#it'll just be her end

[guitarhero-3]

my grandma is about to die but at least i caught a shiny rowlet today

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[saessenach]

a little WIP of Daenerys Targaryen in A Game of Thrones

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[overly-verbose]

If SIkuna will get the Heian era form later, can he change his appearance? I mean, it will be weird to see a guy with four arms hanging in public.

Assuming he were to do that,

(who knows, not me (I do lol) , if the hypothetical timeline where he and Yuji get separated is gonna be Canon to the Series *HeeHee HoHo's mysteriously*)

yup!

His alternate, 'human' form would be strongly based off of Yuji still, but with some differences.

(I've kinda drawn that as well, but I can definitely imagine it not exactly being clearly explained lol)

For one, he's significantly taller than Yuji (at least for now, the kid is most likely gonna grow to be not as much shorter lol) - although he can be shorter.

He usually isn't much 'shorter', because it's more comfortable - any much lower and it'd feel a bit like a too-tight shirt, but for your whole body lol

('down' to 6~ft/182~cm (wherein he usually stays at 6.4-5ft/193-195~cm) is the min. of proper comfiness)

He also wears earrings (I usually imagined some simple black ones, but he could just as well wear something Hello Kitty related lol (both for the Meme and just because) or just cute, or more colourful), and his left eyebrow has two slits - to kinda connect him visually to his Big Form heh

(I'm kinda contemplating adding some other things but yeah that's the bigger things heh)

And, although usually he only has these whilst in the Bigg form, he can have four arms, stomach mouth, and such whilst 'small' as well - but yeah, that's not exactly something that'd be useful/possible to use in public 😂

As shown in Chapter 2 of Visuals (although it is a different timeline, SIkuna is SIkuna lol), he can sometimes forget to close his secondary eyes, especially at the beginning of the Separation or when kinda mentally tired - it's just much more natural for them to be open

Some random person is more likely to assume they imagined it or he just had good cosplay than actual four eyes though, so hey at least there's that saving him

Not to mention interference from the kids he's likely hanging out with lol, Nobara is a quick-thinking Queen when her older familial figure is being a dum-dum and forgoring 💀 how to Human properly and we love her for it 👏

Since I imagine her dragging SIkuna out for clothes shopping relatively often, perhaps with other kids as well - and SIkuna doesn't mind it at all, he loves actively participating in the kids' hobbies 🥺 - she probably had to cover for his spookiness and such quite often lmao, even if he tries his best 😂

He is very respectful and polite to any workers they might encounter during their shopping though (well, assuming they aren't being unreasonably rude themselves but that's rare, especially in Japan I'd imagine), so fortunately even despite his Vibes being Very Off the two (or more) usually end up being a nice surprise to them actually lmao

- the fact that SIkuna likely takes everything that isn't chosen back perfectly into place whilst waiting for Nobara/other kids to put another outfit on probably makes their spookiness easier to deal with as well 😂😂😂

(He's not 'spared' from dressing up, but he can lighten the load on the workers' shoulders a little bit while he waits his turn, you know - he might be partially old as hell and from a time where that would have been unheard of to do for the sake of 'servants', but he also is partially someone from the 2020's lmao, he gets the pain)

(Imagine crossovers with Canon whilst he's in this form though lol, I feel like one Quite painful Misunderstanding that could happen is that This Other Sukuna apparently completely took over an older Yuji or something (since he clearly isn't there but Sukuna looks. like he looks.) OOF-)

.

[bisupergirl]

adventure comics v1 #421, 424 || superman v1 #308-309 || the superman family #186, 222 || the brave and the bold v1 #160 || supergirl v2 #12

some people wrongfully assume that kara didn't get her attitude until her new 52 series but true supergirl understanders know she's always been two seconds away from beating someone's ass should they annoy or displease her in any way.

