#it was originally just bc I didn’t know what to draw her in but

[lazerinth]

[moonstruckme]

hi love what about a Sirius pre relationship request where reader is super sick and he comes over to check on her and she's just kinda feeling the fever delusions and she asks him why he doesn't like? She's like I want to be ur gf ur so amazing what am I doing wrong? And just angst with fluff bc Sirius does have feelings for her

Hi, I hope you don’t mind that I’ve made this friends-with-benefits Sirius instead of them just being like platonic. Thank you for requesting!

cw: implied past sex? or basically mature themes

fwb!Sirius x fem!reader ♡ 1.2k words

Sirius is moderately concerned that this might qualify as breaking and entering, but he’s a lot more concerned about how you’re not taking his calls, and if you hadn’t wanted him to know where your spare key was, you should have done a better job of hiding it. 

He unearths the key. It slides into the lock welcomingly. Your apartment is dark and quiet, but it doesn’t take Sirius long to find you. Your bed looks like a tornado has hit, your sheets tangled, torn up from where they’re usually tucked underneath the end of the mattress, and one of your pillows fallen off to the side. Only the very top of your head pokes out from the mess, disheveled hair and a sliver of forehead. 

You don’t stir as he eases the covers down underneath your chin. Your face is sweet and placid, your lips pursed funnily where you’ve smushed them against your pillow. The sight of you all rumpled and sleepy melts Sirius to his core, and he says your name with more sweetness than he intends. 

Your lashes only twitch. 

Sirius knows he could nudge you awake with his hand atop your comforter, but he’s selfish. He slips it beneath to touch your shoulder. Your skin emanates a dry heat. 

“Hey,” he says, indulging in a sweep of his thumb when you start to rouse slowly. “What’s your deal, huh? What’s wrong with you?” 

Your eyes open, clearly feverish but nevertheless lovely as always. Your brow scrunches a little as you blink up at him. “Oh.” You sound more than tired, like you’ve not spoken in days. “Of course you’re here.” 

Sirius can’t help but smile. “Of course I am,” he agrees. “You think you can just dodge my calls and I won’t come knocking?” 

You sigh and pat under the covers around you until your hand emerges with your phone. “It’s dead,” you say, showing it to him. 

“You didn’t want to charge it?” 

“Charger’s all the way in the living room.” Your voice doesn’t seem to be growing any less sluggish as you wake up. Sirius finds this vaguely concerning. “I was gonna go get it in a little bit.” 

He wonders how long you’ve been telling yourself that for. You haven’t been responding to his texts or calls since last night. 

Sirius slots his palm alongside your cheek, though he already knows what he’ll feel. You close your eyes, tilting your face into the touch, and a tiny, fond twist behind his ribs makes his breath catch momentarily in his throat.

“How long have you been sick for, sweetheart?” 

You hum. “A while.” Your eyes open reluctantly. “Sorry, m’not much good for a lay right now.” 

Sirius’ hand draws back with the sting of your words. “You’re—that’s okay. I haven’t come looking for one.” 

You study him through the crush of your lashes. “Then why are you here?” 

“You weren’t answering your phone.” Granted, he had originally called to see if you were in the mood. But that cause ceased to matter when he didn’t hear from you, and when he asked around and no one in your circle had for at least a day. Then he’d just wanted to see you. “I came to check on you.” 

Your expression pinches as if his words pain you. It creates a little line on the insides of each of your brows and a sad tightening around your mouth. You look at him like this, occasionally. When there’s a room between you or when you’re high off sex, but never so openly. Never when you know he can see. 

“You’re so nice,” you say mournfully. 

Sirius’ laugh is soft with surprise. “You only think that because of the time I showed you last Friday.” 

“Don’t joke,” you say firmly. He feels his grin slip. “You always act like you’re not, but you are. You’re amazing, Sirius.” The urge to make fun of you rises in his chest, but he squashes it back down, where it settles like an ache behind his ribs. “I really wish you liked me.” 

It feels like all the air in his lungs dries up. “What?” he asks breathlessly. 

“You’re so smart,” you say, nearing a whisper, “and you are funny, but you’re also really good at lots of stuff. You’re good in general.” You seem like you’re looking at him and through him at the same time, your gaze faraway and wistful. “I know you don’t always think so, but you’re good. It makes me wish you liked me back. I don’t know what I’m doing wrong that you don’t like me.” 

Sirius feels like you’ve reached inside him and scooped all of him out. He’s nothing but a pile of guts and mush, his devotion to you in every sorry bit. He wants to tell you that he’s not half the things you say. (That you’re all of them and more.) He wants to say that you’ve never done a thing wrong in your life, or at least nothing that could matter to him, and the worst thing he ever did was letting you look at him with pain in your eyes and pretending he didn’t see. He wants you to know that he more than likes you, that he hasn’t found a word big enough for the feeling he carries around all day which aches in a way he hasn’t decided if he enjoys and throbs horribly when you’re around. And he wants to tell you all of this in a way that’s cool but sincere and makes you smile by the end. 

But when he looks at you your eyes are glossing over, all Sirius’ words tangle up in his mouth. 

“Hey, dollface,” he says, suppressing a much sweeter name and rubbing your cheek tenderly with his thumb, “stop that. Don’t get upset, please? You’re too lovely for tears.” 

The last bit comes out with a teasing bent, Sirius’ habit of shrouding affection with humor kicking in automatically. You smile like you’ve caught him again. It’s a half-hearted, flickering thing. 

“Sorry,” you say, blinking them away. One squishes out the corner of your eye, and Sirius catches it with his forefinger. “I’m being silly.” 

“You’re never silly,” he replies, then reconsiders. “Well, actually, you are. About lots of stuff, but we don’t need to talk about that right now.” Before he can stop himself, he’s bending to rest his lips on the spot where the tear started to roll down your cheek. When he draws back, his lips are warmer and taste of salt. 

Sirius swallows. “Would you be alright if I stayed here for a bit? I want to help make sure you’re okay.” 

You regard him through glassy eyes nevertheless lovely as always. “Okay,” you say. Your voice sounds so normal he almost wonders if you’ve forgotten what you’d spoken about just a few moments earlier. “That’s nice of you, thanks.” 

He fights the urge to correct you a second time. “It’s no problem,” he says instead. “We can talk about the rest when you’re feeling a bit better, yeah?” 

Your expression turns nervous. You haven’t forgotten. “Really?” you ask, voice breathless like it’s a wish you don’t expect granted. 

That unnamed feeling gives a deep, powerful throb. “Yeah, sweetheart.” Sirius rubs your cheek again, your skin soft and precious under his thumb. “I promise.” 

[grimmcheems]

Piltie Jinx💖🎀

I always thought it’d be interesting to see what would’ve happened if Powder had been left behind or caught at the scene when she triggered Jayce’s lab experiments, when I watched the show like a yr ago that was one of the thoughts that always lingered and I like to think she would’ve been more cut out for Piltover society than the undercity bc she was neglected so much there and I think she’d be more charming to Piltie citizens with her docile nature and intelligence.

No hate to the other characters or Vander but the girl clearly had problems and they all wanted to pretend like they didn’t see it so they could feel better about taking her in and looking after her. She was also weaker and more unexperienced than the rest but they all somehow expected her to pull her own weight in high stress situations.[This unintentionally overlapped with the trailer drop bc I was completely unaware they even released them when I was making this like two weeks ago.]

That’s a whole can of worms that I’d rather not open rn bc then it becomes a whole discussion on her trauma along with poverty and a bunch of other things having to do with the people that were around her. She is given the name Jinny bc they got tired of having to refer to her without a specific name, and becuase she begged Jayce to give her one and he blurted out the first thing he saw lmao.

Anyways. In this the kids and Vi basically leave her at the scene out of fear of getting caught and because they aren’t confident that she could have even survived the blast. They all think she’s dead and Powder experiences memory loss, so law enforcement dumps her on Jayce as a punishment and reminder of how dangerous his lab was and how lucky he is that she’s alive, but along the way Viktor sees her potential in becoming a scientific inventor of some sorts based on the items she had with her when she tried escaping along with the intelligence she displays and he adopts her and takes the load off of Jayce after his probation period form the academy. Her and Jayce have a sibling bond.

