly, telling you that she’s “kind of a moron, but a fantastic actress,” whatever the hell that means.

Her availability has been much different than yours for filming, so your paths have yet to cross. And since Josh has a strict ‘no pre-edit viewing’ rule, you haven’t seen any of her scenes with Jake.

And part of you isn’t entirely sure you want to. With how titillating your scenes with Sam have been, and the rather exposed nature of your own costuming, your wandering mind can only imagine how similar Jake's scenes are with Stacy and the costumes they’ve chosen for her. 

The script you possess only includes scenes with you, so you haven’t even been able to read any of Jake’s that don’t include you, which also means you haven’t even read any of hers.

You’d already made it up in your mind that she was probably quite beautiful. That Jake probably believes she’s quite beautiful, too. 

And you were unfortunately right. She’s a fucking goddess. You can’t hold a candle to her. And given the way Jake is looking at her, it’s safe to assume that he would agree.

Does he feel the same things for her that you feel for Sam? Why does it seem he gives her the attention you so desperately crave from him? Is she the reason why he has next to nothing to do with you?

It shouldn’t matter to the extent that it unfortunately does, but the thoughts are deafening nonetheless. 

You’re jealous. And there’s no reason to be jealous, but you can’t begin to help it.

Out of instinct, you bring your arms up to fold them over your chest. You suddenly feel like hiding once again. 

The thrumming bass from the loud music is keeping perfect time with the amplified beating of your heart.

Why do you have to care so much?

You swallow it all down, breaking free from your thoughts to be cordial with her. Because she has yet to give you a reason not to be, and you don’t want to be that jealous bitch.

“Hi, Stacy!” you exclaim with a forced smile and a reach of your hand to shake with hers. “It’s so great to finally meet you.”

She disregards your outstretched hand, opting to pull you in for an unexpected hug in lieu and nearly causing you both to topple over.

She smells fucking incredible. Like fresh cherries and oranges. 

She breaks from the hug, still grasping hold of each of your shoulders as you’re standing completely stiff in shock over the way she’s greeting you, as if she’s known you all her life.

With a giant smile, (displaying her perfectly white, straight teeth) she says, “I am so happy to see you! The boys have told me so much about you— well, mostly Sammy. He told me you’re a super awesome actress and has gone on and on about how pretty you are.”

Sam wraps his arm around your waist, giggling and blushing at her statement. You find his sudden onset of embarrassment to be absolutely adorable. You catch yourself smiling at the thought of him speaking of you in such a way. His sweetness more than makes up for the lack thereof from his older brother, who is standing stiff as a board behind Stacy. 

His eyes flick to yours, and they burn a hole through your own gaze before they land on Sam’s arm that’s hugged tightly to your body. His nostrils flare and his jaw clenches before he gives Sam a look that you’re pretty sure could actually murder him if it were possible.

You can’t discern how he’s feeling, but whatever is on his mind, he certainly does not appear to be happy about it. 

You look up to Sam to see that he’s staring right back at Jake, even throwing him a sly wink before Jake abruptly walks away from the three of you without a single word.

What the fuck is his problem now?

You all stand there in silence for a moment, Stacy’s head quickly whipping around in the direction he left in.

“Well,” you say, clearing your throat to draw the attention elsewhere. “I’ve heard plenty of wonderful things about you also, Stacy. I am so excited to see you in the film. I bet you’re absolutely great!” You’re more so telling her this in an effort to relieve the tension that Jake so lovingly left behind.

She smiles before taking a few sips of her drink, licking the rememints off her full, rose colored lips. “Jake is just a dream to work with. He’s so patient and kind with me. And he’s just the sweetest guy! When he asked me to come to the party tonight, there was no way I could say no.” 

No. There’s no way she’s using ‘patient’ and ‘kind’ to describe the same Jake that’s been a rude, arrogant pain in your side for the past few months. He is most definitely not the ‘sweetest guy.’

You’re practically biting your tongue in half to stop yourself from saying anything. 

Why the hell has he been treating her so much better than you? What is so special about her that you’re lacking?

Well, aside from her Barbie-like beauty. That is something you can’t compare to, sadly. You’ll never equate to girls that carry her kind of flawless, graceful allure. 

And that is probably why you don’t receive the same respect as her. It makes perfect sense.

What a vain, fucking asshole.

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

You’ve been subtly eyeing them all night, watching as they’ve kept themselves tucked away together in a desolate corner of the living room, completely separated from the rest of the party.

He’s been ogling the hell out of her while she rambles on and on, talking his ear off for what feels like hours. (About something mindless and irrelevant, you’re sure.)

But whatever it is has acquired his full attention as they’ve basically not lost sight of one another since the night began. (Aside from the numerous times you’ve caught him glancing your way tonight. Maybe this outfit was a good idea.)

Sammy thankfully hasn’t taken notice of your wandering eyes. In fact, he’s been just as glued to you as the two of them seem to be. 

And if you’re honest, he’s been a welcome diversion. 

The drinks have made him a little extra clingy to you, and even more complimentary, as if that were even possible.

You’re asking yourself yet again why you care so fucking much about what Jake is doing, when you have Sam practically falling all over himself for you. (Almost literally, thanks to the alcohol flowing freely through his system.)

You’re still working on your first drink that Josh mixed for you, and you now know what Malachi meant when he told you to beware of an infamous Josh cocktail. There’s just a hint of lime juice swimming in an endless sea of Camarena tequila. (A Kiszka staple, you’ve come to find.) 

You can only sip on it gingerly as a full gulp would probably cause your blood alcohol levels to rise rather quickly, so taking it slow is necessary. 

“I think I’ll go pour myself another refreshment. Anything I can get you?” Sammy asks, effectively pulling your attention away from them again for the umpteenth time tonight. (Thank god he hasn’t noticed.)

“I think I’m good. Thank you, though.”

He gives you an inquisitive look as he downs the last few drops of what's left of his drink. “And you’re sure you don’t want something to eat? There’s plenty up there.”

You’ve turned down his offer at least three times now. He’s been questioning you all night about eating, but you just can’t right now. 

The fear of becoming bloated while in an outfit as tight as this, clinging to every square inch of your body, is far too great to allow yourself to indulge. 

If you want to look good, especially around the likes of Stacy, food is out of the question for tonight.

“I ate with my mom before I came over, so I’m really not very hungry.” That’s a lie. And you hate to lie to him, to anyone. But you don’t want to be tempted by him bringing you a plate of food. You’ve hardly stepped foot in the kitchen for that very reason. 

He just smiles and says “okay” as he stands up from the couch to grab his refill, leaving you sitting there by yourself. 

Normally you’d be grateful for the moment of solitude amongst the wild party goers as they dance and galavant around. 

But all it’s doing is setting your attention right back on Jake, who’s still conversing with Stacy. 

Only now, it’s much worse. 

Your stomach tightens and drops when you see him mindlessly run the backs of his fingers up and down her forearm, landing loosely on her waist as their proximity has become even closer somehow. 

You shouldn’t care. You really shouldn’t fucking care. But goddamnit— how you wish it were you. 

You’ve told yourself over and over again to let go of this idea that he could ever possibly like you. It’s pointless, useless. He’s made it plenty well known that he isn’t and never will be interested. 

But suddenly, he makes eye contact with you again as he’s wrapped up with her, and she doesn’t notice. She just keeps talking to him as if he were still listening.

But you can tell he’s not. His eyes are tightly fixed with yours, and this time, neither one of you are quick to break the contact. 

There’s close to twenty people between the two of you, yet they all suddenly disappear. The music has turned into a muffled, incoherent beat. It’s as though you’re both standing on either end of a tunnel, the rest of the world stuck on the outside, unbeknownst to what’s occurring beyond the cylinder walls that encompass only you and Jake.

Your trance is broken by Stacy taking hold of his face and turning it back towards her. You can’t hear what she says, but based on the movement of her lips, you’ve gathered it was something along the lines of, ‘who were you looking at?’ 

She turns her head in your direction, looking around intently to answer her own question.

But she doesn’t look at you. Because in her mind, why would Jake ever look at you when she, perfect and beautiful as can be, is standing right in front of him?

No. She’d never suspect it.

And maybe she’s right, anyway. You turn to look behind you to see a slew of beautiful girls standing close by. Friends of some of the crew for the film, you assume. 

He was probably just looking at them. Not you.

Never you.

You feel the couch cushion sink in next to you with Sammy sitting back down, clutching his newly fresh drink, completely oblivious to everything happening within your mind.

You suddenly feel your phone vibrate from your purse, and you unlock the screen to see a text message from Natalia.

It’s suddenly registered with you that she isn’t here yet, which isn’t like her to be late to anything.

Nat: “So, about tonight…”

You: “Are you okay?? Where are you, dude?”

Nat: “I *may* have a date planned, & I *may* not be making it to the party because of said date. ;)”

You: “A date?? With?? SPILL IT!”

Nat: “A certain curly headed boy who was also supposed to be there tonight. :p Any guesses?”

You glance around the room to determine who should be here but isn’t.

You still don’t know very many people in this town just yet, so the possibilities of who it could be are rather limited. 

It clearly isn’t Sammy. And it most definitely isn’t Jake or Josh.

Then, it hits you.

Daniel. Sammy’s best friend who has been nowhere to be found all night, who was most definitely supposed to be here.

You’ve loved getting to know him over the last few months. Everything runs extra smoothly when he’s around to help with the camera work, and he serves as the best mediator for the twins. (And Sam when he’s feeling extra ruthless.) Fights are almost non-existent when his presence is looming.

And he is absolutely sexy as fuck. The tallest of all the boys, and the most muscular. 

