#it’s the things I like and it makes coherent sense

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[piratecaptainscaptainpirates]

Alright so MY opinion for the most interesting way Stede and Izzy's interactions in s2e5 could've gone

Now personally I'm glad they didn't do anything that could be read as flirty, not only because I don't think that makes sense for Stede but also because I just don't think that would've scanned coherently with how Stede has just got back together with the love of his life and all. BUT I do also agree that once Izzy is chill his personality becomes a very bland vaguely hostile sort of swear-y guy that everyone's strongest feelings about are kinda like "ehhh I guess he's chill now??"

So here's what I think. Izzy should've tried to be First Mate Izzy to Stede, applying that sort of weird intensity to Stede's way of doing piracy.

I just think there's a lot of comedic potential there. Izzy starts encouraging Stede to find more Stede-y outfits (because that is what Captain Stede Does and if there's one thing Izzy will do it's form a very strict and narrow perception of his captain's behavior), perfect way to segue into the cursed suit plotline. He's visibly uncomfortable about Stede's sense of style still but you can see him internally reminding himself that He's Chill Now. He gets really intense about Stede's leadership style. When the crew are scared of the suit, he's stomping around going "HEY! Fucking TALK it THROUGH!" Maybe Olu expresses a real geniune emotion about how he misses Zheng and you can see Izzy sweating before he gives the most awkward little "good. I'm. proud. of you. for not bottling it up???" and it actually makes Olu feel better. He sees Ed across the deck doing something fruity such as using a hairbrush as a microphone to sing a song to himself as he works and you can see the homophobia struggling to resurface but he has a comedic flashback to Stede telling him something very basic like "don't be an asshole" as he takes notes and then Izzy takes a deep breath and walks away to go scream in a broom closet or something

[11queensupreme11]

Aaand finally, 4 memes dedicated just for our loser!! In celebration of FINALLY getting screentime with our other favorite loser

I love him sm, you dont even know. I didnt even know this man before reading ur fic. Ive never read the ror manga before, yet ive fallen in love w ur version of him cuz u just made him soooo 💙💙 (and it also helped that hes also mad hot in every picture ive seen of him ahdajsdas) idk how to express what i feel in a coherent manner bro 😭 hes probably my top 3, top 4 if beelie starts warming up to me again but it would still be a VERY small gap. He is such bbg husband-material. 

Sorry for yapping with each ask. I just feel like if i smash my thoughts into one ask, i feel like i wont make sense IYKWIM, i just have so many things to gush abt in ur fic everytime i come back and i need to thank u for making it, queenn 💙. Gl to ur finals!!

THE ONE WHERE THEY FALL OVER 😭😭😭😭

THEY'RE SUCH LOSERS I LOVE IT

and about that first one.... i'm guessing the target is anthonius right???? ohhhhh dude you have no idea how true that first meme is gonna become later on hehehehehehe

[mtvjedi]

can i complain about gladiator 2. i’m gonna!!!! here is your official spoiler warning!!!!!

i knew frankly nothing of the plot before i went to see it i ONLY saw it because of pedro pascal and paul mescal (and denzel) so in that sense it was a good movie. in all other senses it was…………. well……….. a movie. why was lucius beat for beat maximus from the original movie but written worse. birthright stolen from him, wife murdered by the roman army, forced into being a gladiator due to the whims of powerful men, eventually becomes Thee leader of the gladiators, overthrows the current emperors/government/etc. except we have the added “plot twist” of him being maximus’ son AND marcus aurelius’ grandson. double nepo baby. i say plot twist because it was obvious to probably literally everyone who knows even a tiny bit about the original movie.

