#it’s one of the few where he’s a main character

[justatypicalwizard]

Katsuki doesn't believe in love at first sight

Katsuki never believed in love at first sight. How could someone meet eyes and feel as if a thunder ruptured down from the skies and struck them? To love someone means to accept every part of them and to be able to incorporate them into your everyday life. It means building a brand new everyday with that person.

In order to do so you need to know a lot about them. Who they are, what are their plans for the future, what is their character and so on. Then you need to see if you are compatible in many spheres. You need to invite them to your friends group to see if it’ll hit off, you should try living together, they need to get to know your parents.

There are simply so many things to check off the list in order to be able to say you love someone. Otherwise it’s just empty words. I love you here and there. I love you for a week. I love you when you do as I please. Bullshit.

Mina constantly pestered Katsuki that his definition of love feels more like a chore or a job interview than like something a human would be able to accomplish. It wasn’t his fault he had some standards everyone else seemed to lack.

So even now Katsuki doesn’t like to admit that he fell in love at first sight, because it wasn’t the first time when he looked at you.

A quiet ping of his phone tore him out of his work. A new message from someone he didn’t recognise. Without much thought he opened the text.

[Hi, you may not know me but we go to the same lecture on Wednesday at 1 PM. I heard you have neat notes and wanted to ask if it wouldn’t be a problem if you send me today’s ones. I  got sick and couldn’t come and I wouldn’t want to fall behind with the material. Thanks!]

Geez, was there a longer way to type it? Couldn’t you just write: can you give me notes? On the other hand he always complained about people being douchebags.

Clicking onto your profile Katsuki saw a cheesy photo and a few posts from your daily life and vacations. Nothing much to be honest. Yet, he could vaguely remember your face around the people who entered the lecture hall. It won’t hurt to help.

[Sure]

[File attached]

Pushing his phone to the far end of his desk he went back to work. A few minutes later there was another quiet ding and this time Katsuki felt irritation bubbling inside him. It was you once again.

[Thank you so much!]

[I owe you]

[If you ever need anything feel free to write]

Whatever.

It only took a week for Katsuki to be indeed looking for help from someone. Once in a while, during his hero training, he was forced to pair up with someone in order to work on his rescue skills. Usually they’d use dummies but some fucktard in the course planning team decided that it would be most helpful if the students could train with a real human.

Normally Katsuki would ask Mina. He’d swallow his pride and force himself to listen to her babbling for two hours. Just to get it done. Unfortunately, Mina dumped him today, leaving only a [sorry, not feeling well, find someone else]. Damned flu season.

Who was he supposed to ask now, Denki?

As he scrolled down his chats, your profile pic flew by making Katsuki halt.

If you ever need anything feel free to write.

Screw it, you said it yourself, might as well find a person already and move on with his day. He typed a quick explanation and pushed the send button. The day was nearing the afternoon when you responded.

[Sure, if it’s two hours I can make it. Send me when and where I should be]

He shrugged and gave you the address for today's training.

In the early evening Katsuki found himself trotting towards his usual fighting ground absentmindedly. He was thinking about something related to work at Miruko’s when the idea flew out of his head. You were there, he could see you from afar, walking in circles in front of the main door.

Were you an idiot? It was the middle of winter and the early evening cold tore through layers of warm coats to sink into your bones. Why weren’t you entering the building to warm up a bit.

That’s why Katsuki is so stubborn about the whole love at first sight thing. It certainly wasn’t that exact moment when his heart skipped a beat because of you. You were shivering, hiding your chin and red tinted cheeks deeper into the collar of your winter coat. When you spotted him you reached out a gloved hand and waved.

“What the fuck are you doing outside, get in there or you’ll catch another cold.” He persisted, ushering you towards the entrance.

“Wow, good evening to you too.” You looked at him from under your woollen hat, surprised to get yelled at first thing you see him. Though, you did hear the upcoming pro-hero Dynamite, who went to the same lecture as you, was rather intense. “I don’t know, this place just looks fancy. Didn’t want to stand inside like a dumbass not knowing where to go.”

“So you stood outside like a dumbass not knowing where to go.”

“Exactly.”

He let you in and showed you around. After leaving your coat and getting a warm tea (his idea), you were ready to help with his training. The support students and university staff running around asked you to take off any unnecessary piece of clothing such as jewellery or sweaters that could get in the way. You gladly went through with their instructions.

You b-lined another student, a senior support course, who showed you the place where you’d be waiting to be rescued. The spacious arena was moulded into the shape of a city. Some buildings were fine, others rundown as if a villain attack rolled over them. There were paveways and roads, streetlamps and plastic trees. You even spotted a car, though it didn’t look like it could take off anytime soon. 

“It will look the same over and over. You sit or lie down in the place where I leave you and wait for your hero.” Your guide briefed the rules. “And every time pick out a different scenario and tie the band in the place that is put on it.” He handed you a dozen of ribbons with small notes attached to them. The first one you grabbed read: broken arm (tie around elbow).

“Sure.” You nodded your head and he left you on the second floor of a wannabe office building. There were a few chairs scattered around and a table that had a weird bite mark on it. You obediently wrapped the band around your arm and sat down on the floor, waiting.

You wondered how it’ll be, to get fake rescued. You were never in such a situation, always watching the villains from the comfort of your TV rather than first hand. What was Dynamite’s quirk? Suddenly you felt stupid for not knowing. On the other hand, you were never up to date with new heroes and all the popularity polls or colourful magazines. Guess you’d just have to wait and see.

Katsuki didn’t leave you for long. You were counting the pieces of shattered glass beneath your feet when a series of explosions passed beside the building. The small pieces you were meticulously adding shook and you let out a squeak when something heavy hit the wall behind you.

“Shut up, it's me.” Craning your neck, you saw Dynamite’s face, upside down, looking at you. He was halfway through the window. “What have you got?”

“God, you scared me.” You chuckled but quickly shut your mouth. The guide asked you to play the best victim you can. Victims shouldn’t laugh.

Dynamite hopped in front of you and crouched to read the note attached to your elbow. He mumbled something in the lines of fucking scenario and looked you straight in the eye.

“I’m gonna get you out of here.”

There wasn’t anything dramatic going on, it was even quiet outside save for a few shouts here and there. Yet, there was just something in a bulked man looking at you and promising you protection, one secured by his own arms. You felt like the guy from the firefighters video.

You couldn’t stop the giggle at the thought.

“What the fuck are you laughing at?” Dynamite spat.

“Nothing, nothing.” You shook your hands in front of your still laughing face. “Oh shit, this one’s supposed to be broken. Okay, just save me already.” You really fought with the snicker but the cheesiness and awkwardness of the whole situation had you in a chokehold.

“Whatever.” The hero sighed, visibly annoyed, and scooped you into his hands like a sack of potatoes. “I’ll need you to wrap your legs around me. Push the broken arm into my chest and use your healthy one to hold onto me.”