With Nat’s unmatched beauty along with her kind heart, the two of them would make the most ideal, movie worthy couple.

You’re sad she won’t be here tonight, but the thought of her going out with Danny has you far too excited to care. She deserves this.

You: “Danny?? SHUT THE HELL UP? I’m so happy for you!”

Nat: “Maaaaybe. ;) I’ll keep you updated! Sorry for ditching you tonight, love you & have fun!”

You: “You’re such a shit. Love you!”

“What are you so smiley about?” Sam asks, nudging your shoulder playfully with his as you grin at your phone. 

You lift up your screen to show him, his smile matching yours once he discovers what has you so giddy,

“No fucking way!” he shouts, taking your phone from your hand to get a better look at the messages. “He’s been wanting to ask her out for ages. Way to finally grow some balls, Daniel!”

Sinking into the cushions a little further, you accept your fate of not having Nat with you for the night. You’re going to miss her. You are not sure how you’re going to make it without her perfectly timed buffering. And tonight of all nights is the one where you need her as a distraction. A distraction from the continuously ridiculous display that Jake and Stacy are giving with their secret giggles in the corner. 

Next to you, Sammy’s small, drawn out cackle pulls you back. It brings a small smile to your face as it’s an honestly endearing sound–reminiscent of a laugh influenced by weed. You’ve gotten used to hearing it often, as Sam is always laughing if there’s a laugh to be had. 

He’s a good distraction. A good buffer. You’ll have him to lean on all night. You’re assured of this as he looks down at you with his big, beautiful, deep brown eyes. He’s pulling you in, making you feel safe in this overly crowded room. 

But another drink would be nice. Just to alleviate any tension that could unintentionally make its way into your muscles. It’s a humongous risk as Jake and Stacy leave their cocoon in the corner to make their way back to the kitchen. 

Yeah, you don’t want to go back there. You need a drink, but you don’t want to accidentally see them canoodling when that’s the last thing you want to be privy to. The drink’s a necessity, though, you realize as you already feel irritation flare in your veins at the thought. 

“You need something, hun?” Sam asks. 

You bring your eyes, zoning out on nothing, back to him. God, he’s so sweet. Why can’t he be the Kiszka you want most?

Not knowing what else to say or do, you figure asking him to run to the kitchen for you might be a good idea. You need the alcohol, and he would surely love to help. Perfect combo.

“I need a drink,” you say, a shy smile taking over your features. “And I’m too comfy to get up.”

You really feel bad making him be your errand boy. Especially when his face lights up at the prospect of possibly helping you. 

“Yeah!” He eagerly responds, getting up in no time. “Whaddya want? Mixed? Beer? Wine?”

“Glass of wine, maybe?”

“Dry? Sweet? Sour?”

“Sweet,” you respond, without thought. Sweet wine is always the only route. “Thank you,” you offer, blushing with the quiet thanks. 

“Sure thing,” he winks. Then, he’s crouching in front of you, his hand landing on your thigh. Your skin heats under his touch. He’s so fucking gorgeous. And he’s so close. And he’s leaning in. 

You lean forward, too, and capture his lips in an effortless kiss. So soft, his mustache tickles your upper lip just right. 

He sucks your bottom lip into his mouth and your tummy does a funny twirl before he’s standing back up with one more wink and a little grin that makes your cheeks flare red. “Be right back, sweet thing.”

As long as you can without having to move from your spot, you watch him lazily (and sexily) walk to the kitchen for your beverage. You’re biting your lip, still, when you turn back to face the rest of the party in front of you. 

Then you see Jake leaving the kitchen right as Sammy enters it. And with Stacy momentarily distracted, he lets his eyes wander. But, you realize, they don’t really wander– no, they go immediately to you. 

You’re still biting your lip, but you let your teeth slip just the slightest bit with the look he’s giving you. It’s haunting–almost as though it’s a best-kept secret. He looks…pensive. But his eyes are open, wondering and curious with his lips parted just slightly– so prettily. 

You let your gaze stay on his face–continue looking in his mysterious eyes–until Sam is the one exiting the kitchen. So, you turn your attention back to his face. He’s smiling at you, holding up a clear plastic cup, holding what looks like Pink Moscato. Your lips turn up at the sight, but let your eyes float back to Jake’s of their own accord… but he’s no longer looking at you. 

No, he’s looking at Malachi, who is still engaging in conversation with Stacy. 

But he’s not smiling along with their conversation. He’s scowling, his jaw clenching enough to make your skin feel hot. Why’s he so mad?

You choose not to think about it, instead averting your eyes to Sam, now back in front of you with your wine, setting his new drink on the table. You let your eyes settle on his ass in his gray jeans and you can’t help but appreciate the view. 

Then he’s turning around and his phone is getting clicked open from his pocket. 

Peering at the screen, you wrinkle a brow. 

“What’s–?”

“Twenty Questions!” He excitedly says as he hands you your wine and settles in next to you again. “Thought it could keep us busy for the next bit of time.”

Your eyes twinkle. He’s adorable. 

“Okay,” you smirk, taking a drink of your wine, which settles immediately into your cheeks. Warms you right up. And, yes, it’s Pink Moscato. “How did you know I love this type of wine?”

“Lucky guess,” he chimes, the apples of his cheeks pink after a swig from his brand new mixed drink. “You wanna play?” He flashes his screen at you again, lit up way too bright with the questions he’d found online. 

“Yeah,” you reply with a sure nod. “Give me your worst.”

And, without being able to help it, you’re peeking over your shoulder once more. 

You find Jake’s eyes, dark and waiting for you, before you’re both turning back to your tasks at hand. 

Your tummy is positively fluttering as Sammy asks his first question.

“What’s one of the craziest things you’ve ever done?”

Not helping the giggle that bubbles out of your chest, you know exactly what your answer is.  

Ironic. 

“Craziest things I’ve ever done…” you hum, already knowing what you’re going to say when you give him a tiny smile. “Well, one of the craziest things I’ve ever done is definitely agreeing to star in a project film with a bunch of people I really didn’t know worth shit.”

His signature cackle comes to join your giggle, and you feel totally at ease in the moment. 

God, he’s easy to talk to. 

“That’s fucking hilarious,” he responds. Then, there’s a wholesome smile under his mustache, his eyes encompassing a brand new emotion. “But I’m really glad you did it.”

And, with Sam’s precious face making you feel a little giddy, and the feeling of eyes burning into the back of your neck making your stomach feel heavy with want, you say the only thing you can think of. 

It’s simple.

“Me too.”

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

The chill of the night is nearly unbearable as you’re waiting in the line for the hayride that takes you to the haunted house, and you’ve found yourself regretting your choice of attire.

Your pleather jacket isn’t doing a damn thing to block the crisp breeze, and the small amount of alcohol you had ingested earlier has completely worn off, so you can’t rely on that to warm your system. 

Your arms are crossed tightly over your chest in a desperate attempt to use your own body heat to warm up, but  there isn’t any heat left to be used. You’re sure everyone can hear the incessant chattering of your teeth and the jingling of your jewelry from your uncontrollable shivers.

Michigan cold feels different than Oklahoma cold. Your body clearly hasn’t adjusted to the northern weather as of yet. (It also doesn’t help that you haven’t eaten a single thing since you woke up early this morning, but you turn that thought away fast. You’re not ready to confront that just yet.)

You half expected Sam to offer you his coat by now, but he’s too busy cutting up with Josh and Malachi at the moment to pay you any mind. You feel too awkward to ask, so you’ll just stand here and wait for your body to completely ice over while you wait for this fucking hayride that won’t allow you to be any warmer than you are right now. 

Hell, even Jake gave Stacy his coat, and she didn’t even have to ask for it. He just did it. 

And it doesn’t help that she can’t stop making her ‘pick me’ comments about how his coat is so big on her that she looks so tiny in it.

You’re annoyed as fuck that she’s here. The way she chimed in before you all left, nosing her way in to figure out where you all were going, just to get Jake to ask her to come. And of course he did. Of fucking course. 

So, she’s here. Bumbling about and talking about whatever comes to her dull mind. But, her looks give her a pass. You’ve found yourself wondering more than once tonight why they didn’t cast her as Guiniverre. Her beauty alone makes her more than qualified for the role. And if her acting is as good as everyone says, it just doesn’t make sense why she wasn’t chosen.

You’re really wishing Nat was here. She would just get it and share along with your annoyance. But she would definitely say something along the lines of what you’re thinking. She’s not one to hold back like you are.

(And you’re starting to understand why she referred to Stacy as a ‘moron.’)

The line has been still for well over forty five minutes at this point, and you’ve not even moved a quarter of an inch since you’ve been here.

This better be worth it.

Stacy decides to join in on the guys’ fun, making an obnoxious show of herself as she does so. You know she’s only doing it for the sake of Jake’s attention. 

And apparently Sam’s, too. 

She’s got her arm interlocked with his as they stand in front of you, making ‘jokes’ with one another that might actually make you hurl. 

Sam is too naive (and still a bit too inebriated) to understand her little game, but you’re not. 

And it should be pissing you off that she’s suddenly all over your date, but at least it’s keeping her from clinging to Jake.

The vexed look on Jake’s face says everything you’re thinking— his annoyance isn’t quite as subtle as yours. 

You’re a little relieved to find that he is also not thrilled about the situation. Everyone else seems to be enjoying themselves, and it’s not that you’re not, you just wish you weren’t so damn cold. 

A sudden gust of wind hits you like a frozen freight train. It’s nearly painful, piercing through your skin to your chilled bones. 

“Jesus!” You exclaim from the sharp gale, causing everyone to startle and snap their heads in your direction. 