it is very obvious that they cut basically everything important from the plot because nothing connects. the ONLY plot line that has any kind of follow through is denzel’s so no shock he was the best part of the movie. side note i knew once they cast him that he wasn’t going to be playing some silly goofy mentor character so him turning out to be more important wasn’t surprising but his true motivations were and, again, the only coherent plot line in the movie. he was a slave, he bought his freedom, he got rich, and he did what he had to do to get his revenge. his and paul mescal’s relationship was the most interesting one because you were a slave but now you’re buying slaves and potentially sending them to their gruesome bloody deaths in the hopes that someday one might be powerful enough to help you overthrow the emperors??? did you KNOW paul mescal was lucius when you found him or was that simply pure dumb luck???? “the dream of rome is dead” ???? great continuation of the first movie because truly like what was supposed to happen post russell crowe killing joaquin phoenix and then immediately dying. who was in charge after that. side note: why were there like. full scenes from gladiator in there as flashbacks.

pedro pascal was like. kind of exactly the character i expected him to be. but again it feels like there’s MORE that they could have done with him. i understand why he had to die and it WAS interesting to pit him against paul mescal in the arena and then have the praetorian guard actually kill him to show how the emperors were losing control of the people, enter denzel, but. idk it felt like there was something missing from his character. i was actually convinced that the guy who put young lucius on the horse and sent him away would turn around and be pedro pascal and that would’ve been like an interesting little i saved your life please show me mercy here’s how i connect to the story besides being your stepdad type thing but here we are i guess.

poor paul mescal, truly. i thought he was as good as he could be with what he was given. his whole character just felt disjointed. like, it makes sense up until he’s revealed to be lucius. captured from his home, forced to watch his wife and eventually his friend/mentor die in front of him as a direct result of the roman empire, forced into slavery, doesn’t want to kill other slaves but eventually has to because he, like denzel, has an axe to grind with rome. but then he actually gets to rome and appears to not remember anything about who he really is, his mom figures it out in 0.2 seconds, and he suddenly remembers everything? had he ever even forgotten it? if he hadn’t forgotten, what was his plan back in his city? did he really love his wife? if he had forgotten, how does he remember everything so quickly? why does he hate his mom if he was 12 when she sent him away, aka old enough to understand what was happening? like, him in the first half and him in the second half are completely different characters and there’s not much of a bridge to connect them. there’s no explanation. honestly i kinda thought the real plot twist was gonna be that he actually was just some random kid and not actually lucius. like he just Becomes this character at the end without any real growth!!! he forgets about his wife and his friend! he has the chance to kill pedro pascal but he just……… doesn’t, for whatever reason. i kinda thought he was gonna die at the end because there had been so many little flashback moments to his wife crossing into the afterlife like russell crowe walking in the field to his wife and kid but i was gonna be really pissed if he died because then it’s just like exactly the same as the first movie where like who’s gonna lead??? you’re gonna be in the exact same spot in 20 years again!!!!!

idk it was just so long but nothing like. happened. it’s like a half baked gladiator remake but there’s so much CONTENT missing. overall, cheesy, the “dream of rome is dead, but we can rebuild it for all of us” or whatever thing was a little heavy handed, 10/10 for denzel washington, fun to watch if you don’t wanna think about the plot, pedro pascal and paul mescal as beautiful as expected.

[wewillbeseen-butnotbeheard]

thank you. (again) i appreciate the advice very much so, and this is probably a lot to unpack amongst other things; so i have a fair amount of things that i should probably sit on for a while. not like i didn’t already but regardless

i think that a lot, if not all of what you said are valid observations and/or true. so let me elaborate

“I guess the core question, if you want to finally hash out your feelings on this one way or another, is: why are you so afraid of calling yourself a fox? Or at least, why are you so determined that that can't be the case?”

i actually spent a while calling myself a fox not long ago. i ENJOYED it, it feels good to say, sure, but it just felt like too much of an empty statement when my own actions (or anything really) don’t back up that statement. it’s like i don’t have “proof”. i can technically call myself anything; but the affirmation carries dubious meaning when that’s all there is to it. “i am (x)”. it’s there though, and i would know because the feeling is a lot more prominent when i’ve been called it by others in the past

may i add that i don’t really live in a situation where i can openly express something like that in real life. i still get occasionally taunted from the time i was openly a furry (4/6 years ago) and i don’t think it’s something people around me would ever take well.