I need to draw more of this but her young self experiencing this and growing up in their thriving society and blending into their society. I added makeup on her to show how well she’s managed to integrate into Piltover society and because she indulges in the riches there so much that people even forgot she was originally form the undercity, she pretty much looks and acts like she was born there. The pinkish color she puts around her eyes is her remembering Vi and the purple comes into play later when Viktor’s sickness gets worse.

I originally only drew her as an enforcer bc I got inspired by an edited pin on Pinterest but also wanted her to be an academy student so it’s a bit of an awkward mix but I figured she probably picked up becoming an enforcer as a pastime and way to make money(idk if they make money lmao) bc she can’t rely on Viktor and Jayce to provide for her forever, and because Grayson sort of inspired her a bit (though she is subconsciously reminded of Vi when she’s around Grayson). She also has a funny dynamic with Marcus, with him already being a double crossing loser he tries to be this cool older guy around her and miserably fails every time but only because she’s still young and carefree and because he basically kept it under wraps that she was alive the whole time after finding out that she was Vander’s adoptive daughter. So I guess you could say he just has a fatherly instinct towards her but who knows.

Might draw more of this later and have better details but for now this is it oop.

[satoruhour]

HE PLAYS BASS !

a/n: modern au bc i cant handle any angst rn. i ramble a lot in this to set the scene teehee. not beta read, gn btw / tagging @crysugu @slttygeto @getousex :3

wc: 3k ish

warnings: bass guitarist!geto, soft dom!geto, he is respectful of your boundaries, both geto and reader smoke weed, shotgun kiss, sexual acts under the influence, fingering, clit stimulation, implied second round, implied cunnilingus, dry humping, praise, n*sfw under the cut

bass guitarist!geto who has had an interest in music and its instruments since being a little boy, practically begging his parents to enrol him in some guitar classes. with fingers strumming the nylon strings alongside complicated chords on the frets felt so right that since then he and his guitar have been inseparable since.

bass guitarist!geto who gets to know the guitar so well that he masters guitar solo after guitar solo, playing songs by ear in his free time and thought lead guitar was all there was to music until the age of fifteen where he stumbles across a song with a bass line that sounded absolutely heavenly — through the 240p quality of the youtube video, he watched the bassist dish out the heavy beats, always in the background yet detrimental to making the band sound complete.

bass guitarist!geto who leaped at the opportunity to buy a bass guitar with whatever money he had to purchase a Squier bass — it was a little shitty in sound but it was cheap, something affordable for a middle schooler. suguru didn’t care. he perfected the use of his bass guitar, already having the basics down from playing guitar; his room is filled with posters, picks, pieces of displaced lyrics.

bass guitarist!geto only has the chance two years later to ask his new friends if they wanted to jam out together and down the line, if they wanted to form a band. it was a clueless band of boys (with shoko of course) in some room of gojo satoru’s luxury house where his parents don’t care to ask him to keep the noise down like suguru’s parents do.

bass guitarist!geto fights to get a spot to audition for one of tokyo’s biggest music festivals a few months later. if they won they would get more recognition, more support, even if they haven’t figured out the specifics of how to operate a band. with gojo as the singer, shoko on the lead and nanami on drums, they would find out what they had.

bass guitarist!geto who breaks that stereotype of the bassist being ignored throughout a performance. he thinks it could be because of his longer hair and his newly bought gauges, and he thought he didn’t look too shabby himself — although he isn’t surprised to see most of the girls fawn over gojo as he sang lyrics of an original song, courtesy of the joint effort between geto and shoko.

bass guitarist!geto who gives judges the finger after they said they couldn’t perform originals at an audition, blacklisting them for future performances — but gojo sees it as a win when he has a hoard of new fans waiting outside to get a photo with him with autographs that differed from each paper his pen made contact with. later, he bursts out laughing when gojo says he hadn’t even thought of a proper signature yet and just ‘did whatever on their paper’.

bass guitarist!geto whose band gained popularity fast because of everyone’s good looks, singing at that same place they auditioned at, but now with repertoire under their belt. it’s then that they’re already all in university, and yet everyone’s still incredibly passionate.

bass guitarist!geto who spots you in the crowd together with your friends, jamming out to their set, but while your friends’ eyes are locked on gojo who’s loving the attention, nanami who can’t give a shit and shoko who’s too focused on her solo, you manage to draw geto’s eyes to you. he spends the rest of the set locking eyes with you, amidst other things like sending you winks and licking his lips until you’re under his spell. all throughout he doesn’t lose the rhythm, but he does slip-up from time to time and there’s a panicked look that nanami sends to geto for messing up his rhythm.

bass guitarist!geto who sees you at his next show alone, smiling up at him right at the front row while he’s trying not to mess up after the last time. this time he has a chance to show you what he’s got in a bass solo, losing himself in the music until even you fades off and you’re truly seeing the bassist for who he is. he’s easing back into the main melody of the song but not before leaning over the speakers with a knee on the floor, hovering right over you before shoko takes over and he’s back to his heavy beats.

bass guitarist!geto who brushes off the teasing after the set ends, only to be bombarded with more of it when he sees you on campus — no way you’re in the same school as him, walking around with your cute outfits and laughing along to your friend’s joke with no care in the world.

bass guitarist!geto who doesn’t have much trouble charming you into hanging out with him, already recognising him from far away when he’s got his long flowy hair and gauges and tight black shirt and tall stature — you aren’t realising he’s asking you if it’ll be okay for you to head over to his dorm room. you’re getting pushed by your friends behind you to say yes with giggles and gossip, and of course you weren’t going to reject the hot guy you missed class and ditched friends for.

bass guitarist!geto who shows you his room and tells you to let him know if he’s made you uncomfortable in any way. in the background, there’s a faded, soft song that continues to play that really completes the dorm, immediately hitting it off until he starts to roll a joint a while later, offering it to you with a raise of his eyebrow.

“oh— n-no it’s fine, geto-san, i don’t really smoke…” you sheepishly turn down the weed, settling instead to watch him and his beautiful side profile, letting him explain to you about bands and guitar and chords.

“thank you for having me, geto-san,” bowing, you’re nothing like the person in the bar that day, geto thinks it’s the lack of alcohol but he doesn’t mind, simply leaning on the doorframe as he nods down at you. his smile is intoxicating and so goddamn attractive you would’ve buckled to your knees if not for the deep breaths you were taking.

“next time, pretty?” geto smiles, a little high from smoking. his eyes are lidded (they usually are anyway) and smile lopsided. his hair’s almost out of the bun.

“yeah, next time,” it sounded so breathy, you bit your lip. “i guess you’d have to find me on campus, though.”

bass guitarist!geto who mutters how you’re a little tease to himself later when he closes the door. he swears to himself he’d get your number next time, but it’s not difficult to find you the next time, hanging around the same place at the same time. it’s like you wanted him to find you — he’s not opposed to it. it’s a few weeks down the road now, and the second time is watching him curiously as he smokes, too. you take a hit and embarrass yourself completely in front of him though, and while you’re fighting for your life, you’re not opposed to the buzz it gives you.

bass guitarist!geto who’s opening the door to you the next time, surprised to see your dishevelled state and a pillow between your arms, walking almost a block like this to the next building where his dorm was. he offers to make you some tea and you shake your head, feeling a pounding headache already coming on just from explaining that your roommate was an asshole.

“you can sleep here if you want to, okay?” you sigh, thanking him immensely because even after knowing him for such a short period of time, you’re comforted by his presence.

“at least satoru’s not here,” you laugh at that, nodding tiredly before you’re settling on gojo’s bed after insistence from the other. he wouldn’t care, he’s always going back home anyway, don’t know why he wanted to share a room with me. but before you can get settled in, you hear the familiar crinkling of the paper and the click of the lighter and the smell of weed fills the room again.

again, his hand is outstretched, holding an ashtray below him as the tip of joint glows a red, calling out to you yet reminding you of the way you coughed the other night.

you crawl off his roommate’s bed, snatching the cig out of his hand in a way to prove something to yourself before taking a big puff. this time you’re better, letting the drug flow through your system, but tolerance is another thing, because it only takes another hit for you to be smiling drowsily at the other while geto is a little high, too, eyes rolling to the back of his head when your hand traces over his arms and you giggle.

“you w’nna kiss?” geto asks quietly, a little soberly, having talked late into the night while you hang off his arm and slur your words. but now you know you’re feeling a little more sensible when you can feel your heart pound and your eyes widen despite their need to close.

