#it started very much as revenge-driven over a lossed love one trope
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I'm gonna need both Maeve and black noir to make it this season bc i want to see so much more of them especially as part of the boys group also hell yes at your idea of them just dating each other all over the place. I love this show but for something that constancy critiques things like racism and homophobia and sexism and how it manifests in our society it's still very much a very white straight male show which?? How about some queer relationships between your leads dude (part 1)
Like I hope so too because those two characters have so much untapped potential that we got GLIMPSES of this season, especially with the Boys. Maeve and Billy hanging out more would be great, and not in the sense of building up their relationship but because I think we need ANOTHER person who can call him out on his bullshit. And I've said this in other posts but BLACK NOIR AND KIMIKO & FRENCHIE?!?!?! They would work so well together.
That being said, as much as Eric Kripke has been pushed to the front of this series - and like, this isn't a knock against him - he is one of nineteen executive producers, and only wrote three out of, so far, twenty-three episodes. Yes, he's the showrunner, but there are other voices in the mix and Eric doesn't seem like the kind of person to nix ideas that might not appeal to or appear for straight, white, and male audiences. I think season 3 is a perfect example of them shifting away from this being such a white, male, and straight show through having Soldier Boy and - not to sound like Jensen in an umpteenth interview - toxic masculinity take the forefront as the season's villains, with Billy and Hughie falling under its sway. By developing Mother's Milk's backstory, giving him a complex character arc and really pushing him to the forefront of the story instead of focusing on Billy. By having this storyline of Annie not falling into the classic, lovelorn and 🥺 character it feels like she was written to be in the comics (which... talk about a case of American Sitcom Wife between comic Starlight and Hughie) and standing strong for her values against all the people who tried to make her bend as well as being an active agent in a lot of the plans. By, though it might be an unpopular opinion, not moving forward with making Kimiko and Frenchie's relationship romantic in nature - and also giving Kimiko agency and a voice at every turn alongside Frenchie's desire for tenderness that has really been doubled down on this season. I mean, if this show weren't turning away from a white, male, and straight audience would a) there have been the Reddit madness that was hilarious and b) so many men being turned on by Jackles and causing a new generation of Jen-heads? Billy and Hughie are not the driving force of this season nor the heroes they believe they are; they're technically minor antagonists at this point lol. I don't think they'll not be redeemed in the finale, but they've been making some pretty dumb choices all in the effort to make themselves feel better - and we've seen the story not reward them for this by causing rifts between them and the people they care about.
Yes, Supernatural - especially in its earlier seasons - was incredibly sexist and overwhelmingly white, with racist undertones at times and a lot of homophobia that seemed more than making gay people the 'butt of the joke'. But the circumstances and forces at play during Supernatural's early seasons, and the Boys now, couldn't be more different. The writer's rooms are different. Eric isn't the same man he was when Supernatural was in its infancy. There are different people involved. Instead of network television, this is streaming where there's a lot more freedom.
However, I do agree that queer characters on shows that aren't billed as 'gay' do tend to be few and far between without a lot of depth or complexity in their sexuality. We might not see all, if any, of their main male characters engage in queer play or activities, with anyone of the same or a non-binary gender including each other. They're taking strides with Frenchie, who of the Boys is the only confirmed queer character on their roster it seems, and Kimiko, by not taking their relationship into romantic territory - but mainly because of the direction of the story and from actors' and writers' inputs on the relationships.
If the story were to go there, like I've said, I don't see Eric being hesitant about doing so. The hesitance over Destiel - especially towards the end of the series - was majority network with a dash of one or two people in entrenched positions within the creative team. I don't see that, so far, with the Boys. It doesn't seem like they would be afraid if the story took them there, except for maybe Garth Ennis. But there is no active drive to make these choices either instead of being led by the story, which isn't a bad thing but a product of the people behind the wheel I guess which is what you're alluding to. As progressive as people can become, there are still things that they can be unaware of because of the privleges of their lives.
Also, it has to be said, despite Annie and Hughie's relationship being a major part of the story - romance is not the main drive of the Boys nor has it become a central focus of the story and plot like it had for Supernatural.
I like to say there'd be a polycule between Annie, Hughie, Frenchie, and Kimiko. But I also believe next season will focus on Hughie and Annie probably planning their future because it will be a season heavily about parents and children (Soldier Boy & Homelander, Billy & Ryan). If Victoria doesn't survive the season 3 finale, but that seems less and less likely the more episodes we saw, I figured they might adopt her daughter. Adoption, of any superpowered kid, though seems likely given the cover story Hughie mentioned, because why not take in a super-powered kid? Maybe they adopt the laser-eye baby lol. And while Frenchie is queer, who knows if they will introduce someone male-presenting to be his love interest and not have him reunite with Cherry. While I like Billy and Mother's Milk growing into a romantic relationship, they have set up Billy and Maeve in this season (if she survives that is), and I don't think Monique and Mother's Milk's story is over either.
I do think and would like to see Soldier Boy engage in male-on-male activities in the next season, however 😘
#the boys#the boys s3#the boys analysis#billy butcher#hughie campbell#eric kripke#annie january#marvin t. milk#the boys mother's milk#the boys frenchie#the boys kimiko#queen maeve#black noir#soldier boy#it took me awhile to get to this ask but I hope I answered it well lol#it started very much as revenge-driven over a lossed love one trope#but with becca's death I think it ended that which was a change that was needed and why i think billy is being pushed into a redemption arc#and not ending up like his comic book counterpart
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Ashes of Love Ep 40 Impressions
It’s a very standard mythology/fantasy romance drama where the male lead is a brooding, high ranking war god who falls hard for a bubbly, vulnerable, and naive spirit/fairy who barely ranks as an angel (but who is really of noble birth).
Deng Lun and Yang Zi have easy chemistry, though you don’t really feel the full effects of their acting until the episodes when they’re in the mortal realm. They’re great actors, but they don’t really bring anything new to the table until their characters are given more depth when they’re out of the heavenly realm.
DL plays Xufeng, a near-perfect love interest in both the immortal and mortal realms. It’s easy to see the appeal of the drama because his character is essentially a wish fulfillment fantasy. He’s romantic, protective, reasonable, willing to love Jin Mi unconditionally, and just all around a flawless character (this is problematic though, as I’ll explain below).
On the other hand, while Xufeng is the ultimate hero, Jin Mi is the repressed victim who isn’t even allowed to have romantic feelings for anyone (literally) since her heart is sealed off by her mother’s spell (read: pill).
This is where is gets frustrating. The angst in this drama comes from the fact that Jin Mi isn’t able to fully reciprocate Xufeng’s feelings, even though deep down she wants to. She’s emotionally stunted because apparently people are able to enter her heart and re-seal it, as if her feelings are a switch that can be turned on and off.
She has no agency in the immortal/heavenly realm. Everyone makes decisions for her, trying to decide what’s best for her, and keeps her in the dark. In the mortal realm, where she’s uninhibited, she’s able to love and make her own decisions, and live on her own terms. She breaks the rules and follows her heart. Despite being veiled by a mask, mortal Jin Mi is more of a free spirit than the immortal Jin Mi who feels that she needs to consult her elders and afraid of offending them. The scene where mortal Jin Mi confesses that she loves the king was hella cathartic because she finally expresses what she feels freely and loudly. We’re 40 episodes into the drama, and Jin Mi still can’t freely think, or even feel, for herself. When she returned to the heavenly realm, it was like having taken 10 steps forward then 20 steps back.
Jin Mi doesn’t make things happen, but instead things happen to her. Everyone’s fighting over her and she doesn’t even know it.