but to answer your question. i suffer from holding the “it isn’t something that would happen to me” mentality (if that makes sense). i seem to hold that idea a lot, even outside of this context. there is a very real and recognisable mental wall that i have constructed that separates me from the concept of “being something else”. i’m not sure why or how that became a thing at all, other than the way i try to perceive these concepts (from an “outside view”) but it’s just the way i end up thinking for some reason. it feels slightly irrational, especially considering everything else, but it’s not something i actively mean to do

even when i do try to entertain it, i think i have a predetermined belief that my own “being” of these things is somehow inherently less than others. that in particular probably comes from a lack of emotional permanence. imposter syndrome? i don’t know

nevertheless i genuinely can not thank you enough for taking a moment to understand. the advice is useful, and i value it. and don’t worry about overstepping; i can assure that you didn’t. i hope (once again) that this was worded coherently enough to be understood

i don’t think my words hold much value to people like you, and i don’t think you would be willing to listen or take it to heart, but it’s still worth trying. i would like you to realise that you are human in every way. you are not an animal, you are not a dragon. (you probably already know this. maybe you’re in denial. i don’t know) either way, none of you would actually be willing to give it even a second of thought because you’re insecure about yourself, and you’re insecure because you know you’re human. i assure you that you will not reach full personal contentment until you live out your life without pretending to be a mythical creature. wtv have a good day

Ooh, I haven’t gotten one of these asks in a few years.

So I ask this, and every other question I will follow up with, completely genuinely, and if you’re willing to really get into the weeds discussing it I’d love to do so (though I’ll probably reblog any follow-ups to my other blog): why do you think you know me and my experiences better than I do?

Why do you think you can armchair diagnose me with insecurity? What evidence do you actually have for that, besides the fact that I’m nonhuman? What evidence do you have that I’m not already content and fulfilled in my life?

Is it possible that identifying as nonhuman is unrelated to those things entirely, and you’re making a false assumption?

I get it. It looks crazy, when you’re completely new to the concept. It’s weird - it is! But pause and listen to us when we talk about our experiences for a moment.

For many of us, myself included, finding nonhumanity is a moment of suddenly understanding - of pieces falling into place, of my life experiences suddenly making sense. Awakening is something that made me more content and fulfilled, not less - there’s a sadness in it sometimes, yes, but so too is there the comfort of understanding yourself in a new way, of realizing, oh. I’m not just weird. There’s not something wrong with me. There are other people like me.

(If this sounds a lot like the experience of figuring out you’re queer, there’s a reason for that.)

To use myself as an example of the flaws in your hypothesis: there’s… honestly not much dissatisfaction with my life right now. I’ve got a stable job with decent income. I’d like to be able to cut back my hours a bit, but that will come in time. I’ve got enough free time as it is to do my art and play my tabletop games with friends in my off time. I’ve got family and friends around me. Sure, I miss my wings, but I’m hoping to pick up powered paragliding in the near future and hoping that’ll scratch that itch at least somewhat. I’m doing pretty well, honestly. This isn’t the case for all otherkin, but it’s not the case for all orthohumans (people who aren’t alterhuman in any way) either. What it does indicate, however, is that your hypothesis that being otherkin inherently means you’re insecure and unhappy with your life is false, or at minimum flawed - if it were true, I wouldn’t exist.

So, I ask again: why do you think you understand my own experiences better than I do? And moreover, why does it bother you so much that I am the way I am?

The name for the thing you’re doing here, intentionally or not, is concern trolling - trying to push me out of an identity by professing concern for problems that don’t exist. Why? Why are you going out of your way to tell other people they’re wrong about their own identity? Why is your reaction, when you see an identity you don’t understand, to decide it’s unhealthy, or just make-believe, or whatever, and then to make that the problem of the people who identify that way? What exactly makes you think this is inherently unhealthy?

Would it not be better to devote that energy to trying to understand us, instead of trying to change us?