You did as instructed and glued yourself to him as tight as you could. He still held you with one of his arms and just when you started to wonder how the two of you would get down from the second floor he jumped out of the window.

A scream escaped your lips but it was muffled by a loud explosion.

For the next two hours you flew through the air in Dynamite’s hands over and over again. He held you in different ways, depending on your supposed injury, but every time you landed into the safe zone, you realised you were the first or nearly the first. That guy was quick like hell.

The last scenario rolled over and it was a panic attack. You were supposed to be physically fine but otherwise unresponsive and difficult to work with due to your shock. Dynamite tried to take extra steps to calm you down, speaking about how he’ll take you to safety and how it will all be over in a second. It looked like he was having a hard time.

“I need to touch you to take you somewhere safe.” He said, wrapping one of his hands around you.

When you were both at the safe zone, with cardboard paramedics to take care of you, Dynamite did something different. Instead of leaving you in the place where the group of injured would grow, he carried you straight to the ambulance.

“She has a panic attack.” He said to the empty fake vehicle and you just couldn’t take any more of it. You erupted in a fit of laughter. Your body shook in his hands and you gripped the X on his uniform to steady yourself. “What the fuck?”

“I’m sorry, I’m sorry!” You tried to explain but the laughter squeezed your throat. “I’m a shitty actor.”

“I see that.” Dynamite grumbled.

“Do you really need to talk to cardboard people and empty vehicles for two hours every week?” You asked, wiping a tear from your cheek.

“Is it really that fucking funny?”

“No, no! I get it.” You finally calmed down, letting go of the front of his costume. “It’s not that funny, maybe a bit but not that much. I think I’m just in a good mood.” You shrug your shoulders. “It was fun, flying with you, like a free rollercoaster ride.” You gave him a big, big smile. A big genuine smile. A big, genuine, lovely smile, with your eyes closed and teeth out and cheeks tinted pink.

People are stupid. That’s what Katsuki thinks. It’s not love at first sight. It’s love because of a single sight.

Even though Katsuki came to some fundamental conclusions in the topic of love he would get all defensive and intense when he was asked about how the two of you met. It would sound way better if he could say the two of you met, then started to talk more, then went on a date and agreed to meet each other and so on. He just felt so stupid, so awkward and silly when he had to admit that all it took for you was a single smile to make his heart skip a beat.

The worst part? It felt a little pathetic honestly, as if people never smiled at him, but truthly they didn’t, not like that. Not like you.

Katsuki still doesn’t believe in love at first sight. Yet, every other piece of his meticulously calculated equation of love was torn down and rewritten, all of which he gladly took.

[cosmerelists]

Renarin Ranks Starting Places For New Readers of the Cosmere Series

"Renarin ranks something" requested by @themoonstonechronicler :)

Fans often argue about where new readers should start in the Cosmere: which book is the best starting place? In this list, Renarin will rank various options. Because if any character can break the fourth wall, it's either Hoid (of course) or Renarin with his funky corrupted Future Sight.

[Contains Stormlight Spoilers through Rhythm of War!]

1. Way of Kings

"Starting with Way of Kings is like jumping into a 4 versus 1 Shardblade duel armed with a sword that screams when you touch it after a lifetime of not really being allowed to train in real combat scenarios due to your blood weakness. Will you be in over your head? Yes. Might the experience harm you? Very possibly. Will Kaladin's presence save you? Absolutely. Is it a bad idea? Objectively yes. BUT does this choice make you inherently cool? I think so. At least, I have no regrets."

...

"Make that very few regrets."

"I give this an 8/10."

2. Elantris

"Listen...I get it. You want to start from the beginning. Proceed chronologically. I think my cousin Jasnah would be inclined toward this. But speaking as a 'funky time guy,' as Adolin called me once, I have to say that the past doesn't necessarily predict the future and uh...this one just might be a little tough to start with. In my opinion."

"4/10."

3. Tress of the Emerald Sea

"I think...I think I like Wit. Mostly. There was that one time he tried to make everyone think I was hooking up with, like, multiple women at once, which was...weird. But he also made fun of me. Which does not sound good, but it meant he respected me in a Wit way. In any event, this book is like sitting and listening to Wit for hours. Is it good if that is the first thing you ever do? Maybe? The little rat is cute."

"9/10."

4. Yumi and the Nightmare Painter

"This one is Wit too. Just to get that out of the way. And I think it might be a little bit confusing for a first-time reader since it is clearly being told to a Rosharan, which is not something a new reader would understand."

"But on the other hand, it is maybe...refreshing to have a main character who hasn't yet realized what he's good at, and another main character who hasn't yet realized that not all aspects of her religion should restrict her as much as they do."

"So a confusing place to start, but not necessarily a bad one."

"6/10."

5. The Emperor's Soul

"This one is short! That might be good for someone who is looking for less of a commitment. Plus, it involves a lot of research into how things work, if that appeals to you. But I think the real benefit is that if someone is reading it to you, it would probably only take a few hours."

"10/10."

6. The Sunlit Man

"This book is like seeing into the future, since it is literally about the future. It's also very painful. Which, in my experience, the future often is. The future can be changed...but not in this case, because now it's written down. So I would say: start here at your own risk. On the other hand, it will probably seem less sad if you read it without any backstory. But it will make other things sadder later, trust me."

"3/10."

7. White Sand

"This one can be good if you're a man, since there are a lot of pictures. There are also a lot of words, of course, but if you're just starting out on the reading thing, then having the pictures would help a lot I'd imagine."

"6/10."

8. Warbreaker

"Speaking as someone who...well, I can't say that I deliberately make dramatic reveals, but I have been known to do things like scrawl warnings on a wall or appear suddenly from the shadows or, you know, stuff like that. So I might actually recommend reading this before you read our books, just so you can have those, 'Wait, it's YOU!' moments over and over again."

"Seriously, why did so many of those characters end up in our series?"

"I'm not answering the question, though. This one is standalone, and not too long, yet still manages to have a pretty big cast of characters and a bunch of storylines. It is like Sanderson training."

"8/10."

9. The Final Empire

"This is what everyone always tells you to do. Sometimes it can get frustrating when everyone is SO SURE that they know what's good for you, especially your dad, who won't listen when you tell him that you don't want to become an ardent even though he thinks it's the best. And you know what? In the end, I am a fighter, but also a scholar, since men can do both now. So sometimes what people say is good, but only when it happens in the way you want it to and...I think I lost the thread. Um. You can do what people tell you that you should do IF you want to. "

"If you start here, I imagine you'll like it. Sometimes what everyone tells you to do is a good idea...but only if it's what you want too."

"9/10."