“You alright?” Jake asks.

You notice the bright pink hue on his cheeks and the very tip of his nose, and you’ve heard him sniffle every few minutes since you’ve been here. You kind of feel bad for him. Having given up his coat to the little blondie keeping Sam’s attention far away from you, he must be as cold as you are. 

“I’m fine,” you fib through your jittering teeth. “I’m just so fucking cold.”

“Yeah, it’s pretty bad out tonight. Actually this whole month has been much colder than normal, I believe.” He cups his hands, bringing them up to his lips to blow warm air on them before sticking them back in the pockets of his skinny jeans.

You’re definitely not used to this kind of simple, small talk with Jake. And his annoyed demeanor has suddenly vanished. He no longer looks completely miserable, probably because he’s now ignoring Stacy’s obnoxious, forced laugh as she’s still messing around with Sam, Josh and Malachi just a few feet in front of you.

You’re absolutely over her at this point. The way she will snort out a fake laugh and casually peek over at Jake to see if he’s looking at her— it’s nauseating to watch, really.

“I think there’s a hot chocolate stand over there if you wan-” Jake starts, but he’s interrupted by Sam.

“I’m sorry, y/n. I didn’t realize you were so cold.” Sam says, wrapping his arms around your frigid body and rubbing his hands up and down your back to warm you up.

You’re grateful for his body heat, the way it instantly puts your endless shivers to rest.

But you wish he would’ve waited until Jake finished his thought. (And you wish Jake were the one warming you up instead.) 

But while in Sam’s embrace, you catch Jake watching, glaring. 

His jaw becomes tightly clenched, his chest rising up and down rapidly with his deep breaths, his eyes narrowed in on you wrapped tightly in his brother's arms.

And even as Stacy waltzes her way to him, tucking herself into his body, seeking his warmth, (quite literally just mimicking you and Sam) Jake's burning gaze doesn’t cease.

You’ve stood like this for so long that you don’t even realize you’re all next in line for the hayride. 

Sam helps guide you in the back of the wagon, being sure you don’t slip on the unstable wooden step. Josh and Malachi pile in shortly after you, then Jake and Stacy. 

You wince as you take a seat on the sharp hay, wishing even more that you would’ve chosen something thicker than your skirt. The hay is stabbing you through your clothes, and no efforts in situating yourself to find a comfortable spot are proving to be successful. 

“Here, “ Sam says, patting his thigh. “Sit on my lap, you’ll be a lot more comfortable.” 

The dry hay may as well be needles poking your ass, so you don’t turn down his offer. Plus, his body heat will also come in handy as you’ve got a pretty substantial way to go before you reach the haunted house. 

He holds you close to him by your waist as you situate yourself on his warm thighs, but you hear a rather unpleasant scoff coming directly from Jake’s mouth as you do so. And so does everyone else, apparently, as everyone looks his way at the sound.

Sammy snickers, asking “You good over there, Jacob?” 

His condescending tone catches you completely off guard. And clearly has pissed off Jake. 

“Sam, it’s in your best interest to shut the fuck up.” Jake angrily retorts. 

Stacy is seated next to him, a ridiculous smile splayed on her unaware, perfect face. Giggling and laughing when she has absolutely no clue what’s going on between the brothers.

(If you’re completely honest, you’re not entirely sure you do, either.)

But the tension is evident, nonetheless. And she is obviously incapable of picking up on it. 

But what she does pick up on, is how you're seated comfortably on top of Sammy's lap, giving her the idea to also do that. Because for some fucking reason, she feels the need to always do the exact same thing you and Sammy do. 

You have to hold back your laugh as she moves to sit on Jake, and he tells her it’s not a good idea and makes her sit back down on a dirty piece of hay. 

Serves her fucking right.

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

A slew of bloody, killer clowns lead you all out of the hay covered wagon. Their makeup is…mediocre at best. Not the most realistic you’ve ever seen but you can tell there was at least a little more than minimal effort put into their costuming.

Stacy, of course, is screaming at the top of her lungs with each move they make, attaching herself to Jake in an obnoxious manner that almost prohibits him from being able to walk. The look on his features tells you he’s less than pleased with her actions, but he doesn’t stop her. 

They then lead you all to the beginning of their ‘Three Ring Maze of Horrors,’ guiding you through the dark black lit entrance. The sounds of exaggerated screams and wails can be heard through their less than adequate sound system, playing on an endless loop along with circus music in an eerie minor key. 

A typical cliche; nothing you haven’t seen adapted a hundred times before. The concept is a bit overdone in your eyes. Being the horror fan that you are, you’re pretty desensitized to things like this. It takes a lot to scare you anymore. But, you still enjoy the atmosphere nonetheless.

Not only was Jake chosen to be the designated driver tonight, it was a collective decision to have Jake lead the whole group through the haunted house. Of course, Stacy is close behind, clutching his back and burying her face into his jacket, seeking her pick-me attention yet again from him.

You and Sam are close behind, with you in front of him. He’s not quite as brave as you are, closely mimicking the reactions of  Stacy, much to your annoyance. 

Josh and Malachi are the tail end, clinging to one another as they both share in their fear together.

You and Jake seem to be the only ones who aren’t phased in the least. He’s hardly even winced at a single bloody clown threatening to have him for dinner. 

But with every jump and yell of a clown, comes a blood curdling scream from Stacy that is far more dramatic than necessary. 

Again, you have to fight back your laughter at the fact that Jake quite literally shrugs her off and ignores her every time. It appears he’s not buying any of her shit anymore tonight.

Sam, on the other hand, is much more fearful than you would have initially thought. (Especially considering they do these every year. Surely he doesn’t think this one is bad, right?) 

He’s basically using you as a human shield everytime a clown reaches for him, squealing and bending down to your height to hide himself behind you while you simply look at the clowns and wave, being the pretentious asshole you are. 

You’re thankful that both him and Stacy can’t see the ceaseless rolling of your eyes each time they make a fuss over something that is not as scary as they’re making it out to be. Yeah, you’ve jolted backwards from a jumpscare or two, but the whole thing is planned out in a way that you can almost guess exactly when and where an actor will strike. It’s textbook for spook houses. Some of them (including this one) are incredibly predictable. 

As you’re finally nearing the end of this poor excuse of a fear seeking thrill, you catch the smallest glimpse of a grotesque clown's meticulous hiding spot. But he’s not hidden as well as he thinks, since you can still spot him even with the neon lights flashing about in an attempt to disorient your vision.

Jake is walking closer and closer to his spot, and you have a pretty good feeling that he’ll strike once Jake is within the appropriate distance. 

You see the clown prepare himself and just as Jake is in the perfect spot, he jumps out in front of him, letting out a rather deafening wail. 

Jake clearly did not see him, having the ever loving shit scared out of him and raising his fist to throw a punch at the actor. 

Thankfully, the clown tucked himself back away in his little hiding spot before Jake could throw his self-defense punch. 

Why was that so fucking hot?

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

After a rather interesting time out, you’ve all finally made it back to their apartment.

The night ran a little later than you intended, so you’re making haste in preparing to leave so you can get home. Sammy isn’t too keen on you leaving just yet, offering hug after hug in an  attempt to keep you here a little longer with him.

I don’t deserve him.

“Do you really need to leave?” Sam asks, his tone of voice telling you he’s got something special in mind. You’d be lying if you said that wasn’t intriguing to you. “It’s pretty late, you know. I’d hate for you to drive all the way home at this hour. You’re more than welcome to stay here.” His wink sends a swarm of butterflies to your undeniably  eager tummy.

You hear Josh agree that it’s a good idea as he and Malachi are making their way up the stairs to their room. You instinctively look to Jake to try and gauge his thoughts, but, as usual, you can’t read his stone cold face.

If circumstances with your mom were different, you might agree. But you’ve been gone from her for far too long. And being away from her overnight just simply isn’t an option.

“I wish I could, but I’ve got piles of homework sitting on my bed waiting for me.” Again, that’s a lie. But telling everyone the true reason is a task for another night. 

“Will you at least text me that you’ve made it home safe?” Sam asks. His request sends a wave of warmth to your heart. The fact that he just fucking cares about you, and makes it evident.

“I will, Sam. I promise.” 

You start gathering your things that you left on the couch earlier, and as you’re about to open the front door, you hear something that sends a boiling heat to your blood.

“Sam's right, Stacy. It isn’t safe to be out driving at this hour. I’m going to insist that you stay here tonight.” Jake tells her. 

Don’t stay, don’t stay, d-

“I’d love to, Jakey!” her squealing voice answers.

Jakey?

“You can just sleep in my room, if you want,” he continues. 

As if your blood wasn’t heated enough, now it’s blistering. 

You cock your head in Jake’s direction, and his eyes are frozen solid on you.

He’s doing this on purpose. He’s getting even with you for all of your antics with Sam tonight.

Fuck you, Jake. 

She follows him down the hall to his room, and when you hear his bedroom door shut after they walk in together, you decide that enough is enough.

You throw your stuff back down on the couch and stomp your way towards Sammy who’s staring at you with wide eyes.

Non verbally agreeing to his inquisition, you wrap your arms around his neck and attach your lips to his with everything you’ve pent up from the entire night, letting it all out on Sammy who’s willing to take it with no question.

He doesn’t break away to ask what changed your mind, he just reciprocates the same passion you’ve bestowed upon him. He’s practically clawing at your body to bring you closer, shoving his tongue past your lips and moaning straight into your open, hungry mouth.

With no more thoughts running through your mind, you leap into his ready arms, wrapping your legs around his waist as his hands reach to cup your ass. 