[dykespence]

Love how carla went from 'hmm idk idkk I like her but this is so new haha uncharted waters I mean like' to 'DONT. GET. DRESSED' in a matter of minutes

[vynnyal]

Actually you know what, I'm gonna post this. Check it out, I'm fiddling with this PMV. Spoils the whole game ofc. And the name of the song is pure imagination by Fiona Apple!

Also I'm apparently a big fan of drawing moon laying down 😂 total count including scrapped drawings is 5 (technically 6)

[thebeigelunatics]

i don't have the foggiest idea what is happening in this scene. anyone have any thoughts? what i remember from 'london rules,' standish is p much tied to slough house throughout? what's happening to MOTHER?! 😭😭😭

[doodoodinklefart]

back for another jjk yap sess, this time abt geto LOL...

im honestly a little surprised i never noticed this before but the way that geto (who thought that his best friend was killed and saw a girl he was essentially willing to uproot his life for get murdered right in front of him) tries SOO hard to stay calm while toji's talking and then the MOMENT he brings satoru up again and trivializes riko's death, suguru loses it. i'm thinking suguru let him talk in the first place despite the risk of letting toji reveal his pact (and wanting to kill him Very Bad) cuz he figured it would be better to understand toji's deal since he beat satoru, something that suguru trusted would not happen

but then he starts referring to satoru strictly as "the six eyes", and i think that suguru, one of the few people that saw satoru as a person beyond his cursed technique or his family name could not help but get super pissed abt toji's dehumanization of satoru (and riko too, who he only refers to as the star plasma vessel). i just thought that it was very interesting....... suguru cared so much and it makes me CRAZY AS FUCK.

like, to begin with i think its sooo so interesting that suguru made it a point to be considerate of all the human parts of satoru despite the fact that im sure most other people assume he doesn't need to be worried about. i'll never stop thinking about suguru asking if he needs a break since he's overusing his technique, telling him he worked hard after getting back to the school, trying to rush to his side after he's been stabbed and being conflicted when satoru tells him to leave with riko and kuroi... he didn't just assume satoru could handle all that shit on his own cuz even if he could have he shouldn't have to.

also related omg im almost done i promise but!! the scene where suguru gets to the star religious group and sees satoru again for the first time...

the way that he can't even believe his eyes, probably in part because he's acting way different but also because he thought he FUCKING DIED. and he had to drag himself out of the tomb of the stars and probably went to look for gojo's body before even going to shoko. and then he had to tell her he couldn't even find his body man WHAT THE FUCK!!! i think maybe saw a twitter post about this part in particular but he might have thought toji took riko's body and satoru's, so the thought that he went all the way there thinking he'd have to see two dead bodies of people he cared about... ugh. suguru geto i love you

[rendnotmyheart]

Soulmate aus are so interesting in an iwtv context. Like for humans it's easy, right? They get their soulmate mark, they find their soulmate, or maybe they don't, and they live their life. For vampires though? Do vampiric soulmates even exist? How could they when the soulmate marks are relics of their human life? When the other person who has the mark will be dead before their life as a vampire has even begun? Or were they always fated to become a vampire? Did the universe take that into account? Will they have to wait some hundreds of years for their soulmate to be born? Their soulmate could be anywhere, any time. Hell, their soulmate could be the person they just drained. Who knows. Even if they were somehow able to find them, what are the chances they'd stay together for eternity? It is eternity after all. Not even the universe or fate can guarantee that.

[chemicalarospec]

you've heard of: aroacespec "is this person flirting with me" confusion, now get ready for: Does this person think I'm flirting with them (and also are they flirting "back" with me) because I accidentally bumped into them a lot?