“i meant it, doll. you’re fuckin’ stunning,” suguru mumbles, the coldness of his rings sending a chill down your body, but also a spark to your core, “you look exactly like the day i discovered bass.” and it’s like cupid fully shoots his arrow through your heart — because have you heard the man play? you’re speechless at his point, only mustering a nod before you’re leaning in.

he hums drunkenly as a way to ask you to wait a min, manoeuvring you onto his lap before he’s taking the almost vanishing joint into his hands. two more puffs are perfect for the cigarette to be discarded and so with a gentle hand, he holds onto your nape while he tries not to get hard from having you on his lap. slowly, your lips wrap around the other end of the joint, taking in another influx of the drug before he does too.

bass guitarist!geto who pulls you towards his lips a little roughly but he doesn’t give you what you want (what he has in mind is much, much better), rather leaving his lips ajar as he exhales the smoke from his mouth into yours, your own smoke already dissipating. weirdly, this burn is more prominent, probably because all you can focus on are suguru’s dazed eyes and the way they burn through your skull. you inhale the smoke before you feel his soft lips on yours.

geto hums into your lips, coming off of them periodically to allow the smoke to disperse, but the moment is so intimate and hot that you blow away the smoke and lunge forward to wrap your arms around his neck.

“no more pullin’ away, geto-san…” you’re trailing off, words messily whispered against his lips and you burn at the chuckle he sounds out, muttering back a question of consent. you’re nodding, reeling at the speed at which he places his hands on your thighs, dragging you further up his front until you rested on his pelvis.

“kissing me like you can’t breathe and you’re still calling me by my last name? i’m wounded.” geto pulls away and defies your rule — you think he’s the only one who can do that. pouting, suguru pushes away the hair enclosing your face. “c’mon, drink, sober up a little.”

“...i like it like this,” you murmur, ashamed as to how readily you leaned into his touch. his stare is piercing though, not budging until you’re gulping down half the cup.

“throats turn dry when we smoke, princess. we can do it more when you’re more used to it, alright?” geto explains, patting your thigh and ignoring the tensing of them around his own. he’s trying so hard to act nonchalant, but he can’t get the image of you parting your lips for the smoke out of his head. the way your eyes flutter close, how you wanted more of him.

“alright… suguru,” you sigh out the name and geto wishes he could hear it somewhere else, “but can we—” the high is getting to you, making your hormones go into a frenzy and you’re grinding on his lap. geto hisses at the feeling, of your cunt brushing against his bulge. your hips are inexperienced, but you’re going by feel, drawing little circles and moving back and forth; whatever that brings you pleasure.

“baby— f-fuck…” geto swears when you pair it with the lips tha kiss down his cheek and jaw and neck, hands on your hips guiding you as you try to chase your high. but a whine from you draws geto out of his daze and he almost cums hearing your needy voice, begging him for something, anything.

“’m tired, suguru,”

he knows, grinding is a tiring thing, so rather he opts for you to lie on him with your back to his chest. by now, the room’s filled with the smell of weed and arousal, asking once again if he could take off your pyjama shorts. geto smiles at the lack of underwear but he says nothing, eyes latched onto the strings of juices that connect your pussy to the shorts.

“my baby ready to be touched?” he feels you nod, loving the way your stomach contracts and expands at the hand that travels over your clothed tits. there, he squeezes them, rubbing fingers over the hardened nub but soon creeps towards your centre. his hand and fingers are so much larger than yours, covering your whole core easily when he cups it and the contact is enough to make you mewl.

“hurry,” your hips hump the air.

“patience, darling,” geto’s gravelly voice cuts through to your ear before he finally draws languid circles upon your clit, rubbing and pressing on your bundle of nerves. his whole body burns from seeing you react so cutely, all cause your eyes couldn’t leave his on that stage. now your eyes were rolling up and over, little moans leaving your lips just from his hands.

bass guitarist!geto who seems to know all your pleasure points in one night, kissing the spot under your ear, to talking you through your orgasm. you were enamoured by the guitarist that you’d let him do anything to you, obsessed with the way he never missed questions of “is this okay?” and “tell me to stop”. geto is just as besotted by you, the arch of your back, the call of his name. god, he was going to write so many songs about you.

“think you can handle a finger, baby?” suguru whispers, caressing your twitching thighs from your first orgasm. with a shaky “yes”, geto plays with your hole, smearing your juices around your sex and getting it all on your thighs. the bashful suguruuu! has him laughing, taking your lips into another kiss as an apology.

“sorry, sweetheart. love teasin’ ya,” muffled words are said, “goin’ in.”

your jaw drops even more when geto first inserts a finger, so much wider and longer that a long moan escapes you. the stretch is so good, everything you’ve ever imagined after watching his fingers travel over the bass strings, and you’re already asking for a second finger. when he does oblige, your hands fly to grab at his wrist.

“feel good?” he chuckles at your lack of an answer, rather responding by clenching around his fingers and leaning back more into his hold. geto sets a pace, thrusting his fingers in and out of you. he thinks it’s enough of staring at you and almost gets whiplash when his head turns to his hand — from the way he disappears into your dripping cunt, he thinks he’ll cum untouched, although your desperate hips also would play a part.

“feel s’good, suguru— shit…” geto groans lowly into your ear when he feels your hand replicating the circles he’s made on your clit, juices starting to collect in his palm from how wet you were.

“you keep clenchin’ around me, baby, you w’nna cum?”

your body is more vocal than your voice, twisting and thrashing from how his fingers already feel so good. the haze and the smell of geto suguru and the weed in your system is all overloading on you at the moment, but in between you’re able to nod, fingers rubbing at your clit while geto’s speed picks up a little.

your legs naturally spread, each slap of his palm against your pussy paired with the lewd noises only making the whole thing better. it’s not long before you feel that familiar feeling, using your right hand to direct him to you once more and it’s here you see the man you saw on stage before: focused, flushed, small smirk on his face. “gonna cum.”

“yeah? are you?” geto asks against your lips, still tasting the faint aroma of the joint. your eyes are so heavy and your limbs feel like lead; it’s a wonder how both your hands are moving on your soaking wet pussy.

“yeah, sugu, s’sensitive—!” geto coos softly at your whimpers before capturing your lips, swiping his tongue over your bottom lip and your orgasm comes crashing down on you. suguru effectively swallows your moans, groaning on his own end when he can feel your cum running down his hand. slowly, he lets you ride through your orgasm, pressing pecks on your skin and shoulders.

“attagirl. so much cum, hm?” your chest is heaving, whining when he removes his fingers and there’s a cute little squelch from the juices, gasping softly as geto separates his fingers and there’s strings connecting his middle to ring finger. “dirty girl.”

you scoff softly with a smile, eyes following how his fingers make his way into his mouth. the other only hums before carrying you bridal style to the shower with a sweet smile on his face. geto suguru was certain he’d worship you.

“gotta taste that cute little pussy next time.”

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[sarafangirlart]

Andromeda’s race/ethnicity and why it’s not inaccurate to interpret her as black/African

Now you’ve seen how I draw my babygirl as Afro Palestinian Egyptian so you know where I personally stand on the subject. However, my interpretation isn’t the only one, ancient authors, from mythographers to historians to poets to playwrights, have proposed various different locations for Andromeda’s homeland, often times contradicting each other, what I’m trying to do here is correct some misinformation as well as argue that even if Andromeda isn’t black/ethiopian, she still wouldn’t be considered white or ethnically European.

I would like to reiterate like I did with my Hephaestus/Aphrodite post that I’m not a mythology or history expert, I just read a lot. So do your own research and come up with your own conclusions.

Let’s go.

The etymology of “Aethiopia”

Aethiopia means "of burned face" which yes is pretty racist be modern standards but basically means that its inhabitants are dark skinned, so even if you go by sources that it isn’t in Africa, the inhabitants still wouldn’t be white or Greek.

Location of the Kingdom

You’d hear the statement that the Aethiopia in mythology is not the same as Ethiopia the modern country, which is true. You’d also hear that it’s a completely fictitious location, that’s only partially true, while Aethiopia existed mainly as a mythological location (mentioned as early as the Iliad) that didn’t stop ancient historians, mythographers and poets from placing it in real locations or calling pre-existing nations Aethiopia. It’s hard to pick which one is more “accurate” bc they all contradict each other, not only that, but these writers didn’t actually visit these locations and ancient ppl weren’t as well versed in geography as we are today so they’d be weirdly vague or confusing about these locations, I mean just look at an ancient map and you’d see what I mean.