He starts carrying you up the stairs, holding your body as if you weigh nothing. His lips only detach from yours long enough to open his bedroom door and carry you in, carefully letting you to fall on his mattress. 

He wastes no time crawling on top of you, sucking the skin of your neck before finding your lips once again.

You grab hold of his white button up and tug on it until it reaches his shoulders, digging your nails into the now exposed skin of his back.

He lifts up to take it all the way off his body, tossing it across the room somewhere before gracefully flipping you both so you’re now on top, straddling him, your skirt now fully bunched up around your hips as his hands begin kneading the flesh of your thighs over your black tights. 

You grind yourself on his body in desperate search for a release to ease the built up tension tonight has caused you.

“Shit, y/n,” he hisses, moving his hands to your hip bones to help guide you even further into him.

The moan you let out is one you’re sure everyone else in the apartment heard, but you couldn’t begin to care even if you wanted to.

I hope he fucking heard that. 

You lean yourself down, your lips flush against his once again, making a show of sticking your ass out as much as you can.

“Y/n,” Sam pulls away from you. You chase after him, but he stops you again. “Hey, are you sure you want this?” he whispers.

You find his question to be utterly ridiculous. Of course you want it. 

Even though it may not be for the right reasons…

You lift yourself up to look him in the eyes, “Do you not want this?” you ask, a bit of defensiveness in your tone.

His hand reaches out to pull you back down to him, enveloping your lips with a long, drawn out kiss that steals every breath of air from your lungs.

“I have wanted this since I fucking laid eyes on you,” he utters against your parted lips. “I just want to make sure that you are ready.”

You don’t want to think anymore, you don’t want him to think anymore. 

Instead of using words to tell him just how badly you want this, you lift back up to tear your shirt off your body, leaving just your black bra on your top half. There’s no use in overthinking that, considering he’s already seen your breasts due to the sheer nature of your black lace piece for the film.

“Fuck,” he whispers, running his hands up your bare stomach, reaching to gently cup your still clothed chest. His thumbs trace delicately over your hardened nipples through the fabric, a rise in goosebumps enveloping your body. “You are so goddamn sexy, y/n.”

Just as you’re about to lean back into him, you notice something catching his eye. You instantly realize what it is. 

Fuck. You weren’t ready for that yet.

“What’s this?” He traces the outline of your tattoo etched under your right breast, no longer disguised under the heavy stage makeup you’ve used during filming. Your body stiffens at the realization. 

Now that he’s officially witnessed the most personal part of you, it suddenly registers what you’re doing. 

And the anxiety becomes all consuming. All you want to do is cover up, to hide.

At this point, you’re only doing this to get to Jake. It’s absolutely not fair to Sam, using him and his affection for you like this. It’s not fair to yourself, either.

This isn’t what you want. But you’ve convinced yourself that it is, letting it go so far that your best kept, most intimate secret has officially been revealed. 

You begin feeling a loss of your sacred identity, a piece of yourself that you weren’t ready to share just yet. 

It’s much deeper than the tattoo at this point. 

What the fuck am I doing?

You swing your leg over Sam, removing yourself from his body and searching frantically for your shirt.

You have to get out of here. You should’ve just fucking gone home.

“Y/n?” His voice sounds shaky and unsure. “Shit. I’m so sorry. I shouldn’t have taken it so far.” He stands from the bed to meet you, the concern painted on his features shattering your heart. 

As bad as you feel right now, you would’ve felt a thousand times worse had you continued this whole thing for all the wrong reasons.

“You didn’t do anything, Sam. I need you to know that. I just—“ Fuck. You don’t want to hurt him. And you don’t want him thinking any of this is his fault because it absolutely isn’t. “I thought I was ready, I don’t think I am. I’m so sorry, Sammy.”

You swallow down the massive wave of tears threatening to fall, but you can’t help the wetness forming in your ducts.

You’re angry with yourself for letting it get this far. You’re angry that you almost used someone who’s been nothing but kind to you to get to someone else, for your own selfish purposes. And you’re angry that you almost gave yourself fully to him without being ready to do so. 

And for allowing him to see a part of you that practically no one knows about. 

“Hey, hey,” he says, cupping your cheek. You know he can see the tears welling in your eyes, as much as you wish he didn’t. “Please don't be sorry. I’m only into this if you are. You call the shots, okay? I don’t want you to ever feel rushed.”

“I think I’ll just go home, if that’s okay.” You pull your shirt back on over your head, wanting nothing more than to be in one of your giant sweaters for just a semblance of comfort right now. 

“Of course that’s okay. Do you want me to walk you out?” He asks. His sweet, quiet voice is comforting you a little, but you can’t shake the guilt you’re carrying heavily on your shoulders right now enough to find enough solace.

You tell him no, that you’re okay to walk out on your own. You can’t bear letting him do anything else for you. You just need to go.

He hugs you goodbye, telling you to be safe and reminding you once more to text him when you get home.

You tell him you will, and walk out of his room, shutting the door behind.

As you run down the stairs, you’re immensely hoping that no one is down there to see you leaving but as you reach the last step, that hope you were clinging to is no more.

It’s Jake. Rummaging through the fridge in the dark kitchen, and to make matters worse, (and slightly more awkward) the only thing on his body is a pair of black sweatpants. 

And when he turns to face you, you realize how low they’re sitting on his waist. Low enough that you can see his hip bones and a small trail of hair sticking up from the waistband. Fuck. His hair is an absolute mess, tangled and sticking to his sweaty, flushed face.

You would enjoy the view, but you know good and well why he looks like this. And you know Stacy is still in his room, probably in a very similar state. 

He watches you while your hurriedly head to the door, not stopping to say a single fucking word to him. He mutters something to you as you shut the door, but you don’t bother turning around to catch what he said. You just ignore him, practically racing to your car to get the hell out of here. 

You throw the driver's side door open, slamming it shut once you’re seated. You sit in silence, laying your head on  the steering wheel while the levees in your eyes finally break. The tears are uncontrollable, and leaving right now would prove useless as your vision is completely blurred.

The disappointment in yourself is ripping your soul in two. 

And you feel so fucking bad for Sam. You made him feel as though he was to blame. But the real reason for everything that transpired is so terrible. This isn’t like you, to take advantage of someone for the sole purpose of making someone else jealous. 

Someone as lovely as Sam who absolutely doesn’t deserve something so cruel. 

You’ve successfully lead him on in ways you never intended, all for the sake of someone who can hardly hold  a normal conversation with you. 

You feel like you’re beneath the lowest levels of the earth right now. 

You’re just ready to be home. All you want right now is to be tucked away in the comfort of your bed, to finally go to sleep and forget about everything for a while.

And the reality of how long you’ve been away from your mom is setting in, yet another thing to feel guilty about. 

You choke back your sobs, fanning your eyes with your hands to dry them enough to see. 

You take your key and turn it in the ignition, waiting for the car to start.

Nothing. 

You pull it out and try once more. It almost starts to turn over, but the laggy engine isn’t doing anything other than sputtering and heaving. 

You wait a minute before you try again, giving it a second to breathe and praying to every god in the universe that it’ll start.

In one last ditch effort, you hold the key as long as you possibly can this time until you hear a loud pop from under the hood. Then, total silence. 

This isn’t happening…

You try the ignition once more just to see if by some miracle it’ll start, but it won’t even try to turn over now. There’s no more power.

Your car is fucking toast. And there’s not a goddamn thing you can do about it. 

The last thing you want to do is go back inside to ask for a ride. But at this point, your options are rather limited.

Your first thought is to try and call Natalia. But both times you try, it goes straight to voicemail.

Great.

You have to get  home, even if that means swallowing your shame and going back for Sam’s help.

With a reluctant and heavy sigh, you leave your car and drag your feet back to their apartment.

You turn the knob of the front door to find that it’s still unlocked. (Thank god you don’t have to knock.)

But when you quietly step in, you’re mortified to see Jake and Josh now awake and in the kitchen, snapping their heads sharply upon you entering.

“Jesus Christ!” Josh shouts, his whole bodying jolting forward into Jake’s in a dramatic display. 

You feel bad for scaring him so bad, but his comical reaction does bring a hint of a smile to your face. Although you’re far too upset to laugh right now. 

“You okay, love?” Josh asks with a gentle voice while he quickly walks over to you, looking at you with sweet concern.

You know for a fact that your mascara has left streaks of black down your face, so you’re sure you look absolutely insane right now but you couldn’t be bothered to fix it before you came back inside. 

“Um, my car-“ you start, clearing your throat to strengthen your weak voice. “My car broke down and I need a ride. I really have to get home.”

Without as much as a single question, Josh takes his coat off the rack and grabs his keys off the hook beside the door, but he’s promptly cut off by Jake swiping them away from his hand.

“You’ve been drinking, Josh,” he says while hanging the keys back in their spot. “Driving isn’t a good idea.”

“She needs to get home,” Josh argues, ripping his keys off the hook yet again. “I’m completely fine. I’ll take her.”

Jake takes the damn keys back again, this time shoving them in the pocket of his sweatpants to ensure Josh can’t get ahold of them. “No. There’s goddamn liquor running through your blood. I’m not letting you drive. Don’t be a fucking idiot.”

“Do you want to take her, then?” Josh asserts, rubbing a frustrated hand across his forehead. 

God, please no. 

The thought of being in a car alone with Jake is enough to make you put your foot down on that idea. But you’re also not too keen on him seeing that you live in one of the most rundown, shitty complexes in the entire city. 

But Jake is right, as much as you’d hate to admit. With as intoxicated as Josh had been earlier, it’s not smart that he drives you. You can still smell the alcohol on his breath and he’s not even standing that close to you.