[starflungwaddledee]

if starstruck Dee gets a comically large bow then Marc should have the comically large eyelashes

i was actually thinking that they both already have bows and eyelashes. consider: the ol' switcheroo

[hoofpeet]

I need to commission someone to make some blender models for me or something for real

[mulders-too-large-shirt]

s2 episode 17 thoughts

whispers softly. man... i need a minute. shaky breath.

okay. i'll start at the top like always. AUGH THE TEARS. fighting them. okay. need to put on some sad songs to accompany the 45-60 minutes it will take to type all this up

so, i sat down ready to see where this was gonna go. in fact i noted that i was incredibly locked in. which i continue to believe that i was.

we see a submarine, which is a type of craft i just do not trust. even before all that went down last summer. too scary for me. but they see something giving off a signal. and despite being a cartographer ship, they have missiles. and they're gonna go towards the thing they see on the radar, because they were told to. which seems wrong.

but then all their power is knocked out!!! and they are ordered to surface. but how will they do that under a ton of ice?!?!

title sequence. i was expecting different than the usual "the truth is out there" but i guess it's just business as usual over here despite it all

back to where we left off: scully's on the phone with real mulder and fake mulder is in her room. she hangs up on real mulder and tells the fake one that it was a wrong number, which had to be confusing to real mulder.

she tells him to put his hands on the wall, and he makes some quip about being shot before and not caring for it, and for a minute i'm like oh shit, that's a very mulder thing to do- what if he is, in fact, real mulder, and it's fake mulder on the phone? but that theory didn't make much sense anyway and also it was quickly put to rest by the fact that he started beating the hell out of scully.

so time skip: real mulder shows up to the scene with his "sister", who says the alien hit man is gonna call and ask to make a trade: scully for his "sister", and yeah, quotes are verbatim, i was still not buying this whole family relation thing

but his "sister" says that she knows how to kill the alien hit man: you have to hit the base of his skull. maybe. she isn't 100% certain. and also you can't miss because their blood is toxic. which we actually did already know!

and he's getting suspicious. why won't she explain exactly where she has been all this time? and what's this deal with her "father"? he's yelling at her at this point and i get it because it's not adding up to me either

she says that the aliens have been trying to establish a colony on earth since the 1940's, and:

"it's their belief that the stewardship of the planet is being forsaken" <- okay yeah. can't argue there. some of us are trying, aliens. i am not one of the mega companies pouring nuclear waste into the ocean. but maybe y'all could do a better job. and she continues:

"and that by default they'll someday become the natural heirs" <- well hey. you were sounding reasonable but now you are not. have we considered that maybe the people already here could give it another go free from the shackles of the 1%? you're acting like it's an estate sale and buddy we're still living in the house. you lost me there, and i was willing to hear you out.

she says that all of the clones worked at abortion clinics to gain access to fetal tissue, so they could combine human and alien dna. which i imagine had to be a good pr boost for abortion clinics (heavy on the /s here)

and the killer is after them because their experiments with mixing alien with human dna were not sanctioned, so they're "diluting the race", which i guess seems like the thing they would be worried about.

he doesn't seem to fully buy it, because he says "that's a good story, but i've heard a lot of good stories lately" which is true!!! our old worstie ambrose chapel was a liar, remember? or at least someone impersonating him was doing some lying!

"i'm your sister, fox, you have to trust me" UM PROOF?? have we done a dna test??? you can't just show up like that!!!!!

skinner knocks at the door... but is it really him? or the shapeshifting hit man????

"why are the lights out?" skinner asks quite reasonably "orders from my ophthalmologist" he says, lying very easily for a man for loves the Truth. but it did make me giggle.

sister approves that it is really skinner! only after they set a trap to get him just in case it wasn't. again i ask why she can tell if it's the man or not but okay. we move past that.

he makes introductions: "this is my sister, samantha mulder" to which skinner replies "WHAT"

and yeah. i would react the same!!!!

(also weird to hear mulder used as a last name. to me that's just the guy. you know?)

NOOO his phone rings. it's scully calling from a payphone. "he says he's gonna kill me if you don't give him what he wants" oh. okay.

there's no time to explain to skinner what is going on so!!! just please trust me, he says!!! and he does. another point for skinner, who is like a strange uncle or cousin to me.

they go to do a hostage trade: "samantha" for scully. and is this the same bridge where they did the hostage deal for mulder at the end of s1? do they only have one bridge for hostage deals. might be a bit much to have 2 in one city.

skinner has a sniper in the bush, ready to shoot at the base of the alien hit man's neck during the exchange. okay save the day mister sniper please.