10. The Alloy of Law

"Starting with Mistborn Era 2 is like bonding a corrupt spren. It's almost what everyone agrees is a good thing to do (start with Mistborn / bond a spren), only you're going about it in a...different way. But different is not necessarily bad! Yes, I have abilities that are maybe from Odium and that give me a maybe sacrilegious ability to foretell the future...but when given the chance, I immediately recommended my best friend do the same thing."

"Being different can be good. 7/10."

[fuji-sen]

the 'evil imposter' just wants to be a baker!

Prologue: The Food turned Imposter?!

Part 6: Ginisang Ampalaya

[ part 5 ] || [ masterlist ] || [ part 7 ]

divider is made by @/saradika-graphics

"Wait!" Paimon yelped as the Pyro slime that accompanied you lunged at them, going into their ignited state. The floating fairy dodged with ease as Aether was about to bring out his sword out of its sheath.

"Don't hurt them!" You pleaded, and he hesitated, which caused the Pyro Slime to hit him in the face. "Wait Don't hurt Aether either!"

"Yeah!" Paimon nodded in agreement, but yelped in fear once again when the pyro slime turned its attention to her and glared. Who knew something as cute and small could have such a fiery gaze.

Ignoring the two smaller companions, you worriedly approached Aether who was on the ground, he was rubbing his face and wincing at his own touch. "Oh I'm so sorry Aether, he didn't mean it okay? he was just protecting me." You apologized, hands reaching to his face to find the skin dry and warm, but luckily he did not end up with any degree burns, perhaps it was the plot armor protecting the main character's face.

Luckily the blond seemed to be nice about it as he let the incident go, "'s alright, I kinda did freaked you two out." he waved his hand to dismiss your apologies.

Your eyes continued to glance at his face, soaking in his appearance and the finer details the game did not have, it did not also do justice to the other worldly beauty that is Aether "Still your face is a bit red, is it because of pyro here?"

Aether rubbed the back of his neck, embarrassed "I'm fine really. it's just . ." he glanced away from you and you flushed realized how you were invading his personal face.

Reeling back you awkwardly chuckled "so what brings you two here?" "Oh. ." Aether stood up, holding his hand out for you silently as he thought about what to say. Should he not tell you just yet so he could easily observe you while your guard wasn't up? or should he tell you now and risk you putting on a mask?

"Well. ." Paimon looked away, slowly floating closer to the duowhile eyeing the pyro slime warily who also approached it's master, you. "We just wanted to get materials and do a few quests in the area." Aether easily offered with a well practiced smile.

Bobbing your head, you didn't think too much about his lie. You had a sneaking feeling after all on why he was here. A part of you wanted to run, run from anybody that wasn't an 'enemy' or 'mob' by the games standards. But Aether was an outlander, maybe he didn't have this crazed devotion to the Creator like Jean and Lisa did.

You took his hand without complaint or any fear, were you this quick to trust people? he wondered. "Thanks!" you smiled at him and stood up with ease- but quickly faltered as something electrocuted you both. It was a tingly sensation at first, until light and golden lightning sprouted from where your two hands made contact, then it travelled, to your wrists then up your arms-

"Ack!" you yelled, shivering in fear as you stepped back, slapping his hand away. "I'm so sorry! What happened?!"

Your eyes widened as you stared something right in front of you. There, right in front of you, emitting a golden light. . was a holographic tabs you'd seen in sci-fi movies.

"What the. ."

[Color] eyes met golden ones, both wide due to shock. You two could both see it. It displayed both of your inventories-

There you could see the uniform Katheryne had given you, the only item in the Cosmetics Section, which was an entirely new section!

୭ 🧷 ✧ ˚. ᵎᵎ 🎀

You two had left the shores of the lake, far away from prying eyes as you two entered stormterror's lair. Since the hilichurls may not take kindly to Aether and Paimon you stayed at the east entrance you had used to get to the lake.

The entire walk had been silent, you and Aether having a calculating look in your faces as you tried to understand what this means for the both of you.

Deciding to just fuck it and hope he doesn't kill you, you decided to speak first, taking charge of the conversation. "Aether. . by chance, did you always have the abilities to have your own inventory space and pull out a virtual map?"

You two had also separately inspected the glowing virtual screen that displayed in front of you. "Yeah, it's something me and my sister picked up from traveling different worlds." He told you, eyes finally moving to glance at you.

That would explain it other than saying the game developers just gave it. "I see. Then, why do I have one. I may come from another world, but being here is purely accidental." You told him and watched as their jaw drops.

"You're also from another world?!"

You nodded at Paimon's question, then put a finger to your mouth to make them quiet down. "Yes." You weighed the options of whether to tell Aether about the whole world being created by a game, it would definitely destroy the residents of the world's mind, but Aether wasn't affected the laws of the world, maybe he'd be safe with this knowledge. . or does uttering it cause an event similar to what happened in the deserts due to the forbidden knowledge?

Still since Paimon was here you decided to hold off on it.

Aether frowned, did that mean you were no imposter nor the creator. That would make you a normal person stuck in a very bad situation. Still. . your voice was familiar to him, as if it was a forgotten song he was slowly remembering.

You felt familiar yet different,

new and old,

friend and stranger. .

"You are finding your sibling right." you suddenly asked, no, it was more of a statement with your tone. The way you spoke and held yourself in front of him, you knew something.

Then your face contorted into one of sadness and pain, as you told him "The journey ahead of you will be very tough Aether, you're sister was fine, but for reasons I'm not yet entirely certain about, she does not want to be found, nor does she want to leave Teyvat at the moment."

"What?!" he grabbed your shoulders, tight enough to make you wince as he desperately waited for an answer.

"She. . She is planning something with an organization, I know things but I cannot make a certain conclusion with it." She winced, the lore and story of teyvat was heavy yet she wasn't an expert, nor was she one to theorized the future and even then she had a hard time wrapping her head around the story. She didn't want to misinform Aether because she, you acknowledged that you aren't entirely sure of things anymore.

The game didn't have a creator, so what knowledge is real or false, what information has been neglected in the game that may be important here?

"At. . at least she's alive." He sighed, nearly falling to the ground from the revelation. Knowing his sister was alive was nice enough, that she was well and kicking and planning like usual. "Could you, could you let go of my shoulders now? it's starting to hurt. ."

He quickly let go "I'm sorry!"

Waving him off, you rubbed your shoulders, the pain slowly disappearing. "It's alright." you assured him, you understood why he reacted after all. This was just the cherry on the icing anyway, the future. . despite being surrounded by many people, you couldn't help but think that Aether was lonely, for he missed his sister who was always within out of reach.

"You, you know my name though, and about my sister. If you come from another world. . how do you know?"

You eyed Paimon and your pyro slime, "could you two leave us for a bit? how about you eat some fruits and pinecones." you suggested to the two with a smile. The two small companions stared at each other, and despite pouting and huffing, they obliged.