“Just go get Sam,” Jake responds, stomping off to his room. 

Josh grunts and matches his heavy footing up the stairs to Sam’s room, leaving you standing there alone and wondering what the fuck this whole night has become. 

A few minutes pass, and as Josh is heading back down the stairs, you notice he’s alone and appearing even more irate than he was previously. 

“I’m so sorry, y/n. He’s completely passed out and won’t move. I’ll just have to get Jake to take you since he’s so insistent that I can’t drive.”

Fuck. 

Before you can oppose, he’s already knocking on his door.

“Jake, put a goddamn shirt on and take her home.” He yells, not caring enough to quiet his voice for the sake of the others who are fast asleep. 

You take a peek down the hallway to catch Jake tossing open the door, damn near slamming Josh with it while aggressively putting on a Jimi Hendrix hoodie.

Stepping into a pair of black vans, he takes what you assume are his keys from the hook, already halfway out the door before he asks, “Are you coming, y/n?”

His tone pisses you the hell off— he’s not hiding the fact that he’s not thrilled about this. Both with his tone of voice and his assertive body language.

Sorry to inconvenience you so goddamn much. 

You’re not in any mental state to argue; getting home is your only goal right now. 

“Yep.” You sneer, grudgingly following him out the door to his car.

You had seen the practically brand new, matte black Range Rover sitting in the parking lot plenty of times, but you never gathered that it was his. 

Although you should have guessed, given the way it so perfectly matches his aesthetic. You recently discovered his affinity for all things piratical, learning from Josh that the medallions he wears around his neck are ancient coins found amongst the ruins of old shipwrecks. He also told you about Jake’s childhood obsession with Johnny Depp's famous portrayal of the beloved Jack Sparrow character, so you’re not the least bit surprised when you see ‘BLK PRL’ engraved in the metal license plate. Clearly a nod to that part of himself. (That you can’t help but find awfully endearing.)

It’s nice. Really fucking nice. And clearly very well taken care of as there’s not a single flaw to be found.

The question remains– how the hell does a college student afford one of the nicest apartments you’ve ever seen and a new Range Rover? 

You still don’t know what he does for work, but you don’t care enough at the moment to find out.

To your shock, he pulls a pure gentleman move by opening the passengers door for you and helping you in his car. Something you certainly hadn’t planned on but found rather charming. 

Once he verifies that you’re in and secure, he shuts the door and heads to the drivers side, letting himself in and starting the engine. 

He begins backing out of the driveway, one hand on the steering wheel and one on the headrest of your seat, his bottom lip is tucked between his teeth in concentration. You find it all to be inexplicably attractive and you can’t take your eyes off of him.

But when his eyes catch your stare, you look away, hoping he doesn't realize just how long you’d been watching. 

“Where do you live?” he asks while putting the car in drive. 

You don’t want to tell him. You don’t want him knowing that you live in one of the worst areas in the entire Detroit, Ann Arbor area. 

But you no longer have a choice. 

“Redwood Apartments,” you say quietly, wishing that this whole thing wasn’t happening. “Down on north Highland, just a block away from Meijer down the road.” 

“Yeah, I think I know where that’s at.” He nods his head as he begins to take off in the direction of your home.

The car is completely silent, the rumbling tires against the pavement being the only thing you can hear. Neither of you says a word for what feels like hours, but when you look at the clock, you realize your trek began only ten minutes ago. It’s a solid twenty minutes between your place and theirs, so you still have another agonizing ten minutes left to go. 

Once you hit a red light, Jake reaches to the center console for his phone and unlocks it, handing it to you with his screen open on his Spotify page. 

“Pick something to listen to,” he says as the light turns green once again. 

It feels utterly illegal to be in charge of his phone right now. But you’re also a fan of having something to listen to that isn’t your combined breaths and the sound of his heavy tires rolling against the road. 

You take the opportunity to scroll through his playlists, seeing literally hundreds of them categorized quite specifically. 

Picking the one titled ‘Fave Psychedelic,’ you scroll through until you find Voodoo Child by Jimi Hendrix. An old favorite of yours and the song you instantly thought of when you saw him put on his hoodie. 

You set his phone back down as the song begins, feeling your spirits beginning to lift upon hearing the transcendent tonality that can only be described as the Hendrix experience.

Even Jake can’t sit still, nodding his head to the beat and tapping his fingers to the rhythm of Jimi’s strumming. 

“Good choice,” he mutters, humming along to the classic tune.

“I must say, though,” he continues. “I actually prefer Stevie Ray Vaughan’s take on this one, especially when he played it live. He just exuded the very essence of Jimi, took everything he did and amplified the hell out of it while showing nothing but respect to the original masterpiece.”

Stevie is another favorite of yours. God, the hours you spent during your childhood watching him play, appreciating the passion and time he put into his art. 

You went through years being bullied relentlessly for your taste in ‘old people’ music, having never found anyone else who shares the same musical palate with you.

Until now.

Having this conversation with Jake is something you so desperately needed right now. 

“I completely agree,” you say, searching for his cover on Spotify and adding it to the queue. “The way he could make his guitar sing, like you can hear his emotion through his strings. One of the only guitarists worthy of being compared to Hendrix.”

You’re thinking about Jake’s style, his hats and choice of mostly black attire, his mass amounts of jewelry… it suddenly dawns on you that he must really love Stevie because his style is so closely linked to his. A style you’ve been attracted to since you can remember. 

You’re shocked that you’ve not picked up on that until now, but it perfectly explains your instant infatuation for him.

“Absolutely,” he responds. “They’re both my biggest inspirations with my own music. I have so much admiration for them, and Clapton, Petty, Harrison, all the rock and roll greats who incorporated the deep roots of the blues in their playing.”

Imagining him playing like some of your favorites… it’s nothing but elating. Your imagination is running rampant with picturing him playing the kind of music you’ve spent so much of your life deeply appreciating. The music that connected your soul to things far beyond the physical realm. 

“I’d love to hear you play sometime,” you say, turning a bit shy at your sudden valiant request. 

Stopped at another red light, he looks to you with the most genuine smile you’ve yet to see from him. “Yeah?”

“Of course.”

⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎

You suck in a deep breath as Jake makes it closer to your apartment complex. 

Lights. Flashing of blinding red and blue. 

In the parking lot of your complex.

Fire trucks, police cars, an ambulance. All situated in front of the run down building. 

“What the hell is going on? I can’t even make it in the parking lot, jesus.” Jake is driving around in slow circles trying to find a place to enter that isn’t blocked by cops.

It’s all beginning to set in. You feel your heart plummeting to the depths of your stomach, your breaths barely filling the capacity of your lungs.

Your worst fear. 

You shouldn’t have fucking left her.

“Jake. Pull over. Now.” 

You pull your seatbelt off, grabbing the handle of his passenger's door but it won’t open. You try tugging on it further, realizing it’s locked.

Jake picks up on the urgency in your voice and abruptly slams on the brakes, throwing the gear shift into park to unlock the doors. 

“Y/n, what are you–” he tries to ask, but you’re already out of the car and sprinting towards the maelstrom of lit up vehicles. 

But as you’re stepping over the curb into the lot, an officer stops you. 

“Ma’am, you need to stay back. They’re about to carry someone out and we can’t let you over there just yet,” he says, holding your forearm to stop you. 

Using every bit of strength you can muster in the moment, you pull away from him and continue running. You hear him yelling for you to stop, but his shouting is muffled by the voice in your head telling you to get to your mom now.

As you make it closer, you see them pulling a gurney down from the second floor. 

The floor your apartment rests on.

They pull it down the stairs slowly, and they’re angled in a way that you can’t see who they’re carrying. 

All you can do is stand there and wait amongst the paramedics and EMTs who are trying to tell you that you’re not supposed to be here. 

But they’re blurred images to you. The only thing you can see clearly is the gurney being wheeled in your direction, squeaking metal being the only sound that fills your ears.

And as it finally reaches you, your fear is imagined. 

Her swollen face is distorted by an oxygen mask, her weak body bound to the flat table by straps holding her tight to its cold metal. 

Her right hand dangles off the side, swaying back and forth lifelessly with every push and pull of the wheels. 

You lunge yourself forward towards her, being stopped forcefully by two officers who’ve been telling you this whole time to step back. The weight of their bodies against yours knocks the wind from your lungs, hardly allowing your choked cry for her to be heard. 

“I have to go with her!” You scream as they situate the gurney in the back of the ambulance. 

One of the paramedics steps between you and the cops, taking your hand and looking you in the eye. The kindest  gesture you’ve encountered in the midst of this whole thing.“Honey, you can’t be in there when they take her. You can drive yourself and meet them at the emergency room, okay?” she tells you.

But your car. You don’t have your fucking car. It’s sitting completely useless at the Kiszka’s complex. Without it, you have no way of getting there.

You suddenly feel another hand on your body, your left shoulder. It’s warm. Firm. Yet soft and assuring all at once. 

It pulls you from your disorientation, grounding you. You peek over your shoulder to see Jake standing there, his presence crashing in like a wave of peace over the chaotic storm that has become your reality.

Your eyes become wet at the mere sight of him. 

He’s still here. 