So personally, I think you can go with any version you personally prefer, the options are quite limitless, she could be from the Arab peninsula, the Levant, North Africa, Persia, hell maybe even India if you are like Ovid.

Andromeda’s genealogy

(I just realized that these are the Waterson kids color palette while writing this lmaooooooooo)

Yes Andromeda is descended from Zeus (no family tree can escape that man lol) and she’s also the great granddaughter of Poseidon, which adds a whole new layer to the fact he tried to kill her.

Now for a bit of history: The Trojan war (which didn’t happen irl obviously) was dated as taking place in the 12th or 13th century BCE by some ancient writers, that war happens a few generations after Perseus’s story, which means that Egypt was in the New Kingdom era, also called the Egyptian Empire, when Nubians (who would be considered black by today’s standards) were a very important part of society, even becoming Pharaohs. Ancient Egypt was a lot more diverse than modern ppl give it credit for, there were multiple ethnic groups living there. Not to mention that you can’t get more Egyptian than being descended from the god of the Nile River lol

Libya is (obviously) the personification of the region of Libya, not the modern country Libya, but the general area in North Africa west of Egypt. The name Libya comes from the Libu, a berber tribe. So once again, even if Andromeda wasn’t black, even if you interpreted that her kingdom is placed in Asia, she’d still be of African decent.

Cassiopeia is a tricky one, her origins are obscure, she’s called a nymph by Nonnus, while Stephanus of Byzantium (a very late source) states she’s from Ioppa and that the city takes its name from her. However, Ioppa/Jaffa was identified as Andromeda’s home much earlier in Periplus attributed to Scylax, which was composed in the late fourth century bc.

Conclusion

You can make Andromeda black it’s ok. Ancient writers couldn’t agree on her country’s location but we can still speculate. Anyways ummm… I think that’s it? Maybe I’ll add to this if I find or remember more interesting information.

Have a great day.

[usuratongaychi]

Drawings + Rants + Headcanons/Naruto AU

i finally had some time to draw my versions of tean seven (minus kakashi). im gonna detail more of my AU later in the post but here are the designs and some notes.

For sasuke, in one of my other posts i had the theory that sasuke keeps his hair short to avoid resembling itachi, and thats why it is longer in time skip, because he is coming to terms with his trauma and still loves itachi. I also gave him similar creases to itachi, just from stress.

tbh im not too sure about this naruto design…but at least he isnt balding like before💀.

for sakura, i actually really like her older design, so i just drew her working. she would have her hair up and i gave her sakura blossom hair pins and eyeshadow.

also i havent drawn in forever so..thats why its messy.

(the rest of this is me rambling on..)

Now for changes i made to the story:

1. Narusasu endgame (yk im a stan)

I would have both of them be joint hokages, so technically both are the 7th. I know Sasuke is referred to as the shadow hokage, but that doesn’t really entail anything. I think it’s important because Sasuke would know just how important reform is for the village and shinobi system, but since people are still suspicious of Uchihas, Naruto would be the face. This fulfills Naruto’s dream, which when you really think about it, his dream was just to be loved, not really to be a politician. Naruto has seen how unfair and corrupt their society is, so he would completely work with Sasuke to make sure things like Danzo and Hiruzen’s corruption, child soldiers, hyuuga slavery and the “Uchiha Incident” dont happen again. I could explain more of this in a later post.

2. I would have Hinata look up to Sakura more, instead of Naruto.

I think it makes a bit more sense, Sakura is brave, outspoken and independent, just like Hinata wants to be. I would have Sakura be her first friend, since she can’t stand to see people be excluded or alone. That leads me into changes I would make for Sakura’s story.

3. Sakura. In the original, I would keep her kind of bratty attitude until things get serious in the Zabuza arc. Seeing her close friends so close to death, while not being able to help much would challenge her to become a protector. This also gives motivation for her to learn healing and medicine when Tsunade comes around. Sakura would be the “rock” or “glue” of team seven, which makes sense because she is the only one of them that came from a stable home.

Sakura initially resents Sasuke for betraying the team, but seeing how dedicated Naruto is to saving him, she decides its worth it to help bring him back. Besides if she didn’t, naruto would just endager himself trying.

4. Sasuke. I would have Sasuke after he realizes Itachi was manipulated into a genocide to protect the village, still go through him “i’m gonna destroy the village” phase, but when Naruto defeats him, they make a promise to change things, so no one else will have to suffer like that. I would also show more of the psychological effects of witnessing Itachi’s murders. One of my headcanons is that he’s pretty thin, since trauma survivors tend to have chronic stomach pains. He’s probably pretty paranoid about others betraying him, so he does it to them first (probably why he pushes naruto away so much). Sasuke is also probably still ostracized or “othered” for being an uchiha, since that is what the village is told about them. People still pity him, but dont come near him.

5. Naruto. 😭I actually made up a whole theory on why Hiruzen didn’t take great care of naruto, bc to me it just doesn’t make sense. it’s kinda a dumb theory and doesn’t rlly have anything to do with canon, but- what if Minato wanted to expose the corruption in the hidden leaf and get rid of the foundation, so as a sort of revenge, or just general distaste for Minato, Hiruzen doesn’t really provide for Naruto. 🤷‍♀️idk. A change I would make is to have naruto mature more to match his age. Like ofc it makes sense for him to act out for attention esp when he was younger, but i feel like past shippuden..he didn’t really mature at all? maybe thats just me. I’ll probably have more stuff to add for him, i’ll think of it later or put it in my headcanons post.

😭im so tired yall i will make a better post later on.

[sun13koi]

another vent uh it’s nothing major so I’ll put the cws I think might be needed just in case. No tags this time.

Cws for possible mentions of yelling, self expression suppression, mockery, copying, etc

In my family, it’s like I can’t do anything without a shitty half baked copy of it coming from my brother. TV shows? He has to watch them too. Friends who are at least twice his age? Too bad, his friends too in his opinion. Not even the stuff most kids find weird- therian masks and quadrobics? He’ll look like shit doing both, and won’t stop bragging about it. It feels like a mockery to my life, every time he copies me. He’s even flirted with my fucking boyfriend, who’s twice his age??? Wtf???

So as you may know, I got converse the other day. Y’know, the shoes that are popular because of art, embroidery, beads, and painting on them? That I bought specifically to do these things? My mom called it ‘ruining’ them. Like what? I’m sorry? First of all, I didn’t even do it on the fabric part of the shoe that would make it unable to be worn with the supplies I own. I painted on the white bits and the bottom. Also- I painted things that express ME. I painted trans flags, the paw lines on the top, theradelta(◯⃤), quotes, etc to express MYSELF- what I like, what makes up me, and what COMFORTS ME- and she called it ruining them. Now sure, If it were any other kind of shoe, if I hadn’t mentioned it before hand several times, if I hadn’t asked for permission, etc- I could see how it would VAGUELY be seen as that. But come on. This just felt like you were saying that my personality, beliefs, and lifestyle ruined me as a person, despite all of them being harmless. And to make matters worse, she’s even more upset because my brother who has NO sense of ‘just bc they did it doesn’t mean I have to’, decided to draw blobs that I can’t even recognize as things on his brand new Nikes.

Mine cost 20 and were an after thought. His cost 50, and he got two pairs. But when I craft on the thing I got to craft on, it’s RUINING them. Heh. Thanks, mom.

and if it were just this, I might have been a little upset, but this isn’t the first time, hence the examples I gave previously

and now despite me already doing all the research, she’s not letting me get a binder either. Even though we have a place that would give them out for FREE with CORRECT SIZING. I really don’t want to sound like a brat or picky. But is it just me, or does this feel really suppressing? I felt lucky I could get a camp halfblood shirt without her reading g every single Pjo book first.

In summery, my mom just indirectly called my self expression a waste of time, effort, and a pair of shoes, my brother can’t form an original idea and it’s made me possessive over everything and everyone I love, and I don’t know what to do <3

If you read this, uh… thanks. It means a lot to me that you’re willing to listen to this shit

and if you’re my online dad uhhh sorry for not just ranting to you like usual I don’t wanna ruin your ren faire day

EDIT: here are some photos of the ‘ruined’ converse. It doesn’t matter what she thinks since they make me extremely happy, but I just think it adds to the overall madness I feel like she has

There are lyrics from the moon will sing on the front but I couldn’t get a good photo. Everything involved I did myself and is incredibly personal to me, and I was so proud of how they turned out. I also TAUGHT MYSELF how to lace on the beads without tutorials. So yeah. Thanks for encouraging my creativity and expression, mom.