This drama is also filled with cliche tropes:
-The false sibling trope (like in the Mortal Instruments) -The unwanted arranged marriage trope -Instead of a “memory loss” trope, you have a “feeling loss” trope where she loses her ability to love -There’s a revenge plot passed down from a previous generation (the whole your-mother-killed-my-mother) -The father/son mirror trope where the sons falls for the daughter of their father’s past lover -The reincarnation trope (which tbh was probably the highlight of the drama)
I feel like all that’s missing is some sort of love potion trope and a stolen identity trope.
With less than half way to go, there are still 3 things that need to happen based on the promos, so I’m guessing that the “angst” has only just gotten started.
-we see that Jin Mi goes ahead with the wedding to Runyu, but Xufeng crashes the wedding. -Xufeng becomes the demon king somehow -There’s more crying from Jin Mi, and a scene where we see Xufeng walk away from her, which is out of character for him since he’s never turned his back on her. He’s always the one chasing after her, so it’ll be interesting to see what prompts this scene.
The problem with this drama is that the angst comes from external sources. Everyone is trying to get between XF and JM to keep them apart. The time in the mortal realm showed us that XF and JM have no problem being together. The plot is just trying to create problems by cramming people between them.
There’s a Zeus-like emperor. An evil Hera-like empress. An evil, jealous princess. An evil, jealous prince (with a tragic backstory).
As the comments say, the heavenly realm seems to have the most evil people. The only non-stereotypical, non-caricature character is probably the demon princess who’s main goal isn’t to try and sabotage the relationship between the main leads.
The problem with all these external obstacles and with Xufeng’s near perfect characterization is that the drama isn’t so much as angsty as it is frustrating and intellectually condescending. When I think of angsty stories, I think of stories in which characters cause their own downfall. Stories in which characters make decisions that come back to haunt them later down the line.
For instance:
Love and Destiny Probably the closest comparison to Ashes of Love yet also the least angsty and frustrating. The obstacles that Ling Xi and Jiu Chen face only bring them closer together instead of tearing them apart. They have a few misunderstandings that are quickly resolved. The biggest angsty plot point was when (spoiler) JC has to kill moral LingXi pre-maturately to ensure that she keeps her immortality. We sympathize with Jiu Chen because we know it’s the only way to save Ling Xi, and we can’t say he didn’t try to be honest with her. He literally told her that she’s not a mortal and who she really is, but of course as a mortal, she can’t bring herself to believe that. Still, the angst here is that the characters are trying their best to reach out to each other, and yet they are also the very ones blocking each other out. Ah Mo feels like she’s just Ling Xi’s replacement, because she can’t understand that she’s both Ling Xi and Ah Mo.
Journey of Flower The angst that started the fantasy angst trend in the mid-2010s. BZH’s flaw is that he puts his responsibility and his morals above everything else, even himself. He’d rather repress his feelings than betray the world he’s tasked with protecting. This means that he’d sacrifice everything in order to uphold his morals, including HQG. He thinks that he can betray her because he’d make it up to her by killing himself (until she prevents him from doing so in order to punish him, much to his dismay). His flaw is that he’s too righteous. HQG’s flaw is that she trusts in him too much.
Goodbye My Princess LCY isn’t just flawed, but he’s a straight up villain who’s willing to kill innocent people (even his own family) if he feels desperate, jealous, or betrayed. He’s selfish and malicious, and ultimately his punishment is to live out the rest of his days in regret and loneliness. Even during the episodes where he thought he was protecting XF, he pushed it way overboard. There was really no reason to go as far as he did in the name of trying to “protect” her. GMP is a good example of a plot where there are characters who make choices with unexpected consequences, and other characters who make choices in spite of the consequences. But overall, the hate that the characters felt for others (and themselves) were driven by their own choices and actions. They were the cause of their own downfall.
Eternal Love Again, the angst stemmed from Ye Hua’s flawed thinking that he can keep everything under control. His mistaken assumption that he can protect Su Su by hurting her. His flawed logic that he can destroy her livelihood (by taking away her eyes) but justifies it by thinking that he’d be able to keep her alive with him, which is all that matters to him.
Comparisons In all these dramas, the male character thinks that the best way of protecting the female character is to pretend to be indifferent about her. They think that pretending not to love her is the best way to protect her, despite the consequence of hurting her in the process. They’re always making decisions for her, thinking for her.
The female character wants to hate the male character but can’t bring herself to do so because she still loves him, so she ends up hating herself for not being strong enough to hate him. She then kills herself and is “reborn” as someone with more agency and courage to not only hate him, but to also protect herself so that she no longer needs him.
Ashes of Love is the opposite. Jin Mi wants to love Xufeng, but is prevented from doing so because everyone else seems to have access and control to her heart except herself. Xufeng is different from these other male characters because he doesn’t hide his love. In fact, he’s desperate to try to show Jin Mi how much he loves her. It’s a completely different dynamic. It makes Xufeng an easy character to like, but it prevents any kind of character growth in either Xufeng or Jin Mi. It doesn’t look like Jin Mi is going to “grow” insomuch as be liberated. It’s just annoying how she isn’t allowed to grow and how everyone keeps running circles around her.
It’s also exhausting. It feels like the drama can drag on and on because the plot can just keep throwing obstacles at them, which it looks like it’s going to do. In other dramas, you usually know what to look forward to: it’s usually when the moment of truth is revealed and when the main characters redeem themselves. There’s no redemption plot to look forward in this (maybe for the 2nd male lead). Instead, you’re waiting for all the secondary characters who are obstacles to be eliminated so that the leads finally have an unobstructed path to each other. It would say this is much more of a plot-driven drama than a character-driven drama.
#ashes of love#香蜜沉沉烬如霜#deng lun#yang zi#cdrama#heavy sweetness ash like frost#heavy sweetness#ash like frost#jin mi#xufeng#jin mi xufeng#杨紫#邓伦#review#impressions#rant#opinion#chinese drama#xianxia#ancient drama#fantasy drama#fantasy romance#love and destiny#journey of flower#jop#eternal love#ten miles of peach blossom#goodbye my princess#character analysis
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Book Recs if you love Jaime and Brienne
This is a collection of all the book recs I could find from @briennesjaime tumblr books rec, the reddit, and my own. Please reblog your own if you have some.
1. The Queen of Attolia which is book#2 of the The Queen’s Thief series
This is definitely more for the enemies to lovers trope. The thief even loses a hand like Jaime but under much different circumstances. The Queen is like the colder version of Brienne.
Revenge When Eugenides, the Thief of Eddis, stole Hamiathes’s Gift, the Queen of Attolia lost more than a mythical relic. She lost face. Everyone knew that Eugenides had outwitted and escaped her. To restore her reputation and reassert her power, the Queen of Attolia will go to any length and accept any help that is offered…she will risk her country to execute the perfect revenge. …but Eugenides can steal anything. And he taunts the Queen of Attolia, moving through her strongholds seemingly at will. So Attolia waits, secure in the knowledge that the Thief will slip, that he will haunt her palace one too many times. …at what price? When Eugenides finds his small mountain country at war with Attolia, he must steal a man, he must steal a queen, he must steal peace. But his greatest triumph, and his greatest loss, comes in capturing something that the Queen of Attolia thought she had sacrificed long ago…
2. The Lumatere Chronicles
One of my favorite series of all time. It’s character driven and it’s has many surprises. Starts off with Finnikin has lost hope like Jaime but gains it slowly over time. Evanjalin her honor and her pursuit of her quest reminds me very much of Brienne.
Finnikin of the Rock and his guardian, Sir Topher, have not been home to their beloved Lumatere for ten years. Not since the dark days when the royal family was murdered and the kingdom put under a terrible curse. But then Finnikin is summoned to meet Evanjalin, a young woman with an incredible claim: the heir to the throne of Lumatere, Prince Balthazar, is alive. Evanjalin is determined to return home and she is the only one who can lead them to the heir. As they journey together, Finnikin is affected by her arrogance … and her hope. He begins to believe he will see his childhood friend, Prince Balthazar, again. And that their cursed people will be able to enter Lumatere and be reunited with those trapped inside. He even believes he will find his imprisoned father. But Evanjalin is not what she seems. And the truth will test not only Finnikin’s faith in her … but in himself.