“Come on,” he utters calmly, moving his grip down to your hand, interlocking his fingers tight with yours. “I’ll take you.”

a/n: i'd love to hear your thoughts about everything! as i said, this one was tough for me to write, but it was something i desperately needed to do.

i hope you all love it as much as i do. 🤍

(i would also like to apologize again for taking so long with this one. i promise the next chapter won’t take nearly as long.)

if you'd like to be tagged in future chapters, follow this link or let me know & i'll be sure to add you. ☺️

sending all my love!

taglist:

@jakeyt @alwaysonthemend @sacredjake @jakesgrapejuice @misshunnybee @reesetrippingthelight @way-to-go-lad @sinarainbows @ohgodthefeeling-gvf @klarxtr @watchingover-hypegirl @brinlygvf @stardustjake @gretavanbear @gvfmelbourne @sinsofstardust @literal-dead-leaf @gvf-ficreads @jaaakeeey @capturethechaos @neptune2324 @jaketlove @thetroublegetssoloud71 @myleftsock @sanguinebats @jakekiszkapunchmeintheface  @joshskittytickler @violet-hayes @aflame4goinghome @heckingfrick @fitalich @starshine-gvf @audgeppp @jakekiszkasbuttsweat @nina-23-45 @torniturntomyarrow @beautifulcrayola @writingcold @welllauragvf @loveisonaroll @itsafullmoon @gretasfallingsky @i-love-gvf @styles-canvas @mackalah @gvfmarge @sarafrusciante2 @jordie-gvf @gretavansara @highway-tuna @vikingsisthenewsexy @louiseecraigg @hippievanfleet @citylight-delight @blacksoul-27 @hippievanfleet @jazzyfigz @sirjaketkiszkasharmonica @smoking-jakelane @hernameis-heaven

i'm fairly certain i've included everyone but if i've forgotten you, please let me know! (& i sincerely apologize)

[blakbonnet]

[graphic by @ofmdlovelyletters]

AUTHOR OF THE WEEK @xoxoemynn

I've loved featuring some of the most incredible artists in the fandom for the AOTWs, and thanks to Connie's (@spirker) big brain, this week is dedicated to some of the most beloved fandom authors. I hope everyone will go and check out their fics, maybe discover some new works or give extra love to older beloved fics. There will be 3 authors featured this weekend, please give it up 🥁 for the first one: Emy who we all love.

When I think of an author whose writing feels like a warm, lovingly prepared bowl of soup by someone who wants you to eat and eat well: I think of Em's fics. It's impossible to imagine this fandom without her - not just her words but everything she is and does for her friends. I also strongarmed her into answering a few questions for me (kidding, she was very gracious, I kept harassing her to send the answers over 😌 I have no shame):

What's your writing process like? Do you start with the beginning or the end? Do you write in order or as the scenes come to you?

First comes the idea, which usually presents itself as “haha, wouldn’t it be funny/weird/wild if XYZ… wait a minute. I think I might be serious about that.” Once I’m pretty confident I’m actually going to write the story, I make a channel for it in the private Discord I created to keep myself organized. I’ll start jotting ideas down — doesn’t have to be in any particular order, just tone, beats I want to hit, any particular detail that’s pushing its way to the surface that’s demanding the story be told, and also grab any links, images, music, whatever, and stash them away for inspo later. I almost always have to create an outline for myself, even if it’s just a few bullet points, because otherwise I tend to just sit there spinning my wheels. If it’s a longer story, I’ll create a pretty fleshed out outline, and may also supplement it with an emotions matrix to keep track of the characters’ evolving mindset throughout the story. Tragically, I’m very much someone who needs to write in order. I’ve tried skipping around before, but inevitably I start feeling the tension of “well, how can I possibly write Scene 10 if I don’t know exactly what happened in Scene 5?” But if there are some scenes that feel more vivid to me in the brainstorming phase, I may write a few sentences just so I don’t lose that energy.

One Ed/Stede headcanon that's very dear to you and you love to explore it when you write.

I don’t know if I have one specific one. I generally treat them as my all you can eat buffet and like to play with different ones all the time, depending on my mood. But I’d say my “tell,” if you will, is taking some kind of ridiculous concept (being horny for clocks, running a sleepaway camp for singles, tooth fairies) and sussing out the Big Emotions, which often do circle around learning to be vulnerable in front of the one you love.

Whose voice is easier to write - Ed or Stede? Why?

When I first started writing OFMD fic after S1, I would have said Ed. There was something about that vulnerability and raw heartbreak that I found really accessible, perhaps because I was finally coming out of the fog of my own recent traumatic breakup. But as I spent more time writing and in the characters’ heads, I realized it’s actually Stede. I see a lot of myself in him, and have discovered getting his voice right is a rather cyclical process: the more I understand him, the more I understand myself, and the more I understand myself, the more I understand him.

Your personal favourite thing you've written that you'd like more people to read

I’m going to cheat and list two. The first is The Merry Strays of Lighthouse Sanctuary, which is my heart story. It’s not the first thing I wrote for this fandom, but it feels like it. I wanted to write a fic with a setting that felt to all the characters the way so many of us felt about the show itself — a place of hope, where everyone is loved and accepted and celebrated for exactly who they are. The second, which is definitely a harder sell due to the subject matter, is All Of These Lines Across My Face, which is the most personal thing I’ve ever written that I think has taken on a new, more meta meaning since the cancellation. Love is eternal; it changes everything it touches for the better. Ed and Stede’s world was forever changed because they loved each other; our world was forever changed because we loved OFMD.

What is the one word that you think you use a lot?

Exquisite. But it’s NOT MY FAULT. They ARE exquisite!!! What am I supposed to do, just call them pretty? They are EXQUISITE!

Do you have a beta reader? Have they made you a better writer?

YES! My beloved Hugo (@monksofthescrew/offsammich), who I’ve been working with since Merry Strays. I used to say I’d only use a beta if there was something I was particularly worried about in the story, but honestly Hugo makes everything I write SO much better that I don’t consider a story complete until her eyes are on it. Brainstorming the initial idea, helping me get unstuck in writing, pushing me to look at a scene from a different perspective, fixing all my verb tenses… truly could not do it without her.

Why OFMD?🥹

I found OFMD at a very transitional point in my life, when I finally started to feel healed from a few big traumatic events but didn’t know what to do now that I’d emerged from the fog. I experienced some panic that I had wasted too much time and the world had moved on without me while I was still struggling. OFMD showed me that it’s never too late, that you can always have a second (or third, or 300th) chance, that you deserve to be loved for exactly who you are, and, most importantly, that there’s always hope. It was like someone gently took my hand and said “I don’t care what your brain/society is telling you, there is a beautiful future in store for you, and you deserve all that it brings you.” These days it’s rare to find something with a message like that, that’s equal parts fierce and earnest. It’s something beautiful and precious, and I’ll be holding onto it forever. ❤️

Please head over to @ofmdlovelyletters and send your love for Emy and all your favourite authors (and authors of the week 😈 watch that blog for some special letters coming your way)

[campbyler]

that thing about the chapters makes total sense yeah! i liked hearing you break down the themes and realisations etc, it's nice to hear meaty info about the creative process and undercurrents in the work alongside the jokier interactive posts you guys usually make!

and we are both aware that we could probably cut certain scenes or events out, but we also are very adamant about maintaining a pace that feels realistic and makes sense, which usually leads to those higher word counts 😙

the word count splitting absolutely makes sense then, too - two halves of a whole. i'm surprised people have complained about wanting you to cut down on actual scenes for word count purposes... i wouldnt want to lose action or scenes themselves! maybe they meant more brevity or succintness? not repeating things that don't add to the narrative as much, etc. because the dialogue between characters is the most exciting part, as it usually is in storytelling! its happening NOW, we're IN IT with these characters, its so compelling compared to description or that famous bane of writers' lives: long recountings of events that happened previously or 'offscreen'.

please don't cut out action scenes and dialogue - i'm thinking of how my heart picked up when mike was waiting for will to get the sparklers, that tension was so well played... and also the final scene of 10.2, how fast mike's realisations moved as he kissed will into the sand. a vast contrast to how long it took to get there - so perhaps your stylistic choice is to slow the pace and draw out that delicious tension by making characters very pedantic and introspective rather than by adding more external action, dialogue, or obstacles that prevent them getting where they want to go. mike and will ARE their own biggest obstacles, it seems. and perhaps this is the vibe you wanted to create; it makes for a story that really feeds into the cloyingness of being stuck in your head and being stuck in one place - camp - no matter how much the boys both love it. the camp itself becomes a crucible for the story, giving the reader themselves something of the same claustrophobic feeling mike and will must have. very meta!

i’m so glad that helped clear things up from our perspective! we like to largely let the fic speak for itself obviously, so we usually refrain from flat out saying what the intention behind certain decisions was, but in the context of asks like this and the og regarding chapter/overall fic structure, it did seem fitting to clarify the purposes of chapters 9 and 10 more specifically so i’m glad everything makes sense! sorry for the absolute beast of an answer that’s going to follow, except for i’m not. teehee

regarding the word count, i don’t think we’ve been told outright that we should cut down on certain scenes to keep the wc lower, aside from maybeeee a comment or two that i can remember remarking on us over-describing or over-narrating things? which is probably true at times but also honestly that’s just me n thea’s writing style, so if there is something really egregious we will likely catch it while editing and otherwise we’ll just let it slide 🤷🏽‍♀️ overall though, i feel like it’s more of an implied thing — since we talk often about chapters taking longer to get out due to our typical 20-30k count, i’m sure a few people have wondered why we choose to include all of the interactions and details that we do. thea did actually give me the push i needed to take out an almost 2k chunk that we both loved but agreed was a little clunky and unnecessary in the context of what was happening, and its removal wasn’t detracting from any characters or relationships or worldbuilding in the chapter. so there are definitely times that we do decide something isn’t important enough to tack on a couple thousand extra words, and we will rectify that when possible!