[mayaketu]

Just realizing reading the official chapter (chapter 16 TBV) that “follow your heart” was originally said by Kashin Koji towards Shikamaru for acting irrationally but doing what he felt was right. Eida contemplates those words and thinks of Sumire- who also just did something irrational .

Eida is the only person that does have some intel on Boruto. She knows what Sumire said is true because she witnessed it herself.

Notice Eida thinks back to the moment that confirms what Sumire said boruto wanted, to have space so he won’t have to explain everything. She even says to Shikamaru she’s “thinking out loud”

Koji told her she is a singularity, but rather than think of her own responsibility to hide intel, she thinks of boruto’s feelings & wants about all this. Rather than just think of herself, like Sumire suggested. This is also huge for Eida bc she tends to be a very self centered character but you can see how Sumire and Boruto are pushing her to have empathy for others. This chapter is a crucial moment for Eida’s character.

It was boruto’s interrogation where he was being physically and mentally abused that aligned with the pain Sumire described boruto feeling. Eida saw the pain he has been in having to hide everything. She knows Sumire is right.

Ikemoto is drawing comparison between what Sumire did and what Shikamaru did. This is a turning point in the story

I think Sumire said “why did I do that” bc she doesn’t realize the depth of her feelings. But I think Eida did realize Sumire is actually in love rather than just a crush. & i do believe Eida respects Sumires love bc she saw the proof that Sumire does understand him and care for him deeply.

She heard how upset Sumire was about her feelings being dismissed and Eida later thought of Sumire’s feelings. To me, taking what Sumire said seriously and adjusting her behavior are signs she respects her.

This is just my Eida reassessment of certain things after reading the official release bc the leaks aren’t always accurate. I didn’t reiterate all my other points here, so you have to read the other post for that.

I’m going to wait for more chapters before I write Part 2 of Sumire and Sarada being foils to each other, but this chapter confirmed my first post which was cool!

[jumpy-buggy-33]

🌸💫⭐️🪷LMK HEADCANONS🪷⭐️💫🌸

(Had to freaking redo this bc tumblr didn’t save my draft >:[[ )

Redson(Hong Hai’er) Headcanons!!

-loves cats with every fiber of his being

-HATE HATE HATE HATE HATES water!!

-hair turns brown when it’s wet, like fire extinguishing sorta

-touch starved asf bull demon thing(bro has got 320+ years on his ass of absolutely no affectionate touch)

-has a small appetite and the highest alcohol tolerance you will ever see(got both traits from his mother)(he doesn’t drink much though of course)

-loves being pet, please pet him on your way out😼

-loves mechanics/engineering

-if you start even mentioning mechanics/engineering, he will beam at you with stars in his eyes and WILL ramble in DETAIL if you ask them a question about it or how something worked(things like that)

-clingy asf if you even touch them a little

-loves his hair, just hates how bothersome it is sometimes

-has soft/fluffy tail fur/fur/hair(depending on how one would draw him or anything like that)

-will eat the spiciest things on earth like it’s just a pack of mints or tic tacs

-gossips with his mother

-will DEFINITELY ramble if you ask him about an invention he’s working on/making

-acts like he doesn’t care much for people but secretly cares so much that they kinda forget to care about themself a lot

-stays up to atrocious times and STILL managed to wake up every day at 5:25

-has HORRIBLE vision bc the Samadhi Fire damaged their vision badly when they were a child/temporarily blinded them

-doesn’t like having nothing to do+constantly loads themself with things to do, errands to run

-HORRIBLE at parties/formal events

-has a habit of biting his lip when in deep thought or focus

-often tries to handle things themself+doesn’t like asking for help

-flusters easily

MK(Qi Xiaotian) Headcanons!!

-sleeps with his monkey plush at night

-doodles on himself when he’s bored at work

-unmedicated ADHD

-SSSSUUUUUUUUUPEEEERRRRR affectionate(will cuddle anyone who needs it, you need one?)

-LOVESSS pineapple!!

-likes listening to music when he’s drawing or working

-artist+has 17 sketchbooks in a box besides his desk

-always loses arcade games when put up against Mei

-surprisingly a AMAZING cook, sucks at baking tho

-loves playing with people’s hair(sorta like monkey grooming?)

-has binged Monkey Cop 16 times and will never stop

-acts like a little kid whenever he sees people kissing on tv

-has a tendency to try and fix all his problems himself because he doesn’t want to ‘burden’ his friends

-BROKE ASF

-keeps instant noodles in a secret cabinet in his apartment, hiding them from Pigsy

Mei(Long Xiaojiao) Headcanons!!

-knows some mechanics, but often asks Redson for help

-absolute master at video games

-definitely ate bugs as a kid and got sick because of it

-wants a lizard or something but her parents will NOT let her

-often likes to gossip with MK

-super chill about cuddles

-loves eating dragonfruit(though..sometimes she eats it with the skin..)

-has a bunch of trophies in a box from all the races she’s won

-loves pranks

-also sleeps with her dragon plushie

-will make fun of MK or Redson for being fruity even though she’s pretty fruity😼

-steals Redson’s glasses a lot just to entertain herself when he rams into poles or falls trying to get her(or even yelling at walls)

-likes doing Redson’s hair(but he rarely lets her do it)

-knows a whole bunch about bugs(origins, scientific names, etc)

Nezha Headcanons!!

-secretly loves cats

-will make flower crowns for someone if asked

-has known Redson since he was a baby and often talks with him(they gossip together, complain about people, all that)

-sarcasm is definitely his second language

-amazing at making origami

(There’s not a lot for my boy😭🪷)

Monkey King(Sun Wukong) Headcanons!!

-has a habit of talking to himself both from the years he was alone and trapped in the furnace((I can’t remember exactly what happened about the furnace so please bear with me🥲))

-snores loud asf and often scares the monkeys away

-secretly likes singing and sings well, but terrified of doing it in front of people

-often thinks about things he regrets

-a lil touch starved :,)

-smells like peaches

Macaque(Li’uer Mihou) Headcanons!!

-touch starved monkey dude 😢

-flinches whenever someone gets close of his right

-the monkeys on FFM(Flower Fruit Mountain) often like sleeping with him, basically drowning him in monkey

-often summons Rumble or Savage(or both) to talk to(though, they’re not very good company)

-loves mangos

-likes just sitting at a quiet pond at night, its quiet and peaceful and it doesn’t hurt his ears

-his fur is always so soft because the monkeys groom it a lot

Yeah that’s kinda it….FOR NOW-

Anyway have art😼

[waroferas]

Cia HyWars is pure evil?

There is so much I could say about Cia . and i will ! you’re stuck with me now idiot !!!!! (speaking into an empty room)

i was going to skip this section bc if anybody reading this somehow didn’t know who Cia is then like . google is right there . but zeldadungeon actually has fuck all to say about cia’s backstory and i would never knowingly subject someone to the fandom wikis.

Cia was originally known as the Guardian of Time, a minor deity tasked with overlooking the checks and balances of the triforce across the past and future. She did this work alone, and her psyche was left vulnerable to a fragment of ganondorf’s soul. Her admiration and jealousy of the holder’s of the triforce was manipulated until she became physically fragmented, her “light half” being cast from her as she was fully corrupted.

That half goes on to become Lana, and what remains of Cia wants two things: Collect Link like barbie doll, and help Ganondorf restore his soul and gather the triforce so she can Collect Link like barbie doll. She’s the main antagonist of the game now.

why would she do this? is she stupid?

being lonely makes you crazy and i mean this very genuinely.

Hyrule Warriors is constantly hammering in that you need to rely on other people through gameplay And story beats. i would even say that friendship and teamwork is one of the strongest and most recognizable themes. In the very first stage there is an honestly comical back and forth that goes as follows: link runs in to fight volga. impa runs in to save link. link hops up last second and saves impa instead . and then they round out the stage with impa saving link and delivering the hero’s tunic to him. this has to be a joke? but it isn’t . they LOVE TEAMWORK !! not to mention the gameplay that forces you to run around and help your allies, or the massive story beat that revolves around Link running ahead to fight on his own, which i could dissect in its own post.

unrelated but related, in the first edition of this game Cia dies. she asks lana to make her pain make sense, reveals that she knew on some level she was doomed to fail, and admits that lana really is better than her. it’s a bitter ending with very little fanfare, as ganondorf swoops in quickly to kickstart the beginning of the end.