You don’t have to answer these questions to me, obviously, but I do encourage you to answer them to yourself at least. Pick apart your worldview for a minute and see if it actually holds up under scrutiny - it’s good for you, and mental enrichment to boot! If you are willing to really get into the weeds of this discussion with me, again, I’d love to do that - I love having discussions like this, and it’s good for me to have my worldview challenged every so often too! Please, genuinely, pick at the flaws in my logic if you see them - if it can be pulled apart under scrutiny, it needs to be pulled apart and rebuilt. No one on the internet is obligated to let a stranger do that, obviously, but personally I enjoy it - it’s a meat pumpkin for me - so let’s talk, if you’re up for it. It’s been a hot minute since I’ve gotten a good interesting antikin to debate with.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[ganondoodle]

okay i typed this in a reply but i need to say this more detailed here too, the way totk dealt with horses (and stables) is bad and worse than botw imo (yes i can rant about that too, these weird choices are in every little spot in totk, its almost impressive)

in a game that lets you build cars and stupid flying maschines, towers that shoot you into the stratosphere AND teleporting points all over the place, the chance is already low that you use a horse- though i would be one of them bc i love horses and hate building and didnt find it fun at all-

(also i almost never used any parts i had with me bc you cant put them back and your dumb vehicles despawn as soon as you dont look at them- also a negative thing about that system that reinforces the feeling of actually using it being more punishing than rewarding with the added bonus of the good ol saving your health potions forever problem)

-and something i DID like was that you can have more horses and the ... one.. new color (the lil spots but only AFTER you do that one quest in the spy post)

the stable points seemed like a neat idea, but like so many things, are utterly cheatable, imo the system should have only given you a point when you visit a new stable, so you actually have to go around and visit them all

(also .. add new stables, like mini ones or sth that dont offer beds- you dont need that anyway- so you have more places in which you can get them ... why did they remove some of them anyway, shouldn there be MORE now that the land is supposedly healing/being repaired? especially the one next to the big canyon, its so empty there it would have the perfect place for sth like a new settlement or a big boss arena but no its more empty than it was before, why?? and then putting yet another repeating annoying quest there in that weirld empty place?? i just dont get it)

letting you farm points by sleeping at a stable or bringing in a horse gives you LESS incentive to actually go around the world bc you can just farm it there

(and if that was done so youd 'discover' the malanya talks to you in your sleep 'secret' ... that is literally told to you, and if its bc you dont want to force players to go around and find every stable to get all those rewards ... why do you have 140 or whatver caves then with the majority of them being the literal same thing over and over ... to make people actually use the sleeping thing there? .. why, who uses that anyway, and farming points by sleeping there .. what the hell does that add? AND THEN the stupid sleep over tickets, probably the most nothign reward ever, dont count?? i dont think i ever used one- it just all doesnt make any sense, everything plays against each other)

the upgrading system for your horse is .. once again, a neat idea horribly executed, you have to go find malanya to upgrade them, and similarly stupidly like the fairies, they only tell you what food you need for what upgrade when you are there .. or when you are sleeping in the special tm bed at a stable, randomly, one food, bc the quantity changes too

which is just so ??????????? let me go and do a quest that rewards you with a lil booklet in which you can look up what an upgrade costs, or let the stables have that, either as a list or in the menu when selecting a horse or something?? (also why the hell is malanya in a different spot anyway, like, it feels like a modder just plopped them over there, their og spot is just empty now - except for yet again a stupid filler quest for .. another big horse and a yaaaaaaaaays crystal shrine quest- ... the spot is even still called spring of the horse god .... its so stupid, just like the fairy shuffling around, like you really couldnt think of a better way to reuse that concept other than to ... move it to a different spot in the same map and map level???? and not change anything in their og spot except idk, put a hole in the map ... for one of them like .. its like they moved them around last minute just to have the semblance of things being 'changed' with no regard what makes a change actually feel like one and what just feels like, pick up thing, click on random spot on map, drop thing- its like that for the fairies and shrines too, its so dumb and .. feels disrepectful to botw and how much thought seemed to have went into these spots that were clearly built about those things)