"I cannot say for now. I don't know how you'll react to it." You honestly confessed once the two were out of earshot. Would saying that he was in a world that was created to be a game destroy him? because he would realize that his and his sister's journey, separation and the loneliness was caused to be the premise of a game where he was to be controlled for entertainment. .

"However, all I can tell you, without bringing the world to destruction (with forbidden knowledge) is that I'm always on your side Aether, I have been with you since the beginning of your journey."

"beginning. . but" he clutched his head at a flurry of memories, he knew Paimon was the one there with him, ever since he fished her up. But then those memories slowed down, connecting with one another to be coherent.

"Alright, so now I have to fight the shogun to end the archon quest in Inazuma. ." there's a faint voice in the back of his head as he stood in the middle of Ei's throne room. The ashes of Signora laid on the tatami mats as the Shogun silently stood, waiting, or were they paused.

And just like usual, his body was covered in a faint golden glow, it was like he was stuck in a warm embrace as his body was being controlled. He pulled out his map, as his finger clicked on a waypoint to a domain.

"Since I got Ganyu, I should build her for the boss fight. Then I'll cook some recovery Items." A voice said, he couldn't quite tell where it came from. Because it felt like the voice was from everywhere and no where in particular, it was in his head, it was from above, then to his sides.

Suddenly he watched, while standing inside the Momiji-Dyed Court as the visages of Diluc, Xiangling and Diona appear beside him, all covered in that same glow. They two had been summoned by the voice. "Hello Traveler, it seems her divine excellency needs our assistance. Do you know who this is for?" Diluc asked, though his body could not move, he was able to speak.

"It's for Ganyu this time." Aether said as the man nodded in understanding.

"Aether!" he was pulled out of memories, finding himself on the ground with the others staring down at him worriedly. "I. . I remember."

"Remember what Aether?"

"This. . This has all happened before. But you where there, you were everywhere. Your voice, your guidance, you control us, control me as I travel to Liyue, then to Inazuma, then to Sumeru and Fontaine. But you also controlled other vision users!" he said, his voice had started off as slow and in awe but as he continued he spoke faster and quicker.

His face turned to one of awe and respect for her, because he remembered, not everything but enough to know, to know that the voice he had heard before was the same you now held. That your warmth was still there, though now withdrawn from the pains the others had caused you.

"You helped me."

"Ah. ."

Yet your face turned to a stark contrast from his own, instead of awe or happiness, you stared at him terrified.

. . .

Aether knew, he was beginning to become self-aware. You assumed he was talking about the times you controlled him to push forward the plot, to finish archon quests after archon quests. . You hoped he wouldn't utter those words, you were afraid of causing another incident similar to that of Sumeru's.

Seeing you look, he took a few deep breaths, placing his hands on top of your own as he sat up, once again your eyes met and he said softly, and with all the sincerity he had.

"Thank you."

Even though the world and time itself rewound, even if he lost all progress and has to go through all the nations again, still he can't forget about her help. Vaguely he could recall your commentary from different events, how you were silent when he died, and how you had been respectfully silent to mourn for his death. How you shouted and complained when his sister left him once more, when none of the first three archons could give him any concrete information. How you laughed when you chose to call Paimon an emergency food every now and then. How you shared his sentiments, wishing you didn't have to help everyone only for missing flyers to be your reward.

"hic. ."

You found yourself crying again, you knew the world was just a game, and you knew you only played it because of the food, and the visuals and for comfort at the beginning, but for you to get attached to the characters and the world, for you to painstakingly go through those annoying missions and dialogue, to build characters and pull for them. . .

to have Aether of all people to genuinely thank you, when he had gone through a lot of things (and he remembers) made you feel a sense of accomplishment, what you did wasn't useless. It wasn't for nothing.

Because if it were nothing, he wouldn't be thanking you, and shedding tears with you.

⟡𓌉◯𓇋₊˚⊹♡

"You guys are weird!" Paimon complained as she rubbed her swollen eyes, having shed a few tears to "Who shares a few words and suddenly bursts into tears anyways!"

You and Aether chuckled, walking once more as you offered to show him where and who you have been staying since nearly being killed by Lisa. "Make sure to not attack or scare them okay? The hilichurls are nice as long as you are too. Right?" You turned to the pyro slime who made a motion similar to that of a nod.

"I. . I see. I'll make sure to be on my best behavior." Aether said though seemingly he had begun to regret the idea when you were heading for a very huge hilichurl camp.

"Unu!" You hear someone shout, and they repeated as if spreading the word that you had returned. "Hi guys-" you said before gasping as a few hilichurls began to attack Paimon and Aether.

"What hey-!" you yelled stopping them, "Odomu, they are Odomu!" you quickly said pointing to them. "Odomu?" they hesitated, clearly suspicious of the two new comers who accompanied their God.

You nodded in confirmation, "This is Paimon, and that is Aether, whose hair you are still pulling." Huffing you approach, chiding the hilichurl who was pulling the blond's hair.

Pinching the bridge of your nose you repeated, first pointing at Paimon "Odomu Paimon. Odomu!"

"Odomu. ."

"Aether, Aether Odumu."

"Odomu. . ."

Then you smiled as they finally lowered there weapons, your hand stretched out, patting their heads like you would do for a child "Good. . Good job guys. Thank you for trying to protect me."

Despite the language barrier, seeing your soft expression, hearing your gentle voice and feeling the warmth form your touch alone. . they simpered.

"She makes Hilichurls look like docile puppies. ." Paimon couldn't help but comment as Aether silently nodded, his hand petting his frayed hair.

The hilichurls calmed down when they realized she had returned from a trip, pulling out the contents from her rucksack they slightly deflated from the lack of meat. Rolling your eyes playfully at their reactions you asked Aether for some help getting some Meat and Eggs which luckily he had in his inventory.

So as you managed to convince the Hilichurls to let you cook, you found yourself in the cooking area with Paimon, Aether and your Slime. The pyro slime returning to the dug out hole with ashes and wood.

"Oh I'll get some sticks and branches!" Paimon offered as she looked around the camp for materials to stoke the growing fire. "Anything you need help with?" Aether turned to you, realizing he was left with no tasks as Paimon and your slime were finally getting along swimmingly.

"Well can you fill the pails with water for me?"

He nodded "sure, that's easy." With the help of his map he was able to find the few ponds or rather water sources near the camp. After a couple of trips, he was now helping you wash the ingredients clean.

"So while Paimon and the Slime are busy, can you tell me what you know of this. ." you trailed off before bitterly spitting out ". . imposter and creator situation I got myself in?"

Aether begun slowly explaining while you both began preparing, he was tearing the cabbages as you were cutting the bitter gourds. "So first, there's this Divine Creator. In simpler ways to explain, they are higher than the archons, possibly Celestia. And they're considered the mother of all due to her caring and warm nature."