this also brings me to your point about Long Recountings of Offscreen Events — that’s also something we try really hard to avoid, and when we do want to recount something that happened in the past or offscreen, as is natural for basically every story, we do try to make it feel natural and in the moment, like a character is simply remembering or thinking about something instead of trying to catch the reader up to present day. i LOVEE writing dialogue, maybe too much (i added almost all of the 1700ish words i deleted back again with dialogue. oops) but i completely agree with you in that the In The Moment-ness of it all is what’s most compelling to me as well — writing their reactions as they happen, or adding distinctive mannerisms and thoughts and motions while two or more characters speak.,, ougghh it makes my brain vibrate. but of course you need narration and descriptions to fill in those gaps, and i hope our efforts come off as at least somewhat successful! and for the most part, fleshing out the characters and the story and setting as much as possible is just as key to us as the Byler Moments are — if we wanted to focus on only every interaction mike and will had with each other while tabling those with the rest of the party, background/original characters, or the setting of camp as a whole, we would write a much different (and much shorter) fic instead :-)

finally, about 10.2 specifically: THANK YOU SOOOOOO MUCH WHDBHDHDGDJ <- me blubbering with happiness FRRR. thea can tell you firsthand that i spent many weeks banging my head against my desk trying to hammer out the entirety of the bonfire scene and its transitions — it was particularly tricky for me to try and balance general pacing with the inclusion of other characters And having everything lead up to the final moments, so i’m so so so glad it was a good read and that everything felt fitting and intentional because it was definitely meant to be! thea mentioned this in the last ask but will in ch09 gets kind of bowled over by his realization moment all at once, whereas mike kind of has two separate ones — one in 10.1, and one at the end of 10.2, both helping him come to terms with similar but different aspects of his romantic feelings and processing them and moving forward — and i didn’t want them to feel like the same moment happening twice (past a certain obvious degree).

they definitely are their own worst obstacles, especially in a modern au that takes away a good amount (but definitely not all!) of the canon universe pressure of comphet and sexuality and conformation. i know this is a big reason people tend to shy away from modern aus in this fandom, because it’s true that the source material is pretty heavy on these themes, and i have my thoughts on this that i’ll probably expand on soon, but to me, in doing so, it’s kind of a really fun exercise in fleshing out their internal struggles and playing off of those more, if that makes sense: their shared stubbornness, self-repression, reactivity and emotional tendencies, etc, but also the fact that they are very kind, generous, and loyal characters who, at least in the context of acswy, are more scared of being hurt by each other or themselves than they are actually invested in “hating” each other. and you bring up an excellent point as well, probably something that has been more of a subconscious but known goal for us than something we are On Purpose trying to get across: everything is happening in one location during one part of the year for a reason! they’ve had good memories here and bad, both in regards to each other and their friendship and otherwise, and are drawn to coming back every summer just as much as they are each other. with the brief exception of ch09 (although the context of it is a Rare Day Away From Camp, so the idea is still there lol), the emotional journey of the mainline fic very much plays out in the same place to try and convey that.

sorry for the essay long answer to your long ask in response to a long answer in response to a long ask — it’s just very very fulfilling to know that people are noticing our choices and the reasons behind them when we make so many of them intentionally! thank you again and i’m soooo so so glad you enjoyed 10.2 🥳🥳🥳

[theweeklydiscourse]

LARPing Villainy: Rhysand’s character is weighed down by Sarah J Maas’s need to make him sympathetic to the audience.

Maas distorts her own narrative in her attempts to make Rhysand more sympathetic to her readers. Although Maas will employ the aesthetics of villainy or grey morality, her framing is such that the established negative traits or actions of certain characters are contradicted within the text. Rhysand is not the only example of this in ACOTAR, but I believe that he exemplifies this problem the most.

I believe that Rhysand’s development is stunted by Maas’s favoritism and it makes him a less interesting character when she tries so hard to keep him noble and heroic. It’s as if his actions can’t just exist and instead, must be explained away by incessant justifications to keep him sympathetic but dull the story's edge in the process.

To illustrate my point, I'd like to point to chapter 42 of ACOMAF.

This chapter is centered around Feyre’s introduction to the Court of Nightmares and it is meant to be a moment of growth for Feyre as demonstrated by her fortitude and willingness to re-enact events that had previously traumatized her under the mountain. The passage describes Feyre as "barely covered" and emphasizes the color of her lips, describing them as “blood red”. A color that once triggered Feyre due to its association with Amarantha but no longer bothers her as demonstrated by her donning it.

Feyre's empowerment, as shown in this chapter, feels both superficial and hollow in nature. It is a moment of development that is marred by Maas's lack of build-up and her desire to accelerate Feyre's healing journey. Suddenly, after months of panic attacks, flashbacks, and anxiety, Feyre is calm, collected, and ready to partake in a plan where she will be placed in a situation where she will reenact her previous negative experiences. Something that should be triggering, but isn't.

This scene masquerades as a moment of growth and empowerment for Feyre but is in actuality a thinly veiled excuse for Maas to clumsily gesture towards the sexual tension between the main couple and form the basis for a contrived argument in the very next chapter. I came to this conclusion because the "plan" Rhysand creates is politically incoherent and ridiculous. The plan necessitates putting Feyre in a vulnerable position even though doing so makes very little sense and arguably puts Feyre in a worse place than before.

This incoherent plan is never meaningfully questioned or used as a foundation for change in Rhysand's tactics and strategies.

Let’s put this in perspective. According to the story, Rhysand is aware that the Court of Nightmares is full of unrepentant misogynists who habitually sanction the violence and abuse of the women in their court. So with this in mind, is it truly a wise plan for Rhysand to put the person he loves in a position where she will be the subject of judgment and contempt for an audience? He actively puts Feyre in a vulnerable position and approved a plan that involves Feyre putting on the costume of the High Lord’s “whore” and yet, is later appalled that Feyre was slandered as a result.

He then leans further into his darker persona, affirming Keir’s comments about Feyre being his “pet”.

The pair continues their show and Rhysand exchanges a few more words before Keir calls Feyre a whore and hisses that Feyre will “get what’s coming to her”. To this, Rhysand reacts explosively and puts Keir in his place by brutalizing his arm and forcing him to apologize for his words in a “how DARE you slander my mate?! grrrrr” moment. This moment informs my larger point because it is the cause of an argument between Feyre and Rhysand in the very next chapter.

There are certain parts of this exchange that bother me.

Feyre silently draws similarities between Tamlin and Rhysand’s behavior and criticizes Rhysand’s reaction to Keir’s slander. Obviously, we understand why he acted that way, but I hate how Rhysand responds to Feyre’s criticism in a way that feels like guilt-tripping. As if to say “So I’m such a bad person for protecting you from harm? Go on, hate me for protecting you I guess.” And this puzzles me because technically it was Rhysand’s plan that placed Feyre in a position where slander and contempt should have been expected.

Feyre is right. Rhysand should have prepared himself better for this plan but I feel like it’s a missed opportunity that Feyre never brings up how this plan could’ve been done away with altogether. They could have had an easier time in the Court of Nightmares if they had just not placed Feyre in such a vulnerable position and not made her image that of the “High Lord’s whore” which attracted Keir’s slander in the first place. This plan that necessitates Feyre wearing a dress that barely covers her as she’s shown off to a crowd is irritatingly contrived and makes even less sense when you factor in Rhysand’s concerns about Feyre’s safety.

But now onto my main point. I present to you, my least favourite passage from chapters 42 and 43.

I’d like to call attention to how Rhysand frames himself in this passage. He says “how stories get written” as though the narrative is under the sole jurisdiction of outside forces. He denies his agency in the “story” being written about his relationship to Feyre. He frames himself as noble, being unfairly characterized as a demon or a dark lord for stealing Feyre from Tamlin. But his complaints are ridiculous to me because…did the previous chapter not just happen?

Because… if we’re checking the till here, it was Rhysand who explained his public relations strategy as a “mask”. It was also Rhysand who deliberately cultivated his image to be one of an intimidated and dangerous ruler, it was Rhysand who constructed a persona of cruelty which was bolstered by his presumed collaboration with Amarantha. Rhysand was the one who approved a plan that involved toting Feyre around like a “pet” and making a statement that implies that he is a “ dark lord who stole away the bride of spring”.

He wrings his hands over how their story will be written as if he has no control over it. As if he isn’t deliberately shaping the narrative that the public sees and has no say in the matter. The narrative frames him as being “anguished” that people would view him as a villain…but then had him take active measures to reaffirm that he appears villainous to the public.

So What's My Point?

Why does Maas establish facts about her characters, only to obfuscate those qualities later on? Why do the readers need to know that Rhysand is in such anguish about his being perceived as a villain when he takes active measures to project that exact image to the public? What I reason, is that Maas wants to have it both ways (to have her cake and eat it too) She wants Rhysand to be cool and villainous, but doesn't actually want to make him villainous. Rhysand is LARPing villainy, enough that he possesses the aesthetics of a dark love interest (ex. dubious morals, manipulative, shrewd) but not so much that he actually pushes the boundary because Maas is always there to walk back his edgier qualities.

The same can be said for the events of these two chapters. She wants to have a moment of sexual tension where her leads are engaging in pseudo-BDSM exhibitionism and getting close with one another, but also wants to make a grand statement on healing from one’s past trauma which ends up being in conflict with the former.(it wouldn’t be impossible to accomplish both in theory, but Maas just isn’t skilled enough to pull it off)

All this to say, I think Rhysand had potential but is unfortunately held back by Maas’s need to absolve him. Personally, I think I’d like it more if Rhysand actions/decisions were criticized more within the text and that his “mask” was discarded as a legitimate aspect of his character. The “mask” makes him less interesting, I’d prefer it if Maas just let him contend with his flaws and grow because of it.