But in later versions, there’s additional content. Cia is found to be alive, struggling against Phantom Ganon’s forces with the last of her power. She becomes an ally and she gets to live at the end, finding a happy ending in resuming her duties now as one of two Guardians of Time with Lana.

Would it be such a stretch to assume that the root of her pain was her solitude? Her admiration of Link as the revered hero, her jealousy of Zelda as the damsel who is destined to always fight by his side, and her happy ending. she easily walks away from Link, Zelda, and the allure of the triforce because now she finally has company, and knows she is leaving them all as friends. Wouldn’t it make sense thematically that in the game about friendship, the main antagonist would be driven in part by a lack of it?

this doesn’t justify starting a war

yeag . the devs for the Dynasty Warriors hack and slash series should have made it Not a war (JOKE. PARODY. but see the first sentence or the previous section)

but what about the part where she is an irredeemable creep?

look me in the eyes . i cannot describe how much this train of thought kills me. i am trying not to point at anybody specific here but it actually scares me a little bit how common and Assumed To Be True this is considering the preexisting racism and misogyny surrounding Cia’s design and role within the game

Cia is creepy towards Link. it’s not normal to disregard a person’s autonomy because you want to “make him yours”, and it’s not normal to have just So Many pictures and statues of a guy. but i have to draw the line there because Genuinely that is where it ends.

Pet names? if you play her side campaign you find that she calls Literally everyone things like “lovelies” and “darling.” Her speech mannerisms are classically cartoonish villain and i am absolutely biased because i love this

Age difference? an important thing to note is that cia’s design is one of the things the most afflicted by the aforementioned racism and misogyny. considering she has no canonical age afaik it freaks me out that people treat her like a Textual Predator with the Everything in mind.

if she’s redeemable then they did a shit job at it.

no argument there . i think everyone forever should make something new up to make up for the fact that they did a Poor Redemption . at least have her say sorry or something idunno .

in my opinion they had a lot going on when cia joined the allies, so i like to imagine she ended up getting a proper redemption arc After phantom ganon is put to bed. it lives in my head and it’s just as convoluted and weird as the rest of the game 👍

Hyrule Warriors is just an extremely elaborate excuse to play dolls

and i LOVE my tuoys. come play with meeeee come have fun with me and ciaaaaaa

[grimmcheems]

Art dump 1 🚮🎀✨

I don’t have anything for Halloween so………art dump.

Was cleaning up and getting rid of some arts I didn't see myself continuing. Ik they don't look great but I like to share my ideas and how much potential they had before I abandoned them. A lot of these are like concept sketches and stuff I was fixated on at the moments I made them. Some of these are rly old, some of them younger like a yr old….a couple were initial sketches of ideas I have semi-related full arts of that I've actually posted in my acc later on.

Like the Ryouko yakuza one and Hinami on her chair. Those were the first sketches I made of those ideas (the yakuza Hinami AU I have) but I never got back to them and they were very old and I did not feel like trying to improve them, I chose to keep them as like archival sketches instead.

The Raditz one is related to an au I haven’t drawn yet but it’s basically an au where he lives and decides to change for goku (as he’s the only family he’s got left), in the meantime he enjoys the time he spends with his nephew but don’t let chichi find out he was left alone with him. She’s still mad about his kidnapping and takes a longer time accepting him.

Monster high bc I loved Toralei when I was younger and I know nothing about Clair but loved her design when I came across it. I drew them together after watching some clips of her and thought they’d get along if they ever met. I’ve been wanting to draw HooDude VooDoo because he’s adorable and deserves to be loved, but don’t hold me to it I’ll prolly never get to it.

Grell and Will bc 13yr old me could always sense their weird dynamic and I wanted to make something where Will reciprocates. I also had a huge crush on him but didn’t mind sharing him or was bothered at the thought of Grell with him😔🎀I was originally gonna draw Grell with her iconic short hair but when I made this it was rly hard and I got frustrated and gave up and gave her long hair instead. I also had the fattest crush on short hair Grell…..maybe it’s the glasses with the two💀😔🗿

Ballroom/cruel god/trolls are unrelated and sketches I made when I was bored and had rly good ideas but I didn’t end up going through with them in the end. I love Jeremy and Marjorie.😭💖

Lastly the Eren and Armin. Idk, I made this with the context of some fics I read at the time. A lot of them had to do with Armin’s struggle to understand Eren and Mikasa’s decision to keep him alive and he ends up hating Eren to some degree. It’s a bit hard to explain exactly what I was going for since the fics had context for it. I just wanted to interpret Armin’s resentment towards him and attempting to harm Eren in some way(but his younger version) in order to keep him from becoming his s4 version. Like time travel stuff but not rly, it’s all in his mind and the only way he can keep himself from having a violent outburst towards him.

Ik I’m a yapper and that no one is probably going to read all this but I always like to provide context for my drawings, even if they seem convoluted, I literally cannot bring myself to just post something without context. I need to yap about my fixations and what I based it off or I’ll go insane.

[jesterable]

am i danganronpa posting in the year of 2023? yes. i am. anyways sdr2 will forever be one of my favorite casts of characters and i love them all dearly. so i basically just drew all of them as stylized as i could. 

these were 90% done from memory except for mahiru bc i forgot what she looked like entirely besides her color scheme.

thought process for all of them under the cut in order of when i drew them

mikan: my brain went to that one sprite of her as it does. and she’s purple and honestly doesn’t have enough specific craziness to have more than one color so she’s very one-color 

kazuichi: very sharp. very square. very pink as well, but just pink didn't feel right. he has to have that gross green 

akane: i couldn’t see her colors being changed v much but not so much that its. too normal.

 teruteru: very proud of his face. he's very oval.  and still not crazy enough for many colors 

hiyoko: it was a very specific vision to have her with the UGLIEST yellow hair. also i don’t like the banana shape so i tried several other pigtail shapes to be normal about 

gundham: took me about 3 tries to get his drawing right. i still have a crush on him. he’s mostly magenta but i felt like that was too little so i gave him red eyes

ibuki: i am proud of her. needed her to look fucking radioactive 

sonia: silly girl! she's relatively normal looking but she is not a normal lady. very :3 coded 

chiaki: im sOOO proud of my color choices for her. idk why but the dull pink and blue combo is my fave. also i completely went off base with her design on purpose bc i don’t like her actual design. my girl is a GAMER. let her look like one. 

mahiru: i don’t know much about her i actually had to google just her so i knew what her hair looked like. ok bowl cut you eat that up! 

nagito: he’s fucking insane. don’t like how his hair looks ingame so i made it better. i also totally forgot his outfit if you couldn’t tell. love giving crazy people neon eyes 

fuyuhiko: made him accidentally smaller than the rest but i think it fits. baby face... little fucker 

peko: tried to make her colorful but at the same time incredibly gray. she gives gray to me. she radiates gray

monokuma: i don’t like the strictly black and white design so i might it alot more red, and just made all the extra bits bright fucking red 

imposter: i didn’t know what to do with him but my brain told me to make him orange so i did. 

nekomaru: originally he was just gonna be blue, but my brain was like no... give him a more prominent smile. so i did ! 

monomi: had to make her soo pink and silly coded... gave her a closed eye, a tongue out, and made her folded ear just tilted down a bit more. 

hajime: i tried to make him the most normal looking out of all of them. he just had to be.

[rhondafromhr]

So I started writing that Max and Steph roleswap AU and I wanted to post this little snippet I have so far and hear everyone’s thoughts because I’m not 100% happy with it yet…idk i feel like it might be too exposition heavy if that makes sense?? Like the backstory is important but idk I feel like I just kind of dumped it and maybe could weave it throughout the story better?? Lmk if you have any thoughts :)

Also Max and Richie’s relationship is going to be platonic in this (bc once again I’m weak for aroace Richie and the power of friendship being treated with the same narrative weight as romantic relationships).