You nodded along, scooping out the inner contents of the bitter gourd or 'ampalaya' after having slicing the ampalayas into two. It was luckily you found wild ampalaya growing. "They think I am her or some cheap imposter then?"

"Yes, apparently imitating the Divine Creator is grounds for quick execution without trial." Aether said with a frown, one that mirrored your own. That was. . unfair. "Do they not understand a person is not born with the choice of how they look like?"

He didn't have an answer to that, whether the residents of Mondstadt were fanatic believers that didn't take the time to think about things logically or whether they were just. . dumb, well he wasn't sure. It was beyond him really, their thinking process that is.

"Anyways, Kaeya sent me here, he was a bit skeptical of how they handled the situation and quickly labelled you as an imposter. He told me how there is a prophecy, that well prophesized how an imposter, a demon or sign of catastrophe would come to Teyvat and cause disasters while wearing the face of the great Mother to smear their name and spite them."

"So me going to Teyvat when Dvalin was terrorizing the city as Mondstadt. . was just some bad timing for me. ." your frown had deepened. You were slowly becoming even more bitter as you held the knife tightly and begun to cut the ampalaya pieces into thinner slices.

"uhh" Aether wanted to get the knife away from you as you dangerously begun to cut the ampalaya in a quick and heavy pace due to your foul mood.

"so," your smile was icy "anything else I need to know about?"

"Jean, Lisa, Amber and the other knights are hunting you down since they haven't found your body in the lake. . ."

thump!

"c-can you give me the knife-?"

OMAKE

the hilichurls sadly stared at the food you had prepared for them, not much meat in sight. they even noticed you had prepared something with bitter gourds, which they knew would be very bitter.

Paimon and Aether were silently waiting as well for someone to eat first. The atmosphere was thick and they wondered if it would be rude for them to start eating now.

Meanwhile, Pyro was eating some sticks and pinecones, which burned into nothing inside their fiery stomachs. You sat near them, a smile on your face as you patiently waited for them to eat your cooking. Having noticed their eating tendencies, you realized that they ate more meat than vegetables. "Come on it tastes good, It's not going to be bitter I promise."

Ginisang Ampalaya was the dish you cooked, it was something you learned from one of your Filipino classmates. It had a mixed of ampalaya slices, eggs, tomatoes, some pork, and onions too. It would be nice to have some rice but even Aether hadn't been able to buy any.

"You need to eat your vegetables too." you told them. The samachurl who had also been silent, decided to take a bowl of the ampalaya, "Mosi gusha!" (eat vegetables!) it told the others who repeated in a more sad "mosi gusha. ." and thus they begun eating. But. .

"!" they stared at the meal, finding it to not be bitter as they had anticipated. They tasted the meat and the eggs more than the bitter gourds. and so they ate at a more happy pace.

Paimon and Aether followed, with Aether smiling "This is good, I didn't know you could cook something like this without a recipe!" You chuckled, cheeks flushed with the praise "It's no big deal, I learned that in school."

"Oh like a home economics class?" he briefly remembered a world like that, perhaps it was yours? "Kinda but more professional, its a cooking school so you can become a chef."

"A chef?! that settles it! come with us in our journey to find aether's sister!" Paimon said through a mouthful.

You all smiled and laughed as you talked, and suddenly you didn't feel so bitter anymore.

To help the readers in their long journey, I decided to give you a few functions! Nothing tooo op, but something very useful especially for travelers and chefs! You have your own inventory system (which is the same as the ingame one)! Of course shared with the traveler as you two are connected as the player and the vessel!

NAMING THE PYRO SLIME EVENT: ONE ACCOUNT IS ONLY ALLOWED TO SUGGEST AT MOST 2 NAMES (this applies to me)!

Current compiled suggestions: Fuji_Sen has suggested! Lava Cake or "Java" based on the food / coffee" Fuji_Sen has suggested! Monsieur Creme Brulee or "Creme" based on the food. @Fantasyhopperhea has suggested! Soleil or "Sol" @Cactus4226 has suggested! Ruru (Py-ro, ro -> ru -> ruru) @bunniotomia has suggested! Helios or "Hel"

taglist: @fantasyhopperhea @rhoswen-drake @cchiiwinkle @aman3kkun @coffee-or-hot-cocoa @bunniotomia @esthelily @earth-to-name @fandomfan-102

hopefully the tag works now, I've been having trouble with a few accounts since the tag wouldn't work on them. If you are not tagged successfully that means tumblr thinks you are a bot (because you don't have posts, or much interaction), you have been shadowbanned, or your visibility is set to prevent you from being tagged.

check here for more info.

[miraculouslbcnreactions]

While I don’t think the senti-kid story necessarily works if the writers wanted to keep the show focused on kids, I think it would’ve gone over a bit better if it was just Felix who was the senti, rather than also Adrien and Kagami (especially Kagami, she was a complete retcon in that regard).

Picture this:

Gabriel, Emilie, and Natalie find the Miraculous (Butterfly and Peacock) because they have an expensive hobby (archeology/collecting rare items, as wealthy people like to do), not because they need the magic at all. They just heard a rumor of an old Tibetan monastery and wanted to check it out, got lucky in finding the two jewels. The Peacock doesn’t even have to be broken.

We can keep the basics of the backstory shown in Representation- minus the detail of Adrien being made with the Peacock. Gabriel and Emilie conceive Adrien normally, but Colt and Amelie aren’t able to like in canon, so Colt has that same jealous outburst at Gabriel. Because Emilie feels bad for her sister, and Gabriel sees an opportunity to make a deal, they lend, or maybe trade, the Peacock to them to create a child. As in canon, Colt uses it, and his jealousy makes Felix a physical copy of Adrien.

Emilie gets sick for non-magical reasons. (I wouldn’t mind having her use it for funsies and not realizing it was broken, but it’s very obviously cracked, and I can’t imagine at least one of their two kwamis not giving them a warning.) As for what happens to Colt, I’m on the fence about him being alive in present times because that kind of abuse is really heavy, so maybe he just dies for unsaid reasons (though I vote Amelie poisoned him or something).

This version would allow for a really cool contrast between Adrien and Felix’s stories and characters. You have Adrien, a normal human, capable of disobedience, but who bends easily under others and is a people-pleaser. Versus Felix, a senti being magically compelled to obey orders of whoever has his amok, but fights to be free every chance he gets. That contrast would also further Felix’s frustration and jealousy of Adrien, in addition to his own father’s hatred of him and being identical to his cousin, because Felix would kill for Adrien’s free will, but he squanders it. But then there’s also the issue that he’s essentially victim blaming Adrien, not realizing that magic isn’t the only way to force obedience- not to mention ignoring the times that Adrien did stand up for himself (like running away to school). I think that would be a really great discussion of free will, how jealousy can blind you, family conflict (and resolution), and how different kinds of abuse/trauma aren’t automatically better than each other just because they’re opposites (ex: someone with heatstroke shouldn’t be jealous of someone with frostbite. Both suck.) The intensity might be worse for each circumstance (since Felix has magical abuse and physical+verbal abuse), but he would be in the wrong for saying Adrien has it easy.

