#it's simply a bad idea!

[foxgirlchainsaw]

I occasionally watch Innuendo Studios' "The Alt-Right Playbook" on YouTube, it's fun & informative and probably useful, but like..oh my god. Why is he seemingly so dedicated to arguing with people who clearly will never change positions? I genuinely don't understand the fascination he and his comment section have with engaging the troll, the rightoid on twitter. It doesn't make either of you happy & all it does is prove to the people that already like you that you're Cool and Awesome. No prick posting on Twitter wants to have a fucking reasoned debate, they're on Twitter because they think it's a laugh. Like, yeah, a lot of the things he talks about are applicable to the IRL right too, and have broad reaching political implications (in the imperial core), but so many of his videos go on spiels about having these arguments over Facebook or fucking Twitter. I just don't understand the impulse to try to reason with someone posting unreasonable and unserious bullshit.

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 5: Flip Slip.

(Part 1, Part 2, Part 3, Part 4, Part 4.5)

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[tiredandoptimistic]

So, we know that Abed is the one who invited Annie, Shirley, Pierce, and Troy to join the study group. Annie and Shirley make a lot of sense; they're both relatively friendly and clearly intelligent, it's easy to imagine either of them having brief positive interactions with Abed that would lead him to thinking of them. Pierce, while not someone I think Abed would seek out, is 100% down for inserting himself into situations. I bet he overheard Abed talking to Shirley or someone and invited himself from there. Troy, though? Troy is a little more complicated. I know that Troy and Abed are the iconic duo of all time, but it took time for that to develop. I have trouble believing that they just somehow had a good chat or something before the pilot, because in the episode Troy refers to Abed as "slumdog millionaire," which makes Shirley call him racist. I know that Troy was leaning hard into his asshole jock behavior during the beginning of season one, but I truly do not think he would say something like that if he had actually interacted with Abed. We know that Troy thinks incredibly highly of Abed once he gets to know him, and that his adoration is what pulls Troy out of his shitty high school persona. Even if he wasn't immediately able to acknowledge that he aspired to be more like Abed, he wouldn't be casually dismissing him like that if they'd ever really interacted. So, this leads me to the only possible conclusion: Abed just had a stupid crush on Troy from day one and wanted an excuse to spend more time with him outside of class. Abed might pride himself on his objective observational powers, but even he isn't perfectly logical. He'd probably tell himself that it's because a jock archetype would round out the ensemble cast dynamic, but in reality Abed is not in fact immune to Pretty Boy.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[horse-head-farms]

i can’t believe hypno would ruin beef’s lawn like that 😔

[nyxronomicon]

But Endeavor, whose only been a perfunctory fucker now eating pussy, your pussy, for the first time and he just does the messiest job of it. Just down there exploring every fold with his fat fingers- hearts in his eyes and juice in his chin

ANON... 🥴🥴🥴 please you are so right all he knows is breeding... (RIP don't look at me) he's gotta learn how to eat someone out sometime...

Endeavor x gn!reader (w vagina) cw: messy messy oral, fingering (thick fingers...), rough, overstim, reader squirts pet names: baby

.

"Higher- ah!" Your sharp moan told him that he found the right spot, his tongue flicking your clit. He was clumsy and awkward, like he didn't quite know how to move his mouth now that he'd found your sweet spot. Your fingers slid into his hair as his lips wrapped around your bundle of nerves.

You briefly looked at him, seeing his piercing blue eyes gazing back at you. There was a dusting of pink on his cheeks, uncertainty seeping onto his features. You wanted to tell him how adorable it was, how much you were in love with this version of Enji Todoroki. But you knew better, he wouldn't take that compliment well. He'd get hyper masculine, pin you down before getting rough and pounding his heavy cock into you.

He tried to pull away out of insecurity, but you tugged his hair with just enough force to keep him between your thighs. "Want you right here." You held him in place, seeing his eyes widen slightly and the flush of his cheeks become a deeper red.

The bashful expression lasted less than a moment, his eyes flickering closed as he sucked your clit. When he opened them again, they were full of determination. Enji suddenly pulled your hips closer to the edge of the bed to get a better angle. You felt his thick fingers dance between your folds, throwing your head back as he teased you.

"Enji," you moaned his name, arching your back as a finger pushed into you. Your cunt practically sucked him in, and he groaned as he imagined his throbbing cock getting the same treatment.

There was a glisten of sweat clinging to your skin. Your fingernails dug into his scalp as he sucked your clit hard, flicking at the bud with his tongue as his finger searched your pussy for your g-spot. A second finger pushed into you, your core throbbing for more. You threw your head back, losing control of your body as you could feel pleasure creeping up your spine.

You were so fucking sexy. He needed to taste your cum on his lips. It was all he could think as his fingers pressed your g-spot, instantly pulling lewd sounds from your lips. He smirked, his tongue now only lightly swirling around your clit as he focused on finger-fucking you. You were close, he could tell from the way you tightened around him.

"That's it, baby." He growled into your pussy, "cum for me." With another rough suck on your bundle of nerves, he prodded your g-spot relentlessly. His blue eyes were trained on you, watching every minute change as your breath hitched.

Your cunt tipped over the edge with ecstasy, Enji holding you in place as he continued his ministrations. It quickly spread through your whole body, thighs twitching as you felt yourself getting oversensitive. You mumbled his name, writhing in his grip as you rode out the orgasm.