AUGH HOSTAGE EXCHANGE. it's so tense. i paused here to write how tense it was, which did not ease it in the slightest. the hit man has a gun to scully's head and it's recalling mulder's early trauma with hostage exchanges. they're waiting for the right moment to shoot....

scully's in the car!!!! but samantha tried to use the needle that kills the aliens and she MISSED and the sniper shot was messed up and then there's firing and is it the sniper? or is it the hit man? who is hit? it is very unclear!!!!! both hit man and samantha tumble into the cold water beneath.

he's still at the bridge, staring down into the place he last saw her. scully comes out to join him, and he says "you should be at the hospital" (she has gauze on her head and says she was just discharged)

he's staring into the water, trying to come up with different ways she might have lived

"why didn't you tell me on the phone that it was her?" "i couldn't tell you 'cause you'd never let me go through with it" AUGHHHHHHHHH.

(and knowing how the episode ends. i am glad this happened. but in the moment. this was a gut punch)

she asks how he knew it was really his sister (valid question, one i fear he should have asked as well) and he snaps about how could she ask that, and she's like, dude someone with your face and body just kidnapped me???? so the whole who is who thing is a little murky??

(she actually calmly explains this. without any judgement. judgement added was my own. but you can imagine that after this experience, hearing "he's an alien" might still be a bit of a hard sell)

okay, mr. mulder is on the scene. he has to tell his dad he lost his sister. I lost her, he says. emphasis on the I. as if it was an action that he took. fuck.

and his dad hits back with a "you LET this man take your sister?" and son mulder is CRYING. what the HELL this is too much. the man has suffered too much. i'm given flashbacks to the last time we saw him cry when he thought he lost scully forever.

PAUSE. i just know the actors were eating up these lines. ohhh i know they were sinking their teeth into them the way that good dialogue allows you to. when you tap into the soul of a character, a whole person who isn't even real, because the writing cuts to their heart. yeah yeah yeah i knowww they were rolling with it and it felt Good

back to the scene. his father is giving him a guilt trip about how his mother is going to deal with "losing her again". and he's apologizing and crying when his dad pulls out an envelope

"your sis- SAMANTHA" told me to give you this.

the implication that he lost the claim to be considered related to her????? is sooooo entirely messed up?? that is the kind of thing that ruins a person???? holy fuck??

he's sobbing while opening the letter, and it gives an address where she says they can meet up if they are separated... so maybe she's really still out there??? hope has been installed back into "she's not actually dead" camp

he rolls up to the address and parks in an area labeled "NO PARKING". grief will do this to a guy.

but just as he arrives, scully calls and says they found her in the river. NOOOOOO THE NEWLY RETURNED HOPE.... "whatever you're feeling, you can't blame yourself" she says, knowing that he must be putting his whole soul into Blaming Himself

but... her body is melting??? is it an alien body??? is the melting gonna turn into toxic gas?? scully don't stare at it you're gonna get all thick blood!!!!

back to mulder. this man is experiencing all stages of grief at once on the steps of a women's clinic. he goes in and pulls out a gun and boy i sure hope there are no women inside.

someone is in there. it's... someone with samantha's face??? saying that she knows "she's dead"????? "it was all a lie", he mumbles as he realizes he was played

YESSSS I KNEW IT. i knew that was NOT his sister. i knew it was too weird and coincidental to be true. this makes the grief of losing her dissipate entirely so i do consider this a win beyond me just being able to guess where the plot was going

and i'm thinking, how the hell is he gonna explain all this to scully? like, to mom and dad, you will have to play along with the whole "she died" thing, and while that is by no means easy, it is a concrete thing you can say and do. but scully??? how is she going to react to "someone pretended to be my sister and then got killed"