3. Howl’s Moving Castle
This one might be a stretch but hear me out. Howl is pretty much the embodiment of Jaime but probably more vain. While, Sophie really conveys Brienne self-esteem issues but still noble in her own right. Plus, their banter very reminiscent to Jaime and Brienne.
Sophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl’s castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there’s far more to Howl—and herself—than first meets the eye.
@temporiibus recommends The Raven Cycle!!
“There are only two reasons a non-seer would see a spirit on St. Mark’s Eve,” Neeve said. “Either you’re his true love . . . or you killed him.” It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them—not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can’t entirely explain. He has it all—family money, good looks, devoted friends—but he’s looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she’s not so sure anymore. From Maggie Stiefvater, the bestselling and acclaimed author of the Shiver trilogy and The Scorpio Races, comes a spellbinding new series where the inevitability of death and the nature of love lead us to a place we’ve never been before.
The Winners Trilogy
As a general’s daughter in a vast empire that revels in war and enslaves those it conquers, seventeen-year-old Kestrel has two choices: she can join the military or get married. But Kestrel has other intentions. One day, she is startled to find a kindred spirit in a young slave up for auction. Arin’s eyes seem to defy everything and everyone. Following her instinct, Kestrel buys him—with unexpected consequences. It’s not long before she has to hide her growing love for Arin. But he, too, has a secret, and Kestrel quickly learns that the price she paid for a fellow human is much higher than she ever could have imagined. Set in a richly imagined new world, The Winner’s Curse by Marie Rutkoski is a story of deadly games where everything is at stake, and the gamble is whether you will keep your head or lose your heart.
Daughter of Smoke and Bone recommended by @realduality
Errand requiring immediate attention. Come. The note was on vellum, pierced by the talons of the almost-crow that delivered it. Karou read the message. 'He never says please', she sighed, but she gathered up her things. When Brimstone called, she always came. In general, Karou has managed to keep her two lives in balance. On the one hand, she's a seventeen-year-old art student in Prague; on the other, errand-girl to a monstrous creature who is the closest thing she has to family. Raised half in our world, half in 'Elsewhere', she has never understood Brimstone's dark work - buying teeth from hunters and murderers - nor how she came into his keeping. She is a secret even to herself, plagued by the sensation that she isn't whole. Now the doors to Elsewhere are closing, and Karou must choose between the safety of her human life and the dangers of a war-ravaged world that may hold the answers she has always sought.
The Mars Trilogy by Kim Stanley Robinson. Hard SF, and the romance is definitely not a major plot, but one of the characters involved in the trope is legit my favorite fictional character of all time and that journey from enemy to friend to lover is a big part of it.
In his most ambitious project to date, award-winning author Kim Stanley Robinson utilizes years of research & cutting-edge science in the 1st of a trilogy chronicling the colonization of Mars: For eons, sandstorms have swept the desolate landscape. For centuries, Mars has beckoned humans to conquer its hostile climate. Now, in 2026, a group of 100 colonists is about to fulfill that destiny. John Boone, Maya Toitavna, Frank Chalmers & Arkady Bogdanov lead a terraforming mission. For some, Mars will become a passion driving them to daring acts of courage & madness. For others it offers an opportunity to strip the planet of its riches. For the genetic alchemists, it presents a chance to create a biomedical miracle, a breakthrough that could change all we know about life & death. The colonists orbit giant satellite mirrors to reflect light to the surface. Black dust sprinkled on the polar caps will capture warmth. Massive tunnels, kilometers deep, will be drilled into the mantle to create stupendous vents of hot gases. Against this backdrop of epic upheaval, rivalries, loves & friendships will form & fall to pieces--for there are those who will fight to the death to prevent Mars from ever being changed. Brilliantly imagined, breathtaking in scope & ingenuity, Red Mars is an epic scientific saga, chronicling the next step in evolution, creating a world in its entirety. It shows a future, with both glory & tarnish, that awes with complexity & inspires with vision.
The Folk of the Air
Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever. And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe. Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him–and face the consequences. As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.
Feyre's survival rests upon her ability to hunt and kill – the forest where she lives is a cold, bleak place in the long winter months. So when she spots a deer in the forest being pursued by a wolf, she cannot resist fighting it for the flesh. But to do so, she must kill the predator and killing something so precious comes at a price ... Dragged to a magical kingdom for the murder of a faerie, Feyre discovers that her captor, his face obscured by a jewelled mask, is hiding far more than his piercing green eyes would suggest. Feyre's presence at the court is closely guarded, and as she begins to learn why, her feelings for him turn from hostility to passion and the faerie lands become an even more dangerous place. Feyre must fight to break an ancient curse, or she will lose him forever.
@swainlake recommends the darkest powers trilogy by kelley armstrong is really good
My name is Chloe Saunders and my life will never be the same again. All I wanted was to make friends, meet boys, and keep on being ordinary. I don't even know what that means anymore. It all started on the day that I saw my first ghost - and the ghost saw me. Now there are ghosts everywhere and they won't leave me alone. To top it all off, I somehow got myself locked up in Lyle House, a "special home" for troubled teens. Yet the home isn't what it seems. Don't tell anyone, but I think there might be more to my housemates than meets the eye. The question is, whose side are they on? It's up to me to figure out the dangerous secrets behind Lyle House... before its skeletons come back to haunt me
@imladriss recommends: We hunt the flame by hafsah faizal
People lived because she killed. People died because he lived. Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the king. If Zafira was exposed as a girl, all of her achievements would be rejected; if Nasir displayed his compassion, his father would punish him in the most brutal of ways. Both are legends in the kingdom of Arawiya—but neither wants to be. War is brewing, and the Arz sweeps closer with each passing day, engulfing the land in shadow. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the king on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs as their journey unfolds—and the prize they seek may pose a threat greater than either can imagine. Set in a richly detailed world inspired by ancient Arabia, We Hunt the Flame is a gripping debut of discovery, conquering fear, and taking identity into your own hands.
@moirindeclermont recommends anything from Jacqueline Carey (she is a goddess and my favourite writer) but also Deborah Harkness (A discovery of witches) which is amazing, I’m obsessed with it. Nemesis by Isaac Asimov touches some themes similar to Brienne’s. Arn the knight
The land of Terre d'Ange is a place of unsurpassing beauty and grace. It is said that angels found the land and saw it was good... and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt. Phèdre nó Delaunay is a young woman who was born with a scarlet mote in her left eye. Sold into indentured servitude as a child, her bond is purchased by Anafiel Delaunay, a nobleman with very a special mission... and the first one to recognize who and what she is: one pricked by Kushiel's Dart, chosen to forever experience pain and pleasure as one. Phèdre is trained equally in the courtly arts and the talents of the bedchamber, but, above all, the ability to observe, remember, and analyze. Almost as talented a spy as she is courtesan, Phèdre stumbles upon a plot that threatens the very foundations of her homeland. Treachery sets her on her path; love and honor goad her further. And in the doing, it will take her to the edge of despair... and beyond. Hateful friend, loving enemy, beloved assassin; they can all wear the same glittering mask in this world, and Phèdre will get but one chance to save all that she holds dear. Set in a world of cunning poets, deadly courtiers, heroic traitors, and a truly Machiavellian villainess, this is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. Not since Dune has there been an epic on the scale of Kushiel's Dart-a massive tale about the violent death of an old age, and the birth of a new.
Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell.