"Just a lil' more..." He continued, "c'mon baby," his motions intensified, sensitivity instantly sending a more intense wave of pleasure through you. You could feel yourself squirt into his mouth, almost embarrassing had he not immediately started licking the essence from your folds.

He cleaned you out like a starved man, slowly and gently letting you come down from your high. He continued to watch you with adoration in his gaze, his cock throbbing with desire. When he finally pulled away from your cunt, you saw his smirk drenched in your juices.

"How was that?" He spoke quietly, but with confidence. Your expression and the fact that you were still catching your breath told him the answer.

"Not bad for a first timer." You chuckled through heavy breaths.

"Oh?" He climbed on top of you with a grin, pinning your arms above your head. "How 'bout I show you my expertise?"

.

@rottiens if I have to brainrot about this man you do too

[gibsalotdoodles]

some doodles i neatened up. context for mukbang cutter below the cut

[lets-try-some-writing]

A little reminder for writers:

You do not have to write 5k words every single day. So long as you do something, even a few words, congrats. You've done what you needed to.

Your writing is not nearly as boring as you think it is 95% of the time. You only think it's dull because A. You are writing it. And B. You've reviewed the scene a thousand times already.

The amount of dialogue to action to monologue ratio in your work does not define it's quality. Some of the best horror is only two to three lines. Emotion can be conveyed through sheer dialogue if it's written well. Descriptions can fill in enough blanks to make dialogue useless. And monologuing isn't bad when done well, as seen by the greatest world building ever done being a trilogy, a prequel, a long rambling origin story for the universe, and a series of short stories for said universe. Most of all of that is monologuing and rambles made pretty.

Don't stress your style of writing. It will grow as you do just like any other artform. It won't be everyone's cup of tea, but it's yours. Find your niche and cherish those who enjoy what you do.

Take a moment to breathe mate. Sometimes life happens. Sometimes life happens a LOT. Occasionally, an idea will have to stew in the waiting room for a while. And you know what? That's fine. It won't go away forever, it just needs a nap while you handle important matters.

If you post your writing, do not feel beholden to the readers who engage with your work. It is your story, not theirs. Listen to their voices, enjoy their praise, acknowledge their thoughts, but do not let them control you. Thou art a person, not a writing machine.

And please, get some sleep. Drink some water. Go outside and talk to someone. Walk under the trees. Feel the sun on your face. Get away from your writing for a while and let your mind wander. Even the most creative minds need time to play.

[ziggy0-o]

i finally found this video guys (you can watch it on youtube through the link !) it’s from the song ‘One of These Days’

[quirkle2]

space/saturn imagery ritsu i love you

[moeblob]

Haha, it's so funny how I am so indecisive that I go "I wanna draw my son" and then have too many ideas as to how. So here!

Take Ferdinands (and a Felix, I suppose, bc they are boyfrinds in my heart and soul).

[louieshalo]

demiromantic asexual riz gukgak save me… save me demi/ace riz who can’t distinguish his romantic feelings for fabian from his platonic ones

[nuka]

I think what makes Our Flag Means Death so remarkable in terms of representation is not just the broadness of it, but the depth.

We have an indigenous lead character, but he's not only that. He's also queer. He's a romantic interest. He's middle-aged. His arc portrays surviving trauma and abuse. It also portrays mental illness. And it portrays breaking free from toxic masculinity. And it never tries to put him in a box when he explores his masculinity and femininity.

We have a non-binary character, played by a Puerto Rican NB actor, but their arc is not about their gender identity and their coming out is simply a case of "Just keep calling me Jim". They have a romantic/sexual relationship with a black character, and never is this relationship or either of their sexual orientations or Olu's sex appeal as a fat person or "who even is the man in this relationship hahaha" questioned. When they get into a poly relationship, it's just accepted, instead of questioned or even defined.

These are just a couple of examples. It's not that Our Flag Means Death is the only or the first show with queer/BIPOC/disabled representation, because it's not. What makes the show remarkable is the unique combination of queerness, ethnicity, age, disabilities, life experiences, etc. that each character carries within themselves, yet none of these characters exist solely to appear as representation of any minority on screen. Their identities are not glued onto them, they're ingrained, but in the end, they're just people. Just like in real life. Identities do not work as plot points. Being queer is not a plot point. Being non-binary is not a plot point. It's just a small part of the whole complex experience of life.

OFMD is a perfect example of telling a queer story that doesn't focus on telling a story directly about the queerness itself. Because we have stories about queerness already. We have so many of them that it just feels like tokenism at this point to see yet another story about coming out or forbidden love or anything like that, even if it's well made.

This show took me by surprise with every new way of representation it offered, because each time it did the total opposite of what I expected. It took all the tired tropes and said, "Yeah, see these? We're not gonna do any of that." It delivered something I never thought I'd see on screen.

It never explains the characters' identities to the audience. It simply shows them exactly the way they are and lets you decide whether you see yourself in them, and I think that also allows the audience to question their own identities, to explore gender and sexuality freely without immediately putting labels on things.

People who never thought they might be trans or non-binary or queer in any way discovered their identities through the show. People who struggle with mental illness or trauma saw someone like themselves portrayed with kindness and respect on screen and were finally able to extend the same kindness to themselves. People who are always left out of romantic stories because of their age or body shape or the color of their skin finally saw themselves portrayed as desirable and worthy of love and romance.

That is why so many of us feel that, in the words of Ruibo Qian: "OFMD woke me up."

[samanthamulder]

THE X-FILES (1993-2018)

SEASON FIVE — What do you hope to find? I mean, in the end.