(i suppose mulder could tell his parents that DNA testing on "samantha's body" proved no relation, but that would still be complicated to walk through, because there was no corpse to prove that, you know, because she dissolved- maybe scully could make some paperwork to make it look real?)

back to the matter at hand: these aliens with the same face are saying that he must save their original source. and he says "i am not your savior" which- tea. set your boundaries king. in fact, had i been there, i would have done the opposite of protecting, and instead start blasting these aliens that pretended to be my long-dead sister.

but they have leverage... they know where she really is...... so he doesn't walk out....

hit man arrives!!!!! armed with his needle!!! and mulder goes to confront him, but he knocks him on his back, and sets a fire- mulder's weakness!!!!!!

scully is making a report. she cannot substantiate his claims of aliens. and she's got a cut on her forehead from hit man taking her. my poor queen :(

back to the fbi agent that died in the last episode. he has nasty cuts allllll over. like he was carved with designs. sorry for that imagery but i saw it and must describe it.

she thinks she can solve this case with the power of SCIENCE!!! what killed this guy, exactly? maybe if we can figure it out, the other pieces could fall into place

so the virus that causes the blood to thicken is inhibited by the cold.... which explains our earlier scene of mulder in the ice tub and her yelling about him needing to be cold...

DEEP THROAT 2.0 ARRIVAL? (sidenote does this dude have a real name? like while this was airing what were y'all calling him...)

he tells mulder that the last alien- the one who was sent to kill the clones, our shapeshifting hit man- has been tracked to alaska, and that you have to pick your battles to win the war. telling him not to go to alaska. can you imagine.

scully goes to his place and knocks but no one answers. and his newspapers on at the doorstep. so she busts out her keeeeeeeeeeeeeeeeeeey..... heart still melts that she has this.......

and HE KNEW SHE WAS GONNA INVESTIGATE???? he sent her an email..... and he's saying how he wouldn't let her risk her life... nooo don't you weaponize the earlier drawing a line thing, that was about chasing a very vague alien lead to an agent's death, not about investigating ur sister...........

she bursts into skinner's office. and then apologizes for doing so.

(i love this so much. such a tiny detail that tells us a lot about her character. that Need to be good and do the right thing and please those whom she looks up to. ohhhhh)

he asks to speak to her off the record, and it seems at first promising... but he won't help her get in contact with mulder. EVEN after she says please!!!! she is gonna cry!!!!!

skinner's bitching about mulder's actions being a violation of his oath, and she's saying that he saved her life, and he comes back with a "if he wanted or expected you to do the same, he would have told you where he was going"

skinner being a jerk... at this point i began to revoke the point i earlier gave him...

he looks deeply troubled though, and i was like, ohhh, mulder must have promised him to not tell her where he was going... i see into your plans, mulder (<- this is not what happened)

back at mulder's place. scully's searching for clues. there's an x taped to the window again, which must be something he just does sometimes. and there's ominous music.

she falls asleep on his couch, and i swear i actually felt my heart melting at this moment. the way she was curled up. subconsciously trying to hold onto a piece of him. only finding rest where he did. i can't even wax poetic about this because i can't put the words into the right shape. but it is gonna destroy me.

someone is knocking... but who?

DEEP THROAT 2.0?!?!

he tries to act like he just went to the wrong room, but she isn't buying it, following him and demanding to know where he really is

SKINNER IS HERE? GETTING ON THE ELEVATOR????? SKINNER ATTACKING D.T. 2.0??? the girls are fighting!!!!!!!

he makes deep throat 2.0 tell him where mulder is, even when skinner is pinned up and deep throat 2.0 is the one holding the gun, and he said "i've killed men for less", but skinner says that if you kill him, he'll be killing 2 men....... this gag seems to have worked

SKINNER is AT THE DOOR to mulder's place where scully is staying. and he is bleeding from MANY wounds. tells scully where he is without elaborating on the blood pouring from all over. okay skinner. you're real for that. you get that point i was tossing around back. and a bonus one, in fact.