Finally shoutout to tumblr user @idk-imrambling-idk who said in the tags of the original post that Max and Steph give sibling vibes in this au because I was like you know what, I love that, yes they do!! And it really inspired their dynamic and relationship in this

Here it is :)

Stephanie learned what it meant to be powerless at the ripe old age of nine. She sat next to her father in the crowd, watching the blindingly bright spotlight shine down upon her mother and beaming with pride as she was crowned Honey Queen. The applause was uproarious, every last townsperson’s gaze fixed solely on her. She’d always known her mom was the sweetest woman in Hatchetfield, but now it was official. Now she had the beautiful, ornate crown upon her head to prove it. As her mother was whisked away to what she assumed was some sort of super special, secret ceremony, her father insisted over her protests that no, they couldn’t go with her, she needed to go home and get to bed. It was a school night, after all, and she’d see her mother soon enough. She didn’t. Her mother never came home that night and with each passing day, Stephanie’s hope that she ever would dwindled even further.

Every woman who’s ever won that pageant has left Hatchetfield and never looked back, but back then, she didn’t know that. She just knew that one day, her mom was there to fawn over her drawings and point out all the little details she liked and put her spelling test up on the fridge and say how proud she was that Steph worked so hard and got more words right than last time and the next day, she wasn’t and there was nothing Stephanie could do about it. She wondered what she did wrong that her mom was so eager to get away from her. To this day, Stephanie doesn’t know where she ended up. She went through a brief phase where she spent hours a day fervently researching online and following every crumb of information she could find, desperate for any answers, but the very few flimsy leads she was able to find turned out to be dead ends. Not long after her twelfth birthday, Solomon told her she really ought to stop digging, because she wasn’t going to find the answers she was looking for and if she did, she wouldn’t be able to handle them. She rolled her eyes at his usual weird, cryptic nonsense, but for once, she didn’t argue with him. She never did figure out how he knew what she was doing. She only did her sleuthing when she was home alone and always made sure to use incognito mode.

As she got older, the list of things she had to do and wasn’t allowed to do and people she couldn’t hang out with grew exponentially. Everything always came back to the next election and how her behavior might reflect on her father. There was to be no hanging out with the smoke club kids, because he didn’t want the public thinking she was some kind of drug fiend (as if they were doing actual drugs. They were seventh graders. They may have upgraded to the real stuff now, but back then, Stephanie’s confident their vices of choice were, in fact, cloves and oregano, whether or not they were aware of it). If there was an option for honors or AP in a given subject, she had to take it, regardless of her interest or aptitude. He didn’t want her looking like some kind of slacker. Ironically, she credits that with how she became one. It was embarrassing trying so hard, only to still struggle to understand the material and receive abysmal grades in return, but it was equally embarrassing to admit to this and ask for help, so she figured the easiest route would be to stop trying. She made sure to keep her grades just barely high enough to keep her dad off of her case, but refused to do anything more. These days, she doesn’t have to sweat it. If she’s really in a pinch, she can just threaten some nerd into doing her homework for her.

As if that weren’t bad enough, the summer before Freshman year, one Greg Jägerman followed in his wife’s footsteps and vanished without a trace. That in itself was nothing out of the ordinary, but it did raise the question of what to do with the son he left behind. Solomon wasn’t doing so hot in the polls and Miss Tessburger decided that taking in the guy’s now-orphaned kid would make Solomon look kind and charitable, two of the last descriptors most voters would apply to him. Of course, nobody asked Steph her opinion. She was just stuck with this annoying pseudo-adopted brother one day and expected to be cool with it. Well, more accurately, nobody cared whether she was cool with it or not. The worst part was that he totally bought into this stupid fake family thing. He still won’t stop calling her sis.

What really infuriates her is that he gets the freedom she’s long been denied. Solomon truly couldn't care less what he does as long as he stays out of major trouble, doesn’t completely flunk his classes and shows up for all the public appearances and family photo ops. To this day, he still calls Solomon Dad as if he has any right to, as if Solomon sees him as anything more than an unfortunate consequence of a bold PR stunt, as if he’s had to put up with a fraction of what Stephanie’s endured from him. Solomon is not his dad and he is not a Lauter, no matter how many people mistakenly call him that. Solomon even praised him once. He came home from his latest lacrosse match and proudly said that they’d creamed Sycamore or whoever. Solomon, nose-deep in the latest poll and survey results Miss Tessburger had sent him, absently said, “that’s nice, son,” and waved him off. Sure, it was insincere. Sure, it was dismissive. But it was still far more than Stephanie had gotten since she was literally nine years old and more than she’s gotten since. It made her blood boil. She’d been jumping through hoops like some kind of goddamn show dog for her father for years and never got so much as one half-hearted compliment. It was just expected of her.

Still, she continued to jump through those hoops. It wasn’t like she had much of a choice and at this point, it was all she really knew, anyway. Unsurprisingly, Solomon still demanded more and just before she went into high school, he decided she was going to do sports. If there’s one defining trait that all of his constituents in town share, it’s their bizarre obsession with high school football, so this was a surefire way to impress them.

“Why do I have to?” she’d protested “Max already plays volleyball and lacrosse, doesn’t that satisfy the sports kid requirement?”

“Stephanie, I’d like to have an intelligent conversation with you. In other words, shut up. You know as well as I do that nobody cares about either of those sports. Clivesdale doesn’t even have a lacrosse or volleyball team and beating them is all these simple-minded hicks seem to care about. If you refuse to bring up your mediocre grades or put your time into any useful extracurriculars or bettering yourself in any way, the least you can do is join the cheer squad. How hard can it be to jump around and do some silly little chants?”

Max was there, too. Of course he was. On the increasingly rare occasions where Solomon was actually home, he was sure to be right there at his side, telling him about his day as if he fucking cared. Calling him Dad as if he had any fucking right to. She didn’t miss the way his face fell ever so slightly when Solomon said that nobody cared about his stupid sports and she couldn’t help but feel smug about it.

“Ha, yeah,” she said with a smirk “volleyball and lacrosse are dumb.”

The brief satisfaction was quickly overshadowed by a more pressing matter. Hell no, she was not going to join cheer. Pep, enthusiasm and silly dance routines aren’t really her style. She wasn’t sure she could do it if she wanted to and she really, really didn’t.

“Well, figure it out,” Solomon told her, looking at her with the usual disdain “it’s either that or football.” He may have said it mockingly, but she decided to take it as a challenge. She breached her own “no putting in more effort than necessary” policy and spent hours a day on the empty football field practicing plays. She’d usually drag Max along with her if he didn’t have practice for whichever one of his unimportant non-sports was in season.

“Hey,” he said during one of these practice sessions as he threw an admittedly decent spiral, his signature dumb, goofy grin on his face “I’ve been thinking about trying out, too. It might be kinda fun to be on the team together.”

She scowled. “No,” was her only response “just shut up and throw the ball, okay?” This was going to be her thing, damnit. He wasn’t going to invade it like he did everything else in her life. He did as she asked and never brought it up again.

She spent hours more at the gym, doing hard cardio until she was as sweat-soaked as that annoying weeb kid she saw around school sometimes and pushing herself to her limits strength training. It all paid off when the day of tryouts arrived and she blew everyone away with her athletic prowess, earning the position of star quarterback. That alone would have been great publicity and the fact that she was a freshman and the first girl ever to make the team in any position were the cherry on top. It spoke volumes that Solomon didn’t have anything negative to say, although he didn’t offer any praise, either.

If nobody could stand up to her before, they really couldn’t now. She wasn’t just the mayor’s daughter anymore. She was the star football player and with every victory she helped them score, especially against Clivesdale, the teachers and the principal became less and less likely to discipline her if anyone complained of her so-called bullying. It wasn’t as if they could do much before, but now they didn’t even care to try. With that, her iron grip over the school was secured and she’s thoroughly enjoyed it ever since. She still can’t do anything about her mom walking away or her dad treating her like some kind of accessory whose only use is to make him look good to potential voters or her stupid not-brother encroaching on her life and taking everything that’s rightfully hers, but she can maintain the delicate balance that is the high school hierarchy she’s created and bring order to Hatchetfield High. Really, she’s doing them all a favor. They don’t know what’s good for them and without her, it would descend into chaos.

Max slides into his seat in AP Calc with seconds to spare before the bell rings. He’s slammed two of those vile tasting sugar free energy drinks and he’s praying they’ll kick in soon.