and like it couldnt get WORSE, they cut off the paths that horses follow automatically with one of those miasma buttholes (sorry its just a hole cut into the map, it doesnt even look like miasma burst through, it just .. cut out) a monster camp (that RESPAWNS, i thought those camps you clear with a quest would stay clear, but that would make sense, so of course it respawns and you can do the frame rate killer quest over and over yippieee) or otherwise like, with a big rock or a broken bridge-

and there is NO WAY to create a new path or fix or move anything in a game ABOUT BUILDING supposedly, like you needed more reasons to never use a horse????? i liked jsut hopping on and letting them follow a path and chill looking at the landscape, you cant do this here, and you cant even excuse it with 'its bc of the theme' as in, stuff is destroyed bc calamity 1.5 or whatever bc nothing in the game makes it feel like theres anything actually at stake, but the real crime is to make it not be fixable. WHY??? link moves entire buildings with ease but cant move one freaking rock that fell into a river?????? you swing around logs like a club but cant fix a bridge so your horse can get over it??????????????????????????????

[calebs-hangout-corner]

Me: EAH has a bunch of plotholes and retcons, I don't have to believe everything canon tells me because it gets things wrong or just flatout contradicts itself at times and it is no use getting hung up on small details that ultimately don't matter in the grand scheme of the story.

Also me: [Trying to come up with a way to explain the whole "the Evil Queen stole the Dark Fairy's destiny" detail]

[gayvecchio]

[funnyjokespunperson]

kbms with we'll never have sex - leith ross is something so. personal to me.

cause ... like ..

i dunno ....

I DUNNO... autonomy is something that's so so valued for both of their characters' stories (that is another essay in itself and not for this post) and a song about "you'll love me and be by my side even if we never do anything of this sort" is ... so .. them ..

there's a level of respect on both sides, there's that choice they are consistently giving one another — kabru giving mithrun chances to find something he wants, mithrun giving kabru chances to act on his his own wants for once. there's a level of trust there — kabru wanting to feed mithrun a dish his Mother used to make, the intimacy of a meal you yourself can hardly remember shared with another. mithrun allowing kabru to dictate what they do despite it going directly against his own, only strong desire.

there's a level of care there that is not going anywhere, whether or not either of them acknowledge why or what it even is.

... i dunno maybe im crazy. this post could have been just the first sentence and the screenshot of the meaning. but i wanted to TALK

[media-illiterate]

Fallout 4 Alternate Timeline

Because @datura-tea asked about my tags on this post, and I already have it sitting in my wips folder, I thought I'd post my alternate timeline of events for Fallout 4! It always bothered me that the Commonwealth is still so underdeveloped while the West Coast has trains and a working electical grid. So I tried to come up with a coherent narrative of how it could have backslid into its current state.

Timeline under the readmore because it is, not short.

2077: The Great War occurs. The surviving students and faculty of CIT take refuge in the institute’s underground particle-physics labs, locking the rest of the wasteland out. They live in fear of being discovered by other survivors and raided for their tech, making them paranoid and isolationist.

2097: Building on prewar research, CIT survivors complete development of their Mass Relay teleportation device. Dubbing themselves simply as The Institute, they fully wall themselves off from the surface world and embark on an ambitious plan of underground expansion, scavenging what they need from the surface.

2131: The Institute develops gen-1 synths to act as surface operatives, mostly removing the need for Institute personnel to go to the surface. Now mostly insulated from violence, the Institute much more callous and combative towards surface dwellers.

2163: The Institute isolates samples of FEV from the air, and begins a program of carefully controlled mutation. The resulting supermutants are found lacking, and the program is put on hold.

2176: The Commonwealth People's Government is formed from several prominent settlements. The new nation takes steps to protect its people from the Institute’s aggressive scavenging methods, earning its ire. Though the institute takes steps to try and destabilize the CPG, their new gen-2 synths prove insufficient for the task.