(I think at this point my ADHD is over-explaining, so I’ll leave it at that lol)

Do you think a route like that would’ve improved the show at all? I’d love to hear your thoughts!

The sentiplot has many issues and one of the big ones is that it's not a great fit for a show where Marinette is the one and only main character. They've given Kagami, Felix, and Adrien this massive weight that begs for them to take center stage for at least a few episodes, but probably a whole season or two. The show isn't going to do that, so it's near impossible to really fix the sentiplot without truly massive changes to canon.

That being said, I think that this idea would have vastly improved the sentiplot in its current form! Right now, the senti thing truly doesn't matter to Adrien's character. His mom could have gotten sick for any random reason and the only meaningful change would be that Gabriel couldn't use the rings to keep Adrienette from kissing that one time. Outside of that, Adrien's status has no meaningful effect on the story. It doesn't even keep him out of the final! He does that on his own! The senti thing is just there for cheap drama.

There's also the issue that the current storyline makes the Agreste's look awful which is clearly not the story's goal. Emilie is supposed to be an angel and Gabriel is supposed to be a grief-stricken man who loves his family. That doesn't fit with the kind of monsters who would make a magical designer slave to be their child and then wear his control rings around as daily accessories. Remember, they picked their freaking wedding rings for his slave collars! Most people wear those every day. The implications are nasty!

It makes way more sense for the Agreste's to have the peacock for more mundane reasons and for Colt to get it somehow. Maybe even have him steal it after he finds out about it to really remove the Ageste's from the perfect slave child issue. This allows for the contrast between Gabriel and Colt that canon so clearly wanted, but failed to write. It also makes Felix's actions towards Adrien make way more sense. It feels like canon Felix hates Adrien and we still don't know why that is.

As nebulous as Felix's character is, he still feels like the kind of character who needs to be tied to something like the sentiplot. It's part of the reason I don't think I can use him in my own stuff. The sentiplot is - or at least should be - such a major, defining thing for him that the only possible way to use him is to keep that plot or to give him a plot about freeing the Kwamis since they're also slaves and his abusive childhood could make him feel a bond with them.

Focusing the sentistruggle on Felix instead of spreading it out to include Adrien and Kagami would also keep the sentistuff from dominating the story. Making the male romantic lead an artificial being without true free will whose creation killed his mother is a massive thing that needs to be the focus of his character for the rest of the story. People are on the edge of their seats waiting for Adrien to learn the truth and want this to be a big plot. I do not think they're going to get that, but they should.

Having a side character be the artificial human allows this to be something that is dealt with and then Felix either leaves or fades into the background once his story is over because his story allowed to have an ending whenever they want it to. That's not true for Adrien. Adrien's ending is happily every after with Marinette and the sentiplot needlessly complicates that plan because it means that Adrien's character is always going to be center stage, making people want the sentiplot to mean something since it's apparently impossible for him to ever be a real boy who has true free will. That's such a massive thing that it begs for Adrien to be the main character, which is an asinine writing choice. I have no idea why they keep giving Adrien all this massive narrative weight. You don't do that if you want the female romantic lead to be the main focus! You do it if you want them to be true costars or if you want the male lead to get the majority of the focus. This is writing 101!

As you said at the top, I'm not sure how well this works for a show aimed at five-year-olds because it's still a pretty heavy stuff, but as a general idea, I'd be down to watch it! I didn't have a ton to add to this one because your pitch was already excellent!

[maybe-boys-do-love]

“Why is dialogue so emotionally exaggerated in Japanese film?” one reddit user asked.

The response HarryMcFann gave is an incredible primer to understanding Japanese performance style and the media influenced by it (I’m looking at you, BLs and Kdramas).

“Not claiming to be an expert or have a definitive answer here, but these are my two cents based off of what I know about Japan and Japanese film. This is a very general overview. It’s important to note that culture is complex and full of nuances, but this should give a general understanding as to why Japanese films are somewhat exaggerated.

As u/scytheavatar pointed out, Japanese film is influenced by Japanese theater, but that doesn't fully answer your question. For example, you may ask about Western theater as it relates to Western films, and so on (Western theater is exagerated, but films today aren’t). So let’s look at Japanese theater.

The three main forms of Japanese theater are Kabuki, Noh, and Bunraku, and each of these forms influenced Japanese films in different ways. Now what is important to note here is that back in the early years of cinema, those in France and the rest of the West saw film as a new form of photography, while the Japanese viewed film as a new form of theater. Just think about that for a second, and what the implications are. Back in the late 19th and early 20th century the big thing about photography was it’s ability to capture realism, and that realism was a huge concern for many Western filmmakers. The famous French film critic, André Bazin, wrote extensively about how he believed the essence of cinema is its ability to reproduce reality (there were, of course, Western filmmakers who rejected this notion, such as the Soviet formalists and German expressionists, but going into that would require a lot more words). In Japan this was not the case, and from its inception, the Japanese rejected the Western idea of cinematic “realism.”

How did this manifest itself in early Japanese cinema? One thing the Japanese directly took from theater was the presence of a narrator. Japanese silent films were always accompanied by someone called a Benshi (fun fact, Kurosawa’s brother was a benshi), who would narrate the film. Japanese silent films would then have few intertitles, because the benshi would be there to explain the plot, and so on. What’s more, audiences would often attend a film based off of which benshi was performing. The benshi where local celebrities in many ways, and they would try to one-up one another. So naturally, to give a good show, the benshi would have to exaggerate in order to give more life to the performance (these guys would voice characters and play all the different roles). Directors would make their films knowing that there was going to a benshi present. So popular was the benshi, that much of the resistance to transitioning into talking films was from those lamenting the loss of the benshi narrators. Japan actually finally made the transition into talking films much later than the rest of the world.

It is also important to understand that “realism” is a relative term (cue some 15-year-old calling me pretentious). Yes, Western theater is also exaggerated and not particularly realistic, but traditional Western theater really doesn’t compare to Japanese theater. In fact, the famous German playwright, Bertolt Brecht, based many of his ideas of modernism in theater on traditional Japanese theater. This is why Ozu is seen as the most “traditional” of Japanese filmmakers while also being viewed as an early “modernist.” (It’s all really confusing and requires a bunch of quotation marks). Anyway, the Japanese don’t really have the 4th wall in theater the same way we do here in the West. In Japanese theater, audience interaction is huge, and stagehands (albeit often wearing black) walk freely on stage and move props and scenery around the actors, and so on. The key difference here between Japanese theater and Western theater is that while the West try to disguise and mask the artifice of the stage, the Japanese embraced it. A quick example of the way a Japanese actor performs in theater would be the Mie. The Mie is a powerful and emotional pose struck by an actor, who then freezes for a moment. This pose is more for the audience than the drama of the play, and often times reveals important information about that character. This idea of the artificiality of the performance in theater can also be seen in Japanese film.