so mulder's out on the ice, and usually him wearing a big jacket would spark joy in my heart. and i won't lie, it does a little. but there is also a LOT of tension going on, so it's very brief. feels wrong to rejoice in the simple pleasures of man in big funny coat when he just had to lose his sister and then learn it wasn't even her.

but he sees some sort of tower and he's going in!!! and a dead guy is spotted.

pause. at this point i am sitting here thinking, man, these episodes are good, definitely among the best i've seen so far. who let these men cook? can we get them back in the kitchen with more regularity?

someone is leading him deeper and deeper into the maze of this... station? sub? and i fear he is being led into a trap. but he finds a very very scared man and having a big man point a gun at him doesn't help with the fear, i'm sure. but is it really a sniveling coward... or the hit man???

and JUST as he almost had me fooled and wondering if mulder was gonna really shoot an innocent guy, BAM! hit man reveal.

mulder keeps asking where his sister is, even while being pummeled by this alien with super strength. and he says "she's alive. can you die now?"

mulder shoots at the alien and he misses the back of his neck, so his toxic blood is filling up the space, and things are not looking good at all. and the alien takes him out and drops him on the ice!!!!!

he's going to break the ice and let him freeze or hit him with the sub as it goes down, both very bad endings........

CUTSCENE TO WHERE WE BEGAN!!!!

scully is bursting in, telling this doctor that he has a virus that can only be slowed by keeping him cold, and he isn't buying it, but just as he tries to get her kicked out of the room, his heart stops, so she intervenes.

and she's calling all the shots- get 100 grams of this and that and a drip of this- and this doctor has had his shift hijacked by a better doctor. he implies that mulder might not make it, and she refuses to hear this out.

and she's.... gently stroking his hair... while this is going down........

and sitting by his bed while he's getting better...

(so are the counts for who has been in a coma now tied? justice is served)

and now she's doing the case conclusion:

"several aspects of this case remain unexplained, suggesting the possibility of paranormal phenomena" <- OHHH??? is this what makes scully a believer? are we gonna see some character changes?

"but i am convinced that to accept such conclusions is to abandon all hope of understanding the scientific events behind them" okay!!! we are getting a deeper look into her philosophy here. yes yes yes give me more. and more i was given:

"many of the things i have seen have challenged my faith and my belief in an ordered universe, but this uncertainty has only strengthened my need to know, to understand, to apply reason, to those things which seem to defy it"

and i love it. i love it so much. seeing how she understands the world, why she knows that there has to be an order to it all, and if it seems there isn't, it's just because she hasn't figured it out yet... and science did allow him to get better... the need to fight a good fight in the way she knows how... yeah... that's lovely...

and she's CRYING at his bedside and holding his arm when he finally opens his eyes. her smile. her gentle "hey". it's so innocent, seeing that he is okay, that he made it through the worst part of getting better.

"thanks for ditching me" aughhhhghhhhh.......

he says he didn't find what he was looking for, but he did find the faith to keep looking. ohhhhh. ohhhhhhh...

the way his faith was gone at the start of season 2, but now it's back, there's something worth fighting for, his sister is out there, there is a world worth figuring out..........

man.

at this point my friend was sending me texts and i was like queen i need a minute. i need a minute. to put these things in order. and honestly i STILL do!

it was an absolutely amazing duo of episodes. i truly loved the writing, seeing them pushed to the brink with each other and with themselves. seeing skinner come into fruition. seeing what motivates them both and how they see the world and how it is entirely different but still driven by hope and faith and a need to learn the truth. and the tenderness of it all. of her sleeping on his couch in his absence, thinking maybe he'll be home soon. of running her fingers through his hair while he was being revived. the fury of being blamed for the loss of his sister, the fury with which she screamed at deep throat 2.0 to tell him where he went off to, the fury of mulder realizing he had been lied to and that his sister had never come back at all. but there still being hope despite it all. because there are things worth searching for. and they can do it together.

man. it was a very good episode but your girl is gonna go watch a silly video because it definitely hit me right in the Feelings!!

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.