2177: Reactivating their FEV program, the Institute begin producing supermutants from kidnapped wastelanders and releasing them into the commonwealth with the intent to destabilize the CPG. Through careful false-flag attacks using disguised synths, they manage to spark a state of war between the mutants and surface humans that will last for more than a century.

2180: The newly formed Commonwealth Minutemen, a volunteer citizen’s militia created by the CPG, help drive off the initial wave of supermutants from central Boston.

2180-2224: Tensions between the Institute and CPG continue to escalate. Though the efforts of the Institute’s FEV project hampers the young nation’s expansion, the supermutants are too disorganized and scattered to topple the government. Faced with an increasingly cohesive and rapidly developing CPG, the Institute begins work on its Gen-3 synth infiltrator project.

2225: The Institute discovers information on Vault 111. Preparations are made for an expedition to recover a pristine pre-war genetic code from one of the pre-war vault dwellers in cryostasis.

2227: The part where they murder your spouse and steal your kid happens.

2229: An early model synth infiltrator "malfunctions" in downtown Diamond city, exposing the existence of Gen-3 synths to the world. The cause of the malfunction is never found, though escaped synths often claim that it was an intentional suicide-by-cop.

2230: Realizing the security threat posed by the new Gen-3 synths, mid-ranking members of the CPG's nascent spy corps founds the town of Covenant over top of an abandoned tunnel network. Posing as a new settlement, almost no one outside the project know its true purpose: the town is actually a front for researching a method to discern humans from Gen-3 synths.

2233: The Institute begins its infiltration of the CPG using upgraded Gen-3 synths, killing & replacing key individuals at all levels of power. Though paranoia about synths continues to build, most fail to anticipate just how far the tech has advanced.

2235: The Institute finalizes development of an advanced model of Gen-4 synth, dubbed Coursers. Incorporating FEV and cybernetic enhancements, Coursers form an elite corps of assassins that eliminate anyone who learns about the Institute’s plans.

(Side note: I think coursers should have been so much weirder)

2237: Having completed their infiltration of the CPG, the Institute kicks off their plan to topple the CPG.

August 4: The Executive Chair of the CPG council, Robert Gray, is assassinated by his secretary in broad daylight. During the assassination and subsequent arrest, the secretary loudly declares that the Chair has been replaced by an Institute Synth.

August 12: Scandal breaks out as evidence of massive financial corruption is leaked to the public. Protests occur across the commonwealth as the full scope becomes clear.

August 26: A special election is held, and voters elect minister of transportation Patricia Weiss as Chair. She delivers a hawkish election speech warning the Institute to back down.

September 10: A portion of the CPG stages a coup, using claims of mass election fraud as justification amid mass public unrest. They capture most of the CPG council members, and declare them traitors to the people of the commonwealth. Weiss escapes and sets up a government-in-exile out of Quincy with the remaining CPG military. She issues a two week ultimatum to the coup’s leaders, demanding that they release the counselors and surrender.

September 20: Before the date of the ultimatum passes, the CPG council is executed via mass firing squad in the CPG council chambers. Public dissent boils over into active civil war. The Minutemen quickly declare neutrality, but their attempts to protect outlying settlements are hampered by the widespread violence and lack of volunteers.

October 30: Under the guise of a ceasefire negotiation, the coup regime arrests Weiss. She is put through a kangaroo court and hanged as a synth infiltrator, to the shock of the public.

November: Multiple settlements withdraw from the CPG as the violence escalates, Bunker Hill and Goodneighbor first among them. The CPG civil war begins to peter out as both sides lose support, and numerous CPG military units defect to become raiders in search of pay.

December: Loyalist forces gain the upper hand, begin a reign of terror style purge of the remaining CPG officials, and declare the coup defeated. Weakened by the withdrawal of numerous settlements in reaction to the violence of the purge, the Loyalist government promptly collapses. Remnants of the rebel CPG forces attempt to declare a new government out of University Point, but fail to attract any major settlements.

2238: The CPG totally collapses. The remnants of its military forces, both loyalist and rebel, defect to the gunners en masse; many, disillusioned with military life, become raiders. Only the Minutemen command staff, operating out of Fort Independence, remain cohesive.

The collapse of the CPG ushers in an era of violence lasting decades as raider warlords exploit the chaos to carve the Commonwealth up into bandit fiefdoms.

Rumors begin to circulate that several of the key players of the CPG’s collapse were secretly synths. In truth, the entire chain of events was planned to a T, and leaders on all sides had been replaced. Only the Minutemen were overlooked, being seen by the Institute as just ragtag volunteers.

Several synth infiltrators defect from the Institute, seeking a way to free themselves and their peers. The organization they found will eventually grow into the Railroad.

Covenant, its secrecy miraculously intact, becomes radicalized by the fall of the CPG. Their methods become more desperate and more barbaric as time goes on.

2240's: The Minutemen begin rebuilding support for the CPG among the populace, striking back against the raider warlords and defending settlements from their depredations.

2250: Supermutant attacks increase sharply as the Institute releases more and more mutants onto the surface in an attempt to stop the Minutemen from reforming the CPG.

2274: After weathering two decades of freaquent supermutant attacks, Fort Independence finally falls at the hand of a mirelurk queen; unknown to anyone on the surface, this was the work of the Institute, who used their advanced signals technology to drive the creature into a frenzy.

2282: General Becker dies, leaving the Minutemen leaderless. The militia quickly declines, becoming disorganized and factional; raiders quickly exploit the chaos.

2285: Disgusted by his role in the Institute’s FEV program, Doctor Brian Virgil sabotages the program, mutates himself, and escapes into the glowing sea with the accumulated research. Distraught by the sudden lack of new reinforcements, the commonwealth mutants face an extinction crisis. Many begin to question their way of life, among them a mutant named Strong.

2288: The Sole Survivor wakes up.

[chaoticsorceress]

I'm still kind of sort of upset over the lack of dialogue/reactions from anyone nearing the end of act 2 and pretty much the whole of act 3.

Like after the Gith ambush you on the road to Baldur's gate I feel like I'm shaking Gale to just talk to me about what happened as well or say something ANYTHING. LIKE YOU CAN ALSO TALK TO LAE'ZEL ABOUT IT IN FRONT OF ME PLEASE?!??!

No one really has anything to say when the Emperor can reveal that he was behind Stelmane's death and failing health. WYLL?!? HELLO???? It just doesn't make sense to me. Even if the Emperor had only revealed it to your Tav WHY wouldn't you then go over and just tell everyone in camp about it??? I wanted an option to at least tell Wyll about it since he looked up to Stelmane as a kid.

Also WHY can't I confide in anyone about the Emperor or just talk about it. I feel like Gale and Halsin would both offer some good advice on if I should trust this mindflayer or not. Gale's talk about Raphael in Act 1 was so good and I expected more conversations with him about who we should put our trust in as the game progresses. It would have been interesting to see his opinions on the Emperor after the mindflayer reveal.

Gale can also disprove of you agreeing to play along with Haarlep but the fact that he stays silent EVEN WHEN YOU'RE IN A ROMANCE WITH HIM??? He's not silent at all if you decide to cheat on him with Mizora.

[mayashesfly]

When the RadioStatic obsession brainrot is so strong that you start overanalyzing every single frame in Stayed Gone and comparing it to the other duet Alastor had which is Hell's Greatest Dad so you could understand the similarities and differences between the two of them and how the visuals accentuate and allude to the idea that Alastor isn't taking his duet with Vox as seriously as with Lucifer based on the way the visuals was framed amongst other things.

The visuals is genuinely fascinating and leads to itself as to why we see Alastor's dynamic with Vox as different to Lucifer by the different ways they were framed against each other thanks to everyone who worked on Hazbin Hotel.

[frankenjoly]

Something something Kyoka and Fukuzawa both being autistic + that moment when the police officer is like "yeah they're So Alike" in that scene where Fukuzawa says she's his granddaughter something something