Finally, it is worth noting how the Japanese view nature vs how the West does. In the West, we look at the natural as being something untouched by people. Interestingly, this isn’t really the case in Japan. In Japan there’s a belief that something only becomes “natural” when it has been in some way shaped by a person. Weird, right? To quote Donald Richie:

“To most Japanese, the Western idea of “realism,” particularly in its naturalistic phase, was something truly new. All early Japanese dramatic forms had assumed the necessity of a structure created through mediation. The same was true of Japanese culture in general: the wilderness was natural only after it had been shaped and presented in a palpable form, as in the Japanese garden, or flowers were considered living (ikebana) only after having been cut and arranged for viewing. Life was thus dramatically lifelike only after having been explained and commented on. Art and entertainment alike were presentational, that is they rendered a particular reality by way of an authoritative voice (be it the noh chorus or the benshi). This approach stood in marked contrast to the representational style of the West in which one assumed the reality of what was being shown.”

I want to make it clear that not all Japanese films are like this. If you watch films by a director like Hirokazu Koreeda, you will not see the same sort of exaggeration.”

[roo-fanart]

This post contains Spoilers for all of In Stars and Time!

Please play the game blind if you can it’s so so so worth it.

So! I made a post on my main account a few days back making a joke about Loop looking like a xurkitree. I edited their eyes onto an image from bulbapedia, and voilà!

A loop both in full colour and greyscale!

But that got me thinking - what pokémon best suited the other characters? I’m still stumped on most of them, but the ideas for Siffrin flowed way too fast. some were obvious - pokémon with funky hats like murkrow, space themed pokémon (with a little extra) like minior or jirachi, celebi or basically any ghost pokémon for the loops, pokémon like ditto or zorua for twohats, SOMETHING to tie back to where he’s from, etc.

I was REALLY attached to mismagius (mostly for the hat/ghost type combo) but also kept coming back to mimikyu for the island. mimikyu were added in alola, their whole thing is mimicking (but in a way that’s obviously wrong), the ghost type also works for the loss of memory and the disguise has a lot of potential for any conversations Siffrin normally has about their clothes. I really loved the idea of a disguise that told of how clearly and then I had an epiphany.

do mimikyu disguises have to be pikachu?

I somehow managed to forget to write this, but Odile was the one who came up with the idea of the patch being the same colour as a mismagius eye. Siffrin doesn’t have an actual eyepatch underneath, because there is no eye (or eye socket) there either, most of the time - it’s just ghost mist. The patch was necessary to keep the disguise from fraying thanks to the damage, and the only way Isabeau could find to do that without damaging the craft on the disguise further was by patching over the damaged hole.

I debated a LOT with where to put Siffrin’s eyepatch. The ability disguise made it even harder - it would make more sense for it to activate, but the enemy wasn’t aiming for siffrin, they were aiming for Bonnie, who is probably tiny. I eventually decided that I was still going to have the sadness (equivalent) hit their actual eye, on grounds of “the only reason for an eyepatch would be if Bonnie stitched up the disguise eye as a non-verbal apology, rather than Isabeau” and “regardless of how naturally it happens, writing out disability is something I’m wary of”.

And yes! Mal du Pays! I knew fairly early on that I wanted to keep the silhouette but not the outline. Still not sure if I want to go with something close to canon Siffrin or something related to jirachi, but…

[myfairkatiecat]

nightfall was crazy, but I'm also kind of confused??? It went by sooo fast I was like WHAT? WAIT, WHAT? WAIT WAIT WAIT-

Love the fact that they went on with keefes whole "I'm not worth it, but you are, so I'm going to take over decisions we need to make (as a team) and screw them over so that they cause harm to me and not you!" Kinda vibe, honestly thought that after he came back from the neverseen in lodestar they were just going to forget about it, yk??

Only thing I really didn't like is that like...everyone has a slight distrust to keefe (at least in the start, till he apologized ) but Sophie, the person who was (in my opinion) most affected by his 'betrayal' never once had a doubt???? Like, if someone betrayed me, right? Yk they're my friend whatever whatever, ID STILL HAVE SOME KIND OF LIKE ISSUES WITH THEM???

I feel like her distrusting keefe and then slowly learning to trust him would have made the book MUUUCH better!!

Also, I'm still not getting where the Fitz discourse is coming from, like, his sibling just betrayed him, fell unconscious and WOKE UP WITH NO MEMORY OF ANYTHING?? I can see where the anger issues come from

Holy shit this was long, sorry!

-- @localburntoutkid

Had a blast reading this!

You’re so right about Keefe. That definitely doesn’t get dropped after lodestar, or even nightfall—it’s one of his character’s main flaws, and while it does shift and evolve as the series moves on, it’s kind of there, you know? And I’m really hoping it resolves in some way by the end of the series, because his arc is just… so interesting to me. Because it is NOT arc-shaped. At all.

I get what you mean about Sophie being the only one who doesn’t distrust Keefe when he comes back. I really like that too acknowledge that it’s a Sophie-specific thing, though! Too many people forget that this is a third person limited story told by an unreliable narrator, and act like Shannon Messenger herself is telling us Keefe deserves to be fully trusted. Sophie Foster decides, at the end of Neverseen, not to hate him, and Lodestar is where she has her moments of doubt and distrust, but even in Lodestar, she always believes in Keefe’s good intentions. There’s even a scene where she says something like “Yes, Keefe’s plan is horrible and I hate it, but his heart is in the right place. I have to believe that.” The part about keefe’s plan is paraphrased, but she did say she needs to believe his heart was in the right place, in that wording, and it’s fascinating to me. She’s very attatched to Keefe (obviously) and I think it’s mostly for her own sanity that she chooses over and over to believe that there’s something right about what he’s doing, because letting him go sounds excruciating, even by his own fault.

I actually have no issue with this being Sophie’s perspective, and I actually find it interesting especially in the context of sokeefe, but I wish we got to see this portion through another character’s eyes. For example, Fitz. Someone who does distrust him afterwards, and rightfully so.

As far as Fitz discourse goes, that stuff stemmed less from nightfall and more from flashback and legacy. I don’t hate Fitz in either of those books, but you’ll probably notice the moments that made people kind of go nuts about hating him and ran away with his character (personally, I think Fitz is fully understandable in both books, but don’t fully condone the way he acts in a few scenes, particularly in legacy. I’ll explain later after you’ve read it)

Don’t apologize for length, I’m literally Katie, have you met me? Everything I write is longer than I intend

I’m glad you’re having fun with the KOTLC series. Keep me updated!!!