“Alright, we’re going to have a pop quiz today. Hope you’ve been hitting the books, Mr. Lauter,” Miss Mulberry says. He doesn’t bother correcting her. Maybe if he could wear his letterman that has “Jägerman” embroidered on it, people wouldn’t make that mistake so often, but he’s not allowed to. The letterman jacket is Steph’s signature look. Not even Kyle and Jason get to wear theirs unless it’s a game day and they’re her closest friends. Max doesn’t even get that privilege, so he settled for a navy blue flannel with a tiny nighthawk patch poorly sewn into the pocket and his letterman hangs untouched in his closet. Sometimes, he doesn’t mind being called Max Lauter, even if it sounds a little off. Sometimes, he wants to believe that’s what he is. Other times, he wishes people would get it right. That’s the least of his worries right now, though. His chest feels so, so tight and a wave of nausea overtakes him and makes him wonder if ingesting so much caffeine and chemicals was a wise idea. He’s screwed. He can barely pass a test in this class when he has time to prepare and sacrifices several nights’ worth of sleep to study. He shouldn’t even be here. He knows he’s kind of dumb. Stephanie gleefully reminds him on a regular basis. Solomon doesn’t vocalize it, but sometimes Max will say something to him and he’ll just give him this look as if he’s just uttered the stupidest, most incomprehensible words ever spoken, then shake his head and go back to ignoring him. He’s always had a lot of trouble in most subjects, but math is by far the worst. Realistically, remedial algebra would be more his speed, but it wouldn’t be very becoming of a sort-of Lauter. Solomon took him in when he had nowhere else to go. He’s been a lot nicer to him than his own father ever was. He figured the least he could do is make him proud, but so far, that plan has backfired tremendously. Nobody’s going to be impressed with the D plus that he’s clinging to for dear life and can still feel slipping through his grasp.

He glances to his left and sees his neighbor calmly reach into his backpack and pull out his pen and calculator. The sheen of sweat on his forehead would suggest that he’s almost as nervous as Max is, but his demeanor radiates confidence and excitement. Max wonders why that guy wears so many layers if he’s always so sweaty. They’ve been in classes together since the first grade, but they’ve hardly spoken two words to each other. Max has, however, watched his hand eagerly shoot up whenever Miss Mulberry asks a question. He has watched him answer every equation with ease, solving them without fail, even when it all looks like gibberish to Max. If anyone can help Max out of this jam, it’s this guy. He has no real reason to, but Max supposes it can’t hurt to ask. What’s the worst that could happen?

“Hey,” he whispers “Shitlips, right?” He immediately winces. Fuck, he did not mean to say that. That’s how Steph and her friends always refer to him and he let it slip without thinking. Richie turns to glare at Max, clearly not amused.

“Sorry,” he says sheepishly “I meant Lipschitz. Richie Lipschitz, right?”

“Yeah,” he says, still a little irritated “what is it? We’re about to take a test.”

“It’s just that, uh, we’ve been in school together for, like, ages and I just realized I’ve never introduced myself. I’m Max.”

“Yeah, I know, Max Jägerman. The mayor’s kid. Stephanie Lauter’s brother.”

“She doesn’t like me reminding people, but yeah,” Max replies with a self-deprecating chuckle “I feel kinda bad now. I called you Shitlips and you got my name right on the first try. A lot of people think it’s Lauter.”

This gets Richie to crack a faint smile. “Yeah, I always remembered it because it sounds like Eren Yeager.”

“So, you ready for this test?” says Max with a sheepish grin “‘Cause I’m really, really not. Like, nothing in this class makes even a little bit of sense to me. I’m one hundred percent going to fail. Unless you help a bro out.”

“Oh, we’re bros now?” Richie says with a raised eyebrow.

“Sure,” Max says “we’re Nighthawks, right? We gotta stick together.”

“But won’t we get in trouble?”

“Not if we don’t get caught,” Max says “rules were made to be broken.”

“Fine,” says Richie “I’m willing to tilt my paper slightly so you can see it better. Try to keep up, though, I’m not waiting to turn in my test so you can finish copying. That’ll look suspicious.” That much is true. Richie’s always the first person to turn in his test in this class, usually by a substantial amount of time. “And don’t be super obvious about it,” he adds.

“Really?” Max says, his face lighting up in a way that he rarely allows it to “thanks, dude, I owe you one!”

[worflesbian]

right okay i dont know exactly how persistent an issue this is bc i almost never go into the tags on this website, but even ive noticed this happening so i feel like that’s justification to make a post about it. the whitewashing of julian bashir as an established Thing not just in the fandom but in official merch has been discussed before, but recently i’ve noticed the inverse happening with martok and b’elanna, a white character and a lighter latina character who people seem to often draw darker than they are in canon. and there’s like. a Lot going on there to unpack.

so this video goes into some detail about the racism baked into the origins and design of the klingons in tos, it’s very informative about the anti-asian stereotypes especially in a 60s context but i feel like it doesnt really cover the way that antiblackness becomes a more significant factor in the next gen era so like. if you didn’t know, the majority of the klingon characters in the next gen-ds9-voyager era are either played by actors with dark skin or Very frequently by white actors in heavy dark makeup. if you look up the actors of grilka, alexander, kehleyr, and sirella for example you’ll see what im talking about like the difference is Stark and these are some of the main recurring klingons across both shows. hopefully i do not need to explain why packing white actors in brown makeup to play members of a species characterised as violent, warlike and animalistic is racist. i say hopefully bc who knows with this website. anyway i’d recommend this video for a wider context on the legacy of blackface in tv!

martok is a rare example of a klingon played by a white actor who, as far as i can tell, does not have his skin significantly darkened. so to see him frequently being drawn with darker skin is uh Slightly Concerning given everything in the previous paragraph! ive even seen art where he’s drawn darker than julian in the same post which... anyway im not trying to blanket condemn reinterpreting the design of alien characters in fanart, but i am asking white fans like myself in particular to think critically as to why, out of all the white characters and aliens on ds9, martok is the one you want to do that with.

because b’elanna is not a white character i think its a slightly different situation, but at the same time she does have lighter skin and i have seen fanart of her drawn much much darker and once again, im not condeming it especially in works ive seen which explore the relationship bewteen her latina and klingon identities, but its something white fans need to handle carefully. in the voyager episode Faces where she gets split into a human and klingon version of her (dont have time to unpack all that) you can see the difference in undertones between human b’elanna and klingon b’elanna (also included a pic of regular b’elanna for reference). the brown makeup is obvious here too and if you can see why it might be racist to attribute a person’s rage and violent impulses to a part of themself that is then personified as darker skinned/more brown, then you might also see some of the wider problems going on here and can understand that this is something that demands a lot of thought and consideration.

i’d like to reiterate that this is a very complex and nuanced issue, especially considering the intersection of fictional race within the setting and the racial biases operating behind the scenes/metatextually, and i’d love to discuss it more (and to cite better sources than youtube videos when i have the time). but for now i’d just like to say yeah just ask yourself what the implications might be to drawing these characters in particular darker than they are in canon, especially if theyre the only characters you do that for, or you’re intentionally contrasting them with other characters (e.g. b/7 fanart) or yk. drawing a white character darker than a character of colour like ive seen people do with julian and martok.

[moonkissedart]

Sly cooper au kagome is the thief looking for her family thievius book. While Interpol agent Inuyasha is chasing after her.

LONG POST WITH DRAWINGS

I’ve learnt my lesson from the previous request, so I did a little research because this exact au also didn’t say anything to me 😅. But Anon I have to tell, I kept just a little from the originals, a few attributes and the basic characters.

Here’s Kagome as Sly Cooper at daylight. She’s a cute little thing with a raccoon hoodie and cookies.

But at night she’s a master thief with a little touch of assassin spirit (bc I couldn’t stop myself 😂). I imagined she can manifest the cane with her magic, energy and it can behave like a blade.

She’s a gang, which includes Sango as the brawn…

…and Miroku as the brains. This character in the originals has a wheelchair, which causes me trouble. Because it’s a good opportunity to have a representation of disability, but it’s hard to imagine why someone with a wheelchair would choose a job like this. (Don’t get me wrong, I’m a physiotherapist and know exactly what a human body is capable of) So I drew him with a wheelchair but it’s just temporary because of an accident, and I gave him some other kind of wheels just in case 😉 And no matter what, he gets the girl! 🥰

And my last character is Inuyasha as an Interpol agent. His only clue about the robberies is some crumbs from a cookie…. 🤫

This time I spent more time with the characters so everybody has to imagine the plot, but after a lot of actions and a big fight, they’ll get there. 🫣🥰

Thank you Anon for this ask! At first I was afraid I can’t draw anything for this, and maybe it went a little too far from your vision but I’m pretty satisfied how this turned out. I hope you all like it! 🥰