In a hail of fire and flashing sword, as the burning city of Acre falls from the hands of the West in 1291, The Last Templar opens with a young Templar knight, his mentor, and a handful of others escaping to the sea carrying a mysterious chest entrusted to them by the Order's dying Grand Master. The ship vanishes without a trace. In present day Manhattan, four masked horsemen dressed as Templar Knights emerge from Central Park and ride up the Fifth Avenue steps of the Metropolitan Museum of Art during the blacktie opening of a Treasures of the Vatican exhibit. Storming through the crowds, the horsemen brutally attack anyone standing between them and their prize. Attending the gala, archaeologist Tess Chaykin watches in silent terror as the leader of the horsemen hones in on one piece in particular, a strange geared device. He utters a few cryptic Latin words as he takes hold of it with reverence before leading the horsemen out and disappearing into the night. In the aftermath, an FBI investigation is led by anti-terrorist specialist Sean Reilly. Soon, he and Tess are drawn into the dark, hidden history of the crusading Knights, plunging them into a deadly game of cat and mouse with ruthless killers as they race across three continents to recover the lost secret of the Templars.
Irissa and Kendric Series
Irissa was the last of the sorcerous Torlocs, untutored in magic and abandoned upon this decaying world by her people. Kendric was one of the Six of Swords, gifted with a legendary weapon to guard the Realms from harm. But now he was an outcast, and his death was sought with reason by the other Five. Sorceress and swordsman, they were thrown together; each filled with ancient prejudices against the other. But only by combining her uncertain powers with his remaining skills could they survive. Survive they must, however. Rule was a world formed upon magic - but now magic was failing and there would soon be no place for it. And destiny in strange guise had chosen them to make one last stand against the dark forces that were waiting at the Gate of Valna, seeking to destroy their world
Jane Eyre by Charlotte Bronte
Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard.
But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?
Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England
In the medieval and fantastic realm of Tortall, Keladry of Mindelan (known as Kel) is the first girl to take advantage of the decree that permits women to train for knighthood. But not everyone in Tortall believes a woman is up to the task, and Kel faces harsh discrimination. With unparalleled determination and a knack for leadership, she captures the hearts of her peers and proves that she is not a girl to underestimate!
#jaime x brienne#braime#brienne of tarth#jaime lannister#We should start a book club#only half joking#but for real we should#next up does anyone have shows and movies that fit the dynamic of Jaime and Brienne#long post
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P I C K (S) O F T H E M O N T H: O C T O B E R
Lie by Natalia Jaster
Villains series by V.E. Schwab
Wolfsong by TJ Klune
All the Light We Cannot See by Anthony Doerr
Fall by Kristen Callihan
Scotland or Bust by Kira Archer
Dating the Enemy by Nicole Williams
Save the Date by Morgan Matson
Lie by Natalia Jaster
Genres: New Adult, Fantasy, Romance
Links: goodreads | amazon
Synopsis:
Once upon a time, there lived a liar... In the Kingdom of Autumn, Aspen is a girl of the trees. She’s a girl who knows her way around a falsehood. She’s the artful liar who steals from the Crown. Once upon a time, there lived a knight... In the shadows of a castle, Aire is a man of the wind. He’s a man who sees through Aspen’s treachery. He’s the relentless knight who pursues her. Once upon a time, there lived two enemies... In a fairytale woodland, a pair of mismatched souls are thrown together—only to find an unexpected bond. Both deceitful and passionate.
Why we love it:
beautiful, poetic prose
interesting, unusual take on Pinocchio
flawed, engaging characters who develop over the course of the book
their banter is entertaining as hell
heroine’s “skin condition” (so to speak) is not magically healed (at least not permanently) - she learns to love herself instead
Trigger warnings: ableism
Villains series by V.E.Schwab
Genres: Adult, Fantasy, Science-Fiction
Links: goodreads | bookdepository
Synopsis:
Victor and Eli started out as college roommates—brilliant, arrogant, lonely boys who recognized the same sharpness and ambition in each other. In their senior year, a shared research interest in adrenaline, near-death experiences, and seemingly supernatural events reveals an intriguing possibility: that under the right conditions, someone could develop extraordinary abilities. But when their thesis moves from the academic to the experimental, things go horribly wrong. Ten years later, Victor breaks out of prison, determined to catch up to his old friend (now foe), aided by a young girl whose reserved nature obscures a stunning ability. Meanwhile, Eli is on a mission to eradicate every other super-powered person that he can find—aside from his sidekick, an enigmatic woman with an unbreakable will. Armed with terrible power on both sides, driven by the memory of betrayal and loss, the archnemeses have set a course for revenge—but who will be left alive at the end?
Why we love it:
memorable cast of characters - likeable and morally grey villains, badass women
anti-hero story
a gripping, twisted tale of jealousy, ambition, murder, revenge and superpowers
interesting narrative style with timeline jumping back and forth fluidly with different perspectives
SO. MUCH. TENSION
Trigger warnings: domestic abuse, suicide, attempted rape, drug abuse, graphic violence
Wolfsong by TJ Klune
Genres: Adult, Fantasy, Paranormal, Romance
Links: goodreads | bookdepository
Synopsis:
Ox was twelve when his daddy taught him a very valuable lesson. He said that Ox wasn’t worth anything and people would never understand him. Then he left. Ox was sixteen when he met the boy on the road, the boy who talked and talked and talked. Ox found out later the boy hadn’t spoken in almost two years before that day, and that the boy belonged to a family who had moved into the house at the end of the lane. Ox was seventeen when he found out the boy’s secret, and it painted the world around him in colors of red and orange and violet, of Alpha and Beta and Omega. Ox was twenty-three when murder came to town and tore a hole in his head and heart. The boy chased after the monster with revenge in his bloodred eyes, leaving Ox behind to pick up the pieces. It’s been three years since that fateful day—and the boy is back. Except now he’s a man, and Ox can no longer ignore the song that howls between them.
Why we love it:
so many family feels!
highlights the importance of friends/family/people in your life that are not blood-related
MATES (we do love a WELL-done mates trope)
werewolves whose sexuality is fluid
angsty but worth it!
Trigger warnings: violence, death, emotional abuse
All the Light We Cannot See by Anthony Doerr
Genres: Historical, Historical Fiction
Links: goodreads | bookdepository
Synopsis:
Marie-Laure lives in Paris near the Museum of Natural History, where her father works. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, Werner Pfennig, an orphan, grows up with his younger sister, enchanted by a crude radio they find that brings them news and stories from places they have never seen or imagined. Werner becomes an expert at building and fixing these crucial new instruments and is enlisted to use his talent to track down the resistance. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another.
Why we love it:
beautifully haunting prose
set during WWII
two parallel stories that intertwine briefly towards the end
poetically written and full of rich details
there are so many heartwarming and heartbreaking moments
Trigger warnings: n/a
Fall by Kristen Callihan
Genres: New Adult, Romance, Contemporary
Links: goodreads | bookdepository
Synopsis:
The first time I met Jax Blackwood things went a little sideways. In my defense, I didn’t know he was Jax Blackwood—who expects a legendary rock star to be shopping for groceries? More importantly, a blizzard was coming and he was about to grab the last carton of mint-chocolate chip. Still, I might have walked away, but then he smugly dared me to try and take the coveted ice cream. So I kissed him. And distracted that mint-chip right out of his hands. Okay, it was a dirty move, but desperate times and all that. Besides, I never expected he’d be my new neighbor. An annoying neighbor who takes great pleasure in reminding me that I owe him ice cream but would happily accept more kisses as payment. An irresistible neighbor who keeps me up while playing guitar naked–spectacularly naked–in his living room. Clearly, avoidance is key. Except nothing about Jax is easy to ignore—not the way he makes me laugh, or that his particular brand of darkness matches mine, or how one look from him melts me faster than butter under a hot sun. Neither of us believes in love or forever. Yet we’re quickly becoming each other’s addiction. But we could be more. We could be everything. All we have to do is trust enough to fall.
Why we love it:
story written with SO MUCH feeling
deals with depression in a realistic way
wonderfully painful and satisfying slow-burn
actual relationship buildup, unlike the usual instalove that we see a lot in contemporaries
characters that feel very real and utterly relatable
“musician” aspect of the story is not just there, it’s a focus of some scenes
interesting and entertaining secondary characters
makes us long for the next installment!
Trigger warnings: mentions of suicide, depression
Scotland or Bust by Kira Archer
Genres: New Adult, Romance, Contemporary
Links: goodreads | bookdepository
Synopsis:
After dumping her boyfriend, Nicole Franklin impulsively jumps on a plane and heads to Europe. Sure, money and a job would have been nice to line up first. Even a visa, for that matter. So now she has to play tour guide at an Outlander experience for the most obnoxious man on the planet. Until she stumbles into the wrong bed in the middle of the night and wakes up in Harrison’s arms. Now his family thinks they’re engaged, and the entire village is betting on how long before she’ll be running for the hills. Harrison Troy has a reputation in the town for burning through assistants. And the bubbly new one he’s just hired is likely no different. But his family quickly has them “engaged.” He should be upset, but she’s the perfect buffer for his interfering family. She says she doesn’t need another man in her life--even if he comes with a castle--and that’s fine with him. So why can’t he stop thinking about the woman who is charming everyone in the town, and maybe even him?
Why we love it:
fake dating trope
set in Scotland
crazy adorable family
so many outlander and Jamie/Claire references
Trigger warnings: n/a
Dating the Enemy by Nicole Williams
Genres: Adult, Romance, Contemporary
Links: goodreads | bookdepository
Synopsis:
Ms. Romance, Hannah Arden, writes one of the top read relationship advice columns in the nation. Mr. Reality, Brooks North, writes the top read relationship advice column. Ms. Romance believes in true love and soul mates. Mr. Reality believes love is a term humanity has assigned to the primal instinct to procreate. She believes in fate—he in chance. She knows there’s one right person for everyone—he knows there are multiple ones. The two writers couldn’t be more polarized on relationships. They’re professional rivals, and philosophical antagonists. For eight years, their battles have been fought with words and ink. That changes when they apply for the same position at the World Times and find themselves face-to-face for the first time. Brooks isn’t the sour-faced, antiquity of a man Hannah pictured. And Hannah isn’t exactly the middle-aged shrew with cat hair on her housedress that Brooks imagined either. In lieu of competing for the promotion traditional ways, the two writers are presented with playing the leading roles in a social experiment unlike any before. Can a person be tricked into falling in love? Can a relationship be crafted under the right string of circumstances? Hannah knows the answer. So does Brooks. Agreeing to the terms, the two set out on a three-month dating experiment, live-streamed for the world to watch. All Hannah has to do to win is not fall in love with the narcissistic brute. All Brooks has to do is get the starry-eyed dreamer to fall in love with him. Both are so confident in their philosophies, they expect the challenge to be easy. With the world watching, Brooks and Hannah will be forced to confront their beliefs and conclude, once and for all, who’s right. The answer is one neither of them saw coming.
Why we love it:
fake dating (we do have a weakness for this trope!)
interesting dynamic
likeable characters
The-Ugly-Truth-meets-The-Hating-Game premise
Trigger warnings: n/a
Save The Date by Morgan Matson
Genres: Young Adult, Romance, Contemporary
Links: goodreads | bookdepository
Synopsis:
Charlie Grant's older sister is getting married this weekend at their family home, and Charlie can't wait for the first time in years, all four of her older siblings will be under one roof. Charlie is desperate for one last perfect weekend, before the house is sold and everything changes. The house will be filled with jokes and games and laughs again. Making decisions about things like what college to attend and reuniting with longstanding crush Jesse Foster all that can wait. She wants to focus on making the weekend perfect. The only problem? The weekend is shaping up to be an absolute disaster. There's the unexpected dog with a penchant for howling, house alarm that won't stop going off, and a papergirl with a grudge. There are the relatives who aren't speaking, the (awful) girl her favorite brother brought home unannounced, and a missing tuxedo. Not to mention the neighbor who seems to be bent on sabotage and a storm that is bent on drenching everything. The justice of the peace is missing. The band will only play covers. The guests are all crazy. And the wedding planner's nephew is unexpectedly, distractedly cute. Over the course of three ridiculously chaotic days, Charlie will learn more than she ever expected about the family she thought she knew by heart. And she'll realize that sometimes, trying to keep everything like it was in the past means missing out on the future.
Why we love it:
adorable, intriguing and complex dynamic between Grant siblings
Trigger warnings: n/a
#dailylit#litedit#nadaily#book recs#bibliophile#bookworm#villains series#foolish kingdoms#lie#all the light we cannot see#wolfsong#vip series#fall#our edits#pick of the month#dating the enemy#save the date#scotland or bust
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mmm guardian really gave me it all
Queer romance spanning 10,000 years perpetually starting and already eternal, people born with powers, comedy and horror in equal parts, cute tropes and devestating stakes you only get in heavy action, critique of government systems and authority, character arcs galore of personal growth and improving compassion (especially our two leads, but also a lot of the main cast - zhu Hong deciding what she values in helping the world over her personal lives or feelings, Lin Jing choosing loyalty to innocent people and justice rather than to his govt and status and safety, guo changcheng being the perfectly ordinary everyday perso who musters the bravery and desire to face any threat or danger to help people), commentary on various issues (classism, racism, government abuse, rape, child abuse, censorship, being closeted, abuse of power, corruption, family versus individual, influence of our actions in public eye on society, paparazzi, aging and death, greed, losing loved ones, etc god so many I can’t think of them all), ridiculously dumb cgi that’s funny to watch, killer soundtrack I love everything on, opening song and vid perfectly reminiscent of my other faves like buffy in vibe, impeccable main lead actors, plot structure ideally suited to my attention span of mini stories that built a larger one and climax every ten eps, paralleling plots so episodes of the week build the themes and characters later return and side romances highlight major factors in the Main romance, as a result it’s chock full of star crossed lovers as the human/non-human romances and important relationships on the show is sky high to parallel Shen wei and zhao yunlan.
domestic romance and goals of having a best friend and love to come home to and be yourself with, a bi protagonist who feels comfortably himself, a love triangle handled lovely, a villain who is intensely dramatic and also paralleling the main characters in experience struggles demons and literal appearance, side villains who are all intense to comic book proportions while all having very understandable motives that turned them into what they’ve chosen, main characters who have their own sets of flaws. More I’m forgetting... it just... it’s got it all. Hot men in chains. People sucking provacatively on lollipops, fake identities, time travel, falling in love while already in love, political intrigue, human villains to rival Sentinel Program in Xmen while also being abusive to the humans they act like they’re helping, some fun sci fi horror to dollop alongside the vague supernatural horror. The hardest terror hitting because the show is aiming for your heart and personal fears, not with its powers or monsters. The first arc makes it clear, when Li qians story is horrific because she witnessed losing closeness with her most loved one, did something to try and save her and found only a dragging out of that same loss and pain we actually do and will go through in life, never mind a depiction of depression in college that feels horrifically real if you’ve been where she was, and the hint that Shen Wei’s pain is going to be paralleling the worst of all of these stories (and eventually, for the other main characters pains as well). Or the story about the teacher and rogue powered student, which feels like an age difference lesbian romance in a murder mystery driven by justifiable revenge and so horrifying in that no one helped until it was too late that it was already to that point - to Shen Wei finding out the awful things his students are capable of, of students driven to kill thinking it’s the only way they can help, and the glimpse of happy endings some people might find. Which just as a personal story wrecked me but also on a bigger level parallels SO much of what comes later - government attacking the sid and Shen Wei, dixing and haxing abusing their own people, people taking it into their own hands to various consequences, struggling for a better outcome. The sheer number of fun murder mysteries in this show too...
Like fuck if you need some good short-story murder mysteries or sci fi romps or star crossed lover tales wow does it deliver. If you want that, and a Giant one in the form of Shen Wei/zhao yunlan, then stick around. I still think about so Many of the individual cases, I loved them so much. The girl in the mirror who came out and fell in love, and the human man who loved her and is left in agony and loss when the law arrives and they have no chance to ever have a future. The child who was abused, who a man tries to help, and the both of them used by a villain because they’re too vulnerable to stay out of the mess, too guilty already because murder was the outcome of all that abuse and the only escape the little girl even temporarily managed. The constant horror that is Shen Wei having fought for a better future, only to be in the present and bear witness to the sufferings and failings of this world hes charged with enforcing. Sha Ya trying to protect her sister.
#rant#guardian#like I am always like WHERE is something else like this#fucking hitting all my wants ToT#buffy and xena come closest along with Star Trek#xena I have been rewatching for this reason#I love the Blend of comedy with very seriously taken gravity and weight#xena is Known for it#buffy manages it with witty writing over a progressively heavier plot#guardian also nails that vibe#constantly relaxing you with the cute and the ridiculous and the silly#with a talking cat. Shen Wei’s bad acting. zhao yunlan being a flirt#guo changcheng being overly frightened.#then it annihilâtes you.#it gives you Ye Zun the sexy evil ridiculous villain#then gives you his fucking backstory and mental unhinging#culminating in mutual fratricide and two completely broken individuals#and zhao Yunlan broken too as he makes himself get to the end to finish what he started#it gives you silly galaxy space and time#and then a promise to always find each other post death#that guts you so much you’re sobbing and can’t see the screen
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Books a Million, Part XXI: Memoirs, Chick Lit & Growing Up Different
Winter tends to be my favorite time to catch up on my reading. From the week of Thanksgiving until midway through January, everyone in the tourism industry seems to disappear—it’s as if conference season is over, their budgets have been planned for the following year, and they’re taking a very lengthy hiatus. I took the opportunity over the holidays and my birthday trip to Puerto Rico to whittle down my 2019 book list, just a smidge.
Here’s everything I’ve read in the past couple months in case you’re heading on a Spring Break or summer trip of your own soon and looking for a good vacation read of your own.
Man in the (Rearview) Mirror by LaRue Cook
I’m at that point in my career where so many peers and friends are publishing books, and I can barely keep up with reading them all. But when a friend sent me a link to LaRue’s book, I bumped it up the chain and immediately ordered the paperback instead of waiting for the Kindle version to drop. LaRue and I started as writers at the UT paper, The Daily Beacon, on the same day; I was 20, he was 18, halfway through his freshman year. We immediately became journalist friends, and I was soon promoted to features editor, he one of my most reliable writers. He later went on to be the editor of the paper after I graduated.
Our lives ran parallel for years; I worked a stint at Entertainment Weekly, and he took over the same job a year or two later. He and his girlfriend at the time, another of my close college pals, moved to NYC in my final months there before moving to California, so I got to spend some time with them as my neighbors while he was getting his feet wet in sports writing for ESPN. But then, he dropped off my radar. He was never on social media back then, despite being younger than me, and I often lose touch with people I can’t track via Facebook and Instagram. I now know that’s partially because he was going through his version of an existential crisis, and after a decade with ESPN, he quit, moved back to Knoxville and became an Uber driver. While doing this (and driving more than 5,000 passengers around town), he wrote a book—a memoir told through the parallel lives of his passengers. A read that covers so many topics in the span of 234 pages: racial inequality, sexual orientation, faith and religion, his own infidelities. It’s always weird reading a memoir by someone you know, as it feels a bit like your peeling back the layers of their soul. I’d love to write something similar someday, but am not sure I’d ever be able to approach it with such honesty as LaRue did. This is a great book for anyone looking for a non-fiction read that examines how losing your pillar at a young age—in this case, LaRue’s dad at 15—can go on to shape a person’s identity as a young adult.
Hum If You Don’t Know the Words by Bianca Marais
I’m still shook by this book. You know that it’s a powerful read if you’re still thinking about it two months later. I started and finished this book at the beach in less than 24 hours, and man, it was some heavy stuff.
Taking place in an 18-month span during the height of apartheid, Hum chronicles the lives of two very different heroines—a nine-year-old white girl whose parents are slain and a 50-year-old black woman who came to the big city to track down her rebel daughter caught up in the Soweto Uprising—and at the heart of the story, impresses upon the reader how no matter the color of our skin, our sexual orientation, our religion or where we were born, no one is any greater or worse than the next human (and that good people do bad things and bad people do good things). Particularly poignant during the racial inequality happening still today, this book really tugged at my heartstrings and should be on everyone’s must-read list.
All The Missing Girls by Megan Miranda
I love me a good mystery, and All the Missing Girls is in a similar vein to Gone Girl and every Mary Kubica book I’ve ever devoured. It starts off with Nicolette, a 28-year-old teacher who had fled her small Appalachian town after high school to move to the big city, returning home to care for her ailing father—and confronting the ghosts of her past, specifically the disappearance of her best friend. Not long after she arrives, another young girl goes missing, and Nicolette makes it her mission to figure out what happened to her—and if it is indeed linked to the same missing girl from a decade prior.
Contrary to what other reviewers have written, I found the pace of this book quick and engaging, and those who like suspense will likely find it entertaining. The only thing I didn’t really care for was the erratic storytelling style in which the author kept jumping a day back in time to set the stage. It made it a bit confusing to piece together the timeline on the reader’s end. Overall, though, I’d read this book again and give it four out of five starts if I were still rating my reads.
Eleanor Oliphant Is Completely Fine by Gail Honeyman
We’re never really told what exactly is wrong with Eleanor Oliphant; we just know from the opening lines of the book that she’s different. And that difference takes us through her life in a deadbeat job with no friends or family to call her own, a curious character who becomes overly infatuated with a rockstar she’s never met, to the point where she begins to stalk him, both at gigs and at his own home, and even thinks he’s her boyfriend.
Socially awkward Eleanor is always saying the exact wrong thing, and she’s never even aware she’s the butt of everybody’s jokes in the office. A chance encounter, however, brings her close to a coworker who she previously had written off as uninteresting: She falls into an unexpected friendship with Raymond when they come to the rescue of an older man who has fallen in the street and needs to be taken to the hospital. This book isn’t so much plot-driven, as it is about character development, and Honeyman is a master of that particular trope. Peculiar and uplifting despite its somber undertones—alcoholism, mental illness, child abuse—Eleanor Oliphant was one of the most unexpectedly endearing books I read in the past year. The cadence of Eleanor’s narrating takes a bit of getting used to, but once you insert yourself into her mind, reading in her voice becomes second nature.
The High Season by Judy Blundell
The premise of this book—an artist and gallery curator, Ruthie, dealing with a separation who longs to keep her life in a sleepy Long Island coastal town in one piece when everything around her seems to be falling apart—made me think this was going to be a beach read (or maybe the fact that it was actually set on an island did that). But it was a bit, well, sleepier than that. It took nearly halfway through the book until I even knew what it was really about: Ruthie’s failed marriage, her career crumbling at the hands of her board and coming to grips with everything changing around her, including the loss of her home and her daughter, who is midway through high school. There was a socialite aspect to this book I kind of liked when the Hampton set arrived in the North Fork for the summer; it brought a little Sex and the City edge and scandal to what was dragging on as a mundane novel to that point.
In the end, this book was fine; not great, not terrible. I liked the art gallery aspect of it; the fact that SVV and I are part of so many groups and on various art boards these days made the book a bit more relatable. If I still gave ratings, this one would get two-and-a-half stars: very slow in parts, but enough of a story to hold my interest till the end.
The Wedding Date by Jasmine Guillroy
The Wedding Date is, hands down, one of the worst books I have read ever. I am still shocked it got such positive ratings on Good Reads and Amazon—does no one read for content anymore?! I stuck with it kept waiting for the plot to develop and … nothing. In the opening pages of the book, Alexa meets Drew in an elevator, then soon after agrees to be his fake wedding date to his ex-girlfriend’s wedding. The two fall into an on-again, off-again romance, and there’s just no storyline AT ALL.
I never read any of the 50 Shades of Grey trilogy, but I imagine it was a lot like this: heavy on the sex scenes, light on the content. No thanks, not my jam. It’s a shame, too, as this could have been a powerful tale about interracial relationships and the trials faced by both side, but instead it was just plain garbage.
When Life Gives You Lululemons by Lauren Weisberger
If you loved The Devil Wears Prada, you’ll be happy to see that Lauren Weisberger is back many years later with another follow-up tale that chronicles Miranda Priestley’s assistant Emily Charlton as she navigates life’s changes after her time at Runway. (Side note: Somehow I must have missed the second in the series, Revenge Wears Prada? Anyone read it?) Emily is a fixer, an image consultant of sorts for the Hollywood set, and when her career starts to falter, she takes a job in Greenwich, Conn., trying to help a former supermodel navigate a scandal involving her senator husband while also suffering life in the suburbs.
I’ve read every other book of Weisberger’s, and while none can compare to Devil, this one is satisfying for anyone who loved the original.
Crazy, Rich Asians by Kevin Kwan
I’ll admit that I had no desire to read this book until I saw the movie trailer. Then, I immediately signed up for it at my local library, but was approximately 368th on the list, no exaggeration, so it took ages to land in my inbox. And when it finally did, it was worth the wait—nothing at all like I expected.
Rachel Chu is a professor at NYU whose boyfriends Nicky invites her back to Singapore with him for his best friend’s wedding; little does she know, his family is basically Singapore royalty. Despite the fact that she’s Asian-American—she never knew her father, but her mother was a Chinese immigrant—many members of Nick’s snobby family doesn’t give her the time of day, particularly his mom who is out to destroy their relationship. What follows is a fascinating look into how the upper crust, the social-climbers for whom dropping a cool million on a pair of earrings is an everyday occurrence, live—private planes! private clubs! private islands!—in one of the world’s most extravagant, over-the-top cities. One of my dear friends is a Singapore native, and I fact-checked much the book with her—she says it’s very accurate to the 1% there and even knows the families upon whom the book is based.
I then watched the movie on a recent flight and was equally pleased by it. I suppose next up I’ll be reading the second and third installments of this trilogy—please tell me they’re as entertaining as the first?
The Last Mrs. Parrish by Liv Constantine
You know the kind of book you think is going to end one way, then midway through, you’re hit with a whammy and completely left off-guard? That’s The Last Mrs. Parrish to a tee. Amber Patterson is a con-artist who weasels her way into heiress Daphne Parrish’s world of excess by becoming her friend in Single White Female fashion—later going as far as trying to become her, attempting to take over her husband and her home. The book ping-pongs between narrators, both Amber and Daphne, and there’s really no way to tell you anymore of the plot of Amber’s metamorphosis into Daphne without spoiling any of the zingers, of which there are many. Go. Read. This. Book!
I’m really, really hoping The Last Mrs. Parrish gets made into a movie starring (or produced by) Reese Witherspoon.
This Is How It Always Is by Laurie Frankel
Oh my, I LOVED This Is How It Always Is. I didn’t know what it was about in the slightest, but so many people recommended it, that I immediately requested it from the library. Based on Frankel’s own experiences with having a boy who early on began identifying as a girl, this book chronicles a set of five brothers, the youngest of whom always felt different. When this feeling becomes evolves into exploration—wearing dresses, putting on makeup, playing with dolls—his parents begin to realize it’s more than just a phase. So they take steps to letting their son become their daughter by moving across the country and completely resetting their lives.
At the root of this story is the message that all families have issues, all families keep secrets—it’s how they choose to deal with them that sets them apart.
**********
Currently I’m reading The Paris Secret and A Gentleman in Moscow, neither of which have really grabbed my attention, but I’ve also got Bad Blood, Becoming, Pete Buttigieg’s Shortest Way Home and Far Away and Further Back, a memoir by my friend Holly’s dad. I guess it’s a non-fiction kind of reading month over here!
What have you read and loved so far this year?
Books a Million, Part XXI: Memoirs, Chick Lit & Growing Up Different published first on https://medium.com/@OCEANDREAMCHARTERS
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Books a Million, Part XXI: Memoirs, Chick Lit & Growing Up Different
Winter tends to be my favorite time to catch up on my reading. From the week of Thanksgiving until midway through January, everyone in the tourism industry seems to disappear—it’s as if conference season is over, their budgets have been planned for the following year, and they’re taking a very lengthy hiatus. I took the opportunity over the holidays and my birthday trip to Puerto Rico to whittle down my 2019 book list, just a smidge.
Here’s everything I’ve read in the past couple months in case you’re heading on a Spring Break or summer trip of your own soon and looking for a good vacation read of your own.
Man in the (Rearview) Mirror by LaRue Cook
I’m at that point in my career where so many peers and friends are publishing books, and I can barely keep up with reading them all. But when a friend sent me a link to LaRue’s book, I bumped it up the chain and immediately ordered the paperback instead of waiting for the Kindle version to drop. LaRue and I started as writers at the UT paper, The Daily Beacon, on the same day; I was 20, he was 18, halfway through his freshman year. We immediately became journalist friends, and I was soon promoted to features editor, he one of my most reliable writers. He later went on to be the editor of the paper after I graduated.
Our lives ran parallel for years; I worked a stint at Entertainment Weekly, and he took over the same job a year or two later. He and his girlfriend at the time, another of my close college pals, moved to NYC in my final months there before moving to California, so I got to spend some time with them as my neighbors while he was getting his feet wet in sports writing for ESPN. But then, he dropped off my radar. He was never on social media back then, despite being younger than me, and I often lose touch with people I can’t track via Facebook and Instagram. I now know that’s partially because he was going through his version of an existential crisis, and after a decade with ESPN, he quit, moved back to Knoxville and became an Uber driver. While doing this (and driving more than 5,000 passengers around town), he wrote a book—a memoir told through the parallel lives of his passengers. A read that covers so many topics in the span of 234 pages: racial inequality, sexual orientation, faith and religion, his own infidelities. It’s always weird reading a memoir by someone you know, as it feels a bit like your peeling back the layers of their soul. I’d love to write something similar someday, but am not sure I’d ever be able to approach it with such honesty as LaRue did. This is a great book for anyone looking for a non-fiction read that examines how losing your pillar at a young age—in this case, LaRue’s dad at 15—can go on to shape a person’s identity as a young adult.
Hum If You Don’t Know the Words by Bianca Marais
I’m still shook by this book. You know that it’s a powerful read if you’re still thinking about it two months later. I started and finished this book at the beach in less than 24 hours, and man, it was some heavy stuff.
Taking place in an 18-month span during the height of apartheid, Hum chronicles the lives of two very different heroines—a nine-year-old white girl whose parents are slain and a 50-year-old black woman who came to the big city to track down her rebel daughter caught up in the Soweto Uprising—and at the heart of the story, impresses upon the reader how no matter the color of our skin, our sexual orientation, our religion or where we were born, no one is any greater or worse than the next human (and that good people do bad things and bad people do good things). Particularly poignant during the racial inequality happening still today, this book really tugged at my heartstrings and should be on everyone’s must-read list.
All The Missing Girls by Megan Miranda
I love me a good mystery, and All the Missing Girls is in a similar vein to Gone Girl and every Mary Kubica book I’ve ever devoured. It starts off with Nicolette, a 28-year-old teacher who had fled her small Appalachian town after high school to move to the big city, returning home to care for her ailing father—and confronting the ghosts of her past, specifically the disappearance of her best friend. Not long after she arrives, another young girl goes missing, and Nicolette makes it her mission to figure out what happened to her—and if it is indeed linked to the same missing girl from a decade prior.
Contrary to what other reviewers have written, I found the pace of this book quick and engaging, and those who like suspense will likely find it entertaining. The only thing I didn’t really care for was the erratic storytelling style in which the author kept jumping a day back in time to set the stage. It made it a bit confusing to piece together the timeline on the reader’s end. Overall, though, I’d read this book again and give it four out of five starts if I were still rating my reads.
Eleanor Oliphant Is Completely Fine by Gail Honeyman
We’re never really told what exactly is wrong with Eleanor Oliphant; we just know from the opening lines of the book that she’s different. And that difference takes us through her life in a deadbeat job with no friends or family to call her own, a curious character who becomes overly infatuated with a rockstar she’s never met, to the point where she begins to stalk him, both at gigs and at his own home, and even thinks he’s her boyfriend.
Socially awkward Eleanor is always saying the exact wrong thing, and she’s never even aware she’s the butt of everybody’s jokes in the office. A chance encounter, however, brings her close to a coworker who she previously had written off as uninteresting: She falls into an unexpected friendship with Raymond when they come to the rescue of an older man who has fallen in the street and needs to be taken to the hospital. This book isn’t so much plot-driven, as it is about character development, and Honeyman is a master of that particular trope. Peculiar and uplifting despite its somber undertones—alcoholism, mental illness, child abuse—Eleanor Oliphant was one of the most unexpectedly endearing books I read in the past year. The cadence of Eleanor’s narrating takes a bit of getting used to, but once you insert yourself into her mind, reading in her voice becomes second nature.
The High Season by Judy Blundell
The premise of this book—an artist and gallery curator, Ruthie, dealing with a separation who longs to keep her life in a sleepy Long Island coastal town in one piece when everything around her seems to be falling apart—made me think this was going to be a beach read (or maybe the fact that it was actually set on an island did that). But it was a bit, well, sleepier than that. It took nearly halfway through the book until I even knew what it was really about: Ruthie’s failed marriage, her career crumbling at the hands of her board and coming to grips with everything changing around her, including the loss of her home and her daughter, who is midway through high school. There was a socialite aspect to this book I kind of liked when the Hampton set arrived in the North Fork for the summer; it brought a little Sex and the City edge and scandal to what was dragging on as a mundane novel to that point.
In the end, this book was fine; not great, not terrible. I liked the art gallery aspect of it; the fact that SVV and I are part of so many groups and on various art boards these days made the book a bit more relatable. If I still gave ratings, this one would get two-and-a-half stars: very slow in parts, but enough of a story to hold my interest till the end.
The Wedding Date by Jasmine Guillroy
The Wedding Date is, hands down, one of the worst books I have read ever. I am still shocked it got such positive ratings on Good Reads and Amazon—does no one read for content anymore?! I stuck with it kept waiting for the plot to develop and … nothing. In the opening pages of the book, Alexa meets Drew in an elevator, then soon after agrees to be his fake wedding date to his ex-girlfriend’s wedding. The two fall into an on-again, off-again romance, and there’s just no storyline AT ALL.
I never read any of the 50 Shades of Grey trilogy, but I imagine it was a lot like this: heavy on the sex scenes, light on the content. No thanks, not my jam. It’s a shame, too, as this could have been a powerful tale about interracial relationships and the trials faced by both side, but instead it was just plain garbage.
When Life Gives You Lululemons by Lauren Weisberger
If you loved The Devil Wears Prada, you’ll be happy to see that Lauren Weisberger is back many years later with another follow-up tale that chronicles Miranda Priestley’s assistant Emily Charlton as she navigates life’s changes after her time at Runway. (Side note: Somehow I must have missed the second in the series, Revenge Wears Prada? Anyone read it?) Emily is a fixer, an image consultant of sorts for the Hollywood set, and when her career starts to falter, she takes a job in Greenwich, Conn., trying to help a former supermodel navigate a scandal involving her senator husband while also suffering life in the suburbs.
I’ve read every other book of Weisberger’s, and while none can compare to Devil, this one is satisfying for anyone who loved the original.
Crazy, Rich Asians by Kevin Kwan
I’ll admit that I had no desire to read this book until I saw the movie trailer. Then, I immediately signed up for it at my local library, but was approximately 368th on the list, no exaggeration, so it took ages to land in my inbox. And when it finally did, it was worth the wait—nothing at all like I expected.
Rachel Chu is a professor at NYU whose boyfriends Nicky invites her back to Singapore with him for his best friend’s wedding; little does she know, his family is basically Singapore royalty. Despite the fact that she’s Asian-American—she never knew her father, but her mother was a Chinese immigrant—many members of Nick’s snobby family doesn’t give her the time of day, particularly his mom who is out to destroy their relationship. What follows is a fascinating look into how the upper crust, the social-climbers for whom dropping a cool million on a pair of earrings is an everyday occurrence, live—private planes! private clubs! private islands!—in one of the world’s most extravagant, over-the-top cities. One of my dear friends is a Singapore native, and I fact-checked much the book with her—she says it’s very accurate to the 1% there and even knows the families upon whom the book is based.
I then watched the movie on a recent flight and was equally pleased by it. I suppose next up I’ll be reading the second and third installments of this trilogy—please tell me they’re as entertaining as the first?
The Last Mrs. Parrish by Liv Constantine
You know the kind of book you think is going to end one way, then midway through, you’re hit with a whammy and completely left off-guard? That’s The Last Mrs. Parrish to a tee. Amber Patterson is a con-artist who weasels her way into heiress Daphne Parrish’s world of excess by becoming her friend in Single White Female fashion—later going as far as trying to become her, attempting to take over her husband and her home. The book ping-pongs between narrators, both Amber and Daphne, and there’s really no way to tell you anymore of the plot of Amber’s metamorphosis into Daphne without spoiling any of the zingers, of which there are many. Go. Read. This. Book!
I’m really, really hoping The Last Mrs. Parrish gets made into a movie starring (or produced by) Reese Witherspoon.
This Is How It Always Is by Laurie Frankel
Oh my, I LOVED This Is How It Always Is. I didn’t know what it was about in the slightest, but so many people recommended it, that I immediately requested it from the library. Based on Frankel’s own experiences with having a boy who early on began identifying as a girl, this book chronicles a set of five brothers, the youngest of whom always felt different. When this feeling becomes evolves into exploration—wearing dresses, putting on makeup, playing with dolls—his parents begin to realize it’s more than just a phase. So they take steps to letting their son become their daughter by moving across the country and completely resetting their lives.
At the root of this story is the message that all families have issues, all families keep secrets—it’s how they choose to deal with them that sets them apart.
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Currently I’m reading The Paris Secret and A Gentleman in Moscow, neither of which have really grabbed my attention, but I’ve also got Bad Blood, Becoming, Pete Buttigieg’s Shortest Way Home and Far Away and Further Back, a memoir by my friend Holly’s dad. I guess it’s a non-fiction kind of reading month over here!
What have you read and loved so far this year?
from Camels & Chocolate: Travel & Lifestyles Blog http://bit.ly/2Ghl547
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