[thegreeks]

Melting Hearts

"I felt as if I were melting inside, and I might go on and on melting" - Joanna Glenn, "All my Mothers"

The evening air was thick with the scent of blooming roses as the last rays of sunlight dipped below the horizon, bathing Pemberley in hues of amber and lavender. A gentle breeze played with the loose strands of your hair, weaving them like golden threads through the warm embrace of dusk. You stood on the balcony, the delicate lace of your gown pooling at your feet, soft as a whisper. It was a scene that seemed pulled from a dream, and yet, here you were, embracing the reality of it all.

Tonight was special. The house was alive with laughter and the sound of stringed instruments filling the air. You had been invited to Pemberley, the grand estate of Mr. Fitzwilliam Darcy, a man whose reputation for aloofness and pride had preceded him. Yet, despite the whispers and social blunders, you had found yourself inexplicably drawn to him—not merely out of curiosity, but out of a deeper yearning.

It wasn't long before the evening took its turn, and you found yourself in a dimly-lit drawing room, the warmth from the fireplace casting flickering shadows on the walls. The guests shifted about like vibrant autumn leaves, but your gaze lingered, almost magnetically, on one figure. Mr. Darcy, tall and imposing, stood by the mantle, his brow slightly furrowed in concentration as he conversed with a few acquaintances. His voice, deep and smooth, seemed to resonate through the room, yet there was a vulnerability in his demeanor, as if he too felt the weight of the evening.

You were not oblivious to the tales of his character; his pride was a palpable thing, but deeper still was an unguarded heart that shone through a veil of reticence. Your own heart fluttered as he caught your eye across the crowded room, and for one heartbeat, the world around you faded to a soft blur.

With a small, brave smile, you turned your gaze away, feeling your cheeks blossom with warmth. But the fiery blush was no match for the way Mr. Darcy’s eyes held yours. It was as if they were meant to find you, drawing closer despite the distance of guests and the trembling air between you.

You were so lost in thought and embarrassment at your peering eyes being caught that you hadn’t noticed Mr. Darcy approaching until his voice, deep and steady, softly broke the silence.

“Miss. Y/L/N,” he began, his voice breaking the hum of conversation, and you turned, the world melting into insignificance as you met his gaze, poised yet hesitant, unsure of what to say but feeling every inch of his presence.

“Mr. Darcy,” you greeted, cheeks warming as he inclined his head. “I trust you are well?”

“I am, indeed,” he replied, though his gaze lingered upon you longer than was customary. His dark, intense eyes held a depth that you had scarcely been able to look away from since the day you met. Standing there, under his quiet regard, you felt as though time itself had paused, waiting on the words you might share.

“If you're not otherwise engaged, would you do the honor of dancing the next with me?” he asked, and though the words were casual, there was a notable tension beneath them, as if music played just for the two of you.

You felt an undeniable thrill course through your veins. “If you would grant me the honor, Mr. Darcy,” you replied softly, your heart quickening. His lips curved ever so slightly into a rare, small smile—a fleeting moment that sent warmth through you like a sunbeam breaking through a cloudy sky.

When he claimed your hand, you felt a rush of heat, and your cheeks flushed rose-kissed once more. Together, you stepped onto the polished floor, the melody of the orchestra swirling around you, creating an enchanting atmosphere. As the dance began, each step felt like a delicate negotiation between two souls slowly revealing their hearts.

Every turn and sway drew you closer, and the shuffling crowd faded into background noise. In this bubble, it was only the two of you, your soft-hearted nature meeting the guarded fortitude of his manners. As you twirled, you caught glimpses of his uncertainty melting away in the quiet warmth of your laughter.

In his eyes was a fierce intensity—one that made you forget the propriety of the world encircling you. As he drew you closer with each graceful movement, you felt the melting inside you intensifying, the flow of warmth spreading through every part of you.

“Forgive me if I speak too boldly, I find…” he murmured low, just above the sounds of the orchestra, “that being in your presence feels as I am unearthing something I had thought long buried.” His hand held yours with just the right balance of firmness and gentleness, as if he feared you might vanish at any moment.

The intensity of his words sent a thrill through you, an almost dizzying sensation that seemed to reach every part of you. You felt as though you were melting inside, warmth pooling in your chest and spreading to the very tips of your fingers. His presence was overwhelming, yet you could not bring yourself to look away.

“You…” Your voice faltered, struggling to maintain composure and balance in your dance. “You surprise me, Mr. Darcy.” You smiled, feeling as if the very essence of the evening—the music, the laughter, the scents of roses wafting from the gardens—were weaving around the two of you.

“I would not wish to presume, Miss Y/L/N,” he said, his voice barely above a whisper, “but I cannot help but feel… that in your presence, I am less myself and more… more of what I long to be.”

Your gaze searched his face, your heart pounding as his words settled over you like a tender embrace. The walls you had so carefully built around your heart felt as though they were melting under the warmth of his gaze, his words, his very presence. You felt exposed yet cherished, vulnerable yet safe, and in that moment, you knew you could not deny the depth of feeling he had stirred within you.

“Mr. Darcy…” you began, your voice trembling with the weight of the emotions swirling within you. “I… I do not know what to say.”

With the dance reaching its crescendo, you felt the rise of your heart, lost in that timeless connection. As the last notes of the waltz faded, you noticed the world around you blurring away, leaving only Mr. Darcy and you.

As the music softened to a close, Darcy’s hand lingered on yours, his grip gentle yet resolute, as if he were unwilling to let go. His gaze remained unwavering, and though propriety dictated that he release you, there was a quiet urgency in his expression.

“Would you…care to accompany me for a moment?” he asked, his voice a low murmur, barely audible over the sounds of applause and chatter as the other dancers withdrew from the floor.

You nodded, your heart pounding in quiet disbelief as he led you away from the crowded ballroom. Each step felt like a forbidden thrill as you followed him down the grand corridor, finally entering a private drawing room tucked away from the festivities. The room was bathed in a warm, amber glow, the flickering light from the fireplace casting an intimate aura over its polished and velvet furnishings.

The heavy door closed softly behind him, and for a moment, neither of you spoke. A shared silence filled the air, charged with anticipation. He crossed the room and then turned back to you, his expression a blend of vulnerability and intensity that left you feeling wholly undone.

“You must think me forward,” he said, his voice low and hesitant, “but in vain have I struggled. It will not do, I am incapable of remaining silent on my feelings to you.” He took a breath, his hand falling to his side as he looked at you, his usually guarded demeanor softened in the glow of the fire. “In your company, Miss Y/L/N, I feel as though I am on the precipice of something both terrifying and thrilling.”

Your cheeks warmed at his words, your heart fluttering like a delicate bird as he took a tentative step closer. “I assure you, Mr. Darcy,” you replied, your voice steady despite the racing of your pulse, “your presence has affected me…much the same.”

For a moment, he was silent, as if absorbing the truth of your words. His eyes softened, though his face remained in its usual hard demeanor. “You possess a quality, Miss Y/L/N, one that I have rarely encountered,” he murmured, his gaze locked with yours. “An openness of heart, a gentleness that… disarms me utterly.”

The weight of his confession washed over you, leaving you breathless. You had known him to be a man of strength and pride, and yet here, before you, he seemed vulnerable in a way that only deepened your feelings.

“Mr. Darcy…” you began, struggling to find the words to convey the turmoil of emotions within you. “I… I cannot explain it, but when I am with you, I feel as if—”

“As if I might melt away,” you finished softly, your cheeks flushing as you realized how openly you had revealed your heart. But rather than recoil, he stepped closer still, his gaze intent and searching, as if he were trying to read the depths of your soul.

He reached out, his hand hovering just above yours, as though waiting for your permission. When you did not pull away, he gently took your hand in his, his touch warm and reassuring.

“You cannot know,” he said, his voice rough with emotion, “the restraint I must exercise to keep my feelings in check, lest they overwhelm you. I have felt drawn to you from the moment we met, yet I feared that my affections were too bold, too… intense.”

A silence settled over the room as his words hung in the air, a confession that left you feeling as though the very ground beneath you had shifted. Your heart swelled with a warmth that seemed to radiate from the depths of your soul.

“Mr. Darcy,” you whispered, feeling the melting sensation spread through every inch of you, “there is nothing I would wish more than to know the depth of your heart.”

His grip on your hand tightened ever so slightly, his thumb brushing over your knuckles in a gentle, reassuring gesture. “Then, if you permit it, I shall tell you all,” he murmured, his voice laced with quiet resolve. He took a breath, his gaze steady and unwavering as he looked into your eyes, and in that moment, you knew that whatever words followed, they would be the truest he had ever spoken.

“In you, I have found a kindness, a gentleness…a beauty that transcends all else,” he began, his voice low and earnest. “You have softened the edges of my heart, Miss Y/L/N, and I am a better man for having known you.”

The sincerity of his words left you speechless, and all you could do was gaze up at him, your heart brimming with a joy you had scarcely dared to hope for.

“And I, Mr. Darcy,” you replied, your voice trembling with emotion, “have found in you a strength and tenderness that I did not know I was missing.”

“Then may I have the pleasure of courting you properly?” he asked, his gaze unwavering.

“Yes,” you breathed, overwhelmed by the sweetness of the moment. “I would like that very much.”

His gaze softened further, and in one graceful motion, he lifted your hand to his lips, pressing a gentle kiss to your fingers. The touch was tender, reverent, and filled with a promise that left you feeling as though you might melt into the very air around you.

In that eloquent moment, amidst the shimmering candlelight, you understood. You were both melting, yielding to a force greater than yourselves—a burgeoning hope that promised love was not a folly for others but a path uniquely carved for you two.