[nemaliwrites]

happened upon this article today, and damn if it didn't get me thinking

i've wondered a lot before about how the same story can be told through different mediums [which primarily can be seen through adaptations] but one thing i don't spend enough time thinking about is how the same story can be told through different word counts

i know people always are like 'a story is as long as it needs to be' but...is it?

i've technically run this experiment a few years ago, with Regrowth at exactly 100 words and Reduce, Reuse, Regrow at over 6000. honestly, it was kind of a fascinating experiment because....are they the same story? really? i guess at their core, you could argue that the plot is the exact same. tldr: giorno turns drug dealers into flowers. and that happens in both versions.

but there is no character in the drabble version, for the OCs and others. we don't get a sense of who giorno is in this story and why he's doing this - all we have to go off of is who he is in canon. we have no idea who tf marco [is that his name? i'm not rereading that to find out LOL] is - versus in the longer version we know about his connection to his family, his botanical garden, the plants he grows, etc. we know about his crush on Sofia. we know that mista saves him, which means giorno thinks he's someone worthy of being saved.

same thing for the police - they don't even get names in the drabble, compared to the names and personalities they're awarded in the longer version.

so...are they the same story?

i've been wondering [and by been wondering i mean i literally thought of this like an hour ago hehe] about how that can apply to other things as well, and this article is a terrific starting point. if you write your longfic as a oneshot, you have to pare down everything that 'doesn't matter' - which i'm using loosely, because as we've established, there are things important to a story that aren't just plot events. but you get such a clear distinction: what are the subplots vs the main plot? who are the side characters vs the main characters? if you have multiple antagonists, who is the one who drives the story primarily? without whom the story cannot exist any longer?

i wonder too if this, in a way, can kind of call back to the snowflake method - which i admittedly have never used but can see how it would be helpful. if you start small, let's say you write your story as a drabble. double it, and double it again. a few more times, and you have something short story length. then novella length. then novel length.

it could also be a way to literally build your story up piece by piece. okay, so you need a couple thousand more words. sure, you could just add a bunch of fluff or 'filler' - or, you could add in a subplot. you could add in a character that is integral to the story. and if you go the other way - from novel to drabble - and can't write a short story without that character, then you know how important they are.

in this way, you can kind of pare everything down to its barest bones, actually. character motivations, stakes, setting.....everything is tied together, which means changing one changes them all.

maybe at some point, you literally get to a point where you can't add anything else - and maybe that's where the story is as long as it needs to be. vice versa, too.

i will run this experiment a few more times and report back o7

[jimgandolfini]

I’ve unfortunately been thinking about this movie today and this is literally like one of those “five seconds before disaster” images cannot believe they billed this a silly little drama

[bookalicent]

yeah so this was insane

[craneboys]

We live in a society

[icewindandboringhorror]

sneeping with his legs up over his head for some reason... weird boye

[thatonecrookedsmile]

From the depths of the studio - where darkness prevails and the voices of the puddles grow louder - a message is echoed to the rest of the world. A promise filled with hatred and,at the same time,with conviction. Words coming from someone who was more than confident that their blasphemy would come true.

A message that is directed to one creature,and one creature only...

"I will become the very being You never could be"

----- "A Promise Sent from Below" - Return to the Studio AU.

Oh hey, I have an AU, I forgot about that (lie)

I've had a similar idea in my head for a month now. It wasn't possible to do it last month, but no problem. May would make more sense. I did something with this little guy for 414 last year, and I wanted to do something with him again. April 14th of this year would not be possible, but May 14th or 15th? Oh yes. These dates are better because it was between these two (actually it was the 14th I think, but I consider both dates) days that I created this guy above! Consider this drawing a celebration made for…well, me. Of course, he wasn't created with the design above in mind. His original, main design is quite different from this alternative (and less original) iteration. The drawing above shows his current situation in the "current" moments of the RTTS AU.

His creation, which dates back to 2020, was the result of some Bendy-related thoughts of mine intersecting on the day. These being about new things in canon lore that came out at the time (plus speculation about this new information), a theory that at the time I started to understand better (which maybe based on the drawing, you probably know which theory I'm talking about ) and a funny bug found in one of the games (do you remember Ghost Bendy by any chance?) And then,boom. I created Atlas. I remember at the time I was thinking of other names for him because Atlas was just a codename that I had in mind to refer to him while I thought of a definitive name for the guy. But the codename ended up sticking. Plus, Atlas is a cool name and I wanted to give an OC that name.

Even though some details changed over time, I think I eventually managed to solidify his place in the AU. Not that his story is 100% thought out and completed. Hell, my AUs that I have are still not 100% thought out either, so what to expect from their characters. But I think that, currently, I have at least decided on the general idea of his place and purpose in RTTS, and I am happy with what I have come up with.

I don't know when the next time will be that I will show him again. In general, showing things from my AUs is not and probably will never be my strong point lol. But I'd like to draw him again eventually. So uhhhhhhhhhhh, one day. When that "one day" will be, it's up to you to decide

Happy Birthday Atlas. You and your other 2 alternative versions are cool to think about. Here's to another 4 years of chaos for you. 🙌

I can't believe it's been 4 years now, damn.

[aroaessidhe]

2024 reads / storygraph

The Loudest Silence

YA contemporary

a newly Deaf-Hard of hearing girl moves across the country and starts a new school, struggling with navigating her disability and love for singing and lost friendships - determined to not make any new friends for the year she’s in Florida

and a boy struggling with family expectations and anxiety, after being made the fútbal captain even though he secretly ways to be on broadway, who quickly befriends her

bi & aroace-coded MCs

[frecklystars]

I have another gig in a week and I'm so nervous 😭 I get paid hundreds of dollars for only five hours of work, but it is so nerve-racking and the work environment is so stressful, like literally every time I'm there I'm on the verge of tears or I have to take a 2 minute break before the show starts just to run to the restrooms and cry bc I get so stressed out. And then when I clock out I just cry my eyes out in my car while driving home. But hey!!! Hundreds of dollars!!! For five or six hours of my time!!! Only a few days a month!!! Hundreds!!! Of dollars!!! So it would be totally stupid to quit.

I wouldn't have been able to afford pampering myself on my last two F/O anniversaries (and currently placing an order for a rose bouquet for Six's anniversary for the 18th) if I didn't have this second job... but if it didn't pay me such a large amount of money each time, I probably would have quit by now bc it makes me so damn anxious. The show isn't even for one week and I'm sitting here stressing about it! I have one thousand other things to stress about and this job shouldn't be one of 'em 😤

I just keep trying to think about Ken hugging me while saying "Aw, sweet girl, don't be nervous! You JUST started this job, you've only worked three shows -- you think you're gonna be perfect your first try?? You're gonna be so good once you get the hang of it. Just look at me! I've been doing Beach for 62 years now, and I still don't know what my job is supposed to be... but I know I look So Cool™ 😎"

